King
STEPPING INTO ADVENTURE
FEATURES
TRIPLE CREEK RANCH 30
Discover the luxurious, adults-only experience at Triple Creek Ranch, where personalized service and cozy log cabins provide a secluded haven amidst Montana’s stunning Bitterroot Mountains.
ARIANA MARNELL 40
Young rider Ariana Marnell, who carved out an exceptional junior career in the hunter ring, now looks ahead to the future as she sets her mind toward success in the show ring and in her academic pursuits.
FASHION 2025 52
With strong roots in tradition, modern equestrian apparel brands are embracing a fresh perspective. High-performance fabrics, bold hues or soft pastels, and tasteful embellishments turn heads in the show ring, while outside the ring, they become fashionable, street-ready essentials.
STEPPING INTO ADVENTURE 64
Guided by the company ethos, Penelope Chilvers’ footwear draws inspiration from the beauty of the African bush. Her designs seamlessly transition from flickering campfires to city streets, ideal for adventures that require functionality and comfort.
PLUMSOCK BARN 70
Step back in time to the Plumsock Barn in Willistown Township, Pennsylvania, where a traditional fieldstone and timber frame construction give a modern creation deep old-world charm.
LES CHEVAUX DANS L’ART 78
Three classic 20th century French painters bring unique styles and perspectives to their representation of horses, reflecting their individual artistic philosophies and the broader movements they’re associated with.
PHOTO J. BANNAN
DISCOVER A SOPHISTICATED KIND OF UNWIND
Where elegance meets effortless. Relax on our warm beaches. Indulge in our exquisite restaurants. And get pampered from head to toe in our award-winning spa.
DEPARTMENTS
Show jumper Ariana Marnell shot on location in Wellington, Florida.
Photo: Alden Corrigan
Stylist: Krista Weisman
Ariana wears Hermès Jump Competition Jacket, Polo Shirt, and Jump Riding Breeches. Shown with Hermès Vivace Saddle and Ergonomic Girth.
See page 40 for the full feature.
EDITOR’S NOTE 8
Welcome to Equestrian Living RESOURCES 97
Look for CONTACT INFO | PAGE 97 to find the products and services in this issue.
BARN DOGS 98
Susan Weisman, who has fostered over 50 dogs for Danny & Ron’s Rescue, introduces us to her dog Brooklyn.
Two-time Olympian Darragh Kenny represents Ireland in competitions around the world. He discusses his favorites in a variety of categories from travel and books to cars and careers. 34
Show Dad you are thinking of him this Father’s Day. 36
Take a look behind the scenes of a family-owned business that prepares animals and their stunt riders for the big screen.
Dior’s iconic saddle flap seamlessly weaves through the house’s collection of accessories, from luxurious leather to beaded fringe.
FOOD 16
Santa Fe mountain resort Bishop’s Lodge serves up The Muse, a layered and vibrant cocktail inspired by Georgia O’Keeffe. BOOK 20
Read an excerpt from Riding by Pardis Mahdavi, an entry in the Practices series from Duke University Press.
GIVING BACK
The 10th annual Polo for a Purpose event raised over $700,000 for pediatric cancer research.
Pedro Cebulka, a longtime ambassador for JustWorld International, greets gala event guests in his signature vibrant wardrobe.
DESIGN
Artist and equestrian Danielle Demers integrates her love of horses with her creative pursuits.
PROPERTIES
Fabulous farms and ranches. 88
Five ideas to help you design a barn that will make your chores faster and easier.
Flexion in a horse’s neck is said to help rideability and control, but what are the dangers of overflexion?
Despite editing pages brimming with chic silhouettes and timeless tailoring, I confess I remain fashion-challenged or, at the very least, color-cautious. My wardrobe consists of varying hues of black, beige, and “greige,” occasionally livened up with a jaunty scarf with daring pops of color. And that’s where the brazen trail ends.
Coco Chanel offered innumerable insights on fashion, but one sentiment distills her philosophy best: “Fashion changes, but style endures.” That leaves plenty of room for evolution.
Equestrian riding apparel is a perfect example—a confluence of tradition, discipline, and understated elegance that has stood the test of time. In this issue’s fashion feature, vivid pages of competition and training apparel, while adhering to the traditions rooted in the sport, are also attuned to the ever-evolving demands of performance. From classic navy and black show coats to enticing
options in palettes of soft pastels in flattering silhouettes, today’s riders can expect optimum comfort and meet the rigors of competition through cuttingedge fabric technology, all without forfeiting the sport’s elegant aesthetic.
Stepping away from show-ring apparel, we offer a visual narrative of a fashion-inspired riding safari in Botswana, photographed by Georgina Preston. Penelope Chilvers, founder of her namesake footwear company, invited friends to experience the region’s evocative wildlife and landscapes on horseback and to recount the day’s adventures around the campfire under star-laced skies.
Contributing writer Sarah Lessler profiles Ariana Marnell, the celebrated junior rider now competing in the U25, 2*, and High Amateur Divisions. A full-time student at Auburn University, Ariana balances academics, team riding, and individual competitions with great aplomb. An idyllic fit for our fashion issue, Arianna’s polished style, both in and out of the ring, reflects an appreciation for timeless pieces and effortless sophistication. On an interesting side note, Sarah added the finishing touches to her article while in labor and en route to the hospital.
At EQLiving, we are always eager to celebrate horses in myriad ways—from competition accomplishments, and horse-healthy barn design to their enduring influence on décor, design, fashion, and entertainment.
In a stunning design project, the Plumsock Barn in Pennsylvania reimagines a stone barn that honors colonial times yet is a decidedly modern creation.
As part of the dual-purpose structure, the fully functional horse barn is an enviable space for its lucky equine residents.
In the entertainment realm, we gain access to Horses for Productions, a family-owned business that trains and prepares horses, animals, and riders for film, TV, and print. Whether supplying a donkey for the Oscars or a horse for Beyoncé’s large-scale halftime performance, their pampered menagerie is always ready for their close-ups.
In a slight departure from our traditional galleries, we spotlight the work of three 20th-century French artists, each depicting horses in a unique fashion. Curated by Findlay Galleries of Palm Beach, Florida, the collection ranges from whimsical renderings to gestural, violent strokes and softer portrayals set within tranquil settings.
Adding to the mix in this issue, we highlight Triple Creek Ranch, the fivestar resort in the Montana Rockies, offer a roundup of Father’s Day gift ideas, and share a delectable cocktail recipe from Bishop’s Lodge in Santa Fe, New Mexico.
As I look ahead, I have two exciting interviews scheduled. One of them features a person renowned for her skill set in mixing vibrant colors and patterns with ease and without a hint of chaos.
I’ve done my homework, but one question looms: what will I wear?
I can always call upon Coco again.
“The best color in the whole world is the one that looks good on you.”
Another riding discipline you’d love to try: would be really exciting to try; it seems like such the adrenaline
Favorite horse:
I have been very lucky to ride many exceptional horses. I would definitely have to say VDL Cartello and Eddy Blue.
Proudest riding achievement: Competing at the Tokyo Olympics. An unbelievable experience.
Favorite fragrance: Le Labo’s Santal 33.
Favorite TV show: Blacklist is definitely my favorite, but I have to admit Yellowstone is up there too.
I would have to go with a sunny, fun, and laid-back destination: the South of Spain.
What books are on your bedside table: I am not a big book reader, but two of my favorites are Greenlights by Matthew McConaughey and The Outliers by Malcolm Gladwell.
Favorite source for I would like to think of myself as more classic and traditional guy. I like good things but tend to stay away from the “trendy” stuff. For me, traveling is the best source for fashion.
MY FAVORITES
Favorite App: My Show Advisor is the best! A great app for show jumpers.
What is your greatest extravagance: I have to admit I have a thing for watches. I can never have too many.
DARRAGH KENNY
A two-time Olympian, the Irish show jumper has competed since age 10. He represented Ireland in Tokyo and served as the reserve rider for the Paris Games. Kenny has secured podium finishes and 5* Grand Prix victories worldwide from Devon to Dinard. Most recently, he claimed second place aboard Eddy Blue in the $500,000 CSI5* Lugano Grand Prix at WEF.
Favorite restaurants: Imoto in Palm Beach, and in Europe, I like Glovers Alley in Dublin and Mei Wah in Eindhoven, a fantastic little contemporay chinese-cuisine restaurant. All three are excellent!
Favorite show/venue:
The Dublin Horse Show. For me, it’s the best show in the world and definitely the most entertaining.
If you weren’t a jumper, you might have been: Definitely a jockey. I love racing, and I’d like to think I could have been quite good at it.
Favorite hotel: London is one of my favorite cities. I enjoy very much staying at the Dorchester.
Favorite food to cook at home: I enjoy the BBQ very much; I am a real fan of big, chunky steaks.
GEORGE KAMPER
VECTORPORTAL
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EDITOR AND CREATIVE DIRECTOR Stephanie B. Peters
SENIOR EDITOR Jill B. Novotny
PHOTOGRAPHY DIRECTOR George Kamper
EDITORS AT LARGE Rebecca Baldridge, Judy Richter (2015-2022)
CONTRIBUTING BEAUTY EDITOR Leslie Munsell, Beauty For Real
CONTRIBUTING WRITERS
Findlay Galleries, Sarah Lessler, Beth Rasin, Susan Weisman
CONTRIBUTING PHOTOGRAPHERS J. Bannan Alden Corrigan, Ali Darvish, Shawn McMillen, Georgina Preston, Andrew Ryback
DESIGN MANAGER Mary A. Stroup
SOCIAL MEDIA AND WEB CONTENT Maggie Carty Golon
DIGITAL & CLIENT SERVICES Sarah Lessler
EDITORIAL MANAGER Theresa Cardamone
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UK-BASED LONDON EDITOR Bridget Arsenault
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DIOR’S REIMAGINED SADDLE FLAP
4.
5.
Dior’s iconic SADDLE BAG, first introduced in 1999, remains a timeless statement of style. Reimagined in luxurious leather, denim, beaded fringe, and other exquisite materials, its unmistakable equestrian influence now seamlessly weaves through the house’s striking collection of accessories.
. Saddle Tote Bag in black
is both practical and modern. Spacious main compartment with a saddle flap exterior pocket offers easy access to keys, wallet, and phone. $3,200.
Saddle Lotus Wallet accented with saddle lines with asymmetric flap and D stirrup. In blue Dior oblique Jacquard with smooth calfskin detailing.
1. The Mini Sport Saddle Bag in brown smooth calfskin with adjustable strap. $3,900.
2. Saddle Backpack with flap in beige and black Dior Jacquard pattern and grained calfskin. Spacious inte rior for laptop and other essentials. $3,200.
3. Medium Saddle Bag with newspaper printed calfskin and removable, adjustable strap. Price upon request.
Medium Saddle Pouch with chain in blue chambray, Dior motif and antique-gold finish D stirrup. $1,950.
Saddle Gloves in navy blue smooth lambskin with hallmark saddle shape. Accented with navy blue oblique Jacquard at the cuffs. $1,000.
The Saddle Belt crafted in black smooth calfskin is embellished with a saddle flap pocket and antiquegold finish D stirrup. $1,150.
grained calfskin
LUXE LIBATIONS
The mixologist at Santa Fe’s BISHOP’S LODGE offers an artfully inspired cocktail.
THE MUSE
INGREDIENTS
2 ounce vodka
¾ ounce holy mix*
3 dashes Peach bitters
½ oz hibiscus (dropped in the bottom) Top with Gruet
PREPARATION
Shake vodka, holy mix, and bitters. Strain into a Bordeaux wine glass with fresh ice. Pour hibiscus down the side so it sinks to the bottom of the cocktail. Top with Gruet. Garnish with fresh edible flowers.
* Spiced apricot purée made in-house with cinnamon, nutmeg, allspice, and local Chimayo red chile.
This cocktail, made with Local Teller Vodka, stone fruit, Gruet sparkling wine and hibiscus, is inspired by Georgia O’Keeffe, who found Northern New Mexico to be her muse. Her work is cherished all over the world, but especially here in New Mexico, where we see the vistas that prompted her paintings in our backyard. In this cocktail, stone fruit mingles with bright floral hibiscus, and the addition of local Gruet sparkling wine adds the perfect bubbly balance to this layered and vibrant cocktail. Garnished with an edible flower, to honor O’Keeffe’s love of our local flowers, the Muse feels like a colorful desert sunset, right in your glass.
MISSY AUGE is the wine director of Bishop’s Lodge, Auberge Resorts Collection. With over a decade of experience in hospitality and a Level 2 Sommelier certification from the Court of Master Sommeliers, Auge oversees the wine operations for the 100-room resort, which serves as a luxurious and soulful retreat steeped in New Mexico’s heritage. Born and raised in New Mexico, Auge first discovered her adoration for viticulture as the owner/operator of Tanti Luce 221 in the heart of Santa Fe’s historic district. Previously, Auge was Lead Sommelier at 71Above in Los Angeles and held management positions at esteemed establishments, including Spaghettini and the Dave Koz Lounge in Beverly Hills.
BISHOP’S LODGE, a one-of-a-kind luxury resort in the foothills of the Sangre de Cristo range, celebrates Santa Fe’s renowned cultural, art, and culinary scenes and the spirit of adventure that epitomizes the Rocky Mountains. Voted the number one resort in the the Mountain West by Condé Nast Traveler, the property offers endless exploration and connects directly to the breathtaking 1.7 million acres of the Santa Fe Forest. Adventurers can embark on a horseback ride or hike, discover preserved Pueblo sites of Bandelier National Monument, or enjoy a bespoke tour of the famed art galleries of Canyon Road.
Wellington, FL
Offered
Wellington, FL
Offered
Palm Beach Point
Wellington, FL
Wellington, FL
CFALL(ING)
An exclusive excerpt from RIDING by
lick. Clack. Crackle. Boom. The grass beneath my bare feet trembled, and an earth-shaking ba-boom, ba-boom reverberated through my body. I whipped my head around, and my headscarf fell to the ground. What was that? Where was it coming from? My heart skipped several beats, and I wondered—as I did many days living in Iran—if I was in danger.
I had come to my ancestral homeland under the guise of studying the emerging feminist movement in Iran. But some part of me always knew that I’d really come in search of answers about myself and where I belonged in this world. Having grown up in the United States after my parents fled a home country in the throes of revolution, Iran, in my imagination, incited a mix of fear and fantasy. The images I saw on television as an elementary school child were of burning American flags, American hostages taken, and wailing women cloaked from head to toe in black. This was contrasted with the crackling voices of my aunts, cousins, and friends back in Iran during our weekly phone calls. They told a story of a country with a rich history, a people with strength coursing through our veins, and a youth movement on the rise. When I could no longer stand to only dream about Iran, to fantasize about returning to an imagined homeland where I would finally fit in, finally make sense, finally belong, I decided it was time to go.
Pardis Mahdavi
This excerpt from the book Riding by Pardis Mahdavi is published with permission from the publisher. © Duke University Press, 2025.
parents’ past. Everyone was eager to show me the “real Iran,” thrilled by my insatiable curiosity. And every night I followed my cousins and new friends into a wild underground scene of parties and politics. There, I blended in among throngs of my peers who were living life to an extreme I hadn’t experienced growing up in the United States. This was a side of being Iranian that my family had kept from me. Frozen in the moment of their emigration, my parents, like many others in the diaspora, had raised their children to follow a version of the culture that didn’t really exist in the homeland. They’d convinced me that good Iranian girls didn’t date, except in an arranged fashion. My grandmother had burned it into my brain that my sole goal ought to be finding a husband, and many in the IranianAmerican diaspora told me that being an Iranian feminist was a contradiction in terms.
They were wrong.
I arrived in Tehran in 2000, a fresh-faced twentyone-year-old, and it took less than a week for me to fall completely in love with the country. I met new relatives, friends of the family, and people from my
Despite, or rather because of, the relentless command of an older generation of conservatives who had taken power during the revolution, the young women I met in Tehran were in charge of their own sexualities; dating, mating, and sleeping with numerous men. These women were leading what they called a sexual revolution, or an enqelab-i-jensi in Persian. They talked constantly about their bodies, the resistance they embodied, and the desires they navigated and embraced. Unable to negotiate true citizenship with the state, they negotiated in the bedroom instead. They would take down the regime protesting not in the town square but from the most intimate spaces of their lives.
The Islamist regime that came to power during the Islamic Revolution of 1979 cast a dark shadow
of austerity over the country. In public, Iranians were mandated to wear Islamic dress and to refrain from activities such as listening to pop, rap, or heavy metal, dancing, drinking, or fraternizing with the opposite sex outside of marriage. I remember driving by a billboard with an enlarged photograph of Ayatollah Khomeini, the former supreme leader of Iran and the architect of the Iranian revolution. Khomeini was speaking a decree: “The Islamic Revolution was not about fun; there is no fun to be had in the Islamic Republic of Iran.” I watched under the light of a full moon as young people spray-painted over the quote while blasting Persian rap and taking turns gulping swigs of what I could only assume was illegally procured or homebrewed alcohol from a blazing silver flask.
Young Tehranis led me into darkened, emboldened corners of the city, and I was both thrilled and terrified to follow. We attended underground, illegal dance classes, raves in the mountains, house parties that shook the walls, and sensual poetry readings in abandoned warehouses. There were also sex parties, where it wasn’t uncommon for a hat filled with everyone’s keys to be passed around to determine who should hook up with whom.
But Iran’s sexual revolution wasn’t just about sex; it was sex and politics. The mullahs had assured their rise to power by promising the restoration of a certain moral order they claimed had been lost under the shah. They vowed to stop the “Westoxication” that had spread through Iran during much of the twentieth century, and they did so by shrouding the country in a false fabric of morality, a new “dark ages.” Young people recognized that this fabric had to be attacked
by challenging the moral order. They nicknamed the morality police “the dark patrol” and called themselves “the dawn patrol.” A new revolution was brewing, a movement that brought hope to so many people my age struggling with feelings of hopelessness.
In public—with a single strand of hair peeking out from their veils—they were slowly and as safely as possible questioning the regime’s legitimacy. But behind closed doors they were quickly and not nearly so safely carving out the necessary spaces to explore, debate, love, breathe. For enhanced privacy, the young people often turned to the cover of the mountains. There, they engaged in intimate acts punishable by death.
This is what had led my date and me to the hills of Kordan, a suburb of Tehran covered in grassy hills and jagged mountains that kissed the cloudless blue sky. Kordan was a haven for Iranians of all ages. My parents’ and grandparents’ generations enjoyed the open spaces where they could see the sky and plant orchards to grow their favorite fruits. Elderly couples often sat in the shade of their own mulberry or barberry trees, reading a book and licking their fingers after munching on the berries with their delicious nectar. For my generation, Kordan provided a desperately needed escape from the watchful eyes of the crowded city of Tehran. Overgrown trees and bushes on the zigzagging trails up the mountains provided cover for canoodling lovers. Here young people felt more free to gather, dance, discuss political activities, and take in the quiet of nature.
Ali, an aspiring journalist, drove the twisting and stomach-turning roads through the hills until we arrived at a clearing at the foot of Mount Damavand.
But before he had a chance to unfurl our fibrous woven blanket thick as carpet, the earth began to shake, and we heard a loud rhythm of pounding beats coming up the trail behind us. Ba-boom. Ba-boom. I was terrified. The dark shadow of danger made its way to me.
What was happening? The pounding grew louder, closer, and then I realized— we were hearing hoofbeats. Horses. When they finally came into view, they were magnificent, bold, certain. And riding atop them were women of equal magnificence and bold certainty. The riders opened their mouths and let out a highpitched trilling.
Hiiii-liiiii-liiii-liii-li. Hiiii-liiii-liiii-li.
I had only ever heard women make this sound at weddings and parties to signal budding romance. Here in the lush plains that grew in the shadow of one of Iran’s highest peaks, it seemed both out of place and entirely at home.
I was entranced. They were a group of ten, all riding barefoot, bareback, and bit-free, their hair streaming in the wind behind them. The women were dressed in bright red, pink, and orange; some of them, riding hands-free, held weapons. The leader among them had a bow and arrow pulled taut. The two women who flanked her carried spears. But when the leader met my gaze, she smiled and lowered her weapon, clucking her tongue to signal the others to do the same. “Iiist.” She kicked her legs forward and sat deep into the groove of her black-andbrown horse, bringing him to a halt. The remaining women and horses followed. They towered over Ali and me. I looked up at their faces, squinting to make out their expressions as the rays of sunshine formed haloes around them. Horses in every shade of black, brown,
Continued on page 91
COMPETING FOR A GOOD CAUSE
10th annual POLO FOR A PURPOSE raises over $700,000 for pediatric cancer.
BY: REBECCA BALDRIDGE PHOTOS: ALI DARVISH
Polo for Life celebrated its “Polo for a Purpose” event in March, raising over $700,000 to benefit the Kids Cancer Foundation, Miami Cancer Institute, and the Pediatric Oncologist Support Team.
The evening started on Field One at the National Polo Center (NPC), with Trubar (Kenny Mayer, Mich Ward, Brandon Phillips, and Kris Kampsen) facing off against Hotels at Sea (Tareq Salahi, Marcos Bignoli, Nic Roldan, and Brendon Stenzel). Trubar narrowly triumphed by a score of 8-7.
Following the match, guests enjoyed cocktails poolside before moving into the NPC’s Mallet Grill for a seated dinner. The space had been transformed to reflect the evening’s theme, “Land of the Rising Sun,” with cherry blossom trees and fairy lights creating a Japanese wonderland.
As guests dined, Brandon Phillips acknowledged the organization’s growth over the past year.
In addition to adding three new board members, Montana Coady, Benjamin Randall, and Rob Gray, Polo for Life is now fielding an 8-goal team thanks to the generous sponsorship of patrona Roni Duke. The organization has also added two fundraising events to the annual calendar. On September 14, 2024, Polo for Life held its inaugural event at the Meadow Brook Polo Club in New York to rousing success. The first West Coast event had been set for the Will Rogers Polo Club in Los Angeles, but due to the recent wildfires, the event is now planned for 2026
Following dinner, auctioneer Tanner Snider led bidding on a number of fabulous offerings. Travel was an overarching theme, with luxurious stays in Casa de Campo, Round Hill, and Norman’s Cay, Bahamas, all fetching generous bids. The auction and Call to Heart together raised over $350,000, exceeding last year’s total by $100,000.
ALDEN CORRIGAN
1. The venue reflected the evening’s theme, “Land of the Rising Sun,” with cherry blossom trees and fairy lights creating a Japanese wonderland. 2. Lennox, a 3-year-old leukemia patient at Kids Cancer Foundation, threw the first ceremonial ball to start the match. 3. Before dinner, guests enjoyed cocktails poolside. 4. The trophy presentation. 5. PJ and Suhail Rizvi and their daughters. 6. Barbara Cook, Executive Director of Polo for Life and Melissa Brandes, VP of Global Equestrian Sales and Director for Lugano.
GRACEFUL STATEMENTS
Artist and equestrian DANIELLE DEMERS integrates her love of horses with her creative pursuits.
1. Amongst the Oaks boxed set-ofeight foil-stamped correspondence cards with envelopes. Shown in muted sage and rose gold.* $45.
2. Fancy Ponies foil stamped thank-you cards in cream, gold, and baby blue. Setof-eight.* $45.
3. Celestial Horses Rearing correspondence cards with foil stamping. In cream, teal, and bronze. Set-of-eight.* $45.
4. Winter Forest Horse greeting cards in plum with gold foil stamp. Set-ofeight.* $45.
5. Countryside Toile wallpaper in moss brown. See website for specifications and pricing.
6. Amongst the Oaks wallpaper in green clay. See website for specifications and pricing.
7. Wanderlust Collection foil-stamped correspondence cards. In muted sage and rose gold. Set-of-eight* $45.
8. Set-of-eight Standing Horse Wax
Seals with metallic painted detail. Shown in sap green and copper. $45.
The horse has always been the muse for artist, stationer, and pattern designer, Danielle Demers, often serving as the focal point of her work. Her equestrian-inspired stationery, wallpaper patterns, art, textiles, and objects, are deeply intertwined with her passion for history, travel, antiques, and vintage finds. Danielle crafts her collections in her studio, located on the southern coast of Maine.
A detailed interior showcasing Amongst the Oaks wallpaper in green clay.
*All set-of-eight cards are boxed with envelopes.
DRESSED TO IMPRESS, DRIVEN TO INSPIRE
PEDRO CEBULKA:
a showman with a purpose.
BY BETH RASIN
Even in a room of colorful evening gowns, cocktail dresses, and bow ties, ringmaster Pedro Cebulka is impossible to miss. Clad in his signature tails, shimmering gold pants, and a customcrafted top hat, he welcomes guests to the JustWorld International gala in Wellington, Florida, with infectious energy, greeting old friends and welcoming new ones, jumping into photos and setting the tone for an unforgettable night.
“I want to be a familiar face at the entrance, like a host welcoming guests to a restaurant,” Pedro said. “Right away, I want the energy to be positive. You see me smiling and laughing and making jokes at the door, making everyone feel comfortable to set the mood for the evening.”
For Pedro, dressing with flair is a statement. As a longtime ambassador for JustWorld International, an organization dedicated to uniting equestrians to break the cycle of poverty in underserved communities worldwide, his vibrant wardrobe is a walking billboard for the cause. Every detail is intentional, from his golden shoes to a hat embroidered with the JustWorld logo.
He wears his carefully curated wardrobe as a ringmaster at shows worldwide, including several that partner with JustWorld, such as the Hagen Future Champions in Germany.
“I like to reflect my position as an ambassador and mascot and honorary board member [of JustWorld] and someone who has been to shows all over the world,” he said. “The tails are classy, and the hat is specially crafted by a company in California.”
FROM FINANCES TO PHILANTHROPY
Pedro’s journey to ringmaster was anything but conventional. Once a banker in Germany, Pedro traded financial statements for international travel, immersing himself in cultures across Central and South America and Southeast Asia. During these travels, he witnessed both poverty and resilience.
“I stayed with the poorest of the poor,” he said. “Yet they smiled, they danced, they shared what little they had. That changed me forever.”
Throughout nearly five decades of working five-star events, he’s brought a mix of fun and formality to the role.
“The prizegivings are very important,” he said. “I like to honor the athletes, the owners, the horses and grooms, the sponsors and breeders and organizers. It’s important that it’s a ceremony, and when I walk in the ring that it looks good.
“We all travel from far away to be here, and I want everyone to feel special,” he added. “I like to have fun, make the horse or rider relax, but also have discipline in it, so that it looks like a performance. The outfits make it special for those reasons.”
In 2010, Animo began sponsoring Pedro and custom-making tails for him. He now has eight or nine, which can be found in his beachside camper in Mexico during the winter or in the Canadian Rocky Mountains in the summers when he’s not traveling to shows worldwide.
Years later, when he crossed paths with Jessica Newman, the founder of JustWorld International, he found a way to merge his passion for equestrian sport with his desire to give back. Since then, he’s been one of the organization’s most recognizable ambassadors.
“We’re all privileged to be here, to pursue this sport,” he tells young riders. “We work hard, but we are able to follow our dreams. Unfortunately, many young people in the world do not have food or education, so to be a good, responsible person and athlete, you also have to be a good human being. JustWorld supports proven projects where people behind the projects are CNN heroes, and they are making a difference.”
Through his signature style, infectious energy, and unwavering commitment, Pedro ensures that JustWorld’s mission is impossible to ignore. Because in the end, it’s not just about looking the part—it’s about making an impact, one stunning outfit at a time.
Pedro Cebulka welcomes guests to the 2025 JustWorld International gala in his trademark Animo jacket, custom JustWorld hat, and golden pants.
Triple Creek Ranch
One of Condé Nast’s WORLD’S BEST RESORTS brings luxury to the Old West.
BY JILL NOVOTNY
Montana’s Triple Creek Ranch offers a distinctive and luxurious all-inclusive experience nestled in the rugged beauty of the Montana Rockies. The Relais & Châteaux property, situated approximately 75 miles south of Missoula, provides a secluded haven for a limited number of guests seeking an authentic yet upscale Western adventure. Recently, Condé Nast honored the ranch with two Michelin keys and a spot in the top 50 Best Resorts in the World for its unique character.
providing a cozy and intimate atmosphere amidst the stunning natural surroundings.
THE MEMORABLE ESCAPE IN THE HEART OF MONTANA
OFFERS A BLEND OF LUXURIOUS COMFORT, AUTHENTIC WESTERN ACTIVITIES, AND BREATHTAKING SCENERY.
The ranch’s 25 private, western-style log cabins are each designed to evoke a sense of rustic elegance. These individual retreats feature woodburning fireplaces and may include the indulgence of private hot tubs,
Triple Creek prides itself on its exceptional culinary program, helmed by Executive Chef Jacob Leatherman. His innovative cuisine blends classical French techniques with the bold flavors of the American West, resulting in a dining experience that has garnered significant praise. Wine Spectator consistently recognizes the ranch’s award-winning wine cellar for its outstanding collection.
The ranch offers a diverse array of activities, many of which are included in the guest rate, including horseback riding through scenic trails, cattle drives, guided hikes and mountain biking excursions, and shooting and archery. Triple Creek Ranch is an
Orvis-Endorsed Lodge for those seeking aquatic adventures, offering guided fly-fishing trips on the renowned trophy waters of the adjacent Bitterroot River. Yoga and guided meditation sessions are also available to help you unwind after a day of exploration. In the winter months, guests can enjoy horseback riding in the snow, snowshoeing through pristine landscapes, embark on exhilarating dog sledding adventures, and access nearby cross-country and alpine skiing opportunities.
The ranch also works to foster a connection to the arts and culture of the American West. It hosts unique Vintner Events featuring acclaimed winemakers, the engaging Stave
Puzzle Weekend, and supports creativity through an Artist in Residence program and popular Artist Workshop Weekends. Throughout the cabins and main lodge, a museum-worthy collection of Western art, curated by the owners, provides guests with an enriching visual experience.
Celebrating over three decades of ownership by Barbara and Craig Barrett in 2024, Triple Creek Ranch is an iconic destination, offering a blend of luxurious comfort, authentic Western activities, and breathtaking scenery, making it a truly memorable escape in the heart of Montana.
SURPRISE DAD ON HIS DAY
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LIGHTS! CAMERAS! HORSES!
Discover the behind-the-scenes training at HORSES FOR PRODUCTIONS, a family-owned business preparing horses, animals, and stunt riders for their close-ups.
BY SARAH LESSLER
Have you ever watched a show, music video, or movie featuring incredible horses and animals and wondered: How do they make that happen? Equestrian Living got an exclusive, behind-the-scenes look with Scarlet Walker’s Horses for Productions, shedding light on the magic behind her company and the training, dedication, and preparation for her team of horses, animals, and riders to shine in the spotlight in film, TV, and print media.
THE BACKSTORY
Horses for Productions, a family-owned business in Los Angeles, California, was founded over 35 years ago by Scarlet Walker’s mother, Judy Mora. What started as lending a horse for a music video grew into a thriving enterprise. “There was no way I wasn’t destined to be horse crazy,” Scarlet says. She recalled her childhood spent on sets with her mother, who worked on projects like Metallica music videos and Nissan commercials, just to name a few. Scarlet’s admiration for her mother’s work and her profound love of horses began early. As a former steeplechase and show-jumping champion, Judy inspired Scarlet to start riding when she was 2.
Her enthusiasm continued, and she went on to win championships in Western and English disciplines.
Twelve years ago, Scarlet took over Horses for Productions, modernizing the business with a website, social media, and branded team apparel for set days. Though retired, Judy still lives on the family ranch and helps care for the horses and other animals. The business now supplies horses, various farm animals, and skilled stunt riders for production.
THE HORSES
What makes Horses for Productions extraordinary is that while many of their horses are former show and race horses, others are rescued from kill pens or unwanted situations. Once considered without purpose, these remarkable animals are given a second chance and transformed into stars. Scarlet emphasizes that the horses become thoroughly prepared for their roles through time, patience, dedication, and tender care, and they enjoy their jobs. She explains it takes a very special horse to do the jobs required of Horses for Productions. “They have to trust us 110%, and we have to know what they can and cannot do,” Scarlet adds.
The horses are treated with the highest level of care and respect. With a dedicated team of caretakers, wranglers, veterinarians, and farriers, each horse is loved and cared for as if they were family. “What people don’t see behind the scenes are the hours that go into making sure the horse is as comfortable and safe and happy as possible,” Scarlet notes. She also reminds people that many of these horses come from difficult pasts, often facing poor treatment or uncertain futures before finding a new purpose and a loving home with Horses for Productions.
Scarlet compares finding new horses to being “on a blind date with someone
that you are married to.” She fondly recalls one of her first kill pen rescues, an enormous black Andalusian x Quarter Horse x Tennessee Walker cross, who became one of her best production horses. Scarlet trained another rescue, a mare with a natural inclination for rearing, to rear on command—a trait often undesired in horses but in demand for set productions.
“We like to let the horses pick their tricks,” Scarlet states. She laughs as she talks about a recently retired horse who loved her job. “She loved being on set and knew how to work the camera and how to be on set.”
THE TRAINING
Scarlet credits her boyfriend, Stephen, one of her lead wranglers for Horses for Productions, for dedicating countless
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hours to training the horses at home. Together, they carefully prepare the animals by exposing them to lights, smoke, loud sounds, and various surfaces to ensure they’re ready for the demands of production.
Some jobs require horses to learn new tricks or wear specific wardrobe pieces, rehearsed in advance at the ranch, but most rehearsals happen on set. Scarlet explains that each job is unique, especially live performances, which often involve early rehearsals. The team brings horses to the set ahead of time to practice and adjust to the environment, with Scarlet often bringing extra horses to determine the best fit for the production.
Opposite
Beyoncé’s live halftime performance during the 2024 Christmas Day football game. Above: Scarlet on Normandy prepping for a music video. Below: Judy Mora and production horse Feather on set of a Dior photoshoot.
THE RIDERS
Horses for Productions boasts a highly skilled team of wranglers and Screen Actors Guild (SAG) actor riders. Each team member is a trained rider who knows the horses on a deeply individual level and has extensive experience and professionalism in the production industry.
Astunt rider from the team is typically used for scenes requiring more than a simple walk or trot. Scarlet comments that at times actresses claim they can ride, only for the team to discover otherwise. They often pre-plan for a stunt double to ensure safety and a seamless production, though improvisations on set are sometimes necessary. “I have played many different parts,” Scarlet admits, highlighting her adaptability. Above all, she ensures the safety and well-being of the horses remain the top priority.
A TYPICAL DAY IN THE LIFE
Around 20–25 horses call the ranch home, including many retired production horses enjoying their golden years, as well as cows, chickens, and other farm animals used in productions. Daily life revolves around barn chores like mucking stalls, feeding, and grooming, with Scarlet taking a hands-on role. On nonproduction days, the horses relax, graze, trail ride, and enjoy turnout paddocks where they can simply be horses.
The production schedule at Horses for Productions is unpredictable. Some weeks have breaks between jobs, while other weeks may have the horses on set for days, working long hours. Productions range from remote locations to studios, but the projects are mainly local to Los Angeles. Before the horses arrive, the team ensures the set is safe, checking for potential hazards and bringing ample hay, shavings, and treats
for their comfort. Scarlet appreciates production teams that understand and prioritize the horses’ unique needs.
Scarlet explains they always have a “pilot” or “safety” horse on set. This strategy means that if an actor is riding the “hero” horse, there is always an additional horse and a Horses for Productions rider nearby to ensure everyone’s safety.
THE INDUSTRY
Scarlet’s pride in her horses and her business is undeniable. “We get most of our work through word of mouth. We do our best to ensure jobs run smoothly and safely, and the producers get the shots they want,” she shares. She also highlights the strong camaraderie within the industry, explaining that Horses for Productions maintains great relationships with other local companies offering similar services. They often collaborate, sharing jobs when one doesn’t have a horse suited for a specific role, and vice versa.
Scarlet’s dedication to her horses’ well-being reflects the broader industry’s commitment to animal welfare. “At jobs, there is often a representative from American Humane. We love them. They are there to advocate for us and our horses,” she says. She also notes Movie Animal Protectors (MAP), another organization that sends representatives to oversee horse welfare on set and enforce American Humane’s guidelines.
“Fortunately, producers rarely disregard the expertise of horse professionals,” notes Scarlet. “In fact, productions usually go above and beyond to meet the horses’ needs. If we say a horse needs ten pounds of carrots, ten pounds of organic carrots are there waiting for us,” she jokes.
MEMORABLE JOBS
The work Scarlet and her team of riders and horses accomplish is nothing short of extraordinary. It’s hard to grasp how much effort goes into even the briefest
clips featuring horses. Scarlet reflects on some of her most memorable projects, including a music video for David Guetta’s “Bang My Head,” where they provided both horses and stunt riders. The video, set in a futuristic, drama-filled horse race, featured Scarlet as the stunt double for the lead actress. The horses raced through an abandoned mall, creating a visually stunning and unforgettable scene.
Most recently, Horses for Productions was honored to provide horses for Beyoncé’s live halftime performance during the 2024 Christmas Day football game. Scarlet recalls it as one of the most rewarding and cool, yet stressful experiences of her life. Live performances bring a unique
level of pressure and preparation, but she couldn’t have been prouder of her horses and team. Beyoncé is a repeat client of Horses for Productions, with their horses and team featured in seven of her music videos, performances, and sets over the years.
Additionally, Scarlet fondly remembers working on sets with Ryan Reynolds, who wanted to hang and snuggle with the horses in a Deadpool commercial set and shoots with Dwayne “The Rock” Johnson, where one of the horses got his white shirt a bit dirty, and he loved it. Other memorable jobs include photo shoots with Patrick Dempsey, their mini donkey accompanying Jimmy Kimmel on stage at the 2023 Oscars, and their team of horses and riders in a “Yellowstone” Season 2 promotion.
Opposite page, top: Jimmy Kimmel and a mini donkey on stage at the 2023 Oscars.
Above: Scarlet and Feather on the set of a Shari’s Berries commercial. Below: Scarlet on Château on the set of a photoshoot in Beverly Hills, California.
ARIANA
THE CELEBRATED JUNIOR HUNTER RIDER IS SHOWCASING HER POISE AND COMPETITIVE SPIRIT IN THE JUMPER RING.
ARIANA MARNELL of Las Vegas, Nevada, carved out an exceptional junior career in the Hunter ring, piloting her outstanding mounts, Babylon and Ocean Road, to victory on the sport’s biggest stages.
BY: SARAH LESSLER
PHOTOS: ALDEN CORRIGAN
STYLIST: KRISTA WEISMAN
Hermès Jump Competition Jacket, Polo Shirt, and Jump Riding Breeches. Shown with Hermès Vivace Saddle and Ergonomic Girth. Ariana wears her own boots.
“I THINK THIS IS WHY I’M SO APPRECIATIVE OF HOW BIG A DEAL IT WAS, AND IS, TO TRAIN WITH JOHN AND KENT AND COMPETE AT INDOORS AND WELLINGTON.”
By 2023, her final junior year, she had dominated nearly every major championship, from Devon to the National Horse Show, earning the title of Best Junior Hunter Rider. Babylon, her superstar partner, was crowned the Chronicle of the Horse’s Best Overall Hunter and Hunter Horse of the Year in both 2022 and 2023. Wrapping up her freshman year at Auburn University, Ariana continues to balance her passion for the sport with her academic pursuits, proving her dedication extends far beyond the show ring.
CURRENT TRAINING AND COMPETITION
Ariana has long trained with the elite team at KPF, led by powerhouse trio Kent Farrington, Claudio Baroni, and John French. Throughout her junior career, she primarily worked with John, one of the most accomplished hunter riders in the sport. While Babylon and Ocean Road remain under his guidance, Ariana has shifted her focus to the jumper ring, training with Kent and Claudio.
Amateur Divisions, Ariana excels aboard her two jumper mounts, Jikki-Cara and Poldi’s Pleasure. Jikki-Cara, an experienced partner, is guiding her through the bigger divisions, while Poldi’s Pleasure is an exciting young prospect she’s developing for higher levels. During Wellington International (WEF) 2025, she claimed third in the U25 Welcome Stake and Grand Prix and won a 1.45m High Amateur Classic on Jikki while earning top placings in the 1.30-meter classes with Poldi.
WHERE IT STARTED
“The KPF team is ‘big picture and focused on the long game,’” Ariana shares. “It’s a great environment to be in, surrounded by the most experienced riders.” She also praises the seamless collaboration within the KPF team and enjoys how everyone works together. Now competing in the U25, 2*, and High
Ariana’s path to success in the equestrian world didn’t follow the traditional route. Unlike many top riders, she didn’t come from a long line of equestrians. Instead, her love for animals led her to an unexpected introduction to the sport. After attending a dressage show, she was immediately hooked and begged for riding lessons. With her aunt and uncle both dressage riders, she started in that discipline but quickly realized her true passion was jumping. She persuaded her parents to let her switch barns, where she began competing at local shows before making her way to major West Coast circuits like Thermal and Del Mar.
It wasn’t always just horses. Ariana’s parents encouraged her to be well-rounded and try many different sports before fully committing to riding.
Above: Ariana and Babylon, her “Hunter Horse of the Year” in 2022 and 2023.
Previous spread: Hermès Jump Competition Jacket, Polo Shirt, and Jump Riding Breeches. Paired with Hermès Kelly Belt.
“I THOUGHT, WELL, I’LL PROBABLY BE THE LEAST EXPERIENCED IN THE GROUP, BUT THERE IS SOMETHING THAT MY PEERS MAYBE HAVEN’T THOUGHT ABOUT.”
At 14, after years of persistence, she convinced them to let her dedicate herself entirely to the sport. She began training with John French with their full support, marking a turning point in her career. “I think this is why I’m so appreciative of how big a deal it was, and is, to train with John and Kent and compete at indoors and Wellington.”
Newer to East Coast indoor circuits and Wellington, Ariana knew many of her competitors had years of experience at these venues.
Determined to set herself apart, she focused on building her mental resilience.
“I thought, well, I’ll probably be the least experienced in the group, but there is something that my peers maybe haven’t thought about,” she reflects. Understanding that mindset plays a crucial role in success, she worked on mental strategies to ensure
her horses wouldn’t carry the weight of her nerves or mistakes.
MINDSET FOR SUCCESS
Ariana has dedicated time to studying and practicing mental preparation techniques to enhance her performance in the ring. Before her rounds, she visualizes her course and plans each piece. “You can really manifest or put out there what you want to happen. I learned a lot about stress in a good way, and how neurons in your brain can fire faster so your body can respond to your horse quicker,” she explains, referencing her behavioral psychology studies. She observes horses similar to her own but avoids over-watching rounds, knowing that too much exposure can lead to second-guessing her strategy.
Her self-initiated journey into the psychological side of the sport has given her a competitive edge that many riders overlook. Now a freshman at Auburn University, Ariana has her sights set on a future in sports psychology. “I enjoy sports and
Above: Ariana Marnell and Tanzanite de Semilly in the Dover Medal Final.
Hermès Technical Polo Base Layer and Jump Riding Breeches. Hermès accessories: Elan Pocket Belt, Epure Equestre Bracelet, Liste Au Block Brodee Twill Scarf.
anything competition-related. I think that’s where I would like to take my career. There’s so much room for improvement in athletes and teams just through this type of training,” she says.
Adjusting to college life has been seamless for Ariana, thanks to years of balancing an intense riding schedule. She’s thriving as a NCAA Division I Jump Seat Equestrian Team member at Auburn and is already securing wins in matchups. She says one of the most significant benefits of being on the team is the increased time in the saddle. “Even if we’re just flatting or doing poles, just being on a horse is really helpful for my riding,” she notes. She appreciates the coaching staff’s support in allowing riders to compete outside of school and enjoys the added camaraderie of being part of a team.
Managing academics, team commitments, and individual competitions is no small task, but Ariana prides herself on being highly organized. With an academic advisor helping structure her schedule and the flexibility of online coursework, she’s found a
Hermès Heritage Calfskin Tailored Jacket in tan brown. Waist accessorized with Hermès Eperon D’or Twill Scarf.
Collier de Chien Bracelet by Hermès. Ariana wears her own blouse.
“EVEN IF WE’RE JUST FLATTING OR DOING POLES, JUST BEING ON A HORSE IS REALLY HELPFUL FOR MY RIDING.”
system that allows her to excel in all aspects of her life.
LOOKING BACK AND TO THE FUTURE
“Now I can watch some of my rounds—like Ocean Road’s 95 score from Washington or Babylon’s 95 from Junior Hunter Finals—and realize just how special those moments were without being so caught up in competing,” Ariana reflects. At the time, she admits she didn’t fully appreciate their brilliance. Today, Babylon and Ocean Road remain in her family’s ownership, ensuring they are never overused and always well-loved. “They really are the best horses,” she says fondly, enjoying watching them continue to shine under new riders while remaining in training with John.
Balancing college, riding, and competition is no easy feat, but Ariana credits her success to an incredible team and exceptional horses. “It takes good horses and a really good team to make it all work, and I’m so lucky to have that,” she says. Looking ahead, she’s setting her sights on top placings in the U25 Division and hopes to earn a Young Rider NAYRC Championship medal.
With unwavering support from her family, Ariana has already made a name for herself in the sport. Her father, a former professional athlete, understands the dedication and preparation required to compete at the highest level, and her parents fully embrace the journey despite not coming from a horse background. “Their mentality has always been, ‘Let’s make this happen,’” she says. Outside of riding, Ariana finds balance through friendships both in and out of the horse world. Her two older brothers and her close-knit group of friends keep her grounded and motivated. “I love
“I LOVE COMING BACK TO SCHOOL AND HAVING FRIENDS WHO AREN’T ALWAYS HORSE PEOPLE—IT GIVES ME A REFRESHING OUTLOOK, EVEN AFTER A TOUGH WEEK.”
coming back to school and having friends who aren’t always horse people—it gives me a refreshing outlook, even after a tough week,” she laughs.
DRESSED FOR SUCCESS
Ariana is as polished in her style as she is in her riding, seamlessly blending classic equestrian elegance with modern sportiness. She has a deep appreciation for traditional equestrian fashion, favoring timeless designs that exude sophistication. “Hermès is timeless and consistently beautiful,” she notes, admiring the brand’s meticulous attention to detail—from the stitching on bridles to the buttons on show coats.
She especially loves their “ready-to-wear” pieces, which complement her riding wardrobe effortlessly.
Beyond the show ring and classroom, Ariana embraces an active, outdoor lifestyle. Whether hiking, spending time at the beach, or taking Pilates classes, she values unplugging from technology and enjoying time with family, friends, and her dogs. With her drive, passion, and eye for style, Ariana is sure to continue making an impact in the equestrian world and beyond.
SHAWN M c MILLEN
Above: Ariana Marnell and Ocean Road.
Hermès Jump Competition Polo Shirt. Ariana wears her own wrap coat.
QUESTRIAN FASHION
ROOTED IN TRADITION
Polished boots and impeccably tailored show coats remain the gold standard in the ring, a nod to the sport’s rich sartorial heritage. While tradition endures, equestrian apparel brands are embracing a fresh perspective, introducing bold hues and soft pastels—particularly in the jumper arena.
Sparkle, a trend that shifts in and out of favor, subtly returns as refined embellishments on showcoat cuffs, collars, and dressage coat waistbands. Beyond the ring, training attire has evolved to blend style with function. High-performance fabrics with moisture-wicking technology, UPF protection, and thoughtfully placed zipper pockets elevate everyday barn wear to fashionable street-ready essentials.
Meanwhile, several U.K. brands that are well-established in the evocative English country look are introducing show coats, sleek, tall boots, and training pieces that pay tribute to the timeless elegance of equestrian sport.
2O24 FASHI
Equiline’s Gerenig Dressage Tail Coat. Details on page 54.
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1. Equiline’s Gerenig Dressage Tail Coat in unlined BX-Tech bonded fabric is embellished with silver ring buttons, flat micro-studs on the shoulder, back, and front, and an adjustable weight on the tail. In black. $1,149.
2. Equiline’s Efrida Waterproof Jacket (shown in artic ice) provides 100% protection. Practicality is enhanced with a two-way zip, zipped pockets, detachable hood, bottom toggle for styling, and back-side ventilation. $349.
3. The Xanto Helmet in black gloss combines soft, enveloping lines with revolutionary safety. It features a durable ABS outer shell and comfortable EPS inner layer. The helmet meets certification standards. $639.
This page: At left: The Gamtig Competition Jacket offers a perfect blend of style and performance. With silver ring buttons and flat micro-studs on the back and shoulder, riders exude a touch of elegance in the ring. In aquarelle. $699.
Center: The Cerus Jacket , with stretch and breathable fabric, includes a double-front closure with zip, snap buttons, and an allover collar print. Air-bag vest compatible. In taupe grey. $639.
Right: The Caspec Mesh Competition Jacket (in lilac grey). Made for excellence, the unlined jacket in a stretchy, breathable mesh fabric provides comfort and freedom in the show ring. $455.
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1. Pikeur’s Liliane Olympia Tailcoat in a breathable ProPerformance fabric, has an interchangeable pocket square and tailcoat tips. Rhinestone appliqué on the collar, waist belt, and tailcoat corners add finishing polish. (Shown in black) $919.95.
2. The Isalie Jacket in dark green has a four-way functional stretch and breathable fabric. The slim silhouette includes central slits, flap pockets with rhinestone application, and satin piping on the collar and waist. $469.95.
3. Pikeur’s Pique Shirt in a comfortable cottonpolyester features tulle inserts in the front and on the sleeves. The concealed buttonhole panel and application below the tulle add a refined touch. $124.25.
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4. The Isalie Jacket shown in night blue with detailed rhinestone and polished button accents. $469.95.
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Holland Cooper’s Chartwell Rain Parka (in stone) is designed with style and versatility to resist harsh weather with durable waterproof fabric and zippers. The silhouette, similar to a classic parka, includes an adjustable waist and cuffs. $499. Shown with the brand’s Sherpa Lined Regency Wellington in matte black. $259.
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1. Horse Pilot’s Aeromesh Riding Jacket is the brand’s take on the ideal competition jacket, particularly during warm conditions. Its technical, ultra-breathable fabric with micro-honeycomb structure provides riders with maximum comfort. Shown in navy. $370.
2. Holland Cooper’s Crystal Zip Hoodie in a fleece-lined fabric with adjustable drawcord and gold aglets adds a touch of luxury to a day at the barn or doing errands in town. In aubergine. $169.
3. Holland Cooper’s Competition Jacket in an ink navy, four-way stretch jersey, is meticulously tailored for a slim fit. Sports mesh lining, HC gold hardware, and zip closure with faux button fastening keep riders secure and polished. $339.
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1. Rider at left wears the Infinite Show Coat in navy. A blend of performance technology and luxurious fabric, the coat shines in the hunter and equitation rings. $379.95. At right: The Meridian Show Coat in dark denim in a slightly stretchy fabric is unlined for breathability. Show jumpers will turn heads with its elegant details. $429.95.
2. For a polished look, pair Ariat’s Meridian Show Coat (see above) with their Speranza Knee Patch Breech ($324.95), Ravello Dress Tall Riding Boot ($800), and Luxe 2.0 Show Shirt. $109.95.
3. The Luxe 2.0 Show Shirt with a pintuck bib front and mesh fabric looks elegant under a show coat. A stock tie loop adds versatility. $109.95.
4. The Palisade Lace Tall Riding Boot will elevate every ride. The full-lace front and rear zipper allows a customizable fit. In black saffiano. $389.95.
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5. The Staunton Jacket, with an A-line shape, shorter length, wide sleeves, and a horse-print lining, is a modern take on the classic trench coat. $185.
6. In a silky twill with a mock neckline, the Clarion Blouse is the epitome of countryside elegance. In eyelet. $125.
7. Crafted from technical jersey fabric and floral mesh on the upper body and sleeves, the Bellatrix Show Shirt presents an elegant look. $109.95.
8. Styled with equestrianinspired details, the lightweight suede Selene Driving Moc has a cushioned and removable insole for maximum comfort $119.95.
Opposite page: TKEQ
1. The TKEQ essential Contrast Crewneck Sweater with ribbed cuffs and hem boasts a flattering fit and a pop of color to an anyday outfit. Shown in London. $98.
2. With a flattering fit and classic silhouette, the Essential Crewneck is finished in ribbed cuffs and hem in a spring color of pear. $98.
3. The Kennedy Seamless Performance Shirt (in Fiji) with full coverage and stretch is a wardrobe essential. Includes extra-length sleeves for comfort when using thumbholes. $78.
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4. Fairfax & Favor’s new Olivia Wax Jacket is crafted in the finest waxed cotton. Perfect for layering, the waterresistant jacket features a herringbone effect with a double zip, antique brass hardware, welt pockets, and a cord collar for ultimate country style. Shown in pistachio. $530.
5. VALA’S Olsen Zip Neck is crafted from soft cotton fleece. The dropped shoulder design and contoured side seam are idyllic, whether in or out of the saddle. The embroidered logo appears on the front and rear neck. In eucalyptus. $109.90.
6. The VALA navy Mesh Equestrian Show Shirt offers a clean, tailored fit with ultimate style and comfort. Made in a breathable mesh fabric. $99.90.
STEPPING INTO ADVENTURE
Join Penelope Chilvers and guests on a fashion-inspired Riding
Safari with Ride Botswana.
PHOTOS BY GEORGINA PRESTON
Guided by the company ethos, Penelope Chilvers’ boots are purposeful footwear for wonderful experiences. Long known for the brand’s boots—tall and short—their best-selling Safari boots are idyllic for adventures that require functionality and comfort.
Penelope Chilvers (pictured at upper right) draws inspiration from the untamed beauty of the African bush, where wildlife still roams freely. Her designs seamlessly transition from flickering campfires to city streets, embodying a timeless, adventurous spirit.
Founder, Penelope Chilvers
https://rb.gy/5riwpx
Fay Leopard Pony Mary Jane. https://rebrand.ly/73ab0hz
Cassidy Suede Cowboy Boot in tan. https://rb.gy/j5zpzp
Long
in seaweed/conker. https://rebrand.ly/e442gpi
Mini Fringe Suede Bag in tan. https://rebrand.ly/okpwziw With Chevron strap: https://rebrand.ly/4iene8s
Jazz Fresian Pony Shoe.
Botswana Bespoke Boot in Conker.
Buttercup Leather Sandal in tan.
Inclement
Tassel Boot
Saddle Suede Belt Bag.
Botswana Safari Tote.
https://rb.gy/63ojej
Buttercup Leather Sandal in bitter chocolate.
At left: Laura Castro Poorta in Dark Oak Inclement Boot and Saddle Suede Belt Bag; Annie Doble in the waterproof Inclement Boot.
Safari guests, from left: Jules Foot, Africa Sort Chilvers, Penelope Chilvers, Eliza Manners, Laura Castro Poorta, Rosalyn Wikeley, Annie Doble.
P LUMSOCK B ARN
A STEP BACK IN TIME
PHOTOS J. BANNAN
DESIGN
MASTER CLASS LEARN FROM AMERICA’S PREMIER DESIGNERS
Location: Newtown Square, Pennsylvania
Architect: Period Architecture
GC : E. B. Mahoney Builders
Builder: B&D Builders
Timber Frames: Mid-Atlantic Timberframes
Millwork: Vintage Millwork & Restoration
Reclaimed Wood and Iron Work: Vintage Wood & Forged Iron
Stall Fronts: Blackwood Equestrian Stalls
eThe structure was inspired by the nearby Reading Furnace, which was a center of colonial iron making and the site of the introduction of the Franklin Stove. It’s also where George Washington’s army came for musket repairs after its defeat at the Battle of Brandywine.
PeERCHED ON A HILL in Willistown Township, Pennsylvania, there’s a barn that looks like it stepped straight out of history. The traditional fieldstone and timber frame construction give it an old-world charm, but here’s the twist— it’s actually a modern creation, just a few years old. This rustic collection of buildings pays homage to the days when George Washington and his troops walked these fields during the Revolutionary War.
Tucked into this picturesque estate is a 3,000-square-foot dual-purpose structure. The upper level serves as a cozy living space and entertainment venue, while below, there’s a fully functional horse barn. Every inch of this barn is crafted with meticulous attention to detail, blending historical character with modern convenience.
This family estate includes a main residence, entertainment barn, and pool house with an infinity-edge pool, all perched high on a hilltop overlooking bucolic views.
LES CHEVAUX DANS L’ART
THROUGHOUT 20TH CENTURY
FRENCH ART, horses have been a recurring subject, symbolizing power, movement, and elegance.
TFindlay Galleries represents works of art by several painters whose practice included equestrian themes. Among them are Jean Dufy, Gen Paul, and André Hambourg. They each brought unique styles and perspectives to this subject. Their representations of horses varied in technique, mood, and artistic intent, reflecting their individual artistic philosophies and the broader movements they were associated with.
JEAN DUFY
Champs de course gouache on paper 18 ½ x 27 ½ inches
JEAN DUFY: HORSES IN A LYRICAL AND DECORATIVE STYLE
DJean Dufy (1888–1964), known for his vibrant and whimsical compositions, often depicted equestrian subjects with a sense of elegance and festivity. Influenced by Fauvism and the work of his brother Raoul Dufy, Jean Dufy’s paintings of horses were frequently associated with the world of horse racing and circus performances. His approach emphasized color harmonies, fluid motion, and a lighthearted, almost dreamlike quality.
Dufy’s horses were not painted with anatomical precision but rather with an expressive and decorative flair, making them part of dynamic compositions filled with movement and energy. His use of bright colors and sweeping lines captured the excitement of horse races, particularly those at Longchamp and Deauville. His works celebrated the joie de vivre of equestrian culture, blending the refinement of Parisian leisure with a modernist approach to form and color.
JEAN DUFY
Cavaliers au bois , 1940 gouache on paper 7 x 11 inches
Course de chevaux
watercolor on paper
20 x 25 inches
GEN PAUL:
THE EXPRESSIVE AND DYNAMIC HORSE
PGen Paul (1895–1975) brought an entirely different energy to his depictions of horses. As an artist influenced by Expressionism and Cubism, his horses were often rendered with raw, gestural strokes that conveyed a sense of movement and intensity. Paul’s work was shaped by his experience of war and his admiration for the dynamism of the modern world, which translated into his often violent brushwork and fragmented compositions.
Unlike Dufy, who focused on the elegance of horse culture, Gen Paul portrayed horses in a more visceral and powerful manner. His paintings often depicted horses in motion— galloping, rearing, or part of a chaotic scene. His expressive use of line and color emphasized the animal’s strength and vitality, often pushing toward abstraction while still maintaining the recognizable form of the horse. His ability to suggest motion through bold, rapid brushwork made his equestrian pieces some of the most dynamic within his broader body of work.
Concours de saut d’obstacles oil on canvas
19 ⅝ x 25 3/16 inches
Artist
Paul Chase
GEN PAUL
GEN PAUL
GEN PAUL
Le Joueurs de Polo
Watercolor and gouache on paper
19 ¾ x 25⅝ inches
GEN PAUL Polo gouache on paper
19 3/4 x 25 1/2 inches
ANDRÉ HAMBOURG
Preparatifs du concours hippique, 1973 oil on canvas
19 11/16 x 28 ¾ inches
5 ⅛ x 7 ⅛
ANDRÉ HAMBOURG: HORSES IN ROMANTIC AND MARITIME LANDSCAPES
HAndré Hambourg (1909–1999) approached horses with a poetic sensibility, often placing them in serene coastal or countryside settings. Known for his association with Impressionism and Post-Impressionism, Hambourg’s horses were depicted with softer, atmospheric tones that captured the tranquility of the landscapes they inhabited.
While he is more widely recognized for his maritime scenes, his equestrian works reflect his ability to depict movement while maintaining an overall sense of calm and harmony. His use of delicate light and subtle color gradations gave his horses a romantic and almost nostalgic quality. Rather than focusing on the excitement of horse racing or the raw energy of movement, Hambourg’s works presented horses as part of the natural landscape, reinforcing the timeless connection between humans, animals, and the environment.
ANDRÉ HAMBOURG
La Lecon au Menage, 1967 oil on canvas
inches
PARADISE ON THE PARK
JACKSON COUNTY, MISSOURI
APROPERTY HIGHLIGHTS:
– Private 20-Acre Canvas
– Steps from 1,733-Acre Park
– Rolling Hills and 3 Ponds
– Multiple Scenic Homesites
– Barn, 100’ x 200’ Arena, Round Pen
RARE EQUESTRIAN RETREAT where privacy, beauty, and boundless potential converge. Experience the ultimate in suburban equine living while designing your dream estate on this established 20-acre property, featuring multiple scenic home sites in a tranquil, picturesque setting.
With over 600’ of frontage across from Blue & Gray Park in Lone Jack, Missouri, this property offers immediate entrance to 1,733 acres of equestrian-friendly terrain featuring scenic riding trails, rolling hills, open pastures, and wooded pathways— perfect for a quick 20-minute ride or an all-day adventure, all without the need for trailering. This rare access not only keeps both rider and horse well-conditioned but provides an unmatched mental escape, where the rhythm of hoofbeats and the serenity of nature melt away the stresses of the day.
The property also features a 36-foot RV as the current hub, offering immediate livability for a ranch manager or for your
base for planning your dream estate. Enjoy unbeatable convenience with quick access to major highways, multidisciplinary equine events, shopping, dining, and the vibrant attractions of downtown Kansas City—only 32 miles away—yet you’ll feel worlds away while living immersed in peaceful country seclusion.
Whether you envision a private retreat, training facility, or custom-built equestrian estate, this rare opportunity offers the space and freedom to bring your vision to life: —$1,200,000.
Offered exclusively by RUTH PARKER (Owner for 14 years)
816 582-7460 ruth@paradiseonthepark.com
THE COST OF HYPERFLEXION
Research draws a clear link between TRAINING TECHNIQUES and horse health.
BY JILL NOVOTNY
For decades, the practice of overflexing a horse’s neck, or rollkur, has been a subject of intense scrutiny within the equestrian world. Forcing the horse’s head and neck into an unnatural position has been used as a riding strategy to enhance performance and control in many equestrian activities, including cross-country, dressage, showjumping, driving, and reining. However, a recent comprehensive metaanalysis published in Scientific Reports reveals a significant and concerning impact on equine welfare.
Many riders bring their horse’s head into this position to improve the horse’s movement and presentation. Dressage training involves developing a specific horse posture, described as “on the bit.” This posture is characterized by an elevated and arched neck, with the degree of elevation and arch varying according to the horse’s training level and the gait’s specific requirements. The horse’s head position should remain stable, typically positioned slightly in front of the vertical, with a supple poll and consistent, light rein contact. This posture is achieved through the application of rein and leg aids. The resulting neck position influences the tension of the nuchal ligament, which then affects the musculature of the horse’s back. This biomechanical relationship is understood to relate to movement quality and rider comfort. Rollkur is when the neck is over-flexed and held, often forcefully, for substantial periods.
“Generally, these postures cannot be self-maintained by the horse and are seen in free-ranging horses for only brief periods, for example, to obtain relief from an
itch,” the study’s authors explained.
The study, an examination of 58 peer-reviewed research papers, analyzed the effects of hyperflexion on both the performance and well-being of horses. The findings paint a clear picture: a large majority of scientific evidence points towards detrimental consequences for the animals subjected to this training method.
The analysis revealed that 75 percent of the studies concluded that hyperflexion negatively impacts a horse’s well-being. This conclusion was controlled for factors such as the duration of the practice, the degree of hyperflexion, the horse’s prior experience, and even their level of training.
Horses subjected to hyperflexion exhibited increased conflict behaviors, such as tail-swishing and abnormal head and mouth movements, indicating distress and discomfort. The intensity of rider cues and rein tension was also significantly higher. Furthermore, the animals displayed heightened startle reactions and reduced relaxation behaviors,
reflecting a state of heightened anxiety. While the results were not entirely uniform, a trend towards increased cortisol levels and heart rate was observed in horses subjected to hyperflexion, indicating a physiological stress response. The position of the horse’s head in this type of training also leads to a restricted field of vision, which is most likely disorienting and uncomfortable.
In addition to the problems that hyperflexion can cause to a horse psychologically, there are also demonstrated physiological outcomes such as impaired breathing, excessive strain on the neck’s ligaments and joints, and the potential for long-term damage, including arthritis, as well as an increased likeliness of gastrointestinal disorders.
Conversely, the purported performance benefits of hyperflexion were found to be largely unsubstantiated. The analysis revealed that the effects on performance were inconclusive, with roughly equal proportions of studies showing benefits, negative effects, or no significant impact.
The prevalence of hyperflexion within equestrian sports is also a matter of concern. The study found approximately two-thirds of dressage horses are observed in this posture. The practice of over-flexing a horse’s head began to build in popularity following the Second World War and has only recently started a slight decline, after more awareness and negative attitudes in judging riders using sustained flexion with a nose-line behind the vertical.
The findings of this research draw a clear link between training techniques and horse health.
24009 Pack Saddle Trail
New Caney, Texas | $5,500,000 322 Whispering Meadow
This tranquil ranch boasts 24.5 acres of rolling fields, a peaceful pond and complete privacy. Basking in these views is a stunning, custom constructed, almost 9,000 square foot, one and a half story home in Texas Hill Country style equipped with state of the art technology and elegant finishes. Impeccably appointed interiors bathed in rich textures and a neutral palette feature a living room, dining room, executive study, game room, media room and 5 en-suite bedrooms-all on the first level. The home overlooks a resort style pool and spa enveloped by acres of mature trees. A large metal barn is perfect for future horse stalls and Northcrest Ranch community allows up to 1 horse per acre. Enjoy idyllic living on this sprawling 15+ acre equestrian estate within the coveted parameters of High Meadow Ranch. Fantastically private, this 4,488 square foot, custom home is nestled under towering trees and surrounded by nature with soaring ceilings and abundant windows, allowing its carefully crafted interiors to be bathed in natural light. The home boasts two bedrooms on the main level, in separate wings, and an expansive game room, media room and bedroom en-suite upstairs. The property boasts a 5-acre pasture and 2,525 square foot horse barn with 5 stalls, wash rack, tack room, half bath & more!
1.
FIVE BARN IMPROVEMENTS
These RENOVATIONS can help you get chores done faster.
BY AMERICAN STALLS
Whether you have your horses at home or run a boarding barn, barn chores can quickly eat into your day. Your chores can limit your time riding, training, or simply enjoying your horses. But a few strategic barn renovations and improvements can save you significant time. By streamlining your barn chores, you can get them done faster, free up some time in your day, and even save on paid barn staff hours.
INSTALL HORSE STALL MATTRESSES
American Stall’s StableComfort Horse Stall Mattress is a wall-to-wall mat system for horse stalls. This mattress system contributes to your horse’s comfort and saves you significant time and effort on stall cleaning. Since the mattress is filled with rubber crumbs, it helps absorb shock while keeping your horse comfortable. It’s topped with a rubber-coated waterproof one-piece cover, so stall cleaning is effortless and there are no stall mat seams to navigate.
The entire StableComfort Horse Stall Mattress system is equivalent to four to six inches of bedding, so you can reduce your bedding volume to save on bedding costs. The stall is easier to clean with less bedding, and you can spend less time buying bedding and bedding up your stalls, too.
2.
CREATE HORSE STALL RUNS
Depending on your stable’s layout, you may be able to install barn Dutch doors and create runs directly off of each of your stalls. American Stall’s steel Dutch doors are built to last and can be built to any size, ensuring they’ll fit your barn. Many other custom upgrades are available, including a tempered glass in-fill and an arched design, so you can truly make these doors your own.
With the doors installed, you can create individual stall runs that allow your horses to come and go freely. They have the option to spend more time outdoors than in stalls, and you can reduce messy stalls and save time on stall cleaning. Some barn owners connect these smaller individual runs to larger paddocks. You can use the runs to easily turn out horses each morning, cutting down on the time you spend walking each horse out to their larger turnouts. This timesaving layout can be ideal for busy, larger barns if you want to maximize turnout time for a larger number of horses.
FIVE BARN IMPROVEMENTS
3. 4. 5.
INSTALL AUTOMATIC WATERERS
Automatic waterers can be an excellent way to reduce the time you spend hauling water buckets or hoses each day. These waterers streamline the process of caring for your horses and can also help ensure that your horses have a continuous water supply. Many other custom upgrades are available. Heated waterers mean you don’t have to worry about dealing with stock tank and bucket heaters or breaking open ice when temperatures drop below freezing. Another benefit of automatic waterers is that they help keep your horse healthy. By giving your horse access to clean water, you can encourage them to drink more. Increased hydration may help to prevent serious health issues like impaction colic. Consider installing automatic waterers in your horse’s stall as well as in turnouts to save yourself time on your daily barn chores.
CAREFULLY CHOOSE BARN AISLE FLOORING
The type of flooring you choose for your barn aisle and grooming stalls can affect how easy your daily cleanup process is. Rough concrete surfaces are notoriously difficult to sweep thoroughly, and they’re also slick, which can contribute to potential horse and handler slips and falls. A surface like rubber interlocking stall mats makes for easier cleanup and a safer grooming stall or barn aisle. They are highly durable and deliver excellent shock absorption and traction. They’re suitable for high-traffic areas, like barn aisles, and can be easily swept clean after you’ve cleaned stalls. Or, for an impressive aesthetic with easy cleanup and top durability, consider using American Stall’s Rubber Pavers for Horse Barns instead. These pavers offer the look of brick with enhanced slip resistance and durability. They can even help control bacteria, making them ideal for your barn aisle, grooming stalls, wash stalls, and more. They are easy to maintain, and since they fit together tightly, they’re easy to sweep to save you time.
INVEST IN STALL FRONTS FOR EASY FEED ACCESS
Your choice of horse stall fronts affects how easily you can feed your horses. Many traditional stall fronts require you to open the stall door and go into the stall to access your horse’s feed tub. American Stalls can customize sliding stall fronts to include a feed hole opening or even a grilled feed door that allows you to feed your horses without ever having to step into the stall. There are plenty of other reasons to choose sliding stall fronts from American Stalls, too. They typically use 14-gauge United States steel, ensuring the strength and durability needed for years of use in your horse barn. The stall door track systems have a self-cleaning design to prevent any buildup. It is paired with heavy-duty Delrin trolley balls to keep the doors sliding smoothly for years. The stall doors are available with many design options, and you can add on upgrades like vented mesh, custom yokes, and more to custom design the stall fronts for the exact look and performance you want for your barn.
tan, and white blended perfectly into the chiseled sandstone bluffs that formed the base of the mountain. Some were tall and thin, others stockier with long, shaggy manes and tails. As they grew impatient, eager to be in motion again, they shook their heads and pounded the earth with their hooves.
Feeling ricocheted between horses and riders. Several of the women made clucking sounds to indicate to the trio at the head of the group that they, too, were ready to continue moving. The leader whipped her head to the left, causing the cascade of her long brown curls to fall across her horse’s neck. The horse reared up on its hind legs, and the woman flashed a brilliant smile, revealing a dimple. Something inside me stirred when I locked eyes with her horse. He cycled his perfectly muscular two front legs in midair and then set them gently back on the ground. His rider let out a loud laugh that reverberated across the mountains and down my spine.
“Sorry to interrupt young love,” she said, almost mockingly. She raised her perfectly arched eyebrows,
and I cocked my head. An overwhelming wave of familiarity rushed through me as she spoke, but I couldn’t place why or how. I opened my mouth but found no words. Before I could gather my thoughts, the leader kicked her legs and clucked her tongue to turn not only her horse but all ten horses in the herd. As the drumlike hoofbeats filled the air once more, she turned to catch my eye one last time and winked. Her horse let out a proud neigh and galloped on.
I was quiet the entire drive home. Ali and I hadn’t made out after all. Instead, I had watched the women ride off toward the hills, marveling at how their bodies moved in perfect unison with the horses, an almost choreographed dance of hips swishing in tune and time with the rippling muscles of their equines. All I could think of was finding a way to join them. At the age of twenty-two, I had never ridden a horse, but something inside me had shifted, and I understood riding was my destiny.
DEVON HORSE SHOW AND COUNTRY FAIR MAY 21 - JUNE 1
FOR THE BENEFIT OF BRYN MAWR HOSPITAL
WHERE TO FIND IT
STYLE
Page 12
Dior’s Reimagined Saddle Flap
Dior dior.com/en_us
FOOD + DRINK
Page 16
Bishop’s Lodge aubergeresorts.com/ bishopslodge
BOOK
Page 20
Riding
Pardis Mahdavi 2025
Duke University Press dukeupress.edu/riding
GIVING BACK
Page 24
Competing for a Good Cause
Polo For Life poloforlife.org
Page 27
Dressed to Impress, Driven to Inspire
JustWorld justworldinternational. org
DESIGN
Page 26
Graceful Statements
Danielle Demers Studio danielledemers.com
TRAVEL
Page 30
Triple Creek Ranch triplecreekranch.com
FAVORITES
Page 34
Surprise Dad on his Day
Idyll Home tinyurl.com/ eqmay25slippers
Annabel James tinyurl.com/ eqmay25shavingkit
Boutique Camping tinyurl.com/ eqmay25tent tinyurl.com/ eqmay25-cookingset
The Fine Cotton Company tinyurl.com/ eqmay25finecotton
Helen Chatterton Textiles tinyurl.com/ eqmay25journal
British Library tinyurl.com/ eqmay25books
The Design Gift Shop tinyurl.com/ eqmay25espresso
iWoodDesign tinyurl.com/ eqmay25backgammon
chrono24 tinyurl.com/ eqmay25watch
Page 36
Lights! Cameras! Horses!
Horses for Productions horsesforproductions. com
FASHION 2025
Page 52
Rooted in Tradition
Ariat ariat.com
Equiline equilineamerica.com
Fairfax & Favor fairfaxandfavor.com
Holland Cooper us.hollandcooper.com
Horse Pilot horsepilot.com
Pikeur pikeur.de
TKEQ tkeqtheshop.com
VALA valaequestrian.com
STEPPING INTO ADVENTURE
Page 64
Penelope Chilvers penelopechilvers.com
PLUMSOCK BARN Page 70
B&D Builders banddbuilders.com
Blackwood Equestrian Stalls blackwoodstalls.com
E. B. Mahoney Builders ebmahoney.com
Mid-Atlantic Timberframes matfllc.com
Period
Architecture
periodarchitectureltd. com
Vintage Millwork & Restoration vintagemillworkrestoration.com
Vintage Wood & Forged Iron vintagewoodandforgediron.com
GALLERY
Page 78
Les Chevaux dans L’art
Findlay Galleries findlaygalleries.com
BARN DOG
Page 98
Danny and Ron’s Rescue dannyronsrescue.org
MEET BROOKLYN
Fostering rescued dogs to help them have SUCCESSFUL ADOPTIONS.
BY SUSAN WEISMAN
My two daughters started riding when they were 5 and 6 years old, and we started coming down to Wellington, Florida, in 1999 to show. They still show, even though they’re married, grown, and have kids. I stay down here six months a year, and they come intermittently to show in the hunters.
I did not have dogs growing up, but I got them once I got married. We had big dogs, Rhodesian Ridgebacks, and then, coming to Florida for half the year, we switched to corgis because they are definitely more transportable. Once I had been in Florida for a few years, I was introduced to Danny & Ron’s Rescue (D&RR), and I started to volunteer with them. In 2012, I started fostering to help their dogs become more adoptable. So far, I’ve fostered over 50
good last couple months or years of her life.” So, I adopted her, thinking it was going to be a foster situation. Now, she’s a happy and healthy 15-year-old.
Right now, I have my own personal dog, who is a graduate, so to speak, of Danny and Ron’s. Her name is Brooklyn, and I adopted her three years ago, thinking it was going to be a hospice situation. I saw her picture on Danny and Ron’s website. I thought, “Nobody’s ever going to adopt this dog. Let’s just give her a
Brooklyn was found in South Carolina by Danny and Ron, about 15 pounds underweight. She had a disease called Permphigus, a rare but serious autoimmune skin disease where the immune system attacks connections between skin cells. It leads to blisters and erosions and causes the dog to lose all the hair on their ears, around their eyes, and on their muzzle and paws.
She came to me in April three years
ago, and slowly but surely, she gained weight. I took her to a dermatologist at the Angell Animal Medical Center in Boston. We were able to wean her off the medicine that she was on for the Pemphigus, which went into remission. All of her fur grew back, and she’s been a happy, healthy camper since then. She’s very sweet. She loves all the foster dogs that I bring in and shows them the ropes. She’s my assistant trainer in that regard, and she’s just a very easy going, sweet senior dog. Danny and Ron are my heroes. I have been with them now over 13 years. Whenever I’m starting to feel like things are getting to be too much or too stressful, I look at them. I just find them and their mission so inspirational. When they adopt out dogs, they make sure all their medical issues are taken care of. Many rescues adopt out dogs that are heartworm positive, but D&RR takes on the expense of heartworm treatments and surgeries and makes sure everybody is happy and healthy before they’re adopted. I just got Reba, my seventh foster so far this year. I’ve already had six foster adoptions that have been successful. I think that Danny and Ron have over 60 already in this year’s first two months.
ALDEN CORRIGAN
Susan Weisman and her rescue Brooklyn.
Photo: Shannon Brinkman Photo
