WILLIAM (BILLY) KENNEDY 0422 907 777 billy.kennedy1107@gmail.com www.williamkennedy.work @aktivgrotesk
3D modelling compiling, publishing, & post
SOFTWARE
Archicad (advanced)
most/all functions, moderately experienced in documenting across sketch design, DA, CD, and presentation drawings and publishing workflows of revisions and for-information drawings for consultants + Enscape Revit (intermediate) general functions, some documentation workflows + Twinmotion
Rhinoceros 3D (advanced) most functions + Grasshopper (beg.) + V-Ray (int.), Lumion (beg.)
Adobe Photoshop (advanced) collages, renders, some post-processing Adobe Illustrator (advanced) general documentation, graphic design Adobe InDesign (intermediate) most functions, workflow between programs
EDUCATION
2021 – present
2019 – 2020
2017 – 2018
mar. 2024 – oct. 2024
may 2024 – aug. 2024
dec. 2019 – mar. 2024
jan. 2019 – dec. 2019 professional reference professional reference (2)
character reference
Bachelor of Architecture (UQ) recipient of New Colombo Plan study grant (Korea)
Bachelor of Laws/Commerce (UQ) [withdrew to pursue architecture]
International Baccalaureate Diploma (QASMT) ATAR 99.4
Ben Nemeny (Marker Architecture & Design) Director 0466 558 572
Allyson Small (Boutique Design & Project Management) Supervisor during CD phase 0412 759 015
Felix McNamara Tutor felixfrederickmcnamara@gmail.com
Rupture
concept
collage
concept section
Terrace House Detailing
dp detail plan, ground detail plan, first floor
BEDROOM
DECK
PATIO
Our Enduring Context
images taken on site + structural translations
top center bottom plan, roof plan, upper plan, ground
Due to the projects’ scattered arrangement, special attention was made to connect the structures through a typology.
This typology was exhaustively iterated in order to arrive at a set of material, assembly and experiential parameters which could be applied across the project.
This exploded diagram describes the stereotomic ground plane, translucent upper level, and modular roofline of the exhibition hall.
isometricdiagram
left page top center bottom
right page top center bottom
elevation, south elevation, north section
plan, roof plan, upper plan, ground
Mirndiyan Gununa Arts Centre
2 INDIGENOUS KNOWLEDGE CENTRE
3 CULTURAL LEARNING CENTRE
1 GALLERY
XVISITOR WC
11 KITCHEN keeping place maker space
10 STORAGE
4 WOMEN’S PAINTING STUDIO
9 WC SHOWER CHANGE
5 MEN’S PAINTING STUDIO
6 SMALL WORKSHOP
402 Darling Street, Balmain
Marker Architecture & Design
top right bottom material palette drawing + partial table for ESD consultant
402 Darling Street is a proposed alts and ads to a mature mixed use family home and ofce in the heart of Balmain. Through careful planning and demolition-averse principles, an arrangement of spaces are provided that will better address the lives of the young and soulful family, creating moments that speak to their shared histories and interests.
MY ROLE
The project is lead by Ben Nemeny (Director, Marker).
I was tasked with the documentation (DA, for-information, and now CD), BIM development, consultant liaising and some aspects of design iteration. Each drawing shown for this project was drawn by me and checked by Ben.
RE-USE
Primary structural members and various other site materials with the potential for removal or demolition have been mapped and recorded. This information has been shared with ESD and civil consultants who we will work closely with to guide the project’s material direction.
left right demo plan, ground proposed plan, ground
demo elevation, south yard
south yard
demo elevation, east
Model Catalogue
CONTEXT MODEL (1:1000) UQ campus for ARCH3200
CASE STUDY Midjimberry House (Paul Butterworth Arch)
Terrace House Detailing – 1:20 detail model
SITE MODEL (1:250) with Nathan Petty
PRESENTATION MODEL Tallowwood by Marker Arch.
Furniture Catalogue
bi-face bookshelf
concept elevations (4) concept render
thinker urinal
A historically underappreciated but universally relatable daily action, urination is a necessary cog in our human existence. The following work suggests a departure from lifeless porcelain bowls and an embrace of the moment of meditative relief that defines urination.
Furniture Catalogue (cont.)
top left top right
bottom right isometric set excerpt isometric early iteration front + side elevations (2)
dryer cabinet
Learning From Seoul
CHECKUSAGE BEFOREENTERING
FREIGHT LIFT CCTV
CYCLICAL SPACES IN THE BORROWED CITY
Seoul is a highly productive city. This productivity is enabled by various culturally-ingrained attitudes towards social and physical aspects of the city.
One of these core attitudes is Seoul’s borrowing culture, in which a space or object may be borrowed, as long as it is returned in its original condition.
Although there are limits to this ‘borrowing’, there is a shared understanding that it helps the city of Seoul to remain agile, acknowledging the rarity of space and seamlessly adapting to the challenge of the moment.
Although borrowing is a well-documented phenomenon, it is usually discussed in isolated events. But what happens when borrowing reaches its highest intensity? The Pyeonghwa Markets are an interesting example of how borrowing allows separate day and night ecosystems to exist everyday in the same place. Here, we can pull apart observations to understand how borrowing agreements difer between semi-public and public space during a 24-hour cycle.
Without storefronts, a market is a warehouse. Storefronts are implicitly semi-private spaces that allow vendors to show their goods to the street, and for wholesalers, this storefront will typically be crammed full. Often still, a vendor will need more display space than is possible within their boundaries, so they will ‘spill’ their products across a neighbouring storefront, provided that storefront is closed. Due to the short (3-hour) downtime between market periods, there is a strict expectation that the borrowed space will be returned to its original condition at the end of the time period. Such a strict implied agreement means that vendors will rarely move signifcant amounts of hardware across their boundaries, usually simply stacking stock on the ground or moving a rack of clothing over so that packing up is timely.
On the other hand, implicitly public spaces such as the footpath and road operate under a much more vague timescale. During the day, these spaces are kept relatively clear to allow heavy pedestrian/vehicular fow. Clothing racks are scarcely found on the footpath, outgoing post is kept within the
To
The result of both contexts are cyclical spaces, without which it is unlikely that wholesalers would have the space to exist in the heart of the city, which would deteriorate the productive ecosystems that Seoul runs on. Such a cycle can be thought of as a type of social architecture (as opposed to physical), comprising of ingrained understandings of the identities and limits of space in the city.
