Inexpressible v.2 by Amadeus Regucera

! ! ! ! !

! ! ! ! ! ! !

Inexpressible! !Version!2!for!flute,!violin,!cello! Amadeus!Julian!Regucera! 2013/rev.!2015!

Inexpressible+–+version+2+ (2013/rev.+2015)+ + Flute" Violin" Cello" " Approximate"duration:"c."11’" Originally"written"for"Ensemble"Pamplemousse" !

A+note+on+the+form+of+Inexpressible,,ver.,2+ !

m."1A17" m."18A47"

m."47A50"

m."51A70"

m."71A81" m."82A111"

m."105A120"

m."121A153"

m."154A160"

m."161A186"

m."187A208"

m."209A225"

m."226A251"

Flute"

"Flute"

Violin"

"Violin"

Violin"

Cello"

"(Cello)"

Cello"

! Inexpressible"was"originally"written"for"Ensemble"Pamplemousse"in"2013"with"the"intent"that"the"piece’s"constituent"instrumental"parts"could"be"taken"apart"from"the"whole"and" performed"singly"and,"or"reordered."Therefore,"the"piece"was"written"in"a"highly"polyphonic"and"contrapuntal"manner,"ensuring"that"each"instrumental"part"may"have"a"“sense”"when" performed"separately."" " The"formal"map"above"indicates"the"“modules”"that"comprise"the"piece."They"exist"as"solos,"duos,"and"trios."Oftentimes,"these"modules"“bleed”"or"“dovetail”"into"each"other."When" taking"the"piece"apart,"the"only"stipulation"given"by"the"composer"is"that"a"module"must"be"played"from"its"beginning."For"instance,"if"the"flute"part"in"the"first"module"was"to"be" extracted"and"recombined"with"something,"anything"else,"it"should"be"played"from"measure"one"(1)"and"not,"for"example,"measure"four"(4)."Other"than"that,"the"ending,"the"tempos," fermatas,"et"al."are"left"up"to"the"performers"and"the"ensemble."It+is+recommended+that+the+piece+be+learned+and+played+from+beginning+to+end+as+is+written+in+the+score+before+any+ attempts+to+reconfigure+the+modules+is+attempted.++

Instrumental+Performance+Indications:::+ + General:+

Flute:+

" Accidentals"are"held"through"the"measure." Microtones"are"used"as"inflections"of"standard,"tempered"pitches:"

I Indicates"a"threeAquarterAtone"flat

B +Indicates"a"quarterAtone"flat+

µ +Indicates"a"quarterAtone"sharp"

˜ Indicates"a"threeAquarterAtone"sharp"

When"the"flute"is"divided"into"2"staves,"the"top"stave"indicates"mouth"and" embouchure"articulations."Depending"on"where"the"articulation"falls"in"comparison"to" the"staffAline"determines"its"relative"“pitch”"or"“height.”" The"bottom"staff"indicates"pitches"to"be"fingered."Fingered"notes"should"be"struck"as" forcefully"as"possible"for"maximum"key"click"sound."

" Fermatas:" "

A"brief"pause/a"breath

Indicates"a"trill"with"the"pitch"one"halfAstep"above"

"" " A"fermata"of"“shorter”"duration" """""" A"fermata"of"“normal”"duration" " "

A"fermata"of"“long”"duration"

Indicates"a"trill"with"the"pitch"one"wholeAstep"above"

Optional+amplification:::+ " The"flutist"could"be"slightly"amplified"to"bring"out"performance"gestures"that"may" otherwise"get"lost"in"the"ensemble"texture."They"should"not"“sound”"amplified." Microphones"such"as"a"Shure"WHA30"or"a"DPA"Vocal"Mic"are"ideal." " Small"box"speakers"within"the"ensemble"to"aid"with"balance"should"suffice."A"speaker" such"as"the"UPJA1P"or"comparable"is"ideal.""" " Additionally,"an"electronic"megaphone"is"required"for"the"soprano"in"some"parts"of"the" piece."Ideally,"it"would"be"a"smaller"model"and"easier"to"move."

+ + !

TongueAslap"(sounds"approx."M7"below)"

TongueApizzicato"(accompanied+by+<pi>+or+<te>+syllables)"

Audibly"breathe"into"the"flute"(with+either+<F>+or+<s>+syllables)"

Indicates"audible"exhale/inhale"(respectively)"into"flute"with"CLOSED" MOUTHPIECE"

" Indicates"successive"rapidApercussive"attacks"within"the"given"rhythmic" duration"(similar"to"a"string"instrument’s"jeté"technique)"

ii"

Text:22 """

Indicates"rapidApercussive"attacks"within"the"given"rhythmic" duration"(similar"to"a"string"instrument’s"jeté"technique);"this"example"is"given"" with"specific"pitch"content"

" Indicates"a"timbre"that"is"mostly"“breathy”"and"diffuse"and"one" that"is"a"combination"of"pitch"content"and"breath,"respectively."The"arrow"between" them"indicates"a"gradual"transformation"from"one"timbre"to"the"other"

"""""""""""""" "Indicates"“ordinario”"playing""

"FlutterAtongue" "Indicates"bisbigliando"or"timbral"trill;"accomplished"with"

alternate"fingerings"of"the"same"pitch."

air"sound,"with"consonant"indicated;"arrow"indicates"a"smooth" transition"from"one"consonant"to"the"next."

+ "air"sound,"with"mouth"in"the"vowelAshape"indicated;"arrow" indicates"a"smooth"transition"from"one"to"another." " <k>,+<t>,+<f>" consonants"are"vocalized"into"the"flute"with"OPEN+MOUTHPIECE."It"is" helpful"to"make"a"“smiley"face”"with"the"mouth"in"order"to"shorten"the"distance" between"the"airAexplosion"and"the"mouthpiece." At"points,"the"flutist"will"be"asked"to"recite"parts"of"the"text"into"the"flute."This"should" be"done"with"CLOSED+MOUTHPIECE."

2 Overblow, "

At"a"few"points"in"the"score,"the"flutist"is"asked"to"play/recite"words"into"the"flute."The"" text"is"in"German"and"is"taken"from"Ludwig"Wittgenstein’s"Tractatus2Logico2 Philosophicus." " "(5.6)+Die+Grenzen+meiner+sprache+bedeuten+die+Grenzen+meiner+Welt.++ (The"limits"of"my"language"mean"the"limits"of"my"world)" " (6.4311)+Der+Tod+ist+kein+Ereignis+des+Lebens.+Den+Tod+erlebt+man+nicht++ (Death"is"not"an"event"in"life:"we"do"not"live"to"experience"death)" " (6.522)+Es+gibt+allerdings+Unaussprechliches.+Dies+zeigt+sich,+es+ist+das+Mystische.++ (There"are,"indeed,"things"that"cannot"be"put"into"words."They"make"themselves" manifest."They"are"what"is"mystical.)" " Excerpted"from"Tractatus2Logico>Philosophicus"by"Ludwig"Wittgenstein" 1 First"published"in"the"original"German"in"1921 "" The"English"translations"are"from"the"Pears"&"McGuinness"translation"(1961)"and"are"provided"as"a"guide"for" understanding"the"text"only;"the"English"is"not"used"in"the"piece." "

A2note2on2the2text:22

The"German"text"is"fragmented"in"many"instances"throughout"the"piece"in"a"sort"of" musical"aphasia."The"pronunciation"in"these"instances"should"remain"consistent"as"if" the"whole"word"were"to"be"pronounced."For"example,"the"word"Grenzelos"may"be" splintered"into"Gren–,"ze–2,"and"–los"but"their"original"pronunciation"should"remain."" Words"may"also"be"fragmented"into"single"vowel"and"consonant"sounds"(<a>.<e>."," <o>,","<t>,"<s>,"<k>)."These"should"be"pronounced"according"to"the"context"given." In"most"instances,"they"subscribe"to"the"sounds"in"the"International"Phonetic" Alphabet."

+ + + + + !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! 1!Wittgenstein,"Ludwig,"and"Bertrand"Russell."Tractatus2Logico>Philosophicus."London:"Routledge"&"Kegan"

Paul,"1922."The"first"German"and"English"translations"are"in"the"public"domain,"their"copyrights"having" expired."

iii"

Strings:++ " The2glissandos:"Glissandos"should"be"fluid"and"use"as"few"bows"as"possible."Pitches" should"be"emphasized"but"not"reAarticulated."Additionally,"parenthesized"noteAheads" are"to"be"used"as"guide"for"the"contour"of"glissandos"and"should"not"be"articulated."At" the"end"of"glissandos,"the"bow"should"remain"on2the2string."" " Fingernails"should"be"used"for"all"pizzicato"glissandos"

+ "

Highest"pitch"possible" Highest"pitch"possible"(halfAnote"duration)"

String2Bow2Pressure:2

ord"A"position"ordinario" pont"A"alto2sul2ponticello,"as"close"to"the"bridge"as"possible" tasto"A"alto2sul2tasto,"as"far"up"on"the"fingerboard"as"possible" cl+tratto"A"col2legno2tratto,"bowed"with"the"wood"of"the"bow"" (some"bowAhair"is"okay)" cl+batt.["col2legno2battuto,"struck"with"the"wood"of"the"bow"so"that"it"“bounces”"for" the"rhythmic"duration"indicated" ric."A"ricochet" cl+ric."A"col2legno2ricochet"

Toneless"(performed"on"the"bridge)"

General"mute"(dampen"string(s)"with"hand)"

+“Perforated”"timbre:"this"is"NOT"a"scratch"tone"but"a"“perforated,”" “rattling,”"or"“snoring”"timbre"achieved"by"applying"medium"bowApressure"and"by" drawing"the"bow"as2slow2as2possible."It"is"almost"like"achieving"subAtones"on"the"string" instrument.""

Dashed/Dotted2Slurs:2 "

2 Dotted"or"dashed"slurs"are"employed"to"show"the"performer"the"shape"of"certain" phrases"and"gestures."They"should"be"taken"as"a"performance"guide"to"facilitate" interpretation"and"rehearsal."

Snap"pizzicato"

OpenAdiamond"noteAheads"indicate"harmonic"pressure"for" the"leftAhand"regardless"of"whether"or"not"the"pitch"notated"is"a"node." They"are"not"indicative"of"rhythmic"duration."

" Movement"from"regular"leftAhand"finger"pressure"to" harmonic"pressure"

" " " " "

iv"

Score

Inexpressible (v.2) amadeus.julian.regucera text: ludwig.wittgenstein

e = 112-104, athletic, fleet & explosive

jété

Flute

_ _ _ _ œ_ _ _ _ _ œ_ ® œ #œ _ bœ #œ œ #œ œ 5

&3 8 #œ

nœ

f pont. 5

Violin

&3 8 #œ

Cello

?3 8

≈ >œ .

2 _ #_ 8 _

be ≈

I. arco tasto II.

<F>

2 œ

œ J

2 8

#_

∑

b_ b_ n_

<si>

ric.

e .

ŸI ~~~~~~ b ˘8 _≤ .8 8. 8. 8.

< F >

<si>

œ #œ œ œ

∑

# >œ

ric. tasto

pont.

∑

≤3 _ #_ _ _ _ . e _ >

bœ œ

3 ≈ 8 be

Ÿ~~~~~~~~~ j_œ3 _

ßπ

arco tasto

3 ® œ̆ 8 f

∑

pont.

3 8

#œ pp sub.

∑

ric. œ œ >œ J

ç 3

Inexpressible (v.2)

q Zq Z Ÿ~~~~~~~~~~~Ÿ~~~~~~~~~~~~~~~~~~~~~~ ŸI ~~~~ 3 6 3 j _ 2 #œ _ ® - ‰ œ _ œ _ & #_ 8 fl fl e p ƒπ F π ƒ > q

Fl.

#œ

arco tasto

Vln.

äœ

œ J

pont.

pp sub.

2 8 f

# œ.

Ÿ~~~~~~ # œ Ÿ~~~~~~~~~~~~~~~ œ œ œœ œœ œ # >œ œ # ≤_. 3 e #e e œ œ _ 8 _ _ _ _ _œ

_ _ _

œ.

ric.

® œ œ œ #œ #œ œ 3 bœ 8

∏

> ƒ

œ J

Ÿ~~~~~~~~~~~~~~~~~~~~~~~ ≤ 3 # _ _. be >

ß π

arco tasto

j #_

< F > <si>

f sub.

_ _ _ _ #_ _

œ œ

<F>

œ. nœ

œ #œ

pont.

Accel. poss. <si>

3 ‰ 8

‰ IŸ ~~~~~~~~~~ Ÿ~~~~~~ Z π ƒ ŸI ~~~~~~~~~~~~~~~ ŸI ~~~~~~~~~~~~~ w jété æ Ÿ~~~~~~~~~~~~~ I ≤ _ Ÿ~~~~~~~~~ æ æ ˘ ~~~~~~~~~~~~~~~~~~ 3 œ œ Ÿ ~~~~~~ Z b 8 . 8. >j æ_ _æ œ œ æ œ_ _æ ≤ #œ ≤ œ . œ 8 j 2 _. 3 ® J _ _J 8 8. & # œ_ œ œ #œ Y œ œ _ - _. ® _ _ æ # e œ_ 8 8 e <F> b e p sub. ƒ 5 p sub. <F> > <F> ƒ > pp sub. f f sub. ƒ ç

Fl.

#y. > ß

# >T y ≈ # œR

III. cl ric.

Vln.

2 8 2 8

arco tasto 5

≤

# # Tœ

∏

pont.

1 ƒ

≈

ric. pont.

pizz.

2 œ 8

≈ # œ # œ. œ. . 5 ƒ

œ. # œ.

arco

œ. f

3 8 by

>œ œ

ric.

#œ

p sub.

œ J

2 8

Inexpressible (v.2)

Tempo 1, e= 112-104, unhinged, insistent

Fl.

&2 8

œ̆ ŸI ~~~~~~ ≤

# œ Ÿ~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~ œ_ 3 _ ‰ œ _ 8 J _ _

b_ _ #9 - ® . be > <te> <F> 3

f sub.

arco tasto

œ≤ #œ

Vln.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~ ŸI 3 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ #̃ œ j j _ _ ≈ # œ _ _ Bœ ® _ œ _ # œ œ_

<si>

pp sub.

Cello enters

ric. œœ # >œ œ #œ œ #œ œ œ

&2 8 p sub.

‰

3 J 8

e≈

arco pont.

#y fl

Vlc.

∑

‰

œœ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ 3 ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ 8 ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

move bow as slow as poss. "perforated" not "scratch tone"

≈

pizz.

j bœ f

pont.

pizz.

ord. II.

œ.

T ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ >T

ric. tasto

arco pont.

molto ruvido

B œ ≈ œ. ≈ ≈ œ ≈ . 3

arco pont. 5

T ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

molto vib.

Inexpressible (v.2)

Rall. q Z Iq~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ 3 3 j œ 20 b œ œœ 5 _ _ œ b œ œ _≈ & _j _ ˜_œ _ µ_œ ® # _J œ b œ n œ œ _ _ _œ Z

Fl.

Vln.

œ ≈ µ œ. ≈ ‰ ç 3

> ≈ #œ

pizz. 3

# œ. ≈ # œ. ˜ œJ 3

pp sub.

ric. tasto

œ J

œœ ≈ 3

# œ. ?≈ ƒ

≈ bœ ≈ .

arco ord.

_≈

œ J

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

ßP

œ F

4 8

œ J

pizz.

arco

≈ ≈ # œ. œ.

π ß

pont.

_œJ

pizz.

arco

>œ . j j B ¯¯¯¯¯¯¯¯ ? & b œ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ T¯¯¯¯¯¯¯¯ ≈ œJ œ T¯¯¯¯¯¯¯¯ F sub. >F¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ > sub. p p F sub.

Vlc.

# >œ .

arco

b >_ ..

œ>

4 8

ric. tasto

F sub.

4 8

Inexpressible (v.2)

(Rall.) Ÿ~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~ wŸ~~~~~~~~~ q 3 3 >œ j # ‰ #_ _ &4 œ 8 > w

> 5 œJ 8

Fl.

Vln.

&4 8 J

≈

# œ. f

≈

œ.

arco pont.

œ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ . ¯¯¯¯¯¯¯¯¯B œ &4 J J 8

Vlc.

Bœ

‰

5 œ 8 J P

3 8

y̆ ≈‰

3 8

arco pont.

pizz.

≈ ‰

j j 5 b œj¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ œ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯ n œ . ¯¯¯¯¯¯¯¯¯¯¯ œ 8 œ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ b œ ¯¯¯¯¯ ¯¯¯¯¯¯¯¯ n œ . ¯¯¯¯¯¯¯¯¯¯ œ >

cl ric.

r œ. œ.

≈ ®

3 8

Inexpressible (v.2)

Rall. poco

a tempo, e = 112-104

>œ 3 &8 œ

# 8 # 8.

Fl.

r &3 œ 8 . f

≈

5:6

<F>

œ >

≈

µ œ y. p

5:6

molto ruvido

µ œ y. ≈

œ >

p ß

arco pont.

ric. tasto

? 3 œ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ T 8 # œ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ >T

<si>

_ #œ.

>œ

bœ

1/2 pressure

arco pont.

Vlc.

q Z Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ qŸ~~~~~~~~~~~~~~~~~~~~ ˘_ >≤_ _ ® n_ #_ œ_ œ # _ J

<pi>

Vln.

T T

r #œ F

r ˜œ

TT ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ œ. ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ œ T ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ # œ

5:6

≈

T-

5:6

T-

∏

T-

b >T

‰

batt. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ . # œ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ # ˘œ B . œ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ œ J J J

I. II. pont.

∏

Inexpressible (v.2)

a tempo, e = 112-104

>œ . ® _ & R

Fl.

5:6

Vln.

B Tœ ....

Vlc.

& œr .

nœ

bœ

œ >

F 3

Tœ ‰

œ œ

µ œ y. ≈. p ß

# ˘œ f

≈

Rall. poco ®

® #œ

5:6

Tœ F

œ̆

œ F

≈ #_œ π

_ _

>œ

cl ric.

r 4 r #œ 8 nœ >

ß F

Tœ # Tj # œ

4 8

#œ

˜œ

4 nT 8 n œ

# >œ

f sub.

_ _ ≈ ≈ j b œ_

wqwq

r # œr . #œ >

7:8

pizz.

f sub.

≈

˜œ

3 _j 8 œ

3 8

Tœ

Tœ F

œ.

arco pont.

j œ_ œ

arco II. ord.

pizz.

j œ_ œ

T-

5:6

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # œ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

3 8 œ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

∏

J p

Inexpressible (v.2)

e = 88-80, more spacious, breathing

Fl.

#_ 5 J q

œœ . . & œ.

œ _œ

5:6

_ f

≈

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ µ µ œœ 3 æ 8 _æJ _æJ Z

˜œ

‰

flz.

arco ord.

Vln.

T-

œ. R

5:6

pizz.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˘ . 34 ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ # œ B . œ ‰ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ J batt.

Vlc.

≈

5 8

arco tasto

? 5

# y≤

5:6

pont.

3 8

b œœœ

œœœ ...

yyy ≈ . ƒ

œœœ

j œœœ

3 yyy 8

yyy ƒ

Inexpressible (v.2)

Accel. ~~~~~~~~~~~ & æ_J q

Fl.

Vln.

Vlc.

‰

∏

4 # œ. 8 #œ

‰

>≥œ 4 J

cl ric. tasto

∏

≈

‰

nœ

j ® n_ q

≈

>œ

5:6

cl tratto pont.

œ≤ J

a œ.

≈

# ˘œ f

≈

>≥œ J f

œœœ .

œ ‰

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j j œ_ µ œ_ n œ_ b be π F π >

4 _ 8 >.

5:6

j ? œœ œ

j #œ

q Ÿ~~~~~~~~~~~~~~~~~~~~ 3 3

ric.

bœ

#œ

˜_

arco ord.

pont.

# œ≤ π

arco ord.

≈

>œ

œ # œ3 > œ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ J œ

π f sub.

Inexpressible (v.2)

e = 108-96, Tempo 1, aggressive

œ_ 3

& Œ

Fl.

be > f

#œ

ß p sub.

Vlc.

# # Tœ & ¯¯¯¯¯¯¯¯¯¯ J J

‰

pont.

ord.

Vln.

_œ

œ.

_ _ œ_ _ œ_ R #œ 5

œ.

5:6

≈

‰

arco ord.

& # œ.

ŸI ~~~~~~~~~~~~~~~~~ j 3 3 œ 3 ‰ r ‰ œ Bœ 8 #F π e >f

ric.

≈

˜œ

arco tasto

Tœ

? b œœ

F 3

≈ n œ.

ord.

yyy

yyy ƒ

j & #œ ç

IV.

œ y . y.

p sub.

j Tœ p

≈

ric.

œ R

# # Tœ ƒ

arco

3 œJ 8

3 8

œ J

Tœ # œ œ 3

çp

pizz. II.

œ.

# œ.

≈

#œ

j y

œ.

≈

>T œ J

ric.

arco

pp sub.

œ J

Tœ p

≈

Inexpressible (v.2)

Allargando

Fl.

b œ. 44 & R

Vln.

‰

1̆

≈

œ J

? # # œœ .. œ.

Vlc.

5:6

arco ord.

4 ≈ 8

4 8

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ 4 ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ 8

#œ

1̆

‰

≈

œ.

œ J

# œœ œ >

5:6

1̆

7:8

yy y

yy y.

‰

1̆ ≈

3 ≈ 8

y 3 R 8

3 8

≈

‰

4 4

5:6

≈

j #œ

4 4

fÍ

∑

4 4

Inexpressible (v.2)

÷ 4

4 q = 69-60, animated, but take time

Vln.

&4 4 œ

ric. tasto 3

y. ƒ

œ .

on the string

#œ #œ œ ≈ bœ œ œ œ ‰ be pont.

"ff "

>˙

arco ord.

cl tratto ord.

pizz.

œ ç

bœ œ œ #œ 6

>œric. ß

be nœ

arco

œ #œ nœ #œ œ bœ 5

sempre portamento

nœ œ nœ bœ 5

œœ f sub.

#œ œ #œ 5

Inexpressible (v.2) Tempo 1, e = 112-104, tight, dance-like

∑

Fl.

Vln.

ric. tasto

# >œ

p sub.

j œ 5 & 16 œ ≥j 5 & 16 œœ

Vlc.

arco pont.

B 5 œ 16 J

® #œ œ "ff "

∏

œœ œ ® - ® > e > f

œœ

≤ œ̆ ®

# œ. ƒ

4 16

<pi>

y by y Ï

8. # 8. . . ® 8 b8 ® pizz. pont.

4 b œ. 16 R

>œ 2 J 8

Sffz

#œ > ƒ

≈

3 ≈ 16

≈

œ. R

r # œ.

3 ≈ 16

Sffz

. # >œ .œ b œ. œ œ. . . 4 ® 3 R #œ œ RÔ 16 16

≈

# œ.

pizz.

≈

œ.

≤

œœ

j œœ

> œ

œ.

5 16

w. fingernail

5 16

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 _ 3 œ œ œ œ # >œ 3 _ 3 _æ æ _ ® œ œ 2 œ. . . . . . . # œ. ® 5 _æ 8 8 16 flz.

∏

arco ord.

cl batt.

> œ R

∏

3 8 J

cl ric.

stay on the string

e ≈ #e

arco pont.

œ̆ R

≈

2 œ. 8

cl ric.

p 5

œ_ œ_ b œ_ b œ_ œ_ œ_ 5 _ œ_. œ_. œ_. œ_. 16 J

‰

cl ric.

≈

Z q

∑

Vln.

œ #œ œ nœ #œ

on the string

Fl.

cl tratto ord.

pont.

f sub.

2 8#e

Vlc.

# >œ # # # œœœ

#e ≈ ∏

3 ‰ 8

∏

# œ.

≈

stay on the string

œ. # œ. . . 2 œ b œ œ. œ ® .

‰

cl batt.

œ. b œ. b œ. n œ. œ # œ. œ. # œ. # œ 2 8 fl cl batt.

pp sub.

≈

‰

cl ric.

bœ >

ff sub.

5 16

Inexpressible (v.2)

Fl.

5 & 16

œ # œ n œ # 8. # œ # œ ® 4 ‰ r œ 8 5 #e <pi> > ƒ f

Vln.

5 & 16

pizz.

‰

e ≈ 3

Tœ b b >Tœ

B 5 Tœ .. 16 J

∏

ƒ Z

>œ

#œ #œ &2 œ _ œ _ ≈. 8 _

∏

‰

bœ

_ f

∏

Vln.

&2 8

j ny

‰

> b b Tœ J

P ric.

‰ &2 8

Vlc.

b ˘œ . ˘ . œ ≈. 5 œ œ œ. RÔ 16

y. A b œT

œT f

≈

œ #œ œ œ

cl ric.

œœ œ œ

b œœ > ƒ

b b Tœ R

>T . œ. J

ric.

œ 3 ‰ 16

> ƒ

> œœœœ

≈

2 8

œ 3 #œ ≈ 3 œ bœ œ # yy 8

j yy

2 8

j y #y

2 8

arco

œ. 2

3 Tœ . 16 J

3 r 16 y

3 r≈ ≈ 3 ‰ 16 8 e >ƒ

arco pont.

B B Tœ ‰ f

r # y.

p sub.

‰

arco

n n Tœ J

tasto

r ≈ b y b y.

pont.

2 8

IV.

y by y

arco tasto

∑

3 ≈ ≈ . Kr 2 16 bœ 8

5 œ b œ. # œj b œ œ. 16 . .

∏

arco pont.

batt.

III. IV.

≈

> # œœœœ

pizz.

arco ord.

≈

œ̆ _R ≈

œ _ _ #_œ _œ #_œ J

5 3 _. _. _. _. _. _. œ. ® 3 16

∏

j #œ

arco ord.

. n n et

bœ œ

5 r 16 _

_eJ

‰

4 8 J

> œœœœ

‰

ric. pont.

Fl.

4 ‰ 8

r œ >

arco tasto

Vlc.

a tempo, e = 112-104

3 Tœ 8 ƒ

Inexpressible (v.2)

Rall. ∑

Fl.

e = 76-69, cerebral, anxious, haunted

&2 8

∑

<s>

&2 8 yy

Vlc.

?2 y 8 y

j yy

n # yy

Fl.

<K>

<si>

ŸI >

b8 <te>

≈

continue sustaining toneless sound for 5-10"

∏

∑

3 8 ^^ ..

<F>

<te>

<s>

pont. toneless

Z ŸI ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ _. j 76 _ _ _ # œ œ œ œ. &4 ≈ _ 8 œ œ œ œ œ. .8

continue sustaining toneless sound for 5-10"

~~~~~~~~~~~~~~~~~~~~ ŸI ~~~~~~~~~~~~~~~~~~~~~~ ≤ ≥ ≤ ≥ ≤ ≥ ≤ Ÿ~~~~~~~~~~ 73 # ≥_ _≤ j # y _ 4 _ &Y _ #_ _ #_ _ J 8 _ _ #_ fl 5 <s>

q Z ŸI ~~~~~~~~~~~~~~~~~~~~~~~~ _ y œ _ .. œ fl <K>

∑

molto

Fl.

3 8 ^^ ..

Tod

F ß

pont. toneless

molto

Der <s>

Vln.

Solo Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ≤ 5 ≥ ≤ ≥ ≤ ≤ j 3 #Y y y y _ ≈ Y 8 _ _ _ _ >y _ Y > > fl >

Ÿ~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ≤ ≥_ ≤ > # _ Y 3 œ _ _ _ - 4 J 8 be 8 <s> <F> <s> >

Sffz f

_ e _j e e # _ æ œææ œæ æ 3

∏

flz.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~ ≤5 ≥ ≤ ≥ 5 ≤ ≤ j e ≈ _ _ _ _ Y _ - Y _æ æ # Y _ e <F> > <F> ∏

f sub.

Inexpressible (v.2)

Rall. poco q q q w Z Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ q Z 3 3 œœ 3 79 ~~~~~~~~~~~~~~~~~~~~~~~~~~ œ U j #_ nœ j œ j œ œ _ _ ≈ # _ 3 _ _ _ # Y _ & œ # _ . œ _ b œ œ œ œ œ _ _ _ _ œ Y Y _ 16 _ __ > > _ _ > _ Z

Fl.

∏

>œ 3 & 16 R

Vln.

pizz.

≈

Vln.

# œ.

5 R & 16

7 & 16

œ. œ π

≈

II.

r œ >

œ.

4 œ̆R 16

b ˘œ

≈

œ. R

r œ >

≈ ‰

‰

≈ b >œ f

∏

≈

3 # œr r 16 . # œ

4 # œr 16 .

≈

# œ. R

e π

≈

œ. r . 4 r œ #œ R 16 # œ R . . pizz. ord.

œ̆ R

5 ≈ 16

arco pont.

Accel. poss. ric. ord.

continue trill into next module

Accel. poss.

e = 104-96, precise, athletic

∏

œ̆ R

, œ. R

a tempo, e = 104-96

7 16

œ≤ œ

# ˘œ 5 R

≈

œ. œ

stay on the string

≈

‰

œ≤ œ n.

# œ. p

œ.

œ. œ

sim.

. 4 œR 16

≈

œœ. 4 R

œ≤ œ

# œ. R

œ. R

4 # œr 16 .

r # œ.

≈

5 16

≈

œ̆

œ.

b œ. R

3 ≈ 16

≥œ œ R

≈

7 16

œ. R

r bœ >

4 8

Inexpressible (v.2)

Accel. poco

a tempo, e = 104-96 arco pont.

>œ J &4 8

Vln.

Ípp

#œ

100

Vln.

ethereal, sempre portamento

Bœ

œ.

œ R

4 16

œ.

nœ

œ. J

I œ≤ & J

B ≥œ J

b œ≤ J

arco

ric.

n ≥œ

Bœ R R

‰

? r œ >

112

Vlc.

œ r R #œ

IV.

f sub.

. be R Ï

#œ

perforated, rumbling; move bow as slowly as possible

œ̈ b œ¨ >œ R

ric.

Sffz

begin module at any point toward the end of the previous module (beginning c. measure 100)

#œ

cresc.

œ.

b œ≤

≥œ

œ J

b œ≤ J

r œ R #œ

≈

III. IV.

j œ nœ

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ric. œ 3 >œ 3 œ œ R # œ. R 3 er B R 4 #e 16 16 R arco pont.

#œ

j œœ

arco pont.

y >

#œ

ric.

∑

j œœ J

‰

Ï arco ord.

pizz.

5 r 16 # >œ ç

n œ≤

arco

∏

∑

?≈

B ≥œ

‰

arco

ric.

e = 116-108, hard-edged, severe

Vlc.

n ≥œ

Bœ R

arco

ric.

œ R

Solo cello module may begin anytime during this system

Bœ

œ R

Bœ J

#œ

( e = c76-69)

105

Rall.

( e = 112-104 )

arco

Vln.

œ J

ric.

B≈

Tœ≤ Tœ

∏

. Tœ 1

pizz.

F ß

Inexpressible (v.2)

? œr >

117

Vlc.

I. arco ord.

pizz.

≤ ® # T TR

B≈

arco ord.

∏

r #y

III. IV.

4 r 16 # yy

F ß

r y

fff sub.

≥ 121 >œ µ 3 R & 16

Vln.

B 3

121

Vlc.

œ≤ J

? 5

≈

∏

n >œ

5 & 16

126

≈

4 œ̆R 8

r ≈ 16 e

126

Vlc.

arco tasto

‰

f III. IV.

? 4

3 R 16

‰

nœ

µœ

5:4

#œ

œ œ #œ

4 16

bœ

Bœ

3 16

5:3

R p

4 16 f

cl ric.

5:3

3:2

3 16

3 j 16 >œ Í

µœ >≥œ ric.

≥>

I œ≤ B œ.

7 16

≈. œ 7 16 fl >œ

ric.

5:4

arco

yy.

ßP

œ.

>œ

#œ œ #œ J

4 R 16

ßp

arco

œœ

ric.

5:4

4 16 œœ

œ œœ >f

arco

5:3

ric.

pizz.

4 16 ..

π arco

arco

>œ œ f

≈

IV.

ric.

arco

cl batt.

cl tratto

4 r 16

4:3

3 16

Sffz

œ n >œ # œ œ œ #œ 3

#œ >

>œ # e

5:3

ric.

5 16 y

ric.

arco pont.

arco ord.

Vln.

>œ .

ord.

∏

cue next module

e = 92-84, prismatic ric.

cl ric.

≈

√ ≈

5 16

≈

√ ≈

5 16

≈

Inexpressible (v.2)

>œ

ric.

131

Vln.

131

Vlc.

pont.

pizz. II.

> 3 œ ≈ & 16 R

135

5:4

> œ R

cl ric.

ric.

µ œ.

3 16

® ®

11.

∏

#e 4 R

P sub.

Ÿ~~~~~~~~~~~ œ r µœ œ #e π

#œ nœ œ ≈ R ≈

Ÿ~~~~~~~~~~~~~~~~~ r r œ. ® œ

b Tœ≤

arco ord.

∏

ff poss.

yyy

œ 4 œœ 16 J

>T ≈ œ ≈ R l.v.

≈

4 8

4 yy 8 J

œ̆

œ. . cl batt. . œ . . #œ œ . # œ. 4 # œ œ. œ

b œœœ J

arco ord.

∏

4 r 16 e

b >œ

cl ric.

3 16

? 3 yr ≈ # >œ 16 y R

135

Vlc.

arco ord.

Bœ

Vln.

>œ

‰

3 16

‰

3 16

# >œ .

pizz. e Ÿ~~~~~~~~~~~~ r œ #œ ® 4 ‰ #œ 16 > arco ord.

ric.

≈

5 16

≈

bT 5 œ 16 R

pizz.

arco ord.

œ œ b yR

y. ®

4 ‰ 16

‰

Inexpressible (v.2)

&‰

140

Vln.

b >œ R

pizz.

ric.

œ.

# œ. 5 b œ. œ. # œ. œ. 16 F sub.

˘ .œ # œ

œ.

arco ord.

3 ‰ 16

≈

œ. œ # œ œ œ # œ 7 .

4 ‰ 16

p sub. 6:4

arco tasto

?‰

140

Vlc.

y y y

> 4 µ œR & 16

#e R

œ≤ B 4 R

œ. R

ric.

145

Vln.

cl tratto

145

Vlc.

5 16

pizz. ord.

r # œ. f

≈

>œ & ÿ y ÿ ÿ y ® R ÿ ç fl

by by y

#y #y

ric.

œ. R

7 # œ. 16

b b Tœ R

˘T œ

arco ord.

ßp

7 16

œ.

pont.

II.

3 Be ‰ 16 R

œ.

b œ.

B 4

˘T # >T œ # œ

pizz.

≈

cl ric.

‰

>œ J

® œ

4 8

B œ.

∏

# # Tœ

∏

7 #œ 16 .

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~

fÍ

≈ ≈

‰

arco pont.

≈

? 4

y â Ï

8 y

‰

≈

4 16

pont.

arco ord.

‰

œ Uœ

5:6

>œ

≈

≈ ≈ #œ

I. cl ric.

4 16

Inexpressible (v.2)

Accel. poss.

&Œ

148

Vln.

?Œ

148

Vlc.

‰

≈

# œ.

pizz.

≈

bœ

>œ J

ric.

3 16

3 j 16 œ Í

arco

œ≤ # œ œ 4

# œœ 16 ß

>≥œ

ric.

#œ

# yy

5:4

arco

ric.

œ≤ # œ œ # œ œ

œœ

>œ

œœ

y œœ # y

5:4

œ #œ p

# # yy ƒ

7 16

Inexpressible (v.2) e = 96-88, sharp, focused, clear

( e = 108-100 )

q Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ 11:9 œœ œ 5 ® b_ _ b_ _ _ b_ _ b_ _ b_ _ 4 œ ≈ _ 16 8 _e Z

∑

152

Fl.

7 & 16

<si>

b >œ

ric.

7 ‰ & 16

152

Vln.

Vlc.

? 7 ‰ 16

> ® bœ

# # œœ

‰

5 16 ®

<s>

Gren

<s>

zen

( Grenzen )

mei ner

<s>

p sub.

~~~~~~~~~~~~~~~~~~~~~~~~~~ ŸI 158 ≤ j #_ # - b y. _ _ _ ® ® y. ® _ # _ &y e fl > die

Gren <s>

( Grenzen )

çp

zen

mei

≈

4 8

∑

‰

≈

4 8

∑ Ÿ~~~~~ ≤

≤ q Z ≤ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ≤_ # _ b __ ≤ b_ b_ ny b_ _ b_ _ b_ _ n y ≈ n y y Y. _ j # y _ # y _ b _ Y. _. œ > > _ b >_ Y > 5

Fl.

‰

Ÿ~~~~~~~~~~ 5 ≤ . . &#y #y y y _ y b_ _ _ _ b_ y ny ≈ . . Die

5 16 ® # œ .

155

Fl.

# >yy .. pizz.

‰

# # yy

arco pont.

pizz.

œœ

152

‰

ner

<F>

( Welt )

pra

che

<F>

Ÿ~~~~~~~ Ÿ~~~~~~~~~~ Ÿ flz.Ÿ~~~~~ Ÿ~~~ Ÿ~~ _ æ #_ œ œæ # _ _ _ _ _ æ _æ 3

<F>

<F> be ( bedeuten )

deu

<F>

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~

#y. el

f sub.

y̆ Y J

<tE>

ten

≈ ≤ - # _ _ ®‰ e > <F> ß

cue next module

<F>

3 4

Inexpressible (v.2)

Accel.

q = 69, anticipatory, excited, somewhat anxious

Ÿ~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~ # ≥_ _≤ ≥_ _≤ ≥ ≤ ≥ ≤ &3 _ _ _ _ _ 4

161

Fl.

<F>

∏

Cello enters

pizz.

? 3 œj 4 >

161

Vlc.

Tœ ..

arco

∏

Tœ

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~ ≥ ≤3 ≥ _ _ _ _≤ 2 4

Ṫ

2 4F

‰

8. # 8.

<pi>

<tE>

Ÿ~~~~~~~~~~~~~~~~~ _≤ _ 3 4

<si>

<s>

∏

3 4

Ṫ ..

Ÿ~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~ 3 _ Ÿ~~~~~~~~~~~ _ _æ œæ _æ _æj # _æ æ

#_

ƒ ppp sub.

Inexpressible (v.2)

Rall. poco

a tempo, q = 69

164

Fl.

&# - ‰ e > ff sub.

Ÿ~~~~~ Ÿ~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~ 3 _ 2 _ ‰ _ 4 _

<s>

Vln.

∑

Violin & Cello enter

∑

<sh>

164

tasto

2 h 4 # hh

Ÿ~~~~~~~~~~~~~~ 3 flz. ˙ 3 _æ 4

yy y

move bow slowly

y # yy

yy y

äy

hh h

yy y

hh h

yy y

äh hh

3 4

the scratch tone should be as nasty and sharp as possible (not "grainy" like the perforated tone)

T ?œ

164

Vlc.

∏

‰

tasto

2 # # hh 4 h Ï

move bow slowly

yy # # yy yy y y y 3

the scratch tone should be as nasty and sharp as possible (not "grainy" like the perforated tone)

yy # y y y # yy yy â

# hh #h â3

3 4

Inexpressible (v.2)

Fl.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙.

&3 _ 4

a tempo, q = 69

≥5 ≤ ≤ 5 b ≥_ _ # _≤ n _ ≥_ b _ _≤ b _ ≥ _ 4 _ b_ _ b_ _ b_ _ _ b_ 4 5 5 be > <F> Í

h h &3 4 h

äy yy

170

Vln.

yy y

4 yy 4 y

‰.

y y. R

<si>

?3 h 4 hh

Vlc.

# yy 3

#y â

yy y

4 y 4 yy

‰.

arco tasto

r bœ

2 4

p sub.

ord.

170

ppp sub.

pizz.

‰.

≤

2 b_ _ b_ _ b_ _ _ b_ _ b_ 4 5

2 4

Tœ

∏

<s>

œ.

≈ y ≈ .

Tœ

Tœ ≈

Fl.

Inexpressible (v.2)

be >

‰

‰.

> œœœœ ≤ œ 3 e # >_ 4 Ï <F>

‰

∑

4 4

tasto

173

Vln.

173

Vlc.

pizz.

#œ > ƒ

‰

∑

3 # hh . 4 h ..

∑

III. IV.

3 4 ˙œ . ƒ

yy .. # yy yy y. y y

yy y

perforated, rumbling; move bow as slowly as possible

bœ

˙.

# hh h â

j µœ

bœ

˙ .. b œ

yy y

4 4

Inexpressible (v.2)

Rall. poco

a tempo, q = 69

∑

178

Fl.

Ÿ~~~ Ÿ~~~~~~ ≤ ≥ ≤5 ≥ ≤ Ÿ~~~~~~~ Ÿ~~~~~~ #_ _ _ ≥ ≤ ≥ ≤ 3 _ _ _ _ _ ‰ 4 #_ _ >

&4 4

<F>

fff poss.

≥j

y. &4 y 4 y ..

178

Vln.

178

Vlc.

4 w

# yy y

j µœ

h h h

nœ

bœ

f sub.

Ÿ~~~~~~~ Ÿ~~~~~~~~ Ÿ~~~~ Ÿ~~~~~~~~~ Ÿ~~~~ ≥ ≤ ≥ ≤ >8 Y 4 _ _ _ _ _ J #Y Y - 2 . 4 > be 4 3 > <s> <tE> P

3 4

∑

4 4

∑

2 4

3 4

∑

4 4

∑

2 4

Fl.

Inexpressible (v.2)

~~~~~~~~ ≤ 181 &2 _. 4 <F>

4 4

?2 Œ

≈ Œ

4 Tw 4

Ÿ~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~ ≤ ≤j j Œ j _ Y _ Y π

tasto

4 4

tasto

∑

3 4

≈ Œ

181

Vlc.

ff poss.

Œ &2 4

181

Vln.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~ ≥ ≤ 3 ≈ ≥ 4 #_ 4 #_ _ Y 3

3 4

˙.

Ṫ ..

4 4

Inexpressible (v.2)

Ritard. 184

Fl.

&4 4

184

Vln.

&4 4

? 4 Tw

184

Vlc.

˙. æ

flz.

‰

3 8

‰

3 8

3 8 n.

Inexpressible (v.2)

e = 112-104, Tempo 1, breathless

187

Fl.

&3 8

_ _ œ_ _ œ_ œ_ ® ≈ #œ #œ œ be >

≈ &3 8

187

Vln.

#œ P

y. ®

9. # 9. 9 9. .

2 8

<tk>

<si>

∏

ric.

>œ J

9. # 9. 9. ≈ b _ b _ n _ # _ 9.

2 8

‰

≤

_ # _ # _ 9. 9 .

<F>

arco I. ord. II.

T≤ .

>T œ

œ.

p sub.

j œ >

cl batt.

b >œ

œœ _æ _æ œ #œ _ 4 3 b_ _ b_ _ b_ _ _ _ _ _ _ #_ 8 œ 8 œ

æ æ _æ æ ® b œ_ œ_ b œ _

<pi>

≤

arco

3 #œ œ œ bœ œ 8 ∏

<F>

<si>

f ß

# œ. f

b >œ

pont.

≈

4 8

Inexpressible (v.2)

Ÿ~~~~~~~~~~

q 191

Fl.

&4 8 _ ® p

œ.

e >

‰

∑

ff sub.

Vln.

&4 8

?4 ≈

191

Vlc.

‰

∑

y . ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

œ _ œ œ œ #œ #_ _ 3 ≈ _æ æ _ _ _ _ _ _ _ æ æ ææ æ æ æ æ æ 8 #e 5 5 > f p sub. # >œ 3 J

ric. tasto

pizz.

> ® œ

tasto

191

#œ

perforated

3 j ‰ 8¯¯¯¯¯¯¯¯¯¯¯¯¯¯

pont.

e ≈

‰

arco pont.

œ œ f

Inexpressible (v.2)

w 194 q

Fl.

& _ _ ≈ æ æ p

194

Vln.

bœ pp sub.

bœ bœ fÍ

#œ

#œ #œ

œ #œ #_

_ _ _ F

n œ- b œ ßpp

#_ _ œ > 2 _ _ æ ®b 8 æ æ æ æ ne Ï

œ 2 8

b >œ

ric.

Sffz

œ π

3 8

8. 8.

8. ≈

arco tasto

<tE>

#œ 3 œ œ œ #œ œ œ bœ 8 accel.

9:8

8. . 8 8. ≈ œ

pont.

≈

b >œ

#œ #œ

#œ

œ ≤__ œ _ b_

_ _ _ _ _ _ _ _ ßp

<F>

<si>

p ß

e π

arco ord.

cl ric.

≈

œ œ p

Inexpressible (v.2)

#œ œ #œ œ

œ _ b_ _ _ _ _ _ b_ _ 9 _ #_œ & _ _ _ _ 16

198

Fl.

198

Vln.

œ #œ J

‰

œ nœ J p

‰

≈

∑

4 8

∏

œ œ J

_ _

ric. pont. 5

9 ≈ 16

cl batt.

œ œ. # y ç> fl ƒ

® # # Tœ > f

≤

arco tasto

# # Tœ

∏

Tœ. f

pont.

4 8

y by

y y

the scratch tone should be as nasty and sharp as possible (not "grainy" like the perforated tone)

tasto

198

Vlc.

∑

9 16

∑

4 8

äy

y y

yy y

the scratch tone should be as nasty and sharp as possible (not "grainy" like the perforated tone)

y y

Inexpressible (v.2)

Ritard. molto ∑

201

Fl.

a tempo, e = 112-104

ŸI ~~~~~~~~~~~~ œ , ŸI ~~~~~~~ œ 5 œ. ≈

∑

3 8

fÍ

pizz.

201

Vln.

? yy

201

Vlc.

y y

äy

y y

y by

3 yj 8 y ..

3 8

yy y

# œ. . 5 #œ 16 œ

y. by . â

äy

y y

ord.

yy y

˘y

y y

. # œ. , .œ œ ≈ 2 8 7:5

≈

pont.

‰

fÍ

‰

7 16

ff sub.

arco pont.

j y by â

7 16

∑

7 16

stay on the string

5 16

ŸI ~~~~~~~~~ > #œ #œ œ #œ œ #œ œ 2 ≈ #œ J

≈

2 8

Inexpressible (v.2)

bœ

205

Fl.

7 & 16

Ÿ~~~~~~~~ >œ œ œ P

œ #œ

tasto

205

Vln.

7 y & 16 y 3

? 7

205

Vlc.

µ ˘œ

œ œ J

œ œ

˘œ œ

p sub.

∑

≈

2 8

≈

>œ #œ 2 J

ric. pont.

pizz.

>œ ŸI ~~~~~~~~~~~~~~~~~ r œ . _ _ bœ q

2 8

_ 3

5 16

arco

œ œ p

_ #œ œ #_ 5

tasto

5 16

œ œ R

# œ.

≈

5 16

Sffz

# >œ œ #œ œ #œ œ œ R œ

® _

pont.

3 J 8

∑

Ÿ~~~~~~~~~~ œ.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ >_ #œ J J 3 ≈

∑

y >

p ç

3 8

∑

˘ ≤y # y Ï

Inexpressible (v.2)

e = 116-104, fleet-footed with precision but harried

~~~~~~~~~~~~~~~ œ Bœ

209

Fl.

#œ

pizz.

&‰

209

Vln.

œ fl

>œ J

cl ric.

#œ >

‰

2 8

Vlc.

B ‰

_j œ 5 16 œ

2 e 8

bœ œ œ _ _ _ _ _ J . . . .

#e ≈ p

≤

w. fingernail

Sffz

œœ œ œ

≥j 5 y y

arco pont.

5 ‰ e 16

pont.

j ® œ œ œ œ

# œ. œ. œ. > 2 œ 8 pizz.

arco tasto

cl ric.

209

œ_ œ_ b œ_ _ _ _ 6

œ RÔ J

∏

≈

r y by y >

U 3 ‰. 16

3 8

U 3 ‰. 16

3 8

U 3 ‰. 16

3 8

≤ œ̆ ß

ff sub.

# y. R

Inexpressible (v.2)

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j j 213 j flz. _ œ_ # œ j . . . . 5 # 8. œ # œ æ _ æ _ # œ # œ n œ 3 2 bœ r _ œ œ nœ œ & 8 #œ œ 8 16 > 5 Z

Fl.

# y.

œ &3 8 J

Vlc.

cl batt.

œ. # œ.

≈

cl batt.

accel.

œ.

. n œ. # œ 2 œ 8 .

<pi>

. . B 3 œ. b œ b œ. n œ # œ. œ. # œ. # ˘œ ‰ 8

213

Vln.

cl ric. 3

#œ fl

≈

5 ‰. 16

arco tasto

2 ≈ 8

Tœ

≈

˘ # # Tœ ƒ

® 3 ‰.

‰.

5 16

pizz.

pont.

5 .. 16 J

<te>

œ >ƒ

>T œ

ric.

3 ‰. 8

3 .. 8

‰.

eT π

≈

‰.

5 16

Inexpressible (v.2)

# œ>œœ # > . # . . bœ _ ≈ #œ ≈ ® 3# œ 16 # e Z

5 ‰ & 16

217

Fl.

b ˘œ

pizz.

5 ‰. & 16

217

Vln.

B 5 ‰.

217

Vlc.

≈

≈ ® ®

2 bœ µ _ ® 8 #_œ _ _ q

∏

≈. b_

b_ _

# œ _œ # œ œJ _

> ˘_ # œœœœ ≈ # œœ e

4 8 f

∏

j _

‰

3 16

∏

arco pont. IV.

3 ‰ 16

≈

2 j 8 bœ P

≈ ® ®& 3

arco pont.

2 8

y̆ P

ric. tasto

> ≈ B # # Tœ J

P Ï

arco pont.

Tœ

III. IV.

T y. A b œT œ

r ≈ 4 œ #œ œ œ nœ 8 b b yy œ œ .

cl ric.

B B Tœ 4

Tœ ƒ

arco pont.

œ bœ be e π

>T . œ.

B B Tœ

cl ric.

nœ 3

3 16

Inexpressible (v.2)

r 3 & 16 ->

222

Fl.

≈

3 ‰ 8

œœœœ œ œ e

j bœ bœ

e = 69-60, throbbing, heavy

B >œ

‰

2B œ 8B œ

ord.

3 ‰ & 16

222

Vln.

B 3

222

Vlc.

‰

≈

3 œ bœ 8 π

≈

œ #œ 3

j yy

# yy

b œœ- ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ äœœ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ J 8

? 3

move bow as slow as poss. "perforated" not "scratch tone"

2 #œ 8 Sffz

œ #œ 5

√

3 8

continue into next section, decrescendo and stop playing after c. 10-15 seconds

j 4 3 yy ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ 8 8 ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

general mute

move bow as slow as poss. "perforated" not "scratch tone"

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ 2 ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

∑

4 8

√

4¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ Œ 8

3 8

Inexpressible (v.2)

∑

226

Fl.

&3 8 pont.

226

Vlc.

# >y . fÍ

y ƒ

œ.

µœ

5 8

# >y

fl fl

f j

5 # yj 8 # y â

"scratch"

4 8

# ÿ

"perforated"

# TT

4 8

stringendo Z

œ &4 _ 8

228

Fl.

?4 ‰

228

Vlc.

˘ œ

œ̆

gib

f sub.

> œ œ. b œ ® _ J . fl

≈

œ. t

≈

ler dings

> ® . . #œ . µœ. fl 7

3 8

_ œ.

p ƒ III. IV.

˘ e e e ne fl

≈

at the frog III. IV.

3 8

P general mute >

II. III.

> > >

7:8

3 _r 16 œ

_. >

>. .

>> > B I. II.

9:8

# >œ J

3 16

> Ï

2 8

ff sub.

y. y.

˘y

2 8

Inexpressible (v.2)

{e = c 96}

Fl.

fl 9. 9. _ .

231

Vlc.

&2 8

e = 69-60, Tempo giusto

y. y.

4 ≈ 8

<pi>

, ˘y ?

#y Ï

9. f

4 8

b ˘y ≈ y ƒ

≈ b _ _ b _ _ b _ _ _ b _ _ b _ _ b _ œ_ œ_b œ_ _ ‰ _ œ >

<pi>

<si>

>1 . 1.

≤

arco

5:4

˘1

1 ˘ y y

≈.

j œ >

<pi>

cl ric.

IV.

ric.

arco

<pi>

b 9. <pi>

≤ _ fl

<F>

ff sub.

B j e ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ "perforated"

cresc.

≈

Inexpressible (v.2)

Accel. poco &‰

_ _b_ _b_ _b_ _ n_b_n_b_ n_b_ _ n_ n_ #_ _ n_ 3 _ _ 8 _ b _ _ n _ b _ _ _j > 6

234

Fl.

<ki>

B # >T ..

234

Vlc.

ric.

tasto

arco

b T ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ fl

‰

II.

Íp

5 16

<F>

Sffz pont.

& 3 b T ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

8 J

≤ j _

µT f

wait for soprano

ord.

5 16

Inexpressible (v.2)

subito e = 54-48

e = 69-60, a tempo 3

j 5 9 & 16 9 _ 9 fl . .

236

Fl.

236

Vlc.

5 & 16

cl batt. arco

r _ f

f r

b T ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯y T T ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯y >

flf

_ 9.

2_ 8> ƒ

2 ® 8

bœ

ric.

. # # TT . > f

<pi>

e e ®

7 b 9. 16 J

≈

> 4 y _ 8

<tE>

Es <s>

#ric.

#T j B ¯ ¯¯ ¯¯ ¯¯ ¯¯ ¯¯ b œ ¯¯ ¯¯ ¯¯ 16 # œ¯¯¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ > ß arco pont.

3:2

? 7

f e ®

≤

_ y. y. >_ gib t

<F>

7 16

≥j j . ¯¯¯¯¯¯¯¯¯¯ b e ¯¯¯¯¯¯¯¯¯¯¯¯ b œ ¯¯¯¯¯¯ ¯¯¯¯¯¯¯¯¯¯¯¯ . 8 # œ¯¯¯¯¯¯ be ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

? 4

B 7

Inexpressible (v.2)

7 y y. y ® & 16 . y >

240

Fl.

ller dings

> B 7 # TR e ®

y >

aus

arco ord.

ric.

240

Vlc.

by ≈ T T #T T > ƒ

7:8

<s>

<sh>

T b T T b >œ

pont.

>. 4 y 8

prech

subito e = 116-104, suddenly erupting

y. y .

lich es

f 4 8 œ

çp

<s>

3:2

y ≈. fl

≈ ..

8 16

Dies

8 16

<tE>

Ï III. IV.

‰

i<s>

zeigt sich

≈

≤> _ ® _ #_ _ #_ _ #_ y y R

y. y.

5:3

F p sub.

ric.

3:2

arco

<F>

!! 5:3

4 8

y >

das

p sub.

ric.

4 8

Inexpressible (v.2)

Rall. poco Fl.

&4 8 _

e = 116-104, a tempo

_ #_ _ #_ _ #_ _ _ #_ ≈

Mys

Parcogeneral mute

Vlc.

sche

e<s>

&3 _ #_ _ #_ _ n_ #_ n_ #_ 8 â_ _ # _ > > Mys

246

Vlc.

# !!≥

sch

!≥ ! p

3 _ 8

_ b_ _ _ b_ _ by y

≈

i<s>

3 ≈. 8

arco

5:4

ßp

> f

5 16

˘!

ric.

arco

T # >T

j y >

3 8

<das>

p ç ric.

‰

≈

<tE>

5 ‰ 16

cl tratto

4:3

≈

3 8

Rit. poco a poco al fine

e = 116-104, a tempo

Fl.

pizz.

?4 j

243

j nœ

Rall. poco

∏

5:4

Ÿ~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ U _. _. _.

∏

11 b œœ œ ∏ F

œœœ ...

yUyy J

Ÿ~~~~~~~~~~~ ≤ arco pont.

pizz.

œ œ fl

ric.

#œ >

∏

Fl.

Inexpressible (v.2)

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 4 j Œ & _j Y œ. œ 8 Y fl e sche ∏

~~~~~~~~~~~~~~~~~~~~~ ? T Œ .

249

Vlc.

4 ‰ 8

b Tœ≤ ..

∏

2 8

∑

2 8

∑

Tœ ff poss.

Amadeus Julian Regucera 15.10.12 - 10.1.13 – Paris, France rev. – 5.15 – Oakland, CA