DE March - April 2021 Edition // DE India

// March - April 2021 // DE INDIA

+

On Cover

featuring

CAMILLE WALALA

//International Spotlight Interview

VTN ARCHITECTS, VIETNAM ARCHITECTURE DISCIPLINE

DESIGNS SHAHRUKH’S RED CHILLIES OFFICE IN MUMBAI

VOLUME 02 ISSUE 02

TRAANSPACE COCO SHAMBHALA, GOA ALILA DIWA GOA

#LetsTalkArt with

SUBODH KERKAR and many more mo young architects & designers of India.

#LetsTalkDesign

DESIGN ESSENTIA MAGAZINE

www.designessentiamagazine.com

DE//INDIA

follow us @designessentiamagazine

architecture & design magazine

// March - April 2021 // DE INDIA

architecture & design magazine

VOLUME 02 ISSUE 02

LEG

LA A L A O XW

DESIGN ESSENTIA MAGAZINE

www.designessentiamagazine.com

DE//INDIA #LetsTalkDesign

follow us @designessentiamagazine

// March - April 2021 // DE INDIA

+

DE SPOTLIGHT INTERVIEW

CAMILLE WALALA, LONDON

VOLUME 02 ISSUE 02

DESIGN ESSENTIA MAGAZINE

www.designessentiamagazine.com

DE//INDIA #LetsTalkDesign

follow us @designessentiamagazine

// March - April 2021 // DE INDIA

a VOLUME 02 ISSUE 02

architecture & design magazine

DESIGN ESSENTIA MAGAZINE

www.designessentiamagazine.com

DE//INDIA #LetsTalkDesign

follow us @designessentiamagazine

DE//INDIA DESIGN ESSENTIA MAGAZINE

MAR - APR 2021 #LetsTalkDesign

Design Essentia Magazine is an Architecture & Interior Design magazine from INDIA.

We are an international design journal featuring the work of top architects and designers, as well as the best in trends to follow.

Join our DE community!!

“We curate to showcase the best”

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CONTENTS

DE//INDIA DESIGN ESSENTIA MAGAZINE

MAR - APR 2021 #LetsTalkDesign

ON COVER //DE spotlight INTERVIEW with Interior Designer GAURI KHAN

25

SHOWCASING

RED CHILLIES OFFICE, Mumbai

//DE spotlight INTERVIEW with

CAMILLE WALALA

FOUNDER & CREATIVE DIRECTOR at

WALALA STUDIO, London, United Kingdom London

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12

RATTAN, CANE & WICKER: TOP TRENDING IN 2021

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DE PRODUCTS

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CONTENTS

PRITZKER ARCHITECTURE PRIZE 2021

DE voyager //HIGHLIGHTING THE BEST OF GOA (TRAVEL & ART)

COCO SHAMBHALA

40

ALILA DIWA GOA

44

#Let’s Talk ART WITH SUBODH KERKAR Museum of Goa (MOG)

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DE impressions //TOP TRENDING DESIGN SHOWCASE (DE SPACES)

54 BAT TRANG HOUSE

58

RUG REPUBLIC HEADQUARTERS

62

BOX HOUSE

VIETNAM

NEW DELHI

VADODARA

By VTN ARCHITECTS

By ARCHITECTURE DISCIPLINE

By TRAANSPACE

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//YOUNG ARCHITECTS & DESIGNERS OF INDIA SHARE THEIR STORY.

42

84

architecture & design magazine

CONTENTS

DE discover

//Editor’s letter

ABOUT THE ISSUE With this edition DE INDIA introduces its second issue for 2021.

DE INDIA INDI celebrates design with various young and experienced design talents from the country and international. Looking upto today's young trendsetters of the design guild and knowing about their thoughts in rethinking the future.

DE spotlight cover story showcases the latest eclectic Red Chillies Office for bollywood celebrity Shahrukh Khan designed by her wife and renowned Mumbai based celebrity interior designer Gauri Khan who talks about her special project.

It was an exciting moment for me to have another cover story conversation with one of the top London based artist and designer - CamilleWalala.

Camille talks about her design journey where she uses her famous bold colors & patterns and shares her latest and the most interactive project House Of Dots for LEGO in London.

//photograph by DE Studio

With this edition team DE introduces DE Voyager; a new category to explore travel and design stories from different parts of the country. This edition we bring you the “Best of Goa”.

Various homegrown young architects & designers of the country share their thoughts and works towards creating a positive change in design. Let’s highlight and celebrate the beautiful essence of design around us. Let’s Talk Design with DE. Stay Safe & Happy Reading!!

ANIRUDH DATTA (Editor in chief) DESIGN ESSENTIA MAGAZINE //DE INDIA architecture & design magazine

//Pritzker Architecture 2021 Prize 2021 DE directions Design Essentia Magazine//DE INDIA

P

RITZKER architecture prize has been announced for Lacaton and the year 2021. Anne Jean-Philippe Vassal, of France, have been selected as the 2021 Pritzker Architecture Prize Laureates, announced Tom Pritzker, Chairman of The Hyatt Foundation, which sponsors the award that is known internationally as architecture’s highest honor.

Th Through their design of private and social housing, cultural and academic institutions, public spaces, and urban developments, Lacaton and Vassal reexamine sustainability in their reverence for pre-existing structures, conceiving projects by first taking inventory of what already exists. By prioritizing the enrichment of human life through a lens of generosity and freedom of use, they are able to benefit the individual socially, ecologically and economically, aiding the evolution of a city.

The work of Anne Lacaton and Jean-Philippe Vassal reflects architecture's democratic spirit. Through their ideas, approach to the profession, and the resulting buildings, they have proven that a commitment to a restorative architecture that is at once technological, innovative, and ecologically responsive can be pursued without nostalgia.

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| March - April 2021 Edition//Design Essentia//DE INDIA

via PANTONE COLOR INSTITUTE www.pantone.com/

Anne Lacaton (1955, Saint-Pardoux, France) and Jean-Philippe Vassal (1954, Casablanca, Morocco) met in the late 1970s during their formal architecture training at École Nationale Supérieure d'Architecture et de Paysage de Bordeaux. Lacaton went on to pursue a Masters in Urban Planning from Bordeaux Montaigne University (1984), while Vassal relocated to Niger, West Africa to practice urban planning. Lacaton often visited Vassal, and it was there that the genesis of their architectural doctrine began, as they were profoundly influenced by the beauty and humility of sparing resources within the country’s desert landscapes.

//above; Anne Lacaton and Jean-Philippe Vassal, photo courtesy of Laurent Chalet.

This is the mantra of the team of Anne Lacaton and Jean-PhilippeVassal since founding their Paris-based firm in 1987. Not only have they defined an architectural approach that renews the legacy of modernism, but they have also proposed an adjusted definition of the very profession of architecture.

The modernist hopes and dreams to improve the lives of many are reinvigorated through their work that responds to the climatic and ecological emergencies of our time, as well as social urgencies, particularly in the realm of urban housing. They accomplish this through a powerful sense of space and materials that creates architecture as strong in its forms as in its convictions, as transparent in its aesthetic as in its ethics. At once beautiful and pragmatic, they refuse any opposition between architectural quality, environmental responsibility, and the quest for an ethical society.

“Niger is one of the poorest countries in the world,and the people are so incredible, so generous, doing nearly everything with nothing, finding resources all the time, but with optimism, full of poetry and inventiveness. It was really a second school of architecture,” recalls Vassal.

In Niamey, Niger, Lacaton andVassal built their first joint project, a straw hut (below) constructed with locally sourced bush branches, which yielded surprising impermanence, relenting to the wind within two years of completion.They vowed to never demolish what could be redeemed and instead, make sustainable what already exists, thereby extending through addition, respecting the luxury of simplicity, and proposing new possibilities.

They established Lacaton & Vassal in Paris (1987), and have since demonstrated boldness through their design of new buildings and transformative projects. For over three decades, they have designed private and social housing, cultural and academic institutions, public space, and urban strategies. The duo’s architecture reflects their advocacy of social justice and sustainability, by prioritizing a generosity of space and freedom of use through economical and ecological materials.

March - April 2021 Edition//Design Essentia//DE INDIA |

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//TopprojectsbyAnne Lacatonand Jean-PhilippeVassal DE directions Design Essentia Magazine//DE INDIA

Latapie House, Floirac, France was the

architects initial application of greenhouse technologies to design a larger, efficient residence, creating space for the clients children to run and grow, on a modest budget.

Th Through the use of retractable and transparent polycarbonate panels on the east-facing rear of the home, the communal areas of the residence gain significant space and flexibility of use, extending outdoors, and allowing natural light and air to circulate through the dwelling. //Latapie House (1993) Floirac, France Photo courtesy of Philippe Ruault

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| March - April 2021 Edition//Design Essentia//DE INDIA

Transformation of G, H, I Buildings, Grand Parc, 530 Units, Social Housing, Bordeaux, France (with Frédéric Druot and Christophe Hutin) 2017 The three buildings within this 1960s social-housing development, range from ten to fifteen stories and include 530 apartments.Similarly to the transformation ofTour Bois le Prêtre (Paris, 2011), qualities of space and comfort were achieved by removing the building facade and extending the interiors outward to create new spaces, forming bioclimatic winter gardens or balconies.

The result was the near doubling of size of some units and a dramatic visual reinvention that challenges the aesthetic conventions of social housing.

Transformation of G, H, I Buildings, Grand Parc, 530 Units, Social Housing (with Frédéric Druot and Christophe Hutin), photo courtesy of Philippe Ruault

129 Units, Ourcq-Juarès Student and Social Housing, Paris, France 2013

Situated on the outskirts of Paris along the Canal de l’Ourcq and next to La Petite Ceinture, an obsolete railway, this mixed-use building includes 98 student apartments, 30 residences, an assistedliving facility, and three commercial spaces. Each residential unit features a balcony or winter garden and the assisted-care residents share a ground-floor outdoor garden space.

While the occupants range in family composition and demographics, the overall goals of resource and energy conservation are achieved through the careful siting and layout of the buildings along with design features in harmony with the climate and light.

March - April 2021 Edition//Design Essentia//DE INDIA |

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Transformation of G, H, I Buildings, Grand Parc, 530 Units, Social Housing (with Frédéric Druot and Christophe Hutin), photo courtesy of Philippe Ruault

Residential and Office Building Chêne-Bourg, Geneva, Switzerland 2020 The three buildings within this 1960s Located in the Chêne-Bourg municipality in the canton of Geneva, Switzerland, this mixed-use building houses 101 residences, 250 offices and ground-floor commercial space. The building gives its occupants direct connection to the city and its offerings,which is further enhanced by the of nearby, new underground Chêne-Bourg CEVA train station. Signature to their residential work, each unit features a flexible winter garden or balcony extension, with floor-to-ceiling exposures and lined energy-efficient thermal curtains, resulting in maximum space, light and warmth.

The professional spaces also allow for flexibility, through their modular offices and adaptable configurations. Furthermore, five floors operate as flexible levels that may be converted into housing or tertiary spaces.

Photo courtesy of Philippe Ruault

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| March - April 2021 Edition//Design Essentia//DE INDIA

RATTAN,CANE&WICKER TOP TRENDING IN 2021 DE directions Design Essentia Magazine//DE INDIA

THE 70’S FAMOUS RATTAN, CANE & WICKER PALETTE IS TRENDING AGAIN MORE THAN EVER. Rattan, Cane and Wicker was a huge hit in the 70’s and one that lasted a decade.

It’s no surprise then that we are seeking more natural organic designs to fill our homes with. There’s also the element of what goes around comes back again and rattan is just one example that has seen a resurgence in our homes.

It isn’t just for outdoor furniture anymore. It’s versatile, durable and can take just about any space to the next level.

If you’ve been looking for furniture that makes a statement aesthetically but doesn’t add a ton of visual weight to your space, rattan is for you.

Be Before we start, it’s important to understand the difference between rattan and wicker. //on right; the famous Pierre Jeanneret chair. photograph courtesy : DE Studio March - April 2021 Edition//Design Essentia//DE INDIA |

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The terms "rattan" and "wicker" are often confused because they tend to be used interchangeably.

For example, many people believe rattan garden furniture is the same as a wicker garden furniture.The confusion is understandable because the differences aren't readily evident, but rattan and wicker are indeed separate from one another. Rattan is not wicker and wicker is not rattan. Rattan is the material while Wicker is the type of weave.

The primary commonalities the two share is that they're both lightweight and they're both cheaper than your run of the mill wood or metal furniture sets. If you're looking for a stylish, light, and durable product rattan is certainly the way to go. If you're a fan of natural weaving materials, then wicker should be the choice for you.

LIVING ROOM Are you the type of person who has a set style you follow in your living space? Or are you the kind of person who pulls from various influences?

From traditional to mid-century to eclectic, rattan can serve you. Because of its vintage roots and natural feel, it works in a wide variety of living spaces.

Rattan - Wicker living room mood board//on right via www.thisandthat-blog.com/

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| March - April 2021 Edition//Design Essentia//DE INDIA

RATTAN FURNITURE IN THE BEDROOM Rattan is versatile.You can use it just about anywhere in a bedroom, from the headboard to the accent chair, to the table. There are many different ways you can incorporate this material into any bedroom.

www.1stdibs.com/

via www.urbanoutfitters.com/

Rattan console via www.homelisty.com/

Cane - Rattan Armchair; via www.the-citizenry.com

Rattan cabinet via www.garmentory.com/ March - April 2021 Edition//Design Essentia//DE INDIA |

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DINING ROOM You want a dining room to feel both structured and comfortable, making it an interesting space to design. In it, you might serve an elegant dinner for your guests or enjoy a cozier meal like a pizza.

Rattan works in every setting!

If you wish your dining room to make a striking statement without feeling stuffy, Rattan is your go-to material. It looks quite elegant but its natural fibers can help add a sense of casualness.

The Wiener Chair is part of The Wiener Collection, which is a result of a fruitful collaboration of Gabriella Asztalos and Luxury Living Group, world class firm, leader in the luxury lifestyle and furniture sector.

The Wiener dining chair via www.archello.com/brand/asztalos-sl via www.mixandmatchdesign.com/

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| March - April 2021 Edition//Design Essentia//DE INDIA

PRODUCTS

ONLINE SOURCE FOR ARCHITECTURE & INTERIOR PRODUCTS. //SHOWCASE YOUR PRODUCTS WITH DE INDIA.

#LetsTalkDesign

FOLLOW US ON INSTAGRAM @DE_PRODUCTSs.INDIA

PRODUCTS

Introducing DE Products - our product platform specially for architectural and interior design products by DE India

House of Rugs & Gur Organics Unveil a Sustainable Collection of Rugs - “Kairos” Amid talk of a need for nature-friendly lifestyle in the aftermath of the pandemic, here is a unique project by two young entrepreneurs who live by the mantra of sustainable, hand-made and made-to-last products. Kairos is a collection of rugs that celebrates the essence of simple and minimal design using eco-friendly materials.

House of Rugs,the new e-commerce platform founded by Aishwarya Gupta, the young face of a 38-year-old export house based in Bhadohi, UP, has collaborated with Gur Organics of Pernia Qureshi, one of India’s leading style icons and fashion entrepreneurs for this project. Kairos promotes sustainable luxury,as well as women’s education.

The collection also sees touches of Art Deco.A combination of Japandi andArt Deco trends gives us a sophisticated edge of bold and pastel shades full of textures offering a cozy and relaxed vibe.This new look takes the modern flair of Japandi and blends it with the timeless elegance ofArt Deco aesthetic.

Where Japandi has a tendency to be neutral, the rich colour palette of Deco gives the room more warmth.

//DEProducts / Lets Talk Design 22

| March - April 2021 Edition//Design Essentia//DE INDIA

//above; Hana - Hand tufted rug in wool and jasmine silk. size: 8X10 ft //from right; Aishwarya Gupta - House of Rugs; Pernia Qureshi - Gur Organics //below; Sakura - Hand-tufted rug in wool and jasmine silk; size: 6X9 ft

PRODUCTS

Introducing DE Products - our product platform specially for architectural and interior design products by DE India

Harmony between Art, Mathematics, Mechanics & Electronics -“Stingray” A brand of the future, finding its feet in the present, has recently launched "The Stingray", which has now been introduced in a nano-size that can easily be showcased in one house while keeping intact its grandeur!

The Stingray by Apical Reform (founded by Amrish Patel & Mr. Darshan Soni) is a majestic piece that distinctly portrays the harmony between art, mathematics, mechanics and electronics. It’s a state of the art synchronisation that depicts the enchanting motion of the stingray fish and uses this momentum to create an enigmatic experience.The synergy it creates, through its reflective finish, articulates its form and creates a visual rhythm that compels the viewer to make it their centrepiece.The pulse that this artwork creates makes the onlooker feel calm and mesmerized, almost as if the piece has just come to life.

Simply looking at it, makes for a timeless experience that cannot be articulated in words.

Its fine quality craftsmanship and finishes from head to toe, reflect on the grace of this piece and what it demands from its onlookers and that is sheer attention.

The stingray stingr comes in two dynamic colours of gold and chrome, available with a sleek stand that is easy to assemble.

The stingray is one such piece that is a must have, for the experience, it brings to you, is unforgettable. un //above images; The Stingray; photo courtesy : Apical Reform

Lets Talk Design /

DEProducts//

March - April 2021 Edition//Design Essentia//DE INDIA |

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PRODUCTS

Introducing DE Products - our product platform specially for architectural and interior design products by DE India

The “Tape Collection” designed by Nendo for Minotti.

Designed by the eclectic Japanese studio Nendo, directed by Oki Sato, Tape is a collection of seats with a strong personality, characterised by the light silhouette, and consists of a comprehensive range of models: armchair with and without armrests, lounge armchair, bergère, two and three seater sofa and ottoman.

With his distinctive ironic approach, the designer overturns the traditional idea of the support feet that come out of the body of the seat, placing them externally to the structure.Tape owes its name to the couture detail, conceived as a piece of ribbon that holds the Light Bronze-coloured metal feet.

//above images; The Tape Collection; photo courtesy : Minotti

//DEProducts / Lets Talk Design 24

| March - April 2021 Edition//Design Essentia//DE INDIA

A real tribute by Nendo to the sartorial experience of Minotti.

The soft curve of the shell,which designs the armrest and that accommodates the soft back cushion,highlights the pure and enveloping line of the armchair.

Customizable in a wide range of leather and fabric coverings, c it presents two possible sets of pairings.In one version, the fabric covers the back and the seat cushion,while the shell and the tape detail are in leather of the same colour; in the other,the textile envelops the back,the seat cushion and the entire shell,while the tape detail is in Light shell Bronze-coloured saddle-hide.

With its firm formal identity and its impeccable proportions,Tape becomes the protagonist of the space that welcomes it,both in residential and hospitality contexts. www.minotti.com

Sources Unlimited Unveils Lud’o Lounge Chair by the Italian brand Cappellini ; designed by Patricia Urquiola is available in several versions:a conical metal swivel base matte varnished in black;four solid ash wood legs (oak stained,wengé stained, or black stained),with four ash wood spokes (oak stained,wengé stained,or black stained). (left)

//Game of Thrones Rogers Armchair

by Mezzo Collection (below)

Exquisite consoles / side tables by Essentia Environments (below)

Swivel Chair by Within (below)

PRODUCTS

Armchair “Let it Bee” collection

by Inhabit (left) Cher Pouffe

by Within (left)

Lets Talk Design /

DEProducts//

March - April 2021 Edition//Design Essentia//DE INDIA |

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DE

Spotlight Interview

GAURI KHAN

the well renowned Mumbai based celebrity interior designer.

DE Editor in chief Anirudh Datta had a detailed interaction with the acclaimed celebrity designer for the DE Spotlight interview series where Gauri talks about her design journey and shares her latest interior project - the Red Chillies office for Shahrukh Khan. of

IN CONVERSATION WITH

GAURI KHAN

(PRINCIPAL DESIGNER AT GAURI KHAN DESIGNS, MUMBAI)

architecture & design magazine

#DEspotlight // cover story

By ANIRUDH DATTA

DESIGN ESSENTIA MAGAZINE//DEINDIA

“

It began at home, like it does with all great things.

I was redecorating my own home, and other related projects, when people started approaching me to design their properties as well.I took the plunge as a hobby,and before I knew it,it turned into a life-long, fulfilling profession for me.

Gauri Khan Designs has been the culmination of a long-standing passion for Interior Design. It came together in less than three months, and it has now been an exciting six years since I undertook this journey. ” - says Gauri Khan

AD : WHAT INSPIRED YOU TO PURSUE A CAREER IN DESIGN? GK : I’ve been intrigued by art since I was a child. The start of my career was when I designed my home in Mumbai, Kaif was the architect. We worked very closely and I learnt alot from him which is when I first realised my inclination of getting into interior design.

AD : WHO WERE YOUR EARLY DESIGN HEROES AND ROLE MODELS? GK : I have no role models who I emulate or wish to be like.

AD : IN FEW WORDS, HOW WOULD YOU DEFINE YOUR DESIGN PHILOSOPHY? GK : My design philosophy is to strike a balance between my personality and my art.Things that I do should reflect a style that is unique. It has to be elegant, quiet, imaginative and thoughtful.

(on left) Gauri Khan at the Red Chillies Office Location: Mumbai, Maharashtra, India //via Bottomline Media Pvt Ltd. check full story continued on next page;

photographer: VISUAL AFFAIRS & THE GRID STUDIO VIS March - April 2021 Edition//Design Essentia//DE INDIA |

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AD : TELL US SOMETHING ABOUT THE CONCEPT YOU FOLLOWED FOR THE RED CHILLIES OFFICE INTERIORS? WHAT WAS THE THEMEYOU FOLLOWED FOR THE ENTIRE PROJECT? GK : The place was reformed with vox interiors wall coverings and ceilings which gave them a creative and tactile touch sensation. The infratop ceiling system is innovative and has extraordinary quality.

The space has a muted colour theme giving it a sophisticated feel and creates an aura of calmness.

AD : YOUR MOST FAVORITE ELEMENTS OF THE PROJECT? ANYTHING SPECIFIC YOU LIKE TO SHARE ABOUT THE PROJECT THAT MAKES IT SPECIAL FOR YOU? GK : My favorite elements in the office would be the exquisite painting inside the office made by Francois Lesage, the movie posters and the KKR bus.

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| March - April 2021 Edition//Design Essentia//DE INDIA

//below; Gauri Khan at the Red Chillies Office in Mumbai.

Photograph courtesy : Visual Affairs & The Grid Studio check out full project on www.designessentiamagazine.com

“

The work from home and remote working took a new meaning during the pandemic and I thought it’s perfect time to refurbish the Red Chillies Office for Shahrukh Khan and create a place conducive for innovative thinking.

The exquisite Kerradeco wall and VOX Soffit ceiling promises extraordinary quality. I would describe the space to be an eclectic mixture of antique and modern designs with lots of art and personalised memorabilia with shades of grey, black and white.” says Gauri //below; Red Chillies Office in Mumbai.

Photograph courtesy : Visual Affairs & The Grid Studio check out full project on www.designessentiamagazine.com

March - April 2021 Edition//Design Essentia//DE INDIA |

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AD : ANY NEW PROJECT YOU ARE WORKING ON CURRENTLY THAT YOU WOULD LIKE TO TALK ABOUT? GK : I am currently working on a project in Imphal. It is a huge hotel, one of a kind and I am very excited to be working on it but because of Covid-19, everything has taken a step back and the timelines have moved a little haywire.

AD : DE AIM’S TO HIGHLIGHT THE YOUNG ARCHITECTS AND DESIGNERS CREATING A POSITIVE CHANGE IN THE FIELD OF DESIGN. BEING ONE OF THE ACCLAIMED YOUNG DESIGNERS TODAY, WHAT DO YOU THINK IS THE WAY TO MOVE FORWARD TO CREATE A SUCCESSFUL DESIGN PRACTICE IN THE 21ST CENTURY? GK : Definitely having your space flexible and versatile. It should be comfortable, yet stylish that reminds one of a far-away holiday considering how Covid-19 has taken a toll on our travel desires. //above; Gauri Khan at the Red Chillies Office in Mumbai.

Photograph courtesy : Visual Affairs & The Grid Studio

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check out full project on www.designessentiamagazine.com | March - April 2021 Edition//Design Essentia//DE INDIA

DE

Spotlight Interview

CAMILLEWALALA

is a London based artist and designer.

DE Editor in chief Anirudh Datta had a detailed interaction with the acclaimed international designer for the DE Spotlight interview series where Camille talks about her design journey and shares her most interactive work till date House of o Dots at the Coal DropsYard in London’s Kings Cross.

IN CONVERSATION WITH

CAMILLE WALALA

(FOUNDER & CREATIVE DIRECTOR AT WALALA STUDIO, LONDON)

architecture & design magazine

#DEspotlight // cover story

By ANIRUDH DATTA

DESIGN ESSENTIA MAGAZINE//DEINDIA

Known for her ambitious,large-scale and explosively colourful interventions in public spaces, Camille Walala uses the man-made landscape as a platform for disseminating positivity. Her work encompasses full-facade murals, immersive 3D installations, street art, interiors and set design – characterised by a fusion of bold colours and playful geometric patterns.

Since her ‘Dream Come True Building’ burst onto the Shoreditch streetscape in 2015 and thrust her into the spotlight, Camille and her creative producer, Julia Jomaa, have been engaged in an increasingly bold cr roster of international projects.These have included collaborations with leading global brands – such as LEGO, for whom she created the HOUSE OF DOTS; the creative direction of the groundbreaking Mauritian hotel SALT of Palmar; and a slew of major installations for events like NYC’s Wanted Design and London Design Festival – including Walala Lounge, as complete suite of semi-permanent street furniture that transformed South Molton Street, Mayfair, into a corridor of colour. Camille finds inspiration in community and collaboration, and the power or colour and pattern to transform atmospheres, elevate moods and spark positivity.

AD : WHAT INSPIRED YOU TO PURSUE A CAREER IN ART & DESIGN? CW : I came into the world of design, some would say, a little later than most. I didn’t really know what I wanted to do with myself. I tried many different paths and studied many different things. Living in London, I started to exploit the many different workshops and short courses that are available in the arts. Once I started doing these classes I knew kn that this was the path for me.

AD : WHO WERE YOUR EARLY DESIGN HEROES AND ROLE MODELS? CW : One of my heroes would be Keith Haring.

I love everything he stood for.

He was an incredibly successful commercial artist, but he didn’t believe his art should be only for the rich. He wanted his art to be accessible to all. He would bring joy with his murals and spread positive messages around the streets of NewYork.

AD : IN FEW WORDS, HOW WOULD YOU DEFINE YOUR DESIGN PHILOSOPHY? CW : I do what makes me feel good! I try not to think too much and just let the workflow out of me. I feel that if I’m having fun and enjoy what I see, then hopefully others will too. Most importantly I want to play!

(on left) Camille Walala at the Walala Lounge Location: London Design Week 2019, London, United Kingdom check full story continued on next page;

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photographer: CHARLES EMERSON | March - April 2021 Edition//Design Essentia//DE INDIA

AD : YOUR COLORFUL INTERVENTIONS IN PUBLIC SPACES HAVE SUCH BOLD COLORS AND PATTERNS, HOW DID YOU COME UP WITH SUCH COLORFUL CONCEPTS IN DESIGNING SUCH SPACES? CW : It very much depends on the project and what the brief is. I generally like to visit the site where the work will be situated. I think this is an important part of the process. I find that by going to the location it inspires me and how to place colours and patterns. It is also incredibly instinctive. I spend a lot of time in my studio creating patterns and putting colour palettes cr together. Never knowing exactly where they may be used.

//below; The Dream Come True Building, London

by Camille Walala Photograph courtesy : Walala Studio check out full project on www.designessentiamagazine.com

AD : YOUR MOST PROUD PROJECT? ANY FAVORITE ELEMENTS YOU LIKE TO SHARE ABOUT THE PROJECT THAT MAKES IT SPECIAL FOR YOU? CW : The Dream Come True Building mural in Shoreditch, is my most proud moment in a project. This was my first step into the creating oversized public art murals. It was a massive challenge, as I had never translated my work on to such a large surface before. I had a team of volunteers. It was overwhelming to know that there were other artists out there that wanted the to help me realise my dream project! It was two long weeks of hard work and I was so proud of the final result and what we had achieved. This project definitely opened the door to continuing to produce more artworks like this.

March - April 2021 Edition//Design Essentia//DE INDIA |

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AD : FOR YOUR LATEST “HOUSE OF DOTS”, WHAT WASYOUR CONCEPT FOR DESIGNING THIS SPACE? HOW WOULD YOU DEFINE THIS SPACE IN TWO WORDS. CW : I had to work with the LEGO team to understand what the important deliverables were from Lego’s side for their launch.

However, they pretty much gave me carte blanche to come up with a concept. Many ideas were thrown around, but in the end, we landed ar on the house. We though that this immersive experience would be so much fun for the kids to visit and would be the best way to apply the new Dots product.

How would I define the space in two words?

FUN - POP

“

“It’s a joy to create a fun space where kids and adults can spontaneously express their creativity, make something beautiful and show off who they are.

HOUSE OF DOTS captures all the exuberance and playfulness that people know me for, with something extra special: the chance to let your imagination go wild and create your own work of art. Oh, and a slide.”

- Camille Walala

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| March - April 2021 Edition//Design Essentia//DE INDIA

//below; House of Dots - LEGO X WALALA Photographer: TEKLA SEVERIN

check out full project on www.designessentiamagazine.com

//HOUSE OF DOTS LEGO XWALALA

Camille Walala unveiled her most interactive work to date at Coal Drops Yard in London’s Kings Cross to introduce the entirely new 2D tile play concept from the Lego Group.

To tease the new product,Walala was invited to bring Lego Dots to life in a free public art installation that celebrates their shared values of creativity, self-expression and accessibility, expressed through the vibrant colours and bold geometric patterns of both the new product and her own signature work.

The result is House Of Dots: a fantastical house comprising five rooms spread over eight shipping containers, in which everything from the walls and floors to the rugs, frames and furniture has been customised in a mashup of Lego Dots and Walala’s distinctive patterns and colours. Playful and immersive, House Of Dots invites people to journey through a living room,kitchen,bedroom,bathroom and finally a unique disco room designed to celebrate self-expression and let the body flow freely.While they explore the space, guests were encouraged to get involved by designing their own patterns and bracelets – and even take elements away with them ahead of the release of LEGO® DOTS in March 2020.

If that weren’t enough,guests can exit via an 8ft slide down the side of the installation.

House of Dots - LEGO X WALALA Photographer: TEKLA SEVERIN

check out full project on www.designessentiamagazine.com March - April 2021 Edition//Design Essentia//DE INDIA |

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#LetsTalkGreen

India’s first journal on Environmental news & Sustainable Design to take action against “climate crises”

#GreenGazette

“JOIN US NOW IN THIS CLIMATE EMERGENCY”

follow us @greengazette

A green initiative by Design Essentia magazine//DE INDIA

a

architecture & design magazine

//COCO SHAMBHALA HOSPITALITY COVER //DE VOYAGER //above; Coco Shambhala, GOA Photograph courtesy : Coco Shambhala and Giles Knapton (image on right) DE Studio (image on left)

C

oco Shambhala, GOA, is a green haven with a tropical palette that provides a personal sustainable lifestyle experience to its visitors. It has four tropical villas with a blend of architecture & design meant to deliver the most breathtaking holiday experience, celebrating the pleasure of living in the eternal summer of the tropics. t Coco Shambhala has a reputation for creating tropical houses among the best in the world, with a penchant for hedonistic spaces blurring the lines between indoors and out.

The design process is responsive to the topography, natural elements and energy of each individual land. Each tropical house will be a completely unique design in harmony with its situation and lifestyle of the inhabitants.

architecture & design magazine

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Coco Shambhala; designed and owned by Giles Knapton, who is the principal designer at Mayamataya Pvt Ltd. in Goa. Goa With great interest for tropical architecture, Giles came to Goa from the United Kingdom almost two decades earlier and fell in love with the city. It was then he designed and built Coco Shambhala for its finest sustainable-tropical experience sustainable-t and stayed in the city permamantly.

Giles Knapton talks with DE Editor-in-chief Anirudh Datta about his journey and concept behind Coco Shambhla. //above; GILES KNAPTON - PRINCIPAL DESIGNER AT MAYAMATAYA PVT. LTD. - GOA

AD: WHEN AND HOW DID YOU DECIDE TO MOVE TO GOA AND START YOUR OWN PRACTICE? GILES : I have long held a deep love for tropical architecture and garden design. I’d yearned to try my hand at creating a tropical house and garden. I explored the opportunities to do so in many countries, including Belize, but having backpacked around India as a teenager, I was somehow drawn back here. During the monsoon of dr 2004, my Father and I came on a bonding trip to Goa to search for land. As a foreign national the only route open to me was through hospitality, so we conceptualised and designed a new hospitality product which came to set the precedent for villa hotels in this part of the world. I spent one weekend a month flying into Goa from the UK during the build, and once complete decided to move here full time to refine the concept and guest experience.

Now we have two intimate and personalised villa properties one in Goa and other in Sindhudurg, operating under the Coco Shambhala banner backed by a bespoke design house. architecture & design magazine

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AD: COCO SHAMBHALA, AN EXCEPTIONAL GREEN HAVEN YOU HAVE DESIGNED IN GOA. WHAT WAS YOUR CONCEPT TO DESIGN THIS SPACE? GILES : We are blessed to be in one of the most biodiverse places on the planet. Therefore we should celebrate this through the way our buildings interact with nature. We should celebrate this gift and use simple techniques to make comfortable spaces. ma For example, a shaded green jungle will always feel cooler than a concrete jungle.We placed the bedrooms on the ground floor to keep them connected with the earth and remain cool, with open sided living spaces in the treetops to take advantage of cross ventilation. architecture & design magazine

AD: WHAT ARE YOUR FAVORITE DESIGN ELEMENTS THAT YOU ADMIRE THE MOST ABOUT COCO SHAMBHALA, GOA? I love that the gardens cocoon you from the outside world and envelope the habitable spaces to make every journey of interest. I loved as a child that magical feeling of discovery when garden pathways disappeared into dense foliage. You were always eager foliag with anticipation to discover around each corner. I believe that spacial design should always reignite the child in all of us, and I’m proud to say I think Coco Shambhala Goa delivers in that respect. But most of all I’m proud of the way we’ve worked with the energy of the land, and therefore the land gives back to us and our guests every day. //Coco Shambhala, GOA Photograph courtesy : Coco Shambhala and Giles Knapton .

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AD: TELL US SOMETHING ABOUT YOUR DESIGN STUDIO AND ITS WORK STYLE HERE IN GOA? GILES :We have chosen to work with very few select clients, who share our passion and vision for working with the land to create extraordinary spaces in tune with the environment which supports us. I think as a foreigner and guest in your country, I have a deep responsibility to develop in a sustainable way.

AD: THE WORLD IS NOW SLOWLY REALIZING THE SERIOUSNESS ABOUT CLIMATE CHANGE. WHAT IS YOUR TAKE ON SUSTAINABLE PRACTICE IN ARCHITECTURE TODAY? GILES : Yes, we are very late, but better late than never! I think living in the tropics gives you a really deep appreciation for the environment around you, allowing you to respond in a more practical and tactile way.

We have to make every effort to be as sustainable as possible in all that we do, not just through design, but our lifestyle in general. As designers we are privileged to be at the forefront of change. The opportunity to make the world a little better; one house at a time. tim

Seeing the World Through your Eyes!

Although the design process p has sustainability and our aesthetic sensibility at the core, we must have a deep understanding of you, and your lifestyle.To see the world through your eyes is the beginning, and most essential, part of the process; to spend time in your home, to understand your lifestyle, your personality, belief systems, principals and daily practise, p is how the building will serve you and your family with dignity and love.

- Giles Knapton and team Coco Shambhala //on left; Coco Shambhala, GOA Photograph courtesy : Coco Shambhala and Giles Knapton .

check full story at www.designessentiamagazine.com March - April 2021 Edition//Design Essentia//DE INDIA |

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//ALILA DIWA GOA HOSPITALITY COVER //DE VOYAGER //above; ALILA DIWA GOA Photograph courtesy : ALILA DIWA GOA

A

lila Diwa Goa, is a luxury 5 star Hyatt resort located in the picturesque village of Majorda in South, just 20 minutes drive from Goa Dabolim International Airport.

Bringing a refreshingly unique resort experience to Gonsua Beach in Majorda the resort blends contemporary Goan architecture with the magic of Goa's cultural richness.

Nestled within nature natu the resort offers spectacular views stretching before you, lush green rice fields and the largest infinity pool in Goa. Relax beneath the shade of mature banyan, mango and peepal trees as you surrender to the pleasures of a resort experience that is refreshingly unique.This exotic Hyatt resort offers you a safe home away from home, letting you enjoy the perfect serenity and solitude in Goa.

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Fabulous sandy beaches, monumental churches, flea markets, strong colonial influences and a vibrant nightlife; all that is Goa! It is a heady concoction of old world charm and cosmopolitan outlook. This context provides the ideal setting for the expression of a unique hospitality experience. experienc One of the first impressions, while exploring the spaces of the Alila Diwa Goa resort is the well-articulated architectural vocabulary rooted in Goan sensibilities and contemporary styling.

Nature is integral in the grand scheme of things with large porous courtyards and beautiful old trees offsetting the built volumes. The existing trees on the site are strategically integrated into the spatial design, with the spaces woven around the larger trees in a symbiotic relationship. Borrowing cues from the regional architecture, the spatial quality is elevated by detailing that references the vernacular but which is interpreted in a contemporary aesthetic.

The material palette is a refined combination of predominantly local materials like laterite combined with the textures of the regionally available stones and woods.

Architecture: STAPATI Architects Location: Goa, India Photograph courtesy: Alila Diwa Goa (image below) DE Studio (image above)

architecture & design magazine

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Alila Diwa Goa's all new iconic concept event space

Harness the slow magic of the Goan skyscape, where a celestial drama plays out daily, where no two moments are repeated. Each moment is pure magic. Each moment is a drop of inspiration.

Welcome to Udeta!

Say 'I Do' within the grandeur of an 18,000 sq.ft iconic event venue in Goa, nestled within the picturesque Alila Diwa Goa, a five-star Hyatt resort in South Goa. Udeta, meaning 'rising' in colloquial Konkani, is a newly constructed event venue in South Goa with a capacity of over 1,000 guests.The event venue is designed with breathtaking contemporary architecture rooted in local flavours and a blend of organic natural shades and textures while being surrounded by a luxuriant tropical landscape.

Udeta features a 12,000 sq. ft indoor space with a 3,600 sq.ft pre-function are and the largest pillar-less hall in South Goa, spread across 8,400 sq.ft with a 20 ft clear height.The hall further opens to a 2,000 sq. ft Theatre Kitchen with five built-in live stations. Being the only event venue in Goa with this feature,Udeta is sure to enchant all your guests with the visual treat of our culinary artists preparing and serving fresh gourmet delights.

The gorgeous outdoor area includes the Lawns at Udeta, which is spread across 4,200 sq. ft and further extends to the 1,800 sq. ft Udeta Alfresco with a built-in bar and grill stations. Nature is an integral part of the design of Udeta, with seamless transitions created from the interiors to the exteriors. Be it a cocktail party, wedding ceremony or a lavish reception, your search for the best wedding venue in reception Goa ends with Udeta at Alila Diwa Goa. 46

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//above; UDETA at ALILA DIWA GOA Photograph courtesy : ALILA DIWA GOA

//THE DIWA CLUB

BY ALILA a resort within a resort!

If just getting away is not enough, and what you need is a complete retreat.

Alila Diwa Goa offers the perfect solution, just 500 meters from the Gonsua Beach in South Goa. The Diwa Club by Alila is a private resort within a resort at Alila Diwa Goa, where one can retreat into a state of personal privacy in an environment of spectacular elegance & sophistication, where every request is granted and every need anticipated.

The Diwa Club includes its own separate pool with an open air Jacuzzi and an adjoining restaurant – Bistro, with an all-day breakfast concept.

Additionally they can also access all the facilities and services at Alila Diwa Goa that includes the infinity pool, Kid's Club, Mini-theatre, restaurants & bar, Spa Alila and Fitness Center.

check full story at www.designessentiamagazine.com //above; UDETA at ALILA DIWA GOA Photograph courtesy : ALILA DIWA GOA March - April 2021 Edition//Design Essentia//DE INDIA |

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//MUSEUM OF GOA (MOG) LETS TALK ART //DE VOYAGER //Chillies by Subodh Kerkar (image on left)

M

useum of GOA (MOG) is a private contemporary art space.

Founded by Dr. Subodh Kerkar in 2015, the Museum celebrates Goa’s history and people through contemporary art.

MOG is envisioned not just as a repository of objects, but as a laboratory of ideas where all forms of laborato art are in constant dialogue with each other.The Museum seeks to bring art and local history to larger audiences, in an attempt to bridge the huge cultural gap in the country.Apart from taking contemporary art to the larger public, we are also a pedagogical experiment in narrating history.

#LetsTalkArt Subodh Kerkar is a qualified medical professional who gave up medicine to pursue arts 27 years ago. He has carved a niche for himself, especially in the field of conceptual art and land art.

He is the founding director of Museum of Goa which is one of the largest privately owned contemporary art spaces in India.

Suboh Kerkar talks with DE Editor-in-chief Anirudh Datta about his art journey. //above; Dr. Subodh Kerkar Artist - Founding Director at MOG - Museum of Goa Photograph courtesy : MOG, Goa

www.museumofgoa.com/

architecture & design magazine

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In India contemporary art has become very elitist and the major part of our population is completely ignorant of what happens in that field. Contemporary art education is very frugal or absent. Museum of Goa is thriving to break this cultural barrier and introduce contemporary art to everyone, making it more democratic and accessible to all.We have firm faith in the power of art, not just as a means to bring joy and happiness to the viewers, but also contribute towards making a plural, healthier and just society.

MOG in Konkani means love. Museum of Goa is truly a space inspired by love of arts.The Museum is not a repository of objects but a laboratory of ideas; where all forms of arts are in constant dialogues with each other.

AD : WHO WERE YOUR EARLY HEROES AND ROLE MODELS? SK : I had many heroes in art till now from whom I have been inspired. They kept changing with time. My first heroes were my Father and his teacher S.L. Haldankar.

I also loved the works of Van Gogh.

When I got the opportunity to travel to Europe and visit the museums of contemporary art, my heroes changed. I loved the installations of Andy Goldsworthy. Also works of Richard Long who became my idol.

And of course the one and only Pablo Picasso inspired me the most. Currently my influences keep changing and there are many artists in India and around the world whose work I adore and learn from as well.

AD : WHAT INSPIRED YOU TO PURSUE ART? IN FEW WORDS, HOW WOULD YOU DEFINE YOUR ART JOURNEY TILL NOW? SK : My father was an artist and I got interested in art because of him.When I was a child, he taught me how to draw. He taught me how to do water color landscapes, he taught me how to do the effects of sunlight, the shade and light.

When I was in school I was already al doing lots of artwork with landscapes and also Goan houses, where the shade & light in these houses was one of my favorite subject for artworks.

When I went to medical college to become a doctor that time I got very interested in cartoons. RK Laxman the famous cartoonist in India became my hero. I started drawing some cartoons and luckily some local newspapers published them. So, even during medical college I was always connected with art. After medical school I started a hospital ar and ran it for about 8 years.

It was then that art started beckoning. It was calling me. Now from last 30 thirty years I have been pursuing art. //above; Cowrie Disc - Cowrie shells, metal frame and coarse rug made of sheep wool (2020) //right; Mussel shells ocean | Photograph courtesy : MOG, Goa March - April 2021 Edition//Design Essentia//DE INDIA |

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AD : ANY NEW PROJECT YOU WORKING CURRENTLY ON THAT YOU WOULD LIKE TALK ABOUT? SK : I am an artist and I am driven. I am passionate about what I do. I live art. I dream art.

Currently my pre occupation is with the Indian Ocean. I have always been connected with the ocean and lots of my works are created on the beach. So I call my self an “ocean artist”.

One my present project is to visit about 20 ports in the Indian Ocean like the Madagascar, Maldives, Australia, Read Sea, Pakistan coast, Indonesia, etc. I would like to work with traditional boat makers from these countries. By reusing wood from old boats to create sculptures connected to mythology of these countries with navigation of Indian Ocean in this contemporary art.

“Art is the universal language of mankind and can dissolve all kinds of boundaries and walls.

We at MOG exhibit works by artists from around the country and the world, thus attempting to put Goa on the international art map and make ma her a part of global art conversations.”

- SUBODH KERKAR 50

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//above; Fishermen and the ocean - the fishermen line up to pay homage to the ocean. They walk along the waves. The work celebrates the role the ocean plays in shaping civilizations. (Video at MOG) //below; Mandvi Mandala - Planks of old wooden dhows from Mandvi, fibreglass objects immersed in the ocean (with oysters grown on their surfaces) and iron nails (2020) Photograph courtesy : MOG, Goa

Another talent at the Museum of Goa is this young artist - Siddharth Kerkar; (on right) son of Subodh Kerkar.

Siddharth who studied art from Chelsea college of Art, London shares his art story about his upcoming artworks at MOG. Hailing from f a family of artists Siddharth has been exposed to art from a very young age. Always been attracted towards abstract works and the love to explore materiality and textures made him experiment with sawdust, cement, found objects like flip-flops and recycled tyres.

“Watching patterns of sand on the beach and terrains from the airplane always fascinates me, those images find their way in the geometrical patterns that I create on my canvases using different materials and textures.” says Siddharth.

AD : TELL US SOMETHING ABOUT YOUR LATEST ART COLLECTION? Siddharth : Currently I am working on a series of Copper Paintings where in I am patinating copper with various chemicals and processes. Dipping the copper in salt solution, exposing the copper to heavy sunlight, burning the copper with a fire torch, using vinegar to stain copper.The processes I used were with materials easily available at home and grocery stores.

I feel growing up by the beach has strongly influenced my creative processes and somehow I am the idea of using materials from the sea or patinating copper panels with salt have a personal reason to it.

//above; Artworks by Siddharth Kerkar from material experimentation series of Copper, sand, sawdust paintings.

Photograph courtesy : Siddharth Kerkar - MOG, Goa

My art practice has been changing with my discoveries with materials. Often the environment I create my works in finds its way into my artworks. Sand, Sawdust , Clay , Charcoal, etc. are all materials I have found while creating my artworks which whichtually became a material in my work. I have created a series of paintings with copper and a new series of paintings created with sand and sawdust.

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www.bostondesignweek.com

//Let’s take an alluring journey through design with some of the exquisite architecture and interior spaces designed by today’s design trendsetters.

DE

Impressions //In background Rug Republic Headquarters, New Delhi by Architecture Discipline | photographer: Jeetin Sharma

Bat Trang House, Hanoi, Vietnam by VTN Architects Location: BAT TRANG, HANOI, VIETNAM Architect: VTN ARCHITECTS Principal Architect: VO TRONG NGHIA Photographer: HIROYUKI OKI

architecture & design magazine

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RESIDENCE FOR TWO COLLECTORS

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at Trang House, is situated in a unique location of Bat Trang Town– a pottery village in Hanoi,Vietnam that has been around for more than 10 decades.

Designed by VTN Architects led by principal architect Vo Trong Nghia.

The façade of the building represents the community’s unique culture of ceramic pottery making.While the exterior was inspired by the traditional beauty of the town, the interior ensured the convenience and comfort of today’s modern life.The spatial arrangement of the house was also based on the owner’s ideal home, where nature intertwines with other functions of the house. architecture & design magazine

//above; Bat Trang House, HANOI, VIETNAM by VTN Architects Photographer: HIROYUKI OKI //left; Vo Trong Nghia; principal architetct at VTN Architects March - April 2021 Edition//Design Essentia//DE INDIA |

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“The brief of the project was to design a home for a seven-member family and a place for relative get-togethers. Besides its residential uses, Bat Trang House also functions as a shop, trading the traditional ceramic products of the pottery town.” says principal architect Vo Trong Nghia In the cultural-rich context of the village, villag using local materials was prioritized by the design team. Additionally, the owner was a ceramic specialist, hence VTN Architects were able to take advantage of the material. Ceramic has its own rough aesthetic and high durability, which was suitable for the exterior skin of the building.

The entire façade of the design was made purely out of ceramic bricks. The bricks were individually made to size to create the alternating rhythm, opening up in some spaces while closing in others. The small gaps created by the bricks placement act as vents, circulating the air throughout the building. Whereas the big openings of the building façade situated sizable greeneries, allowing filtered light the flow through.

The interior spaces were designed with a minimalistic approach. Large glass panels were integrated without the fear of getting the house overheated, as direct sunlight was filtered by the two layers of ceramic façade and greenery façade.

The gaps g of the ceramic walls function particularly well in terms of effectively getting the right amount of solar gain for the interior, especially in the summer. The uses of artificial air conditioning were unnecessary as the three-layer ventilation system “exterior ceramic façade”, “alternating green g spaces” and “door” guarantee that the house is “absolutely cool”.

Solar panels and rainwater collectors also took part in the sustainable design.Vast windows, alternating ceramic openings connected by the indoor forest create a multi-layer living picture frame that would be ever-changing for the occupants.

BAT TRANG HOUSE, HANOI,VIETNAM BY VTN ARCHITECTS PHOTOGRAPHER: HIROYUKI OKI architecture & design magazine

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The intimate connection of people with nature was notably important to the design team.

VTN Architects ensure the natural and sustainable living quality in every residential project. The designs make sure that the occupants could always a feel the freshness of greeneries and the ambient skylight in their daily activities.

BAT TRANG HOUSE, HANOI,VIETNAM BY VTN ARCHITECTS PHOTOGRAPHER: HIROYUKI OKI

check full story at www.designessentiamagazine.com

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Rug Republic Headquarters, New Delhi by Architecture Discipline Location: OKHLA, NEW DELHI Architect: ARCHITECTURE DISCIPLINE Principal Architect: AKSHAT BHATT Design Team: Akshat Bhatt and Heena Bhargava Photographer: JEETIN SHARMA

architecture & design magazine

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RESIDENCE FOR TWO COLLECTORS

R

ug Republic Headquarters, in Okhla, in the heart of New Delhi is a reaction to its industrial setting: an indictment of what we have brought our cities to. Designed by New Delhi based studio Architecture Discipline led by principal architect Akshat Bhatt.

“The brief b presented by the client was to make the existing dilapidated building usable again, within a limited budget and with minimal interventions. Hence, a great emphasis has been placed on reclaiming the usable spaces, by undoing ad-hoc alterations in the building’s spatial layout and removing layers of the flooring that was done by its previous occupants. ” says Akshat. architecture & design magazine

//above; Rug Republic Headquarters, NEW DELHI by Architecture Discipline Photographer: JEETIN SHARMA //left; Akshat Bhatt; principal architetct at Architecture Discipline March - April 2021 Edition//Design Essentia//DE INDIA |

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The design, a weeping transformer, is a reinterpretation of an expression of warehouses that emerges out of the architect’s understanding of the physical context and the challenges it posed. By equating Okhla to a war zone, a metal shell has been enveloped around the structure to protect p the interiors from the hostile and acrid environment. An inward-looking building, therefore, finds its justification in the site’s industrial skyline that offers nothing of visual interest at eye levels.

Furthermore, acrid air quality and ruckus created by the monkeys in the neighbourhood demanded a deviation d from the conventional glass architecture and prevented large openings on the facade.

Within the building, the movement is centred around a helical staircase, thereby a curved aperture creates a sharp contrast against the rectilinear ceiling and establishes a visual connection between all floors. The curved form is further reflected on the exterior facade and helps draw the eye towards it. to There is a well-defined hierarchy in the spatial organisation. Frequently used spaces such as offices and temporary exhibitions are housed on the ground floor, while permanent exhibitions for the company’s diverse products and private office cubicles are accommodated on the upper levels.

Two container areas have been designed as Tw a spillover space during the work breaks and a small terrace on the top provides views of the distant greens.

On the exterior facade, a visual connection to the outside has been maintained using controlled apertures crafted in corten steel. The jaali allows minimal daylight to penetrate within and prevent monkeys from entering the premises. However, on the lower floor near the entrance, entranc split-face granite stones have been used for their ease of maintenance and rigidity. To achieve functional efficiency and ease of maintenance, the services have been planned on the outside.

The building is a reflection of the current time and creates a strong impression with the onlooker.

RUG REPUBLIC HEADQUARTERS, NEW DELHI BY ARCHITECTURE DISCIPLINE PHOTOGRAPHER: JEETIN SHARMA architecture & design magazine

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It has been designed as a protective armour offering very little views of the outside, keeping the hostile and acrid environment away.

By doing so, it puts forth a pressing question “have we brought ourselves to this? br And, even if we have, can we still make it interesting?”

Instead of hiding under a veil of glass and granite, the design aims to make a post-industrial statement that would intrigue the visitor. With carefully engineered design interventions, a new life has been leased to the structure and made it pertinent for years to come.

RUG REPUBLIC HEADQUARTERS, NEW DELHI BY ARCHITECTURE DISCIPLINE PHOTOGRAPHER: JEETIN SHARMA

check full story at www.designessentiamagazine.com

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Box House Vadodara by Traanspace Location: VADODARA, GUJARAT Architect: TRAANSPACE Principal Architect: URVI SHAH Photographer: TEJAS SHAH

architecture & design magazine

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RESIDENCE FOR TWO COLLECTORS

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ox House, on plot area of 4500 sq.ft. is located in gated community in Vadodara, Gujarat; surrounded by bungalows on adjoining sides and access way only on the south. Designed by Traanspace studio led by principal architect Urvi Shah.

“The client wanted the house to be outlined for a family of four. Having lived in a very utilitarian house until now, they desired a shift to a house closer to nature. Expecting the design to be very functional they at the same time believed in maximalism.To develop a concept which responds to the context and the client brief has been a journey for us.” says Urvi. architecture & design magazine

//above; Box House, VADODARA by Traanspace Photographer: TEJAS SHAH //left; Urvi Shah; principal architetct at Traanspace March - April 2021 Edition//Design Essentia//DE INDIA |

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The main concept was to open out each space and have green pockets in sync with nature. The heart of the design is the central courtyard strategically created to establish visual linkages. After leaving the regulation margins, an additional setback was planned on the front f road facing side of the plot. A garden was conceptualized in this expanse.

Living, dining and staircase forming the active core of the house, were designed with limited or no wall separation between them. Aligned to the client’s client brief, landscaped pockets were planned in and around these spaces to keep them open, connected and in sync with nature.

Spaces overlooking these green scopes were designed on the above floors.

The facade is flanked by balconies and terraces at different levels to cut the direct entry of sunlight thus acting as buffer for the main functional spaces. The elevation thus strikes a balance between solidity and transparency. Boxes are used as elements to add a character to the climate responsive balcony of the master bedroom. A shift in material from brick to exposed grey plaster distinguishes this volume. This concept of boxes is then taken further while developing the overall design language. languag The interior colour scheme is conceptualized to be neutral and the material palette minimal. All the furniture is either customized as per design or handcrafted on site as per details. Wood and metal became the key elements while developing the furniture. Used differently at different furnitu spaces against the subtle backdrops of white and grey, these materials are then overlaid with pastel furnishings and accessories.

BOX HOUSE,VADODARA BY TRAANSPACE | PHOTOGRAPHER: TEJAS SHAH architecture & design magazine

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The heart of the design is the central courtyard strategically created to establish visual linkages and connectivity in all the three dimensions. The spaces on the ground floor are arranged in a C around this court. Together with the cou outdoor landscape, this quad frame beautiful views for the living and the dining.

The staircase placed in this courtyard takes one to the above floor. Bedrooms on this floor are riveted by a common reading area. The staircase further takes one to the second level encompassing the entertainment room and a ente landscaped terrace.

BOX HOUSE,VADODARA BY TRAANSPACE | PHOTOGRAPHER: TEJAS SHAH

check full story at www.designessentiamagazine.com

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IDS TORONTO

13 -16 May 2021 The Interior Design Show is Canada’s premier showcase of new products and furniture, superstar designers and avant-garde concepts from North America and beyond.

www.toronto.interiordesignshow.com

//Let’s discover an alluring journey through design, while in conversation with various young architects & designers of India.

DE

Discover

//In background The Balmy Abode, Mumbai by Theta One Designs photographer: Fabian Charuau

architecture & design magazine

Aarunya Architects,

based in Bharuch,Gujarat is a young architecture & interior design studio led by principal architect Raxit Shah .

Established in 2018 the firm creates c a versatile body of work ranging from Architecture ,Interiors and Furniture Design in Residencial,Corporate,Retail and Hospitality spaces. @aarunyaarchitectsofficial (instagram)

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Discover

INTRODUCING THE YOUNG ARCHITECTS AND DESIGNERS OF INDIA

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/ Interiors //in background; The Pebble Studio,Ahmedabad by Aarunya Architects Photographer : Marvel Andrews

RAXIT SHAH

principal architect at AARUNYA ARCHITECTS, Bharuch, Gujarat, India

TELL US SOMETHING ABOUT YOUR STUDIO’S DESIGN PHILOSOPHY? RAXIT : Since the very beginning the studio has specialized in the analysis and management of projects, with the aim of offering the best orientation and advice to our clients and their investments.

Design with an unsinkable passion, passion provoked by reference, inspiration and uniqueness, we place a lot of emphasis on concept based democratic design, rebellious and benevolent.

Our design creates c awe or an element of surprise by silent storytelling thus engaging the occupant or viewer in a conversation, developing scenarios that will lift people out of everyday life into an imaginative and creative mental world. (on right - continued on page 70)

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TELL US SOMETHING ABOUT THIS PROJECT? WHAT WAS THE CONCEPT BEHIND ITS DESIGN INCEPTION? RAXIT : “THE PEBBLE STUDIO" inAhmedabad,Gujarat.This office space is a reflection of the ideals of the firm as well as its founders.

In current cu times,“Cost ”and“Space” saving is a necessity.Imagine an office which offers display as well as selection of its products as a part of its interior design into the same.Well,here it is.

Considering this as the concept and adding the sales value to its main products,a client can actually experience the feel,ensure the product & quality,gather some ideas for using. pr To keep the space more Interactive and Open,the main cabin has been made out of glass and is elevated by a step,giving it a floating look.It helps the owners,to be attentive and yet involved with their team to ensure better work environment.This studio is all about landscape products and earthen materials. (below) The Pebble Studio,Ahmedabad by Aarunya Architects Photographer : Marvel Andrews

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WHAT WAS YOUR FAVORITE DESIGN ELEMENT ASSOCIATED WITH THIS PROJECT? RAXIT : Among all our works this project some where has our heart.

Challenge to use their material as an interior part. Designing different display system and making them the part of their material display.

In a brief client were into selling landscape material so we decided to use those material as an interior part so that the buyers can actually feel the products .our main motto was to design a space that has green elements to create positive environment en

The Pebble Studio,Ahmedabad by Aarunya Architects | Photographer : Marvel Andrews Check out full project on www.designessentiamagazine.com

//CLIMATE TALK!!

THE WORLD IS NOW SLOWLY REALIZING THE SERIOUSNESS ABOUT CLIMATE CHANGE. BEING AN ARCHITECT, WHAT IS YOUR TAKE ON SUSTAINABLE PRACTICE IN ARCHITECTURE TODAY? RAXIT : “the quality of causing little or no damage to the environment and therefore able

to continue for a long time ".

For us sustainable practice in architecture today is the use of design strategies that reduce the negative environment impact from a built environment .We try to create a careful balance between human needs and the needs of the ecosystem. As a designer our role is to design a self-sustaining micro-ecosystem containing the building on-site, as a part of the larger ecosystem on the planet.We as an architects focus on building design and construction that reduces the impact of urban development on the environment. and create buildings that require less land development while using more environmentally friendly materials for more energy efficiency. en March - April 2021 Edition//Design Essentia//DE INDIA |

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architecture & design magazine

Arif Associates,

established in 1996 in Calicut,Kerala is an experienced architecture & interior design studio led by principal designer Arif Mohammed .

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Over 2 decades of handling various typologies like a living,hospitality, commercial and urban sector,now the firm with a team of 40 + members including architects,engineers and project managers settled in a larger working studio in the core of the city. @arifassociates (instagram)

/ Architecture //in background; House in Arboretum, Calicut by Arif Associates Photographer : Kommachi Productions

ARIF MOHAMMED

principal designer at ARIF ASSOCIATES, Calicut, Kerala, India

TELL US SOMETHING ABOUT YOUR STUDIO’S DESIGN PHILOSOPHY? ARIF :We believe architecture is the collusion of sentiment and function that has to communicate for the future by understanding the present.

We use to think about a large crowd rather than the client. How the particular design is going to affect the neighborhood, surroundings and the ecosystem. We make sure to enhance the spatial understanding in design amd also to adhere to the concept of minimalism in design. design Responding to the site and the climate both on micro and macro level is a task we make sure to achieve. (on right - continued on page 74)

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TELL US SOMETHING ABOUT THIS PROJECT? WHAT WAS THE CONCEPT BEHIND ITS DESIGN INCEPTION? ARIF : “HOUSE IN ARBORETUM" in Calicut,Kerala is recreated with more green on its skin and cozy from its heart.The house was built inside a community housing compound with typical planning and structure of its own.It took almost 16 months to remake the house as now.

WHAT WAS YOUR FAVORITE DESIGN ELEMENT ASSOCIATED WITH THIS PROJECT AND WHY?

ARIF : The house underwent a redesigning exercise to break the basic structural design of the home that earlier had a sloping roof feature, following the standard design of other homes in the community. The 16 months redesigning process turns out the look and feel of the house into an organic structure that celebrates the presence of nature.The cubical elevation makes an overt statement of being open and offers welcoming DESIGNTEAM : Arif Mohammed and ambiance that is enhanced by natural SanoopT. P. light and air.The periphery of the house is embellished by the greens (below) with a beautifully planned landscaped House in Arboretum, Calicut by Arif Associates garden.

Photographer : Kommachi Productions

The enthusiasm behind upbringing and inviting i the plants and green space defines the name 'House inArboretum' well.The house has a normal facade that conveys the quality of the climate and even resists to more heat.It has an open plan where all the semiprivate spaces are connected to each other and make the circulation easy even for a newcomer. n At present,its a home rather than a house were all the plants and living beings breathe along with the family.

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House in Arboretum, Calicut by Arif Associates | Photographer : Kommachi Productions Check out full project on www.designessentiamagazine.com

//CLIMATE TALK!!

THE WORLD IS NOW SLOWLY REALIZING THE SERIOUSNESS ABOUT CLIMATE CHANGE. BEING AN ARCHITECT, WHAT IS YOUR TAKE ON SUSTAINABLE PRACTICE IN ARCHITECTURE TODAY? ARIF : There is a crucial role for an architect to give rise to an environmentally

friendly atmosphere inbuilt culture. Carbon emission is rapidly shooting up.We architects expect to regulate it by our design philosophy and practice.

We should do the foolowing in my opinion; Buid only what is necessary - retaining structures resulting materials, reduction in resource consumption. Passive design ideology with understanding site condition, climate, and people. is a must.

Understanding both client requirements and nature needs along with verticality in design so as to retain majority greenery as possible. Fexibility in design with no wastage and reuse of material shoudl be followed.

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Aura Interiors,

architecture & design magazine

based in Raipur,Chhattisgarh is a young interior design studio led by principal designer Ruchi Burman.

The studio has been involved i in Residential,Commercial & Hospitality projects as well as Interior styling and furniture design. @aura_by_ruchi (instagram)

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/ Interiors //in background; Villa at Swarnbhoomi, Raipur, Chhattisgarh by Aura Interiors Photographer : PHX India

RUCHI BURMAN

principal designer at AURA INTERIORS, Raipur, Chhattisgarh, India

TELL US SOMETHING ABOUT YOUR STUDIO’S DESIGN PHILOSOPHY? RUCHI : Our design philosophy at the studio is to understand our client needs, their vision of new home, their likes and dislikes, of course the budget that definitely comes first. Then we design by keeping our ideologies which help project p to achieve both dreams of the client.

We love and respect the freedom and faith our client have on us.

(on right - continued on page 78)

Villa at Swarnbhoomi, Raipur, Chhattisgarh by Aura Interiors Photographer : PHX India March - April 2021 Edition//Design Essentia//DE INDIA |

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TELL US SOMETHING ABOUT THIS PROJECT? WHAT WAS THE CONCEPT BEHIND ITS DESIGN INCEPTION? RUCHI : “VILLA AT SWARNBHOOMI" in Raipur, Chhattisgarh is a very modern and luxurious residence. It has lot of details which fulfil both aesthetical and functional aspects.We have used specific wall textures on walls to give definition. All modern furniture’s, lighting, art and decor are furnitu procured from different parts of world. Each room is very different from each other and it perfectly reflects whom they belong to aesthetically. Use of indoor plants makes it close to nature from every corner of living and respective balconies from room.

Colour theme in this house is a single tone, more of neutral and nudes. Pop of shades gives identical look in form of furnishing and lighting. Mix of Italian marble floor with wooden planks looks very identical.The whole house is in complete automation which is best part to stop our self from misuse of resources. (below) Villa at Swarnbhoomi, Raipur, Chhattisgarh by Aura Interiors Photographer : PHX India

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One of the keys to the heart of a Bohemian Interior is making combinations. Unlike the minimalist style, a boho theme is unapologetic in both mixing finishes and layering elements of decor like textiles, art, and accents.The structure has a simple base finish with white walls and black white flooring, flooring with a colorful play in the furniture and a GraffitiWall.

WHAT WAS YOUR FAVORITE DESIGN ELEMENT ASSOCIATED WITH THIS PROJECT? RUCHI : Everything in this project is very close to my heart. I cannot define one. It hasall those detailswhich I always wanted to do and it was certainly appreciated by the client.

Villa at Swarnbhoomi, Raipur, Chhattisgarh by Aura Interiors | Photographer : PHX India Check out full project on www.designessentiamagazine.com

THE WORLD IS NOW SLOWLY REALIZING THE SERIOUSNESS ABOUT CLIMATE CHANGE. BEING A DESIGNER, WHAT IS YOUR TAKE ON SUSTAINABLE PRACTICE IN ARCHITECTURE TODAY? //CLIMATE TALK!!

RUCHI : Very true, CLIMATE CHANGE is a big point to think nowdays and ofcourse

we all are responsible for this today. So the change is with us only if each designer follows the basic Do’s and Dont’s with a basic change in what we do with respect to our building design. We can design to maximise te natural lighting indoors with proper natural ventilation with bigger windows and balconies and indoor garens. Less usage of full glass facades to create energy efficient design so as not to increase the indoor temperature and not rely on extra air conditioning. By proper positioning of a facility in relation to the environment, an architect can adjust facility to the natural resources at the site, such as the en sun and wind energy, which increases the energy efficiency and the qualityof the design.

Small changes leads to big results.

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architecture & design magazine

Magic Houz,

A new perspective towards better integrating lifestyle and spaces set the tone for founding of this young design practice in 2010 in Nashik,Maharashtra by architects Sara Shah & Nilay Shah.

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Th Through their studio their philosophy echoes the need for holistic approach working on the physical and emotional quotient while giving the user a soulful experience. @magichouz (instagram)

/ Interiors //in background; Treeland, Residence in Nashik by Magic Houz Photographer : Kuber Shah

SARA SHAH & NILAY SHAH (from right) principal architects at MAGIC HOUZ, Nashik Maharashtra, India

TELL US SOMETHING ABOUT YOUR STUDIO’S DESIGN PHILOSOPHY? MAGIC HOUZ : At Magic Houz we craft visual stories that become signature surroundings. Guided by clients aspirations, as well as their diverse experiences, we design singular interiors, which allow clients to fully express who they are and what holds meaning to them. them Our design philosophy features refined use of materials, sophisticated symmetry, coupling order with a burst of colors, and strong silhouettes.

Our studio super-specializes in designing, styling and curating of furniture along with accessories and lighting all tailor-made to fit the requirement of the client. (on right - continued on page 82)

Treeland, Residence in Nashik by Magic Houz Photographer : Kuber Shah March - April 2021 Edition//Design Essentia//DE INDIA |

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TELL US SOMETHING ABOUT THIS PROJECT? WHAT WAS THE CONCEPT BEHIND ITS DESIGN INCEPTION? MAGIC HOUZ : “TREELAND" A residence in Nashik,Maharashtra. WHAT WAS YOUR FAVORITE To keep in touch with nature,we decided DESIGN ELEMENT the ideal course for this project was to go ASSOCIATED WITH THIS with a neutral palette and explore and PROJECT AND WHY? experiment amongst the tones and tints in the family. As a whole,the space is MAGIC HOUZ : The fresh white minimalistic with minute detailing in the fluted ribbed wall behind the TV, the accessories and furniture. grey veneer textured walls alongside it and the black lights on the ceiling The visual textures textu and patterned walls in give the room a modern and crisp each room add a subtle advancement to the component and add some depth whole minimalistic vibe of the apartment with its contrasts.

It was a beautiful and challenging experience that showed how even with the restricted We were inclined towards the cosy color palette,just some subtle contrasts and reading corner that we created in added elements of geometry and texture the living room which is right next broke the monotony and upraised the to the balcony in front of the veneer whole space. with a bark artwork and a lounge chair, enriched with petite plants letting us enjoy Nashik’s beautiful (below) landscape while you sit with your landsc Treeland, Residence in Nashik by Magic Houz Photographer : Kuber Shah book and a cup of coffee.

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Treeland, Residence in Nashik by Magic Houz | Photographer : Kuber Shah Check out full project on www.designessentiamagazine.com

//CLIMATE TALK!!

THE WORLD IS NOW SLOWLY REALIZING THE SERIOUSNESS ABOUT CLIMATE CHANGE. AS ARCHITECTS, WHAT IS YOUR TAKE ON SUSTAINABLE PRACTICE IN ARCHITECTURE TODAY?

MAGIC HOUZ : “Today’s chaos calls for thoughtfully designed spaces

which promote the well-being of individuals, society, and the natural environment. A holistic approach to designing that takes into consideration the daily needs of each individual while retaining the identity of each spaces withrespect to its use.”

The need of the hour is an integration across ac design verticals to achieve the common goal of designing meaningful spaces and finding the right balance where we move away from materialistic and industrial lifestyle and finding the true meaning of going sustainable.

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architecture & design magazine

Sheetal Bokria Interior Design Studio, is a Mumbai based young interior design studio led by principal designer Sheetal Bokria. “designing is a platform plat where art meets design meets fashion,culminating in an aphrodisiac for the soul.” says Sheetal. @sheetal_bokria (instagram)

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/ Interiors

//in background; Labdhi Lifestyle Limited in Mumbai by Sheetal Bokria Interior Design Studio Photographer : Pulkit Sehgal

SHEETAL BOKRIA

principal designer at SHEETAL BOKRIA INTERIOR DESIGN STUDIO, Mumbai, Maharashtra, India

TELL US SOMETHING ABOUT YOUR STUDIO’S DESIGN PHILOSOPHY? SHEETAL : A good design has two SHEE parts to it – a great idea and simplicity in execution that brings the idea to life.

At studio we are passionate about providing solutions that are unique to each individual space and create concepts that are innovative.

We aim to keep things simple and functional, transcending our client’s visions into reality. Keeping aesthetics as the key to client’s end goals, our meticulous attention to detail ensures dedicated time to understanding the clients requirements and aspirations in order to reflect their culture and lives or in a suave and refined style.

After all, nothing makes your space more you, than YOU! (on right - continued on page 86)

Labdhi Lifestyle Limited in Mumbai by Sheetal Bokria Interior Design Studio Photographer : Pulkit Sehgal March - April 2021 Edition//Design Essentia//DE INDIA |

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TELL US SOMETHING ABOUT THIS PROJECT? WHAT WAS THE CONCEPT BEHIND ITS DESIGN INCEPTION? SHEETAL : “LABDHI SHEE LIFESTYLE LIMITED" in Mumbai is an office for a young client who is the CEO of a real estate company in his late 30's.

I was briefed brie to make a working space for some odd 100 plus employees in 5000 sqft office space. His cabin has a very vibrant and rustic look which leads to the conference room.

The a separate marketing area which has There's a lot of colours and an informal seating area for the young thinkers to come with fresh ideas.There's a dry pantry again which has a decal with pictures of all the famous monuments of Mumbai .The directors cabin is very simple keeping in mind the age group.

The walls segregated seg the cabins and have been treated with pop colours and vertical gardens to bring in freshness. (below) Labdhi Lifestyle Limited in Mumbai by Sheetal Bokria Interior Design Studio Photographer : Pulkit Sehgal

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WHAT WAS YOUR FAVORITE DESIGN ELEMENT ASSOCIATED WITH THIS PROJECT? SHEE SHEETAL : My client had few apprehensions in turns of colours.

Since we wanted to give it a rustic look I created rafters on the ceiling and painted it black. Used wooden flooring in his cabin to break the monotony and of course the exposed brick wall created c the entire look seamlessly .

The vertical garden is another element which brought in freshness.

The wall art on the marketing den wall was customised to add zing in the youngsters.

Labdhi Lifestyle Limited in Mumbai by Sheetal Bokria Interior Design Studio | Photographer : Pulkit Sehgal Check out full project on www.designessentiamagazine.com

//CLIMATE TALK!!

THE WORLD IS NOW SLOWLY REALIZING THE SERIOUSNESS ABOUT CLIMATE CHANGE. BEING A DESIGNER, WHAT IS YOUR TAKE ON SUSTAINABLE PRACTICE IN ARCHITECTURE TODAY? SHEETAL : Gladly everyone is now talking about sustainability and SHEE

even practising it not only in architecture but also in interior design.

Sustainability is often confused by many.They think reusing the materials will not give them the correct strength, functionality and aesthetics. Using a green material which is less harmful for the environment will help us in long - term ecological balance. Sometimes just for aesthetics and to unleash creativity there has been complete demolition of structures which could have been partly retained. Every individual as well as designers must take ha the Responsibility so Restore and Reuse materials and resources.We have to reduce the abuse on mother nature.

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architecture & design magazine

Stories Design Studio,

is a Bangalore based young interior design studio led by principal designers Shailja Awasthi &Revathi Rao Gurram.

“We are inspired by art,nature and science to integrate these three disciplines in unique ways to build humanistic,functional and creative spaces – be it residential,corporate or commercial.” says Shailja. @stories.design.studio (instagram)

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/ Interiors //in background; The Home of Prachi & Akhlesh, Bangalore by Stories Design Studio Photographer : Damodharan M.Agency - Crosspollen

SHAILJA AWASTHI

design principal & founder at STORIES DESIGN STUDIO, Bangalore, Karnataka, India

TELL US SOMETHING ABOUT YOUR STUDIO’S DESIGN PHILOSOPHY? SHAILJA : Stories design studio is a SHAIL luxury interior design and architectural design studio with deep-rooted expertise in residential, corporate, commercial, retail and hospitality projects. At our very core, we believe that there is a transformative story waiting to be trans told in every space that we work with. And that’s exactly what we like to bring to life for you by focusing on personalization, craftsmanship and care in all that we do. We create spaces that speak about people who lilive in them and get inspired by them.

Our work blends nature, science, art, mythology and technology. (on right - continued on page 90)

The Home of Prachi & Akhlesh, Bangalore by Stories Design Studio Photographer : Damodharan M. Agency - Crosspollen March - April 2021 Edition//Design Essentia//DE INDIA |

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TELL US SOMETHING ABOUT WHAT WAS YOUR FAVORITE DESIGN THIS PROJECT? WHAT WAS ELEMENT ASSOCIATED WITH THIS THE CONCEPT BEHIND ITS PROJECT? DESIGN INCEPTION? SHAILJA : I like the abstract shaped solid brass SHAIL SHAILJA : “THE HOME OF mirror and antique brass crockery unit that blends SHAIL PRACHI & AKHLESH" in together the vintage and modern worlds very subtly.

Bangalore is a medley blending modern I believe mirrors also add an element of and traditional aesthetic. introspection and self reflection unlike the larger belief where mirrors are looked at as a The brief was exceptionally exceptional clear, it was representation of bloated self esteem and exroversion. to give our clients their luxury high-rise ex apartment - a contemporary and functional structure; and yet maintain a Also the walk-in wardrobe, a narrow long space muted luxury feel so the they could which is designed to avoid the feeling of being enjoy family life together. trapped.The glass shutters were added and mirror was cladded on the entire back stretch of the The apartment features a very elegant wardrobe.When the lights are switched on the foyer leading to a spacious living room reflection instantly doubles up the space.The client and a functional bar, a cozy family room was smitten by the Marie Kondo’s organization skills for spending the day, watching television and studied a course under Kondo’s guidance on and playing games, expansive kitchen, a organising and clutter management.We made sure large dining where the family enjoys to apply those details while designing the space. getting together and hosting friends The largest wall of the home is also part of the living along with a master bedroom bed and two space.We used the wall as a blank canvas and added other rooms. handmade doodles depicting the activities & interest of the family members along with a denim televison (below) unit. Creating a sense of theatre is essential in any The Home of Prachi & Akhlesh, Bangalore by Stories Design Studio Photographer : Damodharan M.Agency - Crosspollen living space and that’s what this wall does very subtly.

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The Home of Prachi & Akhlesh, Bangalore by Stories Design Studio | Photographer : Damodharan M.Agency - Crosspollen Check out full project on www.designessentiamagazine.com

THE WORLD IS NOW SLOWLY REALIZING THE SERIOUSNESS ABOUT CLIMATE CHANGE. BEING A DESIGNER WHAT IS YOUR TAKE ON SUSTAINABLE PRACTICE IN ARCHITECTURE TODAY? //CLIMATE TALK!!

SHAILJA : Sustainable design is surely important today and SHAIL would eventually reward the societies that adopt its practices. It is definitely not any more futuristic.While infusing sustainability in architecture the choice of building materials needs to be considered to avoid or minimize a negative impact on the environment. Using reclaimed lumbar helps reducing the energy consumption while manufacturing of new materials. Useable wood is reclaimed and renewed during demolition of older buildings to allow retro fits serving a new function together along with old doors, windows, mantels and hardware.

I am personally a fan of BAMBOO in this regard since it can be rapidly renewed. It can be harvested for commercial use after just six years which is a rapid reduction when compared to timber.

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architecture & design magazine

Studio 3Twenty One ,

established in 2018, is a multidisciplinary firm led by principal architect Anupa Ria Kurian involved inArchitecture,Planning,Landscape design,Interiors,restoration and refurbishments based in Kottayam,Kerala.

“We are a team of highly qualified architects whose work is inspired by people,culture and light.We co-create useful places,taking every opportunity to add beauty along the way.” says Anupa. @studio.3twentyone (instagram)

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/ Architecture //in background; Navapatra, Kottayam, Kerala by Studio 3 Twenty One Photographer : Prashanth Mohan - Running Studios

ANUPA RIA KURIAN

principal architect at STUDIO 3 TWENTY ONE, Kottayam, Kerala, India

TELL US SOMETHING ABOUT YOUR STUDIO’S DESIGN PHILOSOPHY? ANU ANUPA : We believe that every project is a new experience. To blend each with the values of sustainable development is a must in our design approach.

Every work is carefully crafted for it to suit the prime factor the site. All the interventions are cautiously executed with utmost care to the environment itself.

(on right - continued on page 94)

Navapatra, Kottayam, Kerala by Studio 3 Twenty One Photographer : Prashanth Mohan - Running Studios March - April 2021 Edition//Design Essentia//DE INDIA |

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TELL US SOMETHING ABOUT THIS PROJECT? WHAT WAS THE CONCEPT BEHIND ITS DESIGN INCEPTION? ANUPA : “NAVAPATRA THE NEW LEAF" was a vision to revamp an existing house to amalgamate the quality outdoor space with the life indoors.

Enveloped in the tropical greens, the house flaunts vernacular style with cutting edge eco-friendly aspects.Adhering to the principles of sustainable architecture, we followed a realistic and pragmatic design approach in retaining the existing structural and spatial core.The extensions were carefully crafted so that it merged naturally with the original structure and it formed an integral part of the structu edifice. It is designed to allow filtered views enriched with the foliage across the house, further pushing the barriers of indoors and outdoors.

Reflecting the essence of KeralaVernacular Architecture, the courtyard improves the lighting and air quality of the rooms around it like that in a “Nalukettu”.The patio extends into the flora around holding delightful sights. Conscious use of tones and textures of teak wood and greenery against the white plastered backdrop, which are enriched with the use of warm lights creating c enchanting indoor experience.

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WHAT WAS YOUR FAVORITE DESIGN ELEMENT ASSOCIATED WITH THIS PROJECT? ANU ANUPA : The outdoor patio that extends into the green canopy cover of the large fig leaves.

The space provides p the perfect space with ambient light and whispering winds to enjoy evenings. (below) Navapatra, Kottayam, Kerala by Studio 3 Twenty One Photographer : Prashanth Mohan - Running Studios

Navapatra, Kottayam, Kerala by Studio 3 Twenty One | Photographer : Prashanth Mohan - Running Studios Check out full project on www.designessentiamagazine.com

THE WORLD IS NOW SLOWLY REALIZING THE SERIOUSNESS ABOUT CLIMATE CHANGE. BEING AN ARCHITECT, WHAT IS YOUR TAKE ON SUSTAINABLE PRACTICE IN ARCHITECTURE TODAY? //CLIMATE TALK!!

ANUPA : We believe that every decision in any field needs ANU the consideration of sustainability.We are architects specialized in sustainable environmental design who takes prime care to ensure our architectural interventions are evolved from the site itself to reduce the adverse impacts of the Construction field.

Our consideration does not limit with the boundaries of the site alone but includes the entire ecology.

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architecture & design magazine

Studio Arid,

established in 2016 in the heart of the pink city Jaipur,Rajasthan, is a young architecture & interior design studio led by principal architect Bhubharat Singh.

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“Design is a highly high personal process, and we place great emphasis on client interactions to ensure that the final project incorporates the vision of sustainability with the client’s aspirations for aesthetics,functionality and budget.” says Bhubharat. @studio.arid (instagram) @studi

/ Interiors //in background; Apartment 802 Jewel of India, Jaipur, Rajasthan by Studio Arid Photographer : Tejveer Singh

BHUBHARAT SINGH

principal architect at STUDIO ARID, Jaipur, Rajasthan, India

TELL US SOMETHING ABOUT YOUR STUDIO’S DESIGN PHILOSOPHY? BHUBHAR BHUBHARAT : Design is a highly personal process and we place great emphasis on client interactions to ensure that the final project incorporates the vision of sustainability with the client’s aspirations for aesthetics, functionality, and budget. budget For us, each project is a new beginning. The conceptualization is undertaken by the entire team in constant collaboration with each other via group discussions and periodic meetings. Being primarily design-based we value the process as much as the product and do not claim allegiance to any specific design, style or school of thought. (on right - continued on page 98)

Apartment 802 Jewel of India, Jaipur, Rajasthan by Studio Arid Photographer : Tejveer Singh March - April 2021 Edition//Design Essentia//DE INDIA |

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TELL US SOMETHING ABOUT THIS PROJECT? WHAT WAS THE CONCEPT BEHIND ITS DESIGN INCEPTION? BHUBHARAT : WHAT WAS YOUR FAVORITE “APARTMENT 802 - JEWEL DESIGN ELEMENT ASSOCIATED OF INDIA" a residence in Jaipur, Rajasthan. WITH THIS PROJECT? Interpreting Art Deco decadence through a contemporary lens, Jaipur-based Studio Arid has designed Apartment JOI in the heart of Rajasthan’s state capital.

Enclosing an area a of 5000 sq.ft.Apartment Jewel of India is home to a family of four.

The apartment’s design scheme utilizes a dynamic interplay between light, colour and texture to strike a balance between vibrant social spaces and serene private zones.

Rich colours and accent inlays inl form the backdrop against which custom furniture, hand-painted murals, and curated décor pieces come together; the result evokes luxury and laidback style in equal measure. (below) Apartment 802 Jewel of India, Jaipur, Rajasthan by Studio Arid Photographer : Tejveer Singh

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BHUBHAR BHUBHARAT : The use of rattan sheet in the living room ceiling with MDF walnut finished battens gives off a casual, vintage vibe apart from being lightweight and eco-friendly.

In order o to create a soothing setting for the master bedroom, we have used CNC cut custom design panel in pastel green colour inspired by clouds and depicting modern style composition at the same time.

Also to add a character to dining area, we have placed a beautiful hand painted canvas of flamingos which has layers of flora and fauna patterns that further re-energizes the space.

Customised bar unit with agate underlit stone top, quilted leatherite shutter with fluted glass on upper part and red velvet finish interior surface with drawers to store bottles.

Apartment 802 Jewel of India, Jaipur, Rajasthan by Studio Arid | Photographer : Tejveer Singh Check out full project on www.designessentiamagazine.com

THE WORLD IS NOW SLOWLY REALIZING THE SERIOUSNESS ABOUT CLIMATE CHANGE. BEING AN ARCHITECT, WHAT IS YOUR TAKE ON SUSTAINABLE PRACTICE IN ARCHITECTURE TODAY? //CLIMATE TALK!!

BHUBHARAT : Sustainability has emerged as one of the BHUBHAR

most important topic in all architectural discussions at present.

Broadly it means to keep a balance between human needs and ecological processes.Therefore, as an Architect, it's our duty to create architecture that has a more positive impact on our world as well as it's people.Also, it should be our ultimate goal to design climate neutral or climate restoring buildings.

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architecture & design magazine

Studio Skywell,

is a young architectural design studio in Raipur, Chhattisgarh led by principal architects Twinkle Nathani and Mayank Wadhwa.Established in 2018 the studio has completed works in and around Raipur which includes residencial,corporate and hospitality projects.

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“Sky- essentially means a courtyard that lets in “Sky-well light,air and rain.The studio's core capabilities lies in environment conscious design through the use of appropriate technology and spatial planning.” says the architects.

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@studio_skywell (instagram)

/ Interiors //in background; Atmospheria - the courtyard kitchen, Raipur by Studio Skywell Photographer : Studio Anjor & Weddings by KK

MAYANK WADHWA & TWINKLE NATHANI (from left)

principal architect at STUDIO SKYWELL, Raipur, Chhattisgarh, India

TELL US SOMETHING ABOUT YOUR STUDIO’S DESIGN PHILOSOPHY? STUDIO SKYWELL : Sky-well essentially means a courtyard that lets in light, air and rain. The firm's core capabilities lie in environment conscious design through the use of appropriate technology and spatial planning. planning Our main focus is on circulation, light and ventilation inside a building. We strive to create environments that are coherent with nature and enhances the overall urban fabric of the surrounding. (on right - continued on page 102)

Atmospheria - the courtyard kitchen, Raipur by Studio Skywell Photographer : Studio Anjor & Weddings by KK March - April 2021 Edition//Design Essentia//DE INDIA |

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TELL US SOMETHING ABOUT THIS WHAT WAS YOUR FAVORITE PROJECT? WHAT WAS THE CONCEPT DESIGN ELEMENT ASSOCIATED BEHIND ITS DESIGN WITH THIS PROJECT? INCEPTION? STUDIO SKYWELL : Our STUDIO SKYWELL : “ATMOSPHERIA - favorite seat in the house is the central THE COURTYARD KITCHEN" area with a circular swimming pool in Raipur, Chhattisgarh engulfing an island seating to relish your meal right by the water. Studio Skywell The restaurant combines various variegated dining options received a brief to transform the space, in a predominantly open-air concept that welcomes which was initially composed of a everyone to a calm and yet stimulating experience away significant and somewhat som undefined open from the city's hustle and bustle.The site for the cafe is area, a guard quarter, a temporary shaded situated in a pristine setting surrounded by big beautiful seating, and some little rooms for staff, into trees and landscapes.The space was designed with the an open-air café. Raipur, located in the intention of melding with the surroundings in a way that heart of central India, has a well-earned our concept conjoins smoothly smooth with its aura and yet reputation of exceedingly hot preserves a distinctive presence. A harmony with the temperatures for the major part of the nature is seen in our dining pods interlaced with local plants year.This posed a challenge to maintaining and our circular pebble paths that meander to imitate the any open to sky space; accommodating softness of its surroundings. and being mindful of the comfort of the people who will use this space. As a design To accommodate the diverse array of users that dot this company, we endeavor to make use of place, we came up with a catalog of spaces to cater to passive and primitive ways to maintain a different individuals and settings. Deck seating to enjoy comfortable micro-climate on the site.This some warm chai with friends, couple's nook for an intimate nudged us to transform the temporary and yet engaging setting, café area for our avid readers and shaded seating into a central seating space poets and a more wholesome personal dining space for enveloped by a pool for moderating the families, Atmospheria binds together all these options and heat around the area.Various indigenous still adds a an element of indoor seating for our more cynical plants and trees were added to enhance and traditional diners. the character and bridge the space between the central seating circle and its (below) TOP VIEW su Atmospheria - the courtyard kitchen, Raipur by Studio Skywell surrounding nature, all the while providing Photographer : Studio Anjor & Weddings by KK a cooling and shading effect.

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Atmospheria - the courtyard kitchen, Raipur by Studio Skywell | Photographer : Studio Anjor & Weddings by KK Check out full project on www.designessentiamagazine.com

//CLIMATE TALK!!

THE WORLD IS NOW SLOWLY REALIZING THE SERIOUSNESS ABOUT CLIMATE CHANGE. AS ARCHITECTS, WHAT IS YOUR TAKE ON SUSTAINABLE PRACTICE IN ARCHITECTURE TODAY? STUDIO SKYWELL : Sustainable practice has always been the norm for us, especially when in quarter of our lifetime we have witnessed the change of temperature and depletion of resources. As designers of the era that gave us smartphones and personal computers, we have always been taught to learn from the past and design for the future. Climate and resource conscious design is no more an option but rather the way to practice architecture. It gives us immense possibilities to explore new methods and technologies while solving this crisis for the future generations.The seeds of a sustainable future need to be sown now more than ever.

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architecture & design magazine

Theta One Designs, established in 2018, is a young interior design studio in Mumbai led by principal designer Saachee Shetty.

“We cater to design needs pan India. As the Greek term‘Theta’ also means deep thoughts.Our designs are not only unique but also thoughtful.” says Saachee. @theta_one_designs (instagram)

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/ Interiors //in background; The Balmy Abode, Mumbai by Theta One Designs Photographer : Fabien Charuau

SAACHEE SHETTY

principal designer at THETA ONE DESIGNS, Mumbai, Maharashtra, India

TELL US SOMETHING ABOUT YOUR STUDIO’S DESIGN PHILOSOPHY? SAACHEE : My philosophy is very SA simple – it’s to understand the client.

Client's requirement is the topmost priority and keeping that in mind, we design spaces that reflect their personalities. When you enter a house, it resonates a lot about the people who own it and that's what we try to do. The real challenge is to help them visualize and turn their space into a masterpiece that they always dreamt of. We focus on the details and make sure to come up with a unique solution that is architecturally coherent and socially relevant. So to sum it up, our designs are driven by the philosophy that every space narrates a story and it should definitely reflect the client's nature. (on right - continued on page 106)

The Balmy Abode, Mumbai by Theta One Designs Photographer : Fabien Charuau March - April 2021 Edition//Design Essentia//DE INDIA |

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TELL US SOMETHING ABOUT THIS PROJECT? WHAT WAS THE CONCEPT BEHIND ITS DESIGN INCEPTION? SAACHEE : “THE BALMY ABODE" in Mumbai, Maharashtra. WHAT WAS YOUR The owners of this magnificent FAVORITE DESIGN ELEMENT bungalow were keen on having a ASSOCIATED WITH THIS modern look for their house. At the PROJECT? same time, we also had to incorporate some artwork and furniture pieces SA SAACHEE : There are quite a which had a great sentimental value to number of elements that I adore. the client. Keeping their tastes and The timber-teal open kitchen that personalities in mind, mind we decided to give extends from the elegant dining area it an eclectic style of its own.We resized is on the top of my mind.The idea of the inherited sofa that had seen many the open kitchen makes it more generations and placed it right at the spacious. entrance. From beautiful brass inlays on the Italian marble to the intricately The 3D TV wall paneling, the carved carved details on the staircase, this wooden lotuses on the sidewall of humble abode is a fancy fusion of the the lit staircase, the brass inlays and mid-century modern era design style the arched windows are my with contemporary aesthetics. favourite.The guest room or as I dotingly call it 'the sunshine room' with a sunset view with all the (below) The Balmy Abode, Mumbai by Theta One Designs warmth and coziness is on the top Photographer : Fabien Charuau of my list.

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The Balmy Abode, Mumbai by Theta One Designs | Photographer : Fabien Charuau Check out full project on www.designessentiamagazine.com

//CLIMATE TALK!!

THE WORLD IS NOW SLOWLY REALIZING THE SERIOUSNESS ABOUT CLIMATE CHANGE. BEING A DESIGNER, WHAT IS YOUR TAKE ON SUSTAINABLE PRACTICE IN ARCHITECTURE TODAY? SAACHEE : Renewable resources are definitely the next big thing with the way the climatic SA

changes are taking place, especially the use of solar power will boom in the near future. Using renewable resources does not mean one has to compromise on the design. I have begun to use sustainable products in my projects as well and in a way that it complements the design too. I have also used smart lights and fans in this project.We are also planning to install solar panels on the topmost floor which will take care of the electricity consumed in the house. It is important for the designers and architects to spread awareness amongst the clients about the available resources so that they th are open to sustainable options which will help us all in the long run. Right from product manufacturers to interior designers and architects, everyone must be encouraged to reduce waste in the production and development of domestic and commercial interior design.

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in background //Lego X Walala - House Of Dots //Camille Walala