RAW for piccolo, oboe, percussion, violin, & double bass 2018 Amadeus Julian Regucera
RAW Piccolo Oboe Percussion Vibraphone, 3 Roto-Toms (4”/8”/12”), 3 low Tom-toms (14”/16”/18”), Small corroded/textured metal sheet (flat), metal coffee can Violin Double bass Piccolo sounds 1 octave above written Double bass sounds 1 octave below written
duration: ca. 18’ Commissioned by Cal Performances & Eco Ensemble Written for Stacey Pelinka, Kyle Bruckmann, Loren Mach, Hrabba Atladottir, Richard Worn, and David Milnes Premiere: March 2, 2019 Hertz Hall, University of California, Berkeley
Performance indications: General Indications: Dynamics in “quotes” indicates when a technique is played at the strongest volume possible but the resulting relative dynamic is lower Microtones are used as inflections of equal-tempered pitches: I Indicates a three-quarter-tone flat B Indicates a quarter-tone flat
µ Indicates a quarter-tone sharp
White noise: close all holes, plug end with pinky, and vent various keys to obtain a “white noise” timbre. Change keys to adjust pitch up/down
Oboe
Indicates “breathy” timbre, no discernible pitch content; “toneless.”
Indicates a slap-tongue
˜ Indicates a three-quarter-tone sharp
Piccolo Indicates “breathy” timbre, almost no discernible pitch content; “toneless” Indicates a mixture of “breathy” timbre and pitch
Tongue pizzicato
Flutter-tongue Indicates singing while playing. The circled-notehead indicates the sung pitch. Indicates a timbre that is mostly “breathy” and diffuse and one that is a combination of pitch content and breath, respectively. The arrow between them indicates a gradual transformation from one timbre to the other. Indicates “ordinario” playing air sound, with mouth in the vowel-shape indicated; arrow indicates a smooth transition from one to another.
Noteheads indicate “breath only.” Upbow and downbow markings indicate inhale and exhale, respectively. This breathing should be done with the mouth open in order to be audible and at a “pitch” relative to its position on the staff.
Bisbigliando (timbral trills) are played as fast as possible
Multiphonic on the given pitch; taken from Veale/Mahnkopf’s The Techniques of Oboe Playing, published by Barenreiter. Fingerings are indicated in the oboe part.
Noteheads indicate “breath only.” Upbow and downbow markings indicate inhale and exhale, respectively. This breathing should be done with the mouth open in order to be audible and at a “pitch” relative to its position on the staff.
Half-oboe clef: Remove reed and bottom-half of oboe, close all holes, plug bottom with pinky, and vent 1, 2, Ab, or 3 to obtaina “white noise timbre.” Placement on clef dictates which key to vent (release).
Percussion -
Roto Toms: 6”-8”-10” Tom-Toms: 14”-16”-18” Small Concert Bass Dr: (~32”)
-
Vibraphone Small rusted/corroded/textured metal sheet, laid flat, and an old coffee can
Indicates hitting the drums on the rim with the wood or butt of the mallet(s) or drumsticks, producing a “clacking” or “snapping” sound Cross Indicates a “dead stroke,” dampening as much resonance as possible on the struck instrument Indicates short scraping of coffee can on the surface of the small metal sheet Indicates a circular scraping gestures with a coffee can on the surface of the small metal sheet. Dynamic differentiation is achieved by adjusting the speed of the circular gesture.
Strings arco: bowed pizz.: pizzicato ord.: ordinario m.s.t.: molto sul tasto m.s.p.: molto sul ponticello cl batt: col legno battuto The dotted-arrow between bow positions indicates a gradual movement from one position to another (i.e. ord. to ponticello)
Indicates a sound devoid of pitch (ex. “noise”); this can relate to extreme bow pressure, dampened/muted strings, knocking on the body of the instrument
The above indicates a transition from normal playing bow pressure to extremely strong pressure (perforated or scratch timbre where there is no discernible pitch, only register).
affects the relative register (high or low) of the gesture or technique. Bartók (snap) pizzicato (always muted)
Indicates a pizzicato that is strummed (IV. à I.)
Aggressively slap the strings against the fingerboard with the LH palm, making a percussive sound
Indicates the “highest note possible” on any given string String Clefs
Strings play on a regular staff but also on a “relative” pitch staff, which indicates “lower” and “higher” relative to a middle line, which should represent—approximately— the middle of the string.
In the following example, the roman numeral indicates which string the technique is to be played on. The gestures given on the relative staff are muted with the left hand (LH) but remember that the line represents the middle of the string; so, depending on where you place your left hand affects the register (high or low) of the given playing technique.
There is also a “Bridge Clef” which indicates that the pitches on the staff represent the open strings beyond the bridge (played exclusively on the string winding)
Nb: all tremolos played as fast as possible Indicates an “explosive” gesture; similar to small glissando or a “crazy,” exaggerated vibrato Indicates that the string is muted with the left hand. Please remember that where on the string you mute it,
RAW Commissioned by Cal Performances & written for the Eco Ensemble à Nico Amadeus Julian Regucera 2018
e = 120 con fuoco, molto appasionata Solo
m.s.p.
sempre
® &4 8
Violin
Bœ œ > v
fff poss.
® ®
≈ œ # œ #œ #œ v v v >
®
®
#œ #œ v >
œ#œ ≈ v v
®
aggressive, scratchy, ferocious, propulsive
4 Picc.
∑
&
j #œ #œ œ v > Sff
7 Picc.
Vn.
®
œ. Ë
&
®
Sff
Sff
œ
# œT
13 Picc.
5
Vn.
&
œ.
∑
&
≈. œ bœ v v
œ # œT
_
π
œ^ ^ # œ^ ® ^ œ^ ® ^ œ^ # äœ . œ œ #œ œ œ œ > # œv v v 5
Sff
œ^
œ^
‰
‰
π
3
5
pizz.
Sff
P
^ œ^ ^ œ^ ≈ n œ œ #œ #œ v v
10
& œ #œ œ œ ® œ œ ® > v v v v v #œ >
˙
_
π
fff poss.
®
#œ. >
fff poss.
arco
®
5
5
Ï
_
œ^
#œ œ #œ > >
œ
#œ v
œ œ nœ ‰ > vv
nœ œ œ ≈ œ œ œ ®bœ bœ ® ≈ œ œ œ # œ vv v v v #œ v v v v v v v # œv >
œ.
#œ
œ
#œ >
5
Sff
_
œ v
≈
_
j œ
œ œ v >
≈.
˙
pp poss.
‰
3
≈
_
Ï
& #_˙
#œ#œ v v
® ‰
#œ
Œ
j #œ fl
Sff
Vn.
#œ. v
***except for a few instances, the entire violin part should be played at a strong dynamic, with medium-to-over pressure, and at or close to the bridge to produce a distorted and scratchy timbre
& ≈
Vn.
®
5
#œ #œ v v
Ÿ~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~ 3 j j #œ œ e œ > nœ œ be > arco
pizz.
® ≈
#œ >
_œJ
≈.
#œ >
® œ œ # œ œv > v v
˙
_
P
^ ^ œ #œ nœ œ bœ œ bœ œ v v v v v v ✠5
µœ
≈.
‰
f
5
j œ
3
œ nœ #œ v v v
fff poss.
2
16 Picc.
Z
. & _œ π
Ob.
&
#œ. π
Vn.
> & #œ. Sff
20 Picc.
w
œ ≈
P
œ ≈
Vn.
&
5 16
∑
w
4 #˙ 8 _ π
4 8
µ œ œ^ # œ^ 5 œ œ b œ œ b œ œ 16 v b >œ 5
5
ƒ
f
P
#˙
3 8
4 8
#œ.
˙
µ >œ
Be
≥ >œ # 4
Sff
f
Sff
5
œ
_J
ord. pressure
œ J
π
Œ
(add pressure) slow gliss.
8
poco decresc.
F
.
Œ
∑
w
F
Sff
‰
π
f
#œ
π
≈
f
‰
œ J
œ^ b œ^ œ^ œ^ µ >œ .
Sff
œ J
_
3 Be 8
˙
F
≈
#œ
≈
π
_
4 ˙ 8
pp sub.
>
4 b œj ˙ 8
œ
Z
F
Z
w
œ.
Z
r œ
≈
3 œ 8
π
& _
&
∑
F
pp sub.
Ob.
5 16
Z
Be
3
24 Picc.
&
∑
∑
5 8
Ob.
&
∑
∑
5 8
Vibes
&
∑
∑
5 8
w. hard yarn mallets
Drums
Vn.
∑
ã
&
J
eo ? T I
Bass
‰
π
loco
o
e T
o
≈
π
‰
≈.
œ-
>
> sff
vib. poco – distort pitch/multiphonic
e T
œ-
3
o
e T
5 8
5 8
sff
5 8
4
sub. e = 69
26 Picc.
Ob.
Vibes
Drums
Vn.
Bass
Œ &5 8
‰
8
œ
°
f
p
. >
sff
o
e. T.
œ-
p
‰
flz.
œ
_æ
f sub.
œ J
_æ
ãããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããã
4 8 #˙
>
∑
≈ ã 5 8
?5
4 œ 8
f
&5 8
Z
_œ
∑
&5 8
&5 8
w
Z
non-dim.
∑
4 8
Œ
j
‰
j
o
e T J
4 y 8 >y ƒ
P
‰
Œ
m.s.p.
ord. 5
˜œ œ #œ œ #œ 4 v v v v v 8 #y >
y
y >
>y ^ œ^ µ œ^ µ œ^ œ^ œ 4
y
>y
m.s.p.
8
ƒ
5
aggressive, scratchy
fff sub.
j y
y J
&
5
sub. e = 120, a tempo
28 Picc.
& œ
_æ
≈
‰
Œ
∑
ãããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããã
Ob.
& ˙
Vibes
&
Drums
Vn.
ã
œ
‰
Œ
∑
j y
f
y^ J
y^ J
∑
∑
‰
œ^
≈
œ^
≈.
‰
∑
‰
≈
j^ œ œ
y^ y. J
≈.
j y
‰
sharp, incisive – shouldn't overwhelm strings
& ®
œ œ v v
fff poss.
® ®
j œ # œ v # >œ œ v
œ.
#œ v
as before, with double bass
Bass
≈
∑
^ ^ ^ œ^ ^ ^ & ® œ œ ® ®# œ # œ ≈ # œ fff poss.
aggressive, scratchy, ferocious, propulsive – like opening violin solo
with violin
sempre
^
^
®# œ ®# œ
˙ >
œ
Ï
poco
œ^ # œ^ ≈
œ v
≈.
®# œ .
v
®# œ # œ ® ‰
v v
≈
^ œ
≈.
y. y ≈ v
5
#œ v
≈
œ œ nœ ‰ v v v
^^ ^ #œ ≈ #œ œ #œ ‰ v 5
6
31 Picc.
& Œ
_
_
_
œ
Ͼ
Ͼ
œ
Ob.
& ‰
note on the verge of "breaking" into a multiphonic
œ
˙
Vibes
5 œ b œ œ bœ ≈ J
Œ
ƒ
Drums
Vn.
ã
Œ
&
≈
b œœ b œœ œœ .. v >
j y >
‰
‰
& ≈
œ œ œ. v >
| p sub.
j
≈ y
f
j œœ
| p sub.
Bass
œœ≈ œ œ bœ œ 5
p
j y
œ
œ
F
π
M
π
j & ≈ b b œœ œ œ +v >œ œ
‰
≈
‰
ƒ
°
#œ J
≈
y >
‰
j œœ
œœ
ƒ
F
≈.
≈
œ
bœ ®
œ
j œ œ œ b œœ +v
‰
f
j y
y >
Œ
≈.
j y
y >
‰
ƒ
®
œ^ .
Ï
j #œ >
Sff
®
œ^ .
œœ
œ
œ
œ
j #œ >
ƒ
f
Ï
Sff
7
34 Picc.
∑
&
Œ
‰
≈
œ^ 5
F
∑
&
F
Vibes
Drums
∑
&
ã
y^ y^ y^
≈
‰
3 8
sf
5
# >œ œ # œ œv œ œ ≈ œv œ œ ® b œv œv ® ≈ œ œ # œv v v vv vv vv 5
Ob.
œ^ # œ^ >˙
®nœ
≈
y^
≈
j y
# # œœœ .... >+
‰
‰
Œ
ƒ
y^
j œ >
œœ .. # # œœ .. >+
®
j #œ œ >
5
π
‰
Œ
P
& ≈ œ.
®
5
Bass
&
œ œ v >
j œ
Sff
œ.
œ^ >œ
arco
pizz.
≈
3 8
∑
3 8
arco
Vn.
3 8
sf
F
pizz.
‰
œ J
f
with the strings
‰
j y
5
®
5
Sff
œ J
5
5
5
5
5
œ.
œ œ ≈ œ œ œ ®bœ œ ® ≈ œ œ vvv v v # œ œv # œv v œv v v v # œv >œ >
bœ œ œ b e œv œv v v >
œ.
œ œ œ b œ^ œ^ ^ ^ œ^ ^ œ^ ^ œ^ ^ ® ® ≈ œ #œ Âœ #œ œ#œ œ ≈ > >
œ
Ï
5
Ï
5
3 8
3 8
5
poco
8
w
Z
37 Picc.
œ &3 8 J
4 œ_ 8
Œ
π
Ob.
_ œ
3
π
‰ &3 8
≈
œ
j œ
_j
Z
_j
œ œ
œ
ƒ
π
j œ
4 8 œ.
œ.
5
≈
œ# œ^ œ^ œ #œ 5
π
Vibes
Drums
Vn.
‰ &3 8
j œ bœ >+
‰ ã 3 8
®
j 3 &8 œ poco
Bass
j 3 œ &8
œ
œ. >
œ >
Ï
œ^
≈
f
4 8
∑
∑
‰
4 8
∑
∑
j œ
3
4 8 œ
œ
j 4 œ 8
œ
j œ
poco
3
j #œ œ >
j œ
œ
Ï
poco
ff | p
>œ
œ J
œ^
≈
œ^
œ^
‰
5
Ï
poco
j œ
j #œ œ >
œ# œ^ œ^ œ œ #œ
^ >œ œ _ _œ _ J
sfp
‰
Ï
œ #œ >
_ _ œ_ #œ œ ≈ v v v
pizz.
œ f
≈
j y >
Sff
‰
9
40 Picc.
&
˙
F
poco
Ob.
&
œ b œb œ œ œ ‰
˙
˙
f
æ >_
"fff "
3
œ œ œ #œ œ ® œ bœ ® Œ >
˙
5
F
Vibes
Drums
Vn.
&
ã
&
∑
j
3
‰ #œ
#œ >
ƒ
œ ‰ œœ œ >
3
‰
3
∑
Ÿ~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~ 3 j j #œ œ e œ > nœ œ be >
# >œ œ J arco
Bass
&
œ. # œ. œ. œ. ® œ œv ®b b œœ v >
∑
ffÍ
ffÍ
∑
j œ n œ bœ n œ > >
dry, blunt
∑
∑
‰
f sub.
‰ 3
œ
œ
®
≈
®
Ï
j n >œ œ
œ
ffÍ
Ï
3
ffÍ
≈
œ ˜ >œ v
œ^ œ^ ®
œ
µœ >
3
œœ ‰ >
10
Rall.
{e = c 84}
j
43 Picc.
& _æ
_
5 œ 8
^
‰
Œ
‰
4 8
p
Ob.
&
∑
∑
5 8
∑
4 8
Vibes
&
∑
∑
5 8
∑
4 8
Solo
Drums
ã
j
®y
y. >
f
3
‰
j
≈ y
y >
F
≈.
j y y
>
‰
j y y
ƒ
≥
>
j . y y ≈
.
j jj y yy
> y.
j
5 ‰ 8
‰ y
>y ‰
®j y
3
y. .
‰
4 8
‰
4 8
‰
4 8
ord. pressure
Vn.
& ˙
˙
j
5 œ 8
j œ
Œ
p
≥
ord. pressure
Bass
&
˙
˙
5 8 œ
j œ
j œ π
11
sub. e = 120, a tempo
46 Picc.
≈. &4 8
v
_ ‰ fl
œ^ j œ
‰
"fff "
5
Ob.
&4 8 #œ œ v> f
Vibes
Drums
5
œ^ ^ œ^ . œ œ œ #œ v v #œ v v 5
˙
œ
˙
œ
j j ã 4 8œ œ v
>+
Ï
‰
S | p sub.
œ J
œ
M
F–p
"phase" in and out of multiphonic/break
∑
Œ
P
sf
f | p sub.
∑
&4 8
Ͼ >
∑
≈.
Œ
f
^ > y œJ
∑
with violin
m.s.p. 5
Vn.
&4 8
5
# œ >œ v
Ï
œ œ ® œ̆ ® ^ œ̆ œ œ œ # œ v v v# œv v œ œ v v v
Bass
œ̆ œ J v
∑
with percussion
come prima
m.s.p.
‰ &4 8
≈.
Œ
jété
^ >1 ^œ # œ^ œ^ œ
Ï
as before
1 J
‰
Œ
∑
?
12
j
49 Picc.
v
& Ͼ
Ͼ
Ͼ
_ fl
7 æ 16 œ
œ
æ
≈
4 8
M
7 œ 16 M
M
œ
≈
4 8
∑
7 16
Ͼ
Ͼ >
[f]
Sff | p sub.
fff sub.
violent!
Ob.
Vibes
Drums
& ˙
M
≈
^ ^ œ^ œ^ y œ ® ® Œ F
Vn.
fff poss.
∑
&
ã
>œ
œ
M
& ≈
‰
≈.
f
œ^ œ^ F
^ œ^ œ^ œ ®
# ˘œ
® Œ
‰
≈.
œ̆ ^œ J
>y .
‰
∑
7 Œ 16
4 8
≈
y >
4 8
f
sf
ord. position/pressure
‰
7 Œ 16
≈
œT >
4 8
Sff
pizz.
Bass
? ‰
®# œ
œ v >
Ï
œ
rich in partials, scratchy
˙
j
7 16 œ
j œ
∏
≈
>œ P
Ï
4 8
13
sub. e = c108 - tempo relaxed, pulled back
#_ _ n_ b_ b_ &4 _ 8
52 Picc.
5
n_
"f " legato, breathe as necessary
Ob.
Vibes
Drums
&4 8
b_ _ _ b_ _ b_ _ _ _ #_ _ _ _ _ b_ _ n_ 5 _ _ _ _ _ _ _ _ _ 8
œ.
arco ord.
5
œ
5 M 8
5 œ
∑
j &4 8 # # œT fl
5
5
5
5
"ff "
7 16
M
7 16
Œ
7 16
F
8
Œ
ã 4 8 œ >
8
#_
_
5
œ
&4 8
?4
n_
π
Ï
Bass
b_
5
5
#œ
œ
#œ
œ
‰
p
œ J
∑
5 8
P
F
Vn.
b_ b_ _ #_ _ n_ b_
n_
Accel.
7 16 m.s.p.
‰
Tœ J
Tœ J
°
Ï
B >œ
œ
ƒ
molto
5 œ 8
Tœ
œ
Tœ
œ.
œ^
®
7 16
Ï
°
5 8
^ ® œ
come prima
m.s.p.
œ
π
7 16
14
( e = 120 )
54 Picc.
7 & 16
b >_
b _ v_ .
"fff "
5
_
‰
7 M & 16
Œ
4 œ_ 8 .
Œ
4 œ 8
Drums
7 œ ‰ & 16 œ# # œœ v ƒ v
‰
≈
œ^ œ^ ƒ
f
Bass
Œ
>
16
fff sub.
Œ
Œ
œ.
®
‰
j b œm
b œ. J
‰
‰
j b œ.
‰
‰
®
®
>œ .
3
y
ÿ ÿ ÿ ÿ ÿ ¨ ¨ ¨ ¨ > y. 4
! 8
fff sempre
y
ÿ
>. .
IV
II
y J
III IV
j
y > III
œ. >
sim.
5
P
π
f
! 48 yË y yË yË y y Ë Ë y y. fff sempre Ë Ë > II
≈
® # œ.
j _ bœ
‰
IV
5
7 ≈ & 16 #œ
? 7
j œj œ> >
P
pizz.
>œ
F j
III
Vn.
≈
4 jœ 8 >œ > arco
+ œ.
_j œ
bmœJ
sf
F
4 Œ 8
P j œ > œ
7 ‰ ã 16
œ
π
Œ
_
œ
P
π
P
Vibes
_j œ
Z
[s]
œ
Ob.
sub. e = c 104
5
ÿ
y Ë
y yË y Ë Ëy Ë
‰
>
J
ÿ
>y 5
15
57 Picc.
Ob.
_
& œ_
&
œ
Drums
m- . œ ®
m ≈ b œ-
œ& J
ã
b œ- b œ
≈.
‰
m b œJ
œ-
Bass
!
y >
œ-
œ
ƒ
sf
≈
œ >
y
>y
.
1
.
>
II
≈
3
>y y
y
_
bœ Bœ œ
bœ Bœ.
‰
b œ-
‰
Œ
> I
ÿ ÿ
_
>y
P
>y . I
>y J
I II
J
>
flz.
œ
œ.
π
>1
II
3
y J
M ‰
M
j œ >
œ Œ >
ÿ ÿ ÿ ÿ >y y
!
≈.
bœ p
3
Œ
III Vn.
œ
P
3
Vibes
_
œ-
≈.
b œ-
b œ-
_œ æ
F
≈
b œ-
œ J
≈
‰
j œ-
J
ÿ >y ÿ
>œ
≈
>.
≈
3 5
III
¨y y ‰
j œ-
‰
II
≈
nœ. π
>œ ‰
≈.
j œ
5
j y >
j
5
Ë Ë
Ë
y yË Ë
y >
16
√
>H & J
60 Picc.
Accel. v
j _ > œ
[ha]
"fff "
Ob.
& M œ >
bœ œ œ®
v
≈ >_ _.
___ _
[s]
&
≈
‰
œ
[a][hi]
°
√ >œ .
œ b œb œn œ œ J
≈
sf
√ œ œ bœ œ bœ ≈ bœ bœ
≈
œ
œ
irregular bisbig.
‰
œ
M
5 8
∑
5 8
M
æ
|p
5
µœ
œ
5 8
æ
π
"fff "
5
ƒ
Vibes
Z
F | ff sub.
∑
L.V.
5
Drums
Vn.
ã
!
√
j œ >
on the rim of the Bass Dr.
‰
≈.
‰
j y
ƒ
√ ‰
y
≈.
j y
π
>y
III
II
ÿ ÿ ÿ >y ÿ ÿ
Bass
!
√ ‰
j y >
III
ÿ ÿ ÿ ÿ ¨ ¨ ÿ ÿ 3
5
≈.
II III
y y J
J
5
IV
y
>y
IV
III
>y J 5
j y
y
≈.
j y
y
≈.
j y
y
œ. >
j y
sf
y >y y y 3
≈.
y
≈.
>y y y yy >yy y J
y y J
III
3
J
j y
y
≈.
j y
>
5
y 8
IV
y y
ÿ >y 5 8
3
II
>y
j y
II III
III IV
>y y J
y
j y y >
>y
II
ÿ ÿ >y . 5
5 8
17
e = 120, Tempo 1
63 Picc.
Ob.
w
œ.
œ &5 8 æ
æ
œ
œ.
M &5 8
4 œœ
b >œ
8 æ ææ
®‰
Œ
œ.
‰
pp poss.
ƒ
>œ
4 M 8
M
≈
‰
Œ
œ
Œ
pp poss.
Vibes
Drums
Vn.
∑
&5 8
≈. ã 5 8
!
5 8
y
j y
y
≈.
j y
y
≈.
j y
∑
4 8
j y
y
≈.
j y
y
≈.
j y
4 j y 8 œ >+
!
5 8
y
y.
P
ƒ
Œ
∑
Solo come prima
‰
‰
&
œ^ äœ œ^ ^ œ^ ^ ^ T^ ^ ^ ^ ^ ^ ^ ^ 4 ≈ #œ ® œ ® œ œ œ nœ ≈. #œ#œ œ œ ® œ J 8
p
Bass
‰
∑
Ï
j
4 y 8 π
5
œäœ
5
poco
?
∑
18
66 Picc.
Ob.
Vibes
&
œ
&
œ
œ
œ
∑
&
œ J
œ J
‰
U >H J
H
>H
"fff "
U
œ
≈
≈
‰
remove reed
Œ
∑
Œ
∑
P
U j œ # œœ > ƒ
Drums
Vn.
∑
ã
&
œ^ ä ® œ ˜œ
œ.
‰
Bass
?
∑
U
‰ j œ >
œ^ ä ® œ ˜œ
U j œ
‰
U # >œ J
Ï
Œ
Ï
Œ
. y ≈ v
j y y.
>
f
œ
œ
j^ œ œ j y y ≈
v
‰
ƒ
œ^ œ^ ^ œ^ ^ ^ >T ^ ^ ^ # œ # œ ® ® œ ® n œ ® œ œ œ ..
œ
≈
‰
Œ
19
69 Picc.
^ # œ^ j œ .
œ
j #œ œ
_
& Œ
_ _
j œ
®
œ^
_
5
π
j œ
j œ
œ^
_
5
œ^
_
^
j œ. # œ ≈
5
_
^ 3 #œ. 8
_
œ^
_
Œ
4 8
5
ƒ
with percussion
Ob.
&
∑
∑
3 8
∑
4 8
Vibes
&
∑
∑
3 8
∑
4 8
Drums
Vn.
ã
‰
®j y
f
œ^ J
y. v
with piccolo
T & œ
Tœ
‰
j j y y y
v
F
5
y. v
j
^
®y y
j y
5
?
∑
j y 5
Ṫ
^ y ≈
j y 5
^ y.
3 8 y.
>
ƒ
y v
Œ
4 8
3 8 ˜y.
4 8
3 #y 8 >.
4 8
>
pp sub.
Bass
^ y
fff sub.
∑
Ï
20
^ ^ ^
72 Picc.
®# œ œ # œ ≈ &4 8 __ _
j œ > œ
®
_
œ^ œ^ ® œ^ œ^ ≈
__ __
j
_
®œ # œ .
>
œ^ ^ ® œ ® ‰
__
≈.
_
j œ œ
>
5
≈
_ _ œ_
œœ ‰ vvv
≈
j œ
œ^
_
≈
œ^ # œ^ 3
__
8
3
parlando
Ob.
&4 8
∑
∑
∑
3 8
Vibes
&4 8
∑
∑
∑
3 8
5
Drums
® y ≈ ã 4 8 y v yv v f
Vn.
Bass
&4 8
#y v
?4 8 # yv
parlando
j y
y >
®
y y v v
®
y y ≈ v v
®j y
y. >
®
y y v v
® ‰
≈.
j y
y >
≈
yyy‰ vvv
≈
j y > y 3
≈
y y 3 8 v
≈
‰
Œ
∑
∑
3 8
≈
‰
Œ
∑
∑
3 8
21
75 Picc.
≈ &3 8
j œ
j œ
œ^ ® œ^ . _ _
œ^ ^ ® _ #œ
_
^ jœ _ 5 #œ J 8
‰
‰
œ^ .
j œ
^ jœ _ œ J
^ _œJ
3 ®_ 8
Œ
Ob.
&3 8
∑
5 8
∑
3 8
∑
Vibes
&3 8
∑
5 8
∑
3 8
∑
Drums
Vn.
≈ ã 3 8
&3 8
j y > y
j y > y.
®
∑
®
y y v v
5 j j 8 y >y
Bass
8
>
Ï
∑
‰
5 œ 8 J p
J
3
5 8 µ œœ
crunchy
?3
‰
œœ
j œœ œœ >
^ ^ ^ œ^ ^ ^ #œ œ #œ œ œ ≈ ƒ
5
j y >
3 ® œ. 8
+v
3
0
# œœ œœ >
Ï
poco
œ.
j œ
j> œ y
Ï
3 œœ .. 8
5
T.
| pp sub.
œ^ œ^ >œ œ œ^ œ^ n œ^ 3 #œ 8 > 5
Œ
fff sub.
3
œ
œ >
Sff
22
^
jœ # œ ≈
78 Picc.
_
& ‰
‰
__
5 ≈ #œ ‰ œ v 8 v ƒ
f
Ob.
∑
&
^
j jb œ œ # œ^ n œ J
_
_
‰
3
^
jb œ œ
_
‰
Œ
‰
3 8
_
3
°
∑
5 8
NO REED
Œ
_.
3 8
°
Vibes
∑
&
∑
5 8
3
Drums
ã
‰
≈ j y
‰
y v
5 ≈ 8
f
Vn.
ƒ
T
œ & œ
(
Bass
? œ #œ >
Sffp
œ
y‰ yv v
# œ^ #œ œ œ œ 5 J v v v v 8 ff )
j y
y v
^
j y y
J
∑
3
‰
8
Ï
y ‰ v
p
y^ ^ ^ y^ y^ j > yy yy J 5
‰
3 8
ƒ
5
‰
‰
≈
‰
‰
≈.
Ï
œ^ ^ ^ ^œ # œ^ œ^ œ # œ^ œ 5 J
j y
^ ^ ^ ^ > y y y ® y. y
3 8
œ v
j‰ œ v
œ^
‰
≈.
‰
b œœ ® œœ .. œ œ # œ œ n œ j v v v v v v v # >œ
# œ^ .
¯ œ b œœ ..
p sub.
3
3 8
œ œ >
3 8 ƒ
p
23
sub. e = 120, Tempo 1
sub. e = 69
81 Picc.
Ob.
&3 _. 8
"f "
&3 8
π
ã 3 8
Vn.
&3 8
# œœ .. > ∑
˜y. >
| "fff "sub.
3 >H 8 J
>H
with oboe
4 8 â_
_
3 j 8 â_
Œ
3 8
∑
3 8
∑
| "fff "sub.
v
_ â
with piccolo
4 ≈. 8 œœ
ƒ
Drums
H
v
&3 8 _.
"f "
Vibes
> 4 H 8
‰
∑
4 8
4 ≈. 8 y
‰
Œ
3 8
∑
4 ≈. 8 œ
‰
Œ
3 8
∑
non-dim.
Bass
?3
8 # >œ .
fff sub.
non-dim.
24
Picc.
Ob.
&
_ ___ _ #œ 3
> 4 H 8
H.
84
sub. e = 92 "unisono"
H
œ#œ œ œ
p
4 j 8 _
& _.
Drums
Vn.
‰
∑
4 8
∑
ã
∑
4 8
∑
_
# eo
˜œ ° dirty
#T p
loco
˜ œT
o e T J
f
4 8 ˙
o e
4 8 T p
_
bœ
5
__
œœ n œ # œ. ® ≈ ® _ ≈ œ œ. ® 5
v
5
"fff "
_ ®≈ fl
v
5
-_ >>
∑
j y
‰
j y >
^ y yj >
≈.
F parlando
& ‰
?
F
__
- - - - ≈ - _ _. > . . . >>
_
&
IV
Bass
≈
5
°
Vibes
5
^ ^ ^ œ^ œ #œ #œ
˜ Ṫ f
o e T
p
fff sub.
o e T
ƒ
œ^
P ;j yy yy >
≈
;j yy yy >
^ ^ bœ œ ® 5
5
5
5
≈
>œ
^ ^ ≈ nœ œ ® ≈.
;j yy yy >
25
87 Picc.
& Œ
‰
b œ. _œ _
≈.
sf
Ob.
j & _
≈
j _
3
_
v
flz.
≈
_ >
_
Drums
Vn.
3
æ
b_ >
j _æ
æ
j ≈y y
>
J
>œ & J
≈ >œ
‰
^^ y y ≈.
j j y y
>
5
# œ^
^ ^ ®# œ # œ ® ≈ .
®
Bass
? ≈
; yy yy >
o
#e
≈
#T 3
|p
‰
œ^ œ^
o
o
e
e
T J
T
ƒ
P ≈
c.l. batt.
> > # # yy yy 3
yy J
[a]
>
®#œ
ƒ
"fff "
[s]
°
˜œ >
j^ œ œ
5 ‰ 8
3
5 8 œ˜œ
>
Í
‰
j œ
j y >
‰
j y
œ.
j œœ >
Í
II
> 5 ≈ #œ
arco
‰
[f]
"fff "
v
_ _.
[f] "fff "
∑
3
j œ
[a]
°
[s]
"fff "
°
0
> ny J
[f]
_ _.
[f]
[s]
‰
v
j _ _. _
5 8
j j ®y y
v
v
with double bass
; sff
[s]
5 #_ 8
"Sff "
3
arco
v
_ b >_ .
^ ® œ.
‰
5 ‰ 8
j _ _. _
°
∑
3
j y > y
j _
f
3
∑
&
ã
__
ppp sub.
"Sff "
Vibes
# ˘œ # œ œœ_ _ ‰
8
Í
3
œ J
with violin
0
œ . " >œ œ œ œ Í
‰
œ # œ œ vv
fff sub.
26
Poco accel.
90 Picc.
æ
_.
& Œ
4 ^ 8
[s]
Ob.
& ‰
[s]
Drums
ã
4 ^æ 8
_.
&
Í
v
œ œ
IV
Bass
? # >œ œ Í
Œ
2 8
3
œ œ T
°
∑
4 8
j ≈y
œ J
3
˜œ >
æ
_
[f]
3
Vn.
replace reed
"fff "
∑
Œ
°
flz.
&
2 8
_
[f]
°
Vibes
æ
_
"fff "
° j #_
æ
flz.
j œ
j T
>œ
j≈ œ v
œ.
4 j j 8y y
≈
>
Œ
œ^ œ̆ . ^œ ^ œ^ ^œ œ^ 4 ® #œ œ œ ® ®® œ 8 v v œ v
0
>y . T 4 8 ƒ
# œ^ œ œ#œ v v v œv flœ arco
meno
f
Ï
≈
œ^
œ^
# >œ .
Ï
pizz.
T.
‰
≈
^ œ
5
≈
≈.
≈ œ µ œv v
∑
2 8
∑
2 8
œ^ J
®
≈
œ. v
3
;j yy yy >
œ >
2 8
2 8
27
Accel. poco a poco
( e = c 104 )
93 Picc.
∑
&2 8
q
∑
3 8
4 Œ 8
‰
_ J
[s]
π
Ob.
&2 8
∑
3 8
∑
4 8
∑
Vibes
&2 8
∑
3 8
∑
4 8
∑
ã 2 8
∑
3 8
∑
4 8
∑
Drums
Vn.
# >œ ≈ &2 8 3
arco
Bass
^ ^ ^ œ ^ 3 ˘ ® œ bœ œ 8 n œJ
^ ?2 œ ® œ œ ≈. # œ 8 v v v
5
# >œ & 3 8 Ï
# œ^ ^ ® œ œ ≈ œ v œ v v
œ
≈
4 ‰ 8
j ^ œ bœ
œ^ ˘ ^ œ^ œ^ ˘ ^ œ^ ^ ˘ ^ œ^ ^ bœ ® œ nœ œ nœ œ œ œ 5
5
5
propulsive
# >œ
4 J 8 Sff
>œ .
œ 5
Sff
with violin
œ >œ
œ >œ
5
5
sim.
28
> ^ œ. œ & _ _
96 Picc.
Z
f
Ob.
œ
œ
_J
_
5 8
|p
& Œ
bœ
≈
œ J
π
Vibes
F
p
æ
4 8
œ.
4 8
π
j
5 b œœ 8 b œ>
∑
ã
_
f
∑
&
œ
_
5 œ 8
ƒ Drums
>œ
œ
_J
®
œ J
>œ . bœ.
‰
b >œ
≈ 3
j
5 Œ 8
≈ y
>y
j
‰ œ
>
j œ >
4 8
‰ j
4 8
œ >
3
Vn.
&
œ^
œ^
®
œ^
œ̆
®
œ^
œ̆
®
œ^
œ̆
®
# œ^
ord.
Bass
œ & J
?
≈.
#œ œ >
œ >
œ.
^ ® œ
œ̆
bœ
œ̆
5 ® œ 8 bœ v v
v
j œ 5 œ > 8
j ˜y >
^ ^ b œ^ ® nœ œ
œ̆
y y. >
^ ^ ≈ œ nœ
j y
œ^ # œ^
®
bœ nœ bœ v v v
4 8
y
≈
4 8
29
e = 120
98 Picc.
˘ œ bœ
__ ≈ &4 8 æ æ
‰
f
Ob.
bœ
_
œ
œbœ œ bœ ® ‰ &4 8 5
+ >œ J
b >œ J &4 8 p
œ
°
œ
˙
π
F
π
+ >œ J
bœ J
sim.
œ J
œ J
œ J
bœ J
‰
œ J
œ J
Half-pedal — ad lib. 3
Drums
≈ ã 4 œ 8 >
‰
ƒ
Vn.
&4 8
œ^ b œ^
≈
‰
j œ-
p sub
œ
‰
∑
œ
Œ
œ
‰
œ
P
j œ
+ >œ J
_j
_
œ
°
ƒ
Vibes
_
_
‰
œ J
( p sempre)
j j œ œ > ‰>
ƒ
˙
F
°
mute snap pizz
pizz. 3
Bass
?4 ≈ y 8 >
‰
Œ
∑
Œ
‰
≈
3
y >
f
30
101 Picc.
&
∑
∑
∑
Ob.
&
∑
∑
∑
Vibes
Drums
Vn.
œ & J
œ J
œ J
j œ ‰ >
‰
‰ >y y.
& œj
‰
Œ
ã
jœ bœ J
‰
œ J
œ J
y
‰œ . y >
.
œ J
j y
‰ >
jœ bœ J
j y y > ‰> y .
‰ >y y. y. y.
œ J
y y‰ . .
œ J
>œ >œ
‰ œ> > œ
∑
œ J
œ J
j œ ‰ j > œ >
‰
∑
°
P
pizz.
c.l. batt.
Bass
? ‰
>y
≈ 3
>y .
>y y y y J
sff
3
>y
3
Œ
‰
#y ‰ >
‰
≈ 3
y >
#y ‰ >
j bœ
31
104 Picc.
&
Œ
‰
j >
j
5 Ͼ 8
b Ͼ
Ͼ
œæ ≈ ‰
bœ.
Œ
ƒ
Ob.
π
∑
&
œ.
5 Œ 8
œ.
œ
π
Vibes
Drums
&
ã
œ
bœ.
‰
Œ
Œ
‰
F
b œ. & J
pizz.
Vn.
f
Bass
? Œ
≈
3
œ.
‰
secco
œ^ œ^
f
3
œ̆ J
sf
>y ≈
P
b ˘œ J
∑
4 8
‰
∑
4 8
sf
œœ‰ v v
5 ‰ 8
0
‰
5 yj y 8 >
≈
œ >+
®
ff sub.
^ œ. sf
F
b œ. ≈ nœ J .
‰
œ̆ J
b œ. J
o
‰
arco
III
c.l. batt.
> 5 yy 8
sff
Œ
4 8
P
5 Ó 8
≈
4 8
‰
e T °
loco
breathy, unstable
œ. J
o
e. T.
j bœ
b œ. J
‰
4 8
4 8
32
107 Picc.
Ob.
Vibes
œ &4 8
œ
P
π
œ &4 8
‰ &4 8
^^ œ œ ≈.
3
Drums
≈ ã 4 œ8 F
Vn.
Bass
o e
œ
π
F
‰
‰
œ. J
œ J
sf
œ
? 4 T b >y
œ̆ J
Œ
+ œ. J
‰
0
b œ. ≈ œ p
o e T
loco
œ^ œ^ >œ
F
5
b ˘œ J
8
œ. œ J
o e T
œ. œ J
®
œJ
p
4 8
œJ
4 8
3
3 ≈ j Œ 8 y y y f
5
4 8
Ë Ë
b œ.
Œ
3 œ 8 J
4 8
f
o e
pizz.
3 T b >y 8 3
°
œ J
F
b œ3 J
®
F
3
3
f | ff
3 bœ 8
sf
5 ^ œ^ œ œ^ >œ œ^ ^ ≈ ® œ œ œ ≈. œ vv
III
‰
+ b œ. œJ
≈.
arco pizz.
4 8
π
‰
F
œ̆ J
3 œ. 8
F
bœ
5
j bœ
b œ. 4 &8 J
8
+. œ
b œ- .
bœ
œ
f | ff
‰
‰
4 8
33
Z
110 Picc.
3
bœ &4 8 _
_ _
°
f
œ
œ ®‰
œ ≈ ‰ v b œv
Œ
∑
Solo
Ob.
≥
remove reed
œ &4 8 J
‰
Œ
_ â
Drums
® &4 8
œ- . sf
œJ
+ œ- œ.
p
j j ã 4 8y y v
‰
Bass
? 4 œ^ >œ
œ
8
ƒ
5
P
∑
>œ œ^ ^ ^ œ œœ® œ œ ≈ ‰ v >+ v P 5 3
≈.
œ ®‰ Ï
arco ord.
j _æ
æ
_
"fff "
v
_
j _ â
"Sff "
flz.
j _æ P
æ
_
"fff "
∑
3
œ
°
"Sff "
‰
ff sub.
œ &4 8
j _ â
flz.
with extreme physicality, guts, body, and velocity – let go
m.s.p.
œ J
π
take metal can
Œ
∑
Œ
∑
Œ
∑
Ï
arco m.s.p.
Vn.
_ â
"fff "
π
Vibes
v
3
b œ œv ≈ ‰ v
pizz.
>y J
ƒ
‰
v
5
_ b_ __ #_ _ |p
34
113 Picc.
∑
&
j & _ â v
Ob.
"fff "
# >- -. -. -. -.
∑
≈
v
flz.
j _ #_ _ >
j _æ
"Sff " | p
∑
3
_æ
≈. _ >_ _ â 5
"fff "
j _
[s]
|°
v
j >_ _
5
>_ _ .
"fff "
_
5
_ b_ _ _ #_ _ â |p
w. metal can
Metal/Can
&
Yæ >
∑
yæ
F
ƒ
≈
P
‰
Œ
5
Drums
Vn.
ã
∑
&
∑
œ œ ≈. vv
ƒ
#Y Y > Ï
‰
Œ
∑
y y
arco m.s.p.
Bass
?
∑
YY >
Ï
YY
y y
π
≈
‰
35
116 Picc.
Ob.
flz.
∑
&
∑
‰
≈
^æ >
^æ
"fff "
& b_ b_ > .
≈
≈
"fff "
b_ b_ _ >
v
5
_ b_ b_ n_
v
≈
b_ _ _ > â
‰
‰
≈.
_
_ #_
®
j _ # _. â v
3
b _ _. b _ ≈ . fl
" yæ
! Metal/Can
Drums
Vn.
&
∑
∑
ã
∑
∑
&
∑
∑
‰
≈
y >
ƒ
? yy
π
≈
‰
Œ
∑
|p
∑
‰
≈
yy >
Ï
Bass
>_ b _
‰
≈
# y>y Ï
j yy
yy
yy yy yy v >
36
119 Picc.
& ^æ
j & _ â v
Ob.
Vibes
Drums
Vn.
Bass
®
- - - b_ b_ > . . >
æ
æ
y
? yy J
yy ..
# y>y ..
yy yy v >
‰
Œ
≈
_ ≈. fl
flz.
v
j b _ _.
æ
_.
|p
yæ
Ï
∑
ã
≈
∑
π
5
& y
j & y y
_æ
^æ
v
v
3
b _ b _ ≈ _. ® _ . > â
"fff "
≈
‰
v
_.
>
®b _ .
YY
® ‰ >- -. -.
â
Œ
∑
∑
yy
3
∑
yy
≈
‰
∑
∏
yy ∏
≈
‰
Œ
# _.
37
122 Picc.
∑
&
v Ob.
Vibes
Drums
Vn.
Bass
& _ _. >
5
b_ fl
≈.
∑
flz.
j _ n _æ >
5
>_ _ _ _ # _
"Sff "
v
≥
v
_ â
_ â
_ â
"fff "
≥
_ â
∑
v
3
#_ v >_
"fff "p
v
flz.
j _æ
æ
_.
3
5
b_ _ b_ _. > [s] "fff " |°
_ #_ fl
"fff "
&
∑
∑
∑
ã
∑
∑
∑
&
∑
∑
∑
?
∑
∑
∑
≈ ®
v
b_ b_ fl v
38
125 Picc.
^ ^ ^ ®#œ œ #œ ≈
∑
&
__ _
j œ > œ
^ ^ ^ ^ ® œ œ ® œ œ ≈
_ _
_
__
_
j ®œ # œ .
>
F
f
F
parlando
œ^ ^ ® œ ® ‰
_
j œ œ
≈.
__
>
Sff
P
with percussion
Ob.
|p
Vibes
Drums
v
flz.
j & b _ _ _ # _ _ _æ 5
_. â
"fff "
&
∑
ã
∑
v
_. â_
>_ _
"Sff "
_ #_
≈
b_ b_ n_ >
"Sff "
v
v
®
_. â
_
[s]
|p
"fff "
_. # _ fl
≈ y yv yv v
F
j y
y y ® y y ≈ v v v v f
parlando
®j y
y. >
F
®
y y v v
® ‰
Sff
Bass
&
?
∑
∑
∑
pizz.
∑
>y J
ƒ
‰
3
_ _ b >- -. â
Œ
≈.
j y
y >
P
with piccolo
Vn.
v
∑
®
y >
_ â
_ â
∑
®
3
∑
39
5
128 Picc.
≈
&
_ _ œ_
œœ ‰ vv v
≈
j œ
3
Ob.
& _ #_ ≈ ≈ b_ b_ n_ _ > > â "Sff "
Vibes
"Sff "
≈
yyy‰ vv v
Vn.
&
3
v
_ _ v â
"Sff "
j y > y
sf
3
≈
y y v
∑
≈
"Sff "
∑
j y > y
®
j y > y.
Œ
pizz.
Bass
_
_
j b - -. -. ® - -. -. ® _ > >
P ?
_
^ jœ #œ J ƒ
- - - > . . .
[s]
|p
(
®
"fff "
"Sff "
!
≈
®
y y v v
j y
j y >
Œ
ƒ
"f "
®
y^ .
with picc. & perc.
≈
œ^ _J
ff )
v
_.
b_ â
"fff "
#œ J
œ
>
≈
J
ff )
# œ^ J
j œ
j y > œ^ J
Ï c.l. batt.
III
y^ y^ ®
j> œ y (
p
y^
- - > . .
j œ
∑
‰
II
^ jœ # œ _J
Œ
∑
≈
f
œ^ ^ ® _ #œ
œ^ ® œ^ .
∑
&
ã
≈
"fff "
5
Drums
__
≈
j œ
sf
v
5
œ^ # œ^
≈
_
f
3
œ^
j œ
j y >
ƒ
Œ
>y J
>y J
v
_ â
40
131 Picc.
&
^ jœ
‰
#œ
_
j œ
œ^
‰
_
œ^ .
^ jœ
®_
≈ #œ _
‰
meno
v Ob.
Vibes
Drums
& _.
>
‰
"Sff "
b_ â
≈
j œ j> œ > y y
‰
"Sff "
Vn.
& ‰
œ̆
≈
"fff "
‰
®
≈
j œ œ^
‰
®
# œ^ .
≈
# œ^
‰
b_ â
|p
≈
y ‰ y v v
≈
j y
f
^ œ^ # œ
y v
# œ^
‰
^ y 8 J j 3y
Bass
!
‰
y^
y^
‰
> ® y.
≈
y >
‰
≈
y ‰ y v v
y v
œ̆ 3 J
y^ 3 J 8
j _æ
7 8
ƒ
ã 7
8
3
‰
j y
y v
^ ^ y^ ^ y ® y y 5
5
3
j #œ#œ
‰
7 8
p sub.
ƒ
v
I
3
7 8
∑
8
II
I
II
‰
"fff "
3
pizz.
_
j _æ
3 8
meno
‰
_J
3 æj 8 b_
3
‰
nœ
b œ^
j œ 3
∑
œ^ .
3 8
^ jb œ
3
v
b_ _ n_#_ _ b_ ≈ > â
sff
# œ^
f
_
v
5
∑
&
ã
≈
- - - - > . . . .
_ _
œ # œv ‰ v
≈
sff
j œ # œ^
®
œ 7 œ # œv v n œv 8 v
‰
? 7
II 3
‰
y v
8
41
e = 120 j b_
_. &7 8
134 Picc.
_
_
4 _ 8 J
j > _ j_ # _ RÔ ≈ . 5
v
Ob.
Œ &7 8
Metal/Can
ã 7 8
Drums
ã 7 8
‰
‰
_.
π
j y > y
J
Œ
Ó
_.
®
>_
j #_
>_
j #_
j #_ ‰
‰
v≥ v
# >- >_ .
4 8
∑
∑
4 8
∑
∑
j _
π
j _
"ff "
5
| "fff "
_.
Ï
ord. bow pressure
Vn.
Œ &7 8
‰
#˙
4 8
°
? 7 >œ . 8
Ï
œ J
P
‰
Œ
°
II
arco
Bass
˙
œ
T
4 T 8
P
f
T molto
T
T J °
5
v
3
≈ _ _. _. # _. # _ >
π
n >_
y. . [k]
j 4 #_ _ _ # _ 8 > . >
v
>_ J
5
5
v
"fff "
∑
‰
[hu]
"fff "
sffp
j _
‰
_ >
"Sff "
42
137 Picc.
∑
&
>
j# _ _
>_
Œ
≈
3
>_ _
≈
_ j> _
[s] [f]
5
__ J
_
>H
5
H J
"Sff "
Ob.
Metal/Can
Drums
&
j b_ > v
flz.
æ
b^
^
F
pp sub.
ã
∑
ã
∑
"fff "sub.
_ _ b_ _ n _ _ n >_ pp sub.
∑
Œ
v
5
"fff "
∑
œ. .
‰
œ.
∑
f
Vn.
^ & #œ œ. > ff sub.
c.l. batt.
toneless
ord.
œ
j _
molto
_
^ ÿ ®#y ® ‰
p
pizz.
j #y >
‰
Œ
‰
Œ
ƒ
F
with double bass
? # œ^ >œ . ord.
Bass
ff sub. with violin
œ molto
toneless
_ J
c.l. batt.
_ p
®
ÿ ÿ F
pizz.
® ‰
>y J
ƒ
j _
43
140 Picc.
H & J
H
≈
>
j_ #_
#_ J
‰
sing any pitch that distorts the played pitch
_
_ f
°
Ob.
j & _
v
alla tromba
v
_ #_ _. .>
>.
_ _ >
H
"ff "
5
5
>H
≈
f
f
p poss.
_ >
_
"fff "
Metal/Can
ã
∑
∑
∑
Drums
ã
∑
∑
∑
#œ J
m.s.t.
Vn.
&
∑
‰
œ
F | p sub.
°
Bass
?
∑
Œ
œ
#œ
m.s.t.
°
œ F | p sub.
Œ
°
œ °
44
143 Picc.
&
H
H
j #_
®
>_
# >_ .
≈
˘_
3
2 ‰ 8
3
≈ >_ _
5
[s]
3
_
>
2 j _. _ ® - _ 8 _ . >>
≥
v
∏
5
v
≥
v
π
"fff "
panting
∑
2 8
∑
4 8
∑
Drums
ã
∑
2 8
∑
4 8
∑
Bass
&
?
∑
2 ≈ 8
pizz.
∑
2 ≈ 8
≥
v
≥3
v
4 ≈ _ # _. _. _. _. _. _. _. _. _. _. _. _. _. _. > _ _ #_ _ 8
ã
Vn.
3
~~~~~~~~~~~~~~~~~~~~~~~~~~
Metal/Can
pizz.
v
"f "
≥
v
& _
≥3
4 ≈ _. _. _. _. _. _. _. _. _. _. _. 8
"Sff "
Ob.
v
[s]
[f]
5
≥
v
P
y L yy y >
arco
‰
P y >
j
4 #y 8 > ƒ
œ.
molto
P
arco
‰
>y 4 J 8
ƒ
œ. molto
P
45
146 Picc.
&
_
_
_
_ # _ _ y. > b_ nH
H.
_ _ _ b_
®
"fff "
j _
v
& _. >
p
"fff "
with oboe
v 5
_
3
v
_ _ #_ _ _ _ b_ _ _ > > >
"fff "
_.
5
3
with piccolo
with piccolo
∑
∑
Drums
ã
∑
∑
∑
Bass
& œ
≥ ˙
toneless
_
∑
^
∏
toneless
^
5
® ≈ ® # >- _ _ _ # _ _ _ b -. b -. n -. > [s] [f]
∑
≥
>
j_ #_
with oboe
ã
?
≈ ‰ >_ _
"Sff "
[k]
Metal/Can
Vn.
3
[s] [f]
∏
Ob.
_
_ ∏
_ J
‰
46
149 Picc.
v
≥3
v
≥
v
3
≥
v
3
& _ _ _ _ _ _ _ > . . . . . . .
>
j _
>_ J
∑
≈
"Sff "
Solo
Ob.
3
& _ >
3
"fff "
v
v
_ -. - # - . . . _ >
"Sff "
_ >
[s]
[s]
v
3
5
æ
__
|p
æ
_.
"ff "
5
5
æ _æ# _æ _ _æ n _ _ # _ _ _ . p |"fff "sub.
5
_ ®
5
|p
≈
‰
2 8
[f]
v
b - b _. _ >
>_ # _ # _ _
3
_ n_ _
≈
2 8
_ >
"fff "
Metal/Can
ã
∑
∑
∑
2 8
Drums
ã
∑
∑
∑
2 8
c.l. batt.
Vn.
&
∑
Œ
# >y J
‰
J
#e
?
∑
& Œ
≈
f
≈
≈
J
e ≈ π
? ‰
y L yy ‰ y.
2 8
"ff "
pizz.
c.l. batt.
Bass
P
∏
F
>y
pizz.
≈
;
yy ‰ yy fl
"ff "
2 8
47
152 Picc.
&2 8
# >_ .
#_
n_
n _¨ _¨ # _¨
4 8
>^
_
5 æ 8
_.
æ
4 8
_æ.
4 8
3
non-dim. with oboe
Ob.
5
3
v
flz.
5 _æ 8
4 #^ _ b_ _ _ _ #_ ® _. 8 >
&2 8 _ p
"fff "
non-dim. with piccolo
Metal/Can
ã 2 8
∑
4 8
∑
5 8
∑
4 8
Drums
ã 2 8
∑
4 8
∑
5 8
∑
4 8
arco m.s.t.
3
Vn.
≈ L yy I yy &2 yy yy 8 . >
P Bass
≈.
y L yy y.
4 8
∑
5 Œ 8
"fff "
o e I
3
y I yy y >
≈.
L yyy y fl
"fff "
4 8
° arco
? 2 ≈ L yy yy 8 fl
œ. #œ.
4 8
∑
5 8
T
°
o
e. T.
4 8
48
_
155 Picc.
æ &4 8
>H
v _.
Solo
H J
H
H
≈
[s]
__
® y.
7 16
b_ _
[k]
_ A_ _ _. y. n _ y. J [k]
[k] meno"
v Ob.
Metal/Can
&4 b_ 8 fl
≈
‰
ã 4 8
Œ
v
fff "
v
j 7 _ # _. - _ _ _ _ _ _ # _ _ . 16 > >- . b >3
Œ
∑
v
3 8
∑
7 16
3 8
∑
3 8
∑
3 8
take drumsticks
Drums
∑
ã 4 8
∑
7 16
œ. J
pizz.
Vn.
œ œ &4 8
≈
‰
Œ
Œ
Bass
?4 8
o
F
7 ≈ 16
f
P
e T
®
œ. .
I/7.
≈
‰
Œ
&
Œ
o
ric.
Bœ. J P
o
e R? 7
16
œ.
®
# œ. .
‰
∑
≈
3 8
3 8
49
158 Picc.
&3 8
b >_ .
_ _ b _. b_ . . n_ > > # y.
4 8
>_ b _- .
-flz.. _ _
æ
æ
_ b_ _
b _.
_
>H
H.
>H J
_.
j _ >
2 8
3
"fff "
[k]
v Ob.
Metal/Can
3
≈ &3 _ _ 8 _ #_ _ > > >
ã 3 8
∑
v
_ >
meno"
f"
5
v
5
v
5
v
3
v
4 _ b_ _ n_b_ _ _ _ b _ _ n _ b _ _ b _ n _ b _n _ b _ _ 8 _ fl fl > fl
"fff "
4 8
∑
∑
2 8
w. drumsticks
Drums
>œ ≈ ã 3 8
Œ
4 8
∑
Œ
‰
≈.
F
2 8
P
P
Vn.
j œ > œ
f
3
j y Ly &3 8 yy >
2 8
Œ
4 8
∑
Œ
‰
"ff "
≈.
y I yy 2 y 8 > "ff "
P
> ?3 y 8 J pizz.
Bass
sff
Œ
4 8
∑
∑
2 8
50
161 Picc.
&2 8
>_
_ b_.
b _ y.
_
4 8
_
n _ y. [k]
5
[k]
Ob.
Metal/Can
Drums
&2 8 # >_ .
ã 2 8
ã 2 8
5
_ #_
v
#- n_ _ >>
∑
∑
_ n_ _ 4 8 # _ _-
4 8
y.
3
[k]
v
3
_ _
_ J
_ _ >
v
j ® _ _ >
6
_ n_ 5
6
>_
3
3
v
6
∑
≈.
j œ > œ
‰
∑
y I yy ‰ y >
∑
f
P Vn.
&2 8
∑
≈.
4 Œ 8
"ff "
Bass
?2 8
∑
4 8
∑
. _ _ b >. >
_ #_
_
_b_ _ b_ n_ b_ > _ _ b _ n _ > _ _ b _ _ > _n _ b _ _ b >_ .
∑
4 Œ 8
_
# >_ .
∑
>-
‰
51
164 _ Picc.
&
_ b_
_
b >_ _. . . n_ b_
≈ 5
3
_ b _ _ n _ n _¨ # _¨
2 8
5
_
_ 3
_#_
4 8
n >_
#_
3
>. ®
_ #_ _ b_ n_ 3
Ob.
Metal/Can
Drums
& # _. # _ <
ã
ã
v≥ v ≥ v
j _. _. _. _. _. _. >_ 5
∑
∑
>_ _
b _.
5 16
n >_ .
_. _¨
# _¨
. > >. 3 8
3
[s] [f] "Sff "
v
_ -. _ >
"f "
2 j 8 _ _ _ "fff "|
2 8
2 8
3
v
5
4 ≈ _#_ ≈ . . _ n _# _ _ # _ _ _ 8 _ _ #_ . > "fff "
°
∑
∑
4 8
4 8
5 _. 16 >
_. _ b _ - b - 3 v v v v 8
with piccolo
∑
5 16
∑
∑
œ^ 5 y 16 J
‰
≈
3 8
j y 5 Iy 16 yy >
‰
≈
3 8
5 16
∑
3 8
f
P
Vn.
&
∑
2 8
∑
4 8
∑
"ff "
Bass
?
∑
2 8
∑
4 8
∑
3 8
52
168 Picc.
_ 3 &8 J
_
b _¨
n >_
n _¨
2 y. 8
[k]
v
Ob.
Metal/Can
j &3 b _ 8 >
j -. >_
_.
ã 3 8
∑
#_
# _.
_ _. æ
3
4 8
# >_ # _¨
5
>_
_
[s]
[f]
®
n_ #_
"Sff "
v
2 j 8 b - n - _. _æ 3
> >
flz.
| pp
4 j 8 _æ "ff "
≈ jy ã 3 y > 8
Vn.
j _æ
_ _ b_ - n_ >
pp | "fff "
2 8
∑
4 8
∑
Œ
2 8
∑
4 8
∑
Œ
2 8
∑
4 8
∑
Œ
2 8
∑
4 8
∑
"fff "
;
3
Bass
? 3 ≈ yy yy 8 > ƒ
[f]
v
P
≈ I yy &3 yy 8 >
[k] [s]
with oboe
f
3
_
"Sff "
3
Drums
_ n_ . y >_
[s]
_
[f]
with piccolo
_.
53
Picc.
171 # >_ . n _ _ # _
_¨ b _ n _ . _¨ >. > ® ®
# _.
&
3
5
5
_¨
y. 7
_¨ _¨
16
5
≈
_ b_ 3
3
[k]
>_ _
b >_
_¨
n >_ 4 J
_ _ b_ n_ _ #_
_
8
® ≈.
# >.
3 8
5
[s] [f]
"Sff "
with oboe
v Ob.
& ≈
_.
®
_ b _ _ ® n >_ >
_.
®
>_ .
v
v
7 b_ 16 . b _. _. _. _ # _ >
[s]
_.
[f]
_ fl
≈
4 8 # _. _. _ b _ b _ b _ . . > [s]
_
[f]
_. # _. _. _. # _ fl
3 8
with piccolo
Metal/Can
ã
∑
7 16
∑
4 8
∑
3 8
Drums
ã
∑
7 16
∑
4 8
∑
3 8
&
∑
7 16
∑
4 8
∑
3 8
?
∑
7 16
∑
4 8
∑
3 8
Vn.
Bass
54
174 Picc.
&3 8
#_ n_ n_
#_. 5
≥
Ob.
v
≥5
[k]
y. >_ [s]
#_ _
_ ≈ [f]
# _ n _ _ # _ >_ _
5
j ® &3 8 _ _ _ _ > . . . .
_
[s]
[f]
"Sff "
"Sff "
v
>_
v
v
_.
_. >- b >-
#_
_.
_ _
2 8
_
[s]
_
®
y.
4 8
[k]
j
v
3
#_ _ _ #_ _ #_
# _ _. fl
2 _ 8 >
_
>
4 8
Metal/Can
ã 3 8
∑
∑
2 8
∑
4 8
Drums
ã 3 8
∑
∑
2 8
∑
4 8
Vn.
&3 8
∑
∑
2 8
∑
4 8
?3
∑
∑
2 8
∑
4 8
Bass
8
55
≈ >
177 Picc.
H
&4 8 J
. _. # >_ . _ # _ # _ _ # _ # _ # >. .> y. _ _. ® ® 5
≈
j &4 _ 8 > v
Ob.
[k]
# _¨ b _ b _¨ . _. n _ _ # _. _ _ # _. ® 5
5
≈
#_
#_ 3
3
3
_ _ >
≈ ‰ 3
[s] [f] "Sff "
with oboe
v
5
_ # _ # _ _. # _ . >_ _ >
_
- _ > .
®
_ fl _ fl
≈
3
>
j ≈ ≈ ≈ # _ _ # _ n _ #_ _ _ _ b_ -. . . . . . _ _ > >- > 5
≈
5
3
3
[s] [f]
with piccolo
Metal/Can
≈
‰ ã 4 8
≈
Drums
‰ ã 4 8
Vn.
‰ &4 8
Bass
≈
≈
?4 ‰ 8
# _ >_
‰
Œ
∑
∑
‰
Œ
∑
∑
‰
Œ
∑
∑
‰
Œ
∑
∑
# _¨ 3
56
180 >_ Picc.
&
>_ _ # >_ 3
≈
3
#_ y. # _ # _ y. # _
#_ 2 J
≈
8
_. # _.
4 8
# _¨ _.
5
[k]
[k]
>_ _ [s]
# _.
®
n >_
# _.
# >_ . _. # _. . y 2 ®
#_
8
3
5
[f]
n_
n _ _# _ 3
[k]
"Sff "
with oboe
with oboe
Ob.
& _ >
3
v
≈.
3
# >_ _ n >_
_. # >_ .
v
2 j # _. 8 _æ
j _æ
4 æ 8 _
with piccolo
v
_
[s]
_
[f]
≈
_.
j - _ > >
2 _. 8
#_
with piccolo
Metal/Can
ã
∑
2 8
∑
4 8
∑
2 8
∑
Drums
ã
∑
2 8
∑
4 8
∑
2 8
∑
&
∑
2 8
∑
4 8
∑
2 8
∑
?
∑
2 8
∑
4 8
∑
2 8
∑
Vn.
Bass
-. . . . . .
57
Picc.
U >H J
184 _ _ # _
&
3
3 16
≈
_ # _# _ # _ >H
3 8
#_ _ _ #_
_ 3
y.
3
#_ _
y. 4 8
[k]
#_
#_ . >
_.
v
[k]
_ b_ n_
b_ _#_ _ #_ 2 _. ® y.
v
8
[s]
[s]
[k]
with oboe
v
Ob.
& ® _ >
U j _. >_
≈ v
3 b_ b_ 16 . _. b _ >_
3 æj 8 >_
5
_æ
v
_.
v
3
≈
b>
≈
4 8 _. _.
>
≈
j _
_
_.
2
- 8 >
with piccolo
Metal/Can
Drums
Vn.
Bass
ã
‰
ã
‰
&
‰
? ‰
U ‰
U ‰
U ‰
U ‰
≈
3 ≈ ≈ ≈ 16
≈
3 ≈ ≈ ≈ 16
≈
3 ≈ ≈ ≈ 16
≈
3 ≈ ≈ ≈ 16
3 8
∑
4 8
∑
2 8
3 8
∑
4 8
∑
2 8
3 8
∑
4 8
∑
2 8
3 8
∑
4 8
∑
2 8
58
_ √ #_ H
>_ J &2 8
188 Picc.
# >_ 4 J
_.
#_ _.
#_ n_ _ #_ #_
8
5
3
3
Ob.
√
v
v
3
&2 8 _ # _ _ b _ _ _ >_ _.
Drums
Vn.
Bass
ã 2 8
‰ ã 2 8
‰ &2 8
?2 ‰ 8
∑
≈
√ 3
_ _ _. ≈ > [s] [f] [s]
#_ #_ n_.
5
5
4 8 -
>
≥
v
_. _. >_ _
5
3
3
>.
> # >- >_ _ .
_.
v
v 5
5
[s]
with piccolo
4 8
∑
∑
4 8
∑
∑
≈
√ ≈
≈
4 8
∑
∑
≈
√
≈
4 8
∑
∑
≈
5
≈ b_ _ _ _. b _ _ # _ _ _ # _ _ n _ n >_ b _ _ n _
≈
3
# >_ _ . y [k]
≈
3
#_
with oboe
with piccolo
Metal/Can
v
"Sff "
with oboe
5
3
_.
59
191 Picc.
U_
& J
Accel.
_
_
_
_
f J
f J
f
sing any pitch that distorts the played pitch
J
alla tromba
Ob.
f J
f
Drums
Vn.
Bass
∑
≥ _-
v
_-
v
_-
≥ _-
v
_-
≥ _-
non - dim.
slowly open mouth
f
≥v≥ _. _. _. _. _. _. _. _. _. _. _. _. _. _.
_-
≈ >
U >H
H J
p sub.
≈
U
v
j _ >
_. _. _. _. _ >
"fff "
3 4
3 4
with piccolo
panting
∑
∑
Œ
∑
‰
& ‰
‰
Œ
∑
‰
U ? ‰
‰
Œ
∑
‰
U
v
with oboe
‰
ã
‰
≥ _-
[s]
"fff " |
ã U
"ff "
more distorted
π
Metal/Can
_-
frustrated, angry, exasperated
ppp sub.
U f & J
v
3 4
U
≈
U
≈
U
≈
Œ
Œ
Œ
‰
‰
‰
3 4
! 34
! 34
60
194 Picc.
&3 4
#_
_ f
_ f
_ 4 f
flz.
_
æ
8
_
æ
v alla tromba
Ob.
&3 4
f
f
f
4 8
3
f
_. _ b _. _. _ . >
"fff "
°
Metal/Can
Drums
ã 3 4
∑
®j ã 3 4 y y. v ƒ
P
®j y
y. v
pp sub.
®j y
y. v
y
y. v
®j y
y. v
®j y
y. v
4 8
®j y
! 34 P
III IV
Bass
! 34
YY .. >
Ï
‰
y. >
4 8
≈
_ _ _ _ fl fl fl
yy
Œ
˘y y
III
≈
∏ | fff sub.
molto
v
ƒ
II III
arco
III IV
Vn.
[k]
∑
4 8
®j
_ _
y. ®
"sf "
P
"f "
°
_ æJ
# ˘_
‰
j y <
pizz.
≈
y.
y. 3
f
arco
YY .. >
Ï
molto
4 8
YY ( p)
°
61
196 Picc.
& >_ [s] "Sff "
#_ _ J _ 3
[f]
_
_
ppp sub. v
5
Ob.
b_ _ _ b_ _ n_ _ b_ & _ _ #- .... _ > > [s] [f] "Sff "
with piccolo
Metal/Can
Drums
ã
ã
‰
≈
Œ
[f]
[s]
‰
≈
y.
‰
y.
≈ f
[k]
‰
®
‰
≈.
y^
y^
‰
≈.
œ^ y
‰
[k]
y̆ [k]
_ y̆ [k]
remove 1/2 oboe
- ‰ >
Œ
III
y.
‰
≈.
‰
Œ
1 2 Ab 3
3
y. ≈ ‰ y.
≈.
y.
11. J
œ. J
œ. .
œ̆
11. J
11. ..
˘1 1
1. J
1. .
1̆
(f)
I
IV
y.
yy <
œ. J I II
pizz.
y.
_ y̆ J
>_
∑
IV
®
>_
°
p
II
!
_. >
f
pizz.
Bass
b_.
Œ
arco
!
"fff "sub.
∑
III IV
Vn.
j _
∑
œ^ y
5
p
"f "
3
b >_ b >_ _ _ y̆ ®
n _-
‰
1. J (f)
62
Rall. j & _ >
199 Picc.
v
‰
b >_ _ >_ _ # >_ . ®
^
_
_
[f]
3 _ 8
‰
4 8
‰
4 8
"f "
π 1/2 OBOE, NO REED
Ob.
∑
1 2 Ab 3
^
_ .
"ff "
_ .
__ ..
_ .
^
_ .
_ .
__ . .
3 _ 8
__ . .
non-dim.
Metal/Can
Drums
ã
ã
∑
œ. j œ. +
≈.
f
!
≈.
p
œ. œ. œ. œ. ®
≈.
arco
y L yy ‰ y >
®
y^ ≈
ƒ
Bass
!
‰
P
III IV
ƒ
arco
Œ
‰
Œ
Œ
f
j œ v
sff
‰
3 Œ 8
j
p
j yy
ƒ
3 8 molto
œ œ v >+
p
>Y Y
4 8 ƒ
3 8 molto
∑
3 8
>Y Y sff
III
j y >
j œ v
III IV
y^ y^ y^ y^
∑
ƒ
III
P Vn.
∑
j
j yy
ƒ
y^ ≈
4 8
4 8
sff
y^ sff
≈
4 8
63
sub. e = 120, a tempo
203 Picc.
& 4 8
# >_
>H
_ > H H.
H
3
"fff "
Ob.
1 2 Ab 3
4 ≈ 8
3
>_
. >_ _
_
"fff "
>H H J
H J
v
j _> _
j _
>H
H
v b y. _. 3
8
[k] [s]
>_
_
≈
3 8
Metal/Can
ã 4 8
∑
∑
∑
3 8
Drums
ã 4 8
∑
∑
∑
3 8
Vn.
!
4 y y ≈ 8 y y
v v
‰
Œ
∑
∑
3 8
‰
Œ
∑
∑
3 8
Ï
Bass
!
4 8
yy^ yy^ Ï
≈
64
206 Picc.
Ob.
Metal/Can
& 3 8
1 2 Ab 3
3 8
>H .
4 8
H
H
7 16
H
v-
_
H
4 8
[s]
>_ .
4 8
ã 3 8
∑
_
_
7 16
_
4 8
∑
7 16
4 8
∑
7 Œ 16
_
≈
∑
4 8
4 8
w. bass drum mallet
Drums
‰ ã 3 8
j œ
‰
π
≈
œ
4 8
Vn.
!
3 8
∑
4 8
∑
7 16
∑
4 8
Bass
!
3 8
∑
4 8
∑
7 16
∑
4 8
65
209 Picc.
Ob.
Metal/Can
Drums
& 4 8
1 2 Ab 3
4 8
>H
H
>_
_
ã 4 8
‰ ã 4 8
H J
_ J
∑
j œ
H-
>_
HJ
H
>_ J
_
∑
Œ
j œ
Œ
‰
H
H-
7 H 16
v-
_
3 8
[s]
_
7 _ 16
∑
7 16
∑
7 ‰ 16
>_
≈
∑
≈
œ
3 8
3 8
‰
≈
3 8
Vn.
!
4 8
∑
∑
∑
7 16
∑
3 8
Bass
!
4 8
∑
∑
∑
7 16
∑
3 8
66
213 Picc.
& 3 8
>H .
flz.
H
H
4 8 æ
æ
H
v-
_
H
7 16 æ
æ
4 8
[s]
"S "
Ob.
Metal/Can
Drums
1 2 Ab 3
3 8
>_ .
_
4 æ 8
ã 3 8
≈ ã 3 8
_
flz.
∑
œ
Œ
æ
_
_
7 16 æ
4 8
∑
7 16
4 8
∑
7 Œ 16
≈
æ
∑
4 8
4 8
≈
œ
4 8
Vn.
!
3 8
∑
4 8
∑
7 16
∑
4 8
Bass
!
3 8
∑
4 8
∑
7 16
∑
4 8
67
216 Picc.
Ob.
Metal/Can
Drums
& 4 8
1 2 Ab 3
4 8
>H
H-
>_
>_
ã 4 8
‰ ã 4 8
∑
≈
2 H 8 J
3 H 16 æJ
>_ æJ
3 _ 16 æ
flz.
2 j 8 _
2 8
Œ
œ
HæJ
flz.
∑
2 ‰ 8
œ.
_ R
[s] "S "
≈
∑
3 16
®
v-
j 3 16 œ+ .
2 8
2 8
2 8
2 8
P
Vn.
!
4 8
∑
2 8
∑
3 16
∑
2 8
Bass
!
4 8
∑
2 8
∑
3 16
∑
2 8
68
219 Picc.
& 2 8
-
jb _ _
_
b _-
_. j _
j b_ y
.
_
_
_
_ >
[s]
[k]
_
_-
_.
>_ _ _ j# >_ b j . _ J >. b _ _ 4
_
8
[f]
3
Ob.
Metal/Can
2 8
>_
ã 2 8
"ff " 5
>_
j _ _ .
j _.
>_
∑
ã
2 j 8 œ
fl
_ .
_ .
j _
j _ ® .
∑
w. butt of BDr. mallet /or drumsticks
Drums
_ > _ _ _ _j _ >
j y y. fl
‰
F
y y y . . .
II
I
˘
4 yy 8 J.
ric.
Vn.
!
y 2 J 8
P
arco
>y
®
Sff
Bass
!
8
P
y.
p
c.l. batt.
>y 2 J
y.
pizz.
3
y.
y.
y̆
y. . y.
y y y . . .
y.
y
>y J
pizz.
P
y
≈
y. v
y 4 J 8
Sff
f sub.
F
c.l. batt.
pizz.
≈
‰
‰
≈
y y. y. y. ≈ fl
œ >+
‰
II III
v
5
≈
F
arco
y
H J
∑
II
I
_
P
œ^ J
j œ+
‰
__ . .
>_ _J .
4 8 f
π
ric.
>H
"Sff "
_ _ 4 _j_ >_ 8 >.
∑
Solo
3
P
1 2 Ab 3
_
yy J
yy
yy. ® ‰
on the string
&
f
° c.l. batt.
y̆ J
>y 4 J
sf
P
8
y
>y P
y
≈
‰
?
69
223 Picc.
H & J
U H.
UH
5 sec.
10 sec.
j _ > v
[f]
"Sff "
UH
5 sec.
æ
1 2 Ab 3
∑
∑
∑
Metal/Can
ã
∑
∑
∑
Drums
ã
∑
∑
∑
&
∑
∑
∑
?
∑
∑
∑
Ob.
Vn.
Bass
70
226 Picc.
&
UH
10 sec.
UH
13 sec.
UH
7 sec.
j _ > v
j _ > v
[f]
[f]
"Sff "
"Sff "
1 2 Ab 3
∑
∑
∑
Metal/Can
ã
∑
∑
∑
Drums
ã
∑
∑
∑
&
∑
∑
∑
?
∑
∑
∑
Ob.
Vn.
Bass
71
e = 104
229 Picc.
Accel. ∑
&
#_
∑
_
° 1 2 Ab 3
∑
∑
∑
Metal/Can
ã
∑
∑
∑
Drums
ã
∑
∑
∑
Ob.
Vn.
yy >
ƒ
yy on the winding
yy
≈
‰
Œ
fff poss.
&
Œ
m.s.t.
# # œT °
arco
Bass
>y y Ï
on the winding
yy
yy
yy
yy
yy J
∏
‰
&
72
e = 120, Tempo 1
232 Picc.
&
Sing and play
_
_f
_-
_f-
®
. _. . _. b _ _. _
>_ _
3
"ff "
Ob.
1 2 Ab 3
∑
≈
[s] [f]
_ _ _.
# _.
# _ _ _ y. _-
≈.
3
3
5
5
"Sff " 3
_. _. _. _. ‰
_ .
__ . .
>_
>_
_
>_
_
. > _. _ _. _J
3
_
≈
≈
"fff " edge of can
Drums
‰
[k]
"ff "
Metal/Can
_.
ã
∑
∑
ã
∑
∑
æ
_.
æ
y
y
∏
∑
≥ #TT #TT
half-harmonic L.H. pressure
Vn.
Bass
& T œ
&
œT
∑
j Tœ
‰
æ
f
∑
æ
T.
æ
#TT æ
T T.
æ æ
T.
#TT nTT æ
æ
æ
∑
#TT T T . æ æ æ
≈
73
Rall. 235 Picc.
>_
_
& æ
_
æ
_
5 æ 8
"Sff "
Ob.
Metal/Can
Drums
Vn.
1 2 Ab 3
ã
_ >
_ .
_
_ .
__ . .
3
yæ yæ >
y
fff | ppp
_ .
__ .
_ .
j yæ
T T T.
æ æ æ
5 _ 8
_ .
5 yæ 8
∑
ã
& æ æ
yæ >
fff | ppp
_ .
_ .
_
_
j yæ yæ >
yæ .
j yæ
fff | ppp
T #TT
æ æ
#TT T æ æ
T
bTT
nTT 5 T
æ
æ
5
8 æ
3
6 4
yæ >
3
Ï
yæ >
6 4
æ
T
æ
T
æ
3
T
æ
6 4
T
T T T #TT #TT #TT
æ æ æ æ æ
æ
æ
bTT T T T T
æ æ æ æ æ
6 4
5
3
molto
m.s.p.
half-harmonic L.H. pressure
& Œ
≈
∑
5 8
cresc. poco a poco
Bass
6 4
°
æ
#TT T
≈
‰
≈
T
æ π
5 æJ 8
.
5
æ æ æ æ æ æ æ æ 5
æ æ æ
5
æ æ æ æ
.
? 6
4
74
q = 60
237 Picc.
H & 6 4
H
H
H
H
H
j _ > v
[ha]
π
12 4
"fff " v
Ob.
1 2 Ab 3
6 _ 4
_
_
_
_
_
j _ >
12 4
[f]
π
"fff " full can on surface
Metal/Can
yæ ã 6 4
‰
Œ
≈ ‰
≈ Œ
P
æ
6
y y. > >
y y Œ > >
Œ
Œ
12 4
Œ
Œ
Œ
12 4
æ æ Œ y
Œ
Œ
12 4
Œ
Œ
12 4
P
Ï
w. drumsticks
Drums
ã 6 4
œ^ œ^
6
Ï
T Vn.
≈
& 6 4
‰
Œ
? 6 b T^ 4
ƒ
æ æ æ. y y >y > >
7:4
y > >
f
ƒ
Bass
Œ
≈
‰
Œ
æ
y. >
f
Ï
5:4
æ yæ
Œ y >y > Ï
75
238 Picc.
&
12 4
H
H
H
H
H
H
"ff "
Ob.
1 2 Ab 3
12 _ 4
_
_
_
yæ
yæ
yæ
_ .
_ _ . .
_
_ .
_ .
_
"ff "
Metal/Can
Drums
Vn.
ã
12 yæ 4 >
ã
12 ∑ . 4
ƒ
>
y. 12 >y >y y . 4 æ æ æ Ï
5:4
yy
yy
æ
yy
∏
>y y
‰.
Œ
Œ
‰.
Œ
Œ
‰.
Œ
Œ
non - dim.
Bass
>y
12 y 4 Ï
non - dim.
yy >y >y
>y y æ æ >y y æy æ 5:4
æ
>y y
æ
76
Picc.
&
H
H
H
H
H
H
j _ > v
[ha]
5 4
"fff "
j _ > v
Ob.
1 2 Ab 3
_
_
_ __ . . .
_
_ .
_ .
_
_
_
5 4
[f]
"fff "
Metal/Can
Drums
Vn.
ã
Œ
Œ
ã
Œ
Œ
Œ
Œ
yæ >
yæ
ƒ
Œ
yy ≈ ‰
>y y
æ
æ
Ï
Bass
Œ
Œ
‰
>y
æ
Ï
Œ
‰
Œ
Œ
Œ
‰
3
æ
5:4
Œ
5 4
Œ
5 4
Œ
& 5
>y yy Œ y
? 5
>y ≈ y y æ y æ
3
y y y ‰
æ
yæ
yæ >
Œ
‰. 5:4
æ
æ
4
4
77
239 Picc.
H & 5 4
H
H
_
_
Œ
Ó
H
H
8 4
_
8 4
"f "
Ob.
1 2 Ab 3
5 4 _
._ ._
_
._
"f "
Metal/Can
Drums
Vn.
^ y ã 5 4
! "
^5 y
‰.
Œ ã 5 4
Œ
#y
y
& 5 4
Œ
Œ
‰
y
y.
F
ƒ
take bass dr mallet
œ Œ .
8 4
Œ
Œ
y
Œ
8 4
Œ
8 4
π
pizz.
? 5 4 # >y
œ .
Ï
π
Bass
j œ > œ
8 4
‰.
; yy yy >
Ï
78
240 Picc.
Ob.
& 8 4
1 2 Ab 3
8 4
H
H
H
_
_
H
H
H
H
H
_
_
_
_
_
æ
æ
5 4
"ff "
_
_ .
_ .
5 4
"ff "
! Metal/Can
Drums
Œ ã 8 4
Œ
Œ
j3 y y > >
y
pp sub.
ƒ
y.
Œ
Œ
m.s.p.
? 8 Œ 4
‰
‰
y >
P
Œ
Œ
>y Ï
5 4
5 4 m.s.t.
y # y y n yy y # yv v v v v v
Ï
Bass
P
ƒ
m.s.p.
6
Œ & 8 4
y y Œ > >
3
∑
ã 8 4 m.s.p.
Vn.
5:4
y
pp sub.
pp sub.
‰
fff sub. 3
m.s.t.
µy
y^ ^ y^ b y Œ
y^
y^
‰
5 4
by ‰ v yv
5 4
6
m.s.p.
y
^ ^ y by Œ fff sub.
6
‰
79
241 Picc.
H & 5 4
H
H
H
H
5 _ 4
_
_
_
_
æ
y
F
Ob.
1 2 Ab 3
edge of can
Metal/Can
Œ ã 5 4
Œ
yæ
‰
æ
y
°
Drums
molto
∑
ã 5 4
ord.
Vn.
Œ & 5 4
# # œT
œT
œ F
°
Bass
? 5 4
dirty
∑
œT
œ molto
œT
80
Senza misura
U >H
as long as poss.
242 Picc.
&
j _ > v
[f] "Sff "
"fff " as long as poss.
Ob.
1 2 Ab 3
U >_
j _ > v
Drums
ã
as long as poss.
U
æ
y
5 4
[f] "Sff "
"fff "
Metal/Can
5 4
ƒ
Œ
5 4
∑
ã
5 4
as long as poss.
Vn.
&
œ
œT
U Œ
5 4
fff poss. as long as poss.
Bass
?
U Œ
5 4
81
243 Picc.
& 5 H 4 >
H
"f "
Ob.
1 2 Ab 3
5 >_ 4
H
_
H
_
_
H
_
"f "
Metal/Can
>H
H
H
H
h
ƒ
h
h
j _ > v
_
_
_
_
>H
H
H
H
>_
v
j _ > v
_
_
_
_
[f]
"fff " "ff "
h
j _ >
H
[f] "fff "
[f]
"ff "
! y y. ã 5 4 >>
v
[f] "fff " "ff "
"ff "
>_
j _ >
H
"fff "
y
∑
°
molto
w. bass drum mallet
Drums
Vn.
‰. ã 5 4
& 5 4
#h >
fff poss.
Bass
? 5 4
œ >
ƒ
Œ
Ó
Œ
# Th
y Ty
∑
#w
∑
≥
# wT
œ œT
#w
# wT
œ œT °
∑
∑
∑
82
246 Picc.
Ob.
&
1 2 Ab 3
>H
H
H
H
H
>H
H
H
H
H
[f] "fff " "ff "
"ff "
>_
j _ > v
j _ > v
_
_
_
_
>_
>H
H
H
H
H
[f] "fff " "ff "
j _ > v
_
_
_
[f]
"ff "
j _ > v
_
>_
[f] "fff "
4 8
j _ > v
_
_
_
[f]
"fff " "ff "
j _ > v
_
& 4
8
[f]
"fff " "ff "
"fff "
Metal/Can
ã
∑
∑
∑
4 8
Drums
ã
∑
∑
∑
4 8
&
∑
∑
∑
4 8
?
∑
∑
∑
4 8
Vn.
Bass
83
Picc.
&4 8 #_ fl
[f]
"ff "
Ob.
Metal/Can
Drums
Vn.
Bass
>œ œ . #_ _ #> ≈ œ _ _
Solo
249
_ [s]
|p
j _
3
>_
[a]
≈
>. ‰
"fff "
‰
v.
_.
[s]
3
5
[s] [f]
"ff "
_.
3 ≈ 8
y. [k]
[hu]
"Sff "
>_
[s]
p
_ [f]
"ff "
≈
_ >
4 8
[s]
p
&4 8
∑
∑
3 8
∑
4 8
ã 4 8
∑
∑
3 8
∑
4 8
∑
3 8
∑
4 8
Œ ã 4 8
‰
j œ >
Ï
&4 8
∑
∑
3 8
∑
4 8
?4
∑
∑
3 8
∑
4 8
8
84
252 Picc.
&4 8 _
[f]
"ff "
Ob.
Metal/Can
Drums
Vn.
Bass
v
_.
ppp sub.
≥ _.
≥
v
_.
_.
v
_.
≥ _.
p
v
_.
#_ 5 J
16
_. æJ
_
4 æ 8
P
"ff "
≈
_ J
_ J
p sub.
&4 8
∑
5 16
∑
4 8
∑
ã 4 8
∑
5 16
∑
4 8
∑
ã 4 8
∑
5 16
∑
4 Œ 8
&4 8
∑
5 16
∑
4 8
∑
?4
∑
5 16
∑
4 8
∑
8
‰
b _ b _ >_ "fff "
≈.
≈
5
; œ
p
85
255 Picc.
Ob.
Metal/Can
&
∑
&
∑
ã
Œ
_ >
_
≈
‰
Œ
_ >
_
≈
‰
Œ
[ki] "fff " non-dim.
Œ
"fff "
∑
non-dim.
∑
∑
; Drums
Vn.
ã
∑
&
∑
∑
Œ
≈
Œ
#œ œ fl
‰
Œ
≈
‰
Œ
≈
‰
Œ
œ
( p)
arco m.s.p.
Bass
?
∑
∑
œœ fl
86
258 Picc.
∑
&
‰
j _ >
_
j _
_
v 3
_ ≈ _ fl
[f]
[ki]
"fff " non-dim.
Ob.
∑
&
‰
j _ >
"fff "
_
j _
_
non-dim.
v 3
_ ≈ _ fl
(w. metal can)
j y >
!
Metal/Can
Drums
Vn.
ã
ã
&
‰
∑
;
j œ-
( p)
ƒ
?
∑
(take drumsticks)
≈
Œ
œ-
∑
∑
‰
∑
‰
∑
j yy >
yy
yy ..
yy
≈
# y>y J
yy
yy ..
yy
≈
Ï
Bass
Œ
Ï
87
261 Picc.
& Œ
_.
_ [ha]
& Œ
#_
ã
Drums
ã
‰
_
®
œ^
‰
;
j œ
Œ
p
ƒ
&
∑
?
∑
3 8
_
_
Œ
‰
∑
3 8
∑
3 8
_
_
°
Bass
3 8
°
cl tratto
Vn.
_
∑
>œ œ^
j j y y >
j _ °
p
∑
(w. drumsticks)
‰
[hu]
_
°
Metal/Can
Œ
p
°
Ob.
‰
∑
3 8 with piccolo
∑
3 8
88
_.
264 Picc.
&3 _ 8
[hu]
π
ppp | "f "
with violin
Ob.
&3 8
replace reed
_
4 _. 8 [a]
[s]
"ff "
p
y. ‰ [k]
j #_
j _
_
[ha] "f "
[i] "ff "
[e] "f "
3
>.
Ÿ~~~~~~~~~~~ ˘_ Ÿ~~~~~~~~ _ . _ #_ _ J R J
"Sf "
3 8
"fff "
∑
4 8
∑
∑
3 8
Metal/Can
ã 3 8
∑
4 8
∑
∑
3 8
Drums
ã 3 8
∑
4 8
∑
∑
3 8
Vn.
Bass
&3 8
?3 8
_
_ P
p
∑
_
4 8
# ä_ . "f "
4 8
œ.
pizz.
‰
"S "
∑
_. Ÿ~~~~~~ Ÿ~~~~~~~~~~~~ be _ . # e _ _. J J R
cl tratto
cl ric.
# >y J
y J
y 3
π
3 8
"ff "
∑
3 8
89
v
267 Picc.
# _. &3 8 J
[hu]
≥v ≥
v
4 8 _ _- _- _- _- _-
>_
[f]
[sh] "Sff "
® æ _ π
"ff "
_æ
_æ
"ff "
π
&3 8
∑
4 8
∑
∑
Metal/Can
ã 3 8
∑
4 8
∑
∑
Drums
ã 3 8
∑
4 8
∑
∑
Ob.
# œ. 3 &8 J
arco
pizz.
Vn.
>y _ . ! æ
f | pp sub.
_ æJ
4 _ 8 æJ
lateral bow trem/"windshield wiper"
Bass
?3 8
∑
4 8
_.
æ
cl tratto
® Œ
"f "
b n __ °
∑
__ p
∑
90
Picc.
&
>.
"ff "
Ob.
Metal/Can
Drums
_ #_ _ _ _ #_ # _ _ _ # _ _ #_ _
as long as poss.
3
270
>.
3
6
p
H J
UH
"fff "
U
∑
&
ã
∑
ã
∑
∑
U
÷
∑
U ∑
U
as long as poss.
Vn.
&
__
_
_T ..
_.
^T
^
"ff "
°
Bass
?
Uœ
as long as poss.
∑
µœ π
(
fff ) cresc. through fermata into the next section
91
e = 120 - 108, poco flessibile - as fast as poss. while remaning precise
272 Picc.
Ob.
&
&
÷ Roto-Toms
>œ _ œ. Z
f
œ.
_
#œ.
œ J
π
œ
P
w. timbale sticks or thin drumsticks (5A or smaller)
>œ J
œ
‰
œ #œ
Œ
π
P
œ ≈ > œ
f
œœ
& Œ
œ
π
P
œ.
œ. ≈
œœ
œ J
3
œ π
>œ .
œ̆ ≈
j œ v
j œ >+
‰
#œ
≈.
e.
arco ord.
Vn.
_ J
π
÷
ã
œ
_
_
÷
Drums
q
œ.
e
œ.
‰
j œ >+
œœ
˙˙
P
π
o
œ
|°
Ï
II/7.
^ ^ ? ≈ # œ^ ˜ œ^ ≈ # œ^ ˜ œ^ ® œ B œ ® # œ^ # œ^ ≈ Solo
Bass
fff poss.
propulsive
≈.
œ^
# œ^ ˜ œ^ ® œ^ B œ^ ® ≈ . ≈
œ^
≈.
œ^ B œ^
loco
≈
0
˜ œ^ ^ ® nœ
Bœ œ.
92
275 Picc.
Ob.
&
œ
&
Œ
œ
Vn.
œ
œ
π
P
‰
œ >sf
j œ
Œ
‰
®
œ
P
3
œ œ ≈ v v
e
Œ
œ J
‰
‰
œ ‰ v
Œ
π
j œ >
œ & œ
Œ
? ≈ ˜ œ^ ^ ≈ . nœ
e
œ J
π
œ. >
o
Bœ œ.
|°
∑
∑
o
II/7. loco
0
œ.
∑
π
Bass
‰
3
÷
ã
#œ J
‰
÷
Drums
œ J
π
P
÷ Roto-Toms
˙
œ œ J Ï
|°
f
I/5. II/5. III/5.
œ.
oo
loco
œ^ b œ^ n œ^ b œ^ ®
Ï
&≈
# œ^
‰
3
0
#œ #œ œ .
≈
oo
# œ œ.
oo
®# œ
# œ.
3
0
®
>œ
œ >
œ | pp sub.
o o o
#œ #œ #œ
|°
œ.
œ Ï
93
278 Picc.
Ob.
&
&
œ.
‰
œ
π
˙
˙
3
∑
œ v
∑
j œ >+
œ^ J
sf
Œ
‰
#˙ & ˙
≈
œ v
≈.
e
œ
‰
P
≈
œ
ord.
b˙
˙
π
P
oo 3
Bass
e ≈
≈.
œ
m.s.p.
Vn.
Sp
∑
÷
ã
P
P
÷
Drums
<>
˙
÷ Roto-Toms
˙
œ
0
oo 3
0
o o o
& ≈ #œ #œ ≈ œ œ #œ #œ #œ œ. œ œ >
|°
o #œ ^ ˜ œ^ œ^ B œ^ ^ # œ^ # œ # œ ≈ ® ® ≈ J
I/5.
œ.
œ Ï
?
0
^ œ ≈
loco
|°
œ.
0
œ ^ œ Ï
≈
94
281 Picc.
Ob.
&
&
œ.
˙
˙
∑
π
÷
œ. >
÷
Drums
Vn.
ã
sf
j œ
‰
‰
≈
œ v
e
Œ
Œ
œ >
œ > ≈
f
#œ 3
& ˙ P
? ˜ >œ
m.s.p.
Bass
∑
5 16
∑
5 16
π
÷ Roto-Toms
œ J
Sff
œ
œ v
≈
œ^
e
œ ‰ v
œ v
œ >
5 œ 16 v
j œ >
5 16
sf
n˙ ˙
œ.
5 16
sf pp sub.
ord.
œ # œ^ ^ ≈ œ p|
Ï
m.s.p.
#œ œ v v
®
œ bœ bœ v v >œ >œ .
ord.
j œ
bœ œ bœ v > v Ï
m.s.p.
j œ >
ord.
œ B œv Ï
m.s.p.
≈
#œ#œ œ. v > |p
5
œ 16
95
284 Picc.
Ob.
5 ‰ & 16
5 & 16
œ. J
4 ˙ 8
œ
π
P
π
∑
4 Œ 8
#œ
≈
‰
Œ
˙
π
5
÷ Roto-Toms
÷ ÷
∑
3
∑
5 16
œ >
4 œ 8 v
∑
œ >
e j œ >
3
Drums
5 œ œ ≈ ‰. ã 16 > sf
Vn.
v
œ. œ. J
5 œœ & 16 J
? 5
16
≈
œ #œ œ v >
Ï |p
œ v
f
Œ
3
œ ≈ v
œ >
œ^ œ^ ®
eœ v
∑
ƒ
4 ˙˙ 8
œ œ
≈
‰
Œ
J
e œ b œ œ ® b œ^ œ^ ® >
p
P
ord.
Bass
4 8
≈
®
m.s.p.
œ
ord.
j 4 œ œ # œ # œ œ 8 v v v > Ï
|p
m.s.p.
œ.
5
bœ œ œ >œ b œ œ > Ï
>œ # œ |p 5
5
Ï
96
œ.
287 Picc.
Ob.
& ‰
&
÷ Roto-Toms
÷
π
P
˙
˙
P
π
œ. >
‰
f
÷
Drums
˙
œ. v
œ v
œ. >
∑ ∑ ∑
œ > e
∑
ã
®
j œ ® œ œ v v >
ƒ
≈
œ^
≈
‰
3
#˙
II
Vn.
∑
&
m.s.p.
? œ bœ # >œ œ ® nœ J > v 5
Bass
Sffp
p
ord.
e nœ #œ nœ #œ nœ #œ œ Ï
ord.
m.s.p.
#œ
œ œ œj œ > > Sffp
5
œ
5
bœ œ nœ bœ œ bœ œ œ Ï
97
Picc.
Ob.
289 ˙
&
&
÷ Roto-Toms
÷
Vn.
ã
&
œ
œ J
F
π
‰
>œ
®
f sub.
‰
œ.
‰
>œ .
œ^ ≈
˙
π
œ >
e
œ v
œ >
e
œ v
5
e ‰ ≈ >œ
œ v
3
œ > e œv
(f)
j œ >+
≈.
∑
œ œ v >
‰
ƒ
˙
? ‰
œ > ®
sff
˙
≈.
B œ^ n œ^ B œ^
˙
II/7.
m.s.p.
Bass
˙
π
÷
Drums
˙
®
œ^ B>œ .
0 0
^ œœ
B >œ .
^ o œœ & B œ J 0 0
m.s.p.
loco ord.
|°
œ
? Ï
≈
# œ^
>œ œ .
ord.
# >œ œ œ v >œ
j œ
98
Picc.
Ob.
292 œ .
&
&
÷ Roto-Toms
÷
œ J
F
ã
˙
&
œ.
˙
œ J
π
F
‰
≈
3
œ ≈ ‰ v
®
f sub.
j œ >
‰
>œ
œ^
≈.
‰
∑ ≈
œ >
e
œ‰
œ v
≈
>œ
œ^ J
≈
œ e v
∑
3
œ e ‰ >
∑
sff
II III
Vn.
π
π
÷
Drums
#˙
∑
˙ ˙
˙ ˙
œ œ
F
p
III/7.
o
Œ
loco ord.
Bass
? œ œ â
Sff
m.s.p.
œœ ..
œœ v
Ï
≈.
B œ^ n œ^ B œ^
®
œ^ B œ^ .
0 0
^ œœ ≈ .
ord.
œ^ B œ^
B >œ œ^
|°
œ
œ
# œ^
>œ # œ # œ # >œ #œ
Ï
5
m.s.p.
99
295 Picc.
Ob.
&
˙
˙
P
∑
&
÷ Roto-Toms
÷ ÷
Drums
Vn.
˙
‰
≈
œ^
®
>œ
(f)
# œ^ F
®
® ‰
œ^ ® œ^ ‰
œ >
≈
e
^
œ
>œ
∑
®
>œ .
∑
bœ >
œ
3
e
sf
loco
? #œ œ nœ #œ ≈
>œ # œ >œ # œ .
œ >œ œ # œ ® 3
o
B œ^
ord.
Bass
∑
Œ
with double bass
ã
& ‰
œ^
>œ
≈
∑
∑
œ â
pp | sf
® ‰
œ >
o o
j
B œ^ B >œ œ ® ® J
j
j >
e bœ
pp | sf
œ.
o
>. # œ^ B œ ®
œ
100
298 Picc.
Ob.
&
œ
≈
œ
^ ^ ^ œ bœ œ ® ‰
‰
π
f
∑
Œ
∑
short, incisive
œ^ œ^ B œ^ ® ‰
∑
&
Œ
f
short, incisive
÷ Roto-Toms
÷ ÷
Drums
≈
œ^ ≈ ‰
≈
3
œ^ ≈ 3
>œ .
e ƒ
∑
ã
œ œ > v
‰
œ v
‰
®
3
œ œ v >
œ^
® ‰
Œ
≈
‰
œ^
>œ .
œ^
j œ > meno
f
m.s.p.
Vn.
e ≈
&
>œ œ^ œ^ ® ‰
‰
π
Bass
œ ? J
‰
œ v
∑
Ï
incisive
> eo loco ≈ T
pizz.
0
Œ
≈
III/6.
3
Œ
o> e ® T
arco m.s.p. 3
®
œ # >œœ v
œœ J
^ ^ œœ # >œ œ œ ≈ b œ^ œ ® n œ^ œ ®
101
sub. e = 96 - 88
301 Picc.
∑
&
∑
œ
Œ
π
cantabile
Ob.
& ‰
‰
3
#œ œ π
œ
œ
œ
# œ-
œ
j œ-
3
#œ œ -
œ
cantabile
÷ Roto-Toms
œ^ Œ
‰
÷
3
Vibraphone w. hard yarn mallets
& ≈
ã
3
œ >+
œ. œ œv > v f
Vn.
Œ
#œ
‰
& ‰
∑
≈
œ
Œ
? ‰
^ > e. #œ T . œ.
3
‰
Œ
j œ >
‰
ƒ
ƒ
Œ
p
Bass
≈
3
P
÷
Drums
œ
j œ
˙ P
b œäœ œœ ( fff poss.)
non-dim.
ä œœ # œäœ œœ n b œœ œœ
Œ
œ
œ J
p
f ord.
# œäœ J
3
œœ # œ œ â
œ œ
e. T.
® ®
œ. f
e T
102
304 Picc.
& œ
œ œ
j œ
œ
œ.
j œ
# œ-
œ.
‰
œœ
≈.
œ œ
œ
˙
œ- œ
œ-
œ
#œ ≈ +
œ
3
Ob.
Vibes
Drums
Vn.
3
& # œ-
&
œ œ -
≈
œ
3
#œ
∑
ã
e ≈ & T ˙ p sub.
‰
œ œ >
P
Bass
∑
œ. œ.
ord.
œœ # œäœ 3
œœ J
#œ œ â
# œœ œœ > J
œœ
œœ
œœ
œœ
p | ff
ƒ
m.s.p.
ä ? b œœ
∑
∑
Œ
œ
m.s.p.
œ. œ.
ä # œœ œœ # # œœ â
103
307 Picc.
Ob.
3
& ˙
&
œ
(
Vibes
Drums
Vn.
& ‰
ã
®
œ & œ
3
#œ
œ
pp )
j œ
#œ
‰
Œ
œ
Sp
≈
3
# œœ
F
œ. >
ƒ
^ œ n >œ œ J p | ff
ãããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããã
œ bœ > poco
œ.
œ.
‰
Œ
j œ >
Œ
sf
œ # >œ . v
‰
j œ
j œ
œ
p | ff
p | ff
ord.
Bass
? œœ
3
n œœ â
#œ Âœ v >
œœ # # œœ â
œœ ..
œ
104
309 Picc.
flz.
& œ.
œ # >œ .
æ
˙
˙
Sp
Ob.
&
ããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããããã
˙
˙
˙ F
Vibes
Drums
Vn.
Bass
& Œ
®
œ.
? œ. œ.
j #œ
∑
#œ. f
œ B >œ .
œ
> nœ.
˙
œœ
‰
Œ
F
j œ >+
∑
ã
&
‰
‰
Œ
œ
∑
˙
˙
105
e = 104, precise, w. speech-like inflections, dry, swift Double-bars indicate speech-phrases
j & Ͼ
312 Picc.
‰
q
3+ 1 _ . 8 16
Œ
ƒ
Ob.
& Œ
Drums
&
‰
nœ œ. > v f
5 8
° ≈
5
œ- # œ
‰
. n œ œ+v >
3
vibes dry, hardly any or no pedal
≈
œ >
ã
5
F
# œ. . œ
œ >
3+ 1 ‰ 8 16
r œ
-œ # œ .
3+ 1 œ 8 16
p
Vibes
_ R
5 8
p
3
œ v+
‰
3
#œ v+
œ #œ
œ >
3+ 1 8 16
5 8
r œ >
5 8
r œ v
5 8
Sff m.s.p.
Vn.
&
Bœ œ. v v
Ï
j œ
aggressive, scratchy, noisy, like the opening
. µ œ >œ v
3
5
œ
œ #œ v v œ >
Ï
Ï
3+ 1 8 16 œ
œ v
‰
3
œ v
œ #œ v v œ >
m.s.p.
Bass
^ > ? œ œ. Ï
œ J
aggressive, scratchy, noisy, like the opening
œ^ >œ . Ï
œ J
>œ
3+ 1 J 8 16 Ï
œ
# œ^ R
Sff
5 8
106
j œ
314 Picc.
w
œ̆ &5 8 J
^ œ̆ . #œ ≈
# œ^ ≈ ≈
5
3
f
Ob.
≈.
5
œ œ ≈. v v
j M œ
M &5 8 #œ.
≈.
5
Drums
&5 #œ ≈. 8 #œ œ # œ v >
≈
3
#œ +v
5
≈
≈
nœ
≈.
œ j # œ >œ
P
‰
Œ
3+ 1 8 16
ƒ
ããããããããããããããããããããããããããããããããããããããããããããããããããããããããããã
œ +v
j ã 5 œ 8>
>+
3+ 1 8 16
p
F
4 j 8 œ
3
œ œ #œ
4
œ 8 œ.
p
f
Vibes
œ̆ #œ 4 J v 8
œ œ. v >
‰
≈
3
œ. # œ.
4 8
3+ 1 8 16
3+ 1 8 16
f
Vn.
by. &5 8 y. >
Sff
Bass
? 5 >œ . 8
Ï
5
y y fl v
Ï
œ J
®
y y fl v
≈.
≈.
Bœ v
œ^ Sff
4 j 8 Bœ
>
Bœ œ. v >
>œ
œ^ >œ .
Sff
4 J 8
j œ
œ
3
#œ œ œv v
3+ 1 8 16
3+ 1 8 16
107
Picc.
w
q
#_. +1 &3 8 16
316
_ R
[s]
œ̆
4+ 1 8 16
Ob.
œ
#œ œ J œ-
5
Drums
+1 j &3 8 16 œ >
œ +v
œ v
#œ ‰ >
+1 ã 3 8 16
œ R
Bass
+1 j &3 8 16 œ >
? 3+ 1
8 16
>œ . Ï
≈.
œ
#œ œ œ > J v
®
wqwq
M F
rough, fluttertongue if poss.
5
^ r
^ œ #œ ® ≈ #œ v v
#œ
p
Sff
j œ
3
3
4+ 1 œ 8 16
4+ 1 #œ ≈. 8 16 # œ œ
# œ v > F sub.
≈
3
#œ +v
5
≈
≈
nœ
œ j # œ >œ
≈
œ^ R
3 8
MR
œ
3 8
≈
3 8
f poss.
œ
4+ 1 j 8 16 œ
œ R
4+ 1 Y 8 16 Y
Sff
Sff
# œ^ R
> 4+ 1 ˙ 8 16
r #œ v
3 8
>
5
Vn.
≈
œ^
5
F
Vibes
# œ^
f
° j +1 œ &3 8 16
j œ
Sff
<>
r œ v
Sff
3 8
3 8
108
e = c112
Accel.
# ˘œ J &3 8
U
318 Picc.
‰
ƒ
Ob.
U
œ&3 8 J
‰
Drums
≈
‰
≈
3 8
5 16 ✠# œ- .
œ â
Bœ
3 8
"fff "
‰
+v
~ œ
≈
<>
4 8
5
∑
f
U
&3 8 œ
F
4 8
œ +v
œ. >
ã 3 8
j
5 #_ 16 _
4 8 ^
°
p sub.
Vibes
j _
5
∑
5 16 œœ # œ .
>
+v
f
4 8
œ. >
∑
5 16
œ >
Ï
3 8
œ
œ >
3 8
Be
3 8
F arco
Vn.
Bass
&3 8
j œ >
j 8 # >œ
?3
Ï
U ‰
U F
‰
pizz.
y >
5
≈
4 8
∑
5 Bœ 16 œ # œ- . â v as before
arco
pizz.
j y >
ƒ
4 Œ 8
‰
≈.
j 5 # œ 16 œ > Ï
œ â
j œ.
3 8
109
Picc.
Ob.
# >˙
flz.
321
≈.
Œ &3 8
#œ 2 œ > 8
4 æ 8
F
® &3 œ œ #œ ≈ 8
œ bœ œ bœ
® nœ
j
2 œ 8
3 8
ff sub.
j
≈
4 M œ 8
M œ
>
‰
Œ
3 8
f 3
Vibes
Drums
œ. œ. # œ. ® +
&3 8
œ > ã 3 8
2 œ. œ. œ. œ. ® >œ 8 +
œ >
# œ. œ. œ. # œ. #œ >+ ƒ
2 œ 8 >
® &3 œ œv # œ ≈ 8 v v
P;
Bass
j y ?3 y 8 yy v f
j yy yy v
2 œ b œ œv œ ® >y 8 y v v v
pizz.
≈
#y > sf
3 8
‰
Œ
3 8
4 ≈. 8 œ œ
‰
Œ
3 8
≈
‰
Œ
3 8
ƒ
5
#œ œ œ #œ v v v v #œ v
fl v
arco
c.l. batt.
2 j 8 # >y
>œ 4 J 8
3
Vn.
∑
4 8
≈
3
œ v
Ï
œ >
4 8 œ
F
110
œ^ &3 8
324 Picc.
Ob.
j &3 8 #œ
≈
œ_
3+ 1 œ_. 8 16
π
F
œ
œ
π
Vibes
j &3 8 #œ >+
Vn.
œ.
|F
œ >
ã 3 8
∑
4+ 1 8 16
3 8
∑
4+ 1 8 16
3 8
#œ >
4+ 1 8 16
pp | Sf
3
œ
j #œ œ . π
® # œ œ 3+ 1 ® # œ ® ® ® œ. . . 8 16 . œ # œ. œ œ. >œ . . +
r œ >
3+ 1 8 16
#œ >
f sub.
œ.
3 8
j œ
œ
4+ 1 8 16
œ œ #œ. v v >
œ
œ # œ 8 16 v v
F
IV
j &3 8 #œ
œ
?3 ‰
œ
>
8
3 8
3
®
ƒ
Bass
#œ F
f
Drums
œ
j
3+ 1 œ 8 16
^ bœ R
p
œ >
3+ 1 ® 3 ≈. ® ® ® œ œv # œv œv 8 16 # œv œ # œ œ >œ œ b œ œ œ 8 v v v v 3
3+ 1 œ . 8 16 Ï
p
≈
3 # >œ . 8 Ï
4+ 1
Ï
4+ 1 8 16
111
327 Picc.
+1 &4 8 16 œ
œ
π
Ob.
bœ +1 &4 8 16
œ
Vibes
+1 &4 8 16
‰
≈.
F
œ
œ J
œ ‰
r œ
pp |
œ R
≈
5 8
f
5 8
? 4+ 1
8 16
˙ F
bœ
e T
r e T
π
œ.
<>
j œ
| p sub.
œ.
 œ^ R Ï
5 bœ y 8 v >. Ï
5 8
>œ .
4+ 1 8 16
p
5
ãããããããããããããããããããããã
œ œ n œ# œ œ b œ > <> 3
j œ
4+ 1 8 16
overdrive
‰
j œ +v
3
œ. # œ -
‰
p sub.
5
4+ 1
œ 8 16 +v 4+ 1 8 16
f
IV
Bass
b œ^
j œ
œ œ.
+
Sff
œ #œ
ƒ
ƒ
Vn.
3
Œ
5 v > 8
+1 ã 4 8 16 œ
+1 e &4 8 16 >T
≈
5 #œ 8 fl
pp |
p
ƒ
Drums
œ
f
π
>j œ
j œ
j y
5
y œ n œ# œ œ b œ > > 3
Be
j œ
4+ 1 8 16
4+ 1 8 16
112
329 Picc.
r >_ v
flz.
+1 æ &4 8 16 # ^
"fff "
Vibes
+1 &4 8 16 ˙
≈
5
≈. Œ
≈
Bass
? 4+ 1 # >˙ 8 16
Ï
sf
+ j 4# œ
5
j œ
œ j v+ # >œ
œ +v
8
°
œ.
≈.
5 œ #œ ≈ # œ 16 > v v F
œ# œ œ . v v>
≈
5 16
œ 5 v 16
œ
vv
^ #œ R Ï
4 # œ>. 8 Sff
œ >œ œ ® >œ œ# œj v >
^j œ œ
œ# œ# œ . v v>
œ v
> #œ œ J
Sff
> œ Sff
3 8
5 16
œ^ # >œ . Ï
r sff
ƒ
5 œ #œ ≈ # œ 16 > v v
3 8
œ
5
œ.
r œ
5
5
4 œ œ 8 # >œ . œœ
3 8
5
œ >
4 œ 8 >
(f)
Vn.
œ- œ œ ® œ- œ# œj >
F
œœ v>
j + 1 #œ &4 8 16 >
4 #œ. 8 >
(F )
F
j +1 &4 # œ 8 16 # # œœ > +1 ã 4 8 16
f
°
œ. J
5
sf
Drums
5 œ #œ ≈ 16 >
[s]
ãããããããããããããããããããããããããããããããããããããããã
Ob.
#œ
4 Œ 8
œ# œ œ . v v>
œ. J
r œ
3 8
3 8
3 8
113
332 Picc.
&3 8
>œ ^ ^ #œ ® œ ≈. f
Ob.
œ̆ œ J v
5 ‰ 8
5 ®œ 8
&3 8 œ.
j &3 œ 8
Œ
> ã 3 8
&3 8 œv >œ
?3 œ 8
≈
‰
œ.
° j œ œ
3
3 ‰ 8
b œ- œ-
5 8
≈
œ #œ œ.
œ > # œj >
œ
5 ≈. 8
Œ
5 8 >œ . Ï
3 8
œ œv v
≈
œ
j œ #œ œ v vv
œ
j œ >
#œ nœ > >
œ #œ v v œ >
5
3
3 ® ® 8 œ œ œ # >œ n >œ v v v
3 ‰ 8
œ-
3
>
Ï
≈
5
3 8 œ
j œ œ> v
œ
p
p
F
j ® œ œ. >
Sffp
Bass
p
∑
3 8
5 œ 8 >
5
Vn.
° œ
p
œ
Drums
œ
5
sf
Vibes
œ- .
_
œ_
# >œ Ï
œ
œ #œ v v
114
Accel.
j & # Ͼ
335 Picc.
j Ͼ
p
Ob.
j M œ &
5
Ͼ
≈
F
j
M œ
5 ® œ#œ ® œ >œ 16
‰
4 ≈ 8
≈.
œ̆
œ bœ œ ®
f
3
≈ œ > #œ
∑
5 16
Vibes
Drums
Vn.
Bass
ã
4 Œ 8
# œ- # œ-
‰
3
f
‰
3
œ #œ ≈ +v +v
®
5 16
5 16
œ >
j œ >
j y
ƒ
& >œœ
? # >œ Ï
F
3
œœ œ > # >œ
 >œ # >œ Sff
3
3
with oboe
f sub.
j & œ
# œ.
# œ- # œ-
≈
y. >
∑
4 8
j
4 yj y 8 >
j y
j y >
≈
j y > y
‰
5
5 ® œ#œ ® œ 16 v v >œ
‰
∑
4 8
P
pizz.
5 œ 16
≈
‰
≈
j
4 #œ 8 . ƒ
œ. J
≈
; yy yy >
Ï
‰
with piccolo
115
338 Picc.
& œ
e = 120
>j œ
# œ # œ œ # œ œ-
3
Ob.
œ # œ œ # œ äœ
& #œ
Drums
>œ
#œ
>œ œ
#œ
n >œ
n œ- œ
>œ
#œ
>œ œ
#œ
n >œ
≈
5
∑
∑
ã
‰
œ.
? >y J
œ
œ #œ v v
ƒ
‰
ƒ
∑
°
Bass
#œ
f
>œ n œ n >œ . ® #œ #œ #œ ≈
3
&
&
#œ ≈
5
>œ œ^ F
Vn.
>œ n œ n >œ # œ ®# œ. # œ ≈
3
3
Vibes
n œ- œ
‰
>y J
≈
>œ >œ j 5 #œ ® œ 8 v >œ >œ j 5 #œ ® œ 8 v
œ^
F
f
3
4 8
8
F
œ- äœ # œ- œ
‰
>œ œ^ 5
≈
œ
<>
5 8
>œ
œ- äœ # œ- œ
‰
œ
<>
4 8
F
F
∑
4 8
∑
4 8
f
^ œ œ # œ ®# œ # œ ≈ œ n œ # œ ®# œ # >œ œ ≈ v v v v v v v v v 5
5 #œ œ. 8 v >
yy Ï
äœ̈ # œ œ œ n œ œ 4 v v 8
with double bass
arco
> #˙
ord.
m.s.p.
# >œ
5 J 8
y with violin
y J
>œ J
4 8
116
flz.
341 Picc.
j &4 œ 8
œ
Œ
œ v
®
œ &4 8 J
œ
œ^
Œ
®
&4 8
#œ œ >v +
œ >
F Drums
Vn.
Bass
ã 4 8
&4 8
≈
F
j #œ >
? 4 n œ^ 8 J
≈
œ v+
≈
#œ v
œ^
5
œ.
j œ œ. >
œ >œ . v
≈
nœ +v # >œ
#œ +v œ >
≈
#œ v
œ^
≈
≈
œ >œ . v
(F )
œ
p sub.
f
≈
j œ œ v >
5
œ >
œ >
# Ͼ Ͼ
p
f
Vibes
œ.
5 æj 16 # œ
j
Ͼ .
3 8
F
f
Ob.
æ œ >œ . v 5
#œ œ v v
œ^ œ^
3
3
œ
‰
œ <
5 œ ≈ ‰ 16 > # œ
3
3
œ +v
5 œ 16 v # >œ
≈
5 16
œ.
œ
œ-
3 8
œ v +
3 8
3 8
∑
5 16
∑
3 8
∑
5 16
∑
& 3
8
117
344 Picc.
œ &3 æ 8 J
>œ
# œ- . | p sub.
ƒ
Ob.
Vibes
Drums
>œ &3 8 J
œ&3 8 J
Sing and play
>œ # œ- .
œ J
ƒ
œ#œ v >
ã 3 8
4+ 1 œf 8 16
œ J
j ‰
œ >
œ >+
4+ 1 # œ 8 16 M p
æ
r œ >
œ
>œ R
œf
flz.
M
ff sub.
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q
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sf
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∑
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π
sff
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16
f
∑
4 8
3 16
ff sub. I II
Vn.
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sfff pp sub.
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m.s.t.
Bass
π
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Ï
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16
118
Picc.
3 & 16 _œ p
Ob.
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Z
347
_
# œ^ œ^ 4 ® # œ^ >œ . 8
3
5
8
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5
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3 ‰ & 16
f
π
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5 #œ ≈ 16 v œ
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w
Z
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3
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Drums
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8
5
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p
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e π
5
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8
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5
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f
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f
II
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sff p sub.
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w
q
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J
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119
poco Accel.
Picc.
w
q
351
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Ob.
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pp )
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Drums
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J
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pizz.
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q
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q
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5
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ã
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π
5
Vibes
w
q
y fl
Ï
≈
‰
Bœ π
y^
120
sub. e = 120, a tempo
355 Picc.
& œ # œ. v
≈
‰
>_
q
"fff "
>H
Z
œ
_
π
H J
H
H
H
"fff "sub.
non-dim.
Ob.
&
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<>
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j œ
remove reed
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Sp
Vibes
&
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>œ
M œ
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∑
ff poss.
‰
‰
Ï
Drums
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j
ã
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( p)
∑
œ > f
ord. position/pressure
Vn.
&
>y # y^
v
≈
‰
#œ pp sub.
Bass
?
y
≈
‰
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∑
≈
‰
Œ
∑
Ï
ny
Ï
121
358 Picc.
&
H
H
H
H
H
v
H
Œ
®
≈. _ _ > _v _v fl
"fff "
[f]
NO REED
Ob.
&
∑
∑
∑
Œ
®
_ > _v _v
"fff "
Vibes
Drums
&
∑
∑
ã
∑
∑
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‰
≈
∑
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∑
p
pizz.
Vn.
Bass
&
?
∑
∑
Œ
‰
≈
3
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∑
Ï
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pizz.
∑
∑
Œ
‰
≈ 3
Ï
∑
≈.
v
#_ fl