La Sax 10th Anniversary Concert Programme by Natalie Yip

專業導師 * 樂器課程

優質設備 * 樂器銷售

T: 2468 0466 | F: 2468 1466 | E: mmamusichk@gmail.com | W: www.mmamusichk.com 地址：九龍太子通菜街224號天馬樓1樓 Address：1/F, Pegasus Building, 224 Tung Choi Street, Prince Edward, Kowloon, Hong Kong

節目

Programme

霍爾斯特/ 陳中豪編行星組曲：木星 Gustav Holst / Jeffrey Chan arr. The Planets: Jupiter 喬治比才 / 陳中豪編卡門組曲（選段） Georges Bizet / Jeffrey Chan arr. Selections from Carmen Suite I. 鬥牛士進行曲 Les Toréadors II. 哈巴奈拉舞曲 Habanera III. 鬥牛士之歌 Chanson du Toréador IV. 波希米亞舞曲 Danse Boheme 穆索斯基 /黃德釗編荒山之夜 Modest Mussorgsky / Wong Tak-chiu arr. Night on Bald Mountain 客席指揮 Guest Conductor ｜魏龍勝 Kelvin Ngai －中場休息 Intermission －伊藤康英 Yasuhide Ito

琉球幻想曲 Ryukuan Fantasy

林鈞暉 Lam Kwai-fai

香城 My City My Home

伊圖拉德 Pedro Iturralde

爵士組曲 Jazz Suite I. 藍調 Blues IV. 華爾滋 Waltz V. 放克 Funky

La Sax委約及首演作品 Regional premiere performance commissioned by La Sax

* * * 加藤昌則 Masanori Kato

馬德里印象 Madrid Inspiration

吉米朵西 / 栃尾克樹編 Jimmy Dorsey / Susumu Kusakabe arr.

烏龍麵 Oodles of Noodles

客席嘉賓 Guest Soloist ｜須川展也 Nobuya Sugawa 節目長約1小時40分鐘，包括20分鐘中場休息。 The programme lasts for about 1 hour and 40 minutes with an intermission of 20 minutes.

場地規則 House Rules 為了令大家對今次演出留下美好印象，我們希望觀眾切勿在場內攝影、錄音或錄影，亦請勿吸煙或飲食。在節目進行前，請關掉手提電話、其他響鬧及發光裝置。多謝各位合作。 In order to make this performance a pleasant experience for the artists and other members of the audience, please refrain from recording, filming, taking photographs, and also from smoking, eating or drinking in the auditorium. Please ensure that your mobile phones and any other sound and light emitting devices are switched off before the performance. Thank you for your kind co-operation.

如演出曲目有兩個樂章或以上，請於全首樂曲完畢後才鼓掌。

If the music contains more than one movement, kindly reserve your applause until the end of the work.

音樂會後，於音樂廳入口處將舉行簽名活動。

There will be an autograph session at the concert hall entrance after the concert.

序言 Foreword | “To play without passion is inexcusable.” - Beethoven 「樂」，代表音樂，也代表快樂。音樂不單是個人的娛樂，還是一種分享。演奏者是音樂與大眾的橋樑，他們先讓自己從音樂中得到的快樂，再以愉悅的心情將音樂帶給大眾，打動人心。La Sax 成立的目的就正正希望將音樂的喜悅傳遞給更多人。在香港，要成立一個樂團其實不難。但要持續發展，需要一群人的團結、恆心和毅力。十年前，我們憑著一股對音樂的熱情、以及向大眾傳遞快樂的信念，創立 La Sax ；十年後，我們肩負起對社會的一份責任，希望用音樂啟發更多人的心靈，不分身份地位。我衷心感激一班戰友多年來努力不懈，為樂團付出無限熱誠與心血。十年，見證著樂團的蛻變與成長，亦引領我們邁向另一個里程碑。藉著是次十週年音樂會的機會，La Sax 作出了許多新嘗試。有別於過往四重奏的形式，我們首次以八重奏的組合，挑戰規模更大、結構更複雜的音樂。此外，我們亦十分榮幸邀請到國際色士風大師須川展也先生及本地著名指揮家魏龍勝先生與我們合作，務求將最好的音樂帶給觀眾。是次音樂會在有限資源和人手下得以成功舉行，實有賴各贊助人、合作伙伴，以及所有參與是次演出的音樂家的鼎力支持。在此，我謹代表 La Sax，衷心感謝多年來一眾兄弟姊妹無私的奉獻，台前幕後所有工作人員、各個曾經協助本團的機構與團體，讓我們繼續將色士風的魅力傳揚開去！ The Chinese character “樂” can be both defined as music and joyfulness. Music is not only an entertainment for individuals, but also as a means of sharing happiness. Musicians serve as pillars to connect music with the beings, to mingle their sensation with melodies and to delegate the pleasure of music to the masses. Markedly, the motive of La Sax is to enliven people the joy and passion of music-making. It is not difficult to establish an ensemble in Hong Kong. Yet, to sustain and develop the ensemble, it needs countless perseverance and collaboration from every member. Ten years ago, our passion for the saxophone encourages us to establish La Sax with a mission of promoting our music to a wider audience. Hereafter, we bear immense social responsibility to inspire and motivate people boundlessly via music. I indeed show my appreciation to all my companions for their tireless efforts, enthusiasm and devotion to La Sax over the years. Throughout the decade, we have witnessed La Sax’s evolution. And now, La Sax is proceeding to the next milestone. The 10th Anniversary Concert provided La Sax a great opportunity to make new attempts. Unlike the ordinary quartet, this is the first time for us to perform as an octet. We challenged to play pieces with complex structure and extensive ranges. Apart from that, it is our greatest honor to invite the legendary international saxophonist Nobuya Sugawa and well-known local conductor Kelvin Ngai to our concert, delegated to bring audiences the best music. I would also like to extend my sincere gratitude to all the sponsors, cohorts and participated musicians in this concert. With limited resources, their great support profoundly facilitated La Sax to hold this concert successfully. Lastly, on behalf of La Sax, I would like to show my ultimate thankfulness to all our friends, supporters, organizations and staff crews for their keen assistances over these years. In the future, La Sax would continue propagating the enchantment of saxophone music to everyone!

陳中豪 Jeffrey Chan 音樂總監 Music Director

客席嘉賓 Guest Soloist 須川展也 Nobuya Sugawa 被譽為「當代古典色士風先鋒」的須川展也是一位日本引以為傲的國際知名色士風大師。他在日本東京藝術大學（前身為東京國立音樂藝術大學） ‬ 學習色士風，師承小室由子。他曾分別於第51屆日本音樂比賽管樂組及第一屆日本管樂及敲擊樂比賽色士風組中獲得最高殊榮，亦曾獲得「Idemitsu‬」及「Muramatsu‬」音樂獎。須川曾在JT音樂人專輯中被邀請作為特寫人物，而他在廣告中的演出更為他帶來廣泛的知名度。‬‬

Nobuya Sugawa is an internationally acclaimed saxophonist whom Japan is very much proud of. He studied saxophone at Tokyo University of Arts (formerly named Tokyo National University of Fine Arts and Music) with the late Yuichi Omuro. He has won the highest prizes in the Wind Instrument Category in the 51st Music Competition of Japan and for the Saxophone category in the 1st Japan Wind and Percussion Competition. He has received the Idemitsu Music Award and the Muramatsu Award. He was featured in JT’s Musician Series, and his appearance in its TV commercials brought him overwhelming popularity. His other activities include the performance of the theme music for Sakura, a popular daily TV drama series broadcasted on NHK from April to September 2002: and other numerous appearances on TV and radio programs.

須川曾為日本及海外唱片公司灌錄超過30張唱片專輯，這些唱片不僅收錄了他的個人作品，更囊括了他跟不同音樂家合作演奏的樂曲，而美國低音提琴家 Ron Carter及著名爵士結他手Martin Taylor等均曾是他的合作對象。他所灌錄的唱片可謂將古典色士風音樂帶入一個全新領域，足以影響整個世界。

He has made more than 30 CD albums on different Japanese and overseas labels. These albums introduce us not only his new repertoires, but also his works with masterly musicians in various genres, like Ron Carter and Martin Taylor. There are many pieces written for him and many of them have been published. Along with his albums, they have revealed new musical horizons for the classical saxophone, having a considerable influence across the world.

須川每年有近百場音樂會演出，亦曾到訪世界各地超過20個國家舉行大師班及音樂會。他幾乎曾與日本所有樂團合作，當中包括日本NHK交響樂團。國內演出之外，他亦曾與海外多個知名管弦樂團同台獻藝，其中包括BBC愛樂樂團、德國符騰堡羅伊特林根愛樂樂團以及斯洛伐克愛樂樂團等。自須川出道後，許多著名作曲家均曾為他編寫作品，當中無數作品均在國際樂壇上知名度甚高，部分甚至被評為20至21世紀最重要的古典色士風音樂作品之一。其中包括：吉松隆的《絨毛鳥奏鳴曲》及《機械鳥協奏曲》、馬汀‧艾勒比的《肉桂協奏曲》、史沃特茲的《烏茲米舞曲》、長生淳的《迷失的帕格尼尼》、葛雷格森的《色士風協奏曲》等。在眾多樂曲中，‬ 吉松隆的《絨毛鳥奏鳴曲》令須川在國際音樂舞台受到注目，他並因此被稱為「Mr Fuzzy Bird」及「Mr Sugawa」。作為一個具有獨特風格的音樂家，他於國際樂壇的聲望實在不是一般的高。‬ 從1981到2010年，須川一直擔任日本東京佼成管樂團的樂團首席。他在1996年獲頒授「濱松藝術及文化特別獎」，更在2009年被委任為「濱松市Yaramaika 大使」。現時，須川除了是一位獨奏家，也是 Trouvère色士風四重奏的成員之一。此外，他也是 Yamaha管樂團的駐團指揮及東京藝術大學及京都市立藝術大學的客席教授。‬‬

He has taken himself to more than 20 countries to hold recitals and teach master classes. He has performed with almost all orchestras of Japan including NHK Symphony Orchestra,Tokyo. Outside the country, he has performed with BBC Philharmonic, Württembergische Philharmonie Reutlingen, Slovak Philharmonic Orchestra, Eastman Wind Ensemble, and Orchestra d’Harmonie de la Garde Républicaine. Since his debut, he has actively requested many remarkable composers to write new pieces for him. Many of these works, premiered by him, have become internationally popular and been added to the important classical saxophone repertoires of the 20th and 21st centuries. Some examples among many are; Fuzzy Bird Sonata and Cyber Bird Concerto by Takashi Yoshimatsu, Saxophone Concerto Esse in Anima by Akira Nishimura, Saxophone Concerto by Edward Gregson, Cinnamon Concerto by Martin Ellerby, Dance of Uzume by Piet Swerts, Concerto du Vent by Toshiyuki Honda, La Lune en Paradise and Paganini Lost by Jun Nagao, BIRDS-A Concerto for Alto Saxophone and Band by Toshio Mashima, SUITE for Alto Saxophone and Piano, Op.55 by Fazil Say. Particularly, Fuzzy Bird Sonata by Takashi Yoshimatsu has led him to the limelight in the international music arena. He has been since recognized as “Mr Fuzzy Bird” as well as “Mr Sugawa.” Hailed as a musician with an outstanding style, he has been receiving broad attention of other saxophonists across the world. He has assumed a role of the concert master of Tokyo Kosei Wind Orchestra for almost 22 years from 1989 to 2010. He received ‘Hamamatsu Art and Culture Special Award’ in 1996, and has been appointed as an ambassador of Hamamatsu City ‘YARAMAIKA’ in 2009. Currently along with the activities as a soloist, he performs as a member of Trouvère Quartet (Saxophone Quartet). He also serves as the resident conductor of Yamaha Symphonic Band, and is a visiting professor of Tokyo University of the Arts and Kyoto City University of Arts.

客席指揮 Guest Conductor 魏龍勝 Ngai Lung-shing Kelvin 魏龍勝畢業於香港演藝學院，獲取音樂學士學位及倫敦聖三一學院LTCL演奏文憑，主修小號，副修鋼琴，師承前香港管弦樂團首席及副首席Laurence Gargan 及Stuart Essenhigh，亦隨著名指揮家葉詠詩學習指揮。在學期間參與屢獲好評的亞洲青年管弦樂團，並於亞洲、美國及澳洲作巡迴表演。 2000年，魏氏考獲萬瑞庭音樂基金及Peabody獎學金赴美入讀約翰霍普金斯大學Peabody音樂學院，獲得音樂碩士學位。期間師隨EdwardHoffman及Dr Harland Parker研習小號及指揮，亦曾參與Peabody 交響樂團在紐約林肯中心的演出。回港後，魏氏經常參與專業樂團、音樂節、教育及教會音樂事工，包括香港管弦樂團、香港小交響樂團、香港城市室樂團丶香港愛樂管樂團、亞洲室樂團、廣州交響樂團、MTD國際管弦樂團、澳門交響樂團、香港藝術節、澳門國際音樂節、美國柯士甸德州大學管樂指揮研討會、捷克國際指揮學院、亞太管樂節、世界管樂協會，新加坡國際管樂節，桃園國際管樂節，台灣國際管樂節，葛福臨佈道大會等。近年亦為香港管弦樂團及香港小交響樂團作客席小號手，參與在法國、日本及中國的巡迴表演。魏氏是一位活躍於音樂界的指揮家，常在國際的指揮節或工作坊出現。師承國際指揮大師Don Schleicher、 Kirk Trevor、Tomas Netopil、Jerry Jukin、Richard Floyd及D. Thomas Lee等。近年分別於捷克國際指揮學院擔任捷克交響樂團Filharmonie Bohuslava Martinu 及「華仁一家」譚詠麟演唱會中的指揮。魏氏先後在多間本地學府及國際學校任教，包括香港教育學院、哈羅國際學校（香港）、喇沙書院、喇沙小學、九龍華仁書院、保良局蔡繼有學校等。魏氏所指導的學校，屢獲佳績，除勇奪音樂事務處之香港青年音樂匯演管樂團比賽小學組及中學組全場總冠軍，更於香港學校音樂節管樂團及管弦樂團比賽中勇奪冠軍。其亦為讚管樂團之音樂總監、香港專業管樂團駐團指揮、香港教育學院客席講師及指揮，亦參與教會不同樂團和合唱團中的演出，近年更在韓國濟州國際管樂節獲頒發最佳指揮獎。

Kelvin Ngai started learning the trumpet and the piano at the early age of ten. He graduated from the Hong Kong Academy for Performing Arts, where he received a Bachelor of Music (Hons.) Degree. His teachers included the Hong Kong Philharmonic Orchestra former Principal Trumpet Laurence Gargan and Assistant Principal Trumpet Stuart Essenhigh. Between 1997-2000, he also joined the highly acclaimed Asian Youth Orchestra for a performance tour to Japan, China, Malaysia, Singapore, Vietnam, Korea, Hong Kong, USA, Canada and Australia. In 2000, he received the Bernard van Zudines Music Fund and the Peabody Scholarship to further his studies at the Peabody Conservatory of Music of the Johns Hopkins University in the United States. Kelvin obtained his Master of Music Degree after spending less than a year in the States under the tutelage of the Baltimore Symphony Orchestra’s Assistant Principal Trumpet Mr. Edward Hoffman. He also joined the Peabody Symphony Orchestra in a performance at the Lincoln Center in New York. Recently, he was awarded the Licentiate of Trinity College London in trumpet performance. He frequently participates in numerous professional orchestra and Music Festivals, including the Hong Kong Philharmonic Orchestra, Hong Kong Sinfonietta, Hong Kong Wind Philharmonia, Asian Chamber Orchestra, City Chamber Orchestra, Guangzhou Symphony Orchestra, MTD International Orchestra, Macau Orchestra, Fresh Air Brass Quintet, ZARS Brass Quintet, Hong Kong Arts Festival, Macau International Music Festival, The Conference of Asia and Pacific Band Directors Association etc. He served as a guest trumpeter with the Hong Kong Philharmonic and Hong Kong Sinfonietta which had a concert tour to France, Japan and China. He also participated as a conductor in “The Art of Band Conducting and Rehearsing Workshop” at the University of Texas in Austin, USA in 2007. His conducting teachers included Wing-Sze Yip, Dr Harlan D. Parker, Jerry Junkin, Richard Floyd, D. Thomas Lee. In August 2012, he conducted the Filharmonie Bohuslava Martinu and studied the orchestral conducting with Don Schleicher, Kirk Trevor and TomašNetopil at International Conducting Institute in Kromeriz, Czech Republic. Ngai currently serves as a faculty tutor and orchestra conductor of the Hong Kong Institute of Education. Moreover, he is the founder and music director of the Psalm Wind Orchestra and also the resident conductor of the Hong Kong Professional Winds. He is now the band, orchestra conductor and trumpet tutor of La Salle College, Harrow International School (Hong Kong), Po Leung Kuk Choi Kai Yau School, La Salle Primary School, Wah Yan College Kowloon and Good Hope School etc. His conducting bands and orchestras have won numerous Gold and Champion awards including the Hong Kong Youth Music Interflows, Hong Kong School Music Festival and International Band Festival. He also spends much of his time to serve as a conductor of the choir, orchestra and the band in many Christian churches. Recently, he is granted the best conductor award, the KoBongsik Award, of the 2014 Jeju International Wind Ensemble Festival in Korea.

音樂總監 Music Director 陳中豪 Chan Chung-ho Jeffrey 陳中豪是香港土生土長的色士風演奏家，先後在港完成浸會大學音樂專才課程及演藝學院學士學位課程後， 2011年赴美深造，於北卡羅萊納州大學藝術學院獲取音樂演奏碩士學位，師承國際色士風大師 Ta i m u r Sullivan。他曾到訪美國、德國、荷蘭、日本、台灣、中國等地作獨奏和管樂團演出。他多次參與本地專業樂團演出，包括香港管弦樂團、香港小交響樂團、香港愛樂管樂團、香港專業管樂團、香港交響管樂團等，曾與國際知名指揮家包括艾度‧迪華特、鍾健、呂嘉、張弦等合作。2010及2013年，陳氏與香港交響管樂團分別演繹由奧古斯丁拉娜所寫的色士風獨奏作品《格蘭納達》及由克勞德 · 史密斯所寫的《幻想曲》。陳氏活躍於國際管樂界，曾參與本地及海外音樂營和管樂節之演出，當中包括國際色士風音樂節、香港薩克斯管工作坊、美國海軍樂隊薩克斯研討會、北美薩克斯聯盟大會、濱松管樂節。陳氐亦參與國際知名色士風大師了Claude Delangle、Eugene Rousseau、Jean-Yves Fourmeau、Joseph Lulloff、Timothy Mcallister、 Otis Murphy、謝德驥等大師班中。於美國留學期間，他隨北卡羅萊納州藝術大學色士風四重奏於美國佐治亞州、弗吉尼亞州、北卡羅來納州、田納西州等地巡迴演出，首演特雷弗 · 布姆加納光的作品《二極體》及尼古拉斯 · 力奇的《羊群效應》。

Jeffrey Chan enjoys a prolific career as a performer. Upon completion of the Music Talent Development programme and the Bachelor degree programme at the Hong Kong Baptist University and The Hong Kong Academy for Performing Arts respectively, Chan gained his Master of Music degree at the University of North Carolina School of the Arts 2013, where he studied with international renowned saxophonist Taimur Sullivan. He has performed as a soloist and a chamber musician throughout the United States, Germany, Holland, Japan, Taiwan, and China. Born and raised in Hong Kong, he has enjoyed working with professional music groups including the Hong Kong Philharmonic Orchestra, the Hong Kong Sinfonietta and the Hong Kong Wind Philharmonic Orchestra; and with world-renowned conductors such as Edo de Waart, Jerry Junkin, Lu Gia, and Zhang Xian. In 2010 and 2013, Chan performed saxophone solo pieces - Granada by Agustin Lara and Fantasia by Claude T. Smith with the Hong Kong Symphonic Winds respectively. Chan has distinguished himself in the international music scene by taking part in numerous saxophone master classes conducted by respected saxophonists, such as Claude Delangle, Eugene Rousseau, Jean-Yves Fourmeau, Joseph Lulloff, Timothy Mcallister, Otis Murphy, and Kenneth Tse. He has also appeared in the world’s leading saxophone festivals including the World Saxophone Congress, the North America Saxophone Alliance Conference, the U.S. Navy Band Symposium, the Hamamatsu Wind Academy, and the Hong Kong International Saxophone Symposium. During his studies in the United States, he has toured around Georgia, Virginia, North Carolina, and Tennessee with the UNCSA Quartet, premiered works LED by Trevor Bumgarner and Flocking by Nicolas Rich.

畢業後回流香港，除發展演奏事業外，亦致力於推廣色士風音樂和教育工作。2014年他帶領La Sax的成員參加新加坡管樂節，於合奏組比賽中獲評委特別獎；同年亦帶領學生到訪韓國青松參與「2014國際環境劇場節」，並擔任表演嘉賓。2014年起，陳氏開辦色士風合奏訓練課程，並為學生提供演出平台，期望年輕人透過合奏訓練提升個人音樂修養。

In addition to his performing career, Chan devotes himself to the development of classical saxophone playing in Hong Kong. In 2014, he led members of La Sax to Singapore Woodwind Festival, winning the Jury Special Prize in the ensemble division. While in the same year, he led his students to participate in the International Environmental Theatre Project at Ching Chong, Korea, and was also the guest performer at the Festival. Starting from 2014, Chan started to hold ensemble programme tailor-made for young people, aiming to enliven and motivate the minds of youths in the appreciation of music.

陳氐現為保良局林文燦英文小學的樂團指揮，並任教於多間中、小學及大專院校，其中包括香港教育學院、香港浸會大學、香港演藝學院等。

Currently, Chan is the Band Director of Po Leung Kuk Lam Man Chan English Primary School, he also giving classes at various local primary, secondary and institution, including The Hong Kong Institute of Education, the Hong Kong Baptist University, and The Hong Kong Academy for Performing Arts.

樂團簡介 About Us |

啓發創新，引領色士風潮流

La Sax 成立於2005年，是現今在香港被視為最具潛力

以音樂打破障礙

的色士風樂團之一。多年來本著「雅俗共賞」的信念，以提高公眾對古典音樂的認識及興趣為宗旨，竭力為觀眾提供高質素的音樂會。時至今日，La Sax 已舉辦過百場音樂會，足跡遍及香港及亞洲等地，吸引觀眾逾萬，廣獲好評。現時 La Sax 的團員超過十位，當中包括專業樂手、來自本地不同院校的音樂系畢業生及在校生，各人均對音樂抱有熱誠和理想。樂團過去的重要演出包括：於香港教育學院舉辦的首演音樂會「Sax in the City」（2005年）、香港大會堂「有色有聲」音樂會－獲香港電台專訪（2008年）、沙田大會堂「Shall We Sax?」音樂會（2012年）等。此外，樂團亦曾獲邀出席香港浸會大學五十周年金禧慶典開幕典禮並擔任開幕表演嘉賓。2014年8月，La Sax更於新加坡木管節國際大賽贏得評審特別獎。

原創的演奏風格

La Sax 的演出曲目多元化，除了巴洛克、古典、爵士樂等傳統曲目外，樂團亦會演奏由團員特別編制的各類音樂，包括中國傳統音樂、世界各地民謠、本地流行音樂等，務求為樂團注入獨特的音樂元素和原創的演奏風格。

We Create, Inspire and Motivate

音樂是一種通用的語言，可以無界限的交流和溝通。樂團一直肩負回饋社會的責任，關懷來自弱勢社群的人士，讓每個人都有機會欣賞音樂之美。2014年，La Sax 獲邀於心光盲人學校舉辦的籌款音樂會中擔任演出嘉賓；2015年3月，樂團於香港小童群益會主辦的「捕夢者大行動」為居住於慈雲山邨的長者演奏懷舊金曲。

分享音樂之美

過去十年，La Sax 一直力求進步，致力拓展觀眾層，將音樂帶到社區每一個角落，實踐與更多人分享好音樂的理想。自2009 年起，樂團成為康樂及文化事務署轄下表演團體，定期於香港各區舉辦免費戶外音樂會，各大社區中心、公共屋邨、商場、公園等均有樂團的足跡。2014及2015年3月，樂團獲香港演藝學院表演藝術教育中心邀請，走訪深水埗、元朗、東涌區內的公共空間舉行巡迴演出。樂團除了希望與觀眾一同分享演奏音樂的熱情與樂趣之外，也期望與他們一同感受不斷創新、進步的喜悅。

啓發年輕新一代

作為推動本地色士風音樂的翹楚，樂團對於推行音樂教育工作一直不遺餘力，務求為本地色士風發展不斷注入新的動力之餘，亦期望年輕人透過接觸及學習音樂，培養個人藝術修養。 La Sax 除走訪各中、小學校及大專院校，與年輕觀眾接觸外，亦發掘並培訓不少年青音樂家，為他們提供不同的學習及演出機會。

La Sax, founded in 2005 by local saxophone talents, is regarded as one of the earliest saxophone ensembles in Hong Kong with versatility and astounding dynamic. With the goal of encouraging public interest in the art of classical music, La Sax dedicates to providing high quality concerts to the audience. Members of La Sax consist of professional musicians, music degree graduates and students from local institutions, all of whom share the same passion of pursuing artistic excellence.

Breaking Boundaries

Remarkable events include “Sax in the City” that was held at the Hong Kong Institute of Education; “Saxo Carnival”, an event that was held in the Hong Kong City Hall and was broadcasted by RTHK; “Shall We Sax?”, an event that was held in the Sha Tin Town Hall, as well as free public concerts that were held in every part of Hong Kong. In August 2014, La Sax was awarded the Jury Special Prize at the Singapore Woodwind Festival.

More than Audience Building

Performing in Authenticity

The ensemble performs a diverse repertoire, ranging from classical, jazz, contemporary to pop music. Members of La Sax also arrange and perform the pieces of music with their pristine trait. They embolden the music culture to the masses and endorse the appreciation of saxophone music publicly by engaging audience from all walks of life.

La Sax believes that music is for everyone. Therefore, to engage in charitable events is the ensemble’s will to care for the underprivileged in society. In 2014, the ensemble staged a performance to raise fund for the visually impaired at the invitation of The Ebenezer School and Home for the Visually Impaired. In 2015, La Sax was invited to perform for the elderly in Tsz Wan Shan Estate at an event “Dream High” organized by The Boys’ & Girls’ Clubs Association of Hong Kong La Sax has continued to demonstrate its growing presence in various concerts and events. Since 2009, La Sax has become one of the regular performing groups invited by the Leisure and Cultural Services Department to deliver free concerts to the general public in various districts of Hong Kong.They strive to bring unique concert experience beyond concert halls, by engaging in community performances in a vibrant and lively way, bringing “edutainment” to audiences in schools, malls and residential areas etc.In 2014-15, the ensemble was invited by The Performing Arts Education (PAE) of The Hong Kong Academy for Performing Arts to perform at various public spaces of Sham Shui Po, Yuen Long and Tung Chung.

Inspring the Minds of Youth

Dedicated to enriching local development of saxophone music, Lasax is keen to nurture the talent of the younger generation. By providing their students with different learning and performing opportunities via diverse symposiums, inter-flow concerts and ensembleship training, the youths are inspired to pursue unique music motive and artistic accomplishment.

團員 Members

陳中豪 Jeffrey Chan

李浩然 Leo Li

葉羨衡 Natalie Yip

陳茝貞 Shania Chan

高音色士風 Soprano Saxophone

中音色士風 Alto Saxophone

「音樂是一道橋，它讓我認識了世界，也讓世界認識了我。」 “Music is a bridge connecting me and the world.”

「期待跟大家分享音樂的喜悅。」 “I look forward to sharing the wonder of music with you all.”

「音樂不只是純粹音符與旋律，當中更牽引着人生的態度。」 “Music is an attitude of living, not merely notes and melodies.”

「我愛陪伴我練習並待我如家人般的La Sax。」 “I love the way how La Sax treats me like family.”

方培嵐 Fong Pui-laam

謝偉君 Tse Wai-kwan

葉曉洋 Ocean Yip

藍靖喬 Lam Ching-kiu

次中音色士風 Tenor Saxophone

上低音色士風 Baritone Saxophone

「把今天看作生命的最後一天活着，把人生當作永恆一樣追尋自己的夢想。」 “Dream as if you’ll live forever, live as if you’ll die today.”

「獨樂樂不如眾樂樂。」 “The joy of sharing with others are more enjoyed.”

「音樂將我們連在一起，分享情感。」 “Music connects us together, sharing our sentiment.”

「音樂是快樂的源頭。」 “Music is the key to happiness.”

La Sax其他團員：陳朗冬、朱仲謙、暨芷澄、林進德、黃德釗 Other members of La Sax: Zoey Chan, Issac Chu, Joyce Kei, Ryan Lam, Wong Tak-chiu

特邀樂手 Guest Players 中音色士風 Alto Saxophone

敲擊樂 Percussion

鄭蘭欣 Grace Cheng 林穎心 Melody Lam

陳啟彥 Clive Chan 林天俊 Jacky Lam 陶永琼 BT To 黃祖儀 Joey Wong

次中音色士風 Tenor Saxophone

張琛悅 Karis Kim

樂曲簡介行星組曲：木星

The Planets: Jupiter

霍爾斯特 Gustav Holst (1874-1934) 陳中豪編 Jeffrey Chan arr.

由霍爾斯特在1914至1916年創作家喻戶曉的管弦樂作品《行星》組曲共有七個樂章，各個樂章分別以一顆行星命名，並代表著各個行星在天文學上的特性。

The Planets is an orchestral suite consisting of seven movements. It was composed between 1914 and 1916 by the English composer Gustav Holst. Each movement is named after a planet and is a portrait of one particular aspect of the astrological character.

當中極具活力的《木星》不但替整個樂章營造了歡樂的氣氛，更表現了霍爾斯特受傳統英國民間舞蹈的影響之深。中段如聖詩般抒情的旋律則將這種喜悅提升至較莊嚴的層次，為聽眾帶來一頁較傳統的英國景色。

Jupiter, especially for its hearty theme shows how Holst was influenced by the traditional English folk dances. This movement is energetic and rich, bringing a rejoicing mood to the whole movement. The grand ballad section in the middle of the movement is hymn-like, leading to a more ceremonial type of joviality and giving the audience an authentic sense of traditional English folk culture.

卡門組曲

Carmen Suite

喬治比才 Georges Bizet (1835-1875) 陳中豪編 Jeffrey Chan arr.

I. 鬥牛士進行曲 Les Toréadors II. 哈巴奈拉舞曲 Habanera III. 鬥牛士之歌 Chanson du Toréador IV. 波希米亞舞曲 Danse Boheme

比才是一位經常將新元素加入創作的法國作曲家。即使他從未到訪過西班牙，在著名的《卡門組曲》裡，他還是加入了該國帶來的創作靈感。

Georges Bizet was a French composer dedicated to adding new elements to his music. He brought Spanish characteristics into his famous work Carmen even though he had never been to Spain before.

《卡門組曲》講述圍繞軍官荷西、西班牙吉卜賽人卡門、鬥牛士埃斯卡米諾的三角愛情故事。卡門勾引荷西，但後來與埃斯卡米諾墜入愛河，最後因拒絕荷西的愛意而被其殺死。

Carmen tells the story of a love triangle between José Don a soldier, Carmen a Spanish gypsy and Escamillo a bullfighter. José Don was seduced by Carmen and fell deeply in love with her. However, he loses Carmen to the more alluring Escamillo. Eventually José kills Carmen in a jealously fuelled rage.

〈鬥牛士進行曲〉由三個主題組成，分別來自前傳，第一幕及第四幕鬥牛士進場的部分。這首進行曲就是第四幕鬥牛士進場時的音樂，中段加入第二幕出現過的鬥牛士之歌，最後回到原來的進行曲旋律。

Les Toréadors is derived from three themes: Prelude, Act I and Procession of the Toreadors from Act IV. The march serves as the entry of the bullfighters in the fourth act, followed by the Toreador Song from Act II, and the opening march reappears.

〈哈巴奈拉舞曲〉原是卡門所唱的詠嘆調，表現了她以花勾引荷西時的情境。

Habanera is originally an aria sung by Carmen, which represents the classic scene of her seduction towards José, tossing her red rose and incarnating her emotions to him.

至於〈鬥牛士之歌〉則是埃斯卡米諾第二幕出場時所唱的鬥牛士之歌，旋律充分表達出他勝利歸來，其崇高的尊嚴與自信、在旁歡呼的群眾之熱鬧也洋溢於此樂曲之中。

Chanson du Toréador features the Toreador Song sung by Escamillo at the beginning of Act II. It showcases the dignity and pride of Escamillo, declaring his victory from the bullfight. The cheering of the crowd is described in this scene as well.

〈波希米亞舞曲〉是一首吉卜賽舞曲，描繪卡門與其他女子為軍官們表演的場景。樂章以較慢的節奏展開，及後一直加快，帶領整套組曲攀上氣氛的最高峰。

Danse Boheme is a gypsy dance, describing the scene of Carmen and other women entertaining the officers in Pastia's inn. The dance suite starts at a rather sedately pace, then gradually speeds up, getting wilder and wilder, accelerating to an energetic climax.

Programme Notes 荒山之夜

Night on Bald Mountain

穆索斯基 Modest Mussorgsky (1839-1881) 黃德釗編 Wong Tak-Chiu arr.

《荒山之夜》是穆索斯基其中一首最知名的作品。這聽似狂亂、令人聯想起魔鬼、或是雷電交加的旋律不知不覺已震懾了聽眾超過一百年。

Night on Bald Mountain is one of Modest Mussorgsky's most well-known pieces. The frantic and demonic musical thunderbolt has astonished audiences for over a century.

這首曲目的主題源自一個古老的俄羅斯傳說，描述一個巫婆在聖約翰前夕的安息日當中，所感受到的極度恐懼。此曲在作曲家生前未曾公演，經過作曲家的同僚、以及後世其他作曲家或指揮家的修改成為現時的版本。而令此曲真正為人熟悉的契機，是1940年迪士尼電影《幻想曲》以它作重要一幕的背景音樂。

The work was based on a story occurring on St. John’s Eve, about an Old Russian legend of a witches’ sabbath. The piece projects an intensive and horrible sense. The work had not been performed in public at the time of the composer’s death in 1881; it was revised by his colleagues and later by other generations of composers and conductors. The piece garnered wider exposure when it was used as the theme music in the penultimate scene of the Walt Disney movie Fantasia (1940).

琉球幻想曲

Ryukuan Fantasy 伊藤康英畢業於東京藝術大學的作曲系（本科及研究院）。現為洗足學園音樂大學的教授及東京藝術大學的兼職講師。他以交響詩《光榮頌》吹奏樂曲聞名於世界。此作品基於沖繩民謠《安里屋協作謠》而編寫。這首民謠有趣而滑稽地描述琉球王國時代竹富島上發生的真人真事。絕色美女安里屋久山和對她一見傾心並向其求婚卻遭拒絕的初級官員之間的舌戰。所謂的「協作謠」是指在八重山群島流傳的歌謠。本作品有管樂團、管樂團與鋼琴合奏、四手聯彈等版本，而是次演奏的版本是伊藤康英特地編寫給色士風四重奏。

伊藤康英 Yasuhide Ito (1960 -)

Yasuhide Ito graduated with a major in composition from Tokyo University of Arts. He is a current professor at Senzoku Gakuen Junior College and a part-time lecturer at Tokyo National University. Ito has earned international praise for his compositional endeavours. Amongst which, his most popular work for wind ensemble is Gloriosa (Gururiyoza). Ryukuan Fantasy was based on a traditional folk song Asadoya Yunta in Okinawa. The song pictured the Taketom Island during its empire era in a fascinating and playful way. The plot is about a beautiful lady called Asadoya Kuyama who was brave enough to reject the wedding proposal from a government man. Yunta is defined as a style that distinguishes Yaeyama islands’ folk songs and dances. The piece has been written in different version for wind bands, piano duets etc. The music arrangement for the performance tonight was written especially for saxophone quartet by Yasuhide.

樂曲簡介

Programme Notes

香城 My City My Home 《香城》是特意為La Sax 十週年紀念所譜寫的作品。作品以香港為創作意念的開端。

林鈞暉 Lam Kwai-fai

My City My Home is written especially for La Sax's 10th Anniversary. The piece is inspired by the city of Hong Kong. The music is composed of three sections:

樂曲分為三個段落：萬物甦醒的早晨；熱情躍動的午後；回歸安寧的時份。

The awakening of dawn; Vibrating and active afternoon; Returning to a state of tranquility.

描寫香港獨有的熱鬧繁榮，浪漫熱情和鄉土情懷，三個段落一氣呵成。帶領聽眾從開首充滿現代音樂的風格，走到富有浪漫主義的表達，最後回歸樸素，享受寧靜。

To describe the uniqueness of Hong Kong's bustling prosperity and sentimental nostalgia, the three sections are performed in one go. At the beginning, it guides audiences from a contemporary style of music to a romantic musical expression, finally it returns to simplicity, enjoying tranquility and peace.

| La Sax 委約及首演作品 Regional premiere performance commissioned by La Sax

作曲家簡歷 Composer’s Biography 林鈞暉，一位於國際舞台上屢獲獎項的作曲家，作品以多元化見稱，由學術到商業、古典到前衛，遍及電影、戲劇、舞蹈，跨媒體等。曾留學美國加洲藝術學院（又名迪士尼學校），畢業後獲藝術家簽證，留美工作。在美期間曾參與多個何荷里活電影的大型製作，亦為多個著名劇團擔任作曲家一職，個人獎項包括國際作曲家比賽「許常惠創作獎」及「亞洲作曲家同盟」青年作曲家獎；其參與作品曾提名「國際艾美獎」最佳紀錄長片、「動畫奧斯卡Annie Award」最佳學生作品，榮獲「蒙地雷國際電影節」最佳劇情短片，「Indie Producers’ Award 2009」最佳動畫等。林氏於2014年回港發展，擔任InterMusic Production (I.M.P.) 的創作總監一職。作品包括由爾冬陞監製，羅卓瑤執導的《暴走神探》；由鄭保瑞監製，劉浩良執導的英皇電影《衝鋒車》及林超賢執導的英皇電影《破風》的預告片。海外製作包括：著名韓國藝術家徐道獲於紐約及倫敦展的個人藝術展；美國紐約劇團 Private Theater 的多媒體演出《America Project》，及Annie Award 提名動畫師Jessica Poon的《April 21》等。 Lam Kwan-fai, an award-winning composer on the international stage, is known to have a diversified style ranging from classic to modern, cinema to theatre, and dance to multimedia. Studied aboard at California Institution of the Arts (aka. Disney School), he was recognized by his peers and obtained an Artist Visa. During his stay, he participated in many Hollywood movie productions and internationally acclaimed theatre production as a composer. Personal Awards include Hsu Tsang-houei International Composition Competition Prize and Asian Composers League Young Composer Award ; his works have been nominated for Emmy Awards for Best Documentary, Annie Awards for Best Student Film, Awarded Monterrey International Film Festival Best Short Fiction Film Award and Awarded Indie Producers’ Awards 2009 for Best Animation Film. In 2014, Kwan Fai returned to Hong Kong and took the position of Creative Director for InterMusic Production (I.M.P.).Works include The Unbearable Lightness of Inspector Fan, produced by Derek Yee, directed by Clara Law; Emperor Entertainment Group’s Two Thumbs Up, produced by Cheang Pou-soi, directed by Lau Ho-leung; Emperor Entertainment Group’s To The Fore trailer, directed by Dante Lam.

爵士組曲

Jazz Suite

伊圖拉德 Pedro Iturralde (1929 - )

I. 藍調 Blues IV. 華爾滋 Waltz V. 放克 Funky 伊圖拉德出生於西班牙，是一位色士風樂手。他對於音樂的興趣極為濃厚，於西班牙首都馬德里皇家音樂藝術學院學習鋼琴、和聲，以及豎笛。他所演奏的樂曲大部分都是他獨自譜寫，混和爵士和佛朗明哥風格的音樂。此曲一共有五個樂章，而今晚樂團所演繹其中三個樂章剛最能表現爵士音樂的各種面貌與風格。〈藍調〉由次中音薩克斯風帶來一大段像是即興的獨奏，讓人感受到搖擺的感覺。〈華爾滋〉則以快速的 3/4 拍進行，如跳華爾滋般輕盈流暢；〈放克〉雀躍感十足，在放克的爵士風格中不再強調旋律與和聲，而強調強烈節奏律動，作曲家在最後一個樂章裡安排快節奏的跳動結束全曲。

《馬德里印象》

Madrid Inspiration

Pedro Iturralde was born in Spain. He is a famous saxophonist with strong interest in music. He graduated from the Royal Conservatory in Madrid, studying the piano, vocals and clarinet. He always performed with his own composition, experimenting with jazz and flamenco influences. The Jazz Suites consists of five movements while three of them will be performed tonight. The three movements best demonstrate the assortment and distinctiveness of jazz music. In Blues, the tenor saxophone concertises an improvisation with vacillate and sway. The Waltz is a fast dance piece in a tempo of 3 / 4. Its swift rhythms fully evoke the light and easing elegancy of waltz. The Funky jazz music accentuates on its robust rhythmic motion apart form its melody and harmony. Iturralde ended the suite at full tilt with rapid tempo.

加藤昌則 Masanori Kato (1972 - )

日本神奈川縣出身的加藤昌則是日本國內最備受曯目的其中一位作曲家，作品以其多樣性見稱，包括交響樂、室樂及合唱曲目。加藤多樣化的作品中，旋律優雅的比比皆是，從未受無音調的當代風格所影響。

Born in Kanagawa, Japan, Masanori Katoh is one of Japan’s most promising composers. He has composed a wide variety of genres ranging from orchestral works to chamber music and choral forms. Although his compositional style is quite varied, Katoh prefers to compose works with beautiful lyricism, keeping distance from atonal contemporary styles.

在須川展也的委託下，加藤在2005年創作了《馬德里印象》這首具高度藝術性的曲目。這首原是鋼琴及色士風的合奏曲目當中有為數不少的滑音，極度考驗演奏家的演奏技巧。加藤自己這樣形容本曲：「裡面融合了西班牙作曲家 Enrique Granados 及 Issac Albéniz 的創作風格，更加入了拉丁美洲的流行元素。」是次演奏的版本為改編的色士風獨奏及色士風八重奏版本。

Commissioned by Nobuya Sugawa, Madrid Inspiration was composed in 2005. It is originally a highly virtuosic work composed for the piano and saxophone, featuring many dramatic runs and challenging playing techniques for both instruments. Katoh has described it as a combination of the musical styles of Spanish composers Enrique Granados and Issac Albéniz, along with the influence of popular Latin American music. The version performed tonight is for solo saxophone and saxophone octet.

《烏龍麵》

Oodles of Noodles

吉米朵西 / 栃尾克樹編 Jimmy Dorsey / Susumu Kusakabe arr.

吉米朵西是1920年代爵士樂剛開始興起時期的色士風樂手。自小被譽為音樂奇才的他，七歲時已在父親以賓夕法尼亞州為中心的銅管樂團當中擔任小號及短號手。1933年，他更與弟弟一同創立了名氣極盛的「吉米朵西兄弟大樂團」。

Jimmy Dorsey was a saxophonist who flourished at the dawn of jazz, beginning in the 1920s. Known as a child prodigy and at the age of 7, he was already playing the slide trumpet and the cornet in his father’s brass band in Pennsylvania. In 1933, he and his brother formed the famed “Dorsey Brothers Orchestra”.

自「吉米朵西兄弟大樂團」創立以來，這玩味十足的旋律便已深受大眾的喜愛。

Dating from around the time that the “Dorsey Brothers Orchestra” was formed, this playful tune seems at home in dance hall or a crowded jazz cafe and is almost always a crowd favourite.

10 Years in a Flash

Gentle on the body, breathing can easily be controlled. A truly world-class strap made with players' wellbeing in mind! Being able to perform using Lithe Premium is one of my pride!

BREATHTAKING Saxophone Strap

Lithe Premium Made of highest quality natural leather. It hugs your body snuggly, and remark ably improves the sound quality.

【PRICE】 Please contact your retailer. 【COLORS 】 Black Dark Brown

BREATHTAKING STRAP LITHE SERIES MAKES PLAYING MORE COMFORTABLE AND FUN.

Non-constrained movements of muscles

Improvement of sound quality

and joints, enabling body relaxation.

and playing technique. Facilitation of deep

Broader musical expressions. More comfortable playing.

(Tonguing, vibrato, fingering, etc.)

and easy breaths.

Soft and Snuggly Unique Features and the resulting effe c t s to minimize b o d y s tress

NO PRESSURE ON THE NECK

SOFT PADDED LEATHER

NOT SQUEEZING THE NECK OPENING THE CHEST

WEIGHT IS DISTRIBUTED BETWEEN THE SHOULDERS AND BACK

FRONT CONNECTING BAR

BACK STRAP

E AT HTA K I N G H i st or y of B R 2001

Yumiko Komura, an active saxophone performer and teacher, suffered from cervical disk herniation as a result of years of playing the sax. Unable to find any comfortable strap, she began to research the relationship between the body of a musician and the musical instrument being used. She then started to design and make her own strap, which gradually gained popularity.

2003

Productization of the strap started.

2007

First model of BREATHTAKING Saxophone strap was born. Trademark registrations of “BREATHTAKING” were obtained in Japan, China, Korea, and Taiwan; “Lithe” was obtained in Japan. Patent registrations were obtained in Japan, Germany, France, and the USA.

2014

Exhibitions at North American Saxophone Alliance biennial conference and festivals throughout Japan. Trusted by artists worldwide.

Available at:

Tom Lee Music Kowloon Main Showroom

1-9 Cameron Lane, Tsimshatsui, Kowloon, Hong Kong TEL:(852)2723 9932 http://www.tomleemusic.com.hk/

⡯ੱ♖␹ ⦡჻㘑ᚻᎿ⧓ຠ A New Line of Craftsmanship

Forestone˿ʴйʧ࡙ Ĵ೔ᘄፅ͒η·˿ʴտі Ĵ-196°C FCTV චљຉழ୏ Ĵ̆͵˘ʩ‫܈‬೼ Ĵ̆͵ၹᆫᕻგ:H_ )YHZZ ಮઆ-VYLZ[VULඅ޵̆͵˘ʩٍΒ‫܈‬೼˄ɿ

̤ʔᕁʇ‫܈‬೼ҕಋϑʅ෮஁ʴᗠ֝୐̪߱Ӓ‫څ‬йʧ࡙˿ʴᆫወéਏέî

અ๤ၹᆫ႖ࡹ‫ੁخ‬ŕࡁʧ̂ʴі‫ ܯ‬Desmond‫ދ‬s Workshop ޵ዥΈචཬʐϷ႖ࡹ໪ᝁ‫څ‬અ๤ၹᆫ႖ࡹᕁʇ ෥඲̂Ą+LZTVUK -\UNąఠΙè̤вʵϐϫ֢ϐʴі‫ܯ‬è ̪‫ڸ‬вʵႪʴі‫ܯ‬௥഼è޵ܰʇ႖ࡹᆫወ̤અ๤éஆ˼‫څ‬࿾ܿ༲Ԁᆫወ੖ᖆՔ‫࠸ڞ‬৺௖ήêਜᏹѫᛑܰ ༲Ԁᆫወʖώʩʯ੖ᖆ͚èΡ૖ᅪᆫወ‫ׇ‬ಮ႖ࡹ̤‫ۃף‬ᆫወͅՠΈ‫څ‬Ϸಮè॑ѥ‫߈ݶ‬ක‫څ‬ˁ͆ᆫወéઅ ๤‫ܔ‬༚ᆫወയêՔಐբ੫͵ۙኚᆫወ‫ډ‬ᗱˆ‫ڷ‬ዖ‫̤ڗ‬೛˳ᎥიՠΈᆫወ‫؀‬ઙդ‫څ‬๒য˫๸ᖣ੖ᖆê ᕁʇ! ‫ݤ‬ዥЊɿӒ˄‫ۃ‬ϛԾèϛ༴ᄚ੥մЊߠັ̑຋‫׼‬Ӓͣ‫څ‬ʇêັʖᕁʇ˄݉๢࿭вʵ‫څ‬ʴі࿾ܿЊɿ‫څׇ‬੦‫ݡ‬è ʜ๢ෆּਇӷϧᒿ࠲κӧϧèˀᔄϚጷሁ᝗вʵ‫څ‬Ӓᗠӧʖɿᅟê

4\ZPJ 7S\Zêࡁʧ̂ʴі‫ܯ‬

ᐰ๤ई෈!

Ϛғîьಝʖऻൽ ༚ ‫ੌ֝׬‬๤ˁ˼ ‫ܯ‬ ьಝ೑ᛇঔ* ̴ʥ

, THPS! PUMV'T\ZPJWS\Z JVT OR

;LS!

! ! Ąɿéˊą ! ! Ąʆг͘é˘ą ! ! Ą̆é˚୦ਫಮą

MusicPlusHK

4\ZPJ 7S\Z ႏʖੌ‫ן‬ ^^^ T\ZPJWS\Z JVT OR ZOVW

LA SAX 團隊 Team 創團成員、音樂總監 Founder, Music Director 陳中豪 Jeﬀrey Chan

形象攝影 Portrait Photography Seph Production

創團成員、藝術總監 Founder, Artistic Director 黃德釗 Wong Tak-chiu

錄影 Videography 大政製作 T.C. Production

創團成員、行政總監 Founder, Managing Director 葉羨衡 Natalie Yip

宣傳片製作 Trailer Production 丘默 Matthew Yau 漢越禧 Harry Hon

創團成員、項目統籌 Founder, Project Coordinator 方培嵐 Fong Pui-laam 創團成員 Founder 林進德 Ryan Lam 舞台監督 Stage Manager 鄧藹玲 Tang Oi-ling 舞台助理 Stage Crew 趙漢權 Chiu Hon-kuen

平面設計 Graphic Design 葉羨衡 Natalie Yip 樂曲簡介 Programme Notes 陳茝貞 Shania Chan 葉曉洋 Ocean Yip 編輯及翻譯 Copywriting and Translation 陳朗冬 Zoey Chan 暨芷澄 Joyce Kei 周祥恩 Shaun George Wright

攝影 Photography 李志權博士 Dr Martin Lee 廖少國 Scott Liu

聯絡我們

你的意見能讓我們做得更好!

Let us know － if we can do better！

www.lasax.org Tel: 9669 6141 / 9263 0029 Email: lasaxhongkong@gmail.com

請掃描此二維碼並填寫是次音樂會的問卷，被選中的十位幸運兒將獲得是次音樂會 DV D乙隻！

緊貼樂團最新消息 Stay tuned for our updates La Sax - Saxophone Ensemble (Hong Kong)

Scan this QR code and complete the questionnaire of tonight s concert. 10 lucky winners will be awarded a DVD of tonight s concert!

鳴謝 Acknowledgement 支持機構 Supporting Organisation 按機構英文名稱排序 In alphabetical order of company name

BREATHTAKING Concert Servcies Co., Ltd 樂陶途琴行 Kinderland Studio 管樂源 Kolo Winds 九龍酒店 Kowloon Hotel Million Communications Co., Ltd. Music Plus Limited 心儀樂坊 My Music Academy 香港交響管樂團 The Hong Kong Symphonic Winds 通利琴行有限公司 Tom Lee Music Co., Ltd. Tomato Production Company 東華三院邱金元中學 TWGHs Yow Kam Yuen College − 戴伯成校長 Mr Tai Pak-shing − 潘勵娟老師大 Ms Poon Lai-kuen 青年廣場 Youth Square

感謝各大傳媒報導 Special Thanks to All Media

新城電台財經台《閱讀城市》Metro Finance 《明報》Ming Pao Daily 香港電台普通話台《普出校園精彩》Radio Television Hong Kong - Putonghua Channel 《星島日報親子王》Sing Tao Daily - Smart Parents 《星島日報》Sing Tao Daily 電視廣播有限公司《文化廣場》Television Broadcasts Limited - Cultural Plaza The Goodlife Magazine 《英文虎報》The Standard

特別鳴謝 Special Acknowledgement 按英文姓氏排序 In alphabetical order of last name

陳栢恆先生 Mr Brian Chan 程家慧小姐 Ms Chemie Ching 周穎賢小姐 Ms Ainesis Chow 何詩慧小姐 Ms Ho Sze-wai 小村由美子小姐 Ms Yumiko Komura 小柳美奈子小姐 Ms Minako Koyanagi 林鈞暉先生 Mr Lam Kwan-fai 梁嘉儀小姐 Ms Leung Ka-yee 李志權博士 Dr Martin Lee 廖少國先生 Mr Scott Liu 梁卓翹先生 Mr Kiu Bo-bo 魏龍勝先生 Mr Kelvin Ngai 野村純子小組 Ms Junko Nomura 須川展也先生 Mr Nobuya Sugawa 杉井麻衣子小姐 Ms Maiko Sugii 蔡佳修先生 Mr Kenny Tsai 葉敏蔚小姐 Ms Catalie Yip 葉樹立先生 Mr Domini Yip