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YAWEN ZHANG Portfolio In Interior And Architecture Design Selected Work Email: yawenzhang22@gmail.com

02 STORYTELLER Immersive Theatre for the Drama Sleep No more 01 277 AMENITY CENTER 20,000 sf Amenity for Office Building Including Teleconferencing Rooms and Fitness Center 07 FLOW PAVILION An Installation in Barcelona Pavilion 06 TOWARDS CITY High-Rise Office Building Design OTHER WORKS Architecture & Industrial Design Works CONTANTS 03 BREATHING Interactive Fashion 04 RETAIL & BAR Food Space for the Brand HENRI CHARPENTIER 05 TRANSFORMATIONS IN SPACE Office Space Design

PLANNING - 2 SCHEMES

277 AMENITY CENTER

20,000 sf Amenity Space for Office Building

Completion Time: Dec, 2022

Category: Built, Commercial Site: Manhattan, NY

Building Area: 20,000 SF

(My role: Site Survey, Programming, Planning, 3D Modeling, Presentation Drawings/ Renderings, Bidding Document, Construction Document, DOB/DOH Filing, Furniture/ Finish/ Fixture/ Accessory Options, FF&E Specs Organization, Shop Drawings Review, Site Review/ Punch List, Photograph)

In the first scheme, we propose a change to the original location of the gym. Instead, we suggest placing the lounge area and conference room on the side with curtain walls. This arrangement would maximize the amount of sunlight entering the space, creating a brighter and more inviting atmosphere.

The renovated amenity space is designed to offer a comprehensive range of services that cater to the diverse needs of the staff in the office building The space has been designed to provide a seamless transition between different functional areas, ensuring a sense of cohesion and continuity throughout the space.

The design is intended to create an inviting and functional space that enhances the after-work life of the staff in the office building. The step-shaped moss wall is a particularly unique feature that adds an element of visual interest and dynamism to the space, helping to create a vibrant and engaging atmosphere.

In the second scheme, our goal is to preserve the original layout based on the client's preference, which means keeping the gym in its original location. Alongside that, we propose adding a lounge area on the opposite side. Furthermore, we have integrated a plant system into the space, featuring the green wall designed in a step shape to infuse vibrancy into the environment

FINISH

Group Fint ness: Extg fl oor ing t o rem ai nref in sh. Remove GWB @curt ai n wal and prov de pl ex prot ect on

Gy m:

F oor: Rubber Matt ing

Wal s: G ass/M rr ors/W d Panel

C g: GW B w/ Wd Tri m/Cove

We llne ss Ce nte r:

F oor: Car pet

Wal s: W d Panels/GW B

C g: ACT w/W d Tr im/ Cove

Mut i-pur pose/ Pri vat e Trai ning PT

Acupunctur e Nutr t ionist

En try : Reclad Extg Wd / Stone ] or New de sk in new ocat on

Chir opr actor

Typica Nap Rooms :

F oor: Car pet

Wal s: GW B/W d

C g:

ACT/G WB/Cove/W d Tr m

Naps; m et ronaps.com

New S tea m & Sa una Rooms

Board Room:

F oor: W d /Car pet

Wa l s: W d Pane s

Clg: GW B w/ Wd Trim /Cove

Doors: Sli d ng Mt ./ G ass

Lounge A rea:

F oor: W d /Car pet

Wa l s: W d Pane s/GW B/Fe t / Banquet te/TV

Clg: ACT/G WB w /Wd. Tr m/ Cove

Vi deo/ Conf erence Rooms:

F oor: W d /Car pet

Wal s: W d Pane s

C g: GW B w/ Wd. Trim /Cove

Doors: S i d ng Mt / Glass

Extg Mechanical Room

Entry/Eat ing Area:

F oor: St one

Wal s: W d Pane s/Banquette

C g: GW B w/ Wd.Tri m/Cove New m i l work/service requir ements @ Ju ce Bar Typical Locker Room :

Floor: Ti e / Car pet

Wal s: GW B/W d [ Sauna St eam}

Showers/Rest Room: Tile/ Glass Doors

Clg: GW B [ Shower s/ Rest Room] ACT

A B C D E F 4 5 6 7 8 9 10 11 12 13 14 15

PLAN / FINISH&FURNITURE SELECTION Boardroom Conference Room Locker Room / Restroom Conference Room

FINISH&FURNITURE OPTIONS/ RENDERINGS

/ Conference Room

Lounge Area Opt 2 Opt 2 Opt 4 Opt 1 Opt 1 Different Views Opt 3

Tile in the Shower: Locker Room/ Restroom/ Shower Room Options Reception Area Boardroom

Other Options

Boardroom | Gym Locker Room | Restroom | Shower Conference Room Lounge Seating Area Reception

MA MA OS S S S C ST0 x 2 DL A DL0 A DL01A D 01A D 01A DL 1A ST04 EX EX EX DL01A DL 1B DL01B DL01B DL 1B DL 1B ST01 3 S DES ST04 ST 4 WW01 W W 0 1 ST0 DL02A DL DL DL D 04 DL04 DL0 DL0 ST 1 ST04 ST04 D 01B W W 0 1 W W 0 1 Mu pu pose Room Ex s ng Land ng Be ow Ex s ng Mech Room E s ng Bu d ng Lobby S o age E s ng S a A Be ow Eg es Ve bu e 2 H F e Ra ed ACT2 ACT 15 -0 A F F 12 -6 A F F 1 00 A F F -0" A F F GWB ACT 12 -6 A F F 12 -6 A F F 0 -0 A F F 10 -0 A F F 1 00 A F F A- 0 12 -6 A F F 10 -0 A F F A gn P WV P5 WV1 WV1 WV1 4 A-3 8 1 A- 0 3 -302 ACT2 R=1 -0 V F Exac Loca on Typ 4 A-3 4 3 -0 3 -0 3 -0 3 -0 3 -0 E Q E Q EQ EQ EQ -11 1 4 26 -8 4 -9 1 4 1 00 31 0 5 8 31 0 5 / 8 38 -4 V F 1 79 1 / 4 V I F 1 -11 7 8 4 -8 1 -0 Q WC #1 RS 86 TP SB TV P W F S O F F F F F F C1 S2 S S VCT1 TR1 5 1 79 1 / 4 34 36 -3 3 4 1 -1 1 4 1 -6 1 2 1 -6 1 2 4 -9 2 -1 1 2 22 -8 2" 1 1 2 4 -4 3 4 B G G G 55 1 / 2 C e a r 8 1 2 Mu pu o e Room Ex s ng Land ng Ex s ng Me Room Ex ng B d ng Lobb S o age Ex s ng S a A UP 2 2 2 2 2 1 -0" Ex g 1 2 1 2 A-200 6 1 2 3 1b EX 1 2 1 A-3 2 2 3 EX EX EX 1 7 B nqu e A Eg e Ve bu e 2 H F e Ra e 30 1 / 2 8 1 2 35 11 3 / 8 32 23 5 / 8 EX 2 -8 1 4 E g 1 2a E A- 0 10 47 81 3 4 a 1 2a -0 1 2" A-202 D sp y Mon o 1 2a 1 11 0 1 2 12 24 3 / 4 51 1 / 4 70 5 8 7 1 / 4 G ee Wa Sy em w h B n Bas C b n T p EX 0 -0 T O F F 0 -0 T O F F - -2 T O F F EX 1 2a 31 1 1 8 28 2 2 EX 3 1 A- 0 3 2 3 -0 3 -6 7 8 E 2 2 VCT F e Ex ngu sh A- 00 -30 6 A-3 6 1 A- 0 20 7 8 A-30 G 10 3 1 1a EQ EQ EQ EQ EQ EQ EQ EQ 16 16 EQ EQ 22 20 EQ EQ 3 14 45 EQ 20 Sch u e RENO-TK Sch u e SCH ENE P ov de Po She 81 0 1 2 11 -0 3 1a A-311 4 A-3 4 L ne o Cab ne Above a 1 -6 16 5-3" Extg E Q 5 VCT1 A-2 2 7 8 Con m D mens on A e Equa To The Ex s n Eas e n Ves u e 52 L gh Co e Banque e P A- 0 W 3 A-3 2 GL S2 L gh Co e -3 -2 +16 -5 Un de Ex g De k B1 WV1 WV1 WV1 1 00 B1 1 A-3 2 1 V F V F P A- 1 E Q E Q L gh Cove L gh ng Beh nd 1 A-3 2 G 2 F7 Wa Moun ed D sp ay P5 P4 GL2 -3+16 -5" Under de Ex g De k B P WV1 WV1 1 A-3 7 A- 0 V F V F B B1 68 27 4 -0 62 P ov de Me han ca Fas ng 1 00 B G G G P P5 - -2" +16 -5 Unde s de Ex Deck WV1 WV1 WV1 WV1 WV WV WV1 -302 A- 0 L gh Cove WV1 WV G 1 A- 0 V F V F No h E eva : Rm 103 - Mu pu pose 1 =" Wes E va on Rm 1 3 - Mu t purp se 4 = 1" Sou h E ev on Rm 10 - Mu pu pos 4 1Comb na on F e A a m Speake S be 1 00 B A Mu p po e Room A Beh nd G een Wa Sy em w h Bu n Base Cab ne Typ 5 A-30 2 P1 B5 WV WV2 4 A- 04 L gh Cove 14 A-3 7 F r Ex g she E s ng Cab ne P1 S 40 20 68 B5 L 32 V I F Banque e Banque e Tempe d G ass Gua dra 3 -6" H gh and Hand a 3 -0 H gh Typ Bo h S des F6 P1 Wa M n ed D sp a Bu n Cab ne S a B 8 A- 2 B A- 0 A- 0 H1 GL7 H F B5 2 1 1 WV2 A- 02 3 A-30 1 A-3 4 1 A-3 1 15 A-3 8 S2 P1 S2 68 4 A-3 4 5 A-31 4 -8 27 B ock ng Ma ua Pu on 40 62 Lounge Sou h E va on Rm 5 4 1 -0 Lounge Wes E e a on Rm 10 1 4 =" Exe c s Ro m Eas E e a on Rm 10 " 1 -0 80 C1 6 A-3 2 P2 4 3 B B3 2 7 GL1 9 40 32 1 P ov de Mechan ca Fas en ng 1 - 0 V 90 V F 1 -7 V 3 - 2 V F A w M o A- 1 # A n 2 Ex s ng Conven e ce S a o Lowe Leve F 32 V I F P E T V M n o L ne o L gh Cove 7 A- 03 B Comb a on F e A a m Speake S obe M ua Pu a on 40 68 P P1 47 A1 G GL4 G GL4 Nor h E va on Rec p on Rm 1 4 1 = 1 -0 De a P an Rm 1 3 - Mu p po e 1 1 -0 Re ec ed C ng P an Rm 03 - M pu pose 1 4 = -

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1 -0 West S c on RM 3 1 1 -0 No h So h S c on RM 03 01 15 -10 A F F 0 -0 A F F 26 1 00 4 4 6 7 10 1 13 15 16 1 14 5 17 25 7 WV 101 Gymna um 103 Mu pu pose Room 8 A-307 A- 07 9 7 8 3 2 -3 0 -0 A F F 10 -0" A F F 12 -6 A F F 15 -0 A F F 1 18 7 9 23 24 22 17 17 25 26 7 5 22 WV1 103 M pu pose R m 20 12 A-30 11 A-30 28 1 -0 A F F 9 35 10 -0 A F F 12 -0 A F F 9 25 26 7 22 22 Con e ence Room 06 WV2 5 24 23 38 29 5 A-30 1 A- 11 16 EQ EQ B2 2 -1 1 4 31 1 " -0 Eas Wes Sec n @ TV RM 1 6 1 1 4 -6 M n 11 -4 A F F 12 - 0 A F F 15" A F F 5 48 39 40 41 42 46 104 102 Gym Open C cu a on 29 6 A-307 0 -0 A F F 33 26 5 8 45 14 A- 07 3 15 A-30 8 105 Lounge 45 7 23 24 30 A- 11 25 26 33 7 A- 11 10 A-3 7 60 7 25 31 1 2 1 -0 No h Sou h Se on @ Lounge Rm 1 5 8 -0 A F F EQ EQ 2 -3 1 2 1 -0 8 22 2 5 45 25 26 14 1 19 7 8 22 61 8 A-30 1 1 -0 We ess Cen e Ex o W Sec on 27 4 1 4 30 20 20 2 -2 1 2 2 -0 1 4 1 -4 1 2 Was e B n Pu -Ou Hä e e Ma Doub 2 52 q em n 503 15 224 B5 S Re e o A-310 #4 S B5 Re e o A-310 #4 4 2 -0 8 2 -8 1 8 1 -5 3 4 1 1 4 1 - 3 4 22 5 1 EMTEK Pu - 6360 3 -0 11 7 -0 7 8 EMTEK Pu -86360 1 1 30 36 W de Bu - n Re ra o -F eeze ADA Com an SKU FFRF36 FADA 1 1 4 1 1 4 2 -0 L ne o Re r ge a or Beyon P o de Lock P1 8" 3 - 3 4" P1 P ov de ocks Rm 1 5 Cab ne 4 1" 5 23 4 5 23 4 2 2 -6 1 2 2 3 -2 2 -10 4 1 -1 1" 2 -0 EMTEK P -87120 P ov de F r Da a Powe L gh ng ST04 L g ng ST04 Se ure To W F oo Rm 1 4 Ju e Ba 3 4 1" WV2 5 23 4 30 S2 B5 Re e o A-310 #4 W4 3 -2 6 -6 7 8 22 5 23 4 S2 B 3 -2" 6 -6 7 8 22 30 EMTEK Pu -87120 P ov de Lo ks L gh ng Beh nd Cus om Ou e Boxe B S S Tab e Mens Womens ow H mpe Cab ne 3 -0 4 24 Va e 1 4 L nen B Beh nd EQ 1 -0 C O See P n 4 24 3 4 P ywood L en B Cu Ou Se P a P 1 P 2 SS1 PL1 P 2 P 2 SS1 P v Lo ks EQ EMTEK Pu -86 60

STORYTELLER

Immersive Theatre for the Drama Sleep No More

Renovation of Paper Factory in Marzabotto Competition

Duration: 2018.05-2018.06

Instructor: Prof. Li Bing

Category: Design

Site: Marzabotto, Italy

Building Area: 4200 ㎡

The project is a renovation of the Mantuan paper factory and the idea of the renovation starts from exploring correspondence between drama scene and space. Dramatic conflict produces spatial perception. And the narrative order of space is in connection with the development of the drama. A new type of theatre called "Immersive Theatre" is built up to create experiences where audience members give up their "observer" status to become co-actors and co-creators of the narrative and of the storytelling process. And the audience will have an emotional resonance from the architecture.

You will be inside the space, choosing what scenes to see, creating movements and physically responding to actions to create site-responsive theatre. The performance will never be the same. In the theatre, audience is the storyteller, actor is the storyteller, space is the storyteller. Everything is the storyteller.

BREATHING

Interactive Fashion

2020 Fall Interior Elective

Duration: Graduate, 2020.10-2020.12

Instructor: Tania Sofia Branquinho, Elvin Ou

Category: Interior Elective in Pratt, Group Work

Co-Designer Pei Yang

With the global spread of the pandemic, the importance of social distancing has become increasingly evident. This installation aims to tackle the current social distancing situation by emphasizing its significance. Our goal is to promote the practice of social distancing throughout the epidemic while also rekindling a sense of intimacy in the post-pandemic era. By integrating interactive lighting and fashion design, we utilize the human body as a symbol and a reminder of the need to maintain appropriate social distance.

CONCEPT/ MODE

Infectious diseases often have a direct relationship with breathing, so we have chosen breath as the central theme for our installation. By utilizing the switching of light colors and flicker frequencies, we aim to convey human emotions with the twinkle frequency corresponding to the respiratory rate. Through the combination of fabrics with different density and texture, the air is visualized. Through overlapping techniques, we create a dynamic play of lightness with different levels of transparency.

The installation will feature three distinct modes:

1. Normal Breathing: Warm white lights will be used to simulate the natural rhythm of human breath.

2. Rejection during the Pandemic: Red lights with increased flicker frequencies and the sound of a buzzer will convey a sense of rejection.

3. Welcoming in the Post-Pandemic Era: Colored lights will serve as a welcoming signal, symbolizing a return to normalcy.

Overall, our installation seeks to explore the connection between breath, light, and human emotions, while representing different responses to the pandemic situation.

TESTING FACTORS

Arduino UNO Bread Board Ultrasonic Distance Sensor Buzzer LEDs Resistors Jumper Wires Ultrasonic

Ultrasonic

Testing

Ultrasonic

Distance Measuring with LCD display / LED / Buzzer

Distance Measuring We used the ultrasonic sensor and LCD display to confirm the feasibility and accuracy of the installation.

Vedio

sensor / LCD display / LED / buzzer

FINAL BOARD TESTING

FINAL BOARD _ During Pandemic

FABRIC WITH COLORED LIGHT TESTING

FABRICATION

When the objects are 6 feet away from the sensor, the white light will light up at normal speed; When the objects are within 6 feet of the sensor, the red light will light up at faster speed, and the buzzer will ring.

FINAL BOARD _ During Pandemic

When the objects are 6 feet away from the sensor, the white light will light up at normal speed; When the objects are within 6 feet of the sensor, the colored light will light up.

FABRIC TEXTURE WITH LIGHT TESTING

FINAL VIDEO/ PHOTOS

Normal Mode Normal Mode Rejection Mode Welcome Mode

RETAIL & BAR

Food Space for the Brand HENRI CHARPENTIER

2020 Spring Interior Design Studio

Duration: Graduate, 2020.4-2020.5

Instructor: Jon Otis

Category: Design Studio in Pratt

Site: Manhattan, NY

This project is to design a food space for the dessert brand HENRI CHARPENTIER. The site is located at 126 5th Ave, Manhattan. The proposal is for a type of composite-space that merges a sophisticated afternoon or evening dessert and bar destination, with a more casual retail space selling various artisanal sweets and desserts. The design also addresses the new paradigm we are presently living in: a viral pandemic - create spaces where people can see others, hear others, but not come in contact with them directly.

CONCEPT - DUAL- ATMOSPHERE SPACE

- ADJUSTABLE SPACE

- SOPHISTICATED MINIMALISM

- SIMPLE AND CLEAN

DESCRIPTION

The design will feature a separate dessert bar and retail space selling sweet baked goods and desserts as well as items togo. Coffee, beverages, tea and desserts will be served in the afternoon and in the evening specialty desserts will be paired with cocktails or wine. The design will seek to convey a consistent continuity in materials but will have two diverse atmospheres for visitors to experience. Customers can select uniquely-packaged sweets while also maintaining social distancing. The retail space provides the opportunity to sell products to take home during a pandemic.

ADDRESSING PANDEMIC

During pandemic period, Retail provide to-go items, shopping in the store considering social distancing Bar provide dining space with separating fabric

After pandemic(post-pandemic), Adjustable curtains will enable larger group gatherings

WHY FABRIC AS PARTITION FOR DINING SPACE?

UP TO 72 HOURS:

This is the amount of time coronavirus can stay active on hard, shiny surfaces Think things like play equipment, door and public transport handles and your phone.

UP TO 24 HOURS:

This is the amount of time it took for researchers to find no more viable traces of the virus on cardboard. This is also a good guide for other porous surfaces

Porous surfaces are much less likely to hold viable amounts of the virus.

Finally decided to use cotton and linen translucent fabric as the partition material. Cotton and linen fabrics give people a sense of intimacy and comfort. At the same time, the translucent fabric provides a certain degree of privacy. It also meets the psychological needs of people under pandemic: you can hear or see each other to a certain extent, but you cannot have direct contact with someone.

Show

Counter & Cashier

Dining Area

CURTAIN RAIL SYSTEM & TRACK LIGHTING

Consider social distancing during pandemic, using curtain systems to separate people. When it is post-pandemic, adjustable curtains will enable larger group gatherings.

Also, the rails of the curtain in dining space are extended as the rails of track lighting in retail space.

During Pandemic: Curtains seperate people; Sliding doors block the flow of people passing through the dining space and retail space.

When post-pandemic, the curtains are opened and people resume social communication.

During pandemic, the curtains as partition to seperate people.

Post-pandemic: Allow group gatherings; Sliding doors opend to allow the flow of people passing through the dining space and retail space.

Bar Area

FLOW PAVILION

An Installation in Barcelona Pavilion

2020 Summer Option Studio

Duration: Graduate, 2020.6-2020.7

Instructor: David Mans

Category: Team Work, Co-Designer Xinduo Guo

Site: Barcelona, Spain

The Barcelona Pavilion demonstrates a spatial fluidity by creating interlocking space through vertical and horizontal planes, visible or implied. Our installation enlarges the spatial experience of the pavilion by emphasizing the body’s relationship with the surroundings (proprioception). The installation also designs circulations to foster movement around the space.

FORM FINDING PROCESS WITH GRASSHOPPER

Upon arrival, the installation begins from the stairs and extends toward the west entrance. Walking around the installation and the Barcelona Pavilion, visitors are sometimes enclosed and sometimes exposed.

CLIENT AND PROGRAM ANALYSIS TILING STRATEGY

Tiles are assigned based on the “planarity” of the pavilion. Thus tiles in vertical and horizontal directions have different tiles and show a transition from flat to steep. The shadow of the tiling becomes a translation of the structure and direction of the forces above, changing based on the time of the day. Aluminum sheet is selected as the material because of its ductility, reflectivity, strength, and ability to provide shades.