April-May 04 2022.eng DMNTR by Фериде Аджиниязова

April-May О4 2О22

Відкриття новоі точки продажу «Кеома»- салон у м. Херсон, вул. Нефтяників, 5 (на базі Дверний Двір)

KEOMA ITALIA SRL Contrada Jesce Zona Industriale 75100 MATERA ITALIA Tel. +39 0835/339128 Tel. whatsapp/viber +39 347 928 8863 Skype: keoma italia srl -nataliia ladym export@keomasalotti.it

02-05.03.2022

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content

PUBLIC INTERIOR Sivak+ Partners Dailly 11 In unique design studio Genesis PRIVATE INTERIOR K.BAND VOZDUH BRO.BURO А95 KYDE. Architects A52 smart KUPOL Avalon time Karlikova Architects Фахверк в лесу Mdesign Architecture Interior VR 16 Sobo Studio Core project PROJECT Batsmanova Tamara Villa Burgundi O. M. Shumelda Radio Garage UMKY design studio AB OVO Но4а Прокопенко и Алена Королева WALL– SWEATER Designer: Ivanna Gaydarzhi, Dmitry Sivak. Designer: Anastasia Abravitova

SIVAK+ PARTNERS Genuezka ap.

EVENT MAISON&OBJET

Circulation 10 000 copies. Contract price. LLC «ART STUDIO OF PRINTING» Kyiv, street Boryspilska 15. Tel .: +38 (067) 460-07-25. www.artprintstudio.com.ua

INTERVIEW Beloded Landscaping Batsmanova Tamara Кирило Кузьменко та Дар’я Кареліна

The editor in chief’s word

EDITOR LETTER We live in a special time - a period of transformation. War has come to our house. But as history shows, any crisis is an impetus for progress. An opportunity to review our values, beliefs and principles. The current situation faced by our generation exposes the thin and fragile, giving the opportunity to become stronger. Just as fire and water temper steel, changing the crystal lattice of matter, so a person changes at the inner level. They say bad times become good memories. Having filled the issue with interesting content, we are gradually making changes to the design of the Home and Interior magazine itself. This issue is special in every way and from every angle. Therefore, we wish you, as well as ourselves, to keep up with the times, be open to innovations and fill life with bright colors. «Everything will be Ukraine» Chief Editor of the magazine House and Interior. Feride Adzhiniyazova

Pratsyuvali above the number: Feride Adzhiniyazova editor-in-chief, chief designer ferika4444@gmail.com Volodymyr Kostyliev foreign editor, literary editor, proofreader lit.editor, proofreader, editordii@gmail.com Katerina Pakhomova editor editor, kpahomova66@gmail.com Marina Pilipenko editor Pavlo Botanov photographer

MAXI РАЗДВИЖНЫЕ ПЕРЕГОРОДКИ, SELF BOLD КОМОД. ДИЗАЙН ДЖУЗЕППЕ БАВУЗО

team

Alessia Poznyak, commercial director, info@dom-i.kiev.ua Olga Chumak, business development director, head of FEA, olgachumak@ukr.net Artem Shcheblikin Marketing and PR director Dolinina Daria. Pageant director of the contest Interior of the year. dashaaakrot@gmail.com Anastasiia Shmondenko «Ukrainian Urban Awards» Editor-in-chief “magazine А1” Radionov Rostyslav. Video editor Olena Korotkova, сhief Accountant, Korotkovaelena1807@gmail.com Nataliya Andrunina. Head of sales department nataliya.andrunina@gmail.com Myroslava Poselchuk,

YORK ARCHITECTS April-May О4 2О22 Graphic design: Ilya Nepravda

Customer Relationship Manager, poselchuk@gmail.com Viktoriya Bilykh, Customer Relationship Manager victoriabilykh@gmail.com Elizaveta Naumenko Client Relations Manager Tarasyuk Lyubov Client Relations Manager Volodymyr Irzhitsky

Editorial address:

Ukraine Editorials adress: Ukraine, 34, Lesi Ukrainki blvd, office 515, 01601, Kiev, tel./fax: +38 (044) 461-91-28 (multi-channel) The House and Interior magazine is registered in TV and broadcasting State Department of Ukraine. The certificate on the state registration of printed mass media KB № 8766 (09.09.1999).

event manager Alla Budko project manager Vadim Shlonchak driver Igor Parubsky, director, i.parubsky@dom-i.kiev.ua www.domiinterier.com

the lineup

SOFAS A well-chosen sofa can affect the overall mood of a space. Among the many presented models, we have selected new items that will gracefully complement the most sophisticated interior.

Sofas Sumo, Living Divani

Sofas Adda, Flexform

Sofa Adda, Flexform Sophisticated and modern design is embodied in the Adda sofa. It has a lightweight structure and soft goose down cushions. The metal base of the sofa is upholstered in leather or fabric, the visible legs are made of cast aluminium. The soft cushions of the armrests and backrest are connected

to the base with a simple and effective fastening system. Sofa Sumo, Living Divani Dynamism and elegance are embodied in the shapes of the new Sumo sofa designed by Piero Lissoni for the brand Living Divani, we can also feel pronounced character and energy.

the lineup

LIGHTING A variety of shapes and textures among the lighting items allows you to choose a model that will blend perfectly with the interior of your home. Modern or classic - depends on taste preferences, but in any style there is a model to your liking.

Lamp Litia, Kreoo

Chandelier Florian, Barovier&Toso

Chandelier Florian, Barovier&Toso The design of the Florian chandelier by Barovier&Toso organically combines classic style with modern, based on the strong traditions of the brand. Massive chandelier shades, created using the «rostrato» technique, create a feeling of crystal brilliance.

Lamp Litia, Kreoo The Litia lamp has become part of the art collection from the Italian brand Kreoo, which includes three more models of lamps demonstrating the art of working with marble and Murano glass.

the lineup

ARMCHAIRS Ultra-modern or classic, laconic or expressive regardless of taste, there is a model that will win your heart. A good chair can not only successfully complement the interior, but also become the highlight of the entire room.

Armchairs Cradle, Arflex

Armchairs Diva, Borzalino

Armchair Cradle, Arflex The Cradle chair for Arflex was designed by Neri&Hu. This is a classic triangular design that can be admired from all sides or experienced in practice with pleasure and convenience. An addition to the chair there is a small round table for a cup of coffee or a gadget.

Armchair Diva, Borzalino Original Art Deco lines characterize this small armchair with a closed back, which will functionally and aesthetically complement both private and public interiors. Thanks to its compact dimensions, Diva will easily fit into and decorate even small spaces.

Elegant Grey Bookmatch 59.6 cm x 150 cm Elegant Grey 120 cm x 120 cm

porcelanosa.com

салон «Міленіум Концепт» м. Київ, вул. Прорізна, 20 тел.: +38 044 279 60 60 тел.: +38 044 279 60 10 millennium-concept.ua

салон «Європа-Дніпро» м. Дніпро, пр. Д.Яворницького, 111 тел.: +38 097 651 68 99 тел.: +38 095 920 59 62 www.evropa.dp.ua

салон «Nano Ceramica» м. Харків, пр. Московський, 199-Д-5 тел.: +38 066 054 42 93 тел.: +38 093 223 49 86 www.evropa.dp.ua

салон «Керама Маркет» м. Львів, вул. Городоцька, 355/6 тел.: +38 032 297 25 00 www.ceramamarket.com

the lineup

BOOKCASES In the manufacture of furniture, manufacturers refer attentively not only to the choice of materials, but also to the choice of decorative elements. Therefore, each model is a benchmark in the field of industrial design.

Bookcase Alix, Bonaldo

Chest of drawers Boxie, Pedrali

Chest of drawers Boxie, Pedrali Boxie is a minimalist storage system from the Pedrali brand with light lines and shapes. It is just as easy to handle thanks to the handy drawers and wheels that make the whole system mobile.

Bookcase Alix, Bonaldo With the help of the Alix bookcase, the wall in a residential interior or office is easily transformed into a three-dimensional one. Convenience and unique elegant style are one of the main distinguishing features of each item from the Bonaldo brand.

the lineup

TABLES AND CHAIRS Designers never cease to amaze with the variety of models of tables and chairs. The world’s leading factories offer variations of any stylistic trends. We have compiled a selection of the most original options.

Table Squid, SCAB Design

Table Spinnaker, Cornelio Cappellini

Spinnaker table, Cornelio Cappellini Spinnaker table shapes by Cornelio Cappellini inspired by elegance and the lightness of the sails that turn to the wind while sailing. The marble top is available in one piece or cut into three curved pieces, reminiscent of the typical geometry of 1930s architecture.

Squid table, SCAB Design This table adapts to different environments: from home to the street and office, from public places to HoReCa zones. Squid is available in various shapes and sizes, with HPL and marble tops. The model is available in fixed and sliding versions.

the lineup

BEDS Newfangled beds combine not only a bright design, but also an important functional content. Therefore, choosing the right model is not difficult, taking into consideration the diversity of the modern market.

Beds Noonu, B&B Italia

Beds Amlet, Bonaldo

Bed Amlet, Bonaldo Solidity and dynamics characterize the geometric shape of the Amlet double bed. The peculiarity of the Amlet model lies in its original trapezoidal metal base or in the variant with bevelled legs.

Bed Alchemy, Giorgio Collection The Alchemy bed is the main part and main component of the eponymous collection from the Giorgio Collection brand, which presents the world of luxury furniture in a new, modern key. Alchemy is a collection based on light tones, a fusion of color and radiance that brings serenity and peace to the atmosphere. Materials include African sycamore veneer, black mother-of-pearl, Venetian blown glass and textiles.

the lineup

KITCHENS One of the main places in the house is the kitchen, as the whole family gathers at the dining table. Modern manufacturers offer many variations of kitchens with high-quality functional content. Following the latest trends, we have selected the most interesting models.

Kitchens Sipario, Aran Cucine

Kitchens Double Italia Island, Arclinea

Kitchen Sipario, Aran Cucine The Sipario monoblock kitchen by Aran Cucine is like a compact stage equipped for food handling. Instead of a curtain on the stage, there is a large wall cabinet with one door and glass shelves, built-in hood and lighting.

Kitchen Double Italia Island, Arclinea At the heart of the Double Italia Island kitchen there is a double island with stainless steel doors, a graphite frame, smoked oak Moka Box accessories and unpolished Pietra Gray marble countertops. And besides - a sink, a stove with gas burners, a wooden cutting board, a glass splash guard and much more.

the lineup

DECOR Stylish and professional interiors would not be conceptually and practically complete if it were not embroidered with elegant designer accessories and decor, which are good in any interior solution.

Bedside table and chest of drawers from the Eros line, Misura Emme

Bedside table and chest of drawers from the Eros line, MisuraEmme The Eros bedside table is part of the MisuraEmme bedroom furniture collection. Interior items are distinguished by an unusual combination of materials, metal, marble and wood. The structure is made of metal in the table and chest of drawers, the drawers are made of wood - lacquered oak, the upper part is made of marble.

Washbasin Orma, Glass Design

Washbasin Orma, Glass Design The Italian factory Glass Design presented the Orma washbasin as part of its Florence Glass Atelier collection. The object for the bathroom or lavatory is distinguished by the contrast between the smooth inner surface and the multifaceted outer surface. Orma is produced in four textures: Demi Mat, Mat Gold, Mat Silver and Mat Bronze.

Украина, Киев 01103, Дружбы Народов, 15А

Тел.: +38 (044) 450 33 39 Моб. : +38 (066) 234 78 45; +38 (068) 567 68 64

е-mail: — franke.ukraine@gmail. соm www.franke-ws.com

Interview

YORK ARCHITECTS

INTERVIEW WITH THE WINNER OF THE GRAND PRIX OF THE COMPETITION «INTERIOR OF THE YEAR» 2021 ROMAN

What was the most difficult part of creating the space? When designing a house, taking into account the peculiarities of the landscape and preserving the trees. In the interior - subordinating all the decisions in the interior outside the window. And also making the forest the dominant element in the interior. How different is the project idea from the implementation? Has it been implemented? The interior was created throughout the implementation process. Therefore, the decisions laid down, at first changed a little. But we always found a compromise with the customer. Therefore, we can assume that all the ideas were implemented. Tell us about the moments that remained behind the scenes of the competition? The day of the final of the competition, our studio turned three years old. Colleagues celebrated in the office when we received the award. It was an unexpected event, so the celebration took on new colors. What can you say about the level of work of other participants represented in the competition? High level of projects. A lot of new faces in the design please me. What are the trends in architecture and design that we should expect in 2022 to your mind? Continuation of tendencies of coming closer to nature. Development of «smart» and «green» technologies and their deeper integration into architecture at different levels. What advice would you give to designers who will take part in the Interior 2022 competition? Experiment! Strive to create something innovative and new, regardless of the area of the object or the budget for its implementation.

Blitz: If Hollywood decided to make a film about your life, whom would you choose to star? Colin Farrell If you could invite any artist to dinner, who would you choose and why? Banksy If you were a car, what brand? Toyota Who is smarter: cats or dogs? Dolphins What songs are most often stuck in your head? Jingle Bells

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NORDIC YORK ARCHITECTS

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SPIRIT

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Grand Prix Nomination: Interior of a house in a modern style. 1st place Studio: York Architects Team: Roman Kurylenko, Daria Kurylenko, Alina Khodymchuk, Andriy Slobodyanyk, Yakiv Kudyashov Year of implementation: 2021 Gnidyn village Area: 386.45 sq. m Photo: Makarovsky Oleksandr

План-схема

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YORK Architects from Kyiv has implemented the concept of a natural villa, as integrated as possible in the context of the natural landscape. The project won first place in the International Property Awards and the Grand Prix of the «Interior of the Year» 2021.

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This house reveals the topic of organic architecture and shows that it is not just a modern and stylish trend, but a philosophy of life based on the unity of man and nature.

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T H I S H O U S E R E V E A L S T H E TO P I C O F O R G A N I C A R C H I T EC T U R E A N D S H OW S T H AT I T I S N OT JUST A MODERN AND STYLISH TREND, BUT A P H I LO S O P H Y O F L I F E B A S E D O N T H E U N I T Y O F M A N A N D N AT U R E .

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T H E C O LO R S C H E M E O F T H E INTERIOR COMBINES THE C O LO R S O F N AT U R A L M AT E R I A L S .

The customer was a big fan of this style. He wanted to feel the maximum unity with the environment that can be achieved through modern architecture. The Nordic Spirit project is a modern architecture, organically integrated into the wild. The villa is surrounded by tall pine trees, so it seems to dissolve in the trees.

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THE PROJECT WON FIRST PLACE IN THE I N T E R N AT I O N A L P R O P E R T Y AWA R D S A N D THE GRAND PRIX OF THE «INTERIOR OF THE YEAR» 2021.

The object turned out to be as practical as possible. It is clearly divided into day and night zones, connected by a horizontal connection, a glazed gallery. Most of the windows of the house face southeast, south and west. This orientation of the house ensures maximum use of natural light. The facade of the house was lined with natural wood, which blends seamlessly with the interior of the house.

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VILLA MASA ARCHITECTS

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WEST

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Studio: MASA architects Authors: Hiroki Matsuura, René Sangers Location: Rotterdam Year: 2020 Area: 1340 sq. m Imprint: 605 sq. m Website: masaarchitects.com Photo: Tim Van de Velde

Plan-scheme

The Villa West project is the story of how MASA architects turned an abandoned sports school building in Rotterdam into an elegant and spacious home. The sports school was built in the 1940s during World War II and later served as a radio station and kindergarten. It was

planned to be demolished, but standing at the front door and looking straight into the building, - the client says, - I realized that this abandoned and dilapidated building could become cozy home. Both the architects and the customer were impressed and inspired by the “rough beauty” of the bare walls of the space that opened up in front of them and unanimously decided not only to preserve the authentic features of the original building, but also to highlight them.

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Concrete structures for the spans of the gym visually increased the volume and emphasized the interior. Dividing it into separate rooms, while maintaining the original scale, was not easy. An intriguing visual continuity of the space was created thanks to non-standard furniture elements that were used instead of ordinary partitions. These custom-made headsets designed by MASA architects do not touch the ceiling. The remaining distance is filled with a glass or mirror surface. This approach allowed the original ceiling to “cut through” the entire interior, while at the same time sufficiently isolating the rooms.

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B OT H T H E A R C H I T EC T S A N D T H E C U S TO M E R W E R E I M P R E S S E D A N D I N S P I R E D B Y A G E N E R A L D E S I R E : TO P R E S E R V E T H E A U T H E N T I C F E AT U R E S O F T H E S PAC E A N D HIGHLIGHT THEM.

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The boundaries of the interior space blend seamlessly into the exterior of the building thanks to large solid glass windows. In good weather, this is especially noticeable. The windows can be lifted electrically from the floor up so that the interior connects seamlessly with the terrace and the tall bamboo that surrounds it. These windows are a new technology from a Dutch firm that is still used in office buildings. Blinds in the upper half of the windows protect residents from the views of neighbors. Hiroki Matsuura placed open living spaces on one side and two bedrooms behind bamboo partitions on the other. They don’t have handles, they don’t have instructions. It is not always possible to immediately guess whether you are opening a kitchen cabinet or entering one of the bedrooms. Finally finding the entrance to the bedroom, you pass through a tunnel-like space lined with bamboo panels.

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THE LACONIC ARCHITECTURE OF THE BUILDING, THE P R I M O R D I A L B E A U T Y O F T H E R AW M AT E R I A L S A N D T H E S PAC E F I L L E D W I T H L I G H T B EC A M E T H E S TA R T I N G P O I N T OF THE WORK ON THE PROJECT.

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THE HOUSE IS SURROUNDED BY A GREEN AREA, AND LARGE WINDOWS, LOW E R E D TO F LO O R L E V E L , C O N T I N U E T H E I N T E R I O R S PAC E TO T H E G A R D E N .

In the owner’s bedroom, inside the bamboo entrance, a door on the left leads to a spacious walk-in closet. But wait until you enter the door on the right. A short bambooclad staircase leads up to the mezzanine floor to house the owner’s perfectly organized fashion collection. Racks of clothes on poles and leather hinges, apothecary glasses and metal cabinets with collectibles, rows and rows of sneakers. Pretty male cave. At the end of the house there is an indoor spa area. The pool box, framed by a black outline of the glass wall, offers a view of the kitchen and living room, located along the same axis. A mirror surface three meters high, placed on top of a glass wall from the side of the living room, creates an optical effect of an endless ceiling, visually expanding the space.

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C O N C R E T E S T R U C T U R E S FO R T H E G Y V I S U A L LY I N C R E A S E D T H E V O L U M E AND EMPHASIZED THE INTERIOR. D I V I D I N G I T I N TO S E PA R AT E R O O M S , W I T H P R E S E R VAT I O N O F T H E O R I G I N A L S C A L E , T U R N E D O U T T O B E D I F F I C U LT .

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CLEANING THE BORDERS BETWEEN THE INTERIOR A N S T H E E X T E R I O R - T H I S S O L U T I O N H E L P E D TO FIND THE INDIVIDUALITY OF THE BUILDING.

The laconic architecture of the building, the pristine beauty of the raw materials and the space filled with light became the starting point in the work on the project. One of the goals pursued by the architects was to create a comfortable living environment around the building by reusing materials and adapting its design to a state that is comfortable for living. The sustainability of the project was ensured by the resources already available, avoiding unnecessary waste. The new metal façade made it possible to preserve the open masonry of the walls and maintain a comfortable temperature in the interior.

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SERGEY MAKHNO ARCHITECTS

FUTA

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GO HOUSE

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The task: to create a minimalist house that will dedicate its life to contemplation of nature. Futago: one heartbeat for two The house consists of two identical parts: these are our twin brothers, who, proudly raising their console heads, look into each other’s eyes.

30,000 tons of soil - and they rise above the landscape like mute observers dividing one heartbeat into two. «This house has become a continuation of nature and vice versa its opposition. Futago is a blank sheet of paper in which tons of concrete, glass, passion and the power of the human spirit have merged. All in order to admire the beauty around and learn to see the beauty inside, «- says the founder of the studio, architect Serhii Makhno.

Type: private house Area: 5,000 square meters. | Location: Kyiv, Ukraine | Architects: Serhii Makhno, Oleksandr Kovpak, Illia Tovstonog, Olha Sobchyshyna, Maryna Hrechko

Challenges The location encouraged us to do everything possible to make the landscape from the windows the main highlight of the project. To do this, we extracted 30,000 tons of soil and raised both parts of the house to a height of five meters. So we got rid of obstacles on the horizon to fully enjoy the landscape. The monolith of the house was poured from 20 tons of concrete. The principal decision was to order the material from a Ukrainian manufacturer, because the logistics of concrete are complex and unenvironmental, especially in such sizes. And when the windows became walls, and the doors had to reach almost five meters in height, the magic happened - in Odessa, a separate collection of double-glazed windows was opened exclusively for the Futago project, each weighing one ton. “We have built this project to break all existing frameworks. There are no problems that cannot be solved. There are no projects that cannot be implemented. Futago is a clear example of this, ”says Olha Sobchyshyna, the studio’s chief engineer.

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Interior The interior of one of the twins is still in the process of implementation, so we will show only one of them inside - the one to the left of the main entrance to the territory. It is intended for owners, the second - for guests. Both have similar layouts and an area of 2,500 square meters. Living room The living room greets by panoramic windows 4.5 meters high and landscapes stretching for eight kilometers. Impeccable white serves as a canvas for author’s design strokes. On the ceiling there is a one-and-a-half-ton water heater lamp by Serhii Makhno. Right on - a blue kitchen with a countertop to cook and eat without taking your eyes off the surrounding landscapes. Concrete and white spiral staircases wind from minus first floor to the bedrooms. The greenery outside moved into the house. The boundaries between external and internal are blurred. The living room becomes part of the landscape.

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« W E H A V E B U I LT T H I S P R O J E C T T O B R E A K A L L E X I S T I N G F R A M E WO R K S . T H E R E A R E N O P R O B L E M S T H AT C A N N O T B E S O LV E D . T H E R E A R E N O P R O J EC T S T H AT C A N N OT B E I M P L E M E N T E D . F U TAG O I S A C L E A R E X A M P L E O F T H I S , ” S AY S O L H A SOBCHYSHYNA, THE STUDIO’S CHIEF ENGINEER.

American bar The American bar is a hiding place on the ground floor, where the urgent matters, endless meetings and notifications of messengers won’t find the owners. Spin in a dance to Jimi Hendrix’s blues solos, prepare author’s cocktails, forget about life «from the outside», enjoy. one button on the tablet in the system «Smart Home» is responsible for real LED show on the ceiling, and for textured jazz - RIPPLE, author’s tile by Serhii Makhno on the bar.

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Bedrooms Each bedroom has a separate dressing room. All of them are united by a single concrete line, but each has its own color: from caramel-sand to dark copper. Day and night bedroom Concrete walls, milk colors, modern Ukrainian art and panoramic windows are the perfect match. The main accent in the room is the author’s sculptures “Day and Night” by Serhii Makhno as a symbol of the eternal choice between black and white, darkness and light. This room is made special by an additional line of windows with a promising view. Everyone sees in it what he wants to see.те, що хоче.

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Bedroom “Rock” An imitation of a rock appears on the walls of the house, which shades the room with its caramel-sand overflows. A ceramic DIDO by Serhii Makhno is on guard - he makes sure that the owners don’t forget to turn off the phone, and protects their sleep. In every part of the house there is an attribute of the name FUTAGO. In this bedroom there are twin vases that remind us that the power of two is infinite. Twilight Bedroom Automatic black-out blinds allow you to turn on the night in the middle of a hot day, if you want to forget about the sun for an hour. Hidden lamps on the ceiling resemble Maasdam. However, the appearance can be deceptive - if it’s the surface of the moon?

«THIS PROJECT HAS CHANGED US AND OUR C L I E N T . I B E L I E V E T H AT I T W I L L A L S O C H A N G E T H E WORLD’S PERCEPTION OF UKRAINIAN RESIDENTIAL ARCHITECTURE AND ENCOURAGE NEW ARCHITECTURAL A C H I E V E M E N T S , » S AY S T H E A R C H I T E C T O L E K S A N D R KOV PA K .

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MARI BALBEK BUREAU

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STELLA

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Studio: Balbek Bureau Architects: Slava Balbek, Stanislav Nechaev, Sofia Gupalovska, Maria Kozachuk Area: 320 m2 Year: 2020 Location: Odesa, Ukraine Photo: Marian Beresh

Plan-scheme

Maristella is a 320 m2 apartment located in Odessa on the first shoreline. The main decoration of the space was the panorama of the Black Sea. The apartment was designed by the Balbek Bureau for a young family. The geometry of the apartment

resembles a sea shell: it narrows in the entrance and extends to the panoramic windows. The architects separated the apartment: areas that do not require direct sunlight are located at the entrance, and the kitchen and living room are as open and spacious as possible. The bedroom in this apartment was not separated from the main volume. It is separated from other zones by a podium. In the rise we brought communications to the bath-shower and washbasin, which stand alone.

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The project was implemented for three years. This period was influenced by many factors, the main of which were the dependence of work on the season and the pursuit of the ideal. The team did not focus on fleeting trends, so the project uses concise solutions and timeless design elements. The heart of the project was the panorama of the sea. This is how the architects saw the «perfect picture» for life. The main accents in the visual solution were shifted to the natural background outside the window and did not overload it with complex structures and large elements.

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T H E G EO M E T R Y O F T H E A PA R T M E N T R E S E M B L E S A S E A S H E L L : I T N A R R OW S I N T H E E N T R A N C E A N D E X T E N D S TO T H E PA N O R A M I C W I N D OW S .

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The apartment is divided into several functional zones: kitchen and living room, bedroom, wardrobe, two bathrooms, laundry, utility room, guest bedroom, children’s room, entrance hall, terrace of 75 m2 and a balcony. A smart home system has been set up for the apartments. It optimizes the management of ventilation, heating, security and lighting. The interior is decorated in a minimalist style, as evidenced by clear lines, restraint in decor and forms. A special component in the project was the white floor, which covers about 70% of the area. It was made of BAXAB material, resistant to scratches and dirt, under which the underfloor heating system was installed. Most of the ceiling in the apartment is made of open concrete. All communications were laid in places covered with plasterboard. The color design of the project is dominated by neutral and natural shades that resonate with the colors of the sea. Thanks to open planning, the seascape seems to continue the indoor area.

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T H E P R O J EC T WA S I M P L E M E N T E D FO R T H R E E Y E A R S . T H I S P E R I O D WA S I N F L U E N C E D B Y M A N Y FA C T O R S , T H E M A I N O F W H I C H W E R E THE DEPENDENCE OF WORK ON THE SEASON AND THE PURSUIT OF THE IDEAL.

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A rotating structure with a TV was designed in the living area. The mechanism for the ideal design was developed for about a year. It turns the TV in the direction of the living room or bedroom. The Balbek Burea terrace has sunbeds that rise from the floor or hide in it.

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A SPECIAL COMPONENT IN THE PROJECT WA S T H E W H I T E F LO O R , W H I C H C OV E R S A B O U T 7 0 % O F T H E A R E A . I T WA S M A D E O F B A X A B M AT E R I A L , R E S I S TA N T TO S C R ATC H E S A N D D I R T .

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NOTTDESIGN

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HOUSE

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The house, which was developed and implemented by Nottdesign, stands among buildings of various sizes, the area of the site is small, so it is not visible from the street. One of the main requirements of the customer for the interior is three bedrooms. The windows in the house face south, some of them open to the patio. They help illuminate the hallway, kitchen and bathroom.

Author: Sergey Gotvyansky Studio: Nottdesign Location: Dnipro Area: 167 sq. m Year: 2020 Photographer: Andrey Bezuglov

Plan-scheme

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The interior is filled with daylight as much as possible, but at the same time it hides residents from the hot summer sun. In the center of the house there is a studio divided into a living room, a dining room and an entrance hall with access to the terrace. The kitchen is located in a small niche, which is formed by the volume of the patio and utility room. The utility room can be entered from the kitchen and the street.

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IN THE CENTER OF THE HOUSE THERE IS A S T U D I O D I V I D E D I N TO A L I V I N G R O O M , A DINING ROOM AND AN ENTRANCE HALL WITH AC C E S S TO T H E T E R R AC E .

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Sitting on the sofa in the living room, you can see the sky, because under the ceiling of the kitchen and utilities room, a window stretches along the outer back wall. In order not to block it with internal partitions, the architects did not bring them up to the ceiling, and the resulting gap was glazed. The color scheme of the interior combines the colors of natural materials - wood and porcelain stoneware - with several black accents.

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T H E I N T E R I O R I S F I L L E D W I T H D AY L I G H T A S M U C H A S P O S S I B L E , B U T AT T H E S A M E T I M E I T H I D E S R E S I D E N T S F R O M T H E H OT SUMMER SUN.

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T H E C O LO R S C H E M E O F T H E INTERIOR COMBINES THE C O LO R S O F N AT U R A L M AT E R I A L S .

The children’s part of the house consists of two bedrooms and a bathroom. Another children’s room was planned as a guest room, but the circumstances made their own adjustments.

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A LARGE WINDOW IN THE MAIN BEDROOM OV E R LO O K S T H E G A R D E N A N D T H E POOL, THE SECOND WINDOW HAS A VIEW TO T H E E AS T .

A large window in the main bedroom overlooks the garden and the pool, the second window has a view to the east. The main bathroom is located in this part of the house. The main element of the bathroom is the pergola. It breaks the light from the window and creates a dynamic graphic effect of light and shadow on the wall. The drawing on the sliding door rhymes with a graphic effect and forms a picturesque lyric. Sunlight entering the bathroom partially illuminates the bedroom because the wall between these areas does not reach the ceiling.

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Interview

DMITRY GREK THE TASTE FOR THE INTERIOR IS BROUGHT UP. THE TURN WILL COME TO ART.

Author: Maryna Pylypenko

ONCE UPON A TIME SCULPTURE WAS A MANDATORY PART OF THE INTERIOR OF ANY SELF-SECURING HOUSE. TODAY’S WORLD OF DESIGN IS NOT SO CATEGORIC TO THE DECOR. BUT THIS IS NOT A REASON TO GIVE UP ON SCULPTURE IN THE LIVING ROOM. UKRAINIAN SCULPTURE DMITRY GREK TOLD THE «HOUSE AND INTERIOR» MAGASINE WHAT THIS KIND OF ART GIVES US, HOW THE SCULPURE IS BUILT AND WHICH CHANGES WE CAN SEE IN THE DESIGN OF UKRAINIAN INTERIORS IN THE 21 S T C E N T U R Y .

Is sculpture important at home? Everything, of course, depends on the owner. Those who have always lived without sculpture feel good without it. And for those who have discovered in themselves an interest in the knowledge of art, it will be difficult. It’s like giving up literature or cinema. It’s cool, interesting, it inspires and develops a person! Sculpture is one of the sides of our life. By remaining uneducated in this area, we are ignoring an important facet of the world.

You can often hear from people: “I don’t understand anything in art.” What does this mean for sculpture? What is it like to «understand sculpture»? Sculpture contemplation is a skill. Yes, some people can intuitively understand meanings. As in the case of innate musical ear. But in general, this skill is brought up and trained. I never thought about it before, but now I drew parallels. There is a lot of literature in which the writer himself is discussed: what he intended, what meanings he retained. At school we write essays dedicated to the creative concept of the author of a particular work. The situation is the same with sculpture. It is necessary to make everything clear, to explain the idea of the author.

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Interview

My sculptures always contain personal experiences that I captured in them. There are whole stories behind some of the works. Why was it made and in what way? I may not tell these stories, this is a secret. But by the name of the sculpture, some sensitive people can guess. This is an interesting puzzle. But to unravel it, you need attention and a special state. After all, when a person reads on the run, he will not really understand anything! It is the same with sculpture: you need the right environment, light. These are very important things for understanding. Therefore, to contemplate the sculpture, you need to prepare, tune in the right way. Personal exhibitions of artists help a lot in this regard. Here the author shares his findings and ideas, shows how to build a dialogue between the works and the viewer and answers questions. What sculptures are in your house? All of my works are in my studio. There they are born and have their own way. Again, I will draw a parallel with literature. It is known that a writer never writes straight away. He proofreads the text, crosses out, changes words, phrases and rewrites. Also, the sculptures at the stage of production must stand for a while like wine. I work mainly in clay and plasticine. I wrap it up so that the material doesn’t dry too much, periodically I take it out, redo it, sometimes I show it to someone. And so on until an inner feeling is born that the work is ready.от эскизов до заливки в бронзу. Кстати, многие считают, что финальный этап – самый простой. Но это не так. Он также отнимает

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Interview

In my workshop you can find sculptures at various stages of the process, from sketches to casting into bronze. By the way, many people think that the final stage is the easiest. But it’s not. It also takes a lot of time and effort and requires creativity. Here it is necessary to ensure that the sculpture does not change in the process, because each technical stage can bring its own nuances. Is there some global advice: how to choose a sculpture for the interior? There must be some kind of love between a person and a particular sculpture, such a point of contact. You should not just buy, but derive pleasure from the contemplation of this work, enjoy it.

In your opinion, what is the most important thing for a young artist, designer, architect to become successful in the profession? The most important thing is not to lose the desire to make art. Everyone has their own path, their own mistakes. There is no universal right way. I graduated from high school in difficult economic times. Then people were not yet satisfied with gypsum interiors, suspended ceilings. Art took the last place. Now I see how the situation is changing. Previously, among architects there was a fashion for uncolourful minimalism, when the technology itself formed the style and principle of interior construction. Everywhere there was drywall, corners, they were polished and that’s it. Further it came only to furniture and painting. And now it’s much more texture. This is an incomparably richer and broader approach. I am very pleased with this situation. It’s nice to come to new cafes, drink coffee there, because it’s cool. Designers have a taste for living in the interior. Together with them, the taste for the interior is brought up, the taste for the interior is growing among consumers. I’m sure the turn will come to art. Soon, much more people will understand and appreciate it.

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THE BOLSH BOLSHAKOVA INTERIORS

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AKOVA`S HOME

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Studio: Bolshakova Interiors Area: 350 sq. m Location: Kyiv region Photographer: Andrey Avdeenko

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The main wish of Natalia Bolshakova, both the author and the customer of this project, was space, which was lacking in many apartments. It was the designer’s first house that she created for herself and her family, so the work on the project was very emotional. The result of the work was a country house in a modern style, where integrity and harmony with the environment formed the basis of design.

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One of the original additions to the space was the stairs. An integral part of the interior is the connection with the street. The designer did not want the overall impression of the house to end outside the windows.

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T H E M A I N W I S H O F T H E C L I E N T S O F N ATA L I A B O L S H A K OVA W H O O R D E R E D T H E P R O J EC T O F T H I S H O U S E , WA S S PA C E , W H I C H WA S L A C K I N G I N M A N Y A PA R T M E N T S .

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The kitchen is one of the main spaces of the house. The customer specifically asked Natalia to create this spacious area without narrow passages. The whole family eats together here on the weekends. The cooking area opens onto a beautiful landscape.

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T H E A R C H I T EC T S O F B O L S H A K OVA I N T E R I O R S W E R E ENGAGED IN THE ARCHITECTURE OF THE HOUSE. IT WA S I M P O R TA N T FO R E V E R YO N E TO P R E S E R V E T H E LANDSCAPE OF THE AREA, INCLUDING LAKES AND TREES.

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ALL ENGINEERING SYSTEMS OF THE HOUSE A R E F U L LY A U T O M A T E D .

A structurally difficult decision was the implementation of a floating quartzite counter in the kitchen, which required tremendous professionalism from the designer and builders. It was altered several times until they achieved the effect of absolute weightlessness. The architects of Bolshakova Interiors were engaged in the architecture of the house. It was important for everyone to preserve the landscape of the area, including lakes and trees.

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All engineering systems of the house are fully automated. The smart home system allows you to save the consumed resources as much as possible.

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UNDER FORM BUREAU

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ROOF

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Studio: FORM bureau Project author: Victoria Shklyar Photographer: Andrey Bezuglov Location: Kyiv, Ukraine Year: 2019 Area: 40 sq. m

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This project was developed and implemented by Victoria Shklyar for a customer from Kyiv. One of the main features of the object was its small area only 40 square meters. m. Another feature that is impossible not to notice is the abundance of wood and wooden textures, from floor to ceiling.

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O N E O F T H E M A I N F E AT U R E S O F T H E O B J EC T WA S I T S S M A L L A R E A - O N LY 4 0 S Q U A R E M E T E R S .

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Among the interior decorations we can see only a painting. The walls are decorated in neutral tones, furniture and interior items in a modern style don’t tend to embellishment, but functionally fill the space. A fireplace and a spacious comfortable sofa became the center of the interior. Near the sofa there are two minimalist coffee tables. A bookcase was placed on the other side of the fireplace.

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A M O N G T H E I N T E R I O R D EC O R AT I O N S W E C A N S E E O N LY A P A I N T I N G . T H E W A L L S A R E D E C O R A T E D I N N E U T R A L TO N E S , F U R N I T U R E A N D I N T E R I O R I T E M S I N A M O D E R N S T Y L E D O N ’ T T E N D TO E M B E L L I S H M E N T , B U T F U N C T I O N A L LY F I L L T H E S P A C E .

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HOME HD-M2 RO

E ON OOF

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First place in the nomination «Interior of an apartment in a modern style from 100 to 150 square meters. m ». 2020 Project title - «House on the roof» Anastasia Nester, Victoria Kozlova Company name - HD-m2 City - Kyiv Year of project implementation - 2020 Location of the project - Kyiv Project area - 342 square meters. m Photographer - Andriy Avdeenko

Plan-scheme

First floor

Second floor

The interior of this spacious apartment of 342 square meters was made by Designers Anastasia Nester and Victoria Kozlova from the HD-m2 studio for customers from Kyiv. The idea of the project is global and simple at the same time: when you can’t change the world - create your own world in your home.

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The authors selected the best wood species for the interior, added metal for strength, combined all this with the textures of clay and concrete, decorated with fabrics created by nature itself, and the warmth of real fur. The house was filled with comfort from the hearth and purity of spring water.

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And in addition - the nuances: fragrant herbs and plants, two dogs and a happy family. HD-m2 designers spent 729 days of painstaking work to create and implement the project.

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THE AUTHORS SELECTED THE BEST WOOD SPECIES FO R T H E I N T E R I O R , A D D E D M E TA L FO R S T R E N G T H , C O M B I N E D A L L T H I S W I T H T H E T E X T U R E S O F C L AY A N D C O N C R E T E , D E C O R AT E D W I T H FA B R I C S C R E AT E D B Y N AT U R E I T S E L F , A N D T H E WA R M T H O F R E A L F U R .

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HD-m2 has been creating interior design for 12 years. Designers Anastasia Nester and Victoria Kozlova say that their task is to create flawless worlds that emphasize the individuality of the customer.

Україна, Київ Дружби Народів, 15А

Тел.: +38 (044) 450 33 39 Моб. : +38 (066) 234 78 45; +38 (068) 567 68 64

е-mail: — franke.ukraine@gmail. соm www.franke-ws.com

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Interview

NATALIA OLEKSIENKO OLEKSIENKO ARCHITECTS Tell us about your daily routine. The first thing is health, so a set of simple but very energetic exercises is the rule to start each day. When the phone is still silent, I like to sketch over a cup of tea. And then - meetings, workshop, facilities and, of course, an evening with the family. In your work, do you adapt to the customer or does he have to adapt to you? We create an architecture that sets us and the customer on the same wavelength: new sensations, intuition, inspiration. What role does the team play in your work? How do you choose people for the team? In architecture, serious achievements without a team are impossible. We are not afraid to set high goals, which can be met only by professionals who are passionate about their work. There are no others in our workshop. Each employee has three simple requirements: to share the values of the workshop, to constantly learn, to love architecture. Your professional dream? I dream of materials and technologies that will allow architecture to be torn off the ground. Which city is a must-see for a novice architect? The city with the clearest visual connections between historic landmarks and modern buildings is London. But you can and should start with the city where you live, just start looking at him as an architect. In which city would you like to implement your project? Why? You know, it’s not a city, it’s mountains. I am very attracted to complex reliefs. Therefore, a house in the mountains is the best creative challenge for me.

What cuisine do you prefer? Where and what do you like to eat? I love inventing myself. I never cook according to a recipe, I even have my own author’s dishes in stock. I love it when cooking turns into spontaneous creativity. When I travel, I try to taste the most typical dishes of the region, touch the traditions, taste them. How do you rest? My recipe is this: barefoot on warm sand, then on wet grass, then some sun, further in the shade by a tree, take a dip in a forest lake twice, and all this with friends and family. What have you wanted to try for a long time, but haven’t decided yet? Go sailing with a team of children in the Mediterranean. We would call at different ports in different cities, get acquainted with the architecture of different countries, then go out to sea, discuss our impressions and sail further - to new discoveries. What music (artist) plays in your headphones while you work? I lost my headphones in the tenth grade, since then no one gave me them, I had to listen to the sounds of life. I really liked this effect. Probably, with headphones, my architecture would be musical, but in this way it reflects life itself, where, of course, there is a place for beautiful music, though without preferences, everything depends on the mood.

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Salon: Arclinea

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BLITZ POLL

photo: Pavel Botanov

If Hollywood decided to make a movie about your life, who would you choose to play the lead role?

If you are a car, what brand? «Tesla»

Meryl Streep. If someone wrote a biographical book about you, what would be the title? «In Search of Magical Architecture or a Fairy for the Modern Cinderella». It would be a trilogy about how miracles are possible if they are well designed. If you could invite any artist to dinner, who would it be and why? Lunch with my favorite director and that’s the legendary Quentin Tarantino. Only nine films were released, but each of them is an event, an explosion in cinema. I would like to know how he went through such a shocking and at the same time verified path.

Which songs get stuck in your head the most? It is unlikely that Dakha Braha’s compositions can be called songs. But this is what invigorates when you are sad, and lights up when you need a drive. Why is Malevich’s «Black Square» an art? The black square is a manifesto! With one black canvas, Malevich showed the path that the artist goes through in his creative search from realism to abstraction. The «Black Square» is the starting point, after which either a new round begins, or walking in a circle. Once I faced my own «black square», and I decided not to limit myself to the plane of canvas or paper and took a step towards

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VILLA V OLEKSIENKO ARCHITEKTS

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APIS

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Project author: architect Natalia Oleksienko Workshop: Oleksienko Architects Function: single-family residential building Status: implemented Implementation year: 2021 House area: 300 sq. m The area of maitenance with a garage: 150 sq. m Plot area: 0.0982 ha Location: Kyiv Site: oleksienko.ua Contact phone: 067 464 70 74 e-mail: info@oleksienko.ua Basic text: Natalia Oleksienko Park sculptures: diptych “Awakening”, Egor Zigura Photo: Andrey Avdeenko, Ivan Avdeenko Works in the interior: Upcycle - panel «Two», decors «Birds», Natasha Egorova - Ceramic panel «Journey», «sculpture» «Cat» - Natalia Oleksienko.

Plan-scheme

Explication of the house at 0.000 1. Porch 12.00 2. Tambour 9.53 3. Wardrobe 2.43 4. Hall 17.38 5. Office 15.22 6. Porch 3.73 7. Corridor 7.32 8. Children’s 1 22.18 9. Bathroom 3.91 10. Wardrobe 2.14 11. Hall 13.48 12. Stairs 12.05 13. Master bedroom 19.90 14. Wardrobe 9.81 15. Bathroom 18.79 16. Balcony 19.66 17. Terrace 23.92

Explication of the house at -3.750 18. Hall 19.31 19. Living room 43.88 20. Kitchen 34.55 21. Corridor 2.46 22. Children’s 2 17.41 23. Bathroom 6.26 24. Wardrobe 4.06 25. Corridor 6.78 26. Laundry 3.96 27. Pantry 2.62 28. Pantry 3.78 29. Bathroom 6.83 30. Hall 6.23 31. Gardener’s Room 18.82 32. Rest room 17.36 33. Pantry 7.21 34. Server Electrical panel 3.30 35. Kitchen 7.34 36. Bathroom 4.48 37. Home Theater 31.61 38. Corridor 2.15 39. Wine cellar 9.31 40. Pantry 3.86 41. Heating room 13,27 A - The main house B - Garage C - Outbuilding with a porch

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V I L L A A P I S I S D E S I G N E D A S A S E L F - S U S TA I N I N G E C O S Y S T E M B U I LT O N A H A R M O N I O U S M I X O F EXPERIENCES AND FUNCTIONS.

The Oleksienko Architects studio has developed and implemented the project of an urban family villa among the private buildings in Kyiv. The site is located on a slope and offers a view of the park, immersing the residents of the villa and their guests in the crowns of trees. In Villa Apis, the power of wildlife has combined with the advantages of the city, creating a formula for a new quality of life. The authors of the project took into account a wide variety of factors, including difficult terrain, functional and other wishes of customers.

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« I T ’ S C O N V E N I E N T TO L I V E H E R E , L E A R N , C R E AT E , C H I L L , F E E L P R OT EC T E D TO G E T H E R W I T H F A M I LY A N D F R I E N D S , » S A Y S T H E A U T H O R O F T H E P R O J EC T , A R C H I T EC T N ATA L I A OLEKSIENKO.

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One of the main requirements of the customers is a two-storey building with a separate garage, a utility block and a barbecue area, which should not be visible from the road. And all this on a plot of 10 acres.

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IN VILLA APIS, THE POWER OF WILDLIFE H A S C O M B I N E D W I T H T H E A DVA N TA G E S O F T H E C I T Y , C R E AT I N G A FO R M U L A FO R A N E W QUALITY OF LIFE.

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The concept of a ship that cuts through the sea of greenery, the author of the project, Natalia Oleksienko, was prompted by cramped conditions on a plot of 10 acres.

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THE INTERACTION OF THE INTERIOR WITH THE E X T E R I O R WA S R E I N FO R C E D B Y PA N O R A M I C W I N D OW S . T H E A U T H O R S O F T H E P R O J EC T WA N T E D N AT U R E TO AC C O M PA N Y T H E R E S I D E N T S O F T H E V I L L A E V E R Y W H E R E .

The author’s idea to create special comfort zones that flow into each other, like the decks of a ship, significantly influenced the quality of the villa. Each deck was endowed with its own function, both in the interior and throughout the territory. Numerous scenarios of movement around the house and the site were developed using a multi-level solution with stairs and transitions. Customers highly appreciated this “walking effect” during the lockdown.

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The interaction of the exterior with the interior was reinforced by panoramic windows. The authors of the project wanted nature to accompany the residents of the villa everywhere. Therefore, one of the implemented ideas of the project was the opportunity to enjoy the smallest changes in the weather and natural lighting in a comfortable space.

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T H E A U T H O R ’ S I D E A TO C R E AT E S P EC I A L C O M FO R T Z O N E S T H AT F LOW I N TO E A C H OT H E R , L I K E T H E D E C K S O F A S H I P , S I G N I F I C A N T LY INFLUENCED THE QUALITY OF THE VILLA.

Complex architectural and design solutions required a large height difference across the site. This largely determined the nature of the layout. So, the entrance to the site is at the level of the second floor, and life in the house itself develops from top to bottom, leading away from the hustle and bustle to individual needs and impressions.

PETERSEN KOLUMBA – ДАТСЬКА ЦЕГЛА З 1791 РОКУ, ЯКА ЗАКОХУЄ З ПЕРШОГО ПОГЛЯДУ!

...+ 50 ОФІЦІЙНИЙ ПРЕДСТАВНИК PETERSEN TEGL В УКРАЇНІ - ВІСТАРК КЛІНКЕР КИЇВ: 044 221 4737, 067 575 0 222, ХАРКІВ: 057 750 8350, 067 573 6861 WWW.FACEBOOK.COM/EUROKLINKER WWW.VISTARK.COM.UA

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VIN

BOGDANOVA BUREAU

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HOUSE

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This country house is located in a picturesque place in the Vinnitsa region. From the gazebo, from the terrace and even from the living room with a glass facade, there is a stunning view of the Southern Bug River and the slopes along it. Closeness to nature is one of the

main values of the Vin House project. The landscape here changes from season to season, and sometimes even within one day. Here you can see incredible sunsets and sunrises over the river. And also the morning fog, when a white haze swirls and rises from the water, creeps up the hills and approaches the transparent railing of the gazebo. The challenge of the project was the timing: 11 months passed from pouring the foundation to settling in the owners. Building a monolithicframe house, equipping it and preparing it for life is a lot of work

Architecture and design: Bogdanova Bureau Team: Olga Bogdanova, Oleg Matyushchenko, Irina Buzova, Evgeny Krivenko Location: Vinnytsia region, Ukraine Area: 572 sq. m Photo: Andrey Bezuglov

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Bogdanova Bureau founder Olga Bogdanova says that initially the deadline seemed unrealistic to her. We managed to invest in it thanks to the close-knit work of all contracting organizations. The interior of the house is subordinated to functional tasks, each element in it is justified by internal logic, the decor is practically absent. All communications are integrated into the Smart Home system. This approach reflects the personalities of the owners of the house - rational people who can effectively plan

their lives and are focused on technological solutions. Vin House has two floors. On the first floor there are common areas and part of the living rooms. On the second floor there is an office, a guest room, a bathroom, a children’s playroom, as well as a spacious terrace. The building is located on a hill and deployed to the river. The entrance group is organized so that you can transit to the open terrace. The façade, directed towards the river slope, has continuous glazing through which opens a picturesque view of the site and the reservoir.

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The house is surrounded by a spacious terrace. It has a beach area with sun loungers, a dining area and a small enfilade mini-garden with trees, shrubs and lawn grass. For maximum solitude, meditation and immersion in the contemplation of nature, there is a special place - a gazebo raised above the slope. The house is turned to the south, and it was important to think over effective protection from the sun, so that in winter its rays would penetrate the room, and in summer they would not blind

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and heat the space inside. Partially, this task is performed by the removal of the structure of the second floor, and the Manezh sun protection system has been installed in the rest of the areas. The living room became the heart of the interior. It has an elegant hanging fireplace, lowered from the ceiling. Above the fireplace there is a lamp made of brass pipes, reminiscent of the traditional Chinese decor «Wind Music». This lamp was created by the design bureau specifically for the Vin House project.

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Living rooms in the house resemble the apartments of a good hotel: comfortable, thoughtful, emotionally neutral. One of the decorative accents of the interior is the landscaping placed on the console around the glass railings of the second floor. The house is functionally divided into two parts. East contains living rooms, kitchen and dressing room. In the middle there is a patio for a family tree where a perennial oak tree is planted. In the western part there is a SPA zone and a swimming pool. The 16 meter outdoor swimming pool was one of the most technically challenging elements of the project. A team of engineers worked on its implementation.

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The fact is that the annual temperature difference in our temperate continental climate zone is up to 60 ° C. In order for the pool to be used all year round, it was necessary to adjust the supply and heating of water in such a way that there was no temperature difference between the water inside and outside. The end of the pool is made of glass so that while in the water you can admire the scenery. “The project was launched before the COVID pandemic, but right now it has become obvious how much the value of a comfortable life outside the city has grown. In the light of new events, the world is changing. Today, a private cottage with a thoughtful place for work and leisure, with a swimming pool, convenient layout and integration of the latest technologies, gives a completely different quality of life than an apartment in the city,” says architect Olga Bogdanova.

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T H E 1 6 - M E T E R P O O L W I T H A N O U T D O O R S W I M WA S O N E O F T H E M O S T T E C H N I C A L LY C H A L L E N G I N G ELEMENTS OF THE PROJECT. A TEAM OF E N G I N E E R S WO R K E D O N I T S I M P L E M E N TAT I O N .

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GENUEZ

SIVAK + PARTNERS

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KA AP.

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Designer: Ivanna Gaydarzhi, Dmitry Sivak. Designer: Anastasia Abravitova Location: Odessa Area: 64 sq. m, Implementation: 2020 Plan-scheme

The authors of the project say: Simplicity and functionality were the two main wishes of the customer. Our task was to use a minimum of decor and various types of finishing materials. This made it possible to make the apartment as comfortable as possible for the client’s lifestyle.

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T H E K I TC H E N I S S M A L L , S O T H E WO R K I N G A R E A I S H I D D E N B E H I N D S L I D I N G FA C A D E S .

For example, the walls are simply painted white, and thanks to the panoramic windows and the location of the house, they take on a new shade every day with the sunset. No bright textures or elements, only basic colors - the interior was not supposed to distract the client from his life.

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N O B R I G H T T E X T U R E S O R E L E M E N T S , O N LY B A S I C C O LO R S - T H E I N T E R I O R WA S N OT S U P P O S E D TO DISTRACT THE CLIENT FROM HIS LIFE.

Even the accent cabinet in the living room, made of stainless steel, reflects the shades of the interior and merges with the entire apartment. In this building, the kitchen was located between two load-bearing walls, and we could not enlarge it. The kitchen is small, so the working area is hidden behind sliding facades. This makes it easy to hide all dirty dishes and kitchen utensils when guests suddenly arrive.

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SKY VALENTIROV& PARTNERS AP

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PARTMENT

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ABOUT PROJECT

HOUSE

Authors: Alexey Valentirov, Katerina Beztsenna, Ekaterina Kryskova, Taya Kozhanova Studio: Valentirov & Partners Location: Kyiv Photo: Andrey Avdeenko

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The apartment project with the complicated name Apartment_HS-02 was developed and implemented by the architects of the Valentirov & Partners bureau. The apartment is located in one of the residential complexes in Kyiv on the banks of the Dnipro. Panoramic windows of the apartment offer a view of the Northern and Petrovsky bridges, picturesque backwaters and islands. .

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PA N O R A M I C W I N D OW S O F T H E A PA R T M E N T OFFER A VIEW OF THE NORTHERN AND PETROVSKY BRIDGES, PICTURESQUE B A C K WAT E R S A N D I S L A N D S .

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From this place, every season looks especially inspiring. In the opening landscape, urban romance meets nature. Duplex apartments are divided into several functional areas. On the ground floor there is traditionally a living room with access to a cozy and spacious terrace.

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O N T H E G R O U N D F LO O R T H E R E I S T R A D I T I O N A L LY A L I V I N G R O O M W I T H AC C E S S TO A C O Z Y A N D S PAC I O U S TERRACE.

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This part of the interior is characterized by a restrained and light mood. The brutal concrete ceiling is balanced by the warm wooden texture of the floor. Thanks to the panoramic windows in the morning and during the day, the apartment is filled with natural light; for the evening and night time, the authors of the project used several lighting scenarios. The living area is adjacent to the dining room and kitchen.

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ON THE AREAS BEDROOM A

S EC O N D F LO O R T H E R E A R E P R I VAT E O F T H E A PA R T M E N T S - T H E M A S T E R W I T H A S PAC I O U S D R E S S I N G R O O M , C H I L D R E N ’ S R O O M , A N D A LO U N G E .

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On the second floor there are private areas of the apartments - the master bedroom with a spacious dressing room, a children’s room, and a lounge. The windows of these rooms, including the bathroom, offer the same inspiring landscape of two bridges and a river. The architects of Valentirov & Partners are confident that this result was made possible largely due to the complete trust of the customers.

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ON THE YURIY ZIMENKO

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SAME WAVE

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Designer Yuriy Zimenko loves to experiment, so you can find different projects in his portfolio: monochrome and bright, minimalism and classics. Yuri’s customers see their housing in different ways.

Author: Yuri Zimenko Studio: Design Studio Yuriy Zimenko Year: 2021 Area: 90 sq. m Photo: Andrey Avdeenko zimenko.ua

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The creation of this apartment began with emotions. At the first meeting with the designer, future customers told about a recent trip to Austria, where they lived in a chalet for several days. The story was so emotional that the houses on the Alpine slopes became a guide for Yury Zimenko in developing a concept for an apartment in a new residential complex in Kyiv.

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T H E M A I N E M P H A S I S I N I N T E R I O R D E S I G N WA S M A D E O N T E X T U R E S : WO O D , M E TA L , S TO N E , N AT U R A L T E X T I L E S A N D F U R U P H O L S T E R Y . A N D A L S O - O N C O LO R A C C E N T S A N D A R T OBJECTS FROM UKRAINIAN ARTISTS.

“What is the main feature of the chalet? Lots of natural wood. And the wood in the interior is an excellent backdrop for color experiments, which I resort to from time to time. We seized on this idea and tried to reveal it as much as possible in the interior space,” says Yury Zimenko. The designer finalized the original layout of the apartment. The center of the apartment was taken under the living area, combined with a kitchen and dining room. Two bedrooms and bathrooms are adjacent. A place for them was found due to the spacious corridor.

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T H E C R E AT I O N O F T H I S A PA R T M E N T B EG A N W I T H E M OT I O N S . AT T H E F I R S T M E E T I N G W I T H T H E D E S I G N E R , F U T U R E C U S TO M E R S TO L D A B O U T A R EC E N T T R I P TO AU S T R I A , W H E R E T H E Y L I V E D I N A C H A L E T FO R S E V E R A L D AY S .

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The main emphasis in interior design was made on textures: wood, metal, stone, natural textiles and fur upholstery. And also - on color accents and art objects from Ukrainian artists. Most of the furniture in the apartment is also Ukrainian made. “We set ourselves the task of creating a modern space with an atmosphere that customers could call “their home”. For this, tactile materials and a rich palette were used. And since we worked on complete trust and in one breath with the customers, everything we planned was possible, ”recalls designer Yuri Zimenko.

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BLUE TERR

RINA LOVKO STUDIO

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RACOTTA

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Second place in the nomination «Interior of an apartment in a modern style from 100 to 150 square meters». Location: Kyiv, Ukraine Total area: 207 sq.m. Realization: 2020

Plan-scheme

Rina Lovko Studio Photographer: Evgeny Avramenko

The author of the project says: A distinctive feature of the apartment in a new residential complex in the center of Kiev - radial walls. The non-standard design of the space has created certain difficulties both in the design and in the implementation of the project. But at the same time it caused us professional excitement. The customer dreamed of a modern, functional living space. But at the same time not dry and strict, but cozy and with bright accents. Although the total area is quite large - 207 square meters, due to the complex geometry standard techniques didn’t work here. Each solution was developed individually.

In plan, the apartment is part of a circle divided into sections. We have combined several sections into a living room-dining room-kitchen-hallway. In the next room there is a bedroom with two entrances: from the main corridor and the dining area. Another section was taken for the dressing room with a make-up area by the window, two terracotta cabinets, an island chest of drawers and a display cabinet made according to our sketches. To increase the illumination of dark areas, part of the walls were replaced by glass partitions with built-in doors, allowing daylight to reach the most remote corners of the apartment. Behind such a partition was placed the owner’s bathroom.

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Based on the principles of minimalism, we deliberately hid everything superfluous. For example, storage systems and an electrical panel were hidden behind the panels at the entrance to the apartment. In order to unload the main space from cabinets and household items, several hidden areas were organized: additional dressing rooms, laundry room and guest bathroom. Even TVs were abandoned. Instead, the apartment uses projectors, and the screens for projecting images and videos are the walls of the bedroom and living room. The profession of clients obliged to pay special attention to the kitchen. The big island was conceived as a place for meetings with friends and collective cooking. Its countertop was covered with Mutina terracotta tiles. In the main kitchen, we abandoned the idea of the upper cabinets, moving storage to the lower blocks. All cabinet furniture for this object is made according to our sketches.

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A T E R R AC OT TA K I TC H E N , A S K Y B L U E D I N I N G TA B L E A N D A G R E E N B E D S I D E TA B L E S E T T H E C O LO R AC C E N T S I N T H E S PAC E . D E S P I T E T H E S T R I C T FO R M S A N D A M I N I M U M O F F U R N I S H I N G S , T H E S PAC E T U R N E D O U T TO B E Q U I T E C O Z Y .

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TO U N LO A D T H E S PA C E F R O M CABINETS AND NON-ESSENTIAL ITEMS, WE ORGANIZED SEVERAL AREAS HIDDEN FROM THE EYES: ADDITIONAL DRESSING ROOMS, A LAUNDRY ROOM A N D A G U E S T B AT H R O O M .

The finishing concept is to preserve the exposed concrete of the columns and ceiling, which we covered with a translucent lacquer. The microcement floor visually corresponds with them. What we wanted to avoid was boiling white. Therefore, the walls have a warm beige hue. A terracotta kitchen, a sky blue dining table and a green bedside table set the color accents in the space. Despite the strict forms and a minimum of furnishings, the space turned out to be quite cozy.

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Art

Mona Lisa (1503—1505/1506)

Francesco Melzi - Portrait of Leonardo

LEONARDO DA VINCI Leonardo da Vinci (Italian: Leonardo da Vinci; April 15, 1452, Anciano, near Florence (Tuscany) - May 2, 1519, Castle of Clo-Luce, Amboise) - Italian artist (painter, sculptor, architect) and scientist (anatomist, naturalist), inventor, writer, musician, one of the greatest representatives of the art of the High Renaissance, an outstanding example of a «universal man».

Today, Leonardo is best known as an artist. In addition, it is possible that da Vinci could be a sculptor: researchers from the University of Perugia Giancarlo Gentilini and Carlo Tsizi - claim that the terracotta head they found in 1990 is the only sculptural work of Leonardo da Vinci that preserved to our times. However, Da Vinci himself in different periods of his life considered himself first and foremost an engineer or scientist. He did not devote much time to the fine arts and worked slowly. Therefore, Leonardo’s artistic heritage is small in number, and a number of his works are lost or significantly damaged. However, his contribution to world art culture is extremely important even against the background of the cohort of geniuses given by the Italian Renaissance.

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Leonardo da Vinci, Lady with an Ermine

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Leonardo da Vinci, Virgin of the Rocks, c. 1483–1486 Italian La Vergine delle rocce Wood, transferred to the canvas, oil. 192 × 122 Louvre, Paris, France

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«Madonna of Camaldo», (between 1450 and 1488) «Madonna of Camaldo», (between 1450 and 1488) Thanks to his works, the art of painting has entered a qualitatively new stage of its development. Renaissance artists resolutely rejected the many conventions of medieval art. This was a trend towards realism and much was achieved in the study of perspective, anatomy, greater freedom in compositional decisions. But in terms of painting, work with paint, the artists were quite conditional and constrained. The line in the picture clearly outlined the subject, and the image looked like a painted picture. The most conditional was the landscape, which played a secondary role. Leonardo realized and embodied a new painting technique. His line has the right to blur, because that’s how we see it. He realized the effects of light scattering in the air and the formation of a haze (sfumato) between the viewer and the depicted object, which softens color contrasts and lines. As a result, realism in painting has reached a qualitatively new level.

Leonardo was the first to explain why the sky is blue. In his book On Painting, he wrote: “The blue sky is due to the thickness of the illuminated air particles, which is located between the Earth and is black above.” Leonardo did not leave a single self-portrait that could be unequivocally attributed to him. Scholars have doubted that Leonardo’s famous Sanguine self-portrait (traditionally dated 1512-1515) depicting him in old age is as follows. It is believed that this may be just a sketch of the apostle’s head for the Last Supper. Doubts that this is a self-portrait of the artist have been expressed since the 19th century, most recently by one of Leonardo’s greatest experts, Professor Pietro Marani. Italian scientists have announced the discovery of an early self-portrait of Leonardo da Vinci. The discovery belongs to journalist Pierrot Angelo. Leonardo masterfully played the lyre. When Leonardo’s case was heard in a Milan court, he appeared there as a musician, not as an artist or inventor.

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Vitruvian Man

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T H E P I C T U R E I S W R I T T E N I N P E N , I N K A N D WAT E R C O LO R W I T H T H E H E L P O F A M E TA L P E N C I L , I T S D I M E N S I O N S A R E 3 4 . 3 B Y 2 4 . 5 C E N T I M E T E R S , I S I N T H E C O L L EC T I O N G A L L E R I E D E L L ’AC A D E M I A IN VENICE.

The Vitruvian Man is a famous drawing by the Italian artist Leonardo da Vinci, accompanied by explanatory inscriptions; made in about 1490 and published in one of his journals. It depicts the figure of a naked man in two superimposed positions: with outstretched arms and legs, inscribed in a circle; with arms outstretched and legs together, inscribed in a square. Drawing and explanations of it are sometimes called canonical proportions. The picture is written in pen, ink and watercolor with a metal pencil, its dimensions are 34.3 × 24.5 centimeters. It is in the collection of the Gallerie dell’Accademia in Venice. The rediscovery of the mathematical proportions of the human body in the 15th century by Da Vinci and other scholars was one of the great achievements of the Italian Pre-Renaissance.

The image itself is often used as an implicit symbol of the inner symmetry of the human body and the universe as a whole. When studying the pattern, you can see that the combination of arms and legs actually gives two different positions. The pose with arms outstretched and legs together fits into the square. On the other hand, the pose with outstretched arms and legs fits in a circle. Upon closer examination, it turns out that the center of the circle is the navel of the figure, and the center of the square is the genitals. Later, using the same method, Le Corbusier compiled his scale of proportion - Modulor, which influenced the aesthetics of architecture of the 20th century.

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MAISON&OBJET MAISON&OBJET, MARCH 2022: AN EDITION MARKED BY DYNAMIC INTERNATIONAL BUSINESS, CONFIRMING THE ATTRACTIVENESS OF INSPIRING EVENTS.

It was in a positive business climate once again that the doors of the decor, design and lifestyle fair closed at the Paris-Nord Villepinte Exhibition Centre. This second post-pandemic session, which was moved from January to March in order to be held under satisfactory sanitary conditions, leaves no doubt as to the everyone’s desire to finally meet at Maison&Objet to exchange ideas, make discoveries and sense market trends, «in person». International visitors return to Maison&Objet The return of foreign visitors to Maison&Objet Paris was one of the main highlights of this edition: 1 in 3 visitors came from abroad, up 36.7% over the September edition. This vast proportion affirmed the choice of exhibitors who chose to wait two months longer to launch their new products, and compensated those French retailers, who prepared their season months ahead. Many of them met new export-market customers. Nearly 1,800 British visitors, who were not present in September because of travel restrictions, were eager to browse the aisles of the fair; similarly, more than 850 North Americans and nearly 1,100 Middle Easterners, as well as 200 firms and wealthy visitors from India, were in attendance to place orders.

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Another indicator of the excitement surrounding the fair was the number of orders placed by specifiers (34% of visitors) and by the hospitality industry (nearly 2,500 professionals). Equally, aware that the supply-chain delays and inflation experienced in recent months may continue until the end of the year, the retail sector came to prepare for early September through the end of the year! With 7 halls and Maison&Objet In the City (a new

itinerary in Paris that showcased nearly 90 prestigious showrooms), the fair has successfully brought together the entire industry, mixing loyal brands showcasing new products with carefully curated new brands worth noticing. The fair was also an amplifier for brands which were not present with traditional stands. Indeed, through the What’s New? trend spaces, designed by Elizabeth Leri-

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T H I S S E S S I O N AT T R AC T E D 5 1 , 6 5 6 V I S I TO R S F R O M 1 3 6 N AT I O N S , A N D 1 , 8 1 1 B R A N D S F R O M 5 3 COUNTRIES. che, François Bernard, François Delclaux and, for the first time, Julia Rouzaud, founder of GoodMoods, brands registered on the MOM (Maison&Objet and More) digital platform or in the Maison&Objet In The City itinerary were presented to visitors in an innovative and inspiring way. This was a way for those who were not yet ready to join the fair to get exposure within the Maison&Objet

community and be noticed by a targeted audience. Thus, millions of Maison&Objet’s followers could also follow the industry news on Instagram, Facebook, LinkedIn, Twitter, Pinterest, WeChat... and now, Tik Tok! In addition, those who could not attend the fair will benefit from reports and talks captured during the show (which will be translated and broadcast in the coming days) through a subscription to the Maison&Objet Academy platform launched last September.

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