Urban Sounds Magazine by Urban Sounds Magazine

Contents. Publishers Note Editorâ&#x20AC;&#x2122;s Note Company Structure Urban Street (Melina Katende) Urban News Cover Story Urban Moves Urban Exclusive (Shante) Urban Live Urban Boombox (Arther Mafokate) Urban Fashion Urban Genre Urban Artists (Blaque Nubon) Urban Reviews Urban Pictures Behind The Music (Dollar) Arts & Culture Urban Sounds Abroad (Bheki Nene) Urban Academy Urban Expert Financial Corner Urban Careers (Vusi Leeuw) Urban Executives Urban Respect Urban Records Urban Gadgets (Jay Z) Urban Airwaves Urban Reachout Urban Competition (Dj Cyclops)

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Publishers note

Seeing the gap in the music industry and the lack of participation for our musicians and the limited platforms that will enable our talented artists to explore and be able to present their works, created a realization for Msizi Mavundla Entertainment to embark on the mission to start an initiative that will respond to the challenges faced by our artists and musicians in the entertainment industry. Urban Sounds Magazine is a print and online magazine that is aimed at giving artists a platform to promote and market their products, guarantee maximum exposure to our musicians and also to provide an accessible, affordable and sustainable community based platform which will respond to the needs of emerging and established artists in all genres and to ensure that they are developed to the level of marketing and economically viable professionals. This magazine is an edutainment guide for aspiring musicians, independent record companies and music fans focusing on music business, academy, arts, culture and entertainment, and about identifying opportunities that will assist in launching and grooming careers for musicians and entertainers while providing an advertising platform for people in the music and entertainment industry. Our vision is to facilitate and support artists development in which the artists can provide and sustain themselves through royalties from recordings and live performances and to empower them with skills through our content that will assists the artists in choosing the right path for their projects, Urban Sounds Magazine is created to identify talented artists and promote them to levels of national recognition and self-sustainability, educate and create an awareness to the communities youth and emerging artists about social economic challenges within the music and entertainment industry and to restore confidence and install a sense of creativity and responsibility amongst the youth and the public. Urban Sounds Magazine has entered a saturated space filled with lots of lifestyle, celebrity and entertainment magazines but none of them play a role in promoting and profiling the music and entertainment industry as a career choice that our aspiring South African youth can enter into and make a success of them. Our desire is to Increase a number of local artists and entertainers development to marketable professionals, Job creation and local economic development opportunities for our impoverished communities through provision of affordable services for our artists and musicians.

As an independent publisher our aim is to create platforms that will ensure employment opportunities for musicians and enable them to showcase their talents while encouraging music consumers to buy quality music and support of local talents, to promote anti-piracy and to inspire musicians to make quality music and also to create media hype and awareness for the artists. Founder & Publisher - Msizi Mavundla

South African music industry, is it growing or declining? An industry filled with negatives and positives, an industry of drugs and alcohol abuse, unprotected sex and piracy, where musicians die poor, but on the flip side an industry of legends, stalwarts, social activists and self-made millionaires, and industry that has produced international icons andGrammy award winners such as Miriam Makeba and Ladysmith Black Mambazo.A lot can be said about the South African music industry, the vast opportunities that exist to empower our musicians and the youth.

To expose and encourage participation in the music and entertainment industry, Urban Sounds Magazine does not only serve as an edutainment guide for musicians and music lovers. It is about covering entertainment industry news, profiling artists, reviews, television music shows, music venues, concert & festival news, live performances & live shows, music academy, people behind the music, label executives, record producers, composers, sound engineers, roadies while giving respect to music veterans and legends that paved the way in sustaining and growing the culture of music in South Africa.

Apart from trying to grow entrepreneurs and provide economic opportunities for artists with our financial feature that is aimed at evaluating and assessing the status of our industry, musicians get a chance to learn more about investing and saving their income and how to identify other prospects which than enable them to sustain their music careers. Some of ourregular contents include

profiling latest gadgets and apps that support the creation and distribution of music and explore innovative ways to market and promote our music such as digital space.

Our magazine features a law expert that will offer advice on music licensing, copyright and publishing as well as recording, marketing and distribution contracts and also focuses on music academy and careers existingwithin the music industry. Urban Sounds Magazine also specializes in entertainment art and music development through building networks that will empower South African musicians. With this magazine we follow whatâ&#x20AC;&#x2122;s happening on the streets, underground circles, music halls and clubs, we get in touch with our readers in order toappreciatethe tunes they are listening to, club anthems and what is charting on the airwaves. Music is the expression of who we are and the only tool proven to bring the country together from NkosiSikelela and Fly to the Moon with The Parlotones creating your own Life Design and DJ Cleo esesâ&#x20AC;&#x2122;khaleni, DrMalinga mesmerizing the nation with his kick moves. Music is food for soul and a smile that enlightens the world and giving wisdom through song. Editor - Nelisiwe Mavuso

Company Structure Mr. Msizi Mavundla Chief Executive Officer (MME Group) Founder & Publisher (Urban Sounds Magazine) Email: msizi@urbansoundsmag.co.za

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Ms. NelisiweMavuso Senior Editor Email: editorial@urbansoundsmag.co.za

Mr. NtuthukoXulu Advertising Sales Manager Email: advertising@iurbansoundsmag.co.za Mr. AkhonaMafa Advertising Sales Executive & Liaison KZN Email: advertising@urbansoundsmag.co.za

Mr. NkululekoMngadi Circulation Manager Email: subscription@urbansoundsmag.co.za Mr. NtobekoMtolo Subscription Sales Executive Email: subscription@urbansoundsmag.co.za Mr. SaneleNdlovu Marketing Manager Email: marketing@urbansoundsmag.co.za

Contributors

Mr. ThabaneKhuzwayo

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Cell: 078 578 7789 Tel: 081 356 7265 Email: subscription@urbansoundsmag.co.za General Enquiries Tel: 081 356 7265 (Enquiries) Email: info@urbansoundsmag.co.za

URBAN SOUNDS MAGAZINE ISSN NO: 2224-512X Is owned and published by MSIZI MAVUNDLA ENTERTAINMENT

Physical Address The Business Place1st Floor 58 Marshall Street Johannesburg2001 Postal Address P.O. Box: 62577 Marshalltown 2107

Cell: 081 312 7061 Tel: 081 356 7265 Fax: 086 240 5366 Email: info@urbansoundsmag.co.za Website: www.urbansoundsmag.co.za MSIZI MAVUNDLA ENTERTAINMENT Reg No: 2011/077963/23

Mr. Romeo Hadebe

Ms. Primrose Mavundla Ms. Josephine Mafa

Advertising Cell: 072 250 4073 Tel: 081 356 7265 Email: advertising@urbansoundsmag.co.za COPYRIGHT URBAN SOUNDS MAGAZINEis published by Msizi Mavundla Entertainment. All rights reserved. Contributions welcomed. All due care will be taken with material submitted, but the magazine and publishers cannot be held responsible for loss or damage. They reserve the right to edit, amend or alter material in any way deemed necessary. All the opinions expressed in the magazine are not necessarily those of the editor or publisher of the URBAN SOUNDS MAGAZINE.

St Louis, Missouri USA HE 4TH AFRICA MEGA MUSIC EXPO 2013 The African Music Mega Expo is the biggest convention for music in Africa. You will have the chance to join numerous prominent business men and women from record labels, booking agents, entertainment lawyers, artist managers, publicists, promoters, djs, musicians, composers, producers, sound engineers, club owners, magazine editors and entertainment journalists, government departments/agencies, radio/ television stations, print /internet media, music retailers and organizations who are all the actual leaders of the Africa Music Expo and Conference. Link to over 2000 senior industry executives from 15 nations, they are all coming to South Africa to share their commercial pursuits and great love for the African

T WORD ON THE STREETS

MAPANTSULA AJABU- LILE TROMPIES MAKES A COMEBACK

Having been silent for almost a decade the Legendary Kwaito group, Trompies is back in the studio working on their new project. Trompies which consist of Mahoota, Jakarumba, Donald Duck and Spikiri will be releasing their 7th studio album before the end of the year. The duo is notable for producing smash hits like Sgiya Ngengoma, Fohloza, Sweety Lavo and Magasman which featured the Queen of Kwaito music Lebo Mathosa. The group is also known for pioneering kwaito and building a foundation for other kwaito musicians through their record label Kalawa Jazmee.

South African gospel songstress, SibongileSibeko has received an International Award for the locally acclaimed music video, ‘His Eye is on the Sparrow’. She received a Silver Crown Award GOSPEL SONGSTRESS at the 8th Annual International RECEIVES AN INTERNA Christian Visual Media (iCVM) TIONAL AWARD Crown Awards that was held in

St Louis, Missouri USA

OSPEL SONGSTRESS RE CEIVES AN INTERNA TIONAL AWARD South African gospel songstress, Sibongile Sibeko has received an International Award for the locally acclaimed music video, ‘His Eye is on the Sparrow’. She received a Silver Crown Award at the 8th Annual International Christian Visual Media (iCVM) Crown Awards that was held in

music industry.

ELEPHONE BY MELINA KATENDE Melina Katende is making waves after the release of her debut single “Telephone” the DRC born now based in South Africa has come a long way, in 2011 she was selected as one of the only four African female vocalists that participated in the Avon’s global singing competition and was an opening act for Lil Wayne in his Johannesburg tour. Melina is commendable for her flawless singing and writing skills, she has collaborated with rapper proverb on a song called Legacy and performed at the Grahamstown Arts Festival along with the female poetry group Rite 2 Speak. Telephone was released online and is applauded for its catchy and

mature lyrics her debut album is scheduled to be released later this year.

IFISO NCWANE LIVE AT GOLD REEF THEATRE After selling more than 80 000 copies on the album that was produced to raise funds for a children’s home, Sifiso Ncwane is set to amaze the crowds at the gold reef theatre in august. The gospel sensation and the 19th SAMA Record of the year winner who started singing at the age of eight has reached platinum status for his DVD Ngiyavuma. He will give only two performances but guaranteed to be enlightening, soul filling and spiritually uplifting.

A SONG FOR MADIBA The Multiple South African Music Awards winning songstress, Zahara has collaborated with the renowned and respected struggle veteran and poet, MzwakheMbuli to record a tribute song for the ailing former president and world-celebrated humanitarian, Nelson Mandela. Madiba is in hospital after the recurring lung infection, to give support to the nation and family of the statesman, the talented music sensation and the poet have come together to offer a soul touching song that will sooth away country’s worries and anxiety. The song is entitled “Nelson Mandela’, produced by Robbie Malinga and Mojalefa Thebe, the tune offers a musical composition mix of poetry in motion and soul piercing vocal chords of Zahara. Strumming her guitar, Zahara sings: Nelson Mandela, Tata Madiba, Father of the Nation, Qawe la maqawe, Akekho o fananaye (Hero of heroes, there’s none like him). She remembers Mandela’s reconciliation and nation building efforts calling him “a man

of peace”, “pillar of strength” and “our soldiers’ boots”. “Your name shall live on. Long live Tata Mandela” she belts.

In 2011, Zahara was the last artist to give Nelson Mandela a personal performance at his home in Qunu, Eastern Cape. The famous poet known for his great work performed for Madiba in 1990 at the welcoming rally held at FNB Stadium. In 1994, Mzwakhe introduced the first black President of a democratic South Africa at the Union Building. The song can be downloaded on iTunes and is available as a ringtone across all networks and it will be part of Zahara’s forthcoming album scheduled for release in September 2013.

12 TECHNOLOGY A FRIEND OR FOE The times are changing and nowhere more rapidly than in the music industry. SAMRO’s Xolani Zulu, Accounts Executive for Mechanical Rights, shares his insights on how technology presents music creators with more opportunities than threats. Technology knows no borders. Take IT and infuse it with music… you are guaranteed a lifestyle so big, it created the Gangnam Style and now the

demand, according to the recent Digital Music Report 2013, published by the International Federation of the Phonographic Industry. According to the report, technology in the form of digital music piracy is the greatest single enemy of the music industry. But in marketing circles, they call it “conversion” when threats or risks are turned into opportunities. Streaming is one of the tools being successfully used by the music industry to turn the threat of technology into revenuegenerating opportunities. Music streaming is as good for consumers as it is for music creators and for the industry as a whole. In Sweden, for example, sales of recorded music – which had long been stagnant or in decline – grew by almost 14% in 2012, and by 7% in Norway. This growth can be directly attributed to positive developments in the licensing and regulation of music streaming services. Video streaming is the most popular form of streaming. On YouTube, for example, 90% of the most popular videos are music related. Satisfaction with legal digital music services, including internet radio, sits at 77% globally. This is a compelling customer satisfaction rating, achieved by what many thought was a failing industry. Audio or video streaming can take many forms. Webcasts, podcasts and on-demand streaming are just some of the better-known music streaming services available. Each of these and other related uses is licensed by SAMRO.

urban reviews

Harlem Shake phenomena. We all remember the bad old days when technology was viewed with great suspicion and paranoia by the music industry. Some of those fears carried weight. But this is new era and the music industry fortunately has legal and copyright systems in its corner of the ring. Last year, the UK High Court ruled that internet service providers must censor file-sharing site the Pirate Bay. Search engines like www.google.co.uk are finally joining the fight against piracy by, for example, down-ranking such websites in their search results. As a result, the music industry continues to ride the technology wave across cultures, classes and income levels. Music consumption is higher than ever. The momentum is driven by consumer

Born Sphesihle Luthuli in the Skomplazi of Clermont, DJ Cyclops a Music Producer, Songwriter, Composer and Club DJ started mixing and rocking vinyls at a very young age, having jazz close to his heart inspired by his father Thabani “Oros” Luthuli who is a renowned drummer and a jazz pioneer. Oros has been producing and composing music for 37 years for the likes of The Holy Brothers on Gallo Records, Zwakala, Junior Mambazo & Thula Afrojazz. After studying engineering at the University of Westville now UKZN, Dj Cyclops started his own

DJ Cyclops Groove Laboratory recording studio where he produced tracks for some of the biggest names in the music industry the likes of DJ Bongs. Since the launch of his career in 2006 Dj Cyclops has never stopped performing and displaying his skills and talent on the wheels of steel. He has played alongside big names in the industry such as: Durban’s Finest, DJ Bongs, DJ Siyanda, Black whole, Glen Lewis, Oskido & Eddie Zondi to name a few. After two years of mixing and rocking turntables DJ Cyclops released his debut album called Groove Laboratory *1st Solution*. The album catered for a wide variety of people from the youth to the old timers as it is a mixture of smooth R&B soul, jazz and deep house.

DJ Cyclops landed himself a record deal when he was spotted rocking the crowd at Msizi Mavundla’s birthday party a then label executive for Funkytigers Entertainment. DJ Cyclops, because of his unstoppable talent he has produced together with Msizi Mavundla (Urban Sounds Vol1) a compilation album that is aimed at uplifting our young aspiring musicians. The compilation was released by Funkytigers Entertainment in partnership with Urban Sounds Magazine.

Cyclops continued to be spirit driven and released his second album in 2009, Groove Laboratory Limited Edition, which was a combination of jazzy up beat tracks that continue to rock house music lovers in all his gigs. DJ Cyclops has again released his 3rd album Groove Laboratory 2nd Solution under his record label Cyclops Music Production, to ensure that all music lovers are able to access his music the album is now available in digital music stores, iTunes, AmazonMP3 and many other international online stores.

KELLY KHUMALO THE PAST, THE PRESENT, THE FUTURE

In 2003, Sarah and Bonsai Shongwe discovered a fireball of a singer and performer at a Gospel Star search. When Kelly Khumalo was knocked out of the competition as the second runner up, they then offered her a recording contract in 2004. Kelly Khumalo who grew up in the rural outskirts of Nquthu, released her debut album, “TKO” in August 2005 to much acclaim with the hit song “Qinisela”. The album was twice nominated at the South African Music Awards (SAMA) and she was the only female artist nominated in the Song of the Year category. The song was her biggest hit and remained on national radio charts for five months. In 2006 Kelly released her second SAMA nominated album “Itshitshi” followed by her third album titled “Lobola” with the title track being the hit of the album. She also released another album

that was also SAMA nominated, in this album titled “Simply Kelly” she showed a more mature artist who was growing in her craft. The album featured American songstress Syleena Johnson. Kelly has just completed recording her fifth album titled, The Past, The Present, The Future. The album was produced by the prolific RJ Benjamin and well as multi-talented Kabomo and producers of the moment Robbie Malinga and Mojalefa Thebe. The album features the legendary Sibongile Khumalo, and Kelly has done duets with her producers Robbie Malinga and RJ Benjamin. Kelly Khumalo’s first performance as a professional artist was in front of a 30 000 strong crowd at a Kaizer Chiefs soccer match. Then hardly two months into the music industry she was an opening act for American Rap star, Missy Elliot. Since then Kelly Khumalo has been a very popular performer, she was also honoured to sing at the African Cup of Nations 2013 Closing Ceremony which had a worldwide television audience of 6 Billion people. Kelly Khumalo secured a female lead role in the straightto-DVD movie “uSkroef noSexy” by Uzanenkosi, which will be released in the coming months. Her first television acting role was on a youth drama called Mthunzini.Com on SABC1. Then when the youth soapie “Rhythm City” started in 2007, she was chosen to play the role of a singer which was very close to her own persona as a singer. She then took a hiatus from the show to become a full time mother. She returned to the show in June 2012. In addition to being an actress on Rhythm City, Kelly was

selected by ETV to have her own reality show called “Rolling with Kelly Khumalo”. The show captures the behind-the-scenes of Kelly Khumalo’s professional and personal life so that her fans can understand her more. Kelly Khumalo will also featured in a television movie on ETV titled “The Spy who stole my Love” in August 2012. In 2009 Kelly Khumalo was among several artists chosen to be brand ambassadors for General Motors. Their task was to promote the cars on the media platforms they feature on as well as attend promotional events throughout the country. Kelly was the only artist given a Hummer vehicle as a trade exchange for the promotions she participated in. She was responsible for the sale of the highest number of vehicles at the promotions. As of June 2012, Kelly Khumalo became the brand ambassador of American based Black Opal Cosmetics and in January 2013, Kelly became the spokesperson of The Pyramid Spa & Beauty School in Johannesburg. Her music video for her song, “Ngiyabuza” was shot at The Pyramid Spa. A biography of Kelly Khumalo’s life titled “The Kelly Khumalo Story” has been written by author and journalist Melinda Ferguson together with the her first manager, Sarah Setlaelo, who discovered her. The book was launched in October 2012 and is an inspirational story about someone who did whatever it took to pursue her dream. In her 7 years in the music industry Kelly Khumalo has accomplished and experienced much more than many artists have throughout their whole careers.

Book Review

Powerful and inspired, DO YOU! Is a rare blend of business acumen, fierce spiritual faith and priceless advice. Since rising out of the New York City streets over 25 years ago, Russell Simmons has helped create such ground breaking ventures as Def Jam Records, Phat Farm and Def Comedy Jam, in the process becoming known to the world over as “The CEO of Hip Hop.” Russell might have helped introduce hip-hop to the world, but he credits his success to his belief in a strong set of principlesor laws--which he shares for the first time in this book. In 12 straight forward steps, Russell reveals a path towards success that can be followed not only by those looking to duplicate his professional success, but anyone struggling to realize their dreams. Indeed, those solely looking for advice on how to build up their bank accounts at the expense

of personal integrity should probably look elsewhere. That’s because these laws stem from the belief that all success, be it professional or personal, comes from a connection with your higher self. Using examples from his own experiences and observations, Russell demonstrates how tapping into that connection will allow you to get your mind right, find the motivation to start instead of stall, surround yourself with the right people, appreciate the power of hard work and understand the power of karma. But most importantly, this book will demonstrate how it’s impossible to receive any sort of lasting success from the world without giving something of lasting value to the world first. That’s a practice that is reflected in Russell’s own work as a mentor and philanthropist and one that he promotes as being fundamental to empowerment and success on every level. Blending business insight, universal spiritual truths and an inspired sense of purpose DO YOU! crosses the lines of age, race and background with wisdom that will lift you up and motivate you to pursue your vision. Other books to read Linda Shabalala Letter to the church Gayton McKenzie Hustlers Bible

Busisa “Godiva” Dube singer and songwriter signs a management deal with Funkytigers Entertainment a recording company known for discovering and producing artists such as DJ Cyclops, Blaze and Thula Afrojazz. Godiva is self-taught and therefore not easily constrained by genre. When working on her music she believes that the arrangement envelopes the mood of the words to define the moment in which they are written. Her music defines herself. Her music defines itself. “Our lives are filled with experiences: mine are mainly optimistic ones. Through my song writing and my singing I can share the deepest expression of my true self. The beauty of my homeland, the people that grace this land and my own life story are my inspiration. I aim to reach out and speak with you about all that surrounds us. My music is passionate, full of love

Godiva the African Princess

and hope for all of us: motivating, uplifting. I hope it leaves you as positive minded too.”

For now the genre is closely aligned with Afro-Pop as Godiva is so happy to be writing and recording at last. However Godiva is just as creative and inspirational with Gospel music and soul music. “When I am happy I love to dance and free the true feelings of the African woman within.” Her journey has been blessed by Galid at After Dawn Music Productions. His talent inspires and motivates her to be the very best artist she can. Currently signed to Funkytigers Entertainment, Busisa has recorded many songs, notably: Abakomyeni Wam, Impumelelo Yesizwe , I Met A Man , Umayihlalela Wam’ which will be included in her debut album. Godiva is one of South Africa’s hidden gems. The simplicity of her presentation and the depth of her song writing will become her recognition both in South Africa and internationally.

The Meditators opened for The Parlotones in 2011 and Mango Groove in 2012 at The Botanic Gardens in PMB and Durban respectively.

Chilling at uShaka Marine sipping cocktails, enjoying the cool breeze and watching the tide splashing against the peer we met up with the one of the original reggae groups of the Durban. The Meditators a musical group that has represent South Africa in world stages with their funky yet motivational sounds of Rasta music. Who are The Meditators, when was the band formed? The Meditators was formed in 1992, in Johannesburg and moved to Durban 2000 and joined up with I-Land Crew and Sista Free.

How can you describe your music, what makes it unique? The music is original roots reggae, a combination of sweet melodies, intelligent POSITIVE lyrics and solutions to life’s struggles! It is happy music!

What defines The Meditators, their beliefs and values? The Meditators are defined by the belief and practice of Unity Consciousness. We are all ONE defines the way we live, knowing that the basis of all experience is CAUSE AND EFFECT. This makes it easy to be conscious when making choices, knowing that by making the best choice for SELF one is making the highest choice for the WHOLE. The band believes that

Unity is strength and WE are a tight knit family that supports one another through good times and bad.

Where do they draw their inspiration? Inspiration comes from all around – Nature, Relationships, and Society, what we see around us every day and understanding the power of music to affect change in thinking and awareness. Love is the most powerful healing force on the planet and the key to freedom and peace on earth. Music has a way of connecting people heart to heart and we believe music and art to be sacred Jah’s works. This inspires the band to continue keeping on.

The Meditators has recorded four albums, which album will they say is their favourite and better explains who they are? Jah Kingdom is the most popular album and the bands favourite because it embodies the

spirit of The Meditators. ‘Jah Kingdom’ delivers a message about Heaven on Earth. Right here, right now. Also the track CELEBRATE is a song of thanksgiving and gratitude for Life itself.

The band has performed and shared the stage with many huge artists, which performance stands out for the band and that they always look back on? Tony Rebel and Queen Ifrika In 2011 from Jamaica, and Linton Kwesi Johnson UK in 2009 definitely stand out as highlights. Also Nkulee Dube (Lucky Dube’s daughter) headlined the Bob Marley Earth Day Tribute Concert at uShaka Marine World in February 2013 with The Meditators as her backing band.

Blazing the stage with the icon Rita Marley and the I’Threes of Jamaica must have been a blast, share the experience? That was in 2004 Women’s Day celebrations at the Bat Centre - Rita and the I Threes arrived more than 2 hours late for the show, they were chilling on Umhlanga Beach apparently!!! But the band almost took the roof off in a performance of Redemption Song with Rita on stage in 2009 at Zulu Jazz Lounge, when she brought the Bob Marley photo exhibition to the City Hall in Durban. We celebrated Bob Marley’s Earth day at the Beach Café, North Beach at Sunrise that morning with Rita and family and friends and elders from the Rastafarian Community. How has the music industry been treating you? The music industry is slowly becoming more reggae friendly in SA, thanks to bands and artists like The Meditators, Azania, Tidal Waves, One People Band and Nkulee Dube who are busy on the production side as well as out there performing in and out of SA. We continue to push for more recognition, radio airplay, legitimate (not lip service) inclusion in the SAMA’S and mainstream radio play listing.

What keeps you motivated? The power of love, the love of music and knowing that the work being done is significant. It is meaningful and important to all the members of the Meditators family. Regular gigs keep us

inspired to carry on because you know where there is a demand and people love the music, there is value, and we place big value on each member’s contribution and commitment to the band.

What advice would you give the aspiring musicians? NEVER GIVE UP and collaborate with as many other musicians and artists as possible when the opportunity arises.

NIKI’S OASIS JAZZ RESTAURANT

Niki’s Oasis Restaurant is Joburg’s time honoured “Premiere Jazz and Artistic Appreciation” destination in the Newtown Precinct. The restaurant has a warm and mature African Jazz vibe coupled with authentically prepared African cuisine and a unique collection of classic South African paintings built over time.

Located perfectly opposite the Market Theatre and the Mary Fitzgerald Square, this fully licensed restaurant, a popular eatery-cum-gallery, has hosted local and International Jazz outfits like Stanley Clark, Kenny Gareth, TheTingval Trio and Local Jazz bands to include Andile Yenana, Feya Faku, Kaya Mahlangu, Steve Dyer and The

Legendary now late Ezra Ngcukana, Winston Mankunku Ngozi, Victor Ntoni. In short Niki’s Oasis Jazz Project has been influential in providing this critical showcase. All these artists have made remarkable impact on the musical careers of contemporary South African Jazz Artist.

“Niki’s Oasis Jazz Project” at Niki’s is a vibrant jazz platform that celebrated its 18th birthday in July 2013. This vital performance space has hosted and showcased both budding and celebrated Jazz musicians. Niki’s Oasis has live performances every Friday, and Saturday evenings from 20H30 till late. CONTACT PERSON: Niki Rwaxa (011) 838 9733, 082 448 6376.

Macufe one of the nation’s major cultural attractions, it strives to promote social cohesion with its events that are representative of the Rainbow nation. One festival that reflects the spirit of unity in diversity is the Macufe Rocks event to be staged on October 5th. It’s bound to rock everyone’s socks off with an impressive and inclusive line-up that includes Zebra & Giraffe, The Muffins, Locnville, AKA, Big FKN Gun, Good Luck, Orosin n Lang Glas, Tailor, Jeremy Loops and Gangs of Ballet.

iswa, Umsingizane, Tshepo Komane, Teboho and Friends, Dumako Nkosi and Sello Malete. A few days after the spiritually driven music had soothed, comforted and brought hope it

Having supported Justin Bieber on his South African tour, Locnville who have over nearly three hundred thousand likes on facebook are clearly one of the most exciting, entertaining and supported South African pop acts. The double Sama winning electro hop music duo is made up of identical twin brothers Andrew and Brian Chaplin who are related to the late silent movie icon Charlie Chaplin. Locnville is expected to perform songs from will be time for another artistic their new studio album titled healing. Laughter will certainly One Night Only due for release be the best medication adminin September. istered on Wednesday, October 9th at the Macufe Comedy. NothTicket bookings (at R150 each) ing less can be expected when are also open for the spiritually the MC is the seasoned David driven Macufe Gospel Concert. Kau. Taking place on October 6th at The Dome, Old Grey Sports Ground; the concert is headlined Coming from across the borders is Nigeria’s Bright ‘Basketmouth’ by S’fiso Ncwane who’s also Okpocha who once labeled cobeen winning fans in churches medians in his home country as of a different kind (night clubs having become lazy and sterile and taverns) with his hit song in their jokes. The West African Kulingile Baba. Joining Ncwane will be expected to present some at the gospel event are Rebecca refreshing material and nothing Malope, Solly Mahlangu, Sipho recycled. After all Online nigeria Makhabane, Sechaba, Khany-

describes his comedy as “ witty retorts and rib-cracking jokes.”

Kau will also be introducing some of the best-known names in Mzansi comedy including Mashabela Galane, Issac Gampu, Tumi Morake, Conrad Koch Chester Missing, Skhumba Hlophe, Celeste Ntuli and Sifiso Nene. Other major Macufe attractions not to be missed include Macufe’s Indoor Jazz that will feature Victor, Anthony Hamilton, Hugh Masekela, Judith Sephuma from 7pm on October 10 at The Dome, Old Grey Sports Ground. The same venue hosts Keri Hilson, Zonke, Thandiswa Mazwai, and Maleh in the Divas Concert on October 11. Entrance to each of the concerts at the Dome is R220.

Wrapping up the arts and cultural side of Macufe is the Main Music Festival on October 12 at Rose Gardens. For only R300, music fans will get to delight on high quality performances by Anthony Hamilton, Keri Hilson, Hugh Masekela, Jimmy Dludlu, Mafikizolo, SiphoMabuse, Khaya Kgatlape, Peter Nthwane, Thoko, Allayen, Dj Finzo & Dj What What, Lira and Amstel Golden Hour Artist. The game of football closes the annual fiesta with the Macufe Cup on October 13th.

LIVE MUSIC Luna Lounge Luna Lounge is a roaming live music venue operating in and around Durban. They have a number of beautiful venues that host Durban’s hottest bands Http://www.lunalounge.co.za

The Mansion The Mansion in Midrand, Gauteng, is a great spot for live music of the DJing kind. The venue boasts a five star restaurant cocktails and treats Http://www.themansion.co.za back2basix Back2basix is an original music venue and restaurant situated next to the hotspot of Johannesburg. B2b features live music by top SA artists every weekend Http://back2basix.co.za The Bohemian Pub, pool, pizza, music venue situated at 5 Park Road, Richmond, Johannesburg. Established in 1983, The Bohemian is a relaxed live music venue & pub Http://www.thebo.co.za

URBAN SOUNDS TOP 40 KWAITO CLASSIX

MACUFE ROCKS AND EMPOWERS

1. BOOM SHAKA – ITS ABOUT TIME Boom Shaka was one of the most successful groups of the 90’s and a group that pioneered Kwaito music. The group consisted of Junior Dread, Lebo Mathosa, ThembiSeete and Theo Nhlengethwa. Boom Shaka’s first single “It’s about time” became the soundtrack of the township and for the youth in the newly democratic South Africa. With their distinctive sound, visual style, and dance moves they were able to break into the international market and achieved success outside of South Africa and also causing an extreme effect with their uniqueness presenting a new sound and a new style. 2. MANDOZA – NKALAKATHA 3. TROMPIES – SGIYA NGENGOMA 4. TKZEE – PALAFALA 5. MZEKEZEKE – SGUQA NGAMADOLO 6. BIG NUZ – UNDISPUTED 7. BROTHERS OF PEACE – TRAFFIC COP 8. PROFESSOR – UNIVERSITY OF KALAWA 9. LVOVO DIRRANGO – DIRRANGO 10. ARTHUR MAFOKATE – KAFFIR

The King of Kwaito, MrSikaLekhekhe, Arthur Mafokate known as the innovator of dance moves and for thehistory making songs like OyiOyi which was the first kwaito song to win a SAMA song of the year award. Credited for creating the first kwaito hit song “Vuvuzela” and for spearheading a new genre of music with lyrics that reflected a new freedom and political change, MrMafokate known for his reputation of being unafraid to stir up controversy and voice his opinion. He is particularly significant for breaking economic barriers that hampered South African artists of previous generations and help to bring kwaito into a new era.

er performers, helping them to be integrated into the music industry. 21. JOE NINA – DING DONG 22. THEBE – LENYORA 23. MAKHENDLAS – IMPIKI 24. LEBO MATHOSA – LIONESS 25. DOC SHEBELEZA – CHARMA BOY 26. CHISKOP – AKUSHESHI 27. ALASKA - KASIOLOGY 28. MAPAPUTSI – KLEVA 29. CHOMEE – TWICE AS NICE 30. SPIKIRI – THE KING DON FATHER

11. KABELO – EVERYBODY WATCHNG 12. M’DU – Y U 4 ME 13. BRICKZ – FACE BRICK 14. BROWN DASH – DASHBAORD 15. SKEEM – WAAR WAS JY 16. BONGO MUFFIN – THE CONCERTO 17. BLAZE – KUVUM’ISKHATHI 18. MAWILLIES – KE TSWERE LOTTO 19. DR MAGEU – GEUZIN WAMAMPELA 20. ZOLA - UMDLWEMBE

Zola 7 as he is known in South Africa from his clothing range and a television show where he helped people to achieve their dreams. Zola an actor and a musician who become well known for his role as the notorious gangster Papa Action in YizoYizo 2, he also performed the score for the series. He was part of the Academy Award winning film “Tsotsi” and the movie “Drum”. Born and raised in Soweto Zola raps in IsiZulu and Tsotsitaal, umdlwembe and a Ghetto Scandalous musician who is a pioneer in social action and benefit projects in South Africa works on behalf of young-

34. TOKOLLO – GUSHESHE 35. SGONONDO - AMADRAGON 36. MASHAMPLANI – NEVA NEVA 37. MGARIMBE – SISTER BERTINA 38. DAKOTA – UMDANSOFANAYO 39. ABASHANTE – GIRLS 40. MM DULXE – WHERE WERE YOU

TOP 10 MUST HAVE HIP HOP ALBUMS 1. PROPHETS OF DA CITY – GHETTO CODE

2. ZULUBOY - MASIHAMBISANE 3. HHP – ACCEPTANCE SPEECH 4. ZUBS – THE LISTENERS DIGEST

Mandla “The King Don Father” Mafokeng started his music career as a dancer in 1985, under the guidance of South African musician Sello “Chicco” Twala. He later formed a disco group called MM Deluxe with friend M’duMasilela in 1988. This duo recorded two successful albums in 1989 and 1990 and introduced what came to be known as township kwaito today. He is one of the master minds of the Dangerous Combination Crew and the Co-Founder/Director of the most influential record label in Kwaito music KalawaJazzmee. Spikiri is a seminal founder member of the original pantsula group Trompies and has made successful contributions in music production through his musical diversity and talent he has produced award winning tracks for Mafikizolo, Kabelo, Hugh Masikela, Don Laka, Vicky Vilakazi and HhashiElimhlophe. 31. ODA MEESTA – WENA U BANI? 32. HOWZA – CUT TO THE CHASE 33. GUFFY – PHODILE

MM Deluxe a disco group consisting of the two biggest kwaito stars of the 90’s, Mandla “Spikiri” Mofokeng and Mduduzi “The Godfather” Masilela. Inspired by Sello “Chicco” Twala, “Where were you” was a slick early house album made without any real instruments, the missing link between bubblegum and kwaito. The album featured tracks like New Generation, Hip-o-Jo, Muchacho and Hurry Up, released by Cool Spot Productions and produced by Monwa& Son. This was the beginning of another musical journey as the two musicians, M’du and Spikiri later went their separate ways to unleash a string of hits in the new genre called kwaito music. M’du worked with musicians like Pat Shange, Yvonne Chaka Chaka and Chicco at Dephon to gain more experience and exposure. He started experimenting with sound, mixing European and township sounds to create new sound. In 1990 he found himself working with Peter Snyman as producer and engineer and released LA Beat, which did very well and encouraged him to continue with production, while Spikiri joined M’Du’s brother-in-law JairusNkwe, Eugene Mthethwa and ZynneSibika to form a kwaito music group called Trompies. The name was insipred by a naughty, always-in-trouble but bright kid in an Afrikaans cartoon titled Trompie En Die Boksombende.”

5. ABDUS – THE LIBRARY 6. IFANI – I BELIEVES IN ME 1ST QUADRANT 7. PROKID – HEAD & TALES

8. ZAKWE – DELUXE EDITION 9. TUMI AND THE VOLUME

fashion

Fashion

By. Antherline

Mbaqanga is a style of South African music with rural Zulu roots that continues to influence musicians worldwide today. The style originated in the early 1960s and developed in the South African shebeens, its use of western instruments allowed mbaqanga to develop into a South African version of jazz. Musically, the sound indicated a mix between western instru-

mentation and South African vocal style. The genre gained popularity as a result of radio play by stations under the South African Broadcasting Corporation. Early artists included Miriam Makeba, Dolly Rathebe, Letta Mbulu and Simon Mahlathini Nkabinde, one of the most well-known mbaqanga singers and arguably the most famous mbaqanga “groaner”, nicknamed the “lion of Soweto”. Mbaqanga maintained its popularity until the 1980s when it was replaced by South African pop music known as bubblegum. Bubblegum is a genre

highly influenced by mbaqanga. One of the earliest innovators of mbaqanga was the Makgona Tsohle Band, a group comprising five domestic workers from Pretoria - Marks Mankwane (lead guitar), Joseph Makwela (bass guitar), Vivian Ngubane (rhythm guitar), Lucky Monama (drums) and West Nkosi (saxophone). Mbaqanga, a Zulu word for steamed cornbread, fused

marabi and kwela influences. The cyclic structure of marabi melded with traditional dance styles such as the Zulu indlamu, combined with big band swing. The indlamu input developed into the “African stomp” style, giving a notably African rhythmic impulse to the music and making it quite irresistible to its new audiences. Rupert Bopape, enticed by the successful Gallo Record Company to be their African production manager, brought together the musicians of the Makgona Tsohle Band with Mahlathini and a new female chorus, the

Mahotella Queens. This was when mbaqanga really took off - or more specifically, “vocal mbaqanga” later nicknamed simanje-manje or mgqashiyo. In addition to Mahlathini and the Mahotella Queens, singing stars such as Miriam Makeba, Dolly Rathebe and Letta Mbulu who had all began as marabi stars during the ‘50s created a large base of fans, as did the Dark City Sisters and the Soul Brothers.

Mbaqanga’s popularity faded during the 1970s because of the influence of Western pop, soul and disco into South Africa. Public performances declined because labor migrants no longer wanted to be in the spotlight. Additionally, audiences sought more urbanized language, vocal, and instrumental styles. However, it was revived between 1983 and 1986. The reversal of fortunes was in part due to Paul Simon’s incorporation of South African music into his Graceland album (1986) and subsequent tour. Mahlathini and the Mahotella Queens’ appearances at festivals in France and at Nelson Mandela’s 70th birthday concert in Wembley Stadium, London in 1988 signaled its return. White South African musicians influenced by this style include singer song-writer Robin Auld. Veteran Afrikaans piano accordion player Nico Carstens produced a boereqanga hit with Viva Madiba. Mbaqanga was fully replaced as the dominant music genre in the 1980s by a new urban

genre called ‘bubblegum.’ An Afro-dance pop, Bubblegum was mainly influenced by mbaqanga and other popular African styles. With the introduction of television in 1976, this musical genre was promoted as music across all ethnic groups. Characterized as a representation of a move towards music that was more urban than traditional,

the Bubblegum genre had many successful musicians, including Chico Twala, Yvonne Chaka Chaka and Brenda Fassie. The derivation of mbaqanga into bubblegum contributed enormously towards the development of kwaito.

Several mbaqanga acts are still recording and performing today,

including the Mahotella Queens and the Soul Brothers. Mbaqanga also continues to influence musicians worldwide. For example, the Norwegian group Real Ones included a tribute track, All the Way Back (Shades of Mbaqanga), on their 2003 album This Is Camping.

The Groovy boys, the Soul Brothers, the Kings of township jive After the Soweto student uprising of 1976 and its violent suppression, young South Africans stepped up the fight against apartheid. In this context, traditional pop and mbaqanga gave way to music modelled on American soul, and later disco. Soul bands like the Movers rarely addressed politics directly, but they rejected the ethnic associations used to divide people under apartheid and embraced the international sound purveyed by the likes of Wilson Pickett and Percy Sledge.

The Soul Brothers, the band that would most successfully realize the South African soul concept, grew out of a group called the Groovy Boys in Natal in 1970, led by bassist Zenzele “Zakes” Mchunu. Zakes, along with drummer David Masondo and guitarist Tuza Mthethwa, went to work in textile factory when the Groovy Boys failed to pay the rent. They changed the group’s name to Young Brothers, but the real turning point came when they moved to

Johannesburg. Life was tough for the band as they sought jobs and lived in abandoned buildings. Their first break came when they recorded with The Mthembu Queens. In 1974, they changed their name to Soul Brothers. David Masondo came forward to sing with his unique, quavering voice. The band then recruited organist Moses Ngwenya in 1976, and he added a unique, Booker T, Jimmy Smith element with his powerful Hammond B-3 playing.

From the moment they recorded their first two singles in 1976, the Soul Brothers were consistent hit makers. The band’s township jive and mbaqanga beats, combined with Ngwenya’s billowing organ riffs and Masondo’s shimmering, breathy vocal sound, caught on fast and inspired many imitators. A series of untimely deaths then hit the band, starting in 1979 when Tuza Mthethwa and one of the sax players died in a car accident. The band’s stylish rhythm guitarist American Zulu left the band in 1982, and in 1984, founding member Zakes Mchunu also died in a car crash.

David Masondo and Moses Ngwenya faced a moment of truth at this point and even considered disbanding the group out of fear that it was somehow jinxed. But they found the strength to go on, and the 13-piece juggernaut lineup they created in 1985 is still going strong today, featuring five singers with tight dance moves, and three saxophones led by sax jive veteran Thomas Phale, the Soul Brothers’ teamwork on stage in legendary, and now world famous following international releases and tours in the 1990s. Even before their first international tour in 1990, the Soul Brothers had sold four million albums in South Africa, and they remain the one township jive act to survive the rise of disco, bubblegum, and now kwaito music. With over 30 albums to their credit, the Soul Brothers now operate recording studios, a record company and a publishing business. They stand as one of the great success stories of South African music.

urban genre

THULA

BLAQUE

NUBON success of “The Inception EP” Blaque Nubon earned his stripes among his peers not only as a gifted lyricist but was also recognized as an honest minister of the Gospel and has since been featured as a guest artist on a compilation album by Malawian label - One Lord Records. Blaque Nubon (pronounced “black newborn”), real name Mlungisi Ngubane was born in the East of Johannesburg, Tembisa (East Rand). At 24 years old, with a dynamic and hard hitting approach to Gospel Hip-hop, Blaque Nubon has been able to successfully establish himself as both a notable Christian rapper and Hip Hop producer under his own record company “Army of the Lord Records”.

Under this label, in a true leap of faith he successfully released his first solo project titled “The Inception EP” in 2012. The project yielded amazing results and allowed Nubon to break out from the underground scene and explore new markets, attracting him new fans from across the country and abroad. As the new kid on the block in 2012, Nubon was surprisingly able to have his music play listed on Link FM (South Africa’s major Gospel Station), Unisa FM, Active FM and also Bay FM based in Australia to name a few. With the

In 2012 being still fairly new to the industry with less than a year under his belt and a fire for Christ, Nubon was invited to perform as an opening act for “Move Tour Africa” featuring internationally established artists Da T.R.U.T.H, The Ambassador, Jahaziel and Sean Simmons all of Xist Music (USA) who are some of the biggest names in Christian Hip-hop today. In the same year he also performed alongside SAMA Nominated, Crown Gospel and Hype Award winners Last Days Fam (SA), at their promo launch for their 2nd Album “Eternal Effect” Nubon continues to honour the call over his life and has performed and ministered in many churches and schools around the country including A.G.C.ITembisa, The Active Church, MFH-Melville and Abbotsford Christian School-East London. Blaque Nubon also received the honour of gracing the stage as the main act during “Take Take - The Movement” in the Eastern Cape which is known to be one of the country’s biggest Christian Hip Hop forums.

Currently Blaque is working on his long awaited 2nd offering as a solo Christian artist, the “Destroy & Rebuild” album scheduled for release sometime in 2013. Beginning as a hobby, Blaque started rapping at the tender age of 14 and before becoming a full-fledged gospel rapper Blaque had already been actively involved in the Johannesburg underground hip-hop scene for nine years and was part of the hip-hop trio Planet Universe with former members Donald “The Neosapian” Mokgale and Ol’ Relative. He also released an EP-“Apocalyptique Visionary” (2005) released with former clique/ group “BlaqueSyentz” and then proceeded to drop a self-titled promo tape with former crew Planet Universe (2008). His television appearances include ShizNiz (Etv) and he has had radio play on Voice of Tembisa (VOT) and UJ FM

Blaque is also a graduate, he attended AFDA where he graduated in 2010 with a BA degree in Motion Pictures where he specialized in sound design and won the “Best Sound Designer” award in his whole year group in 2010. Blaque has high hopes for his future in ministry and music and hopes to attend seminary to further his knowledge and in turn reach more people with the truthful message of God.

AFROJAZZ

LIVE @ THE 2010 JAZZ CAFE

Thula Afrojazz was founded in 2006 by five members namely Nkosinathi Zuma on vocals, Thabani Luthuli on drums, Bongani Maduna on bass, Bongumusa Hlongwa on vocals and keyboard and the late Chris Mbongeni Gumede on Piano. They had their first performance at the Summer Hill Guest house. In 2007 Thula Afrojazz shared the stage with Sphumele Maphumulo, The Maditators and Phuzekhemisi at the Stable Theatre Festival; they were also called to audition at the Durban Playhouse and got an opportunity to perform for 2 months at the Zulu Jazz Club. Thula Afrojazz had the opportunity to perform at the Durban Exhibition Centre for the East Coast Radio & Garden Show sharing the stage with The Gonzo Republic, Four Wise Man, Andile Mseleku, Jika and Pat Matshikiza. Chris Gumede, the groups pianist and founding member

passed away in 2008 and Bongani Maduna left the group to join the white rock band which than forced the group to collapse. Four months later Thula Afrojazz was called to perform at the Durban ICC for a tribute to the late Lucky Dube, Sipho Gumede and Miriam Makeba. They were than blessed with the new members Airsides as lead guitarist, Ildo Nadja on Bass, Nala Gabela on Tenor Sex, Sthe Bhengu playing the trampet and Bo Mbhele on

vocals and piano. In 2009 Thula Afrojazz secured performing contracts for the 2010 Fifa World Cup at the Fifa Fan Parks and Moyo Restaurant at UShaka Marine and also got a chance to perform at Rivets (Hilton Hotel), Sibaya Casino, German &Westville Country Club and they are now a resident band for the Rainbow Restaurant & Jazz Club in Pinetown. The future is bright for Thula Afrojazz apart from releasing their album debut album Ungehlulile in December 2010; the band has shared the stage with Bheki Khoza, Four Forty, Fruits & Veggies, Shabalala Rhythm, Madala Kunene and Ishmael. The group will also be releasing a live album titled Thula Afrojazz live @ The 2010 Jazz Café, the album will be a compilation of songs dedicated to now late Bongani Maduna who passed away in 2012.

www.urbansoundsmag.co.za

o celebrate music and the talents of our young South African women that continue to possess greatness and admiration against all odds, ladies who always seize the opportunities and platforms to express their inner beauty. Who is better suited for this profile other than the singing sensation, songwriter, performer and a big little diva Nomfusi Gotyana. We got the opportunity to have a sit down with this young lovely and bubble songstress just to have an understanding of where she draws her inspiration.

Please tell a little of your background where you were born and raised? I grew up in Kwazakhele township outside of Port Elizabeth with my two siblings and my mother who was a domestic worker. Take us back to when you started being a singer? After completing school I moved to Cape Town, and became a worship leader at the Way of Life Church in Khayelitsha. During that time I got a waitressing job at a diner restaurant where I was expected to sing between serving tables. I was better at the singing part! You got your big break 2009, how did it feel? I think I got a series of smaller breaks in my career so far which have collectively amounted to something big, but there was no defining “bang” moment. I feel blessed for all opportunities that have come my way. Getting a scholarship for singing and songwriting from the Born to Be Famous Academy was a good starting point where I also met my manager Philip de Villiers. He introduced me to my current label Universal Music and my publishers Universal Publishing. It lead to my first album release in 2009, “Kwazibani.” How was it to represent one of the greatest female legend such as Meriam Makeba? It was a truly humbling experience. Mama Miriam was not only a musician. She was a mother, an activist, a wife, she got married six times! I sang a liberation song from her early career, “Mayibuye Afrika.” Tell us more about your current album, and what it means to you have worked with Ringo, Robbie Malinga and Dj clock, how was the experience? It was a challenge since Ringo is such a veteran in the studio, I am not going to lie it was intimidating! When it comes to singing on stage I am very confident, but the studio environment still leaves me cold. Him being a producer who is also a very good singer, he guided me beautifully with my vocals and his musical arrangements are out of this world! Robbie and M’Jakes were wonderful. They were warm and the sessions were fun. With DJ Clock it was a new experience to work with a musician who works with a different medium. The writing sessions were fruitful though and contributed three beautiful tracks to the album. Who would you like to collaborate with in the future and why? Zakes Bantwini - so I can reach a younger audience AND Tina Turner - so I can faint from excitement! How do you stay humble and true to yourself in this industry? Just being grounded in the realities of life and taking each day as it comes. In this industry today you’re up, tomorrow you’re down. It’s important to connect with real people around you who have normal lives who can still enjoy the small things in life and don’t have to be the centre of attention to be happy. What advice would u give to young female artist? Develop your skills, not only as a singer, but as a fully rounded musician. Study an instrument besides your voice like piano or guitar. Develop your songwriting skills or if that’s not your cup of tea team up with writers. You’re not going to crack it out there as a cover singer, the world is hungry for new material.

You were nominated for the Sama’s and Metro awards what did that mean to you? It was great to be acknowledged for my work and to be in the same categories as musicians that I admire. What are the highlights of your career? The privilege of doing music as a day job since 2009 on a global scale is one continuous highlight. How is performing internationally or the reception different from performing at home in terms of audience? They long for the Motherland, therefore they become quite emotional to hear African sounds, especially the Xhosa clicks. They mostly don’t understand the language I sing, but yet connect with the story. Back home, audiences find specific meaning in my songs that’s specifically relevant to them, like Nontsokolo, Ungamyeki, Kunjalo, HayiSuka...they also become emotional, but it’s because my songs speak very directly to them. Overseas it’s more about the entertainment value and the enjoyment of the music. I know you’ve achieved a lot in your life, but the sky is the limit, what do you still want to achieve? An international hit record. I want to be as big as Aretha or Mama Angelique Kidjo. Who is your biggest influence? Most likely Tina Turner. What can people expect from your new album? “Take Me Home” features beautiful songs, beautifully arranged and produced. It will creep under your skin and grow on you. It also has a beautiful album sleeve with English translations of all the songs and pictures taken in and around Nyanga East. How do you give back to the community, and what does it mean to you to help people? I go to schools with my band and give motivational talks, and we teach music workshops like singing, drumming and songwriting. Making the world a better place, what does that mean to you and how do you understand that? Making a world a better place means freedom of the mind and knowledge. It starts with yourself, knowing who you are, knowing your short falls and strengths and being free from fear. Saying that, I don’t think i can ever succeed in making this world a better place. We need each other, church, education system, parents, businesses ....every system out there and what will fail us is greed. A better world is a world where everyone can sleep in peace. What are your favorite’s albums? Nneka - Uncomfortable Truth, Thandiswa Mazwai – Ibokhwe. Take me home – Nomfusi, Lauren Hill Unplugged AND Tina Turner - Workin’ Together What is your current play list? Try - Pink, I will survive - Gloria Gayonor, Ingoma – Thandiswa Mazwai, Ungamyeki - Nomfusi (written by RingoMadlingozi), Proud Mary - Tina Turner If you were have to bring back one of your fallen legends or artist who would it be and why? Brenda Fassie because she always gave her best as if it was her last performance. For performances and the latest on Nomfusi visit: www.nomfusi.com, follow @NomfusiSA and www.facebook. com/biglittlediva

KEAMOGETSWE MORAKE A SHOOTING STAR

experience in television and theatre, Kea has been starring with the best and getting leading roles in ekasie stories. She was cast as a supporting lead in “Over my dead body” and played lead character in “Family Issues” a nineteen year old teenager who is used to getting her way. Malefu is the last born of 5, three girls and two boys. After the passing of their mother, the children turned against each other and Malefu became uncontrollable, constantly partying, coming home drunk and disrespecting her older siblings. She also starred as Tshidi in “Life turned upside down”. Her stage theatre experience include

“The truth in us” directed by Nontobeko Mavundla, “The life of Ontlametse” and “Selflessness struggle” directed by Mountain Motitswe. Keamogetswe comes from a musical background her career in entertainment is inspired by her mother Refilwe Morake a gospel artist and worshiper, known in the music industry for her spiritual song “Ewe Linamandla” and continued support and motivation that she gets from her brother Masekgo Mabalani a contemporary house Dj. Miss Kea is not only an emerging actor with a bright future ahead, but a radio presenter, she runs

Keamogetswe Morake is a young lady from a township a.k.a Kasi, called Kagiso in Riverside. She is a very passionate young lady who is very confident and love singing. First and far most she is a born again Christian. Kea is self-motivated and believe in putting her heart in everything that she does. Her love for acting began in high school when she participated in a stage play called High School Musical as a lead (Taylor Mckessie). She joined Mountain Cultural Agency in 2011 and that is how she got the opportunity to do theatre and Ekasi stories. She is gaining more and more her own show “Soul Therapy” from 7 – 9pm at Westside Fm. Her soul revival show offers a mixture of music and motivational talk inspired by social issues and challenges facing our youth today. “I believe that God is the only key to success He has plans to prosper us and keep us in good health”. Kea has an enormous talent supported by huge faith in the word of God, she will not allow anything get in her way especially not the negative ways of the media, Kea also believes “it is not the media that changes person but only a person that can change”

Directed by Henk Pretorius and co-written by Pretorius and Janine Eser, Fanie Fourie’s Lobola stars talented newcomer Zethu Dlomo as Dinky and film and comedy favourite, Eduan van Jaarsveldt as the affable Fanie. The film is the first from once upon a Story, a script development initiative headed by veteran industry leader Paul

FOURTH COMING ATTRACTION Elelwani

Genre: Drama, Romance Running Time: 103 Release Date: 4 October 2013, Friday Age Restriction: PG

Elelwani and her boyfriend are in love and have plans to spend the rest of their lives together. They’re both educated and live urban lives with aspirations to travel abroad. After her university graduation, Elelwani returns to her family in the rural countryside to introduce her boyfriend and announce her plans. But the weight of tradition bears heavily on her family

Raleigh and Janine Eser, which aims to take great South African stories to the big screen and the world. Fanie Fourie’s Lobola was produced by Lance Samuel and Kweku Mandela from Out of Africa Entertainment and Janine Eser. The story begins with Fanie, a young Afrikaner who designs custom cars that resemble African animals. His brother Sarel, played with cheesy aplomb by Chris Chameleon, is a massively successful Afrikaans pop star who is about to marry the “perfect girl.” Fanie still lives with his mother in a home where time seems to have stood still. On a dare, he asks Dinky Magubane, a beautiful Zulu woman and aspiring entrepreneur, to come with him to his brother’s wedding. She agrees on the condition that Fanie pretends to be her boyfriend so that she can stop her deeply traditional faand they refuse to accept her union. The father wants his daughter to become the wife of the local king despite his her insistent refusal. What unfolds is a secret hidden by the royal family from the community and Elelwani is destined to uncover mysteries and deceptions. Cast: Vusi Kunene, Florence Masebe Director: Ntshaveni Wa Luruli Music: Chris Letcher

ther from pressurizing her into marriage. Things go awry when Dinky and Fanie start to fall in love. What began as a hoax to annoy their families becomes a meaningful relationship. The two find themselves bound by their shared sense of humour and a desire to create a life that is different from what their parents expect of them. As they confront cultural differences, family politics, a malicious ex-boyfriend and lobola their relationship breaks down. But try as they might to stay apart, both have been changed by their feelings for each other. Is love enough for Fanie Fourie and Dinky Magubane? Fanie Fourie’s Lobola was inspired by the book of the same name, written by Nape à Motana - See more at: http://www. faniefouriemovie.com

NKOSINATHI ‘DOLLAR’ XABA

Nkosinathi Xaba grew up in the deep rural area of Ixopo South Coast in KZN. He was born in 1984 and went to school in Sinamuva high school where he matriculated in 2003. He later went to study in the University of KwaZulu Natal where he

studied light music. It was when his father saw his talent that his father gave him the nick name ‘Dollar’ Nkosinathi is down to earth hardworking and very passionate about music. He developed his love for music when he was still in school and was a dancer and participated

in school competitions this was his way of showing off his talent. While he was doing his studies he recorded his first demo singing afro pop music., Because he grew up in a disadvantage family it was not possible for him to graduate but his dream and his passion for music did not die he continued to perform in local beauty pageants and ,weddings , Jazz clubs and Rallies. In 2006 he managed to raise funds to buy his own studio material. He made it his duty to help other up and coming artists by assisting them to record demos and also produced their music. He has recorded genres such as Afro soul, Jazz, House, Electro, and Maskandi music. In 2008 he met DJ Bongs where he made his big break with the hit single Sengihambile which

was an introduction for him to the entertainment industry. He there after worked with a variety of artists such Poster Mjorsty and Ndlungelwa, he worked together with them to arrange a project called Ten Year Plan. He also worked with DJ Webster ft. Kelly Khumalo with the hit single called Ngeke Bayiqede. Dollar also did another song with Naimi K and DJ Happy Gal called Ubanike Lo. He also worked with DJ Tira ft. Mampinstha & Juice which was a project for DJ Fisherman with a song called Thursday Night. He also worked with Msawawa with a song called Yimi Nawe. It was last year 2012 when Dollar did a song with DJ Bongs called I’m So In Love. During this time Dollar was a wellknown brand he was in demand getting calls from different people and his fans encouraging him to go big and have an album of his own. 2013 is the year of Dollar’s breakthrough he is cooking up a storm in studio as we speak. His new album Promise with hit singles such as Savumelana, Sithandwa Sami and Go Crazy is the beginning of a brand new life for Dollar because this album is the first of its kind in this particular album alone is a copulation three genres. This project is going to be released under Dollar Music Label and FDG Records SA. Dollar’s dream is to change the world of art performance for the better he believes that music is more than just showbiz but he wants to deliver a message of love and unity through music. Dollar says that this album is suitable for all ages he promises all the music fans out there something new and fresh out of this world, and to all the couples

this album will keep the fire burning.

2013 ARTS IN BUSINESS Business and Arts South Africa (NPC) is launching annual Arts in Business Forum in 2013.

The inaugural forum will be held in Johannesburg on 24 October 2013 as a one-day event. The 2013 Arts in Business Forum aims to engage with business in promoting the value of the arts beyond marketing strategies and corporate social investment, moving towards the concept of Shared Value. The forum seeks to explore how business can better integrate arts and creative value systems

into their operations to ensure that their businesses are effective, resilient and innovative in the face of economic and social challenges.

This year’s Keynote Address will be presented by Professor Giovanni Schiuma, author of the book, The Value of Art in Business. Professor Giovanni Schiuma is the Professor in Innovation and Knowledge Management and Scientific Director of the Centre for Value Management at Università degli Studi della Basilicata, Italy, and Visiting Fellow at Cambridge Service Alliance, Institute for Manufacturing, University of Cambridge.

Robbi Brozin, founder of the international brand Nando’s, will speak to how the arts were integral to developing the Nando’s brand both locally and abroad. Paris Pitsillides, founder and Managing Director at Matchboxology, a Johannesburg based agency, which focuses on Innovation for growth and behavioral change in business, will describe how the arts have been utilized in numerous companies to innovate and enhance their business. The evening will include a number of respondents who have utilized the arts as an enabler in their businesses both locally and on the continent.

8TH SATMA AWARDS

SEARCH FOR THE STARS 2013/2014 From October 2007 up to now, uShaka Marine World in partnership with The Department of Arts and Culture had run open auditions to all artist (singers, dancers, ethnic and contemporary and all forms of performing arts) created job opportunities for more than 5000 Artists throughout KZN which ties in with the Department’s constitution Article 27 of the Universal Declaration of Human Rights stating, “everyone shall have the right to freely participate in the cultural life of the community (and ) enjoy the arts” It is within this context that the Department operates, and develop upcoming artists to ensure the survival and development of all art forms and genres, culture, equitable human resource development policies, and the promotion of literature and cultural industries. This project proved to be even more successful where the Search for the Stars project implemented throughout The KwaZulu Natal Province. More than 4000 artists showcased their talent.

a partner has assisted in achieving this aim over the past 6 years, as artists have been employed during school holidays. Artists are also taught to market themselves as well as learning how to do invoicing and how to handle bookings. Open auditions to all performers throughout KwaZulu Natal, namely West-

ern, Eastern, Southern and Northern Regions searching for talent will be held during August and September 2013. Working closely with all regional Department of Arts & Culture will be of great help. The regional Search for the stars will be advertised via com-

munity radio stations, posters and Departmental newsletters.

The winners from the 4 regions will then take part in our finals which The Department’s aim is to save will be held at uShaka Marine the Youth from participating in World on Saturday the 28th Sepillegal activities such as drugs tember and Sunday the 29th Sepabuse; crime etc. by creating jobs tember 2013. and a platform to show case their talent. uShaka Marine World as

NOMINEES 2013 BEST VENDA ALBUM Zozo Rendani N. Sikheli Junior

BEST SESOTHO ALBUM Theoha le Koenane no.8 Motseng no. 7 Sabatha no.3 Mantso BEST SEPEDI ALBUM Salphina Kadiaka Julia Aphane Mampuru

BEST XITSONGA ALBUM Percy Mfana no.9 Msindhu Wa Pheni no.6 Snombhelani Sisters vol.8 Swibi swa Ndhuma BEST ISIXHOSA ALBUM Gobolempundulu Mdabu Ngqulunga Tornado

BEST ISINDEBELE ALBUM Saaiplaas Boys Sivukile

BEST SETSWANA ALBUM Phate Ya Setso Cultural Group Kgoga Masigo Cultural Group Tshukudu Ya Poo Dialogane Cultural Group BEST MBAQANGA ALBUM Phansi Phezulu Ofeleba iFamily BEST MASKANDI ALBUM Imithente Osaziwayo

Shwi noMtekhala Gxamalaza Khuzani

BEST ISICATHAMIYA ALBUM General Singers Royal Messengers Zulu Messengers BEST AFRICAN JAZZ ALBUM Thabo Segonyane Botoka Moroke BEST REGGAE ALBUM Tshabuse Hill House Crew Blak Kalamawi

BEST AFRO-SOUL ALBUM Naima Kay AfroSoul Bathandwa Nomfusi Joel Berita

BEST VERNACULAR HIP HOP ALBUM Shugasmakx Tuks Lekkersweet MC Tshatha & Moja Poo BEST MALE ARTIST Thokozani Langa Mtshengiseni Doctor Sithole no.13

BEST FEMALE ARTIST Izingane Zoma Izintombi Zika Mjaphani Lucy Shivambu Platform One

BEST NEWCOMER ARTIST

Umfana We-Khansela Mlethwa Majola Steven Shibambu Episode 1 Dikgalala Tsa Orange Farm SONG OF THE YEAR Amageza Amahle Mdabu Ngqulunga Sivukile Ngwao Ya Tshona Rabaki Dikgalala Phuzekhemisi Benny Mayengani

BEST TRADITIONAL DANCE GROUP Thaga Moso Maletangwao Cultural Troupe Tswelelang Youth Cast MY CULTURE, YOUR CULTURE, ONE NATION To Vote for your favourite nominee SMS: SATMA, Category, and the Name of the artist you voting for To: 34066

the industry. He is a singer and songwriter and has worked with many great international artists, icons of the music business backing live performances by Alicia Keys, Aretha Franklin, Stevie Wonder, John Legend Beyonce, Celine Dion, Bebe, Deborah Cox and Westlife amongst others. “Bheki Nene has a honey coated soulful voice... a touch of R&B, afro-pop, jazz and gospel...” Lawrence Matshiza (renowned South African producer and hit maker) In South Africa he has worked with the late Miriam Makeba, Yvonne Chaka Chaka, Hugh Masekela, Judith Sephuma, Malaika, Lira, Danny K, The Parlotones, Vicky Vilakazi, Sibongile Khumalo, Tshepho Tshola, Themba Mkhize to name a few.

BHEKI NENE WORLD CLASS He is one of the original and leading vocalists of the multi- award winning Soweto Gospel Choir the group that won the 2007 & 2008 Grammy Award for Best Traditional World Music. Bheki Nene is spreading his wings, using his talents to direct and choreograph the Tshwane Gospel Choir, a unit formed in 2010 and destined for global acclaim. This is in addition to his solo endeavours as Bheki is also currently in studio recording his anticipated debut album simply entitled Abantu. It is a project produced by Lawrence Matshiza, who has also produced for Judith Sephuma, Siphokazi, Busi Mhlongo and Ringo Madlingozi.

Bheki’s unique selling point and what sets him apart from his contemporaries is his depth and versatility. He captures the spirit of old school music legends yet he just as competently delivers the tempo of his pop contemporaries. His sound is best defined as refined and he is without doubt one of the sparkling gems in South Africa’s musical landscape. Jazz, soul, gospel, pop and African melodies, Bheki delivers them all in a breathtaking manner. Born in Soweto, Bheki started singing at a very tender age and always involved himself with the community. At the age 13 he was singing professionally, working with the top names in

Bheki Nene is destined for even greater things as he has enormous experience in theatre and has performed in London, Sweden and Madagascar. His album is yet to come but has already secured big gigs in China and Paris; he is bound to succeed as he plans to feature international artists in his albums to give it world class standard.

SAMRO OVERSEAS SCHOLARSHIPS COMPETION A dozen of the country’s most gifted young pianists have booked a date with destiny at the end of August, when they will compete for one of two sought-after R170 000 overseas scholarships offered by the SAMRO Foundation. Over the past half-century the SAMRO Overseas Scholarships Competition, which is one of South Africa’s most lucrative music education awards, has cemented its status as a desirable addition to any emerging musician’s CV. The 2013 competition focuses on pianists and keyboard players, and this week the SAMRO Foundation announced the six semi-finalists in the Western Art Music and Jazz/ Popular Music categories, who will vie for the scholarships. In the Jazz/Popular Music category, the semi-finalists are Lifa Arosi, Bokani Dyer, Sibusiso

Mashiloane, Wandile Molefe, Gabriel Montgomery and Nicholas Williams. The Western Art (classical) Music candidates are Coila-Leah Enderstein, Jan Hugo, Sylvia Jen, Nina Phillips, Megan-Geoffrey Prins and Daniel Strahilevitz. They will all take part in the intermediate round of the competition at the SABC’s M1 Studio in Auckland Park on Thursday, 29 August 2013, where they will be put through their musical paces by a panel of accomplished adjudicators. Two finalists in each genre will then be selected to go through to the final round, to be held at the same venue on Saturday, 31 August 2013. The duel between the two classical and two jazz pianists is always highly charged and superbly entertaining, and serves as a ringing endorsement of the standard of musical talent coming out of the country’s university music programmes. What is particularly gratifying, according to André le Roux, Executive General Manager of the SAMRO Foundation, is that through its various music study awards SAMRO is helping to build a tight-knit artistic family who are influential in the music world.

He explains that one of the semifinalists, Gabriel Montgomery, has previously been the recipient of music study bursaries from SAMRO – and is now trying his luck at reeling in the big fish, the Overseas Scholarship. Two candidates – Bokani Dyer and Sibusiso Mashiloane –entered the competition four years ago and made it to the finals, and have now set their sights on bagging the main prize the second time around. Another example of how SAMRO is continually ploughing back into the South African music family is that two previous scholarship winners are now serving on the judging panel. “It shows SAMRO as a patron is not just supporting one-off events, but reinvesting in growing our cultural wealth and our community of musicians over time, the culmination of which is the scholarships competition, and being involved in their career trajectories thereafter.” For more information, visit www. samrofoundation.org.za, or contact Naseema Yusuf at the SAMRO Foundation on 011 712 8417 or naseema.yusuf@samro.org.za.

OPPORTUNITIES FOR THE BLIND Music and technology open up a broad new perspective and a variety of new job opportunities for the blind. Emendy Sound & Music Technology College provides a computer-based music production and sound engineering course for the blind. Now you can produce your own music, record, edit, arrange, mix and master with the help of specially developed music software, equipment and study material. This combined music production and sound engineering NQF level 4-diploma course is specially developed for the blind to teach a learner the entire process of producing their own music, from the basic principles of sound, recording, programming and editing, up to the final mixing and mastering process. Students are not limited to a specific music genre and are enabled to produce any style of music Dance, Kwaito, House, R&B, Hiphop, Jazz, Rock, Blues and many more. This course includes both aspects of sound engineering and

music production, including drum and instrument programming, sequencing, production technique and music theory. It also includes aspects such as audio to script conversion, audio restoration, Live DJ’s, converting of LP’s to CD and other music industry related tasks that can be carried out by the blind. According to Emendy Managing Director, Martin Willemse, the college’s main philosophy is to enrich people’s lives through music education. “We always had a passion for the disabled and saw the need and opportunity to develop the course. Our classrooms and facilities also accommodate wheelchairs and we would like to see that everyone gets the same opportunity to start a career in the music industry.” The business side of the course focuses on developing and maintaining independent entrepreneurial business, whether in the music or corporate scene, from finances to marketing, research,

products and services, corporate strategy, goals and business planning. Most of the students’ classes are presented one-on-one. A blind lecturer who has successfully completed the MPB course teaches the music software subject, and it is really amazing to watch two blind people making music on a computer without the need for computer monitor.

KNOW YOUR

MUSIC RIGHTS Performing Rights belong to the person or people who own the music. That’s music composers, lyricists or music publishers who wrote, created or produced it. They earn royalties when the music is either performed in public, or broadcast on mediums such as TV or radio. And even when it’s used in a telephone message service or played in an elevator SAMRO makes sure that playback time is payback time. Mechanical Rights is a fancy name for the royalties that composers, lyrists and music publishers earn when their music is copied and

transformed into mediums such as cassettes, CDs, DVDs, MP3s and ringtones for public use, reproduced by a device or machine.

in public. These are the people who were in the studio playing the instruments, or singing the lyrics when the recording was made.

Music Creators trust SAMRO to manage these rights for them. They license your tracks and collect fees from Music Users including radio stations and advertising agencies, DJ’s and anyone who makes copies, cover versions, compilation CDs or when it’s made available for legal download on the internet. SAMRO makes sure playback time is payback time for Music Creators.

Even if they didn’t write the song or the lyrics, their talent contributed to the final product. So they should get paid any time the song is played on the radio or anywhere else in public for that matter.

Needletime Rights make sure performers and Recording Artists get paid when their music is played

As long as they contributed to a recorded performance that was captured on CD, tape, MP3 or any other recording device, Recording Artists have Needletime Rights over that recording

SAMRO RETIREMENT ANNUITY FUND The SAMRO Retirement Annuity Fund was established in 1969 for members of SAMRO. The Fund is a separate legal entity registered by the Registrar of Pension Fund’s and is administered by a specialist retirement fund administration company (Robson Savage (Pty) Ltd). Every person who was accepted as a member of SAMRO before 1 January 2013 automatically qualified for membership of the SAMRO Retirement Annuity Fund. Contributions were previously made annually to the Fund on behalf of every member who earned royalties in Southern Africa in any particular year by SAMRO from the SAMRO Social Fund. Following changes to the Companies Act which came into effect on 1 May 2013, SAMRO can no longer allocate funds to contribute to the Fund on

behalf of members. The funding of future contributions is currently being investigated by the Trustees of the Fund and attorneys have been engaged to advise the Trustees and SAMRO in this regard. The Fund continues to invest existing members’ benefits as before and existing benefits continue to grow with the returns earned by the underlying investments Members may retire from the Fund at any time between the ages of 55 and 75. Please refer to the Retirement Information Pamphlet for more information about your options at retirement and the process to follow to claim your retirement benefits. Members, who are totally and permanently incapacitated to perform their normal occupation due to ill health, may apply for ill health early retirement be-

fore age 55. Members are encouraged to complete a Beneficiary Nomination Form, which assists the trustees with identifying your dependents and beneficiaries of your benefit in the Fund in the event of your death. A copy of the Beneficiary Nomination Form can be found under the documents section and the completed form must be faxed or emailed to SAMRO. If you require any additional information, you may contact Mr Morné Olivier or Ms Precious Ngwepe at the office of the Fund’s Principal Officer (Tel.: +27 11 802 8011). 51.

ARTISTS AND REPERTOIRE

Artists and repertoire (A&R) is the division of a record label that is responsible for talent scouting and overseeing the artistic development of recording artists. It also acts as a liaison between artists and the record label. The A&R division is responsible for discovering new recording artists and bringing them to the record company. They are expected

to understand the current tastes of the market and to be able to find artists that will be commercially successful. A&R people are often young, well-rounded and experienced in music culture, and often they are former musicians, music journalists or record producers. An A&R executive is authorized to offer a record contract, often in the form of a â&#x20AC;&#x153;deal memoâ&#x20AC;?: a short

informal document that establishes a business relationship between the recording artist and the record company. The actual contract negotiations will typically be carried out by rival entertainment lawyers hired by the musicianâ&#x20AC;&#x2122;s manager and the record company. A&R executives rely mostly on the word of mouth of trusted associates, critics and business contacts.

ers and producers. As the record nears completion, the A&R department works closely with the artist to determine if the record is acceptable to the record company. This may include suggesting that new songs need to be written or that some tracks need to be re-recorded. A key issue is whether the album has a single: a particular track which can be used to market the record on the radio. Once the record is completed, the A&R department with assistance from marketing, promotion and the artist chooses a single to help promote the record.

They also tend to favor bands that play in the same city that the record company is located. Contrary to popular belief, their decisions are rarely based on unsolicited demo tapes sent by musicians. The A&R division oversees the recording process. This includes helping the artist to find the right record producer, scheduling time in a recording studio and advising the artist on all aspects of making a high quality recording. They work with the artist to choose the best songs (i.e. Repertoire) to record. For artists who do not write their own music, they will assist in finding songs and songwriters. A&R executives maintain contact with their counterparts at music publishing companies to get new songs and material from songwrit-

Sax o Rec pho Exe ord nist Pro , Co cu tiv m d u e, M ce pose ato r, L r ro abe in J l azz

Tsilidzi Richard Matoro is now penetrating international music markets having recently come back from the United States of America, currently preparing to go to Spain July but as the common saying goes “behind the glory there is a story”. Richard, a son of a carpenter from the rural village of Muledane in Venda fell in love with music from a very young age even when his parents adviced him to pursue a teaching career after he matriculated at Sam Mavhina Secondary in 1992.He was already sold to music. Even when he had to both work and continue schooling at the tender age of fourteen Richard was already into music while staying his brother who bought a lot of musical equipment,” My brother dropped me in an ocean of music by buying a variety of music instruments and allowing me to utilize them”. He worked with his brothers and father as a carpenter who were also doing brick-laying, “As young as I was I had to work so I can finance and oil the engine of my studies. Richard made it against all odds and enrolled as a music student at the University of Venda in 1994; in 1995 he earned a certificate in music from the same institution, Univen. He further enrolled for a bachelor’s degree in

music majoring in saxophone from 1995-1998. He further enrolled for his Honors in 1998.Richard is gifted and versatile when it comes to musical instruments he played guitar for artists like Khakhathi and friends ,Burning Soul Nephawe. From performing with Holy Spiritual Group in parties and weddings back at home in Venda until he matriculated, He further worked with artist like Master Mabunda, Bra Bushy, Thuthukani Cele, Noel Khumalo, Godfrey Mokoena, Mzwanele Solomon, Brickz P, Majozi Joe, Rev G, Gabriel “The great” Tshisikule, Emmanuel Mamphogoro, Tancred, Bra Nekhofhe, Netshaulu, My sax lecturer Joe Malinga and many others. “It was in 1999 that I moved to Johannesburg like many others in the music industry that come to the city of gold to seek greener pastures that’s when I hooked up with an old friend and Managing Director of GTP studios Gabriel Tshisikule who later offered to teach me Sound Engineering”.Matoro went further to record big artists like Jahman Chiganja, Khakhathi and friends,The Roots, Healing Sound, Twins, Joe Kgopa, Patrick Makhubele and many others. It was only in 2004 when his big break comes where he performed at the Standard Bank Joy of Jazz in Newton Johannesburg sharing the stage with the cream of the Jazz crop the likes of Judith Sephuma, living legends such as

Sipho “Hotstiks” Mabuse, Bra Hugh Masikela, Mxo, Ndumiso Nyovane and many other established Jazz artists. In 2006 -2007 another opportunity presented itself when he worked as a music composer for television program Soul City under Word Of Mouth Productions working with experienced Producers and Directors like Duma ka Ndlovu, Ntshavheni Luruli, Uwe Beckman. “I also composed music for SABC 2 Hluvukani programme produced by

Melotsi Productions. Currently composing music for yet another television programme that airs on SABC 2 “Open Varsity” and composed music for a SABC documentary that will air on our local screens called “Who am I” .And he does all these projects under his very own recording studio “MAT Music Productions” This Christian, married father of three still finds time to visit his loving wife and children in Venda to

make sure they are happy and update them on his latest achievements and goals .He has released two gospel album using his Venda name Tshilidzi Matoro when the first album failed to attract much attention he didn’t give up because his second album caught fire and received very good success. But around the Jazz cycles he is known as Matoro in Jazz, Richard says “If I didn’t do music I would have become a social worker because I am truly passionate about helping people”. Richard has graced stages both locally and internationally after he left the nest of his friend GTP Studios to start his own music label “Mat music Production” He has been in Canada, United States of America, Atlanta, France, Botswana, Congo, Swaziland, and he will be in Germany this coming September and Denmark in October. So what plans does the horn blower have? “A third album which will be a Jazz album, more international performances and discovering ,tutoring and nurturing new talent equipping them with knowledge that I obtained from varsity, what I have learned in more than two decades in the music industry and sharing my experience on what I gathered on the international platforms”. Under his filmmaking business venture “Reed Entertainment” Richard Matoro plans to produce movies and comedies.

the challenges of HIV/AIDS and terminal illnesses, poverty, abuse and illiteracy.

Princess of Africa

Known to the world as the Princess of Africa, singer, entrepreneur, humanitarian and the first African woman to receive the World Economic Forum Crystal Award, Yvonne Chaka Chaka a legend in the South African music industry has recently released a new album, Amazing Man. In her latest offering the icon of township pop tackles issues of inequality, struggles, pain, love and respect. The album features some of the great musicians in Africa, the Ladysmith Black Mambazo, Zuluboy, Soweto Gospel Choir and Youssou N’dou. She has a magnificent voice that is matched with the biggest heart in the business, her community outreach and a humble personality that leaves people with a smile on their faces. Despite her busy schedule always takes time to motivate, inspire

and educate everyone she meets and says “I am always ready to learn from others”. Born in Soweto and highly respected internationally, she is considered a role model throughout the African continent and has demonstrated compassion for others throughout her career. She draws her inspiration from her mother a mentor and heroin that raised 3 daughters single handedly after their father has passed away, struggling with little pennies that she earned as a domestic worker but was able to provide for her family which took strength and courage. Through her generosity she has motivated millions of women and men in our continent and benefited a number of families and orphans facing

As a Goodwill Ambassador for UNICEF against malaria and also an ambassador for Roll-Back Malaria, she tirelessly campaigns for medication and bed nets that will help to end malaria in Africa, a preventable and curable disease that kills 3,000 people in our continent every day. Yvonne has also experienced the severity of Malaria, when coming back from tour her backing singer died due to this mosquito borne infectious disease. Chaka Chaka was than inspired to start her own charity organization called the Princess of Africa Foundation, where she wanted to create awareness for the needless disease; she wanted people to know more about malaria and the fact that it kills almost one million Africans a year of which most of them are children. The Princess of Africa Foundation is a Non-Profit organization that was established in 2006 to complement the work of Yvonne Chaka Chaka as UNICEF and Rollback Malaria Goodwill Ambassador in Africa. The main objectives of the foundation are to carry out community and social charity works that will empower and enhance people’s lives to create change. Through her music and the Princess of Africa Foundation she has made an indelible mark wherever she goes and her philosophy is, “When we are born we come with nothing and when we die, we die with nothing. God thank you for the life you have given me. I love life, and I live it to the fullest. We are the instruments of Heaven. Our work is not design, but destiny.” An African icon Yvonne Chaka Chaka is living her destiny, and those who understand her message are enriched by it. She has been at the forefront of

the South African popular music for more 20 years. Some of her most famous songs include I’m in Love with a DJ, I Cry for Freedom, Makoti, Motherland and the ever- popular Umqombothi (African Beer). Yvonne has won numerous awards and accolades and shared the stage with megastars such as Bono, the classic rock band Queen, Oliver Mtukudzi, Johnny Clegg, Miriam Makeba, and Hugh Masekela, to name a few. Yvonne has performed for HRM Queen Elizabeth, US President Bill Clinton, South African President Thabo Mbeki and a host of other world leaders. As a young performer Yvonne was the first Black child to appear on the South African television in 1981. Yvonne Chaka Chaka is a true inspiration, a workaholic, singer, business woman, humanitarian and an activist. She can fly to Tanzania and meet with global leaders to explore ways to accelerate Results, Innovation, Sustainability and Equity in the field of immunization and still have time to produce her Motherland Tour documentary. Words are never enough to express the respect and honor that the African Princess deserves, she is passionate, courageous, spiritually grounded and believes in human dignity. She has embraced an array of people from every walk of life, and her friendships span the globe. The diversity and quality of Yvonne’s relationships, are like her music different notes blending together to create the perfect sound.

ZUZMUZI MUSIC Zuzmuzi music was established just a decade ago by Tshepo Nzimande under a licensing agreement with Bula music. The company operated under Bula for 7 years, releasing the likes of Sfiso Ncwane, Sechaba, Thokozane Langa, Shwii no Mthekala and our very own “Prince of Gospel” Lundi Tyamara. These artists are today counted amongst the best in the industry for Gospel Genre. Zuzmuzi music then commenced operations as an independent record label in 2008, and it became one

Specialising in Gospel and Traditional music

of the country’s undeniable successful gospel/ traditional record label providing 360 degrees services to artists with talent. As Zuzmuzi aims to discover, expose and nurture talent, it is now home to artists like Donny Ngwenyama, Fikile Mlomo, Kgosi Lebitsa, Bathabile Skosana, Holy cross choir, Futhi and Zanefa Ngidi. This one record label is responsible for shaping, expanding and re-defining the way people listen to and perceive Gospel music. In 2008 Zuzmuzi music re-

leased Fikile Mlomo’s debut album titled “Umangisuka” which received the best newcomer nomination in the 2009 Crown Gospel Music Awards. The company made its second release with Donny Ngwenyama “basheshe bahleke” which sold over 88 000 units in barely two years since release and the album received two nominations for the 2011 SABC Crown Gospel awards. Lundi’s “Mphefumlo wami” sold over 350 000 units and went triple platinum winning bestselling album

at the SAMA awards and also won one award at the SABC Crown Gospel Awards. Zuzmuzi music went onto releasing the “new maskandi kid on the block” Zanefa Ngidi which is making waves and giving competitors in Maskandi a run for their money. All these great achievements gave Zuzmuzi music more recognition and respect within the gospel music industry. They are always on the lookout for artists who have a unique message, excellent artistry and spiritual maturity.

JAY Z $20 MILLION MUSIC DEAL Samsung has signed the biggest Music Deal of its kind with rapper and businessman Shawn “Jay Z” Carter, the owners of Galaxy S III, Galaxy S4 and Galaxy Note II devices can now download rapper Jay-Z’s new album on a first come, first serve basis, delivered through a special Samsung Android app. For a price of $5-million dollars, Samsung bought one million copies of Jay-Z’s new album Magna Carta Holy Grail, part of a broader deal estimated to be worth $20-million over all. Apple Inc. isn’t the only industry player wooing artists into exclusive early access deals. This time it’s Samsung Electronics Co. Ltd. forking out millions to make Jay-Z’s new album available to owners of its Galaxy phones and

tablets first, three days before Magna Carta Holy Grail’s official release. On the surface, it’s a smart move. Apple did the same with Justin Timberlake’s The 20/20 Experience and Daft Punk’s Random Access Memories – both big budget, big-name albums streamed via iTunes ahead of long awaited releases. Samsung readies new Galaxy S4 that’s twice as fast as its current model; Wi-LAN shares soar on Samsung deal renewal Samsung shares hammered as analysts slash Galaxy S4 sales forecasts. But this isn’t about the music industry. Despite the album’s novel method of distribution, it’s not about the music at all. For Samsung, it’s an attempt to raise the profile of the South

Korean manufacturer’s Galaxy S smartphones and Galaxy Note tablets outside tech-savvy circles and partnering with Jay-Z taps Samsung into an industry that has significant cultural pull. On Somewhere in America, the album’s seventh track, Jay-Z even raps, “a million sold before the album dropped.” (Can we still say “dropped” for an album launched via app?) Never mind the fact that Samsung’s servers were seemingly overwhelmed when the album preview was released at midnight, July 4. If you owned a Samsung device, you technically got early access to something new, hip and highly regarded. Perhaps that makes Samsung devices new, hip and highly regarded by association.

platform for innovative releases. The label stands for varied and intelligent club sounds with soul. Its choice releases made GOGO Music one of the most looked after record labels in the scene. Complementary to the label the GOGO Music radio show was started in 2003. What began as a monthly show transmitted by one internet-radio rapidly became one of the most popular broadcasts within the house community and beyond.

RALF GUM Ralf GUM is one of the most respected figures in the house music scene for the distinctive qualities in his exceptional productions and DJ-sets. Since Ralf’s DJ career started in 1990 he always stayed true to his passion for cool and diverse house music. Harmony, Soul & Groove – are the main ingredients, but just some aspects of Ralf’s typical deep sound. With an instinctive feeling for the right vibe, he convincingly performed all over Europe, Asia, the Middle East, South- and North America. In autumn 2008 Ralf toured in South Africa for the first time with great response and was

the first German house DJ who was booked in Botswana and Swaziland. In 2012 Ralf finally emigrated from his homeland of Germany to the world’s current hot-bed for Soulful House Music, South Africa. Ralf has created music since 1993 and worked with notable artists as Inaya Day, Monique Bingham, Beate S. Lech, Robert Owens, Kenny Bobien or Caron Wheeler. Ralf released his first artist album titled ‘Uniting Music’ in 2008, which contained the hit-single “Kissing Strangers” a bestseller in its genre the same year. 2012 the follow up album “Never Leaves You” was

released. It gained global critical acclaim and reached gold status in South Africa. The hallmark of Ralf’s sound is his love for live instrumentation coupled with wicked deep house beats. But the distinctive groove isn’t the only reason for Ralf’s success, his passion and love for all things soulful shines through all time and helps create a simply irresistible vibe. Next to his productions and remixes for labels like Defected or Tommy Boy and his seducing DJ-sets, Ralf GUM receives as well worldwide plaudit with his own label GOGO Music. It was established in 2001 to offer a

Since early 2006 the radio show is done on a weekly basis and is to date aired by more than 50 FM- and internet-stations around the globe. The GOGO Music radio show residents Ralf GUM, Benny Pecoraio (aka Ben Moss) and MAQman plus few selected guests are presenting hebdomadal nothing but the finest house music in a pure one hour DJ mix. Article Courtesy: www.ralfgum. com / www.GOGO-Music.net

Internet Radio Stations for South Africa Chill Out Radio mauriceproductions.co.za House Frequency housefrequency.net

the wheels of steel bring down the house was Dj’s Ms Thuli, Ms Tdkay, Zaimaya and Mandy.

KASIE FM WOMEN’S MONTH CELEBRATION

The Kathorus Community Radio station better known as Kasie FM situated in Spruitview Katlehong and caters for all the residents of Ekurhuleni and surrounding areas showcased an extraordinary service for the community and its listeners in this year’s women’s month when they hosted a Women’s Month Celebration. The event was aimed at giving recognition to the brave women that marched the streets of South Africa in protests for human rights and dignity, it was about spreading the message of love and respect for elders and also embrace women as they are the rocks of our nation and pillars of what we stand for. The women’s month celebrations took

Article by: Primrose Mavundla

place at Mlando Restaurant on 17 August 2013 was organized to create a platform for aspiring local businesses where they can market and promote their products. It was an event jam-packed with motivation, fashion and live music, the women were getting their hair done for free while others are dancing to the sounds of old skool music, R&B, gospel and house music, featuring artists like Kgotso a renowned gospel musicians and on

Established in 2010, Imvelaphi for the Youth is a nonprofit organization located in Clermont, Pinetown that exists to encourage and to promote arts & culture among the marginalized community of KwaZulu Natal. The organizations major goal is to identify local potential music artists, groom and promote them to levels of nationalâ&#x20AC;&#x2122;s recognition and self-sustainability. Their aim is to create awareness and imparting knowledge on prevention of Drug and Alcohol Abuse, Domestic Violence, Child Abuse, HIV/AIDS and Crime. This is achieved through musical performances in the public place and in high density areas such as quarter camps and townships having an interjection awareness sermon

in helping, housing and raising our vulnerable and abandon children to assist them in raising funds so they can continue doing this wonderful and selfless job of raising our children. Most of these victims are abandoned by their loved ones and the society as a whole. During the festive season the rate of suicides increased due to the fact that these children feel the pain of loneliness. It is the most painful time of the year for these victims since they have no families to spend their time with. It might sound clichĂŠ but it is a well-known fact that there is no place like home. Imvelaphi for the Youth is on a mission to make a better living for those affected by HIV/ AIDS. It is though very hard to accomplish such a mis-

about after the realization or seeing the opportunity that during the festive season there are lot of festivities happening around our communities to celebrate the season, the closing of school, the Christmas and the New Year. None of these festivities are aimed or targeting the most vulnerable people in our communities which is the children and the youth in homes and orphanageâ&#x20AC;&#x2122;s, none of these festivities are addressing or creating awareness on drugs and alcohol abuse. December being the awareness month of HIV/Aids none of the events that are organized during this time are making an impact or an effort to spread knowledge and engage the community in coming up with ways to mobilize the youth and become

IMVELAPHI FOR THE YOUTH between artists in each and every performance. The organization has embarked on the mission to work tirelessly in empowering and uplifting the community and also have seen the need of love and support amongst those affected and infected by HIV/AIDS, and abandon children. Their initiative is to produce sporting and musical events that will empower the youth, encouraging entrepreneurship and job creation through promoting tourism and entertainment in KwaZulu Natal. Imvelaphi for the Youth decided to gather its forces and approach orphanages, places of safety and homes that are going an extra mile

sion without any assistance that is why they have created an musical event that will respond to the opportunity that every living person has been given, the greatest opportunity to love and to be loved. South Africa a country in unity striving to live out its vision of cultures coexisting and embracing one another is seemingly on the right path to reaching a South African utopia. Skomplazi Arts & Music Festival is about enhancing and preserving the distinct richness of culture that is the foundation of South Africa we know today. Skomplazi Arts & Music Festival is an annual event that will be held every 1st week of December, the event came

part of the awareness drive. IMvelaphi for the Youth made it their mission to respond to the needs our vulnerable children and the youth by creating a community based event that will raise, gather and generate resources to support our orphanages and homes within our communities in and around KwaZulu Natal. Skomplazi Arts & Music Festival will combine arts, music and sports to create awareness and to empower our communities youth. Article by: Josephine Mafa

SONGWRITERS CLUB

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LORD I WANT TO BE JUST Chorus: Lord I want to be just Justified by your Grace Lord I want to be just Justified by your Blood Lord I want to be just Justified by Faith Fire upon me Holy Spirit Coz I want to just Verse: O’ Lord bless me and keep me O’ Lord make your face shine upon me O’ Lord your righteous be gracious to me O’ Lord turn your face towards me And give me peace Written by: The Founder Showcase your songwriting skills by sending us your lyrics to be publishing in Urban Sounds Magazine and stand a chance to be discovered by top music producers and artist & repertoire executives. (Kwaito, Hip Hop, Gospel, Traditional, Jazz, R&B, Raggae, Afro-pop) Email: editorial@urbansoundsmag.co.za

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