DE Newsletter Edition - September 2019 - part 2

A Newsletter Edition by Design Essentia Magazine // September 2019 // Part II

On Cover SKEW HOUSE, OVERLOOKING THE LUSH RUBBER PLANTATIONS

BY THOUGHT PARALLELS in Malapuram district, Kerala

DESIGN ESSENTIA MAGAZINE

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DE directions //Event Highlights - FOAID 2019

Festival of Architecture and Interior Designing, New Delhi

Featuring RAVISH MEHRA DEEPAK KALRA USINE STUDIO SANIYA KANTAWALA APICAL REFORM

architecture & design magazine

Design Essentia Magazine is an architecture & interior design magazine from India. We are an international design journal featuring the work of top architects and designers, as well as the best in trends to follow.

DE//INDIA A Newsletter Edition DESIGN ESSENTIA MAGAZINE

SEPTEMBER 2019 // PART II Join our DE community!

#letstalkdesign

“We curate to showcase the best”

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Contents DE//INDIA

//SKEW HOUSE

A Newsletter Edition DESIGN ESSENTIA MAGAZINE

OVERLOOKING THE LUSH RUBBER

SEPTEMBER 2019 // PART II

PLANTATIONS by Calicut, Kerala based

THOUGHT PARALLELS in Malapuram district, Kerala.

#letstalkdesign

(cover photograph by Prashant Bhat)

06

20

#ArtAlert

24

30

34

38

40 Architecture | Interior Design | Product Design

DE//INDIA A Newsletter Edition DESIGN ESSENTIA MAGAZINE

SEPTEMBER 2019 // PART II

#letstalkdesign

#letstalkdesign

architecture & design magazine

FOAID 2019 Festival of Architecture DE directions

and Interior Designing

writer: Anirudh Datta

By Design Essentia Magazine

F

OAID started with the idea of celebrating the

which will be displayed in a 30,000 sqft area at the

glory of Indian Architecture & Design. Since its

Design Arena along with the latest innovative

inception, it aims to create a benchmark where the

products by leading brands of the country.

stalwarts & the future designers share a common platform to discuss how the design world has

This edition promises to encourage young

transformed & innovated to create a future of spell

Architects and Designers from across India

bound figures.

presenting mind blowing innovative projects in front of the industry Stalwarts. This is a great

FOAID is an annual festival of creative minds to

opportunity for designers to have a jump in their

meet & discuss the new facets of the design

careers as it offers recognition in the field of

fraternity. As the world of Architecture is growing

design.

leaps & bounds, FOAID promises to create something unique & exclusive for the industry.

Creative installations by students from leading architecture and design colleges will inspire

FOAID 2019 edition will witness a gathering of

visitors to think beyond imagination. A uniquely

6000+ design professionals across 2 cities, who

designed Art-Kitab-Cafe, a designated space on

will actively participate in the festival. The Design

the latest books on Design will create huge buzz

Manthan - An Inspiring conference will have a

among the visitors.

power packed presence with 1000+registered delegates from across the country. The visitors will

All in all the Celebration & Festivity is the rhythm of

be enthralled to witness the works of stalwarts

FOAID.

06//Design Essentia Newsletter Edition//September 2019/Part II

Future Cities: 2020

FOAID 2019 - NEW DELHI This year at FOAID 2019 - Festival of Architecture and Interior Designing, NSIC Grounds, New Delhi;

The motto for this year was Make it Matter!!

RICARDO BOFILL The event started with the Keynote speech at FOAID’s FOAID

RICARDO BOFILL TALLER DE ARQUITECTURA BARCELONA, SPAIN

Design Manthan Conference by Spanish Architect Ricardo Bofill - Principal Architect at Ricardo Bofill Taller De

Restless Influence

Aqrquitectura, Barcelona, Spain. Ricardo Bofill talked about sustainable future in architecture with “Future Cities 2020”.

Christian Trampedach from Restless Achitecture, Copenhagen, Denmark gave a workshop giving some important advice, secrets, Do’s and Dont’s to create a successful instagram profile.

CHRISTIAN TRAMPEDACH RESTLESS ARCHITECTURE COPENHAGEN, DENMARK

A special address by Ambrish Arora from Studio Lotus, New

Innovation & Collaboration in BIM

Delhi and Sanjay Puri from Sanjay Puri Architects, Mumbai.

FOAID 2019 experienced presentations and talks with many other architects and designers from the design fraternity.

The Design Manthan Conference allows its audience to witness some of the most influential names in architecture share a stage and discuss thought provoking issues as well as present insppiring content stemming from their individual

RICARDO MATEU UHA LONDON

careers. Opportunities for audience interaction only elevates the entire experience.

This year FOAID presented ' Art Arena ' - a creative collection of gallery spaces for talented artists to showcase their works of art and generate publicity while acquainting designers with various artists; exclusively displayed at the Design Arena exhibition space.

Design Essentia Newsletter Edition//September 2019/Part II//07

//KEYNOTE SPEAKER

//MAKE IT MATTER

We undertake art styling projects, especially monumental installations in origami, terracotta and metal for residential and commercial spaces, working closely with architects and interior designers from across India to provide p art in synch with the areas designed.

Monica Jain, the Curator-Director of Art Centrix Space holds a BFA (Applied Arts), College of Art; MA(Art Hist), National Museum Institute, New Delhi & specialises in curatorially presenting art in innovative and thought provoking ways. Her ďŹ nal dissertation was a ways research on the role of mythology in 20th century western art under the guidance of Prof. Roobina

above//Evolution by Mainaz Bnao (24kt gold leaf & acrylic on canvas)

Kharode, the present director of KNMA, New Delhi.

She has studied art under doyens like Dr Lolita Nehru and Dr Jyotindra Jain among others and has the good fortune to have

left//Waters ape III by Bibhu Nath (watercolour on cast paper) below//G below//Gates of Lord Pichwai by Jai Khanna (pigment on silk cloth)

grown up and learned art management under her uncle Shri OP Jain, the former convenor of INTACH and founder of Sanskriti, IN Anandagram, New Delhi. She has trained under the renowned sculptor KS Radhakrishnan. The concepts of time, memory and space are intrinsic to her thought process and constantly emanate in her curatorial cu endeavours.

//Art Centrix Space New Delhi, India

Design Essentia Newsletter Edition//September 2019/Part II//11

#ArtAlert //A chemical on paper painting

by F.N. Souza.

Price: 3 Lakhs

ART MAGNUM, NEW DELHI Art Magnum is a trade mark

promotion of Indian art all over

incorporated under the

the world. It has worked

company Saurabh and Savinay

tirelessly to further the cause of

properties Pvt. Ltd (SSPPL).

Indian artists striving for

Since its inception in 1986,

excellence.

SSPPL has been working in the

SAURABH SINGHVI

field of art and crafts. It’s

Art Magnum was established to

DIRECTOR

founder Late L Shri Prakash

pay homage to established

Chand Singhvi was a visionary

artist as they have worked

figure who always wanted to

meticulously to put Indian art

further the cause of Indian arts

on the global scene and at the

and crafts.

same time promote young and

Art Magnum 6C/4, Yusuf Sarai, Aurobindo Marg, Inside Indian Oil complex, New Delhi -110016 India

upcoming talented artist to Art Magnum’s current director,

nurture the future of Indian art. nu

Saurabh Singhvi, is taking his info@artmagnum.in

legacy forward and has been

www.artmagnum.in ww

working for the welfare and

Art Magnum exhibited their latest art collection this September at FOAID 2019 Festival of Architecture and Interior Designing, New Delhi check the video on instagram - IGTV @designessentiamagazine 12//Design Essentia Newsletter Edition//September 2019/Part II

Art Magnum has prided itself to present different medium of artistic expression ranging from the traditional to the modern to the contemporary to the experimental.

A contemporary space with a modern tone located in the heart of South Delhi, the gallery attempts to give voice to the emerging talent of the day balanced with a roster of shows that presents the Masters of India Art through the pre and post Ar independence era.

Always innovative and always striving towards new paradigms, Art Magnum has, in its journey, reached many milestones and many goals.

The ďŹ rm has held shows in countries such as Dubai and Singapore. The collection of the

//Fisherwoman, An oil on canvas painting by B. Prabha, Price: 10 Lakhs below: //A Watercolour on Paper painting by late M.F. Hussain Price: 22 Lakhs

gallery includes works of M.F. Husain, S.H. Raza, F.N. Souza, Jamini Roy, Suhas Roy, K.G. Subramanyan, Paresh Maity, T Vaikuntam amongst others.

Going forward Art Magnum will be focusing on promoting upcoming and talented contemporary artist from across india.

//Art Magnum New Delhi, India

Design Essentia Newsletter Edition//September 2019/Part II//13

want, and aren't afraid to experiment and go beyond the renowned names in the art world.

Easel Stories is a disruptive platform that not only exhibits art, but also brings artists, art enthusiasts and collectors, on a common platform through initiatives like Artist Residency Programme, where master artists create art live while interacting cr with the audience and explaining their work, techniques, and the stories behind their canvasses. Or the Commission Your Piece service that allows our patrons to commission works of art by collaborating with an artist of collabo their choice.

above //Victoria Taxi

by Arpan Bhowmik. left //Photograph

by Taroonima Sen.

“We also enhance the experience through exclusive services like View-At-Home wherein you can view the piece at home first & buy it later. And our Art Advisory which helps you choose the right artwork.”

“So, what are you waiting for?

“S Join in on the movement and splash your life with vibrant colours and designs from the world over.”

above //Adda

by Arpan Bhowmik.

//Easel Stories Noida, India

left //Photograph

by Taroonima Sen. Design Essentia Newsletter Edition//September 2019/Part II//15

#ArtAlert

ONLY ART LIVE, MUMBAI Only Art Live is founded by

that encourage spiritual, social

Pratik Sharma and Charan

and aesthetic dialogues. In a

Sharma. It is a culmination of

world where communication is

CHARAN SHARMA (above) PRATIK SHARMA (above right)

effort of 3 generation of artists

instant and cultures are

promoting art with global

colliding and melding as never

FOUNDERS

outlook.

before, our goal is to provide

Cha Charan sharma is a known

venues for art that transcend o all sorts. boundaries of

Only Art Live

name in Indian contemporary

B-604 Prime Avenue, SV Road next to Nanavati Hospital, Vile Parle, West Mumbai - 400056, Maharashtra, India

art world, he has 40 years of

Only art live plans to participate

pratice in the field of art. Only

in art fairs globally .

art live is devoted to examine the exchange of ideas between western and nonwestern cultu cultures.

We focus on developing exhibitions and

info@onlyartlive.com

hosting not-for-profit events

“In this FOAID 2019 show we are presenting Charan Sharmas latest body of work “Aksharaa” Finer nuances in logic can only be explained through language. “

Only Art Live exhibited their art collection called “Aksharaa”

by Charan Sharma this September at FOAID 2019 Festival of Architcture and Interior Designing New Delhi check the video on instagram - IGTV @designessentiamagazine 16//Design Essentia Newsletter Edition//September 2019/Part II

Aksara in Sanskrit means something which is immortal, cannot be destroyed or terminated.

above //Aksharaa by Charan Sharma below//Charan Sharma.

He might be alluding to the eternal life through this. These characters carry sounds, and I must repeat, sound is life. We breathe and a sound reverberates.

The letters of Devanagari script painted by Charan Sharma on canvas, in a continuum, create a unique visual appeal, and ignite a kinship with its origins. Here one may recall that since the earliest times, letters and characters have not only been a vehicle of communication among people from different times, geographies, or civilizations, but also times were sanctified as a link to the divine.

So we may realize once again that apart from their daily uses, the character sets belong to a high-order understanding of man’s intellectual and creative powers—which aptly reflects in these paintings in a way that aesthetically speaks to our mind and senses, while also being capable of touching our spiritual cho chords.

//Only Art Live Mumbai, India

Design Essentia Newsletter Edition//September 2019/Part II//17

VIENNA DESIGN WEEK It is Austria's largest curated design festival and has been taking place in Vienna since 2007. Recently it welcomed over 40,000 visitors to around 200 events per year.

27 September - 6 October 2019

#vdw19 www.viennadesignweek.at

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//Skew House THOUGHT PARALLELS

//Cover Story

Thought parallels architecture with its Skew House overlooking the lush rubber plantation in Malapuram district, Kerala.

By Design Essentia Magazine Photographer: Prashant Bhat

Thought Parallels an

architecture studio from Calicut, Kerala, designs the retreat in Malapuram district, Kerala.

Driving through winding narrow roads in Malapuram district in Kerala, brings us to the site overlooking lush rubber plantation, which is abundantly grown in and around gradual slopes, camouflaging the house from plain view. vie Spread over an acre of land is the house which has a modern tropical design amalgamated with traditional architecture.

The design of the house utilizes the extents of the plot exceedingly well by having a spread out planning.

The Design accommodates the brief of the Family which was to create distinctive guest and family spaces. This clearly leads to the formation of two blocks a guest and family.

20//Design Essentia Newsletter Edition//September 2019/Part II

NIKHIL MOHAN - Principal Architect and SHABNA NIKHIL - Creative Director // Thought Parallels

Connected with each other by a semi-private living.

The guest block houses a guest living, a prayer room and a guest bedroom arranged in a linear form. The presence of the prayer room prompted the architect to align the block along the traditional direction of pray, thus creating a tilt and breaking the initial parallel axis between the two blocks, hence deriving the name “THE SKEW HOUSE�.

Design Essentia Newsletter Edition//September 2019/Part II//21

Views of the minimalistic horticulture combining both hard and soft paving around the house from every room is another dimension added to the design. Rooms are well lit and aerated with large open spaces around. The subtle slope of the traditional styled Mangalore tile roof makes the entrance verandah and inner spaces well proportioned in terms of height. The connecting semi-private living is a cozy space with doorways leading into the landscape on either side.

On entering the family block through the connecting semi-private living, one is welcomed by a large living and dining. The linear arrangement of spaces continues with the placing of the staircase followed by 2 bedrooms on one side and a kitchen and other utility spaces on the opposite end. The linearity in the arrangement of spaces brings in natural illumination and ventilation.

Wooden, steel, and exposed concrete, open riser staircase leads upwards to the first floor.

An element by itself, the staircase has a steel railing with a traditional wood carving pattern cut into it which is a subtle but impactful addition. Located on the first floor are 2 bedrooms and a linear pool.

The south-facing facade of the bedroom and corridor leading to the bedrooms have been adorned by louvered openable shutters to keep out the harsh glare and heat from the south but creating a dramatic play of light all along the corridor and bedroom floor and walls.

The use of traditional Mangalore roof tile roof along with an inner lining of plywood helps in insulating the rooms from the harsh summer heat.

The material palette has been kept very minimal with steel, wood and exposed concrete as the primary materials. Few elements such as exposed clay brick walls and natural mosaic marble flooring add value to the quality of spaces.

//Skew House Thought Parallels

Malapuram District, Kerala Project size : 12,000 sq. ft builtup (1 acre plot) Principal Architect / Designer: Nikhil Mohan and Shabna Nikhil 22//Design Essentia Newsletter Edition//September 2019/Part II

check the story at www.designessentiamagazine.com Design Essentia Newsletter Edition//September 2019/Part II//23

//Ksheer Sagar RAVISH MEHRA DEEPAK KALRA

Ksheer Sagar, A Varanasi inspired analogous color palette based retail design by RMDK, New Delhi.

By Design Essentia Magazine Photographer: Vibhor Yadav

Ksheer Sagar a retail store designed by New Delhi based design studio RMDK Ravish Mehra Deepak Kalra;

Being a well-established and highly trusted brand, originally housed within the busy lanes of the ancient city of Varanasi, Ksheer Sagar wanted to mark its presence as a heady mix of cultural and culinary heritage for its first outlet in a metropolitan city like Delhi. This changing identity called for strategic planning and design to create a modern, innovative and futuristic yet sustainable fashion.

24//Design Essentia Newsletter Edition//September 2019/Part II

Deeply rooted in heritage, the store is designed as an elegant indulgence into the old-world charm. A wide array of materials, colors and textures have been nimbly translated into a humble yet luxurious ambience.

A Varanasi inspired analogous color palette and use of naturally sourced materials complement the products on display while also adding warmth and a homely comfort to the space.

Ksheer Sagar truly celebrates the quirks of a luxurious international retail experience brought together in an Indian context to perfectly reflect the changing taste and face of a younger India.

The traditional jaali motif has been reinterpreted into a clean geometric pattern for the chic metal ceiling panel, adding a nostalgic touch within a modern context. The patterned floor tiles, also a derivative of traditional Indian motifs, highlight the feature display area to create a strong visual harmony by bringing out a strong contrast amongst otherwise very solid and minimal surfaces.

Design Essentia Newsletter Edition//September 2019/Part II//25

Aimed at reimagining the brand’s heritage in a simple, contemporary language for a global appeal, Ksheer Sagar finds a perfect balance between the old and the new to create a rich new precedent in the contemporary luxury.

/Ksheer Sagar

Ravish Mehra Deepak Kalra New Delhi, Delhi India Size: 2070 sq.ft.

Project Head: Aarushi Kalra and Dhruva Kalra Design Team: Soni Rawat Photographer: Vibhor Yadav

check the story at www.designessentiamagazine.com 26//Design Essentia Newsletter Edition//September 2019/Part II

Design Essentia Newsletter Edition//September 2019/Part II//27

WADe ASIA 2019 WADe ASIA is a sincere attempt and a movement in itself – an intrinsic desire to inject joy, hope and inspiration to every creative woman dreamer, by binding them together on a common platform.

11-12 October 2019

#wadeasia2019

www.wadeasia.com

architecture & design magazine

//Eleven 11 SANIYA KANTAWALA DESIGN

//Eleven 11 Ahmedabad, Gujarat, India Project size : 2000 sq. ft.

Cafe Eleven 11 in Ahmedabad by Saniya Kantawala Design shows a lot of drama with play of basic shapes and colours.

By Design Essentia Magazine Photographer: Vivek Shah

E leven 11 cafe by a Mumbai based Saniya

The restaurant-cafĂŠ has been established with unique seating spaces evolving into an Kantawala Design. engaging space.

Eleven 11 derives the label from the design scheme The idea has been kept very elementary, the space adorned with a play of basic shapes it follows, portraying dual possibilities of the same elements in a space, such that the interpretation of and colours. A lot of drama can be seen due to this. the interior retains its character and essence.

30//Design Essentia Newsletter Edition//September 2019/Part II

The entry is at a point in the restaurant where the guests stand facing a horizontal division of the space, imbued with a spectacular use of colour. It exposes the exciting elements of design, furniture and seating styles to the guests. The flow of movement seamlessly directs the guests to the right, towards the counter and the mocktail bar area.

To the left of the entrance, the restaurant fashions a booth seating, a long table along with bar height wooden chairs and also a three-level amphitheatre-styled step seating. The latter, with its pop-up cushions and a polished wooden finish, adds abundantly to the dynamics of the spatial design.

//Image on right Moving ahead of the counter, an upheaval of the space animates the ambience with delirium, imitating the 90’s American diners.

Design Essentia Newsletter Edition//September 2019/Part II//31

Further, to the left in the space, an observer would find a wooden partition of the volume with glazed capsule shaped cut-outs. The partition modules are reproduced in six, three for each colour division. On the other side of the partition is another seating area, secluded, with wide windows on two sides allowing ample daylight, if need be.

This space has been specially crafted for patrons to relax and unwind, with plush seating and impressive rich teak wood used for table legs. It has been influenced by the alfresco style of European cities. To make it coherent, the space is embellished with plenty of planters, hanging from the ceiling and others around the windows. The complete interior instils a certain style and degree of symmetry evident throughout the volume.

Working around the theme of divide, the materials like ply and pine veneers-hardwood, posed a challenge to constitute perfect vertical symmetry.

The furniture layout facilitated this as evident in the seating spaces thereabouts of the entrance. The bar is divided with handcrafted wooden carved ply and veneer planks. One observes a bold divide in the tables placed in the centre as they have both these finishes on them, in terms of colour scheme.

//Eleven 11 Cafe, Ahemedabad, Gujarat, India Designer: Saniya Kantawala Photographer: Vivek Shah

32//Design Essentia Newsletter Edition//September 2019/Part II

Eleven 11 has different kinds of seating throughout the space, it is pleasant, vibrant and warm. The addition of a convivial amphitheatre-styled step seating with plug points for every seat so that students and professionals can work out of a casual cosy little area on their devices. Above the stepped-seating, there are beautiful blown glass drop lights hanging, minimalist in design, while, the bar counter is decked with artistically laid-out globular white tinted luminaries.

With the geometric patterns, fabric textures and majorly with the use of colours, the restaurant-cafĂŠ at the first instance projects visual divisions. Oxymoronic may it sound, but, with the movement and experience of the space, the divisions, progressively, of all sorts find their harmony in the contrast. This broadly serves the design intent and profoundly creates the imagery of cohesion of all the elements of

check the story at www.designessentiamagazine.com

Design Essentia Newsletter Edition//September 2019/Part II//33

MPT Office by Vadodara based Usine Studio.

By Design Essentia Magazine Photographer: Photographix | Sebastian + Ira

Usine Studio from Vadodara designs this space located in Vadodara, Gujarat. The studio designs it for the clients who aspired for a work space that could do justice to their personalities. This project attempts at demonstrating various construction aspects so that parts of this office serve as examples for their interactions with clients. The challenge thus was to create a place with well-detailed aesthetics that are functional and can be employed as instances for their work.

//MPT Office USINE STUDIO

Race Course Road, Vadodara, Gujarat, India Project size : 1850 sq. ft

A dark grey metal panel with a skyline etched upon serves as the entrance facade with wooden frame, having a threshold with a glass door leading to reception area. The reception desk or other furniture pieces are also designed with an intention to reveal its structural basics.

34//Design Essentia Newsletter Edition//September 2019/Part II

//MPT Office USINE STUDIO

The wall leading further to the double height space is endowed with a white-on-black graphic of men at work, signifying the construction process.

These area is banked by two consecutive walls of brick with lime plaster, articulated with exposed structural metal members which don’t only strengthens the old structure but is also dividing the volume.

The entire space is bound by a specially designed narrow beam ceiling light that runs through its length.

The staircase leads to the upper floor passage connecting the main cabin, conference room and lounge area. Which connects the levels visually and virtually making it a whole one big work space.

The staff sta lounge on lower level, having exposed concrete walls which is painted with info-graphics related to construction works to make space lively.

Design Essentia Newsletter Edition//September 2019/Part II//35

The main cabin includes the clients wife’s work desk, above which is hand painted textured mural of globe in monochrome, symbolising the crux of her work.

The design palette constituted of exposed materials, also various window fixtures and fittings were used as sampling specimens for their work.

//MPT Office Gujarat, India Interior Design: Usine Studio Project Architects: Yatin Kavaiya & Jiten Tosar Design Team: Jitendra Singh Matharoo Client: Mayur Thakkar Photographer: Photographix Sebastian + Ira. 36//Design Essentia Newsletter Edition//September 2019/Part II

check the story at www.designessentiamagazine.com Design Essentia Newsletter Edition//September 2019/Part II//37

Apical Reform’s Betula Chair is a sheer example of fluid decontructivism pleasing aesthetics and comfort.

By Design Essentia Magazine Photographer: Anil Patel

//BETULACHAIR

//Betula Apical Reform

APICAL REFORM

Designer Description: The chair, a sinuous structure made entirely out of birch ply, is an example of fluid decontructivism that is pleasing aesthetically and comforting ergonomically.

The fluid form of the Betula was derived from a functional posture and the idea of continuity of the lines. The technique of layering is one of the key factors that adds to the aura of the chair and further beautifies the the form. Smooth flowing lines run along the form to give the impression of giving rise to a cantilevered, sculptured structure that is also pleasing to the eyes.

38//Design Essentia Newsletter Edition//September 2019/Part II

Concealed within the simple form of the chair is the meticulously resolved stability and comfort. The technique and the assembly involves an understanding of the overall form and the material used.

Precision in alignment was one of the most crucial factors involved in the entire process.

Birch Ply was used as a material as it was part of an exploration that were carried out with this material. The ideation for this project remains ongoing with further resolved prototypes under development.

//Betula Apical Reform Designer: Apical Reform – Amrish Patel, Darshan Soni, Maharshi Bhattacharya CG : Manoj Patel Photograpgy : Anil Patel

check the story at www.designessentiamagazine.com Design Essentia Newsletter Edition//September 2019/Part II//39

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