JAPAN PROFOLIO

PROF OLIO' 24 CH E N CHUN TAN G

E du c a t i o n s 2018-2022

Chung Yuan Christian University / Interior Design /

2022-2024

Tunghai University Master in Architecture I / MArch I /

E x pe ri e n c e 2020-2024

Awarded as Equivalent Third Place / Taiwan Society of Interior Designers Competition Aw a r d e d a s E q u i v a l e n t S e c o n d P l a c e / Ta i w a n G o o d Design Award Competition Awarded as Equivalent Third Place / CYCU Scholarship

CHUN TANG, CHEN 陳俊棠

My name is CHUN TANG, CHEN and I'm from Taipei, Taiwan. I'm currently a second-year graduate student in the Department of Architecture at Tunghai University. Since I was young, I've been influenced by Japanese culture and have always admired Japanese architecture. I hope to take this opportunity to learn more about the knowledge and spirit behind Japanese architecture.At the same time, I am an optimistic and proactive w o r k e r. I h o p e t o h a v e t h e o p p o r t u n i t y t o b e c o m e a n i n t e r n a t y o u r c o m p a n y a n d become an important member of your team.

ME

CONTACT

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MANDARTECH Interior Design / Office Intern

04 / 17 / 1999

+ 886 96 1 2 8 1 9 9 7 to n c h e n 330 @gma i l . co m

So f t w a re s BIM/CAD

Archicad / AutoCAD

Modeling

Sketchup / Rhino

Render

Enscape / V-ray / Lumion

Adobe

Photoshop / Illustrator / Indesign / Premiere

L a n gu a ge Chinese

Native

English

Advanced

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TAIPEI / TAIWAN

for Outstanding Academic Performance

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03

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WALL HOUSE

THRESHOLDS & DELINEATION

GREEN TRANSPORT BLDG

SU-PIDER RENOVATION

URBAN ROAMING

44-53

54-63

64-89

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16-43

CONTENT

6-15

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WALL HOUSE

TAIWAN CERAMIC ARTIST'S HOME

01.

GRADUATE FIRST YEAR DESIGN PROJECT, THU M.ARCH1

INFORMATION DATE : 2023/04/20 SI TE : Taichung, Taiw a n PRO G RAM : Artist h o u se

CONTENT The site is located i n Ta i c h u n g , Ta i w a n , o n a ste ep h i l l s i de, a n d it a im s to translate th e a r ti sti c te c h n i q u e s o f c e ra m i c a r t i s t s i n t o a r c h i t e c t u r a l e l e m e n t s. U s i n g w a l l s , i t d i v i d e s t h e b u i l d i n g m a s s and interior spaces, while the window designs express both p o s i t i v i t y a n d n e g a t i v i t y. F i n a l l y, t h e w a l l s u t i l i z e w e a t h e r i n g steel coated load-bearing walls to evoke a sense of rust in re sponse to the mate r i a l c h a ra c te ri sti c s u se d b y th e a r t i s t s .

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CAT EG O RY : Indiv is u a l Wo rk , H o u se Pr o j e c t

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FORMATIVE DRAWING / Programming /

/ Circulation to use /

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PROJECT 1

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FORMATIVE DRAWING / Streaming threshold (ISO) /

/ Streaming threshold (PLAN) /

/ Streaming threshold (SECTION) /

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PROJECT 1

’

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FUNDAMENTAL TYPE STUDY PROCESS

EL EM ENT S O F FU NDAM ENTAL T YP E

A t t h e e n d o f t h e s e m e s t e r, w e a n a l y z e d t h i s f i n i s h e d p r o j e c t b y m a k i n g k i n d s o f f o r m a t i v e drawings such as part-to-whole, currculation, program, organiztional grid, geometrical grid, repetitiv e a n d e x p e c t, h i e r a r c h y, l a y e ri n g. M a ki n g t h es e dr a w i n gs a r e i n o r der t o fi gu r e o u t t h e m ost impo rta n t p a r ts a n d e l e m e n ts o f th e t ype.

Eventually, we will get a fundamental type, a basic type including all the important elements, as the key to th e n e x t ste p , g e n e r a ti n g . M o r eo ver, Th i s des i gn w i l l be a ppl i ed i n t h e n ex t des i gn as one of th e u r b a n o b se rv a ti o n d i sc u ssi o n s , fi n di n g s u i t a bl e s i t es fo r u r ba n ex pl o r a t i o n , u s i n g the funda m e n ta l ty p e a s a sta rti n g p o i n t t o ch a n ge t h e u r ba n fa br i c .

O UT E R S PAC E

S E C O N DA RY S PAC E T H RE S H O LD WA LL

MA IN S PAC E

T H RE S H O LD WA LL S E C O N DA RY S PAC E

ST REAMIN G T H R E S H O L D S & WAL L D E L IN E ATI ON

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T HRESHO L D WAL LS & M AI N SPAC E

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PROJECT 1

T HRESHO L D WAL LS & SEC O NDARY SPAC E

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PLAN & PERSPECTIVE

Fro nt Perspectiv e

1 F P L AN

I n t er i o r

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S ide View

PROJECT 1

I n t er i o r

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2F P L AN

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THE DARK SIDE OF YUGUANG ISLAND

TRANSITIONING FROM BOARDING ENCLAVES TO INTREWOVEN THRESHOLDS OF THE "SPIRITS, MUNDANE & POWERS."

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GRADUATE SECOND YEAR DESIGN PROJECT, THU M.ARCH1

INFORMATION DATE : 2024/01/20 SI TE : Tainan, Taiwan PRO G RAM : Urban i ssu e & r e n o v a ti o n

CONTENT Continuing from the previous design , we will dissect fundamental t yp es that can be re u se d . S u b se q u e n tl y, w e w i l l g en er a t e ver t i ca l and horizontal developments based on their growth and limit c onditions. Nex t, we w i l l i n v e sti g a te c o a sta l a re a s i n Ta i n a n t h a t ha ve not y et been th o ro u g h l y re se a rc h e d , u n c o v er t h ei r u n i qu e c haracteristics, and c re a te n e w u r b a n p l a n s a c c o r di n gl y. Fi n a l l y, w e will address the i ssu e s c u r r e n tl y f a c i n g th o se a r ea s .

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CAT EG O RY : Indiv is u a l Wo rk , U rb a n Pr o j e c t

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PROJECT INTRODUCTION

BRIGHT SIDE

TAINAN COASTAL TERRITORY

T he sit e i s l o c a te d o n Yu g u a n g Isl a n d i n A n pi n g D i s t r i ct , Ta i n a n . I n t h e pu bl i c eye, i t ' s co n s i der ed a r oman t i c se asi de spot and a p o p u l a r d e sti n a ti o n f o r c o u p l e s' o u t i n gs . I t ' s a l s o fr equ en t ed by a r t i s t s w h o o r ga n i z e a r t fes t i v al s t h e r e .

YANSHUI BEIMEN XUEJIA XIAYING

DARK SIDE

JIALI

But what people don't know is that this piece of land is actually filled with struggles for power and money among the elites, l e g e n d s o f g h o sts a n d m o n ste r s , a n d t h e h a r d w o r k o f fi s h er men . I t ' s a l a n d s h r o u ded i n r u m or s . Al so, be cau se i t 's an islan d o f f th e c o a st o f Ta i n a n , I se e i t a s a n en cl a ve .

QIGU

MADOU XIGANG

ANDING

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NORTH DISTRICT 22° 58' 59.7" N 120° 09' 33.0" E

ANPING

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PROJECT 2

ANNAN

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AGENCY INTRODUCTION POWERS R e g a r d i n g t h e p o w e r a s p e c t , I d i s c o v e r e d Ya g o Ya c h t . T h e y a r e a y a c h t c o m p a n y i n t h e v i c i n i t y, a t t e m p t i n g t o m o n o p o l i z e t h e w a t e r s a r o u n d Yu g u a n g I s l a n d i n Ta i n a n t h r o u g h financi a l i n f l u e n c e a n d p o w e r.

SPIRITS Zooming out to look at the entire base along the Tainan coast, it seems that death incidents are occurring everywhere. The Ghost King of Sicao Bridge, drowning incidents at Sunset Platform , a n d so o n , a l l su g g e st th a t t h i s i s a n o mi n o u s pl a ce.

MUNDANE

PROJECT 2

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The Mundane aspect here represents the oyster farmers and other individuals who contribute to the degradation of the land. They symbolize the most basic human nature, which i s b o th o rd i n a ry a n d p o te n ti a l l y ma l evo l en t .

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DESIGN STRATEGY GENERATING Contin u i n g th e a n a l y si s f r o m PRO JE C T 1 , I a t t empt ed t o ex pl o r e bo t h h o r i z o n t a l a n d ver t i ca l growth m o rp h o l o g i e s, a i m i n g to i d e n t i fy gr o w t h mech a n i s ms s u i t a bl e fo r t h e u r ba n s ca l e o f this pr o j e c t. In a d d i ti o n to th a t, I p rovi ded a l o gi ca l fr a mew o r k fo r t h i s t ype o f gr o w t h a n d referre d to i t a s "G ROW T H & L IM IT S ."

FINAAL VERSION

­

­

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PROJECT 2

/ /

HIERARCHY

As they stacked, diverse relationships emerged, culminating in the diagram on the right – t h e F i n a l Ve r s i o n . T h e g r o w t h d i a g r a m o f t h e F i n a l Ve r s i o n e n c o m p a s s e s i t s u n i q u e hierarchical relationships, with levels from bottom to top representing the lowest to the highest ranks. Through such relationships, we can trace back to the previously discussed Dark Si d e a n d i n c o rp o r a te i t i n to th i s s t r u ct u r e.

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SP I RI T S O F DEAT H

/

OYST ER FARM ER

YAGO YAC HT

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DESIGN STRATEGY

WALL DELINEATION

STUDY PROCESS

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W i t h i n su ch a h i e r ar ch i cal st r u ct u r e , I at t e mpt e d t o appl y di f f e r e n t pr ogr ams t o e n vi si on t h e possi bi l i t i e s of space. In addition to this, I outlined some conditions for growth and limitations, adding logical constraints to t h e Ge n e r at i n g pr oce ss. I t n ot on l y cr e at e d possi bi l i t i e s f or h i e r ar ch i cal r e l at i on sh i ps bu t al so de mon st r at e d adapt abi l i t y t o di f f e r e n t t e r r ai n s. T h e r e f or e , t h i s Fi n al Ve r si on e­ mph asi z e s t h e r e l at i on sh i p be t we e n h i e r ar ch y

an d t e r r ai n .

C o n t ro l by t re e s

Vis io n L e n s

STREAMING THRESHOLDS & TOPOGRAPHY

/ /

THRESHOL D WA L LS

2F PL AN NEW TOPOGRA PHY

1F PL AN

/

/

PROJECT 2

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NEW TOPOGRA PHY

ORIGINAL TOPO G R A PHY

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MODEL FILM ON YOUTUBE ( QR CODE )

https://youtu.be/0pF6wSRogYg

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A bov e i s the vi de o l i nk and QR c ode . I f yo u a r e i n t er es t ed , p l ea s e cl i ck t o v i ew!

With the human-scale drawing exercises, we've progressed to shooting a model film to visualize the relationship between space and people. It can be said that the previous e x e rc ise s s e r ve d as tr ai ni ng for a k i n d o f s t o r yb o a r d , en a b l i n g u s t o ca p t u r e t h e s cen a r i o of Yug u ang I s l and mor e qu i c k l y. I n th i s v i d eo , I p r i m a r i l y d i s cu s s t h e r el a t i o n s h i p s a m o n g S pirits, M u ndane , and Pow e r, de pi c ti n g t h ei r co n f l i ct s a n d o p p o s i t i o n , wh i ch r es u l t i n t h e div ision of Yu gu ang I s l and i nto mu l ti p l e en cl a v es .

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PROJECT 2

動 画のリ ン クを開いていただ けます か 、 よ ろし くお 願 い し ま す !

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SENSATION DRAWING 5.Yuguang Island

9. Ending point

3. Yuguang bridge 1. Starting point 7. Yuguang bridge

4. Yuguang bridge

2. Yuguang bridge 8. Mundane

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Through our analysis and observations, we have developed our own perspective or filter to view the Tainan base. We will journey to the Tainan base for an investigation, immersing o u r s e l v e s a n d e x p l o r i n g a s p e c t s t h a t m a y n o t h a v e b e e n i n i t i a l l y a p p a r e n t . A d d i t i o n a l l y, we have created Sensation Drawings to record our immediate feelings, serving as a foundati o n for fu tu r e de ve l opme nts .

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PROJECT 2

6. Forest

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MAPPING OF YUGUANG ISLAND

MAPPING OF YUGUANG ISLAND ABOUT MAPPING G iv en th e i n si g h ts g a i n e d f r o m th e p r evi o u s S en s a t i o n D r a w i n g, I n o w h a ve a mo r e di r ect ed s t r a t eg y f or mappi n g. Addi t i on al l y, I 've n ot i ce d t h at t he sp at ial distrib ut ion o n Yuguang Island is ve rt ical alo ng Yuguang Bri dge a s i t p r o g re sse s. M o re o v e r, th er e a r e n u mer o u s r u mo r s s u r r o u n di n g t h e o u t s ki r t s o f Yu gu a ng I sl an d. W i t h t h i s i n mi n d, I am r e f e r e n ci n g t h e dr awi n g st yl e of Par t De L a Vi l l e t t e by O M A f or my i l l u st r at i on . Af t e r mappin g o u t Yu g u a n g Isl a n d , I h a v e a l s o begu n t h e pr o ces s o f r edefi n i n g t h e pr o gr a m fo r t h i s ba s e, atte mp t ing t o re writ e it.

OYST ER FARM ER

SP I RI T S O F DEAT H

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PROJECT 2

YAGO YAC HT

33 P OW ERS, M U NDANE & SP I RI T 'S DI ST RI B U T I O N M AP

PROGRAM OF YUGUANG ISLAND

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Miaokou Night Market has always been a unique cultural p h e n o m e n o n i n Ta i w a n . I n s i d e t h e n i g h t m a r k e t , v a r i o u s illegal activities thrive, including high-interest loan shark groups, chaotic street vendors, and young girls involved in the sex trade. It is a place shrouded in darkness and hidden s e c r e t s . I n t e r e s t i n g l y, t h i s s p h e r e o f i n f l u e n c e d o e s n ' t s e e m to expand outward to affect the surrounding areas but instead forms its own enclave. I find the similarities with Yu g u a n g I s l a n d s t r i k i n g – b o t h h a r b o r d a r k a n d u n d i s c l o s e d secrets w i th o u t o u tw a r d l y sp re a d i n g , s er vi n g a s t h e pr o t o t ype for con c e p tu a l i z i n g p o te n ti a l p ro g r a ms w i t h i n Yu gu a n g I s l a n d.

I will use "wealthy rogue," "fishy pool," "dumping of waste oi l," an d "c u lt c h u rc h" a s th e n e w c o n t en t fo r Yu gu a n g I s l a n d.

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PROJECT 2

ABOUT ISSUE & PROGRAM

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TYPOLOGICAL TRANSFORMATION THICK WALL (PLAN) Zoom in g i n to th e p l a n v i e w, e a c h ty pe ca n o r ga n i z e t h e w a l l s , fo r mi n g a s u bs t a n t i a l ba r r i er.

I n s i d e , i t c a n c r e a t e a p l a n t i n g s y s t e m . A d d i t i o n a l l y, t h e b o u n d a r i e s w i l l d e v e l o p d i f f e r e n t appear a n c e s b a se d o n e a c h ty p e .Fu r th er mo r e, t h es e t h i ck w a l l s ca n be u s ed t o en cl o s e t h e illegal activities happening on Yuguang Island, preventing these dark aspects from spreading and for m i n g a tru e e n c l a v e .

T hick wa l l tra n sf o rm a ti o n 1

PROJECT 2

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T hick wa l l tra n sf o rm a ti o n 2

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ENCLAVES FINAL STRATEGY My strategy is to simulate the pattern of Miaokou Night Market and use the types I've created to form a massive wall around Yu g u a n g I s l a n d , e n c l o s i n g a l l enclaves and preventing these dark forces from spreading outwar d .

PROJECT 2

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In the image on the right, the purple part represents the path o f t h e c r e a t e d b l a c k a l l e y, a n d the white area is the enveloping w a l l . A d d i t i o n a l l y, t h e r u l e s f o r wall enveloping also follow the mappin g ; th e y w i l l b e a l te re d w h e n encountering different objects. This becomes the brand-new urban plan I hav e d r a w n f o r Yu g u a n g Isl a n d .

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Z oomi n g ou t , t h e f or m of i n t e r ve n t i on by t h e n i gh t mar ke t vi ol e n t l y se par at e s t h e r e l at i on sh i ps e st abl i sh e d be t we e n t h e t ype s. I n si de t h e n i gh t mar ke t , se cr e t s t h at cou l d pot e n t i al l y l e ak ou t ar e u n f ol di n g.

PROJECT 2

T h r o u g h t h e s e c t i o n a l v i e w, i t ' s a p p a r e n t t h a t t h e o p e n i n g s i n t h e w a l l s b e c o m e g a t e w a y s f o r S p i r i t s , Munda n e, and Powers to tra v e rse . S o m e a re b l o c k e d , w h i l e o t h er s ca n pa s s t h r o u gh s mo o t h l y.

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WHAT'S NEXT FINAL QUESTION

On different enclaves, the thick walls serve as the foundational control valves. They can open, close, and alter the terrain based on different characteristics, forming a new form t o a d a p t t o a l l e n c l a v e s . Fr o m a n u r b a n p e r s p e c t i v e , i t m i g h t b e e s s e n t i a l t o e s t a b l i s h a framework system for all enclaves, encapsulating them to prevent their further expansion

PROJECT 2

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and impact on the external environment. While this approach may be applicable to the urban e n v i ro n m e n t i n Ta i w a n , e x p l o ri n g w h et h er i t ca n be empl o yed u s i n g t h e s a me met h o d in forei g n m a r i ti m e a re a s a n d u rb a n tex t u r es i s w o r t h i n ves t i ga t i n g.

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TRADITIONAL LOVE TEMPLE

TRADITIONAL TAIWANESE CULTURE

03.

GRADUATE FIRST YEAR DESIGN PROJECT, THU M.ARCH1

INFORMATION DATE : 2023/06/23 SI TE : Taichung, Taiw a n PRO G RAM : Traditio n a l Ta i w a n e se L o v e Te m p l e

CONTENT T h e s i t e f o r t h i s d e s i g n p r o j e c t i s n e a r t h e G r e e n w a y R a i l w a y, i n Ta i c h u n g , Ta i w a n , i t ' s s u c h a s t h e R o m a n t i c M a r k e t h e l d i n Oct ober 2022, which a ttra c te d v a r i o u s a g e g r o u p s . A ddi t i o n a l l y, in t he latter half of 2022, th e Ta i c h u n g C i ty G o v e r n men t h o s t ed up to 11 social ev en ts. T h e r e f o r e , I h o p e to u se th es e co n di t i o n s to make "young people" and "love" elements of the starting point for this design .

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CAT EG O RY : Indiv is u a l Wo rk , C o m m e r c i a l Pr o j e c t

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PLAN & SECTION

1

3

15

16 10

2

7

4

6

14

5

8

11

9

12

13

17 19

S : 1/200

2F PLAN

S : 1/200

3F PLAN

S : 1/200

PROJECT 3

1F PLAN

1/ M a i n E n tr a n c e Ar e a 2/ Be v e ra g e S h o p (Tea ) 3 / Pr epa r a t i o n A r ea 4 / M a i n E x i t 46

10/ E x h i b i ti o n Ar e a 1

11/ E x h i b i t i o n A r ea 2

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5 / S ea t i n g Ar e a 6/Re ce pt i on C ou n t e r 7 /Pu bl i c Re st r oom 8/St or age Room 9/St af f O f f i ce

1 2 / S cen i c Ter r a ce 1 3 / L o ve Templ e 1 4 / Fo r t u n e Tel l i n g Room 1 5/Di sabl e d Ramp 1 6/For t u n e St i ck Room 1 7 /Re ce pt i on De sk 1 8/L obby 1 9/Dou bl e Su i t e s

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ISOMATIC & PESPECTIVE

S acrif icial S p ace

East V ie w

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PROJECT 3

Isom atic Dr aw i ng

SPACE OPERATIONS The entrance of the spatial elevation aims to create a solemn

entrance i m a g e th ro u g h a to w e ri n g d oo r fr a me. Upo n w a l ki n g in, visitors will need to ascend a long flight of stairs to reach the ceremonial space, symbolizing the enduring and arduous journey o f l o v e . Af te r p a y i n g re sp e c ts i n t h e cer emo n i a l s pa ce, v isitors c a n p ro c e e d to e x p l o re v a r i o u s ex h i bi t i o n a r ea s .

49 In t e rio r

Fro n t V ie w

PLAN & SECTION DRAWING SPACE OPERATIONS Tr a d i t i o n a l t e m p l e s p a c e s t y p i c a l l y c o n s i s t o f d i s t i n c t a r e a s s u c h a s the front hall, main hall, and rear hall, connected by side rooms, with intersperse d o p e n sp a c e s f o r i n c e n se b u r n i n g a n d w o r s h i p. I n t h i s des i gn approach, I aim to preserve some of the traditional spatial hierarchy of temple ar c h i te c tu re w h i l e d e p a rti n g f ro m co n ven t i o n a l w o r s h i p pr a ct i ces to create a sp a c e th a t a l i g n s w i th m o d e r n h a bi t s a n d pr efer en ces .

V IR T U AL

REAL

V I R TUA L

REAL

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R E AL

PROJECT 3

SPACE:

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MODLE MAKING

2

PROJECT 3

1

4

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3

SPACE OPERATIONS 52

1 . Model se l f - p o r tr a i t 2. Right-s i d e p e r sp e c ti v e v i e w o f th e m odel 3. Left-sid e p e r sp e c ti v e v i e w o f th e m o d el 4. Top v ie w o f th e m o d e l

The enclosed volumes are designed to introduce natural light into the space through the use of st r at e gi c ope n i n gs. I n addi t i on t o t h i s appr oach , r oof wi n dows ar e i n cor por at e d t o e n su r e ampl e n at u r al daylighting. Different sloped volumes mimic the organic appearance of stones, and vine plants are i n t e gr at e d t o r e spon d t o t h e n at u r al su r r ou n di n gs, gi vi n g t h e i mpr e ssi on of gr owt h al on g t h e wal l s.

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SU-PIDER HOUSE RENOVATION PROJECT AMUSEMENT PARK VISITOR CENTER

04.

GRADUATE FIRST YEAR DESIGN PROJECT, THU M.ARCH1

INFORMATION DATE : 2023/06/16 SI TE : Nantou, Taiw a n PRO G RAM : Amusem e n t p a r k v i si to r c e n te r

CONTENT This project involves researching international residential a rchitectural case s tu d i e s, a n a l y z i n g th e i r sp a ti a l s t r u ct u r es a n d key architectural elements. Based on this analysis, you plan to undertake renovations and additions, redefining the program a nd assigning it a n e w si te . I' v e c h o se n th e " S u - pid er H o us e" by UID Archi tects as t h e b a si s f o r m y d e si g n o p e ra ti on s .

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CAT EG O RY : Indiv is u a l Wo rk , Re n o v a ti o n Pr o j e c t

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CASE STUDY

/ UID ARCHITECTS SU-PIDER HOUSE /

Architects : Keisuke Maeda

Area : 70 m²

Year : 2021

Site : FUKUYAMA, JAPAN

INTRODUCE S u - p i d e r, i s a s t r i k i n g a n d u n i q u e l y c o m p o s e d f a m i l y r e s i d e n c e i n Fu k u y a m a . I t i s m a i n l y ch ar act e r i z e d by i t s cove r e d spi de r we b- sh ape d st r u ct u r e /r oof t h at e xt e n ds down f r om t h e t op section of the supporting columns, creating a centripetal single-living space. This skeleton be come s t h e mai n l ayou t , pr ovi di n g a l ar ge ope n pl an f or t h e r e si de n t s.

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The interior functional spaces are furthermore separated into sleeping and work pods of a sort, additionally delineating functional spaces between them in the larger open living space. The wh ol e be come s a f l e xi bl e u se space , wh e r e f ami l y me mbe r s may f r e e l y e n gage i n t h e i r f avor i t e act i vi t i e s i n an ope n space /h al l ways.

F i n a l l y, t h e u n i f i e d m a t e r i a l i t y w i t h t h e p r e d o m i n a n t u s e o f w o o d e n h a n c e s t h e f e e l o f a si n gl e cocoon i n g space . I t adds t o t h e war mt h an d f ami l i ar i t y al on g wi t h t h e sof t n at u r al l i gh t e man at i n g f r om t h e st e e l cl adde d, r oof skyl i gh t an d ope n passage s t o t h e e xt e r i or.

INTERN PROFOLIO

PROJECT 4

PHOTO BY UID ARCHITECTS

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MODEL & ANALYZE ROOF STRUCTURE ANALYSIS

PLAN ANALYSIS The massing strategy incorporates a 45-degree rotation to maximize outdoor space, while the inward recess of the boxes also enlarges the pu bl i c i n door ar e a.

EXTERIOR

INTERIOR HORIZONTAL

DAIGONAL BRACING STRUCTURE

VOID SPACE

PROJECT 4

INTERN PROFOLIO

VERTICAL

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59 SIDE VI E W

INTERIOR V IEW

ANALYZE & DIAGRAM

SLEEPING AREA

HOMOGENEOUS

RESTROOM BOX

RECESSION

PUBLIC SPACE

T h e bat h r oom box i s posi t i on e d al on g t h e r oadsi de du e t o i t s f u n ct i on al si gn i f i can ce an d e xt e n si ve u t i l i t i e s.

Meanwhile, the two residential boxes on the southwest side, which offer scenic views, are recessed on bot h si de s t o e xpan d t h e f i e l d of vi si on ou t war d an d cr e at e addi t i on al space f or t h e l i vi n g r oom. L ow wal l s su r r ou n di n g t h e m obst r u ct t h e vi e w f r om n e i gh bor i n g h ou se s, t h u s cr e at i n g se cl u de d cor n e r s f or wor k ar e as.

TOP AREA

INTERN PROFOLIO

PHOTO BY UID ARCHITECTS

PROJECT 4

A ft er pl a ci n g t h e bo x es , w a l kw a ys a r e l eft a r o u n d t h e m t o e n h a n c e f l u i d i t y o f s p a c e . A d d i t i o n a l l y, w o r k a r ea s a r e s i t u a t ed i n t h e co r n er s , pr o vi di n g pr i va cy t h r o u gh pa r t i t i o n w a l l s .

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61 PUBLIC SPACE

RENOVATION DESIGN _ VISITOR CENTER SITE The area surrounding the Sun Moon Lake Ropeway's Nine Indigenous People's Culture V illage Sta ti o n i s o n l y o c c u p i e d b y th e s t a t i o n i t s el f a n d t h e Obs er va t i o n To w er. B es i des t h es e structures, there are no other resting points available for visitors. Hence, this location was chosen as th e b a se .

INTERN PROFOLIO

In response to spatial functionality requirements, five boxes were incorporated t o meet t h e n eeds .

IJ

PROJECT 4

Ĵ

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ROOF DESIGN B y l o w e r i n g t h e o v e r a l l h e i g h t o f t h e r o o f, it enhances the visibility within the space, p r o v i d i n g a b e t t e r v i e w. A d d i t i o n a l l y, t h e roof structure can serve as a platform for hanging art installations and other deco r a t i ve el emen t s .

ij

IJIJ

Ķ

IJı

ĵ

ķ

IJij

Ĺ ĸ

IJĴ

63 IJ Ň ġő ō łŏġ

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神田神保町 URBAN ROAMING TAIWANESE CULTURE IN JAPAN

05.

GRADUATE SECOND YEAR DESIGN PROJECT, THU M.ARCH1

INFORMATION DATE : 2024/05/17 SI TE : 神田神保町 , JAPAN PRO G RAM : Multipl e D w e l l i n g & N i g h t m a r k e t

CONTENT The location of this b a se i s i n Ji n b o c h o , Ka n d a , w h er e t h e m a i n f o c u s i s t o i n t r o d u c e Ta i w a n ' s u n i q u e f o o d a n d l i f e s t y l e c u l t u r e t o J a p a n . T h e r e f o r e , I i n c o r p o r a t e d Ta i w a n ' s d i s t i n c t i v e scooter culture into Japan's electric skateboard Luup and i n t e g r a t e d Ta i w a n ' s u n i q u e n i g h t m a r k e t c u l t u r e i n t o t h e architecture. In addition to this, the building also serves as a re sidential complex f o r p e o p l e to l i v e i n .

INTERN PROFOLIO

CAT EG O RY : Indiv is u a l Wo rk , N e w Pro j e c t

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MAPPING

PROJECT 5

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3 Chome-10-6 Kanda Ogawamachi, Chiyoda City, Tokyo 101-0052 日本

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67

ANALYSIS_NIGHT MARKET INTRODUCE The night market, as a place filled with joyful m em ories f o r e v e ry Ta i w a n e se , i s c h a r a c t er i z ed by its chaotic yet captivating atmosphere from head to toe. Through this observation, the space typology of Keelung Miaokou Night Market is d e c o n str u c te d a n d u ti l i z e d .

SK Y

+

1 U NI T P L AN

=

1 M O DU L E P L AN

Through observation, it was found that food carts are modular components. A si n gl e u n i t can be mi r r or e d and joined to the other side of the unit, forming an e n t i r e st r e e t pr of i l e an d creating the interface of t h e n i gh t mar ke t .

ST REET H O U S E

NIG HT MA R KE T

UNIT & MODULE

NI GHT M ARKET ST REET P L AN

COV ERED WAL KWAYS

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The night market is enveloped by buildings on both sides of the street, with the market nestled in b e tw e e n , a n d th e re a re a l so va r i o u s shops within the covered walkways. Such a spatial typ o l o g y i s c o m m o n i n b o th Ta i wa n a n d J a p a n . H o w e v e r, c o m p a r e d t o J a p a n , Ta i w a n ' s "covered walkways" are an indispensable spatial feature due to the frequent rain throughou t th e y e a r.

INTERN PROFOLIO

PROJECT 5

VERTICAL SPACE

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ANALYSIS_CYCLING TOOLS CYCLING & LIVING SPACE M o t o r c y c l e s , b i c y c l e s , a n d s c o o t e r s a r e t h e p r i m a r y m o d e s o f t r a n s p o r t a t i o n f o r m a n y p e o p l e i n Ta i w a n , wi t h t h e e me r ge n ce of mot or cycl e apar t me n t s be comi n g i n cr e asi n gl y common . T h r ou gh t h e i n cl i n e d C O RE, r e si de n t s can acce ss t h e l i vi n g space s on di f f e r e n t f l oor s. T h e r e f or e , t h i s de si gn wi l l at t e mpt t o i n cor por at e su ch spat i al f or ms an d combi n e t h e m wi t h J apan 's e l e ct r i c skat e boar d LU U P, al l owi n g pe opl e t o e xp lore the sp ace b y riding.

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El e t r i c W h e e l ch ai r

B i ke

LUUP

IMAGINATION I n t h e n e ar f u t u r e , e l e ct r i c ve h i cl e s wi l l be come wi de spr e ad wor l dwi de , u sh e r i n g i n a ze r o- car bon e mi ssi on future. Transportation will become inseparable from daily life, even integrating with spatial design. Therefore, t h r ou gh t h i s con ce pt , I h ope t o cr e at e space s t h at combi n e t r an spor t at i on wi t h pe opl e 's i magi n at i on s of n e w space s, t h u s cr e at i n g e n t i r e l y n e w ways of space u t i l i zat i on .

INTERN PROFOLIO

PROJECT 5

Se gway

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GSPublisherVersion�0.0.100.100

PLAN & SECTION DRAWING

A

+120

下

REF.

+90

9 8 7

6

下

5

REF.

4 3 2

+6 0

(3)

1

上

9 8 7

6 5 4

(4)

3 2 1 上

UP

B

8 7 6 5 4 3 2 1

+3 0

DOWN DOWN

B’

UP

+150

8 7 6 5 4 3 2 1

(2)

(11)

+120

REF.

(5)

(6) (7) +90

UP

(12)

DOWN REF.

(9) UP

8 7 6 5 4 3 2 1

+60 +180

+0

+150

+90 +30

PROJECT 5

+60

INTERN PROFOLIO

+120

A’ +30

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73

1/ P ar king entr ance 13/ Resting point

2/ Core

3 / B o o k s to r e

1 4 / P a r k in g s p a c e

23/ P ublic playgr ou n d

4 / C o ff e e s h o p

1 5 / R e p a r in g r o o m

2 4 / M u ltif u n c tio n a l offic e

5 / Se rv i c e c e n t e r

6 / R e s t a u ra n t

1 6 / Th e a t re ra m p s t a rt i n g p o i n t

2 5 / C o un t e r

2 6 / O ffi c e l o b b y

7 / R e n t s e rv i c e

1 7 / M a n a g e m e n t ro o m

2 7 / Pro d u c t l a u n c h t h e a t re

8/ R e s t ro o m 1 8 / G ym

9 / C h a rg i n g st a t i on 1 9 / Si n g l e ro o m

2 8 / G ree n t ra n s p o rt re n t s e rv i c e

10/ P ubl i c r e st r oom

20/ D oubl e r oom

11/ S e l e c t i on st or e

21/ F a m i l y r oom

29/ N i ght m a r ke t f l or

12/ S t a r t i ng poi nt

22/ C om m on spa c e

30/ S t r e e t ve ndor

31/ G a r ba ge c ol l e c t i on a r e a

GF MARKE T PLAN

PLAN & SECTION DRAWING A

A +300 +300 (12)

+270

+270

+240

+240 (10) +210

+210 (2 ) +240

+240

+180

+180 +150

+150

+210

+210

+120

(11)

+0

+9 0

+90

+0 +6 0

+60

B’ +3 0

(13)

+180 -200

+180

(12)

B

-200

+3 0 B ’

B +150

+150

+120

+120

+9 0

+90

+6 0

+60

+3 0

PROJECT 5

+30

A’

INTERN PROFOLIO

+120

A’

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75

1F MARKE T PLAN

2F MARKE T PLAN

PLAN & SECTION DRAWING

VERTICAL PROGRAM

A

T h e at r e

(4)

Ni gh t M ar ke t

(16) (18)

B’

B (4)

Gr e e n t r an spor t

(17) (15)

(14)

3 F PU B L IC P LAN

(2)

(20)

PROJECT 5

L i vi n g

INTERN PROFOLIO

(3)

(19)

M ar ke t

76 1 / Par k i n g entrance 7 / R en t service

2/ Core

8/ Res troom

3/ Book store

4/ Coffe e shop

9/ Charging sta tion

1 3 / R est i n g point

14/ Parking s pac e

1 9 / Sin g le room

20/ D ouble room

15/ Reparing room

2 6 / Off i ce lobby

27/ Product launch thea tre

21/ Fam ily room

5/ Se rvic e ce nter

10/ Public re stroom

16/ The a tre ra m p starting point

22/ Com m on spac e

A’

12/ Starting point 17/ Management room

23/ Public playground

28/ Gree n transport re nt se rvic e

B ookst or e

6/ Restaurant

11/ Selection store

18/ Gym

24/ Multifunctional office

29/ Night market flor

30/ Street vendor

25/ Counter

31/ Garbage collection area

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PLAN & SECTION DRAWING

A

A

( 4)

(18)

( 18)

B’

B

B’

B

( 22)

( 2)

(23)

( 20)

PROJECT 5

INTERN PROFOLIO

(20)

(24)

( 21)

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79

4F LIV IN G PLA N

5F LI VI NG PLAN A’

A’

PLAN & SECTION DRAWING

A

A

(15)

(27)

(27)

B’

B

(23)

B’

(17)

B

INTERN PROFOLIO

PROJECT 5

(2)

(22) (26)

(24)

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81

6F L IVING P L AN

S :1/15 0 c m

7F P U B LI C P LA N A’

S :1/150 cm A’

(26)

(24)

6F L I V I N G PL A N

S:1 / 1 5 0 c m

7F PUB L IC PL AN

S: 1/ 150 cm

A’

A’

PLAN & SECTION DRAWING FLIPPED NIGHT MARKET

A I n Tai wan , n i gh t mar ke t space s t ypi cal l y occu py t h e gr ou n d l e ve l of ci t i e s, bu st l i n g wi t h cr owds as f ar as t h e e ye can se e . I ai m t o inve rt the sp at ial e xp e rie nce of t h e n i gh t mar ke t by i n t e gr at i n g i t i n t o t h e t op f l oor of t h i s de si gn . T h i s al l ows pe opl e t o e n j oy t h e Tokyo n i gh t skyl i n e wh i l e i n du l gi n g i n Tai wan e se cu i si n e .

A

(29)

(25)

(27)

(29)

B’

B

B’

B

PROJECT 5

INTERN PROFOLIO

(2)

82

83

(8)

8F N I G H T M A RK E T PL A N

S:1/150 cm

9F NIGHT MAR KE T PL AN A’

S: 1/ 150 cm A’

PROJECT 5

INTERN PROFOLIO

PLAN & SECTION DRAWING

84

AA' SECTION

A A’ SECTI O N

S :1/1 50 cm

85

PROJECT 5

INTERN PROFOLIO

PLAN & SECTION DRAWING

86

BB' SSECTION BB’ ECTI O N S:1 /15 0 c m

87

MODLE MAKING

2

PROJECT 5

1

INTERN PROFOLIO

3

SPACE OPERATIONS 88 1 . Front el e v a ti o n o f ra m p 2. Front el e v a ti o n 3. West el e v a ti o n

A f t e r c o n d u c t i n g p r i o r r e s e a r c h o n Ta i w a n ' s n i g h t m a r k e t v e n d o r s , i t w a s d i s c o v e r e d t h a t t h e r e e x i s t s a composition between units and modules. Therefore, this element was magnified into architectural p r a c t i c e , c o m p o s i n g s p a c e t h r o u g h m o d u l a r i z a t i o n a n d t h e r e l a t i o n s h i p w i t h c o m m o n s p a c e . M o r e o v e r, t h e move me n t of di f f e r e n t mode s of t r an spor t at i on wi t h i n t h e bu i l di n g i n f l u e n ce s t h e flow rate o f sp ace, of f e r i n g possi bi l i t i e s f or var yi n g scal e s an d t h e f or mat i on of i n door st r e e t s.

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CHEN CHUN TAN G