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Inexpressible! !Version!2!for!flute,!violin,!cello! Amadeus!Julian!Regucera! 2013/rev.!2015!


Inexpressible+–+version+2+ (2013/rev.+2015)+ + Flute" Violin" Cello" " Approximate"duration:"c."11’" Originally"written"for"Ensemble"Pamplemousse" !

A+note+on+the+form+of+Inexpressible,,ver.,2+ !

m."1A17" m."18A47"

m."47A50"

m."51A70"

m."71A81" m."82A111"

m."105A120"

m."121A153"

m."154A160"

m."161A186"

m."187A208"

m."209A225"

m."226A251"

Flute"

Flute"

""

Flute"

Flute"

""

""

""

Flute"

Flute"

Flute"

Flute"

"Flute"

Violin"

"Violin"

Violin"

Violin"

""

Violin"

""

Violin"

""

Violin"

Violin"

Violin"

""

""

Cello"

""

Cello"

""

Cello"

Cello"

""

Cello"

"(Cello)"

Cello"

Cello"

"

! Inexpressible"was"originally"written"for"Ensemble"Pamplemousse"in"2013"with"the"intent"that"the"piece’s"constituent"instrumental"parts"could"be"taken"apart"from"the"whole"and" performed"singly"and,"or"reordered."Therefore,"the"piece"was"written"in"a"highly"polyphonic"and"contrapuntal"manner,"ensuring"that"each"instrumental"part"may"have"a"“sense”"when" performed"separately."" " The"formal"map"above"indicates"the"“modules”"that"comprise"the"piece."They"exist"as"solos,"duos,"and"trios."Oftentimes,"these"modules"“bleed”"or"“dovetail”"into"each"other."When" taking"the"piece"apart,"the"only"stipulation"given"by"the"composer"is"that"a"module"must"be"played"from"its"beginning."For"instance,"if"the"flute"part"in"the"first"module"was"to"be" extracted"and"recombined"with"something,"anything"else,"it"should"be"played"from"measure"one"(1)"and"not,"for"example,"measure"four"(4)."Other"than"that,"the"ending,"the"tempos," fermatas,"et"al."are"left"up"to"the"performers"and"the"ensemble."It+is+recommended+that+the+piece+be+learned+and+played+from+beginning+to+end+as+is+written+in+the+score+before+any+ attempts+to+reconfigure+the+modules+is+attempted.++

!

i"


Instrumental+Performance+Indications:::+ + General:+

Flute:+

" Accidentals"are"held"through"the"measure." Microtones"are"used"as"inflections"of"standard,"tempered"pitches:"

I Indicates"a"threeAquarterAtone"flat

B +Indicates"a"quarterAtone"flat+

µ +Indicates"a"quarterAtone"sharp"

˜ Indicates"a"threeAquarterAtone"sharp"

"

When"the"flute"is"divided"into"2"staves,"the"top"stave"indicates"mouth"and" embouchure"articulations."Depending"on"where"the"articulation"falls"in"comparison"to" the"staffAline"determines"its"relative"“pitch”"or"“height.”" The"bottom"staff"indicates"pitches"to"be"fingered."Fingered"notes"should"be"struck"as" forcefully"as"possible"for"maximum"key"click"sound."

" Fermatas:" "

""

A"brief"pause/a"breath

Indicates"a"trill"with"the"pitch"one"halfAstep"above"

"" " A"fermata"of"“shorter”"duration" """""" A"fermata"of"“normal”"duration" " "

"

A"fermata"of"“long”"duration"

Indicates"a"trill"with"the"pitch"one"wholeAstep"above"

"

Optional+amplification:::+ " The"flutist"could"be"slightly"amplified"to"bring"out"performance"gestures"that"may" otherwise"get"lost"in"the"ensemble"texture."They"should"not"“sound”"amplified." Microphones"such"as"a"Shure"WHA30"or"a"DPA"Vocal"Mic"are"ideal." " Small"box"speakers"within"the"ensemble"to"aid"with"balance"should"suffice."A"speaker" such"as"the"UPJA1P"or"comparable"is"ideal.""" " Additionally,"an"electronic"megaphone"is"required"for"the"soprano"in"some"parts"of"the" piece."Ideally,"it"would"be"a"smaller"model"and"easier"to"move."

+ + !

"

"

TongueAslap"(sounds"approx."M7"below)"

"

"

TongueApizzicato"(accompanied+by+<pi>+or+<te>+syllables)"

"

"

Audibly"breathe"into"the"flute"(with+either+<F>+or+<s>+syllables)"

""

Indicates"audible"exhale/inhale"(respectively)"into"flute"with"CLOSED" MOUTHPIECE"

" Indicates"successive"rapidApercussive"attacks"within"the"given"rhythmic" duration"(similar"to"a"string"instrument’s"jeté"technique)"

ii"


Text:22 """

Indicates"rapidApercussive"attacks"within"the"given"rhythmic" duration"(similar"to"a"string"instrument’s"jeté"technique);"this"example"is"given"" with"specific"pitch"content"

" Indicates"a"timbre"that"is"mostly"“breathy”"and"diffuse"and"one" that"is"a"combination"of"pitch"content"and"breath,"respectively."The"arrow"between" them"indicates"a"gradual"transformation"from"one"timbre"to"the"other"

"""""""""""""" "Indicates"“ordinario”"playing""

"

"FlutterAtongue" "Indicates"bisbigliando"or"timbral"trill;"accomplished"with"

alternate"fingerings"of"the"same"pitch."

"

+

air"sound,"with"consonant"indicated;"arrow"indicates"a"smooth" transition"from"one"consonant"to"the"next."

+ "air"sound,"with"mouth"in"the"vowelAshape"indicated;"arrow" indicates"a"smooth"transition"from"one"to"another." " <k>,+<t>,+<f>" consonants"are"vocalized"into"the"flute"with"OPEN+MOUTHPIECE."It"is" helpful"to"make"a"“smiley"face”"with"the"mouth"in"order"to"shorten"the"distance" between"the"airAexplosion"and"the"mouthpiece." At"points,"the"flutist"will"be"asked"to"recite"parts"of"the"text"into"the"flute."This"should" be"done"with"CLOSED+MOUTHPIECE."

2 Overblow, "

At"a"few"points"in"the"score,"the"flutist"is"asked"to"play/recite"words"into"the"flute."The"" text"is"in"German"and"is"taken"from"Ludwig"Wittgenstein’s"Tractatus2Logico2 Philosophicus." " "(5.6)+Die+Grenzen+meiner+sprache+bedeuten+die+Grenzen+meiner+Welt.++ (The"limits"of"my"language"mean"the"limits"of"my"world)" " (6.4311)+Der+Tod+ist+kein+Ereignis+des+Lebens.+Den+Tod+erlebt+man+nicht++ (Death"is"not"an"event"in"life:"we"do"not"live"to"experience"death)" " (6.522)+Es+gibt+allerdings+Unaussprechliches.+Dies+zeigt+sich,+es+ist+das+Mystische.++ (There"are,"indeed,"things"that"cannot"be"put"into"words."They"make"themselves" manifest."They"are"what"is"mystical.)" " Excerpted"from"Tractatus2Logico>Philosophicus"by"Ludwig"Wittgenstein" 1 First"published"in"the"original"German"in"1921 "" The"English"translations"are"from"the"Pears"&"McGuinness"translation"(1961)"and"are"provided"as"a"guide"for" understanding"the"text"only;"the"English"is"not"used"in"the"piece." "

A2note2on2the2text:22

The"German"text"is"fragmented"in"many"instances"throughout"the"piece"in"a"sort"of" musical"aphasia."The"pronunciation"in"these"instances"should"remain"consistent"as"if" the"whole"word"were"to"be"pronounced."For"example,"the"word"Grenzelos"may"be" splintered"into"Gren–,"ze–2,"and"–los"but"their"original"pronunciation"should"remain."" Words"may"also"be"fragmented"into"single"vowel"and"consonant"sounds"(<a>.<e>."<i>," <o>,"<u>,"<t>,"<s>,"<k>)."These"should"be"pronounced"according"to"the"context"given." In"most"instances,"they"subscribe"to"the"sounds"in"the"International"Phonetic" Alphabet."

+ + + + + !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! 1!Wittgenstein,"Ludwig,"and"Bertrand"Russell."Tractatus2Logico>Philosophicus."London:"Routledge"&"Kegan"

"

!

Paul,"1922."The"first"German"and"English"translations"are"in"the"public"domain,"their"copyrights"having" expired."

iii"


Strings:++ " The2glissandos:"Glissandos"should"be"fluid"and"use"as"few"bows"as"possible."Pitches" should"be"emphasized"but"not"reAarticulated."Additionally,"parenthesized"noteAheads" are"to"be"used"as"guide"for"the"contour"of"glissandos"and"should"not"be"articulated."At" the"end"of"glissandos,"the"bow"should"remain"on2the2string."" " Fingernails"should"be"used"for"all"pizzicato"glissandos"

+ "

+

Highest"pitch"possible" Highest"pitch"possible"(halfAnote"duration)"

String2Bow2Pressure:2

+

ord"A"position"ordinario" pont"A"alto2sul2ponticello,"as"close"to"the"bridge"as"possible" tasto"A"alto2sul2tasto,"as"far"up"on"the"fingerboard"as"possible" cl+tratto"A"col2legno2tratto,"bowed"with"the"wood"of"the"bow"" (some"bowAhair"is"okay)" cl+batt.["col2legno2battuto,"struck"with"the"wood"of"the"bow"so"that"it"“bounces”"for" the"rhythmic"duration"indicated" ric."A"ricochet" cl+ric."A"col2legno2ricochet"

"

"

"

Toneless"(performed"on"the"bridge)"

"

General"mute"(dampen"string(s)"with"hand)"

"

+“Perforated”"timbre:"this"is"NOT"a"scratch"tone"but"a"“perforated,”" “rattling,”"or"“snoring”"timbre"achieved"by"applying"medium"bowApressure"and"by" drawing"the"bow"as2slow2as2possible."It"is"almost"like"achieving"subAtones"on"the"string" instrument.""

+

Dashed/Dotted2Slurs:2 "

2 Dotted"or"dashed"slurs"are"employed"to"show"the"performer"the"shape"of"certain" phrases"and"gestures."They"should"be"taken"as"a"performance"guide"to"facilitate" interpretation"and"rehearsal."

Snap"pizzicato"

"

OpenAdiamond"noteAheads"indicate"harmonic"pressure"for" the"leftAhand"regardless"of"whether"or"not"the"pitch"notated"is"a"node." They"are"not"indicative"of"rhythmic"duration."

" Movement"from"regular"leftAhand"finger"pressure"to" harmonic"pressure"

+

" " " " "

!

iv"


Score

Inexpressible (v.2) amadeus.julian.regucera text: ludwig.wittgenstein

e = 112-104, athletic, fleet & explosive

>

>

jété

Flute

_ _ _ _ œ_ _ _ _ _ œ_ ® œ #œ _ bœ #œ œ #œ œ 5

&3 8 #œ

π

f pont. 5

Violin

&3 8 #œ

π

Cello

?3 8

F

≈ >œ .

be

2 _ #_ 8 _

ß

f

5

ƒ

be ≈

ƒ

I. arco tasto II.

T

5

<F>

ç

T

2 œ

œ J

8

π

2 8

#_ <u>

π

3

b_ b_ n_

<si>

ric.

e .

_

ŸI ~~~~~~ b ˘8 _≤ .8 8. 8. 8.

<u> < F >

π

ƒ

<si>

f

T

œ #œ œ œ

# >œ

ric. tasto

pont.

3

≤3 _ #_ _ _ _ . e _ >

bœ œ

ß

3 ≈ 8 be

3

Ÿ~~~~~~~~~ j_œ3 _

b_

ßπ

arco tasto

3 ® œ̆ 8 f

f

Z

>

pont.

e

q

3

3 8

f

#œ pp sub.

ric. œ œ >œ J

ç 3


2

Inexpressible (v.2)

q Zq Z Ÿ~~~~~~~~~~~Ÿ~~~~~~~~~~~~~~~~~~~~~~ ŸI ~~~~ 3 6 3 j _ 2 #œ _ ® - ‰ œ _ œ _ & #_ 8 fl fl e p ƒπ F π ƒ > q

Fl.

Z

ç

arco tasto

6

Vln.

&

äœ

œ J

pont.

pp sub.

2 8 f

# œ.

Ÿ~~~~~~ # œ Ÿ~~~~~~~~~~~~~~~ œ œ œœ œœ œ # >œ œ # ≤_. 3 e #e e œ œ _ 8 _ _ _ _ _œ

3

_ _ _

π

P

œ.

ric.

® œ œ œ #œ #œ œ 3 bœ 8

_

6

> ƒ

3

π

œ J

Ÿ~~~~~~~~~~~~~~~~~~~~~~~ ≤ 3 # _ _. be > <u>

ß π

arco tasto

Œ

j #_

< F > <si>

f sub.

œ

_ _ _ _ #_ _

_

ƒ

œ œ

<F>

ç

œ. nœ

œ #œ

pont.

π

3

f

Accel. poss. <si>

÷

3 ‰ 8

‰ IŸ ~~~~~~~~~~ Ÿ~~~~~~ Z π ƒ ŸI ~~~~~~~~~~~~~~~ ŸI ~~~~~~~~~~~~~ w jété æ Ÿ~~~~~~~~~~~~~ I ≤ _ Ÿ~~~~~~~~~ æ æ ˘ ~~~~~~~~~~~~~~~~~~ 3 œ œ Ÿ ~~~~~~ Z b 8 . 8. >j æ_ _æ œ œ æ œ_ _æ ≤ #œ ≤ œ . œ 8 j 2 _. 3 ® J _ _J 8 8. & # œ_ œ œ #œ Y œ œ _ - _. ® _ _ æ # e œ_ 8 8 e <F> b e p sub. ƒ 5 p sub. <F> > <F> ƒ > pp sub. f f sub. ƒ ç

10

Fl.

Z

f

&

π

#y. > ß

Z

F

# >T y ≈ # œR

III. cl ric.

10

Vln.

w

f

®

<u>

2 8 2 8

π

arco tasto 5

# # Tœ

T.

pont.

j

J

1 ƒ

ric. pont.

pizz.

2 œ 8

ç

≈ # œ # œ. œ. . 5 ƒ

œ. # œ.

arco

5

œ. f

3 8 by

>

ß

>œ œ

ric.

p sub.

œ J

œ

ß

2 8


3

Inexpressible (v.2)

Tempo 1, e= 112-104, unhinged, insistent

15

Fl.

&2 8

œ̆ ŸI ~~~~~~ ≤

# œ Ÿ~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~ œ_ 3 _ ‰ œ _ 8 J _ _

b_ _ #9 - ® . be > <te> <F> 3

ç

f sub.

arco tasto

œ≤ #œ

15

Vln.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~ ŸI 3 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ #̃ œ j j _ _ ≈ # œ _ _ Bœ ® _ œ _ # œ œ_

3

<u>

<si>

pp sub.

ƒ

Cello enters

ric. œœ # >œ œ #œ œ #œ œ œ

&2 8 p sub.

ƒ

5

3 J 8

e≈

arco pont.

#y fl

q

Z

Z

Í

F

π

œ

?2

15

Vlc.

8

&

3

œœ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ 3 ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ 8 ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

π

move bow as slow as poss. "perforated" not "scratch tone"

F

œ

3

pizz.

?

j bœ f

œ

5

F

p

pont.

f

π

pizz.

ord. II.

œ.

Z

T ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ >T

ric. tasto

arco pont.

&J

P

3

molto ruvido

F

B œ ≈ œ. ≈ ≈ œ ≈ . 3

p

T

arco pont. 5

3

ß

T ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

P

molto vib.


4

Inexpressible (v.2)

Rall. q Z Iq~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ 3 3 j œ 20 b œ œœ 5 _ _ œ b œ œ _≈ & _j _ ˜_œ _ µ_œ ® # _J œ b œ n œ œ _ _ _œ Z

w

Fl.

f

20

Vln.

&

f

œ ≈ µ œ. ≈ ‰ ç 3

f

Í

p

F

> ≈ #œ

pizz. 3

f

#

# œ. ≈ # œ. ˜ œJ 3

pp sub.

ric. tasto

3

3

F

œ J

œ

f

œœ ≈ 3

p

# œ. ?≈ ƒ

≈ bœ ≈ .

.

&

arco ord.

œ

_≈

œ J

œ

3

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

ßP

œ F

π

f

3

Z

œ

4 8

f

œ J

ß

pizz.

q

arco

3

≈ ≈ # œ. œ.

π ß

pont.

_œJ

p

pizz.

arco

>œ . j j B ¯¯¯¯¯¯¯¯ ? & b œ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ T¯¯¯¯¯¯¯¯ ≈ œJ œ T¯¯¯¯¯¯¯¯ F sub. >F¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ > sub. p p F sub.

20

Vlc.

# >œ .

arco

π

b >_ ..

Z

œ>

4 8

ric. tasto

3

F sub.

4 8


5

Inexpressible (v.2)

(Rall.) Ÿ~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~ wŸ~~~~~~~~~ q 3 3 >œ j # ‰ #_ _ &4 œ 8 > w

q

w

> 5 œJ 8

24

Fl.

f

π

π

f

ƒ

24

Vln.

&4 8 J

p

# œ. f

œ.

arco pont.

œ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ . ¯¯¯¯¯¯¯¯¯B œ &4 J J 8

24

Vlc.

P

B_

f

3

π

.

5 œ 8 J P

?

3 8

y̆ ≈‰

3 8

Œ

arco pont.

pizz.

≈ ‰

q

f

j j 5 b œj¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ œ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯ n œ . ¯¯¯¯¯¯¯¯¯¯¯ œ 8 œ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ b œ ¯¯¯¯¯ ¯¯¯¯¯¯¯¯ n œ . ¯¯¯¯¯¯¯¯¯¯ œ >

cl ric.

p

F

p

F

r œ. œ.

≈ ®

3 8


6

Inexpressible (v.2)

Rall. poco

a tempo, e = 112-104

>œ 3 &8 œ

.

# 8 # 8.

26

Fl.

ƒ

r &3 œ 8 . f

<u>

π

ƒ

f

5:6

F

<F>

ç

π

F

3

œ >

F

µ œ y. p

ß

#

5:6

molto ruvido

µ œ y. ≈

œ >

F

p ß

3

P

F

#

arco pont.

ric. tasto

? 3 œ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ T 8 # œ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ >T

26

π

3

<si>

w

_ #œ.

œ

_

q

J

ƒ

1/2 pressure

arco pont.

Vlc.

q Z Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ qŸ~~~~~~~~~~~~~~~~~~~~ ˘_ >≤_ _ ® n_ #_ œ_ œ # _ J

<pi>

26

Vln.

8.

T T

5

r #œ F

r ˜œ

y.

f

TT ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ œ. ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ œ T ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ # œ

P

5:6

f

Ï

T

Œ

T-

5:6

T-

F

ß

f

T-

b >T

r

_

batt. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ . # œ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ # ˘œ B . œ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ œ J J J

I. II. pont.

p

π

P

ç


7

Inexpressible (v.2)

a tempo, e = 112-104

Z

q

Z

>œ . ® _ & R

Fl.

5:6

30

Vln.

ß

B Tœ ....

30

Vlc.

_

π

ƒ

& œr .

30

œ >

F

F 3

_

Tœ ‰

p

œ œ

π

µ œ y. ≈. p ß

w

# ˘œ f

Rall. poco ®

® #œ

œ

5:6

p

Tœ F

œ̆

®

œ F

..

≈ #_œ π

y.

p

P

_

_ _

3

p

π

cl ric.

r 4 r #œ 8 nœ >

ß F

Tœ # Tj # œ

4 8

˜œ

p

4 nT 8 n œ

π

# >œ

3

_

f sub.

_ _ ≈ ≈ j b œ_

wqwq

3

π

π

r # œr . #œ >

œ

7:8

pizz.

f sub.

Z

˜œ

3 _j 8 œ

3 8

J

p

J

Tœ F

œ.

ß

arco pont.

j œ_ œ

π

F

arco II. ord.

ß

pizz.

j œ_ œ

T-

T-

T-

F

p

5:6

p

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # œ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

3 8 œ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

J

J p

J

π


8

Inexpressible (v.2)

e = 88-80, more spacious, breathing

Fl.

#_ 5 J q

œœ . . & œ.

œ _œ

5:6

34

_ f

8

π

ƒ

_

π

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ µ µ œœ 3 æ 8 _æJ _æJ Z

Z

˜œ

flz.

π

arco ord.

34

Vln.

&

T

T-

œ. R

5:6

pizz.

F

ß

~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˘ . 34 ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ # œ B . œ ‰ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ J batt.

Vlc.

P

p

f

5 8

arco tasto

? 5

8

# y≤

P

5:6

pont.

y.

3 8

p

b œœœ

F

œœœ ...

yyy ≈ . ƒ

œœœ

P

j œœœ

y.

y

f

j

3 yyy 8

yyy ƒ


9

Inexpressible (v.2)

Accel. ~~~~~~~~~~~ & æ_J q

37

Fl.

π

37

Vln.

&

Vlc.

q

y.

4 # œ. 8 #œ

f

>≥œ 4 J

cl ric. tasto

P

&

8

f

j ® n_ q

5:6

p

F

cl tratto pont.

ϲ J

π

a œ.

œ

J

ß

# ˘œ f

>≥œ J f

w

f

ß

3

ß

œœœ .

œ ‰

ƒ

w

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j j œ_ µ œ_ n œ_ b be π F π >

w

4 _ 8 >.

5:6

#y

j ? œœ œ

37

j #œ

w

q Ÿ~~~~~~~~~~~~~~~~~~~~ 3 3

ric.

œ

π

˜_

π

f

arco ord.

œ

œ

pont.

p

F

# œ≤ π

arco ord.

3

f

œ # œ3 > œ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ J œ

F

π f sub.


10

Inexpressible (v.2)

e = 108-96, Tempo 1, aggressive

œ_ 3

& Œ

40

Fl.

-

be > f

ß p sub.

Vlc.

y.

# # Tœ & ¯¯¯¯¯¯¯¯¯¯ J J

40

π

pont.

ord.

40

Vln.

_

3

w

œ.

_ _ œ_ _ œ_ R #œ 5

œ

œ

p

ƒ

œ.

5:6

R

3

arco ord.

& # œ.

ß

_

ŸI ~~~~~~~~~~~~~~~~~ j 3 3 œ 3 ‰ r ‰ œ Bœ 8 #F π e >f

Z

ric.

ç

ƒ

œ

˜œ

p

3

ß

f

arco tasto

J

? b œœ

œ

F 3

≈ n œ.

ord.

yyy

5

yyy ƒ

j & #œ ç

IV.

œ y . y.

p sub.

ƒ

j Tœ p

ric.

œ R

F

# # Tœ ƒ

arco

3 œJ 8

3 8

œ J

p

>

Tœ # œ œ 3

çp

pizz. II.

œ.

# œ.

ƒ

.

j y

œ.

>T œ J

ric.

ƒ

arco

œ

pp sub.

œ J

Tœ p

?


11

Inexpressible (v.2)

Allargando

Fl.

b œ. 44 & R

44

Vln.

&

R

œ J

F

? # # œœ .. œ.

44

Vlc.

œ

5:6

arco ord.

F

4 ≈ 8

4 8

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ 4 ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ 8

œ.

ß

œ.

œ J

π

# œœ œ >

5:6

7:8

yy y

yy y.

ƒ

1̆ ≈

3 ≈ 8

y 3 R 8

3 8

ƒ

R

4 4

5:6

j #œ

4 4

4 4


12

Inexpressible (v.2)

÷ 4

47

4 q = 69-60, animated, but take time

47

Vln.

&4 4 œ

ric. tasto 3

y. ƒ

œ .

ç

on the string

#œ #œ œ ≈ bœ œ œ œ ‰ be pont.

"ff "

9

arco ord.

cl tratto ord.

pizz.

œ ç

Í

œ

bœ œ œ #œ 6

>œric. ß

be nœ

arco

π

œ #œ nœ #œ œ bœ 5

sempre portamento

5

R

nœ œ nœ bœ 5

œœ f sub.

#œ œ #œ 5


13

Inexpressible (v.2) Tempo 1, e = 112-104, tight, dance-like

50

Fl.

&

50

Vln.

&

œ

œ

ric. tasto

# >œ

p sub.

j œ 5 & 16 œ ≥j 5 & 16 œœ

53

F

Vlc.

arco pont.

B 5 œ 16 J

53

® #œ œ "ff "

œœ œ ® - ® > e > f

œœ

≤ œ̆ ®

# œ. ƒ

4 16

B

<pi>

r

y by y Ï

8.

8. # 8. . . ® 8 b8 ® pizz. pont.

4 b œ. 16 R

Ï

>œ 2 J 8

Sffz

#œ > ƒ

®

3 ≈ 16

œ. R

r # œ.

3 ≈ 16

Sffz

. # >œ .œ b œ. œ œ. . . 4 ® 3 R #œ œ RÔ 16 16

ç

# œ.

pizz.

œ.

œœ

j œœ

> œ

.

π

œ.

ƒ

5 16

w. fingernail

e

5 16

ç

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 _ 3 œ œ œ œ # >œ 3 _ 3 _æ æ _ ® œ œ 2 œ. . . . . . . # œ. ® 5 _æ 8 8 16 flz.

arco ord.

cl batt.

ƒ

p

p

> œ R

3 8 J

cl ric.

stay on the string

e ≈ #e

Z

8.

f

arco pont.

j

ƒ

f

œ̆ R

2 œ. 8

cl ric.

6

π

p 5

Z

œ_ œ_ b œ_ b œ_ œ_ œ_ 5 _ œ_. œ_. œ_. œ_. 16 J

cl ric.

p

ß

ç

R

œ

_

>

q

Z q

9

p

Vln.

œ #œ œ nœ #œ

on the string

P

?

53

Fl.

cl tratto ord.

pont.

f sub.

5

2 8#e

e

.

50

Vlc.

# >œ # # # œœœ

#e ≈ ∏

3 ‰ 8

q

Z

f

# œ.

stay on the string

ƒ

F

f

œ. # œ. . . 2 œ b œ œ. œ ® .

cl batt.

8

ƒ

œ. b œ. b œ. n œ. œ # œ. œ. # œ. # œ 2 8 fl cl batt.

π

pp sub.

ƒ

p

5

cl ric.

bœ >

ff sub.

5 16

5 16


14

Inexpressible (v.2)

58

Fl.

5 & 16

8.

œ # œ n œ # 8. # œ # œ ® 4 ‰ r œ 8 5 #e <pi> > ƒ f

58

Vln.

5 & 16

pizz.

e ≈ 3

p

ƒ

Tœ b b >Tœ

B 5 Tœ .. 16 J

ƒ Z

w

Z

#œ #œ &2 œ _ œ _ ≈. 8 _

62

5

f

_ f

ç

f

Vln.

&2 8

j

j ny

by

> b b Tœ J

ƒ

P ric.

‰ &2 8

62

Vlc.

B

ƒ

Ï

b ˘œ . ˘ . œ ≈. 5 œ œ œ. RÔ 16

j

œ

Ï

y. A b œT

P

œT f

_

Ï

P

p

3

œ

F

œ #œ œ œ

cl ric.

œœ œ œ

b œœ > ƒ

b b Tœ R

π

>T . œ. J

ric.

ƒ

5

œ

œ 3 ‰ 16

ƒ

> ƒ

> œœœœ

p

p

q

8

2 8

_

œ 3 #œ ≈ 3 œ bœ œ # yy 8

j yy

2 8

j y #y

2 8

p

Ï

Ï

5

arco

.

œ. 2

e

π

3 Tœ . 16 J

5

3 r 16 y

ƒ

3 r≈ ≈ 3 ‰ 16 8 e >ƒ

arco pont.

5

B B Tœ ‰ f

r # y.

p sub.

p

arco

n n Tœ J

tasto

3

_e

r ≈ b y b y.

P

pont.

3

q

2 8

IV.

y by y

arco tasto

3 ≈ ≈ . Kr 2 16 bœ 8

r

5 œ b œ. # œj b œ œ. 16 . .

J

arco pont.

batt.

3

III. IV.

Ï

&J

> # œœœœ

w

pizz.

arco ord.

œ̆ _R ≈

œ _ _ #_œ _œ #_œ J

by

U

5 3 _. _. _. _. _. _. œ. ® 3 16

p

Z

3

62

j #œ

π

w

5

arco ord.

. n n et

bœ œ

q

5 r 16 _

_eJ

Ï

4 8 J

> œœœœ

U

ric. pont.

58

Fl.

U

4 ‰ 8

r œ >

arco tasto

Vlc.

a tempo, e = 112-104

3 Tœ 8 ƒ

?

Ï


15

Inexpressible (v.2)

Rall. ∑

68

Fl.

e = 76-69, cerebral, anxious, haunted

&2 8

U

Œ

<s>

&2 8 yy

yy

Vlc.

?2 y 8 y

j yy

n # yy

U

Fl.

<K>

<si>

π

3

π

P

Ø

ß

ŸI >

b8 <te>

q

π

f

continue sustaining toneless sound for 5-10"

ƒ

F

ß

3 8 ^^ ..

<u> <F>

<te>

<s>

pont. toneless

yy

Z ŸI ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ _. j 76 _ _ _ # œ œ œ œ. &4 ≈ _ 8 œ œ œ œ œ. .8

t

continue sustaining toneless sound for 5-10"

~~~~~~~~~~~~~~~~~~~~ ŸI ~~~~~~~~~~~~~~~~~~~~~~ ≤ ≥ ≤ ≥ ≤ ≥ ≤ Ÿ~~~~~~~~~~ 73 # ≥_ _≤ j # y _ 4 _ &Y _ #_ _ #_ _ J 8 _ _ #_ fl 5 <s>

is

q Z ŸI ~~~~~~~~~~~~~~~~~~~~~~~~ _ y œ _ .. œ fl <K>

Ø

molto

Fl.

F

3 8 ^^ ..

yy

yy

Tod

F ß

pont. toneless

molto

68

Der <s>

π

U

68

Vln.

Solo Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ≤ 5 ≥ ≤ ≥ ≤ ≤ j 3 #Y y y y _ ≈ Y 8 _ _ _ _ >y _ Y > > fl >

Ÿ~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ≤ ≥_ ≤ > # _ Y 3 œ _ _ _ - 4 J 8 be 8 <s> <F> <s> >

q

w

Sffz f

p

Z

_ e _j e e # _ æ œææ œæ æ 3

flz.

ƒ

f

ß

ß

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~ ≤5 ≥ ≤ ≥ 5 ≤ ≤ j e ≈ _ _ _ _ Y _ - Y _æ æ # Y _ e <F> > <F> ∏

q

f sub.

ç

π

f

ß


16

Inexpressible (v.2)

Rall. poco q q q w Z Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ q Z 3 3 œœ 3 79 ~~~~~~~~~~~~~~~~~~~~~~~~~~ œ U j #_ nœ j œ j œ œ _ _ ≈ # _ 3 _ _ _ # Y _ & œ # _ . œ _ b œ œ œ œ œ _ _ _ _ œ Y Y _ 16 _ __ > > _ _ > _ Z

Fl.

f

f

>œ 3 & 16 R

Vln.

pizz.

ƒ

87

Vln.

92

Vln.

# œ.

5 R & 16

7 & 16

œ. œ π

II.

r œ >

œ.

ƒ

4 œ̆R 16

b ˘œ

ß

œ. R

r œ >

≈ ‰

≈ b >œ f

3 # œr r 16 . # œ

>

4 # œr 16 .

p

# œ. R

e π

œ. r . 4 r œ #œ R 16 # œ R . . pizz. ord.

p

œ̆ R

5 ≈ 16

arco pont.

Accel. poss. ric. ord.

P

continue trill into next module

Accel. poss.

e = 104-96, precise, athletic

82

œ̆ R

, œ. R

f

a tempo, e = 104-96

7 16

œ≤ œ

n.

# ˘œ 5 R

16

f

œ. œ

stay on the string

f

œ≤ œ n.

# œ. p

œ.

3

p

œ. œ

sim.

f

. 4 œR 16

œœ. 4 R

œ≤ œ

16

n.

# œ. R

œ. R

4 # œr 16 .

r # œ.

f

f

R

5 16

ƒ

œ̆

R

œ.

b œ. R

3 ≈ 16

≥œ œ R

7 16

f

œ. R

ƒ

r bœ >

,

4 8


17

Inexpressible (v.2)

Accel. poco

a tempo, e = 104-96 arco pont.

>œ J &4 8

Vln.

Ípp

100

Vln.

&

ethereal, sempre portamento

œ.

œ R

4 16

f

œ.

œ

œ. J

π

I ϲ & J

B ≥œ J

b ϲ J

arco

ric.

J

π

ß

R

π

n ≥œ

Bœ R R

p

π

? r œ >

112

Vlc.

œ r R #œ

IV.

ç

f sub.

. be R Ï

3

perforated, rumbling; move bow as slowly as possible

œ̈ b œ¨ >œ R

ric.

Sffz

begin module at any point toward the end of the previous module (beginning c. measure 100)

œ

œ

3

œ

cresc.

œ.

b ϲ

3

f

≥œ

œ J

b ϲ J

J

r œ R #œ

j

III. IV.

j œ nœ

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ric. œ 3 >œ 3 œ œ R # œ. R 3 er B R 4 #e 16 16 R arco pont.

Ï

F

Ï

p

ƒ

π

ƒ

j œœ

arco pont.

r

y >

ç

3

ric.

ß

j œœ J

3

Ï arco ord.

pizz.

5 r 16 # >œ ç

n ϲ

arco

3

?≈

B ≥œ

π

3

ß

arco

ric.

ß

f

e = 116-108, hard-edged, severe

Vlc.

n ≥œ

Bœ R

arco

ric.

œ R

Solo cello module may begin anytime during this system

?

3

œ R

Bœ J

( e = c76-69)

105

105

3

Rall.

( e = 112-104 )

arco

Vln.

œ

œ J

J

97

ric.

B≈

®

Tœ≤ Tœ

R

. Tœ 1

pizz.

F ß

?


18

Inexpressible (v.2)

? œr >

117

Vlc.

ƒ

I. arco ord.

1.

pizz.

≤ ® # T TR

B≈

arco ord.

T

r #y

III. IV.

4 r 16 # yy

F ß

r y

r y

3

yy

fff sub.

≥ 121 >œ µ 3 R & 16

Vln.

B 3

121

Vlc.

ϲ J

F

? 5

16

n >œ

5 & 16

126

4 œ̆R 8

r ≈ 16 e

126

Vlc.

arco tasto

f III. IV.

R

? 4

œ

Í

ß

3 R 16

Œ

8

f

p

µœ

œ

Œ

5:4

œ œ #œ

4 16

f

π

f

œ

3 16

P

5:3

R p

4 16 f

>

cl ric.

p

5:3

3:2

f

3 16

11

ƒ

3 j 16 >œ Í

µœ >≥œ ric.

ß

≥>

I œ≤ B œ.

7 16

p

F

≈. œ 7 16 fl >œ

ƒ

Í

f

ric.

>

f

5:4

P

arco

yy.

R

ßP

f

œ.

#œ œ #œ J

4 R 16

ßp

f

5

arco

R

>

ß

arco

œœ

ric.

>

f

p

ß

5:4

3

4 16 œœ

œ œœ >f

arco

5:3

π

ric.

pizz.

4 16 ..

f

π arco

arco

>œ œ f

IV.

Be

ric.

5

arco

>

cl batt.

f

cl tratto

4 r 16

4:3

P

3 16

Sffz

œ n >œ # œ œ œ #œ 3

r

#œ >

#y

R

>œ # e

5:3

ric.

œ

y

5 16 y

ric.

arco pont.

arco ord.

Vln.

>œ .

ord.

f

y

3

cue next module

e = 92-84, prismatic ric.

#y

cl ric.

#y

3

ƒ

√ ≈

5 16

√ ≈

5 16

U

U


19

Inexpressible (v.2)

ric.

131

Vln.

&

?

131

Vlc.

R

R

f

R

p

>1

ƒ

pont.

R

>1

1

1

p

pizz. II.

> 3 œ ≈ & 16 R

135

ƒ

ƒ

5:4

> œ R

cl ric.

ç

ric.

ƒ

µ œ.

3 16

® ®

π

11.

ç

#e 4 R

16

ƒ

16

f

F

P sub.

Ÿ~~~~~~~~~~~ œ r µœ œ #e π

#œ nœ œ ≈ R ≈

Ÿ~~~~~~~~~~~~~~~~~ r r œ. ® œ

b Tϲ

T.

ƒ

arco ord.

ƒ

ff poss.

yyy

œ 4 œœ 16 J

P.

R

π

π

>T ≈ œ ≈ R l.v.

ƒ

4 8

4 yy 8 J

y

J

P.

f

œ̆

œ. . cl batt. . œ . . #œ œ . # œ. 4 # œ œ. œ

e

b œœœ J

arco ord.

4 r 16 e

b >œ

cl ric.

3 16

? 3 yr ≈ # >œ 16 y R

135

Vlc.

arco ord.

f

Vln.

3 16

3 16

ƒ

# >œ .

pizz. e Ÿ~~~~~~~~~~~~ r œ #œ ® 4 ‰ #œ 16 > arco ord.

ric.

5 16

bT 5 œ 16 R

ƒ

˘

pizz.

ç

F

arco ord.

ƒ

œ œ b yR

3

œ

F

ƒ

y. ®

F

4 ‰ 16


20

Inexpressible (v.2)

&‰

140

Vln.

b >œ R

pizz.

ric.

e

ƒ

œ.

ç

# œ. 5 b œ. œ. # œ. œ. 16 F sub.

˘ .œ # œ

œ.

arco ord.

3 ‰ 16

œ. œ # œ œ œ # œ 7 .

4 ‰ 16

f

p sub. 6:4

arco tasto

?‰

140

Vlc.

y y y

F

> 4 µ œR & 16

#e R

ϲ B 4 R

œ. R

ric.

145

Vln.

3

f

cl tratto

145

Vlc.

16

π

f

5 16

ƒ

pizz. ord.

r # œ. f

>œ & ÿ y ÿ ÿ y ® R ÿ ç fl

by by y

#y #y

ric.

ç

œ. R

7 # œ. 16

b b Tœ R

˘T œ

arco ord.

ßp

7 16

f

œ.

pont.

II.

3 Be ‰ 16 R

œ.

b œ.

B 4

16

˘T # >T œ # œ

pizz.

ß

cl ric.

F

>œ J

Í

® œ

4 8

ƒ

B œ.

# # Tœ

π

7 #œ 16 .

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~

ƒ

≈ ≈

Œ

Œ

f

arco pont.

? 4

y â Ï

8 y

4 16

pont.

arco ord.

œ Uœ

16

ƒ

5:6

U

≈ ≈ #œ

I. cl ric.

F

4 16


21

Inexpressible (v.2)

Accel. poss.

148

Vln.

148

Vlc.

# œ.

pizz.

ƒ

P

>œ J

ric.

3 16

ç

3 j 16 œ Í

e

arco

œ≤ # œ œ 4

R

16

4

# œœ 16 ß

>≥œ

ric.

5

p

,

#e

ƒ

P

# yy

5:4

arco

ric.

œ≤ # œ œ # œ œ

#e

ç

3

œœ

f

œœ

P

,

p

3

œœ

y œœ # y

ß

p

f

5:4

5

œ #œ p

# # yy ƒ

7 16

7 16


22

Inexpressible (v.2) e = 96-88, sharp, focused, clear

( e = 108-100 )

q Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ 11:9 œœ œ 5 ® b_ _ b_ _ _ b_ _ b_ _ b_ _ 4 œ ≈ _ 16 8 _e Z

152

Fl.

7 & 16

<si>

b >œ

ric.

7 ‰ & 16

152

Vln.

Vlc.

e

ƒ

? 7 ‰ 16

> ® bœ

# # œœ

3

P

.

ç

ƒ

5 16 ®

>

<s>

ƒ

ç

Gren

<s>

zen

( Grenzen )

p

mei ner

<s>

p sub.

ƒ

~~~~~~~~~~~~~~~~~~~~~~~~~~ ŸI 158 ≤ j #_ # - b y. _ _ _ ® ® y. ® _ # _ &y e fl > die

ß

Gren <s>

( Grenzen )

çp

zen

ƒ

mei

4 8

4 8

∑ Ÿ~~~~~ ≤

≤ q Z ≤ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ≤_ # _ b __ ≤ b_ b_ ny b_ _ b_ _ b_ _ n y ≈ n y y Y. _ j # y _ # y _ b _ Y. _. œ > > _ b >_ Y > 5

q

Fl.

ƒ

Ÿ~~~~~~~~~~ 5 ≤ . . &#y #y y y _ y b_ _ _ _ b_ y ny ≈ . . Die

Ø

Ï

5 16 ® # œ .

155

Fl.

# >yy .. pizz.

# # yy

Ï

arco pont.

pizz.

ç

œœ

152

<u>

p

ner

<F>

( Welt )

p

5

pra

che

ƒ

<F>

ç

Ï

π

q

Z

Ÿ~~~~~~~ Ÿ~~~~~~~~~~ Ÿ flz.Ÿ~~~~~ Ÿ~~~ Ÿ~~ _ æ #_ œ œæ # _ _ _ _ _ æ _æ 3

3

F

p

<F>

ß

<F> be ( bedeuten )

p

ß

deu

<F>

p

ß

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~

#y. el

f sub.

U

y̆ Y J

<tE>

3

ten

p

≈ ≤ - # _ _ ®‰ e > <F> ß

cue next module

ß

<F>

3 4


23

Inexpressible (v.2)

Accel.

q = 69, anticipatory, excited, somewhat anxious

Ÿ~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~ # ≥_ _≤ ≥_ _≤ ≥ ≤ ≥ ≤ &3 _ _ _ _ _ 4

161

Fl.

<F>

ƒ

Cello enters

pizz.

? 3 œj 4 >

161

Vlc.

Ï

Tœ ..

arco

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~ ≥ ≤3 ≥ _ _ _ _≤ 2 4

3

P

ƒ

2 4F

8. # 8.

<pi>

ç

<tE>

Ÿ~~~~~~~~~~~~~~~~~ _≤ _ 3 4

<si>

<s>

3 4

Ṫ ..

Ÿ~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~ 3 _ Ÿ~~~~~~~~~~~ _ _æ œæ _æ _æj # _æ æ

q

#_ <u>

ƒ ppp sub.

q

Z

3

f

π


24

Inexpressible (v.2)

Rall. poco

a tempo, q = 69

164

Fl.

&# - ‰ e > ff sub.

Ÿ~~~~~ Ÿ~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~ 3 _ 2 _ ‰ _ 4 _

<s>

Vln.

Œ

Ï

p

Violin & Cello enter

ƒ

&

<sh>

π

164

Œ

tasto

2 h 4 # hh

â

Ï

Ÿ~~~~~~~~~~~~~~ 3 flz. ˙ 3 _æ 4

yy y

yy y

move bow slowly

j

3

y # yy

â

yy y

yy y

äy

yy

3

J

hh h

yy y

hh h

yy y

äh hh

3 4

3

the scratch tone should be as nasty and sharp as possible (not "grainy" like the perforated tone)

T ?œ

164

Vlc.

tasto

Œ

Œ

2 # # hh 4 h Ï

move bow slowly

j

yy # # yy yy y y y 3

â

the scratch tone should be as nasty and sharp as possible (not "grainy" like the perforated tone)

yy # y y y # yy yy â

# hh #h â3

3 4


25

Inexpressible (v.2)

Fl.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙.

&3 _ 4

a tempo, q = 69

≥5 ≤ ≤ 5 b ≥_ _ # _≤ n _ ≥_ b _ _≤ b _ ≥ _ 4 _ b_ _ b_ _ b_ _ _ b_ 4 5 5 be > <F> Í

h h &3 4 h

äy yy

170

Vln.

yy y

4 yy 4 y

f

Œ

‰.

3

ƒ

y y. R

<si>

?3 h 4 hh

Vlc.

# yy 3

#y â

yy y

4 y 4 yy

‰.

Œ

Ó

<u>

arco tasto

r bœ

y

2 4

y

p sub.

ord.

170

5

ppp sub.

ƒ

pizz.

‰.

2 b_ _ b_ _ b_ _ _ b_ _ b_ 4 5

2 4

œ

y

<s>

ƒ

œ.

≈ y ≈ .

f

Tœ ≈

ƒ


26

Fl.

&

Inexpressible (v.2)

-

be >

Œ

Œ

‰.

> œœœœ ≤ œ 3 e # >_ 4 Ï <F>

#_

ç

q

π

Œ

4 4

tasto

173

Vln.

&

?

173

Vlc.

pizz.

#œ > ƒ

Œ

3 # hh . 4 h ..

â

Ï

III. IV.

3 4 ˙œ . ƒ

yy .. # yy yy y. y y

yy y

perforated, rumbling; move bow as slowly as possible

.

œ

˙.

# hh h â

â

3

j µœ

j

3

˙ .. b œ

yy y

4 4

â

œ

4 4


27

Inexpressible (v.2)

Rall. poco

a tempo, q = 69

178

Fl.

Ÿ~~~ Ÿ~~~~~~ ≤ ≥ ≤5 ≥ ≤ Ÿ~~~~~~~ Ÿ~~~~~~ #_ _ _ ≥ ≤ ≥ ≤ 3 _ _ _ _ _ ‰ 4 #_ _ >

&4 4

<F>

p

fff poss.

≥j

y. &4 y 4 y ..

178

Vln.

?4

178

Vlc.

4 w

# yy y

3

j µœ

h h h

3

.

œ

f sub.

Ÿ~~~~~~~ Ÿ~~~~~~~~ Ÿ~~~~ Ÿ~~~~~~~~~ Ÿ~~~~ ≥ ≤ ≥ ≤ >8 Y 4 _ _ _ _ _ J #Y Y - 2 . 4 > be 4 3 > <s> <tE> P

ƒ

F

3 4

4 4

2 4

3 4

4 4

2 4


28

Fl.

Inexpressible (v.2)

~~~~~~~~ ≤ 181 &2 _. 4 <F>

ß

4 4

?2 Œ

≈ Œ

4 Tw 4

4

Ÿ~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~ ≤ ≤j j Œ j _ Y _ Y π

ƒ

3

3

Ï

Œ

tasto

Ø

4 4

π

tasto

Ø

3 4

w

≈ Œ

181

Vlc.

ff poss.

ƒ

Π&2 4

181

Vln.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~ ≥ ≤ 3 ≈ ≥ 4 #_ 4 #_ _ Y 3

3 4

3 4

˙.

Ṫ ..

4 4

4 4


29

Inexpressible (v.2)

Ritard. 184

Fl.

&4 4

184

Vln.

&4 4

π

w

? 4 Tw

184

Vlc.

#w

4

˙. æ

flz.

œ

œ

p

w

π

˙

π

Tw

π

œ

Ó

3 8

œ

Œ

3 8

n.

Tw

3 8 n.


30

Inexpressible (v.2)

e = 112-104, Tempo 1, breathless

187

Fl.

&3 8

_ _ œ_ _ œ_ œ_ ® ≈ #œ #œ œ be >

Í

≈ &3 8

187

Vln.

ƒ

#œ P

y. ®

ƒ

9. # 9. 9 9. .

2 8

<tk>

<si>

ç

ric.

>œ J

ç

9. # 9. 9. ≈ b _ b _ n _ # _ 9.

2 8

.

be

<u>

ƒ

5

5

_ # _ # _ 9. 9 .

<F>

ç

arco I. ord. II.

T≤ .

>T œ

n.

f

œ.

p sub.

j œ >

cl batt.

ß

b >œ

Z

œœ _æ _æ œ #œ _ 4 3 b_ _ b_ _ b_ _ _ _ _ _ _ #_ 8 œ 8 œ

æ æ _æ æ ® b œ_ œ_ b œ _

<pi>

5

ƒ

p

arco

3 #œ œ œ bœ œ 8 ∏

<F> <u>

<si>

5

f ß

# œ. f

Ï

b >œ

6

pont.

J

Ï

4 8


31

Inexpressible (v.2)

Ÿ~~~~~~~~~~

q 191

Fl.

&4 8 _ ® p

œ.

-

e >

Œ

ff sub.

Vln.

&4 8

?4 ≈

191

Vlc.

π

8

ç

j

Œ

y . ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

F

œ _ œ œ œ #œ #_ _ 3 ≈ _æ æ _ _ _ _ _ _ _ æ æ ææ æ æ æ æ æ 8 #e 5 5 > f p sub. # >œ 3 J

ric. tasto

pizz.

> ® œ

Z

ƒ

tasto

191

q

3

perforated

8

ƒ

3 j ‰ 8¯¯¯¯¯¯¯¯¯¯¯¯¯¯

pont.

3

e ≈

π

arco pont.

œ œ f


32

Inexpressible (v.2)

Z

w 194 q

Fl.

& _ _ ≈ æ æ p

194

Vln.

&

bœ pp sub.

bœ bœ fÍ

œ

#œ #œ

w

q

œ #œ #_

_ _ _ F

p

œ

n œ- b œ ßpp

5

n_

#_ _ œ > 2 _ _ æ ®b 8 æ æ æ æ ne Ï

œ 2 8

b >œ

ric.

ß

3

Sffz

œ π

3 8

8.

8. 8.

3

8. ≈

3

<pi> <pi> <pi> <pi>

f

arco tasto

3

<tE>

#œ 3 œ œ œ #œ œ œ bœ 8 accel.

π

9:8

8. . 8 8. ≈ œ

<tE> <tE>

ƒ

pont.

ƒ

b >œ

œ

#œ #œ

œ

œ

œ ≤__ œ _ b_

_ _ _ _ _ _ _ _ ßp

<F>

ƒ

<si>

p ß

f

e π

ƒ

arco ord.

cl ric.

J

3

œ œ p


33

Inexpressible (v.2)

Z

#œ œ #œ œ

œ _ b_ _ _ _ _ _ b_ _ 9 _ #_œ & _ _ _ _ 16

198

Fl.

5

198

Vln.

&

œ #œ J

b_

ƒ

œ nœ J p

f

q

4 8

5

<u>

œ œ J

_ _

ric. pont. 5

9 ≈ 16

cl batt.

œ œ. # y ç> fl ƒ

® # # Tœ > f

arco tasto

# # Tœ

j

Tœ. f

pont.

4 8

y by

â

ƒ

y y

3

the scratch tone should be as nasty and sharp as possible (not "grainy" like the perforated tone)

tasto

?

198

Vlc.

9 16

4 8

äy

y y

ƒ

yy y

the scratch tone should be as nasty and sharp as possible (not "grainy" like the perforated tone)

j

y y

â

ç


34

Inexpressible (v.2)

Ritard. molto ∑

201

Fl.

&

a tempo, e = 112-104

ŸI ~~~~~~~~~~~~ œ , ŸI ~~~~~~~ œ 5 œ. ≈

3 8

16

>

pizz.

201

Vln.

&y

y

? yy

201

Vlc.

y

j

y y

äy

y y

ç

j

y by

â

ç

3 yj 8 y ..

3 8

yy y

J

# œ. . 5 #œ 16 œ

j

y. by . â

ç

äy

y y

ç

3

f

ord.

f

yy y

J

˘y

3

p

y y

. # œ. , .œ œ ≈ 2 8 7:5

R

8

pont.

f

3

7 16

ff sub.

arco pont.

j y by â

7 16

7 16

f

ƒ

stay on the string

5 16

ŸI ~~~~~~~~~ > #œ #œ œ #œ œ #œ œ 2 ≈ #œ J

,

2 8


35

Inexpressible (v.2)

3

205

Fl.

7 & 16

Ÿ~~~~~~~~ >œ œ œ P

œ #œ

tasto

205

Vln.

7 y & 16 y 3

? 7

205

Vlc.

16

µ ˘œ

.

ƒ

œ œ J

œ œ

˘œ œ

p sub.

2 8

>œ #œ 2 J

ç

ric. pont.

pizz.

ç

>œ ŸI ~~~~~~~~~~~~~~~~~ r œ . _ _ bœ q

Z

8

2 8

ç

_

_ 3

P

5 16

arco

œ œ p

3

_ #œ œ #_ 5

tasto

5 16

œ œ R

# œ.

w

Ï

5 16

w

8

Sffz

# >œ œ #œ œ #œ œ œ R œ

® _

p

p

pont.

3 J 8

.

e

Ï

5

Ÿ~~~~~~~~~~ œ.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ >_ #œ J J 3 ≈

q

r

y >

p ç

3 8

˘ ≤y # y Ï

B


36

Inexpressible (v.2)

e = 116-104, fleet-footed with precision but harried

~~~~~~~~~~~~~~~ œ Bœ

209

Fl.

&

_

_

3

ƒ

>_

q

ç

w

5

pizz.

&‰

209

Vln.

5

œ fl

ƒ

>œ J

p

cl ric.

#œ >

Z

2 8

π

Vlc.

B ‰

ƒ

>

_j œ 5 16 œ

f

π

j

2 e 8

ç

p

bœ œ œ _ _ _ _ _ J . . . .

#e ≈ p

Ï

π

w. fingernail

Sffz

œœ œ œ

_

.

≥j 5 y y

yy

F

π

16

arco pont.

5 ‰ e 16

®

ƒ

pont.

j ® œ œ œ œ

# œ. œ. œ. > 2 œ 8 pizz.

Z

q

arco tasto

cl ric.

209

œ_ œ_ b œ_ _ _ _ 6

5

œ RÔ J

>

#-

®

r y by y >

U 3 ‰. 16

3 8

U 3 ‰. 16

3 8

U 3 ‰. 16

3 8

ç

≤ œ̆ ß

ff sub.

# y. R

ƒ


37

Inexpressible (v.2)

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j j 213 j flz. _ œ_ # œ j . . . . 5 # 8. œ # œ æ _ æ _ # œ # œ n œ 3 2 bœ r _ œ œ nœ œ & 8 #œ œ 8 16 > 5 Z

Fl.

π

# y.

œ &3 8 J

Vlc.

R

cl batt.

œ. # œ.

5

cl batt.

π

accel.

œ.

ƒ

. n œ. # œ 2 œ 8 .

<pi>

ƒ

π

. . B 3 œ. b œ b œ. n œ # œ. œ. # œ. # ˘œ ‰ 8

213

w

f

213

Vln.

Z

q

f

cl ric. 3

#e

#œ fl

5 ‰. 16

arco tasto

2 ≈ 8

R

Ø

F

J

˘ # # Tœ ƒ

U

® 3 ‰.

‰.

8

5 16

ƒ

pizz.

pont.

5 .. 16 J

8.

<te>

œ >ƒ

>T œ

ric.

ç

U

3 ‰. 8

3 .. 8

‰.

eT π

U

‰.

5 16

5 16


38

Inexpressible (v.2)

# œ>œœ # > . # . . bœ _ ≈ #œ ≈ ® 3# œ 16 # e Z

5 ‰ & 16

217

Fl.

F

b ˘œ

pizz.

5 ‰. & 16

217

Vln.

B 5 ‰.

217

Vlc.

16

ƒ

q

π

≈ ® ®

œ

Z

œ

2 bœ µ _ ® 8 #_œ _ _ q

ƒ

5

q

w

œ

≈. b_

b_ _

# œ _œ # œ œJ _

f

f

5

> ˘_ # œœœœ ≈ # œœ e

3

q

w

4 8 f

j _

q

3 16

Ï

arco pont. IV.

3 ‰ 16

3

2 j 8 bœ P

≈ ® ®& 3

16

arco pont.

r

y

ƒ

j

2 8

by

3

y̆ P

j

ny

ƒ

ric. tasto

> ≈ B # # Tœ J

P

by

P Ï

arco pont.

J

ƒ

5

III. IV.

T y. A b œT œ

f

P

r ≈ 4 œ #œ œ œ nœ 8 b b yy œ œ .

cl ric.

P

B B Tœ 4

3

π

8

J

>

P

ƒ

Tœ ƒ

arco pont.

œ bœ be e π

5

>T . œ.

B B Tœ

ç

π

cl ric.

œ

nœ 3

16

ƒ

3 16


39

Inexpressible (v.2)

3

r 3 & 16 ->

222

Fl.

ƒ

3 ‰ 8

œœœœ œ œ e

j bœ bœ

Ï

p

e = 69-60, throbbing, heavy

B >œ

2B œ 8B œ

J

f

ord.

3 ‰ & 16

222

Vln.

B 3

222

Vlc.

16

3 œ bœ 8 π

œ

œ #œ 3

j yy

# yy

Ï

5

b œœ- ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ 䜜 ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ J 8

? 3

3

f

move bow as slow as poss. "perforated" not "scratch tone"

ç

2 #œ 8 Sffz

œ

œ #œ 5

œ

P

8

3 8

continue into next section, decrescendo and stop playing after c. 10-15 seconds

j 4 3 yy ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ 8 8 ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

ƒ

general mute

move bow as slow as poss. "perforated" not "scratch tone"

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ 2 ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

J

4 8

4¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ Œ 8

3 8


40

Inexpressible (v.2)

Z

226

Fl.

&3 8 pont.

?3

226

Vlc.

8

3

# >y . fÍ

y ƒ

p

œ.

µœ

_

5 8

π

# >y

y

w

5

fl fl

p

Ï

®

fl fl

f

f j

5 # yj 8 # y â

"scratch"

4 8

j

ƒ

# ÿ

j

j

"perforated"

# TT

4 8

F

stringendo Z

œ &4 _ 8

228

Fl.

π

?4 ‰

228

Vlc.

8

˘ œ

œ̆

Es

gib

f sub.

> œ œ. b œ ® _ J . fl

œ. t

al

Z

q

ler dings

> ® . . #œ . µœ. fl 7

Ï

3 8

q

_ œ.

ƒ

p ƒ III. IV.

˘ e e e ne fl

at the frog III. IV.

3 8

P general mute >

ƒ

II. III.

> > >

7:8

ƒ

3 _r 16 œ

_. >

>. .

p

>> > B I. II.

9:8

# >œ J

Z

ƒ

>

3 16

> Ï

2 8

ff sub.

y. y.

ƒ

˘y

y

R

Ï

2 8


41

Inexpressible (v.2)

{e = c 96}

Fl.

fl 9. 9. _ .

f

B2

231

Vlc.

8

3

9

&2 8

e = 69-60, Tempo giusto

_

<pi> <pi> <pi> <si>

π

>

y. y.

ƒ

4 ≈ 8

<pi>

f

, ˘y ?

#y Ï

9. f

4 8

b ˘y ≈ y ƒ

≈ b _ _ b _ _ b _ _ _ b _ _ b _ _ b _ œ_ œ_b œ_ _ ‰ _ œ >

3

9.

<pi>

9.

_.

<pi>

<si>

π

>1 . 1.

arco

5:4

˘1

1 ˘ y y

Ï

≈.

j œ >

9.

<pi>

f

cl ric.

IV.

f

3

9.

p

Ï

f

ric.

ç

Z

q

œ

>

ß

j

arco

<pi>

b 9. <pi>

≤ _ fl

<F>

ff sub.

U

B j e ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ "perforated"

cresc.

U


42

Inexpressible (v.2)

Accel. poco &‰

_ _b_ _b_ _b_ _ n_b_n_b_ n_b_ _ n_ n_ #_ _ n_ 3 _ _ 8 _ b _ _ n _ b _ _ _j > 6

234

Fl.

6

<ki>

<u>

π

B # >T ..

234

Vlc.

ric.

ß

T

tasto

arco

?

j

b T ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ fl

ƒ

ç

II.

Ï

Íp

5 16

<F>

Sffz pont.

j

& 3 b T ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

8 J

≤ j _

j

µT f

wait for soprano

ord.

5 16


43

Inexpressible (v.2)

subito e = 54-48

e = 69-60, a tempo 3

j 5 9 & 16 9 _ 9 fl . .

236

Fl.

<pi> <pi> <pi> <si>

f

236

Vlc.

5 & 16

π

cl batt. arco

#

j

r _ f

f r

b T ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯y T T ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯y >

ß

P

flf

q

Z

_ 9.

2_ 8> ƒ

2 ® 8

#

ric.

. # # TT . > f

p

f

<pi>

e e ®

7 b 9. 16 J

Œ

> 4 y _ 8

<tE>

Es <s>

#ric.

#T j B ¯ ¯¯ ¯¯ ¯¯ ¯¯ ¯¯ b œ ¯¯ ¯¯ ¯¯ 16 # œ¯¯¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ > ß arco pont.

3:2

? 7

F

f

f e ®

ƒ

_ y. y. >_ gib t

ç

<F>

#y

7 16

a

f

≥j j . ¯¯¯¯¯¯¯¯¯¯ b e ¯¯¯¯¯¯¯¯¯¯¯¯ b œ ¯¯¯¯¯¯ ¯¯¯¯¯¯¯¯¯¯¯¯ . 8 # œ¯¯¯¯¯¯ be ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

? 4

F

p

f

B 7

16


44

Inexpressible (v.2)

7 y y. y ® & 16 . y >

240

Fl.

p

ller dings

> B 7 # TR e ®

y

y >

aus

Un

f

arco ord.

ric.

240

Vlc.

16

ç

?

by ≈ T T #T T > ƒ

P

7:8

y

y

<s>

<sh>

T b T T b >œ

pont.

>. 4 y 8

prech

ƒ

subito e = 116-104, suddenly erupting

y. y .

lich es

f 4 8 œ

çp

<s>

p

3:2

>

ß

y ≈. fl

y

>

ß

#

≈ ..

f

8 16

Dies

ƒ

T.

y

8 16

>T

ƒ

˘

T

F

<tE>

p

Ï III. IV.

i<s>

zeigt sich

f

≤> _ ® _ #_ _ #_ _ #_ y y R

y. y.

p

5:3

..

F p sub.

>

!!

f

f

ric.

3:2

arco

<F>

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Amadeus Julian Regucera 15.10.12 - 10.1.13 – Paris, France rev. – 5.15 – Oakland, CA

Profile for Amadeus Regucera

Inexpressible v.2  

Inexpressible v.2  

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