We have a reciprocal relationship with our built environment, one flled with the potential for enduring enrichment and meaningful connection. I wield my thirst to learn and thoughtful design in the pursuit of an architectural career capable of enabling these conditions
03 resume
05 companion living
13 autumn pavilion
19 rose city pigments
27 selected works
companion living
project brief: residential, civic and agricultural site location: eugene, oregon category fall quarter, 2022
context: suburban infll, middle housing, food for lane county youth farm, community center media: Hand Drawing, Revit, Photoshop, Illustrator
section perspective: The Companion’s Rowhouse.
Proposing a model for suburban infll,
this project proposes an way to provide the missing middle housing typology while mediating community agriculture with typical suburban fabric. Situated on Food for Lane County’s Youth Farm in Springfeld, Oregon, clusters of rowhouses propagate eastward from a community center serving both the non-proft agricultural organization and their stakeholders.
It was paramount to preserve the current infrastructure of the greenfeld site while establishing a healthy pattern of higher residential density capable of future expansion outwards.
site plan 1”=64’
GUIDING PRINCIPLES
Filtered Circulation
placement of housing masses to create walkable pathways without cars.
Modular (de)Composition
variety of studio, 1bd, 2bd modules to allow fexible arrangement on diferent sites.
SITE ANALYSIS
Plein air sketch depicting siteprogram relationships
LEFT: site plan illustrating project relationship to youth farm, environmental conditions and surrounding neighborhood.
BELOW: site section illustrating housing relationship to youth farm, various outdoor spaces and community center.
ABOVE: Examination of site connectivity to surrounding public pathways
perspective sketch showing threshold of dwelling looking out to neighborhood
roof to wall detail with stylized exposed rafter tail supporting gutter and rain chain.
wall to foundation detail creating stormwater retention beds from roof runof.
Positive Outdoor Space forms pockets for communal connection and becomes framework for circulatory character
Privacy Gradients of interior programming refect the character of exterior moments.
Stormwater Catchment allows passive irrigation and stormwater retention to hydrate immediate ecologies.
Microclimates via Massing creates opportunities for passive heating/cooling of interior/exterior spaces.
section perspective: The Companion’s Center is the lynchpin of the site, tying together residential pathways, community gardens, Food for Lane County Youth Farm and neighborhood events.
autumn pavilion
project brief: portable mass timber structure site location: anywhere category fall quarter, 2021 context: de-constructable, mass-timber tectonics, performance, public team: fatima alshaibani, aaron gray, alex hilton, kalei kittleson media: Hand-Drawing, Physical Modeling, Rhino 3D, Grasshopper, Enscape
Using various design tools,
Our team sought to express the broad and delicate span of a deciduous leaf. First seeking to capture the vein-like structure of leaves, the pavilion employed a gridshell structure to support, span and brace various live, dead and lateral forces.
Jumping between CAD modeling with parametric input, sketch models and hand sketches, the project would ultimately evolve.
Initial Design
Using a gridshell structure to resemble a vein-like assembly of steam-bent, glulaminated wood.
Evolving Design pt.1
Changing to a folding plate structure using Mass Plywood Panel
Evolving Design pt.2
Refning panel dimensions.
LEFT: 1/2 scale mock-up of lower structural module
BELOW: Parametric analysis used to optimize panel placement and reduce ofcut waste.
Final Design
Refned member profles reinforce where compressive forces are most intense. Articulated openings reduce dead loads at furthest point of cantilever. Both design decisions create opportunity for translucent windows and sturdier presence.
Opposite Page:
ABOVE: Plates are grouped into prefabricated modules capable of transportation in small box truck and simple on-site assembly.
MIDDLE: Structural analysis program, Karamba, illustrates areas undergoing axial forces.
BELOW: Elevation drawing shows pavilion with human scale and usage.
Type Panels
Total Area: 1635cuft Total
A&B Type Panels on 9’10” x 32’ x 4 ”
C Type Panels on 7’10” x 42’ x 2”
D&E
on 9’10” x 48’ x 2”
perspective render:
The Autumn Pavilion striking presence at night.
rose city pigments
project brief: mixed-use light industrial, commercial and residential site location: portland, oregon category winter quarter, 2021 context: urban media: Hand Drawing, Revit, Enscape, Photoshop, Illustrator
To bring production back to the City, this project engages micro-industrial activity and community activation by serving as a home for artists and scientists, an exhibition space, and center for education and experimentation all colored by the farm-to-table ethos.
2nd foor - Shared Studio spaces customized for the exploration of using pigment. studios include: painting, printmaking, textiles, soap-making and a laboratory for refning techniques
1st foor - Artist Residencies
directly connected to 2nd foor via grand staircase. these dwellings support those that may research and run the facilities above them.
Ground foor - Cafe, Gallery, Production
separated by interior glazing, the north is programmed for pigment production while the south supports retail and commercial gallery space.
Basement foor - Retail, Education, Production
directly connected to ground foor via grand staircase. a pigment shop and adjoining classroom peer into pigment production space.
femish bond pigmented concrete
translucent kalwall soldier coursing
RIGHT: 1/4”:1’ mock-up of perforated brick wall featured on south facade.
BELOW: South Elevation taken from model created in Revit.
perspective render:
The Exhibition Gallery uses neutral tones and varying textures to accentuate the impact of color.
selected works
mary alice graphite. 2019
jack charcoal. 2012
fgure study I charcoal. 2012
fgure study II charcoal. 2012 GESTURE
endings acrylic. 2014
city of wind woodcut print. 2013
progress acrylic on silkscreen print. 2014
(de)construction acrylic on silkscreen print. 2014