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Kirsty Watermeyer Media and communication consultant, storyteller and writer. A Multi-media producer, presenter, voice artist and curious wellbeing enthusiast.
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Dear Passengers,
As you settle into your journey with us, I’d like to extend a heartfelt welcome aboard on behalf of the entire FlyNamibia team.
At the time of this magazine going to print, we would have been selecting the next Face of FlyNamibia – a storyteller, a traveller, and most importantly, an everyday Namibian who captures the heart and soul of our country. This annual campaign is one we hold close, because it celebrates what makes Namibia truly special: its people. What makes it even more powerful is that Namibians themselves help choose their representative, casting votes for the individual who inspires pride through their content, stories, and spirit. The winner becomes our brand ambassador, flying the FlyNamibia flag and sharing Namibian beauty, culture, and success with the world.
As we embrace the peak tourism season, our skies are busier than ever – and this is a reason to celebrate. Namibia continues to grow as a sought-after destination, and the benefits stretch far beyond the travel industry. With every guest welcomed, every lodge filled, and every kilometre travelled, our local communities, small businesses, and national economy are uplifted. At FlyNamibia, we are proud to connect Windhoek to key regional tourism hubs like Victoria Falls and Maun, making multi-country travel seamless and strengthening Namibia’s position in the regional tourism landscape.
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Everything we do – every route we fly, every campaign we support – is driven by our mission to serve, connect, and celebrate Namibia. It is our honour to carry the national spirit on our wings.
Thank you for choosing FlyNamibia. We’re for Namibians. We’re for you.
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tosha National Park, often called the “Great White Place” due to its enormous salt pan, is not only one of Namibia’s top tourism destinations; it is also one of the oldest and most iconic conservation areas in Africa. Its story is one of resilience, transformation and an evolving understanding of what it means to protect nature for future generations.
The formal conservation journey of Etosha began on 22 March 1907, when Friedrich von Lindequist, the then governor of German South West Africa, proclaimed the area a Game Reserve No. 2 under Ordinance 88. The reserve originally covered 100,000 km2, stretching from the Kunene River in the north to the Omuramba Ovambo in the south – an area that, at the time, was one of the largest conservation areas in the world.
The goal was to protect the dwindling numbers of large game species that were being heavily hunted by settlers and traders. However, the size and management of the reserve would change significantly in the decades to come.
By the mid-20th century, Etosha’s boundaries were gradually reduced due to pressure from farming, mining and settlement expansion. By 1970, the park had been reduced to its current size of approximately 22,912 km2 – still vast, but a fraction of its original extent.
In 1967, the area was officially renamed “Etosha National Park” under South African administration. Despite these changes,
Etosha’s core value remained: to safeguard the biodiversity of the north-central savannah and salt pan ecosystems.
ECOLOGICAL SIGNIFICANCE
Etosha is home to over 114 mammal species, 340 bird species and more than 100 reptile species, including several that are endemic or near-endemic to the region. The stark contrast of its saline pan, mopane woodland and grassy plains create an ecological mosaic.
A HAVEN FOR LARGE MAMMALS
Etosha is one of the best places in Africa to see the black rhinoceros (Diceros bicornis bicornis) in the wild. Thanks to decades of anti-poaching efforts and tight surveillance, Etosha has maintained one of the strongest populations of this critically endangered species, though the reality and continued threat of poaching remain prevalent. The park also houses healthy numbers of African elephants, lions, spotted hyenas, leopards and cheetahs, alongside diverse herbivores such as springbok, gemsbok, kudu and blue wildebeest.
The park’s numerous artificial and natural waterholes play a pivotal role in its conservation model, providing essential hydration during the long dry months and offering visitors some of the best wildlife-viewing opportunities on the continent.
MILESTONES IN CONSERVATION MANAGEMENT
1974 – 1980: Operation Noah’s Ark
As wildlife populations dwindled due to recurring droughts and overgrazing, a major restocking programme was launched. Dozens of species were relocated within the park to re-establish
balance. This period also saw the development of boreholes and improved infrastructure.
1990: Namibian Independence
Etosha entered a new phase of conservation guided by Namibia’s constitution – one of the first in the world to include environmental protection (Article 95). Management began to focus more on community involvement and scientific monitoring.
2000s – present: Facing the 21st century
A growing emphasis on the use of technology in anti-poaching and research collaborations has helped Etosha adapt to modern-day conservation challenges.
THREATS AND CHALLENGES
Despite its successes, Etosha still faces major challenges, including poaching, climate variability and human-wildlife conflict on its periphery. Conservationists also monitor the risk of disease transmission, particularly from livestock in buffer zones.
Continued funding, research and responsible tourism are vital. Visitors contribute not only through park fees but also by supporting the broader ecosystem of conservation-based employment and awareness.
A LEGACY TO PROTECT
Today, Etosha stands not just as a symbol of Namibia’s natural heritage, but also as a living example of how conservation has evolved, from fortress-style protectionism to integrated, ecosystem-based stewardship.
As you watch a lion yawn beneath a tree or see a flock of flamingos ripple across the shimmering pan after rare summer
rains, know this: Etosha is what it is because people chose to protect it… and must continue to do so.
First published in the Winter 2025 issue of Travel Namibia magazine. Subscribe to Travel Namibia here: www.travelnewsnamibia.zinioapps.com/shop
ENDEMIC AND NOTABLE SPECIES
• Black-faced Impala (Aepyceros melampus petersi): Found almost exclusively in north-western Namibia and south-western Angola, this subspecies is distinguished by its darker facial markings. Etosha provides a vital sanctuary for this rare antelope, which was once under severe threat due to hybridisation and habitat loss.
• Hartmann’s Mountain Zebra (Equus zebra hartmannae): While not endemic to Etosha specifically, this subspecies is unique to Namibia’s mountainous regions and is sometimes spotted in the western parts of the park, especially around Dolomite Camp.
• Damara Dik-Dik (Madoqua kirkii damarensis): A subspecies of the Kirk’s dik-dik, this tiny antelope is endemic to Namibia and southern Angola. It thrives in Etosha’s dry thorn scrub, often found in monogamous pairs.
• Etosha Agama (Agama etoshae): A lesser-known but fascinating reptile, this lizard species is endemic to the Etosha Pan region.
• Blue Crane ( Anthropoides paradiseus): Namibia’s population of these elegant birds is extremely small, and Etosha remains one of the few places where they still breed.
Formerly referred to as the Caprivi, the Zambezi Region is a fertile wilderness of riverine forests, floodplains, swamps and open woodland created by a complex network of rivers and relatively high summer rainfall. For freshwater angling enthusiasts and canoeists, Zambezi offers much excitement and challenge. Well over 400 of Namibia’s bird species occur in this part of the country, and the region is an ideal retreat for birdwatchers, nature lovers and specialist travellers. It is also of interest to scientists studying the wetlands system and its flora and fauna.
In pre-colonial times known as Itenga, Zambezi was ruled by the Lozi kings until it became part of the British Protectorate of Bechuanaland, today’s Botswana. In 1890, at the Berlin Conference, Germany acquired the territory, named it after German Chancellor Count Georg Leo von Caprivi, and added it to German South West Africa. The capital of the Caprivi was Schuckmannsburg (renamed Luhonono in 2013) until 1935, when it was moved to Katima Mulilo, a name that means ‘put out the fire’. Katima Mulilo has since become a busy tourist centre and gateway to Victoria Falls in Zimbabwe and Chobe National Park in Botswana.
Travelling from Katima Mulilo on the B8, you cross into Botswana at the Ngoma border post. The road now traverses Chobe National Park to Kasane, the springboard to Impalila Island where Namibia borders on Botswana, Zambia and Zimbabwe. The link for these attractions is the 575-kilometre TransCaprivi Highway, a wide, tarred road that has replaced the dusty gravel tracks of the past. The route runs through a region of which one third is a floodplain. Providing access to three state-protected game reserves, it lies in the geographic heart of the KavangoZambezi (KaZa) Transfrontier Conservation Area. Read more on KAZA further down in this section.
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The largest town in Zambezi, Katima Mulilo, lies on the banks of the Zambezi River, at the crossroads of Namibia, Zambia, Zimbabwe, Botswana and Angola. It beats with the pulse of Africa and is a microcosm of Zambezi, a place where seven different languages and many more dialects are spoken, with traditional villages bordering the town and open markets resonating with more modern conveniences.
Dirt tracks and freshly paved roads in the centre of Katima Mulilo lead you to a mixture of old and new shops, banks and small businesses. An interesting feature of the town is an ancient baobab which once housed a flush toilet in its hollow trunk. A large, vibrant African market in the centre of Katima Mulilo provides a glimpse into the daily lives of Namibians in this lively town.
Zambezi pottery and baskets are noted for their distinctive beauty and symmetry. The fine workmanship of the Zambezians can be seen in the crafts offered for sale at several outlets, including the Katima Craft Centre next to the open market in Katima Mulilo; the Ngoma Crafts Centre near the Ngoma border post; Mashi Crafts at Kongola; and at the Lizauli Traditional Village, where a programme of traditional music and dance gives visitors an insight into Zambezian culture.
The Green Basket Café is a great place for a meal, and it also provides information on what to see and do in the area. If you’re looking for entertainment on the banks of the Zambezi River, Bezi Bar is a favoured hangout for locals and visitors alike.
Katima Mulilo Airport is situated 20 km outside the town within two hours’ drive from Victoria Falls and not more than four hours’ drive from the Okavango Delta in Botswana. FlyNamibia offers several flights a week between Windhoek and Katima Mulilo.
Just off the main road in the charming town of Omaruru lies a hidden treasure: Kharugu’s smallscale miners’ shop. A place where authenticity meets craftsmanship, this sparkling gem of a store invites visitors to step into a world of unique gemstones, rare minerals and handcrafted jewellery – all sourced from Namibia’s licensed small-scale miners. It is an experience that is as much about supporting local artisans as it is about taking home a genuine piece of Namibian history.
At Kharugu, each gemstone tells a story, whether it is about the rugged landscapes from which it was unearthed, the miners who painstakingly extracted it, or the artisans who transform it into wearable art. The shop is dedicated to offering only the finest, ethically sourced treasures from Namibian soil. By purchasing a gemstone or piece of jewellery here, you are directly supporting small-scale miners working in some of the most challenging conditions. These miners are fully licensed and recognised by Namibia’s Ministry of Mines and Energy, ensuring every item is both authentic and responsibly sourced.
Richie Auchas, the shop’s passionate manager, explains it best: “We represent the small-scale miners on a larger scale. Whether we’re helping them find buyers, selling on commission, or purchasing directly from them, we guarantee that every stone is genuine.” The seal of approval placed
on each item is a mark of pride, reassuring customers that they are purchasing real Namibian gemstones, not glass or imitation stones.
While the shop offers an array of shimmering treasures, some pieces are sold anonymously to protect the privacy of certain miners. However, every item is accompanied by a certificate of authenticity, ensuring that buyers can feel confident in their purchase. For many visitors, this is more than just a souvenir; it is a connection to the people and land of Namibia.
Beyond the miners, Kharugu collaborates with local artisans, many of whom have received specialised training in gemstone cutting. “We’re not just selling stones; we’re passing on a tradition,” says Richie. “We’re training the next generation of gemstone cutters, giving them the skills they need to carry on this craft. Some young people have even had the chance to attend cutting schools in Karibib.” By nurturing the growth of local talent, the shop ensures that the tradition of Namibian gemstone cutting will thrive for generations to come. This dedication to quality and craftsmanship means that each stone is transformed into a work of art – polished, shaped and ready to be worn as a unique piece of jewellery.
In addition to cutting stones, Kharugu works closely with local goldsmiths who create custom jewellery for clients. Whether you are looking for a specific design or have a vision in mind, the artisans will work with you to bring it to life. Each piece
is unique, crafted with care and infused with the spirit of Namibia’s skilled artisans.
Kharugu’s commitment to sustainability goes beyond just showcasing beautiful stones; it actively contributes to the welfare of Namibia’s mining communities. The shop works with over 200 small-scale miners across the country, helping them access broader markets and supporting their economic growth. These miners work under strict government regulations to ensure that their operations are safe, ethical and sustainable.
“Supporting the miners and working with the youth is something I’m passionate about,” says Richie. “It’s not just about selling gemstones; it’s about contributing to the growth and development of local communities. The future of Namibian gemstones depends on it.” By providing a reliable market for these miners, Kharugu is helping to secure their livelihoods and ensuring that their practices remain sustainable for years to come.
Besides being a treat for the eye, every gemstone at Kharugu represents a piece of Namibia’s rich heritage. From the sparkling amethysts of the northern hills to the deep red garnets of the brown belt, these stones carry the essence of the land they come from.
For those who visit, Kharugu is not just a shop. It is an experience, and a chance to connect with Namibia’s people, culture and land in a way that is both meaningful and memorable. Whether you are looking for a one-of-a-kind gemstone, a custom-made piece of jewellery, or simply a story to take home with you, this shop offers it all.
As a traveller who has fallen in love with the incredible stones and the people behind them, I can wholeheartedly recommend Kharugu as a must-visit stop in Omaruru. Much more than merely a place from which to buy beautiful jewellery, it is an opportunity to support local artisans, honour the tradition of gemstone mining, and carry a piece of Namibia with you wherever you go.
Kirsty Watermeyer
First published in the Winter 2025 issue of Travel Namibia magazine. Subscribe to Travel Namibia here: www.travelnewsnamibia.zinioapps.com/shop
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In late January 2025, a quiet but powerful shift took place in Namibia’s Ohangwena Region. Over the course of three days, from the 24th to the 26th, more than 70 rural artists, vendors and small-scale entrepreneurs came together to attend a free business skills training workshop hosted by Ongula Homestead Academy.
The workshop, organised in partnership with the Ohangwena Directorate of Education, Innovation, Youth, Sports, Arts and Culture, was designed to support self-employment and open new economic opportunities in some of the region’s most underserved areas, including the constituencies of Oshikunde, Ondobe and Ohangwena.
I had the privilege of being part of the organising team, brought together through Ongula Homestead Academy, which was awarded the tender to coordinate this important initiative. The training was the vision of Mr Matheus Iitula, the senior culture officer at the Ohangwena Directorate of Education, Innovation, Youth, Sports, Arts and Culture. His deep belief in entrepreneurship as a tool for transformation was the driving force behind this effort.
The participants were diverse. They included traditional food vendors, small-scale farmers, cuca shop owners, traditional performers, craft makers, community activists, as well as individuals involved in pottery and brick-making projects. Although the training was open to both men and women, the turnout showed a much stronger response from women, underlining their growing interest in skills development and economic empowerment within rural communities.
Over the course of the workshop, participants had the chance to share the challenges they face in running their small businesses. In return, they received guidance in areas such as financial planning, basic business management and how to access support services. Attendees were introduced to organisations that can provide assistance, including the National Arts Council of Namibia and the Ministry of Gender Equality and Child Welfare’s Income Generating Activities
Support Programme. Additional information was shared about other government agencies that are committed to helping small business owners in rural areas.
The success of the workshop was also made possible through the support of local constituency councillors and education officers from the three constituencies, who assisted with transportation and helped provide suitable venues.
It is worth mentioning that this was not a profit-making event. It was a community-focused initiative with a clear purpose: to empower rural entrepreneurs in a region where unemployment and poverty remain pressing concerns. We extend sincere thanks to Mrs Hilya Nghiwete, who gave us the opportunity to serve as ambassadors of Ongula Homestead Academy, a school that continues to lead the way in promoting rural development through entrepreneurship and skills training in the Ohangwena Region.
Looking ahead, it is clear that more training opportunities like this are needed across Namibia. Most of the country’s population lives in rural areas, and workshops like these give people the chance to build a better life without needing to migrate to cities in search of work. In this way, the programme forms part of Namibia’s decentralisation process in action.
At the same time, there is a need to encourage more men to participate in such training. While the enthusiasm among women is inspiring, true progress will require that both men and women are equally involved and supported in economic development.
Feedback from the participants was overwhelmingly positive, and they expressed a strong desire for more training sessions to be offered in rural areas. They left not only with new skills, but with a renewed sense of purpose and hope. With continued support, these small businesses and local artists will help shape a stronger, more self-reliant Namibia.
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Omaruru, a town known for its thriving art scene and artisan craftsmanship, offers a delightful stop for travellers seeking something unique. As you arrive, you will immediately notice the strikingly large sculptures that line the streets. They form part of the Tikoloshe Root Carving Project – an artistic expression that captures the spirit of this creative community.
But Omaruru’s appeal does not end with art; it is also home to Kristall Kellerei, the local manufacturer of gin and brandy and one of only four wine producers in the country. For seasoned wine lovers and those looking to experience something special, Kristall Kellerei has always been a major attraction. Established in 1990, shortly after Namibia’s independence, the winery grew into a beloved spot offering wine tasting, informative tours and a peaceful atmosphere close to the Omaruru River. Now, thanks to the recent addition of a talented new chef, there is another compelling reason to visit.
On a recent visit to Omaruru, I had the pleasure of meeting Karin le Grange, the executive chef at BASIC – The Culinary Studio, located on the main street of the town. It was during this visit that I got to sample Karin’s lamingtons, which were, without a doubt, the most delicious I have ever tasted.
Karin is an accomplished chef with a proven track record in the hospitality industry. Her expertise spans catering, restaurant management, food and beverage operations, baking and employee training, earning her a well-deserved reputation for excellence. A graduate of Granger Bay Hotel School in Cape Town, Karin was also named Namibian Senior Chef of the Year in 2008. With a wealth of experience behind her, Karin decided to return to her roots and settle in the town of Omaruru to pursue her dreams and bring her culinary vision to life.
BASIC started in January 2023 from Karin’s home kitchen, and by February 2024 she opened the doors to her charming shop on Omaruru’s main street. With a focus on delicious, home-cooked meals, BASIC quickly became a hub for both locals and tourists. In addition to serving mouthwatering dishes, BASIC offers a variety of cooking classes and fine dining events. Karin follows the ethos of “starting with the basics and working your way up”.
Another area where Karin has made a name for herself is with her speciality cooking classes, where anyone can come and learn the fundamentals of cooking. This has become particularly popular with international tourists wishing to learn how to prepare various cultural meals such as Afrikaans,
German and Namibian staples, including traditional dishes from indigenous ethnic groups. After all, what better way to learn more about a country than to learn about their food? These classes, tailored for all skill levels, dive deep into the art of culinary magic. Whether it is baking sweet treats or preparing hearty stews, Karin’s goal is to share the basics of great food with all who walk through her doors.
In January this year, Karin embarked on a new chapter, taking over the restaurant at Kristall Kellerei. “Kristall Kellerei is already known for its wine and Namibian gin tastings, and I’m thrilled to be a part of its next chapter,” she says.
“The venue is absolutely beautiful, situated just 3 kilometres outside of Omaruru on the D2328 road. We are open seven days a week, catering to self-drive tours, small bus tours, or any special event, including intimate weddings. In addition to these offerings, we’re now hosting our own restaurant evenings, where we prepare a five-course dinner for a truly unique experience.”
Guests visiting Kristall Kellerei can look forward to flavourful meals, carefully paired with the winery’s exceptional wines, comprising their own vintages and a selection of South African wines. Karin’s new menu combines Namibian culinary traditions with international influences, offering a fresh, creative approach that emphasises the connection between food, wine and the stunning natural environment. Here you can enjoy a meal under the shade of trees in tranquil surroundings.
“The combination of beautiful landscapes, exceptional wines and locally inspired food is what makes this place so special,” Karin explains. “It’s a place to slow down, savour the flavours and truly appreciate the culture and beauty of Namibia.”
With its new culinary offering, Kristall Kellerei is poised to become a must-visit destination for food lovers, wine enthusiasts and travellers seeking an authentic Namibian experience. Whether you are coming for a leisurely lunch, a special event or a unique cooking experience, there is a certain magic that Karin has infused into Kristall Kellerei that will make you want to return time and again.
Kirsty Watermeyer
First published in the Winter 2025 issue of Travel Namibia magazine. Subscribe to Travel Namibia here: www.travelnewsnamibia.zinioapps.com/shop
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Namibia is home to an extraordinary diversity of plant life, with many species found almost nowhere else in the world. Now, you have the opportunity to help showcase this natural heritage through photography, while also standing a chance to win cash prizes.
The Near-Endemic Plants Project, coordinated by the Namibian Chamber of Environment (NCE), is compiling a series of public information sheets that will feature Namibia’s near-endemic plant species. These sheets will be made available online through the Namibian Environmental Information Service (EIS).
To complete this project, the team is seeking high-quality photographs of near-endemic species. If you have explored Namibia’s wild landscapes and photographed its plant life, your images could play an important role. A list of the target species is available through the EIS’s Plant Information System. Many species on the list still have no photographs on record!
To encourage participation, the JRS Biodiversity Foundation is offering cash prizes to the individuals who submit the most records and photographs of near-endemic plants to the Indigenous Plant Atlas on the EIS.
Prizes include:
• First prize: N$3,000
• Second prize: N$2,000
• Third prize: N$1,000
• Five consolation prizes: N$425 each
How to enter:
All records and photos must be submitted through the Indigenous Plant Atlas, available on the EIS website.
Only records of near-endemic species will count toward the prize totals. If there is a tie, additional plant records submitted will be considered.
Each species will only be counted once per quarter-degree square per contributor.
By submitting your photographs, you agree to their use in the online information sheets. All images used will be properly acknowledged.
The competition closes on 31 October 2025.
Whether you are a nature photographer, a plant enthusiast, or simply someone with an eye for detail, your contribution could help raise awareness and appreciation for Namibia’s exceptional botanical diversity.
For questions or further details, please contact the project team at boscia.nam@gmail.com
Namibia records over 500k cyber threats in 3 months
The Communications Regulatory Authority of Namibia (CRAN) says the Namibia Computer Security Incident Response Team (NAM-CSIRT) detected a combined total of 540,786 weaknesses in a digital system, software, or network configuration that can be targeted by cyberattackers and events between January and March 2025.
According to CRAN’s cybersecurity report, this marks a 15.58% decrease from the previous quarter. Despite the drop, the vulnerabilities remain a significant concern, with Open CWMP, a protocol used for remote management of devices, accounting for the majority.
NAM-CSIRT also documented several sophisticated cyberattacks during the quarter, including AI-driven deepfakes, social engineering fraud, and targeted attacks on critical infrastructure. These incidents exploited weaknesses in public trust and organisational cyber hygiene, resulting in financial losses and operational disruptions.
The report urges both public and private institutions to act decisively, restricting public access to device management interfaces, disabling unnecessary services, and enhancing cyber hygiene practices.
Additionally, it calls for widespread cyber-awareness campaigns and the strengthening of national digital resilience to meet the demands of an increasingly threatening environment.
N$150 million healthcare facilities planned for Northern Namibia
The Namibian Oncology Centre North (NOC North) and Medical Imaging plan to invest a combined N$150 million in two new private healthcare centres to be built in Ongwediva.
“We’re bringing services closer to people who currently have to travel more than 600 kilometres to Windhoek for scans and treatment. Our team of 12 radiologists will support the new centre with the same level of expertise available in our Windhoek and Swakopmund branches,” said Dr Ryan Volker, Partner at Medical Imaging, told The Brief.
“We will offer full oncology care in Ongwediva, including chemotherapy, radiation therapy, consultations, and support services. This matches the standard of care at our Windhoek centre,” said Anthea van Wyk, Managing Director of the Namibian Oncology Centre.
Together, the two centres aim to serve over 850,000 people across the Oshana, Omusati, Ohangwena, and Oshikoto regions, as well as patients from neighbouring countries.
Namibia ends N$1.3 billion drought relief programme
Prime Minister Elijah Ngurare has announced the official end of Namibia’s 2024/2025 drought relief programme, following improved rainfall and better grazing conditions.
Ngurare told the National Assembly that the N$1.3 billion emergency programme, launched under a State of Emergency in May 2024, has been concluded after reaching
384,954 households, an estimated 1.4 million people,across all 14 regions.
“In view of the above-normal rainfall received across the country, it is evident that this year’s harvest was favourable and able to sustain households to the next harvesting season,” he said.
The Prime Minister noted the introduction of a digital system, the Commodity & Beneficiaries Management Information System (CBMIS),to improve food distribution using voucher cards for tracking and transparency.
Trade through Walvis Bay tops N$10 billion in May Walvis Bay processed more than N$10 billion worth of goods in May 2025, accounting for 56.6% of Namibia’s total outbound trade, according to the Namibia Statistics Agency (NSA).
The International Merchandise Trade Statistics report shows that Walvis Bay recorded exports valued at N$6.5 billion and imports worth N$3.5 billion, making it the busiest port for both entry and exit of goods.
Sea exports through Walvis Bay reached 212,280 tonnes, up 8.9% from April and 80.3% higher than in May 2024. Road exports totalled 164,964 tonnes, a slight monthly decline but a 9.5% increase year-on-year.
Uranium was Namibia’s top export, earning N$3.45 billion. Other major exports through Walvis Bay included refined copper (N$605 million), frozen hake fillets (N$508 million), and distillate fuel (N$492 million).
Imports through the port included machinery parts (HS Code 84.74) worth N$294 million and petrol valued at N$167 million. An unspecified product made up N$17 million or 5% of total imports.
Air transport accounted for 24.9% of export value, driven by non-monetary gold and diamonds.
“Finally, 207 tonnes of goods arrived in the country by air during May 2025, yielding an increase of 39 tonnes and a decrease of 12 tonnes when compared to the tonnes recorded in April 2025 and May 2024, respectively,” the report said.
BoN orders banks to cut gap between repo and lending rates
The Bank of Namibia (BoN) has directed all commercial banks to narrow the gap between the repo rate and lending rates by 25 basis points in two stages before the end of the year.
“In my capacity as Acting Governor and under the power vested in the Bank by section 3(1) of the Banking Institutions Act, 2023 (Act No. 13 of 2023), I hereby issue the Notice BIA: 1/2025 – Reduction of the Spread Between the Prime Rate, Mortgage Rate and any other Lending Rate and Repo Rate,” said Bank of Namibia Acting Governor Leonie Dunn.
The reduction, according to the central bank directive, must be executed in two stages: 0.125% by 30 September 2025 and a further 0.125% by 31 December 2025.
Max Rix, Head of Investment at Simonis Storm, said the apex bank’s directive would have a measured impact on the financial sector and the wider economy.
The Bank of Namibia’s move follows calls from Governor Johannes !Gawaxab last month for commercial banks to reduce their prime lending margins to levels consistent with other Common Monetary Area (CMA) countries.
Currently, Namibia’s margin stands at 3.75%, while countries such as South Africa and Lesotho maintain a 3.5% spread between the repo rate and the prime lending rate.
Namibian social media users were up in arms last month when NamWater had the “temerity” to point out that the water levels in many of the country’s dams were dropping and a call on us to remain mindful of our water usage. Among the comments were that NamWater could not be “serious”, while many queried how we could be expected to be mindful of our water usage so soon after some of the dams had been “overflowing” or had their “sluices open”.
It always amazes me how short our memories seem to be here in Namibia. We have just survived what could have been a disastrous “Day Zero” scenario across most of the country after yet another drought. “Namibia is a desert country” has been repeated in headlines and talking points so often it has become a somewhat trite statement, and yet we still do not seem to get it!
NamWater was not saying in their dam bulletin that the dams were empty. In fact, they went as far as to say that the levels were higher than in previous years. But, as we all know, any future rains are at least a few months away, and even then they are not guaranteed, with most forecasts predicting a drier year in 2026 than 2025.
fascination with lush green lawns. A symbol of status that researcher Alicja Wójcik says originated with “English and French aristocrats who nurtured lawns in front of their castles” and eventually, “entered the minds of common people as a symbol of money, power and prestige”. Lawns require about 20 to 25 litres of water per square metre every week – with those in hot, dry climates requiring even more.
Of course, as I have often said on the radio too, it is not just private lawns that are the problem, but municipalities across the country should also be looking at non-lawn public spaces. It is great that most public-space lawns, including sports fields and golf courses, are watered with non-potable water, but this is still water that could feasibly be used for other purposes. These lawns cover public spaces in most Namibian towns, and cities are also problematic in the politically exclusionary legacy they carry, besides being biodiversity dead zones.
It’s the responsibility of all residents to become more efficient by having water-wise gardens and using water-saving devices –before it’s too late.
While there is undoubtedly a responsibility on the government to ensure the supply of potable water (and there is definitely room to criticise many aspects of this service), there is simultaneously an onus on all of us to play our part. As the former head of the Department of Water Affairs and Forestry, Piet Heyns, said at a presentation to the Namibia Scientific Society: “It’s the responsibility of all residents to become more efficient by having water-wise gardens and using water-saving devices, before it’s too late”.
One of the easiest ways of achieving massive water savings, as suggested by Heyns, is to step away from the Eurocentric
We are fortunate in Namibia to have areas in most cities and towns where natural vegetation is allowed to flourish. However, making this the norm in both private and public spaces would significantly improve water conservation and biodiversity. Quoting various studies in an article for the University of Florida, Mark Hostetler and Martin Main point out that “the negatives of a landscape dominated by non-native plants far outweigh the positives for wildlife”, highlighting the fact that biodiversity measures, including bird numbers and diversity, bee populations and butterfly larvae, improve with the use of native plants.
So…
Until next time, turn off the tap, plant some native grasses and, most importantly, enjoy your journey.
David Bishop
WHY EVERYONE SAYS NAMIBIA SHOULD FOLLOW NORWAY’S OIL MODEL
There’s a reason policy experts, journalists, and global investors keep saying, “Namibia should do what Norway did.” It’s not about copying blindly. It’s about learning from a country that transformed its oil wealth into one of the world’s most stable and prosperous societies, without falling into the traps that have ensnared many resource-rich nations.
Norway didn’t just strike oil. It struck a long-term strategy, one built on discipline, foresight, and world-class governance. That’s the path Namibia must now consider as it stands on the brink of an oil era that could define the country’s economic future for decades.
In recent years, Namibia has made some of the largest offshore oil discoveries in Africa, with estimated recoverable reserves of billions of barrels in the Orange Basin. These findings have dramatically elevated the country’s profile among energy investors and policymakers. But history tells us that oil wealth alone doesn’t bring development. Without the right institutions, it can deepen inequality, inflate corruption, and increase dependence on a volatile commodity.
This is why the calls to “be like Norway” are more than just praise or pressure. They are a timely signal. Namibia still has time to act, but not forever.
NORWAY’S OIL PLAYBOOK: INSTITUTIONS FIRST Norway’s oil success wasn’t accidental. When the country began producing oil in the early 1970s, it had already committed to building the institutions needed to manage its newfound wealth. Three pillars underpin the Norwegian model:
Separation of Roles: The Ministry of Petroleum is responsible for policy. The Norwegian Petroleum Directorate regulates. Equinor (formerly Statoil) operates commercially. This separation of powers reduced rent-seeking and ensured that no single institution wielded unchecked influence.
CATEGORY
Legal & Institutional Framework
Sovereign Wealth Fund
Fiscal Rule
Transparency
Local Content & Linkages
Diversification Strategy
Environmental Planning
A Rules-Based Sovereign Wealth Fund: In 1996, Norway established the Government Pension Fund Global (GPFG), now valued at over USD 1.8 trillion. The fund invests oil revenues abroad, and the government can only spend about 3% annually, ensuring a real return to maintain intergenerational equity.
Transparency and Accountability: Norway ranks among the world’s least corrupt nations. All oil revenues, investment decisions, and exclusions are published in detail, ensuring that citizens are informed about where their country’s wealth is allocated and why.
NAMIBIA: A WINDOW OF OPPORTUNITY
Namibia finds itself at a rare turning point. Commercial production is still years away, likely not before 2029. However, oil exploration success has already begun to transform national expectations. Now is the time to lay the institutional groundwork. Once oil starts flowing, it will be much harder to resist political pressure to spend windfalls rapidly.
The government has taken some initial steps. It launched the Welwitschia Sovereign Wealth Fund in 2022 with N$270 million in seed capital. As of March 2025, it had grown to N$460 million. Namibia’s national oil company, Namcor, also holds minority stakes in exploration blocks to secure domestic participation.
However, essential risks and gaps remain. Namcor still plays both commercial and state roles, a conflict that undermines oversight. There is no legally binding fiscal rule to govern how oil revenues will be spent and Namibia is not yet a member of the Extractive Industries Transparency Initiative (EITI), a global standard for revenue disclosure and accountability.
Without addressing these governance gaps, Namibia risks repeating the mistakes of other oil-producing states in Africa.
Clear separation between policymaking, regulation, and commercial roles
Operational (since 1996); transparent rules; USD 1.8 trillion in assets
3% real return rule governs oil revenue use
Full contract and revenue disclosure; EITI-compliant
Strong emphasis on industrial integration and supplier development
Oil wealth reinvested in education, infrastructure, and innovation
Net-zero targets; climate-adjusted policy frameworks
NAMIBIA (CURRENT)
Concentrated roles; Namcor involved in both commercial and advisory functions
Operational (since 2022); no transparent rules; USD 24.7 million in assets
No formal fiscal rule guiding the use of future oil revenues
Limited public disclosure; not yet a member of the EITI
Low integration; petroleum supply chain largely foreign-dominated
Early stage; few mechanisms to link oil revenues to structural transformation
Climate strategy in development; not yet mainstreamed in oil policy
To avoid the pitfalls of resource dependence and emulate the Norwegian model’s success, Namibia must adopt a disciplined and transparent governance strategy anchored in the following five priorities:
Legislate and Strengthen the Sovereign Wealth Fund (SWF): The Welwitschia Fund needs formal legal backing and a fiscal rule such as limiting withdrawals to 3% of the fund’s value to ensure long-term stability. This would avoid the kind of ad hoc spending that occurred during the 2023/24 SACU windfall and embed fiscal discipline before the oil revenue surge begins.
Separate Regulatory and Commercial Roles: Namcor currently manages both equity interests and state representation in oil projects. This dual mandate undermines objectivity. Namibia should follow the example set in the electricity sector, where the Electricity Control Board (ECB) regulates independently from NamPower.
Join the Extractive Industries Transparency Initiative (EITI): Public trust and investor confidence would be enhanced through greater transparency. EITI membership would require Namibia to disclose contracts, revenue flows, and company ownership structures, limiting opportunities for corruption.
Align Oil Revenues with Diversification Strategy: Petroleum should finance transformation, not consumption. Revenues must be channelled into infrastructure, vocational training, renewable energy, and value-added manufacturing. Namibia’s green hydrogen projects and special economic zones in Walvis Bay and Lüderitz offer strong starting points.
Integrate Climate Transition into Energy Policy: As global demand for fossil fuels plateaus, Namibia must ensure oil investment does not lock the country into a high-carbon path. Revenues should be used to de-risk renewable investments, supporting a just and green transition. The establishment of the Green Hydrogen Council and partnerships with Germany and the EU are encouraging early signs.
Namibia is not the first African country to discover oil. But it is among the few to discover it at a time when the risks and policy lessons are widely known. Whether the country builds shared prosperity or repeats painful mistakes will depend on what happens before the first barrel is sold.
POLITICAL AND MACROECONOMIC RISKS: A REAL-WORLD WARNING
Oil discoveries inevitably raise political expectations. But if Namibia rushes into spending without the proper checks and balances, the result could be rising fiscal deficits, elite capture, and wasted opportunities.
Politically, the pressure to expand public spending could crowd out long-term planning. Without strong laws and oversight, future governments may be tempted to divert oil revenues toward short-term political objectives, such as inflated public wage bills, contracts for political allies, or unsustainable social programs.
Simonis Storm is known for financial products and services that match individual client needs with specific financial goals. For more information, visit: www.sss.com.na
Economically, Namibia could be vulnerable to the Dutch Disease. An oil-driven rise in the currency could hurt exports from agriculture, mining, and tourism, eroding jobs and competitiveness. Inflation may rise if too much oil revenue floods the economy without productive outlets. And with public debt already nearing 70% of GDP, the country cannot afford fiscal mismanagement.
Namibia must use oil to stabilise its balance sheet, not destabilise it. That means paying down debt, investing in productivity, and saving wisely through a strengthened sovereign wealth framework.
THE TIME TO ACT IS NOW Namibia’s test won’t begin when oil starts flowing. It has already begun.
The country still has time to get the institutions right. But time is short. Expectations are rising. Investors are watching. And once oil money starts arriving, the pressure to spend will be intense.
By learning from Norway and avoiding the pitfalls of Nigeria, Angola, and Equatorial Guinea, Namibia can build a new economic future. One based not on boom-and-bust cycles, but on stability, equity, and long-term growth.
Because in the end, oil is not the prize. The prize is what Namibia chooses to build with it.
Legal challenges are more than problems to solve. They’re opportunities to create meaningful impact. At WKH, we craft solutions that go beyond the expected, reshaping futures with precision and care.
Tel: +264 (61) 275 550
Email: info@wkh-law.com
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The tax rate applicable to the taxable income of mining entities is 37.5%, and for diamond mining, it is 55%.
In addition, mining royalties are payable, calculated using the market value of the minerals extracted by the license holders.
The tax treatment of subcontractors is subject to normal tax rules in Namibia. Care should, however, be taken when a person is rendering services directly in connection with mining on behalf of a person who has a mining licence. The mining tax rates may also apply to such activities.
Tax losses can be carried forward for a maximum of 10 years.
Exploration and development expenditure
For tax purposes, all exploration and development expenditure is deferred. Only when production starts, the accumulated exploration expenditures are deductible in full in the first year of production. The development expenditure is deductible in three equal annual allowances.
Other pitfalls
Mining companies cannot deduct the provision they make for future rehabilitation costs. A tax deduction can be claimed for rehabilitation costs only where it takes place during the normal mining operations, so careful planning is required around this process.
Some surface mining operations may find it necessary to remove mine waste materials in order to gain access to mineral ore deposits (This activity is known as ‘stripping’). These costs can be recognised as an asset from an accounting point of view. For tax, however, these are costs incurred as part of the mining activity, and the amounts should be deducted for tax in the year in which the costs are incurred.
Disposal of mining licence/rights
Namibian tax legislation contains a specific inclusion for the sale, donation, expropriation, cession, grant or other alienation
or transfer of ownership of a mineral licence, or right to mine minerals and the direct or indirect sale of shares in a company that owns such a licence/right. The only costs that can be deducted against the proceeds are the acquisition cost of the licence/right. Such costs cannot create a loss for tax purposes. Unfortunately, no provision is being made for the deduction of historical exploration and development costs.
It should therefore be understood that the indirect disposal of shares in a company that owns a licence/right also attracts income tax (even if shares are sold at a holding company level). Under the double tax agreements concluded by Namibia, it may be possible to obtain relief on the sale of shares regarding these transactions.
Interest limitation
Interest paid to connected persons (local and cross-border) is limited to 30% of EBITDA. Any excess interest that cannot be deducted in the current year may be carried forward to the next year and treated as being incurred in that year, but can only be carried forward for a maximum of 10 years.
Transfer pricing
Transfer pricing has been part of Namibian legislation since 2005 and applies to cross-border transactions between related/connected persons. Transfer pricing intends to ensure that group charges are not recovered from Namibian taxpayers at excessive prices and thereby reduce the tax payable in Namibia by shifting profits to lower tax jurisdictions.
Johan Nel Director, Namibian Tax
As part of its mission to nurture the next generation of environmental stewards, Wilderness, through its Children in the Wilderness (CITW) Namibia programme, recently hosted a transformative Youth Environmental Stewardship (YES) Exploration from 16–20 June 2025. The initiative saw 30 learners from across Namibia swop their classrooms for a week of educational discovery, career inspiration and environmental immersion — designed to broaden horizons and unlock new possibilities.
“More than just a field trip, this YES Exploration serves as a catalyst for change and is a vital part of CITW’s mission to inspire conservation custodians and informed citizens”, said Agnes Tjirare-Kerii, Wilderness Namibia’s Impact Manager.“It’s about planting the seeds of future leadership — and with the right support, quality education and an enabling environment, young people can grow into confident, capable changemakers for their communities and the conservation of Namibia’s wild places”.
Learners from WJD Cloete Combined School, Michelle McLean Primary School and a number of high schools — including Academia, Concordia, Centaurus, and Westmont — took part in a rich and diverse itinerary designed to expose them to both academic and career pathways, as well as environmental awareness.
In Windhoek, the group engaged in site visits to the Ministry of Mines and Energy, and the National Commission on Research, Science and Technology, where they were introduced to the practical application of science and innovation. A visit to United Nations House offered insight into the Sustainable Development Goals, connecting global challenges like hunger and climate change to CITW’s core focus on environmental and community upliftment.
For many learners, guided tours of The University of Namibia and Namibia University of Science and Technology campuses were a clear highlight; sparking aspirations for higher education by providing an invaluable first-hand experience of university life. Exploring academic departments and gaining insights into entry requirements offered a unique opportunity to bridge the gap between dreams and tangible pathways beyond school.
The group later travelled to Swakopmund and Walvis Bay, where many saw the ocean for the first time. Highlights included observing flamingos at Walvis Bay Lagoon, a
behind-the-scenes tour at SeaWorks Fish Processors, a visit to the Snake Park, and a catamaran cruise, where sightings of dolphins, seals, and even a whale provided a magical connection to Namibia’s rich marine ecosystem.
CITW Namibia, founded in 2002 as the environmental education arm of Wilderness Namibia, currently works with 13 partner schools in conservancies such as Marienfluss and Torra, reaching over 400 learners annually through its EcoClubs. Since its inception, the programme has hosted over 70 annual camps, and awarded more than 40 scholarships and bursaries in 2025 alone, valued at NAD350,000. Infrastructure investments, including libraries, clinics and water projects, further support long-term community upliftment.
NBC Radio provided a platform for learners to share their experiences and aspirations with a national audience.
Reflecting on the opportunity during a live interview, participant Prince remarked, “experiences like these show that the future can be as big and bright as the dreams you dare to chase”.
This YES Exploration is a proud extension of Wilderness’ commitment to conservation through education, creating a meaningful, lasting impact by inspiring the leaders of tomorrow.
The new Fly-in Zambezi Lodge-Hopping Charter, in partnership with Gondwana Collection Namibia, will operate from July to November 2025 on a charter-only basis, providing seamless connections between lodges in Namibia’s Zambezi Region, Victoria Falls, and Maun. The aircraft will be stationed in Katima Mulilo, allowing for flexible, on-demand flights tailored to travel agents, tour operators, and private guests.
For more information or bookings, please contact reservations@westair.com.na
Scientific name: Dichotomum Aloidendron
Common name: Quiver tree
The dynamics of trees remain a continuous journey of exploration to both scientists and laypersons. Contrary to what we know, trees are often perceived to be more valuable when they bear edible fruits. While some trees do not bear fruits at all, they often provide services to the ecosystem that are of cultural, spiritual or economic importance. With their iconic appearance, quiver trees are of economic importance to Namibia, especially when there is more than just a few in sight.
Stretching from the south and extending to the upper coastal part of the country, the quiver tree’s resilience is visible with its single, grey stem that can have a diameter of up to one metre. It can grow as tall as nine metres, but on average it reaches a height of five metres. The quiver tree has a smooth, grey bark which turns pale yellow and eventually peels off in segments as it ages. Younger trees therefore have smoother barks than older trees. Their leaves are simple, with oblong boat-shaped blades that can grow up to a length of 350 mm and a width of 50 mm. The leaves range from greyish green to brownish green in colour and have a rosette arrangement on the branches. Flowering of the quiver trees occurs from April to June – occasionally, some trees flower until December. The flowers are golden yellow tubules and eventually develop into capsules measuring an average length of 30 mm.
With its arid climate, southern Namibia is home to most of the quiver trees and the farm Gariganus, situated about 14 km from Keetmanshoop, is known for its Quiver Tree Forest, where an exceptional number of trees are on display. While the south is known to host the highest population of quiver trees, the Brandberg area is also known to have some rather large specimens. It is their ability to grow in harsh environments such as rocky spaces with minimal soil, as well as surviving on an average of less than 150 ml of rain per year, which is testament to their profound resilience.
I only became familiar with trees from the savannah ecosystem when I moved to the south. The quiver tree was the first tree I noticed, as we had one right in front of our house. It took a while to understand how this tree was growing on a mountain with so little soil. This was the very first time I saw a succulent tree, and in a garden which had a variety of fruit trees, it was clear that the quiver tree required minimal water compared to the other trees. Later, I would learn about plant characteristics in our natural science class. To summarise it in layman’s terms, plants have unique features allowing them to survive their natural environment. Every shape, texture or scent of a plant has an adaptation purpose. Different ecosystems have plants with distinct features that make them suitable for the environmental conditions that prevail in that particular ecosystem.
The advocacy I strive for is that we should not just know where these trees are found or what their characteristics and uses are, but we also need to ensure that the future generations can see these species for themselves. In fact, a beautiful story is unfolding in the desert ecosystem, where Gondwana has created a quiver tree nursery. It is an incredible team effort to ensure that the tourism industry keeps its quiver tree forests in existence for future visitors to our country. It starts with collecting the capsules (sometimes with the help of ladders to reach them), sowing the seeds in the nursery and tending to the seedlings. But it does not just end there – these seedlings are then planted in the wild where it is mapped to be. Even if you are unable to be part of the physical planting process, you can still adopt a quiver tree by paying a contribution to support the efforts on the ground. The coordinates will be provided to you and you can name your tree. This is a sophisticated conservation effort where it becomes tangibly evident that today’s seedlings are indeed tomorrow’s forests.
Agnes Shekupe Shivute
Fashion and beauty pageants have long had an intertwined relationship, and Andeline Wieland understands that. A multi-hyphenate professional, she’s carved out a niche in the Namibian market, merging her love for beauty and purpose with her passion for fashion. We recently caught up with the stunning businesswoman to hear about her latest endeavours.
A foundation of excellence
A former beauty queen of note, Andeline boasts an incredible resumé. She was not only the first runner-up in Miss Teen Namibia (2012), but also the first runner-up at Miss Namibia 2016, and went on to win the Miss Continents title in 2017. In addition to these accomplishments, Andeline also holds a BA in Drama and Theatre, a BA Honours in Journalism and a BCom Degree in Marketing from Stellenbosch University. With this well-rounded foundation, Andeline was perfectly poised to embark on a career in the creative fields.
More than just a dress: The Snow White Project Driven by her creative skills and passion for giving back, Andeline launched The Snow White Project 13 years ago. The project brings to life the Matric farewell dreams of underprivileged girls by collecting donated evening gowns from generous sponsors.
Starting out with just a few evening gowns, the initiative has benefited hundreds of Namibian girls, forever transforming the way Namibians see formal gowns that are generally worn only once. But, despite the impact of the initiative, not everyone welcomed the project in those early years. Looking back, Andeline reveals: “When we started out, a few designers lashed out at me, saying that I’m taking away their business. But my argument has always been that the people who can afford a tailor or designer for a once-off event, are not the clients we go for.”
Things have since improved though, she says. The Snow White Project is now part of a symbiotic relationship with designers and other creatives. More than anything, Andeline`s mission for the project has been to “give back the dignity of young Namibian girls”. She notes, “I always found it unfair that many of these kids work so hard to pass Grade 12 but can’t attend their farewells because of financial difficulties. So I’ve always been grateful for those who’ve donated garments towards this initiative. In fact, many of those pieces are still with us today.”
On creative entrepreneurship and its challenges
In addition to the Snow White Project, Andeline co-owns Southern X Studio, a photography and media studio, alongside her fiancé. Some of her other business ventures include Untold
Jewellery, Southern X Hair and Makeup and Desert Glow Luxury Spray Tan.
Over the last few years, Andeline earned the hearts of even more Namibians during her tenure as a host of the Breakfast Lab on Radio Wave, a position she recently stepped away from due to the demands of her entrepreneurial ventures. “Entrepreneurship in Namibia is still quite hard, especially for those of us who started from scratch,” admits Andeline. Like many creatives, she emphasises that entrepreneurship is not glamorous and comes with its fair share of challenges.
“It’s expensive and it’s filled with constantly doubting yourself. That’s why I even had a second job on the side to bring in a second income because I needed to know that no matter how the business fared, I could still take care of myself and my family,” she says.
Pushing against the narrative
Despite the many challenges she has faced over the years, Andeline is determined to succeed. She recently launched her newest business, HASAH Formal Wear Shop & Rental. Located in Windhoek’s Southern Industrial Area, HASAH goes a step beyond Andeline’s previous speciality, as the store includes menswear.
She credits her success to prioritising reinvestment in her businesses. In the past, her radio gig was the main source of this reinvestment, but juggling everything became exhausting. “I recently had to step back because I’m not getting around to everything. That’s the reality, you can work as hard as you want but somewhere you will fall short and that’s the reality. You need to be able to acknowledge that and step away,” she says.
Andeline has high hopes not only for her own future but that of the entire Namibian creative sector. “We’re all coming into our own and the beauty of being a small industry is that there’s still so much that we can tap into to create a name for ourselves,” she says, adding, “but first and foremost, we need to learn to deliver on time and with precision.”
In five years, she sees herself becoming a mother. She hopes to expand her brand and open even more shops across the country. “Hopefully by then, I’ll be a lot more viscous in my approach,” (she chuckles) “and I’ll be more willing to take leaps of faith and not fear losing it all.”
She advises young creatives to sharpen their skills to gain confidence in their abilities. Her wise and poignant parting words, “Practice, practice practice. Improve your skill set and know your worth. People who work in the creative space deserve to be homeowners too, they deserve healthcare and they deserve to afford good schools for their children. But we won’t afford these things if we continue to work for peanuts. Grow until people come to you because you’re the best, not because you’re the cheapest”.
Rukee Kaakunga
When the EU Cultural Relations Platform launched the EU-Namibia Craft Project, it was not just about skills training, it was about honouring heritage, nurturing creativity and building a sustainable future for Namibia’s vibrant artisan communities. The platform has been engaging in the promotion of international cultural relations, creating the conditions for meaningful exchanges between the EU and partner countries since 2020. “Artisans are encouraged to tell a story within the design by using traditional symbols, motifs, colours and patterns, for instance those that are sometimes incorporated into baskets, fabric prints, embroidery and accessories. Some illustrations on products, such as painted ostrich eggs and embroidered linen and cushion covers are inspired by everyday life,” says Annie Symonds, the senior lead consultant for a training workshop held in Windhoek, where artisans from the Khomas and Zambezi regions were afforded hands-on experience in turning their ideas into market-ready products such as jewellery, beadwork and corporate gifts.
According to Symonds, some methods of production involve reviving or adapting traditional techniques through the integration of cultural narratives, which also tells a story about the generations gone before.
“The raw materials used in creating the product may be harvested from local resources and be of particular value to that society. A short story tag or label attached to the product with a photo of the crafter, explaining its origin, or how it was made and who benefits from the sale develops empathy with the buyer,” she adds.
The EU-funded workshops are designed using a training-oftrainers approach, allowing participants to transmit and pass on the skills they acquired to others in their own community, creating a multiplier effect beyond the initial group.
“My general impression of the workshop was positive. I enjoyed the new skills that I’ve learned and gained, and I also got new ideas on how I can incorporate them into the products that I already produce,” says Jason M.S. Hangara, a participant at the workshop. Another participant, Lydia Muyambango, says she really enjoyed the training and adds, “May we continue with this training as it is impactful. When I return to Katima I will work very hard, because they don’t sell products like necklaces, earrings and bangles there. Thank you very much.”
An additional business training workshop was held in the Zambezi Region in June, focusing on product development and business skills while targeting crafts such as pottery, basketry, carving and textiles. The aim of this training was to strengthen both the quality and economic sustainability of local craft practices across different towns, with the ultimate goal of contributing to the inclusive development of the sector and reinforcing Namibia’s creative economy. With every stitch, carve and weave, Namibian artisans are not only preserving the local culture; they are shaping the future of their communities, economy and stories.
Maggie Forcelledo Paz
by Trudi Dicks
Continuing the curatorial exploration of Trudi Dicks’ profound artistic legacy, Conversations – the second exhibition in a two-part series –shifts our attention from the contemplative to the interpersonal. Where Contemplation was a meditation on nature and abstraction, Conversations invites us into a more social, intimate space where the dynamics between figures, moods and settings come into sharp focus.
Opening at The Project Room at the end of August 2025, Conversations presents a series of monochromatic works that combine woodcut, linocut and etching techniques. These prints showcase Dicks’ exceptional command of her medium, particularly her ability to attain spatial depth and rich texture through subtle grading and mark-making. The prints are restrained in palette but expansive in feeling. In this collection, Dicks creates scenes that are both familiar and enigmatic – moments frozen in time that feel like fragments of longer stories.
Conversations curates Dicks’ ability to capture human interaction and figure, exploring themes of connection, disconnection and social complexity. Her figures seem to appear in confined spaces – seated around tables, tucked into corners, or caught in thought or mid-movement. Their presence at times spill beyond the frame. Their expressions range from direct and readable to deliberately obscure, inviting the viewer to search for clues in body language, gesture and negative space.
There is a voyeuristic quality to these works, as if we are watching a private moment unfold from across the room. This echoes the experience of people-watching in public spaces – moments of curiosity, of imagining untold stories. What has just been said? What remains unsaid? Are these figures connected by kinship, tension, silence? Dicks never tells us outright. Instead, she masterfully positions us as observers –we are invited to lean in, to listen and to interpret.
What gives these works their staying power is the way Dicks captures the ambiguity of human relationships. She does not
reduce her subjects to stereotypes or symbols. Instead, she leaves room for contradiction and complexity. A smile can carry warmth or resignation. A glance might hint at intimacy or defiance. In this way, her work mirrors real life, where clarity is fleeting and meaning is often layered beneath outer appearances.
On a technical level, Conversations showcases Dicks’ artistic expertise. The interplay of light and shadow, the careful grading of tone and the dynamic positioning of figures within space all contribute to the immediacy of the scenes. Her command of monochrome is particularly striking – each mark deliberate, each space well thought out.
As an artist shaped by personal adversity and a profound sensitivity to her environment, Dicks’ voice in these works is both compassionate and piercing. She observes, reflects and invites us to do the same. These prints are not just a reflection on human interaction; they are meditations on presence, absence and the invisible threads that connect us.
Through Conversations, we are reminded that art can speak in murmurs as well as in declarations. It can hold space for nuance, for tension and for the multiplicity of human experiences. Trudi Dicks’ legacy lies not only in her technical brilliance but in her unflinching ability to see, to witness and to translate that witnessing into art that continues to resonate.
Please note that the gallery may move during this time, so please keep an eye on social media for any change of address.
Laschandre Coetzee
The Project Room - Namibia www.theprojectroom.com.na
Situated in the heart of Windhoek’s cultural hub at the Old Power Station, the Kóllab is Namibia’s first concept store housing nine incredible local brands under one roof.
Recently launched to an eager crowd of fashion enthusiasts, the store signals new hope for the Namibian fashion sector. Apart from being a retail space for designers and other manufacturers, the Japandi-inspired studio will serve as a creative space where Namibian design, fashion, and entrepreneurship converge.
Currently, the store hosts fashion brands like Mathew Erastus’ MN Creations, House of Poulton, Proud by Pewa, Metu Leather and Kamoni Accessories. Soon, SynEDGY and Sai Iileka will also take up space in the store with their own line of garments. Apart from clothing, the store also features shelf space for Cozy Home candle brand and cosmetic brand Sunberry Products.
Shopping is a seamless experience at this well-lit Namibian fashion haven, with swiping facilities and charming dressing rooms.
Rukee Kaakunga
Aquiet observer of the world, Elisia Nghidishange is shaping a distinctive artistic language for herself. Since obtaining a Diploma in Visual Arts from the College of the Arts in Windhoek (2017), Nghidishange has carved out a path as both an artist and creative entrepreneur. Residing in her hometown of Eenhana in northern Namibia, the artist navigates rural and domestic landscapes and communities, which inform her artistic practice as she examines the tension between tradition and modernity.
Working across printmaking, sculpture and mixed media, her art draws inspiration from the rhythms of rural life and social dynamics, as well as the textures of the natural world. Her most recent repertoire navigates themes of shifting gender roles and the evolving aspirations of wealth and success in contemporary society. Time stretches and focus sharpens in solitude as she experiments freely in her studio, reworking sketches and pushing her ideas into physical form. Nghidishange explains that working with her hands deepens her connection to the materials, which she describes as active collaborators, allowing their natural characteristics to influence the outcome of each piece. Rooted in material memory and place, Nghidishange adds, “I have always been inspired by the materials that have been part of my life since childhood.” Her eclectic style combines traditional pottery, weaving and contemporary art practices, including motifs drawn from the human figure, cow horns and ostrich eggshell beads. Through form, texture and meaning, these small details become the architecture of her visual language.
Her latest body of work examines the benefits and potential drawbacks of human connections by exploring our relationships with one another and with the objects that surround us. Reflecting on the potential disconnection caused by technology and the example of someone choosing to spend their time on the internet rather than engaging with their family, Nghidishange says, “There are some addictive connections that we have learned to depend on, which may in fact result in disconnection.” House of Connection was an ambitious presentation of mixed media sculptures and reliefs that use a combination of ceramics, welded metal, woven fabric and found objects. The exhibition also included a series of colourful linocuts and an interactive large-scale installation.
Nghidishange’s fifth solo exhibition, House of Connection, was held at the National Art Gallery of Namibia in collaboration with StArt Art Gallery (2024).
Beyond the walls of her studio, her broader commitment is to share her knowledge and foster a sense of artistic continuity and education within the Eenhana community. As the founder of E-Tunga Studio in 2021, Nghidishange offers a creative space for emerging artists where she nurtures the value of creating, teaching and telling stories through material. The studio operates as a pottery studio, manufacturing modern and traditional pots while offering free basic art training through workshops. Nghidishange is thrilled that the studio is being embraced by people from the local community and surrounding areas. However, operating in a remote area can have its challenges. “It is fascinating and overwhelming at the same time. I have always known that implementing an art studio would be a good idea, but I didn’t know the demand would be greater than the available facilities.”
From being awarded the second prize for Sculpture at the 2020 Bank Windhoek Triennial (2021) to having her works featured in local and international collections, Nghidishange’s artistic achievements are a testament to her artistry and personal expression. As she looks ahead to creating a new body of work for her next solo exhibition, Elisia Nghidishange remains grounded, thoughtful and deliberate in her process, always in conversation with the materials she holds in her hands.
Elisia Nghidishange’s work is currently featured in a group show at the Sweet Side of Thingz in Windhoek, located on Independence Avenue.
StArt Art Gallery info@startartgallery.com
The leading aviation training organisation in Africa.
The Day of the African Child (DAC), instituted in 1991 by the Organisation of African Unity (OAU), now the African Union (AU), is more than a memorial, it is a celebration of resilience, a platform for advocacy, and a call to action to improve the lives of children throughout Africa. Commemorated annually on 16 June, the day honours the memory of the hundreds of school children who were injured or brutally killed during the Soweto uprising of 1976 in apartheid South Africa when they marched in protest against an oppressive education system and demanded to be taught in their own languages. Their courageous defiance continues to inspire generations of children and youth across the African continent. It brings together governments, civil society organisations, youth-led groups, international bodies and, most importantly, children to reflect on the status of child rights and to shape policies that place children at the heart of national development.
Member states of the AU, which includes Namibia, are guided by the African Committee of Experts on the Rights and Welfare of the Child (ACERWC), which facilitates consultations with children and stakeholders to determine themes every year and promote meaningful dialogue. Activities also include consultations among children, training sessions on the African Charter on the Rights and Welfare of the Child, as well as intergenerational dialogues that culminate in the adoption of an outcome statement capturing children’s voices and strategic recommendations.
Each member state then submits a report to the committee detailing how it commemorated the day and what concrete actions were taken to advance the year’s theme, which for 2025 is “Planning and budgeting for children’s rights: progress since 2010”. This is to ensure accountability and transparency as the reports are not only ceremonial but are benchmarks of national progress and commitment.
The theme for this year calls for a rigorous assessment of how far African governments have come in integrating children’s rights into national planning and budgeting processes. “Indeed, it is an opportunity to reflect on the journey we have travelled in child protection, recognising that children are the future of our countries. Their wellbeing and inclusion in the development process are paramount for the attainment of Agenda 2063: The Africa We Want,” said President Netumbo Nandi-Ndaitwah.
The president noted that the government has made commendable progress in terms of designing and funding policies and programmes aimed at advancing the welfare of
the Namibian child, setting them on a path toward socioeconomic transformation and a prosperous future. “These commitments are reflected in our healthcare and education system, where the government provides free basic and secondary education and healthcare services to children,” she added. Despite these achievements, the head of state acknowledged that more remains to be done as children continue to face various challenges, including gender-based violence (GBV), child labour and malnutrition, calling on all stakeholders to work in the interests of the child by fostering cross-sector collaboration.
Speaking at the commemoration of the DAC at Canisianum High School at Outapi in the Omusati Region, Minister of Gender Equality and Child Welfare, Emma Kantema, stressed the need for more targeted and sensitive programmes for children in vulnerable situations such as those living with disabilities, living and working on the streets, as well as those from marginalised communities. “Our children are our greatest asset and investing in them today is critical in securing a peaceful and prosperous Namibia. Let us commit to building a future where every child’s right is not just recognised, but fully realised through deliberate, child-sensitive planning and budgeting,” she added.
According to the ACERWC, Africa will be home to around 1 billion children, or 40% of the world’s child population, by 2055.
Maggie Forcelledo Paz
By Namibians. For Namibia.
Raised by a single mother in a home filled with books, discipline, and love, LaToya Hamutenya grew up knowing the value of hard work. Her mother, an educator, ensured that La-Toya and her sister were exposed to both academics and the arts from an early age. That foundation shaped the woman the world now knows as Lioness – a medical doctor by profession and one of Namibia’s most celebrated rap artists by passion.
Though she initially leaned towards the arts, La-Toya followed her academic talents into the world of medicine, where she eventually found her calling in anti-ageing and cosmetic medicine – a space where science meets aesthetics. "Medicine keeps me alive," she says, "and music feeds my soul."
Her career is a balancing act of precision and passion. La-Toya doesn’t dwell on how she juggles both; she simply does. Her secret? Discipline. And when self-doubt creeps in, she returns to the mantra that has become her guide: you don’t have to choose.
Navigating two male-dominated industries has never deterred her. She’s moved well beyond the narratives that limit based on sex. But even more than that, La-Toya champions individuality beyond labels of gender or race. Her goal? To be a good example – for everyone.
Her music is rooted in love and empowerment. Each lyric, each beat, is intentional. "Music is everywhere," she says, "and I want my music to lift people up, to make them believe in their own potential."
One of her proudest moments came during her pregnancy. As critics doubted her ability to remain relevant, she produced what would become one of her most decorated albums. Today, her daughter watches her rehearse, dance, and perform – living proof that women can be mothers, artists, professionals, and anything they choose.
"Being Namibian is part of my brand," LaToya says. She wears her roots proudly, sharing her heritage wherever she goes. For her, Namibia's small population is not a limitation but a badge of honour. "We may be small, but we are mighty."
We may be small, but we are mighty.
To young Namibians, she offers this: tailor your life to your dreams, not anyone else's expectations. With discipline, integrity, and consistency, nothing is impossible.
La-Toya Hamutenya is a woman of many talents. But more than that, she is a woman of purpose. And in everything she does, she reminds us that the sky is not the limit. It's just the beginning.
et’s face it: life rarely stays the same for long. One minute you are cruising along comfortably, and the next you are thrown into a new job, a breakup, a move or an unexpected challenge. These moments, whether big or small, call for something we all do but rarely talk about: adjustment.
In psychology, adjustment is the process of finding emotional, mental and behavioural balance in the face of change. Whether it is navigating grief, stepping into a new role or learning to live with a chronic condition, how we adjust shapes not only our experience, but our overall wellbeing.
Why does adjustment matter?
Think of adjustment as your internal compass that helps you to stay grounded, even when life spins in a different direction. Good adjustment does not mean everything feels perfect; it means you are finding ways to cope, adapt and still show up for yourself. When the process goes smoothly, we feel stable, motivated and connected. But when it does not – when the stress lingers, emotions run high or we feel stuck – adjustment becomes something worth paying attention to.
Common types of adjustment
• Personal adjustment: This includes how we deal with internal changes such as shifts in identity, mood or confidence.
• Social adjustment: This is how we fit into changing roles in our relationships, family, workplace or community.
Both are equally important and deeply interconnected.
Coping strategies
Not all forms of coping are created equal. Some strategies help us move forward, while others may leave us feeling worse.
• Helpful: talking it out, journaling, problem-solving, asking for support, setting boundaries.
• Unhelpful: avoiding the issue, overworking, suppressing feelings or numbing them through substances.
Learning to recognise your go-to patterns – and being kind to yourself in the process – is the first step towards healthier adjustment habits.
What influences how we adjust?
• Our personality (Are you a planner or do you go with the flow?)
• Our support system (Do you have someone to lean on?)
• Our past experiences (What has change felt like for you previously?)
• Our culture or values (How are change and stress viewed in your world?)
All of these play a part in how we make sense of what is happening to us and how we respond.
The benefits of therapy
Sometimes, despite our best efforts, adjusting feels like too much. That is okay. Therapy can offer a safe, non-judgmental space to process what is happening, explore your emotions and develop tools that work for you.
Adjustment is a normal, necessary and a deeply human experience. Life will change – and you will too. But you do not have to go through it alone or without support. With the right tools and mindset, adjustment can become less about “just getting by” and more about growing through what you go through.
Theresa Gertze Clinical Psychologist
he Wilderness Therapy Namibia (WTN) programme began in 2008 as an alternative approach to reaching troubled adolescents between the ages of 16 and 20 years old. The WTN programme aims to destigmatise therapy and counselling through an adventure-based, physically challenging wilderness experience. Its purpose is to inspire and motivate participants to willingly change behavioural patterns by focusing on discovering their strengths and potential. The WTN programme offers a powerful learning experience designed to facilitate change, while providing a platform of support and assistance through which participants ultimately discover their full potential.
A welcome intervention
During the most intensive part of the programme, referred to as the Intervention Phase, participants are removed from their everyday environment and placed in a challenging, yet neutral and supportive setting for ten days. Throughout this time, participants embark on a transformative eight-day backpacking hike across the stunning landscapes of remote locations such as the Naukluft Mountains or the Fish River Canyon, covering more than 120 kilometres. Each day brings new challenges and breathtaking scenery, as rugged trails wind through dramatic cliffs and expansive vistas. Participants carry backpacks stocked with food and supplies for the entire eight days.
This wilderness adventure offers a unique setting that encourages deep introspection and unexpected self-discovery. Over the first four days, participants are challenged to examine their behaviours, thoughts and perceptions. By day five, they are guided to let go of old patterns and begin embracing new, more constructive ways of being. A participant, all the way from Cape Town, joined the Naukluft group in May 2024. It was his first time hiking with Wilderness Therapy Namibia and the experience left a lasting impression.
“I had been curious about the trail for a few years, but I honestly had no idea what I was getting myself into,” he recalls. “Eight days of climbing up and down mountains pushed me to my limits physically, emotionally and spiritually.” Out in the wilderness, with only your team beside you and no easy way out, something shifts. “There is no turning back and no quitting. It is just you, your backpack and the next step. It taught me to trust God completely and showed me that we are stronger than we think, even in life’s toughest moments.”
Looking back, he speaks with a deep sense of pride. “The joy of seeing what we accomplished together, especially the participants who weigh half of what I do, is just incredible! This hike changes your perspective. It takes you from thinking I might be able to do this to knowing I can, with help from above.”
But the journey does not end in the wilderness. WTN’s Mentoring Programme continues to support participants as they reintegrate into daily life after the intervention phase. Mentors play a vital role in helping individuals stay true to the positive changes they have made, even within the familiar dynamics of their home and social environments. Upon returning from the wilderness, each group is assigned a mentor who walks alongside them for the next twelve to eighteen months. During this time, participants meet weekly to discuss everyday challenges and receive consistent emotional support. This ongoing mentorship strengthens their personal growth, builds resilience and ensures that transformation extends well beyond the initial experience. WTN also has a dedicated social worker on staff, who conducts individual counselling sessions with participants who need them.
Furthermore, the structured nature of mentoring creates consistency and reliability, reinforcing a sense of accountability and belonging. By building trust, mentors help participants
develop self-confidence and emotional intelligence, making it easier for them to face obstacles and pursue their goals. Overall, the emotional support provided through mentoring not only aids with immediate challenges but also equips individuals with tools for long-term success and fulfilment.
This programme concludes each September with a graduation ceremony, where participants receive certificates recognising their committed attendance at Wilderness Therapy Namibia events. To date, WTN has successfully worked with 656 participants and conducted 82 hikes over 17 years, impacting the lives of at least 40 young people each year.
The road ahead
Wilderness Therapy Namibia hosts at least three capacitybuilding events annually. These events share information and knowledge on everyday topics, and participants and alumni are encouraged to attend with their families and friends.
Originally introduced as Parental Capacity Building, the initiative was designed to offer guidance and insight into the emotional challenges, hardships and responsibilities that often stem from irresponsible sexual relationships and teenage pregnancies. Over time, WTN recognised the need to expand the programme’s scope to address a wider range of pressing issues affecting both participants and alumni. These include substance abuse, depression, anxiety, suicide, gender-based violence and the importance of nurturing both spiritual and emotional wellbeing.
Wilderness Therapy Namibia recognises that many young learners are ill-prepared for life after school. Uncertainty about study choices and the harsh realities of job hunting are common concerns. To address this, the programme launches each year with a dedicated Career Guidance Week: a four-day workshop focused on career planning, CV writing, interview preparation and job search strategies.
In June, the learning continues with a career excursion that introduces participants to Namibia’s vocational landscape. This tour includes visits to three vocational training centres and several businesses, offering first-hand insight into various
career paths and the requirements for acceptance into vocational programmes. For many, the experience is not only educational but unforgettable, especially for those seeing the ocean for the very first time!
Paying it forward
Wilderness Therapy Namibia believes it is better to give than to receive. Through community projects, a spirit of giving and sharing is encouraged. Each group involved in the programme participates in a community project, learning to recycle or upcycle materials to create something useful. Giving back offers perspective on one’s own struggles. It is important for each group to contribute to their communities during their time with WTN, as this helps empower those communities to progress further.
Emilia Shuudifonya joined Wilderness Therapy Namibia back in 2012 after hiking the Fish River Canyon – an experience that, as she puts it, changed her life. “At the time, I used to isolate myself a lot,” Emilia shares. “After losing both my parents, I honestly felt like no one loved me.” But something shifted during her time in the programme. “Wilderness Therapy taught me how to open up and be free and to speak about things I had always kept inside,” she says.
More than a decade later, Emilia remains connected to the programme that helped her find her voice. “I’m really grateful for the opportunity I got from Wilderness Therapy Namibia. I’m in a much better place now and working at a financial institution.”
Her story is one of resilience, transformation and hope, the kind that Wilderness Therapy Namibia continues to nurture. One hike at a time.
Join Wilderness Therapy Namibia in guiding young people toward healing, growth, and a brighter future, one step at a time.
JURA is the global leader in automatic coffee machines, redefining how the world experiences coffee. Rooted in Swiss precision and engineering excellence, JURA blends cuttingedge technology with timeless design to deliver exceptional coffee.
Unleash the full potential of your coffee without the effort.
Whether you are starting your day with a bold espresso or unwinding with a cappuccino, JURA makes it an effortless experience. From compact designs to featurerich models, here are some of our top machines tailored to fit your routine, taste and space.
Enjoy both hot and cold drinks with the Z10. Its Cold Extraction Process lets you create everything from iced lattes to rich Americanos, ideal for those who want barista-level variety at home.
The J8 Twin, equipped with two high-performance coffee systems, combines the power of two machines into one, giving you the best of both worlds. Featuring premium conical grinders and a delicately sweetened milk foam function, it transforms the simplest cup of coffee into an extraordinary experience.
The E8 blends advanced features with a streamlined design. Its Pulse Extraction Process (P.E.P.®) ensures espresso precision, while one-touch milk specialities takes the hassle out of it.
Short on space? The ENA 8 delivers JURA quality in a compact, stylish design ideal for individuals or couples who want premium coffee without the bulk.
With its P.E.P.® technology, the X10 maximises flavour in every espresso. Wi-Fi connectivity and the J.O.E.® app makes brewing remotely simple and smart.
Support that matches the excellence of the machine
Owning a JURA means more than just high-quality coffee; it provides dependable support. With a global service network, certified professionals and phone assistance, any issues are resolved quickly and efficiently. Genuine parts and maintenance products, such as 3-phase cleaning tablets, ensure peak performance and hygiene. Built for durability and easy repair, JURA machines follow a sustainable, repair-not-replace philosophy offering peace of mind with every cup.
JURA effortlessly elevates your daily ritual with luxury, ease and precision.
In a world that is constantly telling us to do more, achieve faster and optimise everything, what does it really mean to “live well”?
Is it a curated morning routine and a perfectly balanced smoothie? Or is it something deeper – a sense of groundedness in your body, your home, your community and your life?
Welcome to Living Well, a monthly wellness column rooted in Namibian soil and soul. Each month, I’ll explore the intersection of functional health, natural rituals and conscious living, offering ideas, reflections and small shifts to help you feel better in your body and more connected to what matters most.
Let’s begin with a truth I have come to know deeply in my own life: wellness is not a destination, a diet or a one-sizefits-all plan. It is a relationship – with yourself, with nature and with the rhythms that govern your body and the earth. It is learning how to tune into your needs before they become symptoms. It is remembering that healing does not always come from outside, but often from what is already around and within you.
As a wellness educator and functional health coach, I have spent the past decade exploring how our bodies respond to modern stress, processed food, hormonal shifts and emotional overload. But I have also come home to the power of rest, ritual and returning to local wisdom, from foods our grandmothers cooked to barefoot walks on sand and soil.
Living well does not mean getting everything right. It means getting honest about how you feel and what you need. It is about reclaiming your energy, nourishing your gut, calming your nervous system and making space for joy and presence in the everyday.
Here in Namibia, we have a unique opportunity. Our landscapes are raw and restorative. Our traditions are rich
with healing practices. Our pace, while sometimes rushed, still holds space for stillness... if we choose it. This column is an invitation to slow down, reconnect and remember the kind of wisdom that cannot be found in an app or algorithm.
Over the coming months, we’ll explore themes like:
• Gut health and food as medicine
• Burnout and nervous system regulation
• Hormone balance and ageing with strength
• Natural living and conscious daily rituals
• Local ingredients that support vitality
My promise to you is simple: no quick fixes, no shame-based motivation and no pressure to be perfect. Just grounded, honest guidance to help you live well – in your own body, at your own pace, in this beautiful place we call home.
So take a breath. Notice how you feel. And let this be your gentle reminder: you do not have to hustle for your health. Sometimes, the most powerful thing you can do is listen – to your body, your intuition and the land beneath your feet.
Because living well is not about adding more; it is about remembering what is already yours.
Cerina Bezuidenhout Haasbroek
Living Well is a monthly wellness column exploring functional health, natural rituals and conscious living in Namibia. Follow @cerinabzd on Instagram for tips, workshops and holistic health guidance.
This article is for informational purposes only and is not intended to replace professional medical advice. Always consult a qualified health provider before making changes to your health routine.
Growing up in Namibia and playing rugby in high school taught me many things: discipline, teamwork and the importance of preparation. But one memory stands out. Before some of our training sessions, we would have to remove the football posts that were still set up on the same field. The space was not exclusively ours – we had to share it. It might have been inconvenient at times, but looking back, it was a valuable lesson: infrastructure, when shared wisely, can serve more than one purpose and more than one team.
That principle lies at the heart of a conversation Namibia must have about the strategic synergies between our well-established mining sector and the rapidly emerging oil and gas industry.
Mining has long been the backbone of Namibia’s economy. Now, with world-class oil and gas discoveries off our coast, we are entering a new era. But rather than building parallel systems, we have a rare opportunity to think collectively. Just like that high school sports field, logistics, infrastructure and talent pools developed for one sector can –and should – support the other.
ordinary Namibians. When the mining and oil & gas sectors thrive, government revenues rise. That fiscal space must then translate to improved infrastructure, better schools, modern hospitals and opportunities for all.
We have one shot at getting this right. The world has shown us both sides of the extractive coin – economies lifted by resource wealth, and others burdened by inequality and missed opportunities. Namibia must chart a different course, where value is created and shared.
At RMB, we see our role as far more than that of a financier. We are partners in building ecosystems. With deep expertise across mining, oil, gas and energy, we help structure innovative funding solutions, support local supply chain development and engage policymakers to create bankable, sustainable outcomes.
A port upgraded for offshore drilling can support bulk mineral exports just as effectively. Roads, power, water and telecommunication networks required for mine operations are just as essential to oil and gas field logistics. Training centres that develop welders, engineers and technicians for mines could upskill Namibians for energy installations with only minor adjustments. We do not need two of everything – we need smart, coordinated investments that serve both.
This is not just about cost savings; it is about unlocking accelerated growth and using shared infrastructure to reduce duplication, fast-track project timelines and extend the impact of every dollar spent.
The true measure of success for both sectors will not be found in balance sheets alone. It will be seen in the quality of life for
At RMB, we see our role as far more than that of a financier. We are partners in building ecosystems. With deep expertise across mining, oil, gas and energy, we help structure innovative funding solutions, support local supply chain development and engage policymakers to create bankable, sustainable outcomes.
Mining and oil & gas are not rivals; they are teammates playing different positions on the same field. Namibia’s moment is now. If we can remove the proverbial goalposts, see the bigger field and play together, we can achieve something far greater than the sum of our parts.
RMB is proud to walk alongside our clients, government and communities on this journey – enabling not just deals, but a better future for all Namibians.
Olavi Hangula Oil & Gas, Energy and Mining Sector Relationship Manager
When in Namibia, make sure to journey to the lush Zambezi Region, home to some of the country’s most spectacular and life-rich wetlands. Unlike the arid landscapes most associate with Namibia, Zambezi offers a completely different experience: green, tropical, and teeming with wildlife.
Here, permanent rivers and wetlands like the Zambezi, Kwando, Chobe, and Linyanti weave through woodlands and floodplains, creating a haven for nature lovers. This region supports some of the highest biodiversity in Namibia, including over 450 bird species, many of them wetlanddependent and rare.
• Fly-in Safari
• Private safari
• Eco-Lodges & Tented Camps
• Guided Nature & Birding
• Walks Boat & Mokoro (Canoe)
• Excursions Cultural Tours
• Game Drives & Safari Tours
• Restaurant & Dining Facilities
• Camping Sites
Whether you’re gliding silently in a mokoro (dugout canoe), spotting hippos and crocodiles, or watching a vivid kingfisher dive, the Zambezi Region delivers unforgettable moments for eco-tourists. It’s a place where water shapes life, and every visit supports local conservation and community-based tourism. Zambezi is Namibia like you’ve never seen it green, wild, and wonderfully alive.
My brain has too many tabs open. At this very moment, it’s a swirling browser of half-read articles, half-written stories, unanswered emails, mental grocery lists, birthday party plans, pitch decks, social invites and those beautiful but daunting passion projects that linger at the edges, waiting for the luxury of “one day when there’s time.”
I know I’m not alone. A friend calls it ‘mental RAM overload.’
A mentor once told me his greatest productivity hack is deceptively simple: open every email as soon as it lands, respond immediately, then move on. No mental tabs left dangling. Elegant, efficient… and frankly, unimaginable to me.
Because here’s my problem: I want to give the important things the time and attention they deserve. That draft contract I still haven’t opened? I need a quiet hour for that. The invitation I keep meaning to reply to properly? Maybe tomorrow, when my brain is clearer. Except tomorrow comes with its own avalanche of fresh tabs – school runs, dinner plans, deadlines, the endless churn of being a modern woman running a business, a household, raising two young kids, carving out space for friendships and for the bits of life that light me up beyond the daily grind.
And so the tabs multiply.
Three years ago, I bookmarked an article: ‘Read later.’ I’ve never opened it. At what point does ‘later’ quietly turn into ‘never’? Maybe the real freedom is learning to close some tabs altogether, to accept that some things don’t need finishing… or even starting.
And yet, procrastination isn’t always the villain it’s made out to be. I stumbled recently on the Hemingway Effect – the idea that leaving something unfinished can actually make you more likely to complete it. Hemingway famously stopped writing mid-sentence, mid-idea, mid-story. It kept the work alive in his mind, tugging at him to return. He knew that blank pages are more terrifying than unfinished ones.
It’s a trick I use, even if it’s accidental. I love writing, but hate starting. I hate the messy middle. My favourite Hemingway line says it perfectly: “Writing is bleeding onto a page.” It hurts because it matters. But when I do stop mid-flow – not out of dread, but deliberately – the story continues to grow underground. Like a seed. The words find me in the shower, on the school run, at 3am when the tabs won’t close.
So maybe there’s a balance. Not all tabs need closing immediately. Some deserve to marinate. Like half-told stories or dream projects. Others – the nagging email, the threeyear-old bookmark – maybe they just need to be released.
My brain has too many tabs open.
This month, I’m challenging myself to do both: to bleed onto the page, even if just a few lines at a time. To open the email and hit reply. To close a tab (or ten) without guilt. And to remind myself that unfinished doesn’t always mean unproductive. Sometimes, it’s precisely where the best ideas live.
Elzanne McCulloch
Find the perfect gift with a Namibian touch! From handcrafted treasures to unique local artistry, the Namibia Craft Centre has something special for everyone. Shop local, share love!
Glenda's art leather. Every cut, every stitch tells a story of passion, craftsmanship and authenticity. Each piece combines tradition, quality and style seamlessly. Explore the Namibian Craft Centre to discover beautifully designed pieces!
Support local, shop unique! The Namibia Craft Centre is home to beautifully handcrafted treasures made by talented Namibian artisans. Come celebrate local craftsmanship and keep creativity alive!
Craft Bistro sets the standard for healthy, tasty, and locally sourced meals. Offering breakfast, light lunches, and freshly baked treats, everything is made in-house with fresh ingredients from local farms.
!Ikhoba, a symbol of empowerment and culturerepresenting a deep connection to tradition, identity and storytelling. A true embodiment of Namibian heritage and spirit shines in their pieces. Explore Namibian stories through authentic craftmanship at Namibia Craft Centre.
The Namibia Craft Centre is located in the heart of the city and has become known as the leading retail space for handmade crafts, gifts, and curios in Namibia. It provides a platform for Namibian handicrafts ranging from jewellery to carved tree roots.
Find us at 40 Tal Street, Windhoek +264 61 242 2222
Whether you're on business or exploring Namibia, CYMOT Hilltop has everything you need under one roof!
Conveniently located next to Grove Mall in Windhoek, we make shopping easy, hassle-free, and enjoyable.
Start your journey with the perfect cup! Fuel up with the rich aroma and bold avours of Slow Town Coffee, available in-store. From a quick espresso to a smooth latte, every cup is crafted to perfection.
On 18–19 July 2025, CYMOT hosted an exciting, reimagined event at its brand-new flagship store at Hilltop, Windhoek: the first-ever CYMOT CX Expo 2025. CX, short for Connect & Xplore, perfectly captured the spirit of the Expo, inviting visitors to do just that. Inside, the atmosphere was festive, buzzing with energy. The expo offered something for everyone: from outdoor enthusiasts and DIY lovers to automotive professionals and families, all eager to explore the latest tools, camping gear, automotive accessories, and lifestyle solutions that CYMOT is known for throughout Namibia.
The CX Expo invited visitors to explore, connect, and experience the very best of what CYMOT has to offer. From live product demonstrations to hands-on experiences, such as testing safety headgear in a soundproof booth, there was something to spark every curiosity. Exclusive expo specials made the experience all the more rewarding. Customers strolled through the spacious store aisles (the ceiling’s lights playfully decorated with paintbrushes and wheelbarrows), while additional stalls set up outside showcased an even wider variety of products, from power tools, industrial equipment,
to Thule baby strollers and sleek, modern bicycles. Along the way, customers could sip on Slowtown coffee and enjoy delicious treats from the aptly named Chill Zone, creating the perfect pause between discoveries.
The Expo also offered valuable opportunities for visibility, brand exposure, and networking, drawing in not only local businesses but also South African suppliers seeking to expand their presence in Namibia. Rogers Pillay, Africa Sales Development Manager at Burncrete, a specialist in rigging and lifting equipment, remarked, “This is a great opportunity to increase our exposure, especially since most of our clientele is based in Namibia.”
Whether you’re planning your next off-road adventure, preparing for a camping getaway, or taking on a new home project, this unique Expo proved to be the perfect place to start. At CYMOT, one is reminded once again that every journey becomes easier with the right gear, trusted expertise, and a community driven by a shared passion for exploration and innovation.
Madeleen Duvenhage
AVAILABLE FROM
The Oshana Region sparkled with glamour and pride this past Saturday as Ongwediva Trade Fair hosted the historic Miss Namibia pageant finale, marking the first time the prestigious event was held in northern Namibia. Among cheers, lights, and national celebration, 27-year-old Johanna Swartbooi from Vaalgras was officially crowned Miss Namibia 2025, a moment that will be etched into the legacy of Namibian womanhood and excellence.
Debmarine Namibia, the official sponsor of Miss Namibia for the third consecutive year, proudly celebrates Johanna’s crowning as a powerful symbol of possibility, perseverance, and purpose.
With thousands in attendance and the nation watching via NBC broadcast, Johanna received her crown from outgoing titleholder Prisca Anyolo (Miss Namibia 2024), amid an atmosphere charged with admiration and applause.
Her commanding grace, eloquence, and unwavering selfconfidence earned her the coveted title, unlocking the opportunity to represent Namibia on the global stage at Miss Universe 2025, set to take place in Thailand later this year.
Johanna’s reign begins with a reward package valued at over N$500,000, inclusive of a new car, a house, and a curated bouquet of wellness, beauty, fashion, and lifestyle services— designed to elevate her journey and amplify her national impact.
Celebrating Namibia’s Brightest Joining Johanna on stage were brilliant contenders who stood tall in their own light:
• First Runner-Up: Uatjiri Mbaisa (27) from Otjinene, who also won the People’s Choice Award.
• Second Runner-Up: Tuilika Andreas (25) from Walvis Bay.
• Miss Photogenic: Sirkka Ndjoba (22) from Ondangwa.
• Miss Congeniality: Ndeshipewa Angula (20) from Windhoek, voted by her peers.
More than a Crown Johanna’s Journey Born and raised in the ||Karas region, Johanna’s story is as inspiring as her new title. After attending public schools in Windhoek, she spent three years training in Social Work before pivoting toward the business world, earning a Higher Certificate in Business & Marketing Management in 2021.
Her modeling journey began in 2016, leading to national accolades such as Miss Namibia 2019’s 2nd Runner-Up and Female Model of the Year in 2020, awarded by the Simply You Magazine Lifestyle and Fashion Awards. Between 2019 and 2023, she secured international modeling contracts across South Africa, Germany, and Italy. With seven years of global experience, Johanna recently began mentoring young models and aspiring pageant queens, reflecting a heart as bold as her ambitions.
Debmarine Namibia: Empowering Brilliance
As proud sponsors of Miss Namibia, Debmarine Namibia continues to champion platforms that uplift, inspire, and unite. Through this sponsorship, we reinforce our commitment to investing in Namibian excellence, nurturing ethical leadership, and celebrating powerful stories of transformation.
Johanna’s triumph is not just a win, it is a beacon of hope, resilience, and beauty that goes beyond glamour. It’s the celebration of a voice, a vision, and a future as radiant as the natural diamonds Debmarine Namibia unearths.
The recent N$250 million expansion of Hosea Kutako International Airport (HKIA) has significantly enhanced the airport’s capacity and efficiency, positioning it to accommodate increased passenger volumes through 2030.
Terminal Expansion: The departure hall has been enlarged to accommodate increased passenger movement, and a new arrivals hall has been constructed, enhancing overall passenger flow.
Compliance and Safety: The upgrades ensure full compliance with International Civil Aviation Organization (ICAO) standards, improving safety and operational efficiency.
A vibrant look at the curious, camera ready, captivating and cloud-skimming events in Namibia and its surroundings this August.
11,000
300+
lions become visible in Etosha in August, as shrinking waterholes attract prey and shape new hunting patterns. Namibia’s northern plains come alive with sightings, especially in the cooler mornings and golden afternoons when lions patrol the savannah in search of their next meal.
meters- the cruising altitude of FlyNamibia’s Embraer ERJ-145 regional jets, offering travellers sweeping views of Namibia’s deserts, coastlines, and endless savannahs. August skies are especially clear, making it the perfect time for unforgettable aerial adventures.
2012
the year World Elephant Day was established. Celebrated annually on 12 August, this day is dedicated to raising awareness about the preservation and protection of elephants and the urgent threats facing both African and Asian elephant populations.
9
5000+
Southern Carmine bee-eaters congregate along the Zambezi River late August to begin their breeding season, transforming riverbanks into chattering colonies. Birdwatchers can catch these striking pink and turquoise birds, before continuing their transcontinental journey.
49,768
square kilometers - the size of Namibia’s Namib-Naukluft National Park, one of the largest parks in the country. August’s dry season is the perfect time to explore this iconic landscape. August is the ideal time to hike, marvel at the towering dunes of Sossusvlei, and capture breathtaking desert vistas under crisp, clear skies.
August, the full moon rises- known as the Sturgeon moon, the full moon offers a moment to connect with the natural cycles and find beauty in the ever-changing sky. In Namibia, this is the perfect time for moonlit game drives, beach walks in Swakopmund and dinners under open skies.
220
200,000+
Seals gather at Cape Cross, Namibia’s famous seal colony. August marks the start of the mating season, with the shoreline bustling with activity and loud calls as bulls establish their territories and females begin arriving in large numbers.
meters the size of the deepest river in the world, the Congo river. In August, water levels begin to drop, but river cruises and fishing expeditions remain in full swing along its vast, lifegiving channels.
26°C
Is the average temperature in Windhoek in Augustcool mornings, sun-soaked afternoons, and crisp evenings perfect for cosy fireside dinners and golden-hour hikes. As winter slowly fades, Namibia's landscapes glow under soft, dryseason light.
ACROSS
1. City where the Heroes Acre is located
3. Namibia’s national anthem: “Namibia, Land of the _____”
5. Traditional clay and butterfat mixture used by the Himba
7. Coastal town known for colonial architecture and German influence
8. Region that includes the Waterberg Plateau, key in Namibia’s colonial history
9. President who succeeded Sam Nujoma
12. Former name of the Zambezi Region
13. Indigenous language and ethnic group in Namibia
14. Namibia’s second-largest city
DOWN
2. Namibia’s desert-adapted elephant can be found here
4. Mountain range in central Namibia known for ancient rock formations
6. Namibia gained independence from this country
10. Namibia’s longest river
11. Animal featured on Namibia’s coat of arms
12. Popular travel item for taking photos
The goal of Sudoku is to fill a 9×9 grid with numbers so that each row, column and 3×3 section contain all of the digits between 1 and 9.
The tracks stretch ahead, lines drawn in soft sand leading towards the Tiras mountains. No signs, no fences, no noise. Just space, sky, and the invitation to go further.
Suné
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