Expert Opinion on the House of Fates - Éc Hájjim Design Concept The electronic copy of the design concept is 202 pages long and after an introduction delineating goals and tasks, it is divided into two main sections. One section consists of the “timetable” describing the post-1867 history of Hungarian Jews/Jews living in Hungary and another section of similar proportions dealing with the actual assignment of space and arrangements within the scope and provisions of the already existing building’s facilities. I fully subscribe to the principles and goals of the House of Fates - Éc Hájjim exhibition as it is described in the introduction. I do not wish to pay “lip service” to it and unnecessarily increase the volume of my assessment. However, I take issue with the shortcomings of the present design concept. In my opinion there is a need for further elaboration of content even for some elements of the developed materials and certain sections should be more strongly highlighted (see below). In the “timetable”, although it is the most well-developed component of the design concept, in several places the wording of the text and occasionally the factual statements need supplementation. This is especially true because the English descriptions are required to be quite brief and the viewing/visiting time (50-90-180 minutes) is also extremely short and this calls for tremendous accuracy and meticulousness. After the visit there is unlikely to be an opportunity for follow-up corrections, not to mention that visitors will probably have varying degrees of working knowledge on the topic and inducing an emotional commitment and convincing them - which is supposed to be the main purpose of the exhibition - is not unproblematic. (And on the topic of being unproblematic, the design concept does not deal with removing physical barriers, there is no mention of equipment facilitating the visually or physically handicapped, such as audioequipment, Braille signs, special routes and lifts, etc). So far, I managed to find 41 observations (see below) regarding the submitted design concept but each new reading raises new concerns. I highlighted these issues in italics and they should be resolved as soon as possible in the course of actualising the design proposal. The materials should be finalised during the regular (hopefully in-person) meetings of the advisory and executory/implementory board In my opinion, the second part of the design concept, the visualisation, has more serious problems than the first - as I have already highlighted above. This exhibition design layout is very roughly drawn up and individual sections are still to be worked out in detail. It is not clear for example, which ones of the approximately 100 interviews will be part of the permanent exhibition, which ones will be available at the thematic galleries and which ones will be archived for later research. (There is no mention of the 15 hundred interviews of the Shoah foundation available to use and free to access in Hungary - at the Rabbinical seminary for example. Several of these interviews relate to Hungarian topics regarding the period between 1918 and 1956). Another example: the Communities Memorial has an excellent design concept but it would be a good idea to have the names of these hundreds of communities (most of which were destroyed) listed on a soundtrack loop just like at the children’s memorial at Yad Vashem. (The visitor will obviously not wait to listen to the entire list but the reading along with a light flashing for each community will create a stronger emotional impact.) Regarding forced labour service, there is no mention of this scheme being introduced in other Central and Eastern European states as well. These countries, like Romania and Bulgaria,