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NO TIME FOR DRAMA: THE MICRODRAMA REVOLUTION REPORTS
Streaming keeps evolving, and the latest disruption comes from a format that fits perfectly into today’s mobile-first lifestyle: the microdrama. These are ultra-short episodes, typically between 1 and 5 minutes long, produced in vertical format and designed for smartphones. With stories built around constant cliffhangers, and genres ranging from romance to revenge and fantasy, microdramas deliver fast-paced narratives that keep audiences hooked.
The evolution of microdramas reflects more than just a stylistic shift - it mirrors broader behavioral changes in streaming. According to Fabric Data, smartphone drama preference shows distinct regional variations.
In UCAN, drama preference among smartphone viewers accounts for 53% of streaming, with the 25–34 demographic emerging with the highest preference. In APAC, where microdramas originated, dramas represent 47% of preference among mobile audiences, and unexpectedly, the most significant uptake comes from audiences over 55. Latam records 47% preference, where younger audiences between 16-24 lead the trend. Meanwhile, in EMEA, dramas capture 45%, with the 25–34 segment once again at the forefront.
These data points confirm that microdramas are not confined to a single market or age group. Instead, they highlight how mobile-first habits are reshaping viewing preferences across generations and continents.
In the following report, data analysis company Fabric outlines how microdramas are quickly becoming one of the most disruptive trends in global streaming.
Mainstream streaming platforms have started integrating microdramas into their ecosystems to diversify their catalogs and capture new audiences. The strategy often begins on social media, where short teasers on TikTok or Instagram drive interest, before funneling users into apps for the full series.
While established services are adapting, dedicated platforms built exclusively for microdramas are leading the charge. Reel Short, for instance, already features +450 series in Mexico and +440 in Brazil. DramaBox and GoodShort have both surpassed one million downloads, while other challengers such as ShortMax, FlickReels, and RapidTV are building strong catalogs.
In Latin America, VYCO has emerged as a significant player. Beyond distribution, it invests in original productions with regional talent, tapping into local audiences and creating content that resonates with cultural nuances.
The question now is whether microdramas represent a short-lived experiment or a new frontier in streaming. While it may be too early to declare them the definitive future of entertainment, they also might be more than a temporary fad. With data showing global adoption, addictive narrative design, and monetization models tailored to modern viewership habits, microdramas are an interesting step in digital storytelling.
For streaming services and content producers, the opportunity lies in embracing the format strategically, leveraging its immediacy and appeal to audiences who no longer have time for traditional drama.
MÜGE AKAR,
HEAD OF SALES AT ATV DISTRIBUTION
Four new titles, a combination of new narratives, local adaptations and anticipated sequels, showcase ATV Distribution’s ability to engage all Turkish drama fans around the world.
By Luis Cabrera lcabrera@todotv.tv @luis_cabreram
DIVERSE CONTENT FOR ALL AUDIENCES
After a fantastic run with their flagship title from the previous season, ‘The Nightfall’, ATV Distribution is arriving in Cannes with a refreshed catalogue, thanks to the influx of four new titles, which showcase the depth and broadness of its lineup.
From the local adaptation of the Korean series ‘Queen of Tears’, to the new installment of the popular ‘The Ottoman’ franchise, alongside two other new dramas -’Waves of Love’ and ‘Stranger in the Mirror’-, ATV has something for everyone, with proven results, both past and present, of Turkish content that keeps audiences glued to the screen.
While the sea captain love story of ‘Waves of Love’ -starring Halit Özgür Sarı and Özge Yağız- has been gathering very strong ratings on the highly competitive Tuesday nights prime time, ‘The Ottoman: Orhan’ is about to premiere this month, with high expectations for such a popular saga.
In a similar way, the intriguing story of ‘Stranger in the Mirror’ hasn’t premiered yet at the time of this article, but the Turkish adaptation of ‘Queen of Tears’ was already re -
WAVES OF LOVE
“Since its launch, ‘Waves of Love’ has received successful prime-time ratings in Turkey at the total audience category”
ceiving favorable reviews for the strength of its cast, led by Hande Erçel and Barış Arduç.
‘The Nightfall’ has already accomplished so much locally and internationally. What does this mean for the title? ‘The Nightfall’ (‘Bir Gece Masalı’) proves the growing strength of Turkish drama on the global stage. With strong results at home and sales to Spain, Romania, Bosnia, Hungary, Panama, and most recently Italy, the series shows how a local success can become an international hit. A key part of this achievement comes from the powerful on-screen chemistry between Burak Deniz and Su Burcu Yazgı Coşkun, whose performances help the story connect with audiences worldwide.
What details can you share about your newest titles: ‘Waves of Love’, ‘Queen of Tears’, ‘Stranger in the Mirror’ and ‘The Ottoman: Orhan’? ‘Waves of Love’, as its name suggests, captures the highs and lows of a deeply emotional journey. Since its launch, it has received successful prime-time ratings in Turkey at the total audience category.
‘Queen of Tears’ is the Turkish adaptation of the Netflix Korean drama [of the same
name]. It brings a classic story of love and resilience to new audiences. Headlined by Hande Erçel and Barış Arduç, two of Turkey’s most celebrated talents, the series combines star power with a timeless narrative arc.
‘Stranger in the Mirror’ begins with the theme of plastic surgery, and the story evolves into a gripping tale of a mother’s determination to reunite with her daughter. The series speaks to contemporary realities while delivering universal emotional impact.
‘The Ottoman: Orhan’ is a continuation of ‘The Ottoman’. This new chapter focuses on Orhan, the son of Osman, navigating the immense challenges of leadership during the empire’s founding era. Rich in history and drama, it expands the global appeal of Turkish period storytelling.
Are you doing something special for these titles during Mipcom? At Mipcom, ATV Distribution will host a dedicated launch event to showcase its newest season of premium dramas. This exclusive dinner event will provide international buyers with a first look at the upcoming slate, reinforcing ATV’s role as a powerhouse of Turkish storytelling with strong export potential.
QUEEN OF TEARS
“Headlined by Hande Erçel and Barış Arduç, two of Turkey’s most celebrated talents, ‘Queen of Tears’ combines star power with a timeless narrative arc”
How do you evaluate the different regions’ demands at this moment in relation to ATV’s catalogue? Global demand for Turkish drama remains robust, but varies by region. In Europe, the appetite for contemporary family dramas and romantic titles is particularly strong, while in Latin America, audiences continue to embrace stories with intense emotional arcs and relatable conflicts. Meanwhile, in Asia, there is growing
STRANGER IN THE MIRROR
“Beginning with the theme of plastic surgery, ‘Stranger in the Mirror’ evolves into a gripping tale of a mother’s determination to reunite with her daughter”
interest in historical dramas and premium adaptations. ATV’s catalogue strategy is shaped by these regional insights, ensuring that content aligns closely with diverse audience expectations.
Are you putting particular focus in growing any singular region during this new season? While ATV maintains a balanced global approach, there is heightened strate -
gic focus on strengthening market presence in Western Europe and Latin America, where Turkish series have already proven their cultural impact and commercial viability. At the same time, new opportunities are emerging in Asia, where demand for Turkish content is steadily rising. By tailoring distribution strategies to these regions, ATV aims to deepen engagement and further expand the international footprint of its flagship titles.
HIDDEN DESTINY SETS FOOT IN EUROPE
Just before wrapping up its first season (with a second season already confirmed),
‘Hidden Destiny’ (‘Can Borcu’) was picked up in Croatia, Albania, and Romania—marking its first step into the European market.
Airing Saturday nights on ATV, ‘Hidden Destiny’ offers a modern take on family dynamics and emotional reckoning. The series centers on
THE OTTOMAN: ORHAN
“A continuation of ‘The Ottoman’, this new chapter focuses on Orhan, the son of Osman, navigating the immense challenges of leadership during the empire’s founding era”
two families whose lives become unexpectedly intertwined after a single tragic incident. As secrets unfold and past wounds resurface, the characters are forced to confront their sense of duty, guilt, and identity. “We are pleased to see interest from Europe in Hidden Destiny,” said Akar. “Its story moves across borders easily, with themes that resonate
beyond language or geography. We are excited to introduce it to more viewers across Europe.” With these initial sales, ‘Hidden Destiny’ begins its international journey; one that ATV Distribution will continue to grow through strategic partnerships and a focus on globally relevant content.
Caracol TV
LATIN DNA WITH A GLOBAL REACH
By Rosa Fuentes rfuentes@todotv.tv
Caracol TV is arriving in Cannes with three big bets for the international market: ‘Escupiré sobre sus tumbas’, ‘La Venganza de Analía 2’, and ‘María la Caprichosa’; all proven hits with universal appeal.
Caracol TV is making its way to Mipcom 2025 with a clear strategy: to reaffirm its role as a strategic global partner and prove that stories born in Colombia can win over the world. With a portfolio that blends premium series, sequels to iconic franchises, and experiments in new digital formats, the company is heading to Cannes looking to strengthen alliances and open doors for co-productions that cross borders.
“We’re here on a mission to push our content further into key territories, strengthen ties with partners who share our vision, and carve out space for co-developments,” Li-
sette Osorio, VP of International Business at Caracol Televisión, said to ttv.
PROVEN HITS AND FRESH STORIES.
Among the titles being showcased is ‘Escupiré sobre sus tumbas’, a series that became a global trend after its Netflix debut, showing Caracol’s ability to spark international conversation.
Also on the slate is ‘La Venganza de Analía 2’, which dominated Colombian prime time during its run and is now coming to Mipcom backed by strong ratings and a storyline that remains highly relevant.
In addition, the standout new release is ‘María la Caprichosa’, a drama inspired by the life of a labor rights activist for domestic workers. With this launch, Caracol aims to combine entertainment with social relevance, an increasingly valuable formula in today’s global market.
“These three projects show we’ve got the range: stories with global punch, follow-ups to proven hits, and fresh titles that connect with the conversations happening right now,” Osorio explained.
THE
RETURN OF A GLOBAL BRAND.
Caracol is also leaning into its powerhouse franchises, such as ‘The Queen of Flow’, already an international phenomenon with
Lisette
Osorio,
VP of International Business at Caracol Televisión
“The vertical format is a door wide open to the folks glued to their phones all day. We want these quick, fresh, addictive stories to become the new go-to; Latin DNA with a global spin”
sold-out live concerts in Spain, is gearing up for its third season.
According to Osorio, the goal is twofold: bringing in new audiences with a storyline built to stand on its own, while keeping the bond alive with fans who’ve been following since the beginning.
“‘The Queen of Flow 3’ isn’t just another season, it’s a global brand with a living fandom, which means we can roll it out worldwide with confidence,” she said. The challenge is to break into markets where the franchise hasn’t yet landed, without losing the spark that made it a cultural hit.
With a portfolio that blends diversity, innovation, and international vision, Caracol TV is presenting itself in Cannes as a key player in global content distribution. For Osorio, the message is simple: “When a story is told right and produced right, something born in Colombia can move people anywhere in the world. Our promise is to keep bringing these stories to new audiences and build partnerships that help us grow together.”
INNOVATION IN VERTICAL
FORMAT.
One of the buzziest announcements is Caracol TV’s leap into vertical micro-telenovelas through its partnership with ReelShort. This new format, built for mobile and short bursts of viewing, is designed to win over younger audiences.
“The vertical format is a door wide open to the folks glued to their phones all day. We want these quick, fresh, addictive stories to become the new go-to; Latin DNA with a global spin,” Osorio said. Caracol is coming to Mipcom aiming to kickstart conversations with international partners to take this format beyond Latin America.
Escupiré sobre sus tumbas Series
POWERFUL NEW STORIES
By Luis Cabrera lcabrera@todotv.tv @luis_cabreram
Following the road paved by ‘Alaca’, MediaHub is now finding success with its newest Turkish drama, ‘Bitter Justice’, co-produced by a company subsidiary, Globalsphere Studios.
Produced by Nöbetçi Yapım, Shemaroo Entertainment and Globalsphere Studios, the joint venture co-led by MediaHub’s Kerim Turna, ‘Bitter Justice’ (‘Aşka Mahkum’) premiered in August on Bi Kanal, the newest national channel in the Turkish TV ecosystem.
Described as a “bold tale of power, revenge, and redemption”, ’Bitter Justice’ begins with a tragic construction accident that leaves a powerful businessman Noyan Demir’s wife gravely injured, and their unborn child lost. Blaming the safety officer Memduh, Noyan demands that Memduh’s daughter, Dünya, pays the price. Forced into servitude in Noyan’s home, Dünya quietly fights for justice, uncovering her inner strength, and an unexpected ally. The series explores the cost of corruption and the quiet rise of a young woman reclaiming her life.
The series stars Shadi Tabarse as Dünya, Metehan Cemil Varol as Sinan and Ümit Olcay as Noyan Erim, and leads MediaHub catalogue for Mipcom, but is far from being the only new title that the company is bringing to Cannes.
“Serving the needs of true Turkish drama lovers remains one of our top priorities, and we are proud to continue expanding our catalogue with powerful stories,” says Elif Turna, Sales Manager, Americas & Europe at MediaHub. “We are looking forward to also
introducing ‘Kalbim Sende’ (‘Close to You’), ‘Tut Elimi’ (‘Take My Hand’), ‘Yalnız Kalpler’ (‘Lonely Hearts’), ‘Aşk Yarası’ (‘Roses’).”
Elif
Turna, Sales Manager, Americas & Europe at MediaHub
“What
makes ‘Bitter Justice’ especially compelling is the emotional core built around the romance between Dünya and Sinan”
‘Bitter Justice’ has aired its first episodes. The series has been very well-received. What details can you share about the title’s performance? What are its strongest aspects? ‘Bitter Justice’ is currently airing weekly on Wednesdays in prime time. From the very beginning, the series has generat-
Bitter Justice Drama
ed remarkable buzz and strong viewership. Audiences have truly cherished the story; its mix of high emotional stakes, suspenseful twists, and layered characters has resonated deeply.
What makes the series especially compelling is the emotional core built around the romance between Dünya and Sinan. Their undeniable chemistry has captivated viewers from the very first scenes, bringing tenderness and hope to a narrative otherwise driven by power, injustice, and survival. This delicate balance between raw tension and heartfelt romance has emerged as one of the show’s strongest aspects, drawing audiences even closer to the characters week after week.
What is the latest news regarding ‘Alaca’ after its success in Ecuador? The success of ‘Alaca’ in Ecuador was an important milestone for us in Latin America. ‘Alaca’ consistently leading its prime time slot has highlighted how strongly the story resonates with Latin American audiences and showcased its wider potential in the region. Building on that momentum, we have since closed additional deals across Latin America as well as in other international territories, most recent one being a major channel in Romania. In many of these markets, the series has already begun airing, and the au-
dience response has been overwhelmingly positive, confirming the universal appeal of the drama.
What other dramas would you like to highlight among the ones you are taking to Cannes? In addition to ‘Bitter Justice’, we are excited to be announcing several new Turkish drama titles at Mipcom 2025. Serving the needs of true Turkish drama lovers remains one of our top priorities, and we are proud to continue expanding our catalogue with powerful stories. We are looking forward to introducing ‘Kalbim Sende’ (‘Close to You’), ‘Tut Elimi’ (‘Take My Hand’), ‘Yalnız Kalpler’ (‘Lonely Hearts’), ‘Aşk Yarası’ (‘Roses’).
At the same time, we are also broadening our slate with top-quality European dramas, offering a diverse range of stories that appeal to wider audiences and different tastes. Most recently we onboarded two premium series from Dutch Core; ‘Childhood Dream’ and ‘Laura H’. We are delighted to dip our toes in short form European drama with such high quality content, through such an invaluable partnership.
Mediahub has added relevant documentaries to its catalogue, like this year’s deal with Julián and Joaquín Azulay. What potential do you identify in these titles in the current market? Through breathtaking
Alaca Drama
“We
are delighted to dip our toes in short form European drama with high quality content through an invaluable partnership with Dutch Core”
scenery and powerful storytelling, Julián and Joaquín Azulay deliver a message that transcends borders, connecting with audiences not only as environmental advocates but also as explorers, athletes, and storytellers. Their work highlights remote communities, conservation efforts, and the human relationship with nature in ways that feel intimate and universal. This combination makes the ‘Gauchos del Mar’ collection far more than niche content: it is general, global content with the power to engage broad audiences and spark meaningful dialogue across cultures.
Talking about docs, the series ‘Stop! Border Control’ has been quite successful. What are the latest news you can share regarding this franchise? There continues to be strong demand for the ‘Stop! Border Control’ franchise, not only for its completed seasons, but also for new productions. This year, Omava has produced a brand-new season, ‘Stop! Border Control Chile’, which will soon premiere for Chilean audiences. The expansion of the franchise into new territories demonstrates its enduring popularity and adaptability, as well as the audience’s appetite for real-life, high-tension storytelling.
What else can we expect from Globalsphere? Globalsphere Studios has always been committed to following industry trends while at the same time staying true to the core elements that work best for global audiences. This balance allows it to consistently deliver content with strong international appeal.
Our expanded team is actively engaged in developing and scouting new projects, ensuring identifying stories with worldwide potential. With several exciting productions in the pipeline, Globalsphere continues strengthening its position as a creative and forward-looking production company with a clear focus on global reach.
“This year, Omava has produced a brand-new season, ‘Stop! Border Control Chile’, which will soon premiere for Chilean audiences”
OGM Universe
THE UNIVERSAL APPEAL OF TURKISH DRAMAS
By Luis Cabrera lcabrera@todotv.tv
@luis_cabreram
Some of the biggest hits of the last TV season in Turkey, like ‘The Fall of the King’ and ‘Six of Us’ -both back with new installments-, alongside fresh content like ‘Reborn’, spearhead OGM Universe’s deep and rich catalogue.
The new season of Turkish TV finds OGM Universe in a spectacular moment thanks to the local success of titles like ‘The Fall of the King’ and ‘Six of Us’, plus the very good premiere of ‘Reborn’, the fresh drama in its catalogue.
Those titles, alongside other well-known drama series from the company -like ‘Lost in Love’ and ‘Broken Destiny’- and shorter content aimed at streaming platforms - ‘Another Self’, ‘Dilemma’ and ‘The Tailor’- make the core of one of the most powerful and rich catalogue of Turkish content in the market.
“All these projects reflect the range and strength of our catalogue: from big, ambitious prestige dramas to intimate family stories and underline the universality of Turkish drama worldwide,” affirms Ekin Karaman Koyuncu, Global Distribution & Partnership Director at OGM Universe.
As anticipated, ‘The Fall of the King’ was a huge success. What numbers would you highlight from its first season? What can we expect from its second season? ‘The Fall of the King’ was one of the most remarkable launches of the year. From the very beginning it consistently ranked #1 in its slot, delivered strong ratings across demo -
Ekin
Karaman Koyuncu, Global Distribution & Partnership Director at OGM Universe
“We are confident that ‘Reborn’ will travel widely. It speaks to universal themes of love, loss, and fate, and we believe audiences
will embrace it”
graphics, and built a loyal digital audience with millions of views and high social media engagement. The fact that it is adapted from a bestselling novel and combines am-
bitious storytelling with layered psychological themes made it especially appealing for international buyers. In its first season alone, it reached audiences in 22 countries, with some broadcasters even airing simultaneously with us.
The series also owes much of its success to its stellar cast, led by Halit Ergenç, Aslıhan Gürbüz, Merve Dizdar whose performances brought tremendous depth and international visibility. Now, with Gökçe Bahadır joining the cast in Season 2, the excitement has grown further. The series has already positioned itself as a prestige drama with strong global potential, and we are confident the new season will only build on that momentum.
What can we expect ‘Six of Us’, another title that returned for a new season? ‘Six of Us’ was truly one of the breakout hits of the year. It not only performed robustly on broadcast but also created a viral digital footprint, especially thanks to the central love story between Azize and Devran. This resonated deeply with audiences, sparked trending hashtags and fan edits, and cultivated a passionate Gen-Z community. The series closed its first season with 27 episodes of consistently strong ratings and quickly built a loyal international fanbase.
A key part of its success has been its remarkable ensemble of actors including Hazal Subaşı, Burak Berkay Akgül, Kaan Mirac Sezen and the young rising stars who brought authenticity and emotional depth to every storyline. Their performances made the characters instantly relatable and helped drive both local and international popularity.
As the series returned to the screen [last month], expectations were very high. International buyers are following it closely, and we believe Season 2 will broaden its appeal even further while continuing to celebrate themes of family, love, and resilience that resonate across cultures.
Now you are adding ‘Reborn’ to your catalogue. What details can you share about this title? ‘Reborn’ is an emotionally powerful and multilayered drama about love, grief, and destiny — but also, at its heart, a story of identity and belonging. It begins with Aslı, a
REBORN IS ALREADY PROVING ITS WORTH
OGM Universe’s newest drama, ‘Reborn’ has made a remarkable entrance on Star TV, quickly establishing itself as one of the most promising new titles of the season. After a moving debut, the series soared in its second week, achieving remarkable ratings growth across all categories. The drama premiered on Sunday, September 7, with a 3.5 Total rating, 3.5 in the AB demo and 3.8 in
the ABC1 demo. By its second episode on Sunday, September 21, the series achieved a dramatic surge: 5.09 total rating, landing in the second spot and growing 45%; 4.9 in the AB demo, landing in first place and growing 40%; and 5.2 in the ABC1 demo, growing 35% to the second spot. This sharp week-on-week growth confirms the drama’s expanding audience base and its strong momentum in primetime.
”‘The Fall of the King’ has positioned itself as a prestige drama with strong global potential, and we are confident the new season will only build on that momentum”
young woman who survives through a heart transplant, and Reyhan, the grieving mother who has lost her daughter. Their lives, and the lives of their families, become deeply intertwined in ways that are both healing and destructive.
What makes ‘Reborn’ stand out is its depth and cinematic quality. It explores class divides, forbidden love born from loss, and generations of motherhood and ambition. Our cast is truly exceptional Sibel Taşcıoğlu, Kerem Bürsin, Lizge Cömert, and Deniz Çakır deliver performances that blend star power with emotional resonance. Visually, it moves between modest Istanbul neighborhoods and the opulent world of the Alkan family, giving it a distinctive cinematic scope.
We are confident that ‘Reborn’ will travel widely. It speaks to universal themes of love, loss, and fate, and we believe audiences in both established Turkish drama markets and completely new territories will embrace it.
How big is it to have already closed a simulcast with IVI in Russia for ‘Reborn’? Do you see this kind of deal becoming more common in the future? Securing a simulcast deal with IVI in Russia before launch is a major milestone for us. It demonstrates the confidence of our international partners in ‘Reborn’ and highlights the growing appetite for day-and-date releases. These agreements allow us to maximize momentum.
We definitely see this type of agreement becoming more common in the future as audiences worldwide expect to access premium content at the same time, no matter where they are. In fact, in markets with high piracy rates, we anticipate even greater demand for such deals, as simulcast becomes an effective way to protect value and meet audience expectations simultaneously.
The Fall of the King Drama
Six of Us Drama
TV Azteca
INNOVATING WITH SUCCESS
The excellent results obtained from the agreement with Disney+ for ‘Cautiva por amor’ boosted the international success of the title, which is now ready to land in the US and the EU.
By Luis Cabrera
lcabrera@todotv.tv @luis_cabreram
For Jesica Stescobich, director of Distribution and Strategic Alliances at TV Azteca Internacional, the aim is to “amplify windows” and reach “more people” with their content. That was the goal the Mexican giant set for itself when it signed an agreement with Disney+ to broadcast, following its premiere on local television, each new episode of the telenovela ‘Cautiva por amor’, starring actress and singer Litzy, alongside Osvaldo de León.
“It was the first time we had formed an alliance of this kind with a streamer, and it turned out to be an incredible experiment,” said the executive. “This first window with Disney+ gave us the opportunity to say, ‘This is great content that can live here and that can live in many more windows and traditional, linear, and non-linear media.’”
The experience was so positive that Azteca signed another agreement with Disney+, this time for the reality show ‘La Granja VIP’ (a Fremantle format), which is about to premiere: “Some content will be available on our channel and via streaming, while other content will be exclusive to each window,” explained Stescobich.
“We are testing new strategies, and not just within fiction or with streamers. We are also doing so with YouTube channels, both our own and third-party channels,” she said. As part of this experiment, TV Azteca Internacional produced a series of video podcasts on different topics, both to feed its linear channels and for international distribution.
A LATIN AMERICAN CRIME DRAMA. When talking about successful content, we cannot overlook ‘La lotería del crimen’, which already has four seasons and is defined by Stescobich as a drama that has “all the ingredients of an American police drama, but set in Mexico and Latin America, which resonates very well with our audiences.”
“The crime genre is something that audiences love and are passionate about, and this series has a fabulous dramatic arc because something is resolved in every episode,” explains the executive. “It’s a great combination of dramatic elements and spectacular production; that’s the secret of ‘La lotería del crimen,’” she shared.
The Mexican distributor is also presenting ‘Un día para vivir’, whose fifth season is in production, the third season of the renowned ‘Doctora Lucía’, and the documentary ‘La revolución de libertad’, to be released in October: “It’s an impressive project, made largely with AI,” said Stescobich.
“Mipcom is an opportunity to meet with clients from all over the world: Europe, Asia, Africa, the Middle East, as well as the US, Canada, and Latin America,” explained the executive. “That’s why we’re coming to Cannes with our entire sales team, because we have a variety of programming solutions to offer all buyers.”
Cautiva por amor Telenovela
Jesica Stescobich, Director of Distribution and Strategic Alliances at TV Azteca Internacional
“A great combination of dramatic elements and
spectacular production;
lotería
del crimen’”
that’s the
secret of ‘La
EMOTIONAL DEPTH AND CHARACTER-FOCUSED STORYTELLING
By Luis Cabrera
lcabrera@todotv.tv
@luis_cabreram
Calinos Entertainment is bringing two new titles to the market, linked by their “exceptional production quality” and narratives that “resonate widely and create a lasting audience connection.”
The awaited Turkish adaptation of the South Korean drama ‘Lie After Lie’, titled ‘Ben Annemin Rüyasıyım’ (‘Lies After Lies’), leads Calinos Entertainment’s catalogue in Cannes, joined by another new drama, ‘Chasing the Sun’, and the standouts ‘Deeply’ and ‘Farah’.
With a cast led by Caner Cindoruk, Funda Eryiğit and Zerrin Tekindor, ‘Lies After Lies’ -a Medyapim production for NOW- aims to
build on the gripping 2020’s Korean original with its compelling story of a mother who, after years in prison accused of killing her husband, tries to reunite with her only child. To that end, she seeks to win the heart of her child new adoptive father, but it won’t be
Onur Sozener, Head of Sales at Calinos Entertainment
“‘Lies After Lies’ is a gripping drama about a woman whose sense of truth is constantly undermined by those around her”
easy with her former mother-in-law seeking revenge for the death of her son.
“‘Lies After Lies’ is a gripping drama about a woman whose sense of truth is constantly undermined by those around her,” explained Onur Sozener, Head of Sales at Calinos Entertainment. “Based on the acclaimed ‘Lie After Lie’, this version offers a new layer of emotional closeness and uniquely Turkish narrative sensibility. It is a moving exploration of memory, motherhood, and a woman’s un-
Lies After Lies Drama
Chasing the Sun Drama
Deeply Drama
yielding fight to be acknowledged in a world that doubts her.”
Another new drama that will be introduced at Mipcom is ‘Chasing the Sun’, that follows the journey of two broken souls whose paths intersect when least expected. “It is a heartfelt story about love emerging from pain, and how beauty can grow even in the darkest times. Combining emotional intensity with striking visuals, the drama examines revenge, healing, and redemption in an authentic, grounded way,” shared the executive.
“The true distinction of these titles lies in their emotional depth and character-focused storytelling,” pointed out Sozener. “There is a consistent thread: compelling leads, powerful emotional stakes, and universal themes such as resilience, identity, and transformation. Coupled with exceptional production quality, they deliver narratives that resonate widely and create a lasting audience connection.”
”Today’s buyers want content that travels seamlessly yet retains a strong emotional core. Each of these dramas offers precisely that adaptable, engaging, and enriched with storytelling that feels authentic and genuine. This quality makes them an excellent fit across traditional broadcasters, global streamers and emerging digital platforms,” he affirmed.
Both new titles are escorted by a deep catalogue of Turkish standouts, like ‘Farah’ and the mini-series ‘Deeply’, now on its second season. “What makes ‘Deeply’ stand out is that it offers all the intensity and character depth of a long-running Turkish drama, but in a concise mini-series format that is highly adaptable for different broadcasters and platforms,” explained Sozener.
DRAMA FROM AROUND THE WORLD. Calinos’ catalogue has grown steadily over the years to include more international -non-Turkish- content, with a specially curated selection of dramas, like the Romanian titles ‘Ana: You Are in My DNA’ and ‘Love with Lavender Scent’, both gathering a lot of attention from buyers across different regions.
“Each market resonates with different facets of the stories whether it’s the profound emotions and family-oriented drama or the broad themes of love,” said Sozener. “This compatibility between narrative and regional audience taste has been reassuring, and we are optimistic these titles will continue to circulate widely.”
FARAH ADDS ITALY TO ITS FANTASTIC RESUMÉ
Sold to over 85 countries, ‘Farah’ continues to delight new audiences around the world. Its latest success came on Canale 5 of Italy, where it premiered under the title ‘Io sono Farah’ and registered an impressive 24% audience share.
Produced by O3 Medya and originally aired on NOW, ’Farah’ stars acclaimed actress Demet Özdemir as Farah Erşadi, a resilient Iranian mother who enters a dangerous criminal world to protect her son, and Engin Akyürek as Tahir Lekesiz, whose intense love story with Farah unfolds amid danger and sacrifice. Adapted from the Argentine series La chica que limpia, the production masterfully blends themes of immigration, motherhood, and redemption, forging a deep emotional connection with audiences.
“‘Farah’s success in a market like Italy is incredibly valuable because it demonstrates not only the global appeal of the story, but also the versatility of Turkish content to resonate across diverse cultures,” pointed out Sozener. “Italy is a highly competitive and mature market, so achieving strong performance there signals to other territories that ‘Farah’ can travel successfully and engage audiences at scale”.
“For us, it also reinforces the strength of Turkish dramas as a whole showing that these titles are no longer limited to certain regions, but can compete head-to-head with international productions in Western Europe. This kind of performance gives us both credibility and momentum as we continue expanding into new markets,” added the executive.
Calinos also brings to the international market titles from Canada, Serbia and the recently added Arabic-language versions of celebrated Turkish dramas: “‘In Her Arms’ is the Arabic adaptation of the acclaimed drama ‘Anne’, while ‘For My Children’ reimagines the beloved series ‘Kadin’,” explains the executive.
“We actively pursue projects that unite creative excellence with proven market viability, as they help us broaden our range and engage audiences in powerful new ways,” he adds. “At the core of our mission is the drive to discover outstanding stories and diverse talent that enrich our Turkish catalogue, with international growth as a key pillar of our long-term strategy.”
“‘Farah’s success in a market like Italy is incredibly valuable because it demonstrates the versatility of Turkish content to resonate across diverse cultures”
“At the core of our mission is the drive to discover outstanding stories and diverse talent that enrich our Turkish catalogue”
SIC International Distribution
EXPANDING THE REACH OF PORTUGUESE FICTION
By Luis Cabrera
lcabrera@todotv.tv
@luis_cabreram
Following the success of ‘Broken Promise’, SIC International Distribution has high-hopes for ‘Vitória’, their newest adaptation of a Turkish traditional drama and a series that is being broadcast simultaneously on SIC, OPTO and Disney+.
After strengthening its distribution to new territories (Bulgaria, Kosovo), consolidating their presence in major streaming platforms, and launching titles under innovative multiplatform partnerships, SIC International Distribution is looking forward to showcase their thriving moment at Mipcom 2025.
Even during a challenging year for the industry, the distributor was able to take its diverse content to all regions of the world, while closing major deals with platforms like Prime Video, that acquired ‘Rebelde Way’, ‘Magic Minutes’, the latest season of ‘The Good Girls Club’ and the highly anticipated revival of ‘Red Moon: New Generation’, to premiere in the platform and OPTO SIC, later this year.
Vitória
Perhaps at the top of the list is last month’s launch of ‘Vitória’, an adaptation of the original Turkish format ‘Gülperi’, in partnership with Disney+: “This represents a significant milestone for SIC and for the national audiovisual industry in general, bringing together a leading TV channel (SIC) and two leading streaming platforms (OPTO and Disney+) in a simultaneously broadcast that offers the audience an innovative multiplatform experience,” pointed out Carlota Vieira, SIC International Distribution.
“This partnership reflects SIC’s commitment to innovating content distribution models and expanding the reach of Portuguese fiction, as well as the recognition of the quality of our fiction by one of the major global players,” she added.
‘Vitória’ follows the story of a mother separated from her children by a web of lies and manipulation. After the tragic and mysterious death of her husband, Vitória faces the powerful Mendonça family in a visceral struggle to win back the love and custody of her children.
“At Mipcom, we will also be presenting ‘The Last Will’ and our big hit ‘Broken Promise’; and, in the non-fiction category, we bring a catalog of documentaries that reflects our ability to produce impactful narratives with global relevance, where we highlight ‘George’, a true crime documentary that follows the story of one of the FBI’s most wanted and the author of one of the most famous hijackings,” detailed Vieira.
AN EYE FOR LOCAL REMAKES. The long-standing partnership between SIC and Globo will strengthen going forward after both companies announced a renewed agreement that will lead to the adaptation of iconic Brazilian telenovelas for Portuguese audiences.
“After three highly successful co-productions -‘Mar Salgado’, ‘Dancin’ Days’, and the Emmy Award winning ‘Laços de Sangue’), the two companies decided to strengthen their successful partnership, announcing that in the coming years, SIC will produce new remakes of classic Globo telenovelas, starting with the powerful story: ‘Páginas da Vida’,” detailed Vieira.
SIC has a proven track-record of success with their local adaptations, not only of Globo’s telenovelas, but also of Turkish dramas, like is the case of ‘Broken Promise’ (‘A Promesa’), a title that has “broken audience records since its premiere”, and, more recently, ‘Vitória’.
“We want to bring diversity to our audience, moving between original stories and adaptations of international scripts,” says Vieira. “Our originals have also been sold and adapted in other countries, such as Greece, Serbia, and Mexico. Likewise, we also know that producing stories that have already been successfully tested is an added value for audiences, and we seek to find the best stories in different countries and regions, giving them a Latin European touch that suits our culture.”
Carlota Vieira, Manager at SIC International Distribution
“We want to bring diversity to our audience, moving between original stories and adaptations of international scripts”
Drama
The Last Will Drama
SERIES
PRIME VIDEO AND ATRESMEDIA ANNOUNCE THE SERIES, PADRE NO HAY MÁS QUE UNO
PRIME VIDEO AND ATRESMEDIA have confirmed that ‘Padre no hay más que uno’, the most popular family film saga in Spanish cinema in recent years, is becoming a television series. The series, which will soon be available on Atresmedia and Prime Video, has wrapped filming and introduces its new leading family. Written and directed by Inés de León, ‘Padre no hay más que uno’, the series, is a hilarious comedy, full of family chaos, wacky antics, and heartwarming moments. Co-written by Raúl Navarro, who also co-directs, and Juan Manuel de Vega, the series, ‘Padre no hay más que uno’ is produced by María Luisa Gutiérrez. It is produced by Bowfinger International Pictures, in association with Sony Pictures International Productions and with the participation of Prime Video and Atresmedia.
STREAMING MOVISTAR PLUS+ BEGINS
FILMING ITS NEW ORIGINAL SERIES, MATAR A UN OSO
MOVISTAR PLUS+ ANNOUNCED the start of filming for ‘Matar a un oso’, its new original series produced with Arte France and in collaboration with Kubik Films (Studio TF1). Created by brothers Jorge and Alberto Sánchez-Cabezudo, filming will take place in locations such as the Aran Valley, the Catalan Pyrenees, Madrid, and Segovia. Inspired by true events, ‘Matar a un oso’ begins with the mysterious death of the bear Cachou in the Aran Valley during the pandemic lockdown. This event sparked an unprecedented judicial investigation in Spain, in which the animal’s death was treated as a murder. This event brings to light deep tensions between the valley’s inhabitants, environmentalists, and European policies, reflecting a conflict between tradition and modernity of great contemporary relevance.
STREAMING
DISTRIBUTION ONZA
SALES OF CRIME SERIES NEUER
‘NEUER’, THE NEW PROCEDURAL CRIME SERIES from Slovakian KFS Production, will be part of Onza Distribution’s international catalog. Directed by Michal Kollár, this new series adapts Václav Neuer’s best-selling novels in an eight-episode, 60-minute series. The series premiered on September 14th on TV JOJ to great acclaim, becoming the most-watched program of the evening with a 24% share. Each episode of Neuer is inspired by a bestseller by Václav Neuer, all based on real crime cases. The series offers a stark, unvarnished look at police work in the regional homicide division: the members of Chief Inspector Ledecký’s (Marián Miezga) team not only face the everyday crimes of a criminal investigation unit, but also the emotional toll these take on their personal lives. ‘Neuer’ will be presented at Mipcom alongside other titles from the distributor’s diverse catalog, such as the telenovela ‘La protegida’ (‘Heart Keeper’), the feel-good comedy ‘Atasco’ (‘Traffic Jam’), and Onza’s new documentary series, ‘Vulnerables’.
SKYSHOWTIME TO PREMIERE ROAD TO ARCADIA, PRODUCED WITH SECUOYA AND VIX
SKYSHOWTIME HAS ANNOUNCED the premiere date for its latest original series, ‘Road to Arcadia,’ starring William Levy (‘Montecristo’) and Paula Echevarría (‘Velvet’). The first three episodes will premiere on November 10, followed by weekly episodes. The series tells the story of Pablo, who escaped his violent life to protect his son Bruno. His wife, whom he left behind, has never forgiven him. Now she’s back, ready to destroy the world he’s built. ‘Road to Arcadia’ is a production of Arcadia La Serie (Secuoya Studios) in association with ViX and SkyShowtime. Directed by Jorge Saavedra, written by Lidia Fraga and Jacobo Díaz, and executive produced by David Martínez, Sergio Pizzolante, Carlos Portela, William Levy, and Jeff Goldberg.
THE STRENGTH OF CHESPIRITO’S IP
The success of ‘Sin querer queriendo’ is just the beginning of the journey that Grupo Telefilms anticipates taking with Roberto Gómez Bolaños’ IP, whose titles it combines with original productions in Brazil and major Hollywood films to create a first-rate catalog.
By Luis Cabrera lcabrera@todotv.tv @luis_cabreram
The spectacular run on HBO Max of ‘Sin querer queriendo’, the highly anticipated biographical series about Roberto Gómez Bolaños, has marked the high point of what has been another fantastic year for Telefilms Group, which is once again arriving in Cannes with an offering that combines the best of Hollywood cinema and its increasingly influential in-house productions.
“With ‘Sin querer queriendo,’ the results are clear,” said Tomás Darcyl, president of Telefilms Group. “According to HBO Max, it was the most successful Latin American series in the platform’s history. It ranked first in Latin America, third in the US, third in Spain, and first worldwide. It was a much greater success than we could have imagined.”
“We recently saw ‘Marty Supreme’, invited by A24, and I can assure you that it is spectacular.”
“The success of the biographical series shows that it was very well done, without a doubt, but beyond that, it shows the strength of the ‘Chespirito’ IP.”
“What this shows is that the series was very well made, without a doubt. But beyond that, it shows the strength of this IP,” said Darcyl, who founded Thr3 Media Group with Ricardo Costianovsky and Bruce Boren in 2018, acquiring the IP of “Chespirito” in 2019.
At the time, Darcyl compared having access to the gallery of characters created by the Mexican comedian to something similar to “having Marvel”, in reference to the famous universe of comic book characters, now owned by Disney. And as proof of “Chespirito”’s potential, in addition to the results already achieved, there’s also everything that Telefilms and Thr3 Media have lined up for its universe.
Outside of the biographical series, Roberto Gómez Bolaños’ characters will begin a new phase, first with the premiere of the animated series ‘Los Colorado,’ which imagines El Chapulín Colorado as a family man trying to balance his personal life with that of an interdimensional hero: “This series is incredible, created by two geniuses, the brothers (Gabriel and Rodolfo) Riva Palacios, who love and know the character very well,” said the president of Telefilms.
The first season of the series, consisting of 20 episodes, has already been produced and acquired by a platform in Latin America. Although Darcyl did not want to reveal the buyer, he announced that ‘Los Colorado’ will be available to watch in early 2026 and that the contract has already set in motion the production of another 20 episodes of the animation.
Another agreement that is close to being finalized is for the series of Don Ramón, which does not yet have a name, but the executive
revealed that it will be an “adult comedy,” live-action, with eight half-hour episodes. “It would be a prequel to his life in the neighborhood, but we are still refining the idea,” he said. “Don Ramón is a very important character in the Chespirito universe and every detail must be taken care of.”
At the same time, as a production company, Telefilms continues to generate top-notch content in Brazil, with hits such as ‘A menina que matou os pais’, a miniseries about the Richthofen case. “No one believed in true crime in Brazil until we made this series, which was the most-watched on Amazon Prime,” he said.
Continuing with this commitment to innovation, they produced, together with Galeria, the erotic title ‘ Pecadora ’, the adaptation of Nana Pauvolih’s best-seller, starring José Loreto, Marcos Pasquim, and Rayssa Bratillieri.
Other important titles from Brazil include ‘Asalto a la brasileña’, a true story about a hostage-taking in Londrina, and ‘Papá en apuros’, the remake of ‘Mamá se fue de viaje’.
LOOKING LIKE AWARD NOMINEES. Of course, Telefilms’ catalog includes some of Hollywood’s biggest releases of the season, including titles such as ‘The Smashing Machine’ and ‘Marty Supreme’.
Written and directed by Benny Safdie, who won the Silver Lion for Best Director in Venice for this title, ‘The Smashing Machine’ is the highly anticipated starring role of Dwayne “The Rock” Johnson as MMA fighter Mark Kerr. Telefilms will be bringing Johnson to Mexico to promote the film during its opening week.
Tomas
Darcyl,
President
of Telefilms Group
“With
‘Sin querer queriendo’, the result is clear to see. It was a much bigger success than we could ever have imagined.”
‘Marty Supreme’, meanwhile, is written and directed by Josh Safdie (Benny’s brother) and features a fantastic cast in a gripping story that mixes comedy and drama, set in the world of table tennis in 1950s America. “We saw it recently, invited by A24, and I can assure you that it is spectacular,” said Darcyl, who compared it, in terms of the scale and quality of its narrative, to ‘Catch Me if You Can’ and ‘The Wolf of Wall Street’.
Telefilms is also representing titles such as the drama ‘Nuremberg’, starring Russell Crowe as Herman Göring; the new installment of the ‘Greenland’ saga, titled ‘Greenland 2: Migration’, starring Gerard Butler; and the highly anticipated ‘The Drama’, starring Robert Pattinson and Zendaya, among many others.
“We have a spectacular lineup of 26 films,” said Darcyl. “It’s a very solid catalog that any major studio would love to have.”
The Smashing Machine Feature film
Marty Supreme Feature film
Greenland 2: Migration Feature film
CO-PRODUCTION ALLIANCES WITH GLOBAL AMBITIONS
JC Acosta, Director of The Mediapro Studio US & Canada
“This collaboration is an exciting step in our mission to produce globally relevant stories with a strong local impact.”
No stranger to collaborating with other big studios to take its production capabilities to the next level, The Mediapro Studio continues to expand its global presence through partnerships and collaborations with key players from the international market.
The latest being a new alliance with Telemundo Studios to jointly develop and produce original films aimed at Hispanic audiences in the US and international territories.
The agreement highlights the significant opportunity to connect with Latino audiences, and brings together two industry leaders in international production and Spanish-language entertainment, creating a path for high-quality narratives with strong cultural resonance.
Through this alliance, The Mediapro Studio US & Canada will work alongside Telemundo
Javier Pons, Chief Content Officer and Head of Telemundo Studios
“Together, we will create content that amplifies and reflects Latino voices while continuing to set new standards for high-level production in the industry.”
Studios to produce content with compelling stories, outstanding talent, and innovative formats. The agreement reinforces the two companies’ shared commitment to bringing premium Spanish-language content to the growing Hispanic audience, reflecting their culture and experiences.
It also benefits from The Mediapro Studio’s leadership in production, with highly successful titles such as the two seasons of the series ‘Las Bravas’ and ‘Consuelo’; and films such as ‘Intercambiadas’ and the romantic comedy ‘Mesa de Regalos.’ Through this alliance, the Studio leverages Telemundo’s creative capabilities and reach across broadcast, pay TV, and streaming platforms.
“We are thrilled to partner with Telemundo, a leading Spanish-language media company, to create innovative content that resonates deeply with Hispanic audiences in the U.S. and beyond,” said JC Acosta, Director of
Over the past few weeks, The Mediapro Studio has further extended its international reach through major coproduction alliances, most recently, a deal with Telemundo Studios to create new original stories for Hispanic audiences.
The Mediapro Studio US & Canada. “This collaboration is an exciting step in our mission to produce globally relevant stories with a strong local impact.”
“We are proud to join forces with The Mediapro Studio in a partnership that puts Spanish-language stories at the center,” said Javier Pons, Chief Content Officer and Head of Telemundo Studios. “Together, we will create content that amplifies and reflects Latino voices while continuing to set new standards for high-level production in the industry.”
A TITLE IN THE WORKS: ‘ATRÁPELO QUIEN
PUEDA’. The Mediapro Studio US & Canada and Telemundo Studios have already announced a new original co-production project, which will be developed along with Cinépolis. Titled ‘Atrápelo quien pueda’, it’s a new Spanish-language romantic comedy, which began filming in late september.
The film stars acclaimed actor Jaime Camil, known for his work on the series ‘Jane the Virgin’, hit telenovelas, films such as Steven Soderbergh’s ‘Kimi’, and notable Broadway performances. He is joined in the cast by Natalia Téllez, Isabella Arroyo, Ricardo Polanco, Verónica Langer, and more to be announced soon.
The film is directed by Alfonso Pineda Ulloa. Laura Fernández Espeso is producing for The Mediapro Studio, with JC Acosta and Francesca Ricagni serving as executive producers; Miguel Rivera and Francisca Barraza are
producing for Cinépolis; and Jacky Castro and Elizabeth Suárez for Telemundo Studios. Cinépolis will handle the theatrical release and sales in Latin America, Telemundo Studios in the US, and The Mediapro Studio will distribute the film worldwide.
In ‘Atrápelo quien pueda’, encouraged by his 9-year-old daughter, a widowed father returns to the dating scene after several years of lack of practice. After multiple failed and hilarious experiences with different relationships, he realizes that love is closer than he thought.
STANDOUT CATALOG FOR MIPCOM
After a successful visit to Matadero, Madrid, for the latest edition of Iberseries & Platino Industria, The Mediapro Studio is now present in Cannes to showcase its newest titles a Mipcom 2025. On the scripted side, standouts include ‘Yakarta’, produced by Movistar Plus+, TMS and Buendía Estudios, about a former Olympic badminton player who believes he has found his unexpected path to redemption
“Partnering with Telemundo Studios and Cinépolis on ‘Atrápelo quien pueda’ represents an exciting step in our mission to create premium Spanish-language content with global appeal,” said JC Acosta. “This is a true collaboration that leverages each partner’s strengths in creativity, production, and distribution; an ideal model for the partnerships we seek to cultivate.”
Javier Pons added: “We are incredibly proud to join Mediapro Studio and Cinépolis on this exciting film project. At Telemundo Studios, we are deeply committed to telling authentic stories that reflect the richness and complexity of Latinos everywhere. This collaboration will bring a powerful narrative to the screen that will resonate with audiences around the world.”
The film’s production services will be handled by Cimarrón (The Mediapro Studio) in Colombia. This is the company’s first feature film in the country, having participated in acclaimed projects such as ‘La sociedad de la nieve’ and the series ‘Iosi, el espía arrepentido’, among other notable works.
“With nearly two decades of regional experience, our operation in Colombia is supported by the local leadership of The Mediapro Studio and a solid network in Uruguay, Argentina, and Mexico. What sets us apart is operating as a unified entity across four countries, giving us the agility to move talent, projects, and resources in ways that elevate what’s possible in Colombia,” said Santiago López, of Cimarrón.
‘Atrápelo quien pueda’ is scheduled for theatrical release in the second quarter of 2026.
in Mar, a promising fifteen-year-old; ‘Raza Brava’, produced by Atómica Group, Wild Sheep Content and TMS, which addresses universal themes such as loyalty, betrayal, family, identity, and belonging, set against the backdrop of football, with the support of ColoColo, Chile’s most iconic club; and ‘So Far So Good’, a new series created and co-directed by Daniel
Burman, in coproduction with the Argentine platform Flow, which revolves around a comic book writer in the midst of a 1950s existential crisis. These titles join other fiction series such as ‘Reykjavik Fusion’, ‘Quiet’, ‘Celeste’ and ‘Tales from the Void’; as well as unscripted titles such as ‘The Williams’, ‘Real Madrid: how could I not love you?’, and ‘The Christine Jessop Story’.
The Mediapro Studio and Telemundo Studios will jointly develop and produce original films aimed at Hispanic audiences in the US and international markets.
Yakarta Drama
Films&Series Listings Mipcom
ECCHO RIGHTS
Av. Isla Graciosa, 13, 28703
San Sebastián de los Reyes, Madrid sales@atresmediatv.com international-sales-atresmedia.com
Stand: R7.J1
EXECUTIVES
Jose Antonio Salso, Head of Acquisitions and Sales
Rebeca Fernández, Sales Director for Europe
Ismael Ramiro, Sales Manager
TOP EXECUTIVE
Miguel García Sánchez, Sales Director
LAS HIJAS DE LA CRIADA (Drama, 8 x 50’)
Galicia, 1900. Two girls, Clara and Catalina, are born in the Espiritu Santo manor house. Clara is the daughter of the maid, Renata, while Catalina is the daughter of the Valdés family, Don Gustavo and Doña Inés. An unexpected revenge will shake up the lives of these girls and this will force Doña Inés to survive heartbreak and the pain of abandonment. She will also have to survive the power struggles to make her true daughter the heir to an empire, in an era when women were not allowed to be the masters of their own lives.
DREAMS OF FREEDOM (Telenovela, 2 seasons)
Begoña Montes is the new wife of Jesús de la Reina, son of the owner of a major beauty products company. The series begins with her, a young mother, running through the forest with her stepdaughter Julia while her husband chases them with a rifle in hand. What could have happened? It’s the year 1958. Jesús, the heir to Perfumerías de la Reina, is a controlling, jealous, ambitious, and unscrupulous man. Things worsen with the arrival of Andrés, his brother, who returns to help and protect his father, Damián, suspecting that his ambitious brother would do anything to take control of the company. Jesús de la Reina’s desperation will even lead him to mistreat his wife Begoña. Meanwhile, she will gradually fall in love with Andrés, further provoking the wrath of her husband.
+90 212 354 30 00
@atvdistribution Stand: R7.E75
EXECUTIVES
Gozde Dinc Ozcan, Sales Deputy Manager
Sena Kul, Sales Specialist
Fabiola Flores Cortes, Content Sales
Aysenaz Cubukcu, Sales Assistant Specialist
Merve Tunc, Deputy Marketing Manager
TOP EXECUTIVE
Muge Akar, Head of Sales
Grev Turegatan 30, 114 38 Stockholm, Sweden www.ecchorights.com Stand: P3.B1
Azra and Emirhan seem like the perfect couple, but Emirhan’s obsessive love soon turns her life into a prison. When she tries to escape with her daughter Leyla, tragedy strikes, and Leyla is lost. Desperate, Azra undergoes plastic surgery to return to the Karaaslan mansion under a new identity. But complications erase her memory, and she becomes “Defne.” Drawn back into the mansion as a maid, Defne slowly uncovers dark secrets, reconnects with Leyla, and ultimately realizes the shocking truth: she is Azra, Leyla’s mother, and the key to it all.
QUEEN OF TEARS
(Drama, 45’, In Production)
Selim, the legal director of Aksel Group, is married to Meyra, the company’s future heir. While he endures the weight of power struggles and family pressure, Meyra hides her loneliness and fragility behind her strong exterior. As emotional distance grows between them, Selim considers walking away, until he discovers Meyra’s life-threatening illness. This revelation forces them to confront their long-suppressed truths and rediscover the love they thought was lost. But under the shadow of illness, family expectations, corporate rivalries and buried secrets, their journey becomes the ultimate test of love, honesty, and the choice to stand by one another.
TOP EXECUTIVE
Barbora Suster, Head of Latin America & Iberia
Terra Rossa is a brand-new classical love story, featuring international Emmy nominee Engin Akyürek and Gülsim Ali. In Adana, the feud between the Bereketoğulları and Karahanlıs reignites. As Ömer struggles to protect his family and land, newly appointed prosecutor Nevin arrives, seeking justice for her fiancé’s death. Their collision sparks a dangerous bond, where duty and desire clash and love becomes the most unpredictable weapon of all.
BENEATH THE SURFACE (S2, 20 x 45’)
When Officer Cihan’s oppressive father dies under mysterious circumstances, she is barred from the case but investigates in secret. Metin, officially assigned, names her sisters as prime suspects. As they work together, romantic tension grows. Six months later, a new series of murders marked with the word “Sin” reunites the team, uncovering links to Cihan’s father’s case and revealing shocking truths that shake Cihan and everyone around her.
Sonia Mehandjiyska, Head of International Distribution
Nolan Pielak, SVP International Distribution and Co-Productions
Steve Saltman, Head of Domestic Distribution
Raul Piña, Director, Distribution and Marketing
TOP EXECUTIVE
Dean Devlin, CEO
THE LIBRARIANS: THE NEXT CHAPTER S1-S2 (Action, 24 x 60’)
From showrunner Dean Devlin, the spinoff series, ‘The Librarians: The Next Chapter,’ premiered on TNT in May 2025 and has been green lit for a second season. Season 2 guest stars will include Jeremy Swift (‘Ted Lasso’), Dominic Monaghan (‘The Lord of the Rings’) and Oliver Dench (‘Pandora’), among many others. Centering on a “Librarian” stuck in the present who inadvertently releases magic across the continent, he is given a new team to help him clean up the mess he made.
THE ARK S1-S3 (S3 in production)
The remaining remnants of humanity establish a new planetary home base while Captain Sharon Garnet takes a crew back out to search for lost Arks that haven’t yet made it to safety.
LEVERAGE S1-S5 (77 x 60’)
Led by Nate Ford, his cohorts Sophie Devereaux, Eliot Spencer, Alec Hardison, and Parker, come together in an attempt to level the playing field against the rich and powerful who take advanced of others.
The Librarians: The Next Chapter S1-S2
Las hijas de la criada ATRESMEDIA SALES
Stranger in the Mirror ATV DISTRIBUTION
Terra Rossa
www.movistarplus.es
Stand: R7.N7
THE CENTER
TOP EXECUTIVE
Rebeca Aguilar, Distribution Manager
Set in the present day, but with echoes of the Cold War, ‘The Center’ is a spy thriller that delves into the unknown world of the National Intelligence Center (CNI). The plot begins with a murder that uncovers an international operation by Russian intelligence services and leads CNI members on a race against time to dismantle it, while trying to uncover a traitor within their ranks. The series is an intimate, ensemble look at the challenges faced by members of the Spanish intelligence service as they navigate loyalty, betrayal, and duty.
THE NAMELESS
Claudia, a woman who loses her daughter Angela in a traumatic way, discovers years later, just as she is beginning to recover from the trauma, that her daughter may still be alive. “Mom, it’s me, Angela. Please come and get me!” This is the shocking phrase Claudia hears on the phone, giving her hope. Claudia then turns to Salazar, the inspector who handled the case after the disappearance, and Laura, the young woman whose life was saved by Angela, a special girl with a strange gift, after a serious traffic accident. Together they will follow the little girl’s trail through mysterious places that hide a terrifying truth.
THE ANATOMY OF A MOMENT
Starting with the coup d’état of February 23, 1981, in Spain, Anatomy of a Moment dissects one of the crucial moments in recent Spanish history: the transition to democracy. When Civil Guard Lieutenant Colonel Antonio Tejero entered Congress with a gun in his hand, only three men remained seated while the rest ducked for cover: Adolfo Suárez, Santiago Carrillo, and Gutiérrez Mellado.
100 Universal City Plaza, Universal City, CA 91608
+1 818 777 1300 www.nbcuniversal.com
Stand: P4.C4
EXECUTIVES
Carolyn Stalins, EVP, Sales Liaison, International Bruce Casino, EVP, Sales & Distribution, U.S.
Ron Suter, EVP & GM, Sales & Distribution, Canada
Jay McNamara, EVP & Global Head, Distribution Strategy & Operations
Rob Bell, EVP, Global Content Strategy & Digital Sales
Chris Taylor, Managing Director, APAC, TV Distribution and International Networks & DTC
PONIES
(Drama, 8 x 60’)
TOP
EXECUTIVE
Michael Bonner, President, Global TV Distribution
www.ogmuniverse.com
Stand: R8.C17
EXECUTIVES
Mikaela Perez, Sales Director
Canan Koca, Sales Executive
Mina Aslan, Sales Executive
Siğla Ünal, Sales Executive Assistant
Nesrin Özkalay, Marketing & PR Manager
TOP
EXECUTIVE
Ekin Koyuncu Karaman, Global Distribution & Partnership Director
Calle del Alcalde Sáinz de Baranda (92) y calle de O’Donnell (77), Madrid, España www.rtve.es/comercial
EXECUTIVE
Javier Quevedo, Head of International Strategy
SIN GLUTEN (8 x 55’)
TOP EXECUTIVE
Moscow, 1977. Two “Ponies” (“persons of no interest” in intelligence speak) work anonymously as secretaries in the American Embassy. That is until their husbands are killed under mysterious circumstances in the USSR, and the pair become CIA operatives. Bea (Emilia Clarke) is an over-educated, Russian-speaking child of Soviet immigrants. Her cohort, Twila, is a small-town girl who is as abrasive as she is fearless. Together, they work to uncover a vast Cold War conspiracy and solve the mystery that made them widows in the first place.
THE ‘BURBS
(Comedy, 8 x 60’)
Set in present-day suburbia, The ‘Burbs’ follows a young couple who have reluctantly relocated to the husband’s childhood home. Their world is upended when a new neighbor moves in across the street bringing old secrets of the cul-de-sac to light, and new deadly threats shatter the illusion of their quiet little neighborhood.
(Drama, in production)
’Çarpıntı’ is a gripping family drama about Aslı, a young woman who has only known illness and survival until a donor heart gives her a second chance at life. But the heart she receives belonged to the daughter of Istanbul’s wealthiest family, pulling her into a world of grief, power, and forbidden love. Torn between her poor, bitter mother and the powerful Alkan dynasty, Aslı becomes the living link between two families divided by class and tragedy. With every beat of her borrowed heart, she steps deeper into a dangerous web of passion, secrets, and betrayal where love could either save her or destroy her.
THE FALL OF THE KING (Drama, in production)
Kenan Baran—The King—appears to have it all: wealth, power, and the perfect wife. But beneath the surface, betrayal, desire, and old wounds threaten to shatter his empire. When one woman from his past reclaims her strength and another from a modest life becomes an unexpected temptation, Kenan’s reign begins to crumble. ‘The Fall of the King’ is a gripping tale of passion, power, and the inevitable price of a life built on lies.
Ricardo is a successful chef who refuses to admit his problem with alcohol, especially after receiving a Michelin star and running a successful restaurant. However, a night of heavy drinking leads him to make a serious mistake and he is fired. With no other options, he returns as a teacher to the cooking school where he began his career. There, his students —young people from diverse backgrounds, some at risk of social exclusion— help him rediscover his passion for cooking and reconnect with a more authentic and simpler life.
LA FRONTERA (5 x 60’)
In 1987, a captain of the Guardia Civil discovers an imminent ETA attack in Paris and, seeing that the Spanish government decides not to intervene, he acts on his own with a French policeman. Unbeknownst to him, his partner belongs to ETA, but is forced to help him stop the attack. In a race against time, they face betrayals, mafias and loyalty dilemmas.
3.486.843 total average anual reach across all our digital media platform
Gonzalo Claiman-Versini, Diamond Films Spain Director
Vitória struggles to protect her family when she finds out that her father-in-law, Manuel Mendonça, is a criminal willing to do anything for power. After the tragic death of her husband, Vitória tries to shield her children from their grandfather’s influence and prove the crimes of the tyrant Mendonça. While defending herself from an attack by her brother-in-law, she ends up being arrested and loses custody of her children. Two years later, she gets out of jail determined to get Afonso, Beatriz, and Francisco back. But she is far from imagining that Manuel has managed to turn her children against her and that he will do anything to keep her away from the family. With the support of Jorge, a brilliant lawyer and her first love, Vitória will fight to win back the love and trust of her children and expose her father-in-law, putting the Mendonça empire at risk.
BROKEN PROMISE (Drama)
Based on a Turkish script by Kanal D, the story centers on the relationship between two families who end up involved in a secret deal, giving rise to conflicts, but also to forbidden passions entangled in a complicated plot. Two sisters in conflict, two cousins with scores to settle, and many raw emotions. Betrayals and conspiracies will unfold around them and bring to light the best-kept dirty family secrets.
TOP EXECUTIVE
Tomás Darcyl, Co-Chairman
THE SMASHING MACHINE
(Sport/Drama, 2h3)
Dwayne Johnson, Emily Blunt, and Paul Lazenby star in this intense story based on real events. ‘Smashing Machine’ chronicles the life of Mark Kerr, a mixed martial arts legend and UFC champion whose ferocity in the octagon contrasts with the personal battles he faces outside the ring. A powerful portrait of glory, addiction, and the price of being the best.
MARTY SUPREME
(Drama, 2h)
Marty Reisman, the athlete who defied the impossible, comes to life in Marty Supreme.
The feature film directed by Josh Safdie boasts a star-studded cast: Timothée Chalamet, Gwyneth Paltrow, Fran Drescher, and Tyler the Creator. Get ready to be amazed by the extraordinary!
GREENLAND: MIGRATION
(Post-apocalyptic, 2h)
In the aftermath of a comet strike that decimated most of the earth, ‘Greenland: Migration’ follows the Garrity family as they’re forced to leave the safety of their bunker in Greenland to traverse a shattered world in search of a new home
Béatrice Nouh, Head of Distribution and Coproductions
Fernando Méndez, Content Distribution Manager Spain-LATAM Catalina Porto, Head of the Mediapro Studio Colombia &México
JAKARTA
(Drama, 6 x 45’)
TOP EXECUTIVE
Marta Ezpeleta, General Director
Periférico Sur 4121, Col. Fuentes del Pedregal, C.P. 14140, México, CDMX tvaztecainternacional.com Stand: R8.B8
TOP EXECUTIVE
Jesica Stescobich, Director of Distribution and Strategic Alliances
CAUTIVA POR AMOR
(Telenovela, 70 x 45’)
In her relentless pursuit of personal revenge, Jazmín Palacios embarks on a journey of redemption and justice. During this arduous journey, she dismantles a ruthless human trafficking and slave labor network that held her captive and threatened to extinguish her life. However, what she does not anticipate on this journey is the unexpected twist of fate that gives her the opportunity to reunite with her daughter, whom she believed was lost forever.
LOTERÍA DEL CRIMEN (New season, 24 x 45’)
Joserra, haunted by his badminton past, finds hope in Mar, a gifted player. He dedicates himself to training her, confronting sporting challenges, adolescence, and inner demons.
RAZA BRAVA (Drama, 4 x 52’)
Barti, from humble origins, becomes leader of Colo-Colo’s Garra Blanca. Ambition drives him into drugs and corruption, forcing him to confront violence or lose everything meaningful.
REYKJAVIK FUSION
(Thriller, 6 x 52’)
The talented chef Jónas, falsely imprisoned, tries to regain the trust of his family. Rejected by society, he accepts illicit funds to open a restaurant. This puts his parole — and his life — in danger.
An intriguing thriller returns with new episodes, taking viewers into a world full of mystery, crime, and justice.
The Smashing Machine TELEFILMS GROUP
Vitória
Cautiva por amor
ORIGINAL STORIES FROM ACROSS THE BORDER
Armed with a lineup of successful fiction series and compelling documentaries, RTVE is travelling to Cannes to further demonstrate the power of Spanish production in the international market.
Fresh from a very busy week at Iberseries & Platino Industria, RTVE has made its way across Spanish borders to France, with a catalog full of new scripted and unscripted productions to showcase at the new edition of Mipcom.
Back in Madrid, the group hosted a special screening event for its two newest fiction series, ‘Sin Gluten’ and ‘La Frontera’, which also headline their offer in Cannes.
Produced by Onza in collaboration with RTVE and Prime Video, ‘Sin Gluten’ stars Diego Martín as Ricardo, a successful chef who refuses to admit his problem with alcohol, especially after receiving a Michelin star and running a successful restaurant. However, a night of heavy drinking leads him to make a serious mistake and he is fired. With no other options, he returns as a teacher to the cooking school where he began his career. There, his students -young people from diverse backgrounds, some at risk of social exclusion- help him rediscover his passion for cooking and reconnect with a more authentic and simpler life.
Meanwhile, ‘La Frontera’ is the new series by Par Producciones for RTVE and Prime Video, starring Javier Rey and Itsaso Arana, and created by David Zurdo and Luis Marías. It’s set in 1987, when a captain of the Guardia Civil discovers an imminent ETA attack in Paris and, seeing that the Spanish government decides not to intervene, he acts on his own with a French policeman. Unbeknownst to him, his partner belongs to ETA, but is forced to help him stop the attack. In a race against time, they face betrayals, mafias and loyalty dilemmas.
These two dramas are joined by other fiction titles, such as ‘Dieciocho’, an intimate series that breaks down prejudices about immigration and addresses the dreams, prejudices and loneliness of the young protagonists as they discover their first love; and ‘Las aboga-
das’, which tells the story of the lawyers Lola González, Cristina Almeida, Paca Sauquillo and Manuela Carmena.
Completing the scripted lineup are ‘Ena’, which tells the story of a young Englishwoman who becomes the Queen of Spain, renouncing everything to live in a foreign land where she faces an attempt on her wedding day; and ‘Internal Affairs’, a drama thriller set in a neighborhood police station in Madrid in the 1970s and starring one of the first po-
licewomen in Spain, Clara, who infiltrates a plot to uncover a network of corruption linked to heroin trafficking in the city.
On the unscripted side, RTVE is presenting documentaries such as ‘Las heroínas del puente de los cuervos’, set during the Spanish Civil War, about a group of women imprisoned in the concentration and extermination camp for women in Ravensbrück, Germany; ‘Hope, estamos a tiempo’, a six-episode series in which Javier Peña guides us on a transformative journey through solutions that not only restore life on Earth, but also improve the quality of life of the people who inhabit it; and ‘SAC’, a documentary series that tells how the Behavior Analysis Section (SAC) of the National Police Force was created and what are their working methods.
Other documentaries include ‘Alter Ego: The Invisible Intelligence’, which explores in depth and form the main advances in Artificial Intelligence worldwide; ‘ADN Colón, su verdadero orígen’, about the true origin of Cristopher Columbus; and ‘Megamix Brutal’, a three-episode documentary series that tells the story of Max Music, a record label that was born in the early 1980s, when the dictatorship gave way to democracy and discotheques became the ideal leisure model.
La frontera Series
Sin Gluten Series
LOCAL HITS
READY TO BECOME INTERNATIONAL SUCCESSES
The excellent premiere of ‘Halef’ and the solid ratings achieved by the return of ‘Eshref Ruya’ set a fantastic precedent for Inter Medya ahead of Mipcom 2025.
By Luis Cabrera
lcabrera@todotv.tv @luis_cabreram
Fresh from its participation in Iberseries & Platino Industria 2025 -the second year in a row that the company has attended the Madrid event-, Inter Medya disembarks at Mipcom with a new title under its arm, ‘Halef ’, and one of the highest-rated shows of the season, ‘Eshref Ruya’, alongside its ever-growing catalogue of premium Turkish dramas, films, and international co-productions.
Produced by Most Production and guided by acclaimed producer Gül Oğuz, Inter Medya’s newest title, ‘Halef ’, distinguishes itself with a powerful cast and a storyline that blends high drama with emotional depth. Starring İlhan Şen, Aybüke Pusat, and Biran Damla Yılmaz, the series draws audiences into a universe of love, passion, secrets, and revenge from its very first episode.
The plotline follows Serhat, who after secretly marrying the woman he loves, Melek, returns to his hometown only to be forced by a blood feud into a second, religious marriage with Yıldız. Once a surgeon, now the heir and Agha, Serhat must step into his new role while living under the same roof with both women. In a mansion filled with enemies and buried truths, not only his leadership but also his love will be put to the ultimate test.
The show premiered on Thursday, September 18, 2025, on NOW, delivering the highest-rated debut of the September 2025 season in the Total 5+ demographic, with an impressive 4.44 rating and 13.22 share. The first episode of the series reached 6.1 million views on YouTube in a very short time, sur-
passing 10 million views and being praised by fans for its plotline, scenery and cast.
While ‘Halef ’ is already showing promising local results, ‘Eshref Ruya ’ is a complete reality: the series, another creation from TIMS&B Productions, has kept its strong performance in its return to the screen, leading the total category with a rating of 7.78, and ranking second both in AB (7.38) and ABC1 (8.62).
“‘Eshref Ruya ’ has a very special place in our catalogue,” shared Beatriz Cea Okan, VP and Head of Sales and Acquisitions at Inter Medya. “Locally, it captured audiences with its high production values, emotional storytelling and relatable characters.”
“Turkish viewers connected strongly with its themes, which gave the show a powerful momentum. Internationally, we see those same qualities making it attractive to buyers who are always looking for series that combine strong emotions with universal appeal. With season two now in production, we are confident it will travel even further and strengthen its position as one of our flagship titles,” she added.
Halef Drama
In the drama, Eşref spent years searching for a girl he once loved from afar as a child—a memory so distant and idealized, he called her “Rüya,” meaning dream. In the process, he rose to power as a high-ranking member of a mafia syndicate. Nisan, an idealistic young musician, ends up entangled in his world after performing at a wedding held in the luxury hotel Eşref runs. He falls for her, unaware that she’s not only the longlost Rüya he’s been searching for, but also secretly working as an informant for the police. As love, betrayal, and power collide, Eşref is pulled into a deep reckoning—both with his crew and his own heart.
EVEN MORE PREMIUM DRAMAS. The depth of Inter Medya’s catalogue means that even with new titles at the forefront, previous premium dramas keep attracting plenty of attention around the world. That is why titles like ‘Deception ’ keep travelling the globe: after impressive performances in key territories such as Italy and Argentina, the TIMS&B production is set to premiere in Spain and Honduras.
Another TIMS&B Productions title distributed by Inter Medya, ‘Valley of Hearts ’, recently added Ecuador and Honduras to its list of territories, while, in a different deal announced in August, the distributor also sold ‘Last Summer ’ and ‘Heartstrings’ to Ecuador.
Other dramas like ‘Leylifer’, ‘Poison Ivy ’ and ‘Love and Pride’ also keep going strong from region to region. “We are also highlighting mini-series and feature films, which are performing stronger than ever,” added Cea Okan.
During Iberseries, the executive shared that Inter Medya is “considering the possibility” of producing short-form content, revealing that they will soon announce their first production on that front. “And we are also finishing the scripts for a new Inter Medya production, a daily series,” revealed Cea Okan.
“Turkish viewers connected strongly with ‘Eshref Ruya’s themes, which gave the show a powerful momentum”
“We are also highlighting mini-series and feature films, which are performing stronger than ever”
Deception Drama
Eshref Ruya Drama
Kanal D International
A TRUTH THAT CHANGES EVERYTHING
By Luis Cabrera
lcabrera@todotv.tv
@luis_cabreram
The meaning of love, after trust and a hidden truth have broken a seemingly idyllic life, is one of the main themes of Kanal D International’s newest drama, ‘Sins and Roses’.
Just days after its premiere in Turkey (scheduled to be October 11th), ‘Sins and Roses’, the latest drama to be added to Kanal D International (KDI)’s catalogue, is ready to own the spotlight during Mipcom, thanks to fantastic combination of attributes -powerfull storytelling, stellar cast and high-quality production values- and the distributor commitment to put it front and center in the mind of the executives present at Cannes.
Produced by NGM, written by Yelda Eroğlu, and directed by Deniz Can Çelik, ’Sins and Roses’ tells the story of Serhat, a successful businessman who has built his life on honesty, family love and trust. His world is turned upside down when he discovers a deep secret that his wife Berrak has kept for years. When Berrak falls into a coma after an accident, Serhat searches for answers and meets Zeynep, a brave and honest girl from a poor neighborhood.
KDI will be showcasing the title in a unique manner during Mipcom: “Instead of a traditional screening, we are hosting a special party at Carlton Beach with the stars of ‘Sins and Roses’, Cemre Baysel and Murat Yıldırım,” reveals Elif Tatoğlu, Distribution Strategy and Sales Director at Kanal D International. “It’s not only a way to celebrate the launch of this new drama, but also a chance for our partners to meet the cast personally in a relaxed, festive atmosphere by the sea.”
“We want our guests to experience the spirit of Turkish drama through the people and stories that make it resonate worldwide,” added the executive.
What details can you share about ‘Sins and Roses’? ‘Sins and Roses’ is one of the standout projects of this season and a key highlight of our line-up. At its core, it’s about how a single hidden truth can suddenly change the course of life, even when everything seems perfect. The series explores universal themes such as love, betrayal, family, guilt, and second chances through characters that feel both powerful and deeply human. With Murat Yıldırım -already an internationally recognized face of Turkish drama- and Cemre Baysel, one of the brightest new stars, the show brings strong talent and chemistry to the screen. Produced by NGM, a powerhouse known for global hits, it comes with a proven track record for international success.
Which titiles will you be showing to buyers at Mipcom? We’ll be presenting exclusive previews and materials to our buyers, giving them the first look at this charac-
Elif Tatoğlu, Distribution Strategy and Sales Director at Kanal D International
“With Murat Yıldırım and Cemre Baysel, ‘Sins and Roses’ brings strong talent and chemistry to the screen”
ter-driven story that we strongly believe has the potential to travel across diverse markets. Even before it began airing, the title generated remarkable buzz among our clients, leading to multiple presales already secured, which we will be announcing shortly.
‘Secret of Pearls’ has been one of the biggest hits of the past seasons. How big has its impact been around the world? ‘Secret of Pearls’ is preparing for its third season, which is itself a testament to the strength of its story and characters. While it appeals to a more defined audience, its narrative remains emotionally powerful and engaging. Internationally, this makes it a strong option for channels and platforms looking for character-driven drama with continuity. Entering its third season, ‘Secret of Pearls’ has proven its staying power and stands as one of our most solid, resonant titles.
What other titles would you be highlighting during Mipcom? Alongside ‘Sins and Roses’, we will spotlight ‘The Family Burden’, which has been warmly received in international markets for its heartfelt exploration of love, generational conflict, and family dynamics. At the same time, our evergreen library continues to be a cornerstone: iconic dramas such as ‘Fatmagül’, ‘Forbidden Love’, ‘Time Goes By’, ‘Ruthless City’, ‘Price of Pasion’, ‘For My Son’ and ‘Kuzey Güney’ still travel successfully and hold strong potential for local adaptations. This combination of fresh star-driven dramas and timeless classics ensures that our line-up appeals to a wide variety of markets and audiences.
Sins and Roses Drama
“‘Secret of Pearls’ is preparing for its third season, which is itself a testament to the strength of its story and characters”
Scripted format sales keep growing for KDI. Recently you announced a new deal, this time with MBC. How big is this area of business right now for KDI? How do you see it growing moving forward? Format sales have become a strategic priority for us as our catalogue stands out with its diverse stories and proven track record. The recent deal with MBC for ‘Time Goes By’ is another important milestone. Over the years, we have built a proven track record with adaptations: from ‘Fatmagül’ and ‘Forbidden Love’ to ‘Ruthless City’, ‘Three Sisters’, and ‘War of the Roses’. Most recently, ‘Three Sisters’ reached a new milestone with its first format adaptation in Kazakhstan, further underlining the adaptability of our stories.
Looking forward, we see strong potential. Even if the finished versions gets older in terms of production quality, their stories never get old. Our catalogue is full of such stories. In addition to our classics, more recent titles such as ‘The Family Burden’, ’Secret of Pearls’, ‘Kuzey Güney’, ‘For My Son’ and ‘Sins and Roses’, whose character-driven conflicts can resonate in many cultural contexts. As more markets seek locally produced content with proven storylines, Kanal D International’s catalogue with its emotional depth, universal themes, and iconic characters provides one of the richest sources for future adaptations.
“Format sales have become a strategic priority for us as our catalogue stands out with its diverse stories and proven track record”
RUTHLESS CITY AVAILABLE ON PRIME VIDEO IN BRAZIL
Last month, Kanal D International announced the launch of its acclaimed Turkish drama ‘Ruthless City’ (‘Zalim İstanbul’) on Prime Video in Brazil, made available through the Prime Video Direct portal. ‘Ruthless City’ is a gripping tale of power, ambition, and family secrets, exploring the clash between privilege and morality. Already a
global success, the drama has captivated millions of viewers around the world and now arrives to win over Brazilian audiences. “We’re thrilled to collaborate with Prime Video to bring Ruthless City to Brazil”, said Tatoğlu. “This milestone reflects our commitment to expanding the global reach of premium Turkish storytelling.”
Secret of Pearls Drama
Triskelion Productions
THE START OF A NEW CYCLE
By Carolina Mussio cmussio@todotv.tv @carolinamussio
Celebrating the successful debut of their new FAST channel, Cycle Kids, and anticipating the launch of another platform, Cycle TV, while also working on brand new original productions; Triskelion Productions is arriving at Mipcom with an enticing offer and big goals for the international market.
This has proven to be another very busy year for Triskelion Productions, as it continues to pursue its many projects and launches, from platforms and channels, to original productions, and more.
One of the company’s main endeavors has been the recent launch of Cycle Kids, a FAST channel developed by Triskelion, boasting over 465 hours of children’s content.
“We launched Cycle Kids and we have received a lot of positive feedback,” Ric Acevedo, President and Executive Producer of Triskelion Productions, told ttv. “Our plat-
My Neighbor Totoro
form is growing, and we are looking forward to closing some great deals.”
In terms of its content offer, Cycle Kids has a broad selection of high-quality titles aimed at young viewers. “We are offering many titles form BRB International’s classics. We are grateful to our partners, Planeta Junior for all their help and support,” the executive explained.
“We now have a couple of films from the Studio Ghibli catalogue among other great titles”, he added. “Over time, we’ll also launch our own original productions through the platform. We’re excited to be able to present content from a different perspective,” the executive explained.
And when it comes to expanding this offer, the executive highlighted the importance of prioritizing quality over quantity. “We will add a bit more, but we don’t want to overdo it.”
Cycle Kids is an international platform, which is currently available in key markets such as the US, Canada, Australia and the UK, with plans to extend its footprint even further in the near future. “We are looking to eventually expand into the Latin American market, for sure. Many of our titles were highly popular in Latin America,” Acevedo revealed.
Along with Cycle Kids, Triskelion Productions is working on launching another major platform for the global market, one which has been in the works for several months: Cycle TV. “We are still working on launching Cycle
Ric
Acevedo, President and Executive Producer of Triskelion Productions
“We launched Cycle Kids and we have received a lot of positive feedback.”
TV. You can expect a lot of international content offerings. We feel there is a lot out there that’s yet to be seen.”
“We’re eagerly awaiting the launch of the platform and are excited about what the future holds. We look forward to connecting with distributors and producers to continue growing in the coming months,” he added.
Speaking of growth, along with these new FAST channels, Triskelion continues to invest in original production, a field they’re wellknown for and through which they’ve produced very successful titles in the past.
“The year has been wonderful. We are in pre-production for two docuseries and we are looking to shift into narrative soon”, he revealed.
The next step now is Mipcom, where Triskelion is arriving with a full schedule and big goals. “We are meeting with various producers and presenting both platforms, and also showcasing what Triskelion does as a company”, he concluded.
Gormiti
Animation
Animation
Acun Medya Group
CREATIVITY AND BOLDNESS
By Luis Cabrera lcabrera@todotv.tv
Bolstered by the huge international success of ‘Exatlon’, and recent additions of formats like ‘Darts Party’ and ‘Cash Kitchen’, Acun Medya’s is ready to continue travelling all over the world.
Through a commitment to high-quality, creative and engaging non-scripted content, Acun Medya Group has positioned itself as an ideal partner for broadcasters looking for proven international hits, as evidenced by the worldwide success of ‘Exatlon’.
As the group continues to grow, acquiring 50% shares from Germany’s Sport1 in 2024, its ecosystem becomes even more able to generate internationally appealing content: “TV8 is number 1 and most-watched channel in Turkiye, and Exxen is a fast-growing digital platform reaching younger audiences,” details Ebru Atasav Tahrancı. “Together with our international productions, our own hub in Dominican Republic, and now our German operations, this ecosystem allows us to test, adapt, and scale ideas and formats quickly across different platforms and territories.”
As a producer, Acun Medya’s focus is on non-scripted shows: “Scripted and non-scripted both have their place in today’s entertainment, and we as well are big fans of the huge success of Turkish dramas, but I have to say that our DNA as a company is non- scripted,” shares the CEO. “We have been growing with non-scripted, and that’s where our expertise and creativity is and our focus will remain on non-scripted in the coming years.”
‘Exatlon’s success has been opening all kinds of markets for the company. What are the latest news regarding new seasons and territories? ‘Exatlon’ is one of our flagship formats, and we keep on putting our efforts to grow it. Over the years, we have successfully adapted ‘Exatlon’ in multiple countries, from Latin America, USA to Europe, and it remains one of the strongest sports-reality formats globally. We are currently preparing new seasons in several territories, including Mexico, the U.S. Hispanic market, and Europe. Two new countries have joined the ‘Exatlon’ Family, Greece and Germany, with great interest from the viewers.
Which of the show’s many achievements are you most proud of? What makes me most proud is not only its ratings success, but the way ‘Exatlon’ has become a cultural phenomenon, inspiring millions of viewers to embrace sports, teamwork, resilience, and discipline.
How much has ‘Exatlon’s hub in the Dominican Republic grown during these years? How many versions of the show are you filming at the time in that hub? Our Dominican Republic hub has become one of the largest and most advanced pro -
Ebru
Atasav Tahrancı,
CEO of Acun Medya Group
“Over the years, we have successfully adapted ‘Exatlon’ in multiple countries, from Latin America, USA to Europe, and it remains one of the strongest sportsreality formats globally
duction bases in the world for reality-entertainment and sports formats. It started with ‘Survivor’ and ‘Exatlon’, but over time it has grown into a multi-format hub with stateof-the-art infrastructure, serving many countries and different formats simultaneously. Sometimes I see it like an adventure park of television, we have no limit of simultaneous productions and formats. Within our investments in the hub, we have built our own hotel to serve our teams and partners. The hub has not only strengthened our operational efficiency but also created a creative ecosystem where our international teams from different countries and cultures with different audience habits exchange know-how and push the formats further every season.
What other formats would you like to highlight during Mipcom? ‘Exatlon’ is a success story, but our portfolio is much wider. During Mipcom 2025 we are presenting a variety of formats. The ones we have been producing for years like ‘My Style Rocks’, ‘Power of Love’ and the ones we created recently like ‘Darts Party’ and ‘Cash Kitchen.’ These formats continue to perform strongly in multiple markets, and they have a global potential.
“Our Dominican Republic hub has become one of the largest and most advanced production bases in the world for reality-entertainment and sports formats”
How important was the partnership with Sport1 (Highlight Communications) in Germany and what does this mean for your international content output? Our partnership with Sport1 and Highlight Communications is extremely valuable for us, as I always say we share the same vision and we started this journey with full trust, and they have been a great visioner company in TV and entertainment business also. Being present in Germany, one of the toughest and
most respected markets, is both a challenge and an opportunity for us. As a smaller channel, we can take bigger risks, and we have the freedom to be bold and innovative, we try new ideas, re-imagine old ones. As Acun Medya our biggest advantage is to take risks and learn from every experience. That’s how we have grown to the company we are today… So, I am sure the experiences we have from this journey in Germany will take us to a unique place in our international growth.
What can you highlight about the synergy between the different sister companies, like Exxen and TV8? What are the biggest advantages that this ecosystem gives to Acun Medya? The greatest strength of Acun Medya lies in our ecosystem. TV8 is number 1 and most-watched channel in Turkiye, and Exxen is a fast-growing digital platform reaching younger audiences. Together with our international productions, our own hub in Dominican Republic, and now our German operations, this ecosystem allows us to test, adapt, and scale ideas and formats quickly across different platforms and territories. One day we dream of something, next month we produce it, and we put it on air. This synergy ensures that we can create an idea in any part of the world, test it on our platforms and then bring it to international markets with confidence.
You have been Acun Medya’s CEO for 20 years (since 2005). What makes you most proud of the company’s evolution, both locally and internationally? What makes me most proud is that Acun Medya has never lost its spirit and values from the first day. Our values are defined by creativity and boldness. We are not afraid to take risks or making mistakes and we see every journey as an opportunity to learn and grow. We value creativity but as much we value the people who make it happen, our partners, our teams and our audiences. Every show we create carries these values, bringing happiness, creating togetherness… We started as a small boutique production company in Turkiye and today we are a global player with more than 10.000 hours of productions in multiple continents. Along the way, we worked hard with our teams and partners and managed to touch millions of lives by entertaining and inspiring audiences worldwide. And none of the values I mention above changed, they just travelled with us to different countries in a growing team.
“The synergy [of our ecosystem] ensures that we can create an idea in any part of the world, test it on our platforms and then bring it to international markets with confidence”
BETA EXTENDS SPANISH SLATE WITH SECUOYA STUDIOS AND MOVISTAR PLUS+
The group announced production of ‘Under a Volcano’ and ‘Road to Arcadia’ with Secuoya, along with the third season of ‘El Inmortal - Gangs of Madrid’ with Movistar Plus+.
Munich-based Beta Film, known for consistently best-selling Spanish series such as ‘The Pier’, ‘Perfect Life’, ‘Grand Hotel’, and ‘Velvet’, extends its high-quality Spanish slate with two fresh titles as well as a long-awaited comeback.
Beta Film is partnering with Secuoya Studios on the feature film ‘Under a Volcano’ (2 hours) and the thriller series ‘Road to Arcadia’ (6x1 hour), both starring William Levy (‘Resident Evil – The Final Chapter’) in the lead role. These titles are part of Secuoya’s deal with ViX and William Levy Entertainment.
Also, shooting of the long-awaited third season of the Movistar Plus+ hit series ‘El Inmortal – Gangs of Madrid’ (20x1 hour) started. In the new season, each episode reflects one day of José-Antonio’s final battle for power.
Beta Film has long been established as the home for Spanish content with a lineup of award-winning titles, some of which spawned multiple long-running adaptations
and scored superb ratings all over the world: Leticia Dolera’s ‘Perfect Life’ won three awards including Best Series at Canneseries, as well as many more prizes at the Ondas Awards, Fotogramas de Plata, and Feroz Awards.
Likewise, ‘Rapa’, from the creators of ‘Hierro’, Alex Pina’s ‘The Pier’, and ‘La Unidad’, were all titles from the successful multi-year licensing agreement with Spanish powerhouse Movistar Plus+ and have also garnered international accolades throughout the years.
The Spanish hit series ‘Velvet’ and ‘Grand Hotel’ both spawned multiple international adaptations, with ‘Velvet New York - The New Empire’ being the most recent one, currently airing with tremendous success on Telemundo in the US.
Beta picked up the gripping crime series ‘Road to Arcadia’ (6x1 hour), directed by Jorge Saavedra (‘Zorro’). The six-hour drama circles around secrets, revenge, and an unescapable past. Pablo (William Levy) lives a fulfilling life with his son Bruno and partner Irene (Paula
Echevarría). But when Bruno’s mother Valeria (Michelle Renaud) resurfaces from their mutual dark past, Pablo’s idyllic life starts to unravel. The series is produced by Secuoya Studios for Sky Showtime and ViX.
In the feature film ‘Under a Volcano’ (2 hour), also produced by Secuoya Studios for ViX, a volcano on Tenerife comes to life after centuries of inactivity. With the situation under evaluation, rescue pilot Captain Mario Torres (William Levy) is sent to the island. Mario and local volcanologist Dani (Maggie Civantos, Locked up) are caught between danger and desire when the volcano erupts.
The first season of ‘El Inmortal - Gangs of Madrid’ celebrated its world premiere at Canneseries 2022 and turned into a hit on Movistar Plus+ ever since. In the third season of the Movistar Plus+ hit series ‘El Inmortal - Gangs of Madrid’ (20x1 hour), José Antonio has installed his most loyal gang member as the successor to his throne: La Rubia. And she has proven a good choice for José, who, in turn, has been mending the wounds inflicted on his family. But when a snitch blows the whistle on an upcoming shipment, the ultimate life-and-death battle for power ensues. The series is produced by Movistar Plus+ in collaboration with DLO Producciones.
Beta Film has long been established as a home for Spanish content with a line-up of award-winning titles.
EDUTAINMENT: THE NEW RULES OF KIDS’ CONTENT REPORT Kids
INNOVATION, DIVERSITY AND
By Carolina Mussio cmussio@todotv.tv @carolinamussio
Evolving technologies, changes in consumer habits, and the demand for safe, inclusive and educational shows are redefining the children’s content industry. In the following report, ttv compiles different views from producers, distributors, and content creators, who analyze the trends shaping the present and future of the market.
The children’s content industry is undergoing a period of profound transformation, driven by changes in consumer habits, technological advances, and the demand from families seeking entertainment with added value for their children. The sector is undergoing a dynamic process where innovation, interactivity, education, and cultural representation are becoming fundamental pillars for connecting with today’s younger viewers.
In the following report, ttv presents diverse outlooks from key industry players -producers, distributors, creative directors and content creators- to showcase a broad and representative snapshot of where the market is headed, exploring the concerns, opportunities and challenges shaping the current agenda.
Up next, we outline the main trends that have marked 2025 in the world of children’s content: from the consolidation of edutainment to the growing demand for inclusion and diversity, the rise of interactive formats, the impact of artificial intelligence, and the power of major IPs.
ENTERTAINMENT WITH ADDED VALUE: EDUTAINMENT
The shared desire from parents around the world for their children’s screen time to be enriching and not just a distraction has given rise to the biggest trend in kids’ content today: edutainment.
“The children’s content industry continues to evolve toward a more meaningful and purposeful offering,” explains Edgar Spielmann, CEO and co-founder of 2BeNamed “The main trend is content that, in addition to entertaining, provides a differentiating value, fostering curiosity, promoting positive values, or encouraging exploration and responsibility for the world around them.”
“Children’s content has evolved beyond pure entertainment,” adds Marijo Arnaiz, senior sales manager at Toonz Media Group. “Edutainment is gaining ground as a powerful means of imparting knowledge in innovative ways, and parents are embracing these modern approaches instead of conventional learning methods.”
“Today’s parents are more involved than ever,” share Roberto Mitrani and Xavi Mas, co-founders of Liquid Rock Entertainment
“They want content they can trust, and that’s a key factor for success. It must be entertaining and developmentally relevant.”
In response to this demand, groups like Gookapi have developed products that promote “universal values and sustainable development,” creating a “safe space where parents can trust to find violence-free, green, and inclusive content,” explained Marianella Gomis, director of Project Development and Acquisitions; or El Reino Infantil, whose songs in English and Spanish help Latino audiences maintain their language, “and help English-speaking parents know that their children can learn Spanish easily,” emphasized Kuky Pumar, the group’s executive director.
This evolution has led children’s content to take on a new dimension, where “its ability to educate, include, and emotionally connect with the little ones is now valued,” says Tony Albert, CEO of Motion Pictures, and generating “a growing need for younger preschool content,” as predicted by Alex Sherwood, CEO and director of Development at Giant Animation
“We’re seeing a boom in edutainment and inclusive storytelling,” summarizes Johannes Gropp, founder and CEO of StoryZoo, touching on another one of the major trends shaping the current state of children’s content.
INCLUSIVE CONTENT FOR A DIVERSE WORLD
When it comes to education, lessons go well beyond the school curriculum, into content that imparts values and reflects an increasingly heterogeneous and multicultural society.
“Inclusion is increasingly important. Children need to see a representation of themselves and how they experience the world,” explains Marylou Thistleton-Smith, CEO of TVG , emphasizing the need to present diverse characters. As Manoj Mishra, CEO and managing director of Powerkids, also says: “Character diversification is a key trend, with a focus on representing different backgrounds, abilities, and cultures. This shift is driven by the demand for more inclusive and relatable content.”
“In 2025, we are seeing several key trends, such as the increase in diverse characters in leading roles,” adds Maggie Salas-Amaro Castellon, director of Kids at Canela Media, as “there is a growing demand for content that promotes diversity, inclusion, and education.”
In pursuit of a more inclusive representation of viewers, Lucia Geraldine Scott, a producer at Red Monk Studio, predicts that the industry “will increasingly move toward integrating digital phenomena into the pro -
PongPong Dino Dandeloo
Kids
duction of audiovisual content, which will inevitably lead to the creation of products capable of overcoming barriers of gender and social status.”
BEYOND THE SCREEN: THE RISE OF INTERACTIVE CONTENT
In other words, viewers are taking an increasingly less passive role in the face of entertainment, becoming active participants in content, giving way to the third major trend of the year: interactivity.
“The digital and interactive environment on a global level has become the indispensable way to connect with audiences,” explains Carlos Biern, Content & Media Sales director of DeAPlaneta Kids & Family. “The goal is to generate relevant content adapted to users wherever they are.”
Great allies in this journey are, without a doubt, the new technologies, which “are redefining the way children interact with stories,” says María Bonaria Fois, president of Digitoonz Spain. “More immersive and interactive formats are transforming passive consumption into a participatory experience.”
“The industry is also seeing a surge in interactive content due to the growing popularity of podcasts, video platforms, and immersive experiences like virtual and augmented reality,” adds Powerkids’ Mishra.
“As creators, we must tap into the zeitgeist and engage with cultural trends in real time. Today’s kids consume content interactively, so linear episodes alone are no longer enough,” advises Lizzie Jones, producer of Piranha Bar “To engage younger generations in the coming years, animated content will need to be interactive and immersive, adaptable, and scalable,” adds Hugo Brochard, International Sales manager at Superights
In this regard, Migdalis Silva, VP, Brand Head for Nickelodeon Latin America, predicts: “Multiplatform productions, which combine series with video games and interactive digital experiences, are setting the pace. Looking ahead, we expect a boom in genres such as adventure, science fiction, comedy, and ecology, always with an innovative approach.”
“In 2025, personalization remains a strong trend: kids interact with content where, when, and how they want, often in shorter
periods of time and across multiple platforms,” summarizes Luke Field, general manager of Commercials for The Wiggles.
ARTIFICIAL INTELLIGENCE AND THE CREATOR ECONOMY
In this quest to connect with their audiences, content creators are increasingly relying on one of the tools that has gained the most ground in recent years: Artificial Intelligence, which not only helps streamline content creation, but also reduces costs and democratizes production.
“In terms of trends, AI will accelerate rapidly, playing a role in optimizing channels and making budgets more efficient, as well as helping creators create their own content,” highlights Oliver Ellis, deputy CEO of Hoho Entertainment
“Thanks to rapidly evolving new production technologies, producers can generate creative ideas to produce incredible programs at a lower cost. With advancements in AI, we will see more specialized and personalized content emerge,” adds Emre Aksoy, CCO of Fauna Entertainment.
“AI will improve efficiency across all facets of our industry, helping us work more effectively -not just in animation and production, but in every aspect of our business, from streamlining workflows to reducing budgets and timelines- allowing us to deliver high-quality content more quickly and efficiently,” explains Anna Pokorska, sales manager at CAKE Distribution
TRAVELING WITH THE POWER OF BIG IPs
Optimizing costs and production models is especially important in these uncertain times for the entertainment industry in general, and has led to a search for solutions and guarantees when creating content, especially for children, where big-name IPs seem to be the most popular option.
“The children’s content industry is more competitive than ever, with limited discoverability and reduced licensing budgets making it increasingly difficult for new series to stand out. Given these challenges, it’s increasingly important to rely on established IPs that come with built-in audience awareness or strong marketing potential,” emphasizes Joss Duffield, VP of Distribution at 9 Story Media Group
Edutainment is gaining ground as a powerful means of imparting knowledge in innovative ways
Tina & Tony Animotion Media Group
“I think the market will remain conservative and continue to favor well-known IPs for major television projects,” adds Ivan Agenjo, CEO and Executive Producer of Peekaboo Animation, “especially when it comes to content that lives in the digital world or on AVOD platforms.”
The VOD universe is now a must for children’s content, which must be able to transcend the traditional TV screen and expand into other spaces, adapting to new consumer habits.
“The children’s audiovisual industry has been undergoing a profound transformation for some time now, marked by changing consumer habits, audience fragmentation, and the pressure to maximize the performance of each production. Streaming platforms have introduced a new logic: it’s no longer just about broadcasting content, but about building sustainable narrative universes, where each title can expand, build loyalty, and become a brand,” says Begoña Esteban Montero, director of International TV Sales and Acquisitions at Pink Parrot Media
“The children’s content industry is evolving rapidly, with the continued rise in VOD consumption and cuts in commissions, which means producers and distributors need to diversify their strategies and offerings to stand out in the market,” says Safaa Benazzouz, EVP of Distribution at Xilam Animation
That being the case, some people haven’t lost hope that the industry will return to its
former glory days. “The current situation is a very difficult and challenging market. Fewer commissions, fewer acquisitions in both the linear and non-linear sectors. However, children aren’t going to stop watching screens and animated series. That’s why I believe in the recovery of our industry; we just have to hang on long enough and remain creative and innovative in all aspects of our industry,” encourages Raphaëlle Mathieu, COO of Cyber Group Studios.
Gigantosaurus Cyber Group Studios
Inclusion is increasingly important, children need to see a representation of themselves and how they experience the world
THE ROAD AHEAD
In summary, the children’s content landscape in 2025 reflects an industry undergoing a transformation, where the combination of education and entertainment, inclusion, interactivity, and new technologies, converge to respond to the new habits and expectations from kids and families. The challenges of a competitive and fragmented market coexist with enormous creative and technological opportunities, allowing for the creation of increasingly diverse, accessible, and meaningful offerings.
The future of the sector will depend on its ability to innovate without losing sight of its essential mission: to offer new generations safe, enriching experiences capable of inspiring their curiosity, empathy, and connection with the world.
Bibopalula Digitoonz Spain
DISTRIBUTION ÁNIMA KITCHENT’S TIPPI T-REX
ROARS INTO A NEW TERRITORY
INDEPENDENT EUROPEAN ANIMATION
COMPANY Ánima Kitchent and Indonesian animation studio Mocca Studio announced a major step in the global expansion of their preschool animated series, ‘Tippi T-Rex’, having secured a significant distribution agreement for the Chinese market. The series has been acquired by 24 Bridges a subsidiary of Beijing based Bridges Culture Transmission Co. Ltd, in a deal brokered by Barcelonabased distributor GoldBee, which specializes in kids and family content. Tippi, an adorable 4-year-old T-Rex lives with her mommy, daddy and her big brother Ryan in a contemporary world that, instead of humans, is inhabited by all kinds of dinosaurs and other prehistoric species. She is cheerful, has a lot of imagination and is infinitely curious about the world around her, even for details that seem insignificant to others. She uses her contagious energy and imagination in the most everyday situations to turn them into incredible adventures all whilst learning and having fun.
DISTRIBUTION
ANIMOTION MEDIA GROUP PARTNERS WITH PAYCOM MULTIMEDIA TO EXPAND ITS IPS IN SPAIN
ANIMOTION MEDIA GROUP announced its partnership with Paycom Multimedia to launch two of its most beloved children’s series, ‘The Fixies’ and ‘Tina & Tony’, for Catalanspeaking audiences in Spain. As part of the deal, seasons 1-4 of ‘The Fixies’ and seasons 1-3 of ‘Tina & Tony’ are now streaming in Catalan on Filmin, with additional availability on Prime Video. ‘The Fixies’ combine STEM concepts with fun, action-packed storytelling through tiny creatures to explain how things work in the world around us. ‘Tina & Tony’ bring warmth and laughter to preschoolers through playful adventures between two charming animal friends. Both series continue to gain traction globally and are key titles in Animotion’s growing portfolio of smart, heart-led children’s content.
DISTRIBUTION NELVANA SIGNS PARTNERSHIP WITH THE ROKU CHANNEL FOR BUILDER BROTHERS DREAM FACTORY
CORUS ENTERTAINMENT’S NELVANA has partnered with The Roku Channel to exclusively launch 3D animated preschool series ‘Builder Brothers Dream Factory’ (40x11’) in the US. Viewers are now able to stream the beloved animated series inspired by the real-life Property Brothers, Drew and Jonathan Scott, on The Roku Channel. The 3D animated series co-produced by Sinking Ship Entertainment and Scott Brothers Entertainment follows the adventures of Drew and Jonathan Scott, twin brothers who dream big. With extraordinary imagination, creativity, grit and heart, coupled with a big dose of “twin-spiration”, there’s no build too big and no problem too small for the brothers and the Dream Factory crew to handle.
MONELLO PRODUCTIONS, part of Banijay Kids & Family, announced the development of original animation, ‘Pikky & Rhino’. The series is created by Cécile Sady and Ahmed Guerrouache, with Giorgio Welter and Cécile Sady as producers. With a blend of cartoon humour and rich visual storytelling, ‘Pikky & Rhino’ explores themes of loyalty, interdependence, and friendship,
through the lens of two unlikely companions living on the savannah. Targeted at children aged 6–9, ‘Pikky & Rhino’ centres on the exclusive bond between Pikky, an energic little bird, and Rhino, his gentle best friend. From his perch on Rhino’s back, Pikky keeps his buddy clean
and tidy, while Rhino offers Pikky safety, snacks, and steadfast companionship. Their relationship is symbiotic, but more importantly, it’s deeply emotional, built on trust and devotion. The series introduces a playful tension as other animals on the plains grow envious of Pikky’s talents and the duo’s seamless setup. Each episode sees the pair navigating these challenges, reinforcing the value of true friendship in the face of temptation and rivalry.
EL REINO INFANTIL
Kids THE NATURAL NEXT STEP OF A GLOBAL HIT
The ambition behind new animated series ‘Bartolito’ goes way beyond just storytelling. The project is backed by a global production model and cutting-edge tools.
By Rosa Fuentes rfuentes@todotv.tv
In the high-stakes world of kids’ entertainment, very few brands have pulled off the kind of cultural relevance and staying power that El Reino Infantil achieved with ‘La Granja de Zenón’. Now, the Argentine company is leveling up creatively
with the launch of ‘Bartolito ’, a new animated series that’s already set up to become the next big hit for kids and families around the globe.
The show is being unveiled at Mipcom 2025 in Cannes, where the company aims to lock in its leadership position and flex the kind of innovation that makes it stand out. With ‘Bartolito’, El Reino Infantil is rolling out a
strategy that blends the strength of its storytelling universe, solid educational values, and powerful tech, always looking ahead to what new generations need.
Ezequiel Inzaghi, Chief Content Officer in Content Creation, calls this new project “the natural evolution” of the phenomenon that won over millions of families through ‘La Granja de Zenón’.
“The world of ‘Bartolito ’ is set in a school environment full of adventure, laughs, and discovery. It’s a space where kids deal with everyday stuff: making friends, learning new things, solving problems, all boosted with a touch of fantasy inspired by gaming culture,” he explains.
If ‘La Granja de Zenón’ introduced little ones to rural life and music as a gateway to learning, ‘Bartolito’ takes the beloved character into one of the most defining spaces of childhood: school. That’s where kids face brand-new challenges around socializing and growing up, wrapped in fresh, dynamic storytelling designed to click with today’s audience.
POWER-UPS: WHERE GAMING MEETS STORYTELLING. One of the coolest, most distinctive elements of the series is the Power-Ups, which work both as a narrative device and an educational tool.
“Every time the characters run into a Power-Up at school, it’s a chance to learn about an emotion or behavior, like patience, teamwork, or respect, in a natural, fun way,” says Inzaghi. It feels just like unlocking a new level or skill in a video game, something kids are totally familiar with. By doing that, the show mixes the rush of gaming with a teaching angle that reinforces core values. On top of that, Power-Ups add crazy visuals and energy, creating memorable moments
Adventures of Akira & Mowgli Animated Series
that deepen the emotional connection with the audience.
GLOBAL PRODUCTION AND NEXT-GEN TECH. The ambition behind ‘Bartolito’ isn’t just about the story. The project is also powered by a worldwide production model and next-level technology.
The writers’ room includes talent from different countries, including the US, bringing cultural diversity and multiple perspectives. Plus, having educational advisors on board means every episode goes beyond entertaining to actually supporting kids’ social and emotional development.
On the tech side, the show makes a major leap by bringing in Unreal Engine, the same game engine behind tons of AAA video games. That gives the series immersive worlds, real-time lighting, and stunning visuals, placing ‘Bartolito’ right in step with global animation trends.
“The combo of an international creative team, a strong educational approach, and top-notch tech guarantees a product that’s competitive worldwide: innovative, visually stunning, and loaded with educational depth,” says Inzaghi.
GOING MULTIPLATFORM: GAMES, APPS, AND MORE. El Reino Infantil’s transmedia DNA will also shine across the ‘Bartolito ’ universe. Ylka Tapia, Content Acquisition and Partnership Manager, reveals that the series will branch out into complementary products designed to expand its reach across multiple platforms.
“The style of this new animation, heavily inspired by gamification, opens the door to some really exciting verticals, especially a video game that will complement the main story. Even though it’s got that playful vibe, we’re sticking true to our educational values. At the end of the day, it’s pure edutainment,” she says.
On top of the game, the brand will roll out merch lines, extra video content, and even its own ‘Bartolito ’ channel within the Reino Infantil app. Tapia adds that they’re already in talks with publishers to explore fresh interactive experiences for the character.
STAYING ON TOP IN THE YOUTUBE ERA. One of El Reino Infantil’s biggest achievements is its status as the top YouTube channel in Spanish. That’s not only hard to reach,
it’s even harder to hold onto in such a cutthroat ecosystem.
“In today’s YouTube scene, it’s tough to grow as a creator. The competition’s insane, and staying at the top takes a whole lot of human effort,” Tapia admits. To do that, the company invests in specialized teams, ongoing training, and a mindset that’s always chasing innovation.
Digital trends move fast; from the rise of AI to shifting content consumption habits, and El Reino Infantil works to stay ahead by testing out new tools, launching challenges, and constantly raising the bar on production quality. That drive to keep improving is tied directly to the vision of founder Kuky Pumar, described as an innovator and visionary who pushes the team to experiment and stay open to new ideas.
“That’s honestly one of the engines that helps us keep and even strengthen our leadership,” Tapia explains.
AN EXPANDING IDEA FACTORY. El Reino Infantil isn’t ruling out further expanding its narrative universes. “We can’t give away too much because we want the surprise to be for our audiences, but let’s just say the sky’s the limit. We’re a real idea factory, always expanding the worlds of our series,” Tapia hints.
The company keeps close ties with families, actively listening to what they want to help decide which stories to continue or explore. That means ‘Bartolito ’ could just be the start of another big chapter in the studio’s creative journey.
With ‘Bartolito ’, El Reino Infantil shows it’s not resting on past wins, it’s doubling down on innovation to win over new audiences. In a world where the battle for kids’ attention is tougher than ever, the company stays locked on its mission: delivering content that entertains, excites, and educates.
MIPCOM HIGHLIGHTS
Ezequiel Inzaghi, Chief Content Officer in Content Creation
“The world of ‘Bartolito’ is set in a school environment full of adventure, laughs, and discovery”
Ylka Tapia, Content Acquisition and Partnership Manager
“The style of this new animation, heavily inspired by gamification, opens the door to some really exciting verticals, especially a video game that will complement the main story”
The ‘Bartolito’ series will be the headline announcement at this year’s market. The company is also scouting co-production opportunities and showcasing its multilingual catalog of hit kids’ series for platforms and broadcasters, including ‘La Granja de Zenón’, ‘BichiKids’/ ‘Boogie Buds’, ‘Canciones del Zoo’, ‘Familia Blu’, and ‘Paco el Marinero’. Business development is focused on both online and offline channels, targeting Latin America, the US, Europe, and Asia. El Reino Infantil will be located at the Spain Pavilion, booth R7.J11, during Mipcom 2025, offering a space for companies, creators, producers, and distributors looking to grow their global digital presence.
“The combo of an international creative team, a strong educational approach, and top-notch tech guarantees a product that’s competitive worldwide: innovative, visually stunning, and loaded with educational depth”
Kids POWERKIDS
MUCH MORE THAN THE BARE NECESSITIES
The beloved and internationally-recognized story of ‘The Jungle Book’ gets reinvented in ‘Adventures of Akira & Mowgli’, the highly-anticipated spin-off of the classic series, which leads Powerkids’ catalog of kids’ content gems for the international market.
By Carolina Mussio cmussio@todotv.tv @carolinamussio
Manoj Mishra, CEO at Powerkids
“’Adventures of Akira & Mowgli’ is both a continuation and a reinvention of one of the most beloved stories in kids’ entertainment”
When it comes to kids’ tales, few stories are as well-known and cherished around the world as ‘The Jungle Book’, an epic adventure that has enveloped millions of kids and across generations, from book to film and TV.
And one of the producers that have allowed this story to continue its legacy is Powerkids, who brought the beloved book to life in its animated title ‘The Jungle Book’. And earlier this year, the company announced it will continue the story through a collaboration with global partners to co-produce the brand-new show, ‘Adventures of Akira & Mowgli’, the highly anticipated spin-off of the ‘The Jungle Book’ series.
“2025 has been an exceptional year for Powerkids”, said its CEO, Manoj Mishra. “Our flagship title ‘Adventures of Akira & Mowgli’ has been a major highlight, generating tremendous buzz not only for its storytelling but also for the unique co-production model we’ve built with some of the industry’s most respected partners”.
“’Adventures of Akira & Mowgli’ is very close to my heart”, he continued. “It’s both a continuation and a reinvention of one of the most beloved stories in kids’ entertainment”. In the new series, Mowgli returns in a slightly older form, while Akira, our new inclusion, brings a fresh perspective, strength, and emotional depth that resonates with today’s audiences. She is adventurous, responsible, and deeply connected to both her jungle family and her village, embodying values of courage and empathy.
“The fact that industry leaders like BeIN, De Planeta, Telegael, Twelve P, 22D, Wallpeeps have joined us in co-producing this series is a strong endorsement of its global appeal”, the CEO explained. “With broadcasters already showing strong interest, we are confident that ‘Adventures of Akira & Mowgli ’ will travel well across cultures and platforms, delivering both nostalgia and novelty to audiences worldwide”, he anticipated.
To further extend the title’s potential, Powerkids is now headed to this year’s Mipcom, where, in addition to ‘Adventures of Akira & Mowgli ’, they will be showcasing a strong lineup of titles across genres, from preschool
to action-adventure. The catalog includes shows like ‘Little Mowgli’ and ‘Young Achievers Academy’, which “have already attracted strong interest from broadcasters, and we’re excited to build on that momentum”, he said.
“As we head into Mipcom, we are excited to share not just shows, but worlds of imagination that can inspire and connect children everywhere”, he added.
“We are incredibly grateful to our partners and audiences for believing in our stories. Recognition across content, marketing, and digital innovation this year has been a huge honor and a reminder that creativity and commitment resonate everywhere”, he revealed. “We’ve significantly expanded our global footprint through new partnerships with leading broadcasters, streamers, and distributors”.
On top of all this, this year Powerkids has also been actively expanding its licensing business, “creating new opportunities in consumer products and brand collaborations to extend our stories beyond the screen. Later in the year, we strengthened our direct-to-consumer presence with the launch of multiple FAST channels in India and international markets. Crossing the milestone of over 65 million combined digital subscribers has been another strong validation of the trust broadcasters, partners, and audiences place in our stories worldwide”.
As for the future, the CEO revealed 2026 will be all about “scale and innovation”. “You can expect new co-productions with leading broadcasters, further expansion of our FAST presence, and some exciting licensing deals. Importantly, new projects have recently been green-lit, and we’re thrilled to be bringing them into our 2026 slate. We are also investing more in gaming and consumer products to extend our storytelling beyond the screen”.
“Our vision is to make Powerkids a 360° kids’ entertainment powerhouse with a global footprint but locally relevant stories”, he concluded.
Adventures of Akira & Mowgli Animated Series
Kids SMILEHOOD
NEW PLIM PLIM SERIES NOW IN PRODUCTION
The kids’ brand continues to expand its content offering with an ambitious new production project, composed of 78 five-minute episodes, which will be available in late 2026.
By Carolina Mussio
Guillermo Pino, Creator of Plim Plim and President of Smilehood
“This new series continues Plim Plim’s purpose: to entertain and educate through values, fostering solidarity, friendship, respect, and joy in every family”
‘Plim Plim, el héroe del corazón’ (‘Plim Plim, a Hero of the Heart’) is taking further steps in its global expansion with the start of production of a new series, directed by Damián Soriano and supported by an experienced team of international screenwriters.
The series incorporates improvements in character design, environments, technology, and narrative, consolidating a more ambitious and updated version of the Plim Plim universe.
The first episodes will be available in the last quarter of 2026.
Plim Plim has established itself as one of the most relevant children’s brands in the world. On YouTube, “Plim Plim en Español” remains the number one channel for Kids Entertainment & Animation and ranks number five among 48.2 million creators globally in video views, according to Tubular, with 17.2 billion views in the last twelve months and 41.9 million subscribers.
The brand’s expansion reflects strong growth in Latin America, where Mexico and Brazil stand out in viewership, while the United States has become the most important market in terms of revenue. This is compounded by sustained growth in Spain, Italy, and Indonesia, confirming the increasingly international nature of Plim Plim content.
Plim Plim has transformed into a comprehensive, global franchise that connects with children through different formats and experiences, including:
LIVE EXPERIENCES. “¡Plim Plim en Vivo! Energía Musical” (“Plim Plim Live! Musical Energy”) has established itself as an international phenomenon, bringing together more than 120,000 viewers in 70 cities across 10 countries, becoming a space for family gatherings and celebrations.
MUSIC. With more than 68.1 million streams on Spotify, Amazon Music, and Apple Music, Plim Plim is now one of the most-streamed Spanish-language children’s programs globally.
APPS AND DIGITAL ENVIRONMENTS. “Plim Plim a Jugar” (“Plim Plim Let’s Play”) surpassed 447,000 downloads in Latin America, offering interactive games that foster creativity and learning in a safe environment.
LICENSING & CONSUMER PRODUCTS. With the help of Bandai, Arbrex, and Penguin Random House, the brand is expanding its universe to include toys, plush toys, books, and educational products that support families in the Americas and Europe.
Guillermo Pino, creator of Plim Plim and President of Smilehood, emphasizes: “After establishing itself as a phenomenon on YouTube and the most important music platforms, we decided it was time to transform Plim Plim, expanding its narrative universe and bringing it even closer to families through a new series that will bring the stories conveyed in our music videos to the screen. This new series continues Plim Plim’s purpose: to entertain and educate through values, fostering solidarity, friendship, respect, and joy in every family.”
Plim Plim Series
Atresmedia Sales
A SEAL OF ORIGINALITY AND QUALITY
The Spanish distributor is arriving in Cannes with new productions -’33 Days’, ‘La ruta vol.2: Ibiza’, ‘What Are You Waiting For?’, and ‘Las hijas de la criada’- plus a revamped presence at Mipcom with its own brand-new stand.
By Luis Cabrera lcabrera@todotv.tv @luis_cabreram
After an excellent first nine months of the year, Atresmedia hopes to end 2025 on a high note, having led the local TV market, produced fiction at a rapid pace with fantastic results, and conquered audiences beyond its borders, as demonstrated by the success of ‘Ángela’ (6 x 50’) in Latin America on Netflix, or last month’s premiere of ‘Sueños de libertad’ (‘Dreams of Freedom’) across Latin America and Brazil on HBO Max.
“Atresmedia’s content continues to attract many viewers both within and beyond borders, as is the case with ‘Ángela’, whose premiere surpassed other original mega-productions from the American platform in many places,” said Miguel García Sánchez, sales director at Atresmedia Sales.
Atresmedia’s strength allows it to invest in all kinds of fiction, both new and proven successes -such as ‘Sueños de libertad’ (‘Dreams of Freedom’), now in its second season- as well as successful formats such as ‘El desafío’ (‘The Challenge’), now in its fifth season.
Its distribution area once again posted excellent results this year, proving the sound-
Miguel García Sánchez, Sales Director at Atresmedia Sales
“The Series Atresmedia label has established itself as a benchmark for quality, originality, and diversity, enjoying success around the world”
ness of the strategy used: “The main factor that leads us to continue increasing the production and distribution of content is the success we have achieved,” said García. “The Series Atresmedia label has established itself as a benchmark for quality, originality, and diversity, which is successful all over the world. This success is also thanks to the excellent professionals who work with us and the production companies we collaborate with on each of our projects.”
“We remain committed to reaching as many territories and audiences as possible with a firm commitment to the international sale of our catalog,” he added.
A RENEWED PRESENCE. After its spectacular appearance at Iberseries & Platino Industria 2025, where it once again took center stage with its Atresmedia Day, the Spanish distributor will also seek to attract a lot of attention at Mipcom.
In the 2025 edition, Atresmedia will have its own stand (R7.J1), independent from the ICEX umbrella: “Series Atresmedia is already
“’Las hijas de la criada’ is a blockbuster production that tells the story of two daughters born into the home of a wealthy family in Galicia in the early 20th century”
a consolidated and recognized brand in the industry, and having our own stand for the event will allow us to give much more visibility to our content,” said García.
Same as in Madrid, the featured fiction titles include ‘A qué estás esperando’ (‘What Are You Waiting For?’), ‘La ruta vol.2: Ibiza’, the highly anticipated series by Carles Porta, ‘33 días’ (‘33 Days’), and its latest major production: ‘Las hijas de la criada’, the television adaptation of the novel of the same name by Sonsoles Ónega, winner of the 2023 Planeta Prize.
“’Las hijas de la criada’ is an Atresmedia production in collaboration with Buendía Estudios,” explained the executive. “The series is based on the award-winning novel of the same name by Sonsoles Ónega. It is an eight-episode series of 50 minutes each that tells the story of how two girls were switched at birth due to heartbreak and revenge in early 20th-century Galicia.”
In the series, an unexpected revenge will shake up the lives of these girls and everyone around them, forcing Doña Inés to survive heartbreak and the pain of abandonment. She will also have to navigate power struggles to make her real daughter the heir to an empire, at a time when women were not allowed to be masters of their own lives.
SIRA, THE SEQUEL TO EL TIEMPO ENTRE COSTURAS
With the return of Adriana Ugarte as Sira Quiroga, the spin-off sequel to the hit series ‘El tiempo entre costuras’ (‘The Time in Between’) has been confirmed. “We are delighted with the news that ‘El tiempo entre costuras’ will continue with this new series, and we are sure it will be a success,” said García. “All we can say is that it will be a major production by Buendía Estudios, filmed in different parts of the world,
recreating and adapting Maria Dueñas’ best-selling novel for television.” ‘Sira’, for which Dueñas is executive producer, will be broadcast locally on Atresmedia and internationally on Netflix. In terms of international distribution, Atresmedia Sales will have the rights “in the territories and under the conditions allowed by our collaboration agreement with Netflix for this project,” García emphasized.
Cannes will also be the perfect place to present the new season of the daily telenovela ‘Dreams of Freedom’, the most-watched fiction series in Spain since March 2024.
“In this second season, Begoña, our protagonist, will try to rebuild her life after the death of Jesús de la Reina,” explains García Sánchez. “Secrets from the past, unexpected alliances, and family betrayals await us in this new installment. The first season ended with 269 episodes, and we hope that this second season will have another 209 episodes.”
La ruta vol.2: Ibiza Series
Las hijas de la criada Series
STELLAR YAPIM AND VIP 2000 TV ANNOUNCE NEW COPRODUCTION, DOUBLE CROSSED
Featuring the three stars from the hit Turkish drama
‘Kuma’, Aybüke Yılmaz, Emre Özmen and Hilal Tüfek, the new series will consist of 50 episodes and be filmed in a bold new vertical format.
Stellar Yapım and VIP 2000 TV announced the co-production of ‘Double Crossed’, a bold new vertical-format drama series consisting of 50 episodes, each approximately one and a half minutes in length.
Filming is currently underway in Turkey.
The series reunites the three stars of the hit Turkish telenovela ‘Kuma ’ -Aybüke Yılmaz, Emre Özmen, and Hilal Tüfek- in an entirely
new story, where they take on dramatically different roles from the ones that captivated audiences in their previous parts.
‘Kuma ’, a summer hit for Turkey’s Kanal 7, has garnered more than 400 million views on YouTube and has already been licensed to broadcasters in over 15 territories, including in Mexico Free TV on Monday, September 22, by Imagen TV Fan engagement continues to grow across platforms, with strong activity on Instagram, TikTok, and YouTube Shorts.
This new international Turkish vertical series is a high-stakes thriller of love, betrayal, and revenge, set against the glamorous backdrop of Istanbul. It combines the addictive storytelling of a traditional Turkish telenovela with the fast-paced, cliffhanger style designed for vertical platforms.
“After the international success of ‘Kuma ’, audiences all over the world, we wanted to bring back together its lead actors Aybüke, Emre, and Hilal in a totally different project,” said Rosalind Rotundo, VP of VIP 2000 TV. “With this vertical series, we’re not only bringing them back together, but also reinventing the way audiences consume drama - short, sharp, and impossible to stop watching. We’re thrilled to coproduce once again with Stellar Yapim on such a daring concept.”
İnci Gülen Oar, executive at Stellar Yapım, added: “It’s been wonderful to reunite with the ‘Kuma’ team. Double Crossed is a fast-paced thriller designed for the vertical experience. The cast and director are really having a lot of fun with it, and that shows up on screen. I can’t wait to share Double Crossed with the millions of fans who made ‘Kuma ’ a hit!”
VIP 2000 TV and Stellar Yapım will launch the new series at MipCancun in November, with international platform releases to follow.
‘Double Crossed’ reunites the three stars of the hit Turkish telenovela ‘Kuma’: Aybüke Yılmaz, Emre Özmen, and Hilal Tüfek.
KUMA CONTINUES ITS LOCAL SUCCESS
Since its debut on Kanal 7, ‘Kuma’ (‘The Other Wife’) has achieved remarkable success delivering consistently strong ratings and securing a place among the top six in the country across all scripted and unscripted TV series in Turkey. Most recently, ‘Kuma’ is enjoying the N°1 position among 2025’s most talked-about titles, according to Turkey’s leading drama portal Dizilah, resonating deeply with domestic and global audiences alike. Distributed by GoQuest Media, the drama has been licensed in over 19 countries, including Israel, Romania, Hungary, Kenya, Latvia, Kazakhstan, Nigeria, Ghana, Turkey, Indonesia, Macedonia, Georgia, Lithuania, Panama, Peru, Paraguay, Bolivia, Mexico, and Portugal. Since its launch on YouTube in April 2025, ‘Kuma’ has also swiftly transitioned from a digital-first success to a mainstream phenomenon. Accessible in Turkey and select Europe and CIS markets, the series has already amassed more than 328 million views in five months. ‘Kuma’ is a GoQuest Media production in partnership with Stellar Productions and VIP 2000 TV.
TIME TO BREAK THE TRUCE
By Luis Cabrera lcabrera@todotv.tv @luis_cabreram
A reignited war between feuding families is at the core of ‘Terra Rossa’, Eccho Rights’ newest Turkish drama, starring worldwide known talents, such as Engin Akyürek (‘Fatmagul’).
Barbora Suster,
Head of Latin America & Iberia at Eccho Rights
“‘Terra Rossa’ it is a truly epic romantic drama about Ömer, a man who is loved and respected in the local community, but that runs things outside of the rule of law”
Along-standing truce between two feuding families is finally broken, leaving a young prosecutor seeking justice and a strong-willed member of one of the families involved in a tumultuous but passionate love story.
That is the jumping point of the narrative in ‘Terra Rossa’ (‘Bereketli Topraklar’), the new drama set to premiere this season on Show TV in Turkey, a star-studded series led by a
very well-known actor, Engin Akyürek, famous for his roles in ‘Fatmagul ’ and ‘Black Money Love.’
“Engin Akyürek is one of the biggest male stars in Turkish television,” affirmed Barbora Suster, Head of Latin America & Iberia at Eccho Rights, the distributor for this new Süreç Film production.
“‘Terra Rossa’ is a truly epic romantic drama about Ömer, a man who is loved and
Terra Rossa Drama
respected in the local community, but that runs things outside of the rule of law,” she explained. “When Nevin (Gülsim Ali), a big city prosecutor, comes to town to restore law and order, she must first get close to the man in charge – and with the chemistry that sparks between them, they end up getting closer than either of them could have imagined.”
In the drama -written by Hasan Tolga Pulat, Ozan Ağaç, and Seçil Çömlekçi, and directed and supervised by Yağız Alp Akaydın- the two biggest families of Adana, Bereketoğlu and Karahanlı, have coexisted in peace for years, after many blood feuds and a secret truce. However, war has reignited and everyone will have to choose sides.
“With a cast led by the incomparable Engin Akyürek and Gülsim Ali, ‘Terra Rossa’ blends the best of Turkish drama: passionate storytelling, unforgettable characters and world-class performances ready to capture hearts across the globe,” shared Handan Özkubat, Director of Turkish Drama at Eccho Rights.
At the time of this article, the drama was yet to premiere in Turkey.
FOR EVERY REGION. Staying with Turkish dramas, Eccho Rights is also presenting in
Cannes titles like ‘Winds of Love’, a show that has proven its international appeal on YouTube; and the daily drama ‘Behind the Veil’.
“‘Behind the Veil’ has become the most successful daily drama series for broadcaster Kanal 7 in terms of ratings, which is huge considering its history with titles like ‘Elif’, ‘Legacy’ and ‘The Promise ’, all of which have achieved massive international sales,” shared Suster. “Its third season which will start during Mipcom, and take the series past 500 episodes which is a huge landmark, and a very important one for buyers looking for reliable long-running content.”
While Latin America and Spain continue developing as great markets for Turkish dramas, Eccho Rights’ offer also goes deep into other genres: “We just announced two brand new titles that are currently in production: from the UK we have a great fun cozy crime series, ‘The Hairdresser Mysteries’, which stars Sally Phillips from ‘Veep ’ and ‘Bridget Jones Diaries’; and in Sweden, ‘The Trio’, which is a beautiful romantic drama that we think fans of very raw romantic series like ‘Normal People ’ will absolutely love,” detailed the executive.
Even if some markets are more prone to one genre than others, Suster believes that
developing trends in Latin America might broaden the spectrum: “The pan-regional players and streamers are doing a fair job of opening up the region to more varied and international content which is great news for distributors like Eccho Rights with diverse content,” she said.
At the same time, the executive shared that the rise of entertainment formats, more accessible in time of limited budgets, and vertical programming are important trends: “We are watching these developments really closely and within the Night Train Media group there are already moves to work in this space, with Night Train Digital specially equipped to distribute this kind of content,” said Suster.
“‘Beneath the Surface’ is a high intensity thriller that is perfect for a weekly prime time slot or streaming platforms that need a sophisticated, multileveled drama”
BENEATH THE SURFACE COMING BACK FOR A SECOND SEASON
TOD, the popular streaming platform owned by beIN Media Group, announced a few months ago that it had renewed its hit thriller series ‘Beneath the Surface’, starring Hazal Kaya and Çağlar Ertuğrul, for a highly anticipated second season. While departing from the long-season format of traditional Turkish dramas, ‘Beneath the Surface’ retains many of its elements, pointed out Suster: “Romance, iconic locations and star appeal are key ingredients, but rather than the slow-burning and long relationship arcs that develop over
several weeks in the 120+ episode series, this is a high intensity thriller that is perfect for a weekly prime time slot or streaming platforms that need a sophisticated, multileveled drama”.
In ‘Beneath the Surface’, Cihan struggles in her work as a police officer after the murder of her father, something that becomes even more complicated when she develops feelings for a fellow investigator, Metin, whose sisters are prime suspects. The second season will have 10 episodes. “Of course the second season is a great addition; there
were many unanswered questions in season one, and audiences are excited to see how their
favourite characters will develop. We recently made our first deal in Latam and the
series is coming soon to viewers in Argentina, Paraguay and Uruguay,” added the executive.
“‘Terra Rossa’ blends the best of Turkish drama: passionate storytelling, unforgettable characters and world-class performances”
Electric Entertainment
NEW SEASONS FOR ITS BIGGEST HITS
By Luis Cabrera lcabrera@todotv.tv @luis_cabreram
Whether it’s the adventure and fantasy of ‘The Librarians: The Next Chapter’, or the struggle for survival in ‘The Ark’, Electric Entertainment’s content has proven to be a multi-season success.
The new season of ‘The Librarians: The Next Chapter’ is set to premiere in 2026, after the inaugural season of the fantasy adventure -a spinoff of ‘The Librarians’ franchise- became a hit on TNT.
“We’re beyond thrilled that the first season of ‘The Librarians: The Next Chapter’ resonated so strongly with both longtime fans and new audiences, and that we’ve already been greenlit for a second season,” shared Sonia Mehandjiyska, Head of International Distribution at Electric Entertainment. “‘The Librarians’ franchise was designed with the flexibility to expand into multiple spin-off series, each set in a different magical library in different parts of the world (Europe, in this particular spinoff). These stories run in parallel, allowing us to create fresh casts and plots while staying true to the spirit of the original.”
A creation of Electric’s co-founder, Dean Devlin, ‘The Librarians’s popularity has led to TV series, TV films, books and comics. In ‘The Next Chapter’, Callum McGowan plays a Librarian from the past, released from a timeless imprisonment in 2025. The cast also stars Jessica Green, Olivia Morris, Bluey Robinson, and Caroline Loncq.
“We’ve been fortunate to collaborate with extraordinary writers, producers, directors, and cast members whose diverse perspectives and ideas make the series dynamic and relatable,” said Mehandjiyska. “That creative richness is a key reason the ‘Librarians’ universe continues to captivate audiences around the globe.”
Leverage: Redemption Drama Series
COMPELLING NARRATIVES. Also coming back for a new season -its third- is the thriller ‘The Ark’, another Devlin’s creationg, this time for Syfy. Set in the future, the show follows a crew of spacefaring survivors trying to reach their destination.
“Time and again, we’ve found that stories centered on humanity’s survival are among the most unifying and compelling forms of entertainment, resonating deeply across societies and cultures,” explained Mehandjiyska. “‘The Ark’ captures that spirit, combining all the essential elements of high-stakes drama and emotional connection.”
“Not only does the international cast bring a natural global appeal, but the storyline itself -focused on the universal fight to save humanity- ensures that audiences everywhere can relate to and be moved by the journey,” she added.
Another very strong title from Electric’s catalogue is the drama ‘Leverage: Redemption’, itself a revival of the original ‘Leverage’ (20082012), on its third season.
“We’re excited to be showcasing also our comedy feature film ‘One Big Happy Family’, inspired by the true story of a woman discovering that her beloved father isn’t her biological one,” shared Mehandjiyska. Directed by Matt Sohn and starring Lisa Brenner and Linda Lavin, this 2025 comedy is based on Brenner’s own deeply personal experience with a surprising Ancestry DNA test result.
Sonia Mehandjiyska,
Head of International Distribution at Electric Entertainment
“Its creative richness is a key reason the ‘Librarians’ universe continues to captivate audiences around the globe”of international scripts”
The Librarians: The Next Chapter Fantasy Series
Madrid Film Office
STILL SO MUCH OF MADRID TO DISCOVER
By Luis Cabrera lcabrera@todotv.tv @luis_cabreram
One of Europe’s leading content production centers continues to grow thanks to the development of local talent, its spectacular locations, and the promotional and incentive work carried out by key players like the Madrid Film Office.
Already established as a first-class production center, it’s no surprise that 2025 will see Madrid as a leading destination in the audiovisual world. In just the first seven months of the year, the Spanish capital has received more than 636 mediumand large-scale projects. Among them, 46 fiction films -surpassing the 41 feature films of 2024- plus 33 series and more than 264 commercials.
“A significant portion of these numbers comes from co-productions and collaborations with companies and platforms active in other Ibero-American markets,” noted Raúl Torquemada, director of Madrid Film Office, the office attached to the Madrid City Council’s Tourism Department, which works to promote Madrid as an audiovisual destination and stimulate the growth and development of the Madrid audiovisual sector. “All of this with the dual objective of boosting economic development and the international image of Madrid, enhancing the city’s appeal to its residents, workers, and visitors,” explained Torquemada.
As the main sponsor of the recent edition of Iberseries & Platino Industria, the Madrid City Council (through MFO) once again hosted the “Pitch Madrid” event within the framework of I&PI and sponsor the Showrunners Workshop. “We also organized a working
Raúl
Torquemada, Director of Madrid Film Office
“Madrid stands out as one of Europe’s leading content production centers due to several strengths that the Madrid Film Office is working to promote”
breakfast with relevant industry players, as well as two roundtable discussions, one on the importance of collecting industry data and another focusing on co-production in European fiction,” Torquemada explained.
Madrid has a fantastic combination of elements that make it stand out in a highly competitive market. How is this differential cultivated and maintained? Madrid stands out as one of the main con-
tent production centers in Europe due to several strengths that the Madrid Film Office is working to foster. The region has a solid industrial network of production companies, suppliers, qualified professionals, and more, with whom we collaborate through our office’s daily activities. The creation of the Madrid Audiovisual Cluster, which brings together the main public and private players in the sector, is also a notable line of action.
It should be noted that the industry also enjoys the commitment and institutional support of all public administrations, aligned to foster the sector’s activity and development. In addition to supporting filming, this includes the regular organization of events that bring together the sector to exchange projects and ideas, and the promotion, starting in 2021, of a significant line of aid to the audiovisual sector launched by the Mayor’s Coordination Office to promote Madrid production. These are just a few examples of the many measures we are implementing.
The city offers a wide variety of locations across its streets, parks, buildings, and film sets, allowing for a varied and efficient filming plan. At the Madrid Film Office, we work to facilitate filming conditions in terms of management and coordination with other municipal services and managers. We also do important work to showcase the city’s 21 districts to foster the variety of available spaces and a greater distribution of activity throughout the city. There’s still so much of Madrid to discover.
One of the main advantages Madrid currently enjoys is that it has already proven that all these factors work: that Madrid-based talent generates works of global interest and prestige, from hits like the series ‘Money Heist’ to films recognized at international festivals. And that the city is a competitive production center, which explains not only the growth in production for national platforms like Atresmedia and Movistar Plus+, but also the fact that many of the major international production platforms and companies, such as Netflix, Max, Disney+, and Prime Video, have set up shop in Madrid.
How does the MFO work to streamline the various needs of productions? From a production perspective, we offer tailored assistance in terms of filming locations and permits, both for private spaces and for the city’s public roads, which are managed by
“The main work we do is mediation between the producers and various municipal entities, as well as with other institutions and companies”
the Department of Urban Planning, Environment, and Mobility. Above all, our main work is mediating between the production company and the various municipal entities, as well as with other institutions and companies, to facilitate the project’s ability to find a solution to all its aesthetic and logistical needs, from closing off major streets and removing street furniture to building mutual trust so that filming can take place in heritage settings. All of this, of course, while ensuring that this activity coexists with the use and enjoyment of the city by its citizens.
Considering the growth already seen in studios and post-production companies, to name two examples, what other related areas do you anticipate will grow over the coming years? The growth of the sector’s activity in Madrid is undoubtedly related to the variety and accessibility of its locations, distributed across the city’s 21 districts, the experience of its companies and professionals, and the existing institutional support framework. This expansion across the districts aligns with Madrid City Council’s tourism decentralization strategy, which seeks to redistribute the benefits of tourism to all neighborhoods, highlighting their identity, architecture, and scenic potential as filming and visitor spaces. But to continue progressing, it is important to expand infrastructure such as those you mention and continue expanding the number of available creators and technicians. At City Hall, committed to public-private collaboration, we are in direct contact with the sector to iden-
tify ways in which we can foster these lines of growth.
What numbers would you highlight from those achieved by MFO in recent years? In terms of numbers, we would like to highlight that last year, Madrid Film Office provided more than 3,853 specific assistance services in location scouting, guidance and support in managing filming permits, coordination and mediation between different public and private organizations and companies, among other activities. This represents an increase of almost 18% compared to 2023.
Beyond its own figures, at Madrid Film Office we are convinced of the importance of having data on the activity of the Madrid indus-
try, which allows us to quantitatively measure the scope of the different subsectors in terms of economic impact. Last year, we sponsored a report on screen tourism in Madrid and the sixth “Study on the Economic Impact of Advertising Film Production” by the APCP. This year, together with the Autonomous University of Madrid, we are embarking on the study “Economics of the Audiovisual Industry: Dimension and Impact of Filming in Madrid,” an ambitious and innovative project that we hope will provide useful information for institutions, citizens, and the business sector alike.
Madrid’s commitment to audiovisual media is a commitment to its international image as a creative city, open to talent and connected to the world’s major cultural industries.
“Last year, we provided more than 3,853 specific assistance services in location scouting, guidance and support in managing filming permits, and coordination and mediation between agencies”
A NEW SUPER SERIES ON TELEMUNDO
This month will see the premiere of ‘Dinastía Casillas’, the highly anticipated spin-off of the mega-hit ‘El Señor de los Cielos’ (‘The Lord of the Skies’), starring Iván Arana and Fernanda Yepes in the leading roles.
Telemundo announced that its highly anticipated super series ‘Dinastía Casillas’ will premiere this October.
A bold and electrifying spin-off of the iconic ‘El Señor de los Cielos’ (‘The Lord of the Skies’) -the longest-running drama series on Spanish-language television- this new installment ignites a wave of drama, betrayal, and power struggles, with a stellar cast and a high-caliber cinematic narrative.
Leading the cast is Iván Arana (‘El Señor de los Cielos’, ‘La Jefa’), who delivers a powerful performance as the infamous Ismael Casillas, alongside María Fernanda Yepes (‘Sin Senos No Hay Paraíso’, ‘Rosario Tijeras’) in the role of Elizabeth, an imposing woman who returns to the shadows of the criminal world. Franchise icons Raúl Méndez and Isabella Castillo also return, joined by a cast of renowned talents.
After the mysterious disappearance of Aurelio Casillas, the dynasty teeters on the brink
of danger. Ismael Casillas, forced to take the reins, finds himself immersed in a ruthless battle for the legacy and the only bond that still unites them: family. In a world ruled by ambition and fear, loyalty becomes a lethal weapon, and protecting one’s own requires an incalculable sacrifice.
At the beginning of this new story, Diana (played by Castillo) and Ismael Casillas embark on a mission to free Aurelio and Rutila, when a series of unexpected events forces them to rethink their strategies and alliances. They must fight for control of the cartel in an environment where enemies lurk around every corner. With old ghosts returning and new conflicts emerging, their path leads them to an explosive confrontation with El Gancho’s cartel. To do so, they seek the support of Elizabeth, Chema’s ex-wife, who sees an opportunity to leave her life in Milan behind and return to the world of crime, fighting for territory, gaining power, and ultimately allying herself with the Casillas. Will they manage to survive and reinvent themselves, or will their empire fall?
Production is underway in Mexico and features an outstanding cast that includes Roberto Sosa, Robinson Diaz, Plutarco Haza, Ianis Guerrero, Karen Sandoval, David Palacio, Ximena Gonzalez Rubio, Gonzalo Vega Jr., Ana Gonzalez Bello, Alan Slim, Wendy de los Cobos, Carlos Corona, Leonardo Alvarez, Alejandro Aguilar, Christian Gnecco, Alexis Juarez, Luciana Silveyra, Vanessa Acosta, David Ponce, Florencia Ríos, Ana Sofía Gatica, Jesusa Ochoa, and Sandra Quiroz.
Produced by Telemundo Studios, this series was written by Juan Camilo Ferrand and is directed by Javier Fox Patrón, Mauricio Corredor, and Laura Marco Lavilla. Juan Carlos Lazo, Ricardo Garfias, and Alejandro Téllez are the directors of photography, with Marisa Pecanins as production designer. Mónica Vizzi, from Telemundo, is the executive producer and Mabel Vargas is the general producer of the series.
Viewers can follow the production process on social media at @DinastiaCasillas and @ TelemundoSeries and join the conversation using #DinastiaCasillas on all platforms.
This spin-off of ‘The Lord of the Skies’ features a wave of drama, betrayal, and power struggles, with a stellar cast and a high-caliber cinematic narrative.
Megamedia
JUMPING INTO THE UNSCRIPTED UNIVERSE WITH EL INTERNADO
By Rosa Fuentes rfuentes@todotv.tv
At this year’s Mipcom in Cannes, Megamedia will be presenting four brand-new telenovela scripts -‘Los Casablanca’, ‘Aguas de Oro’, ‘Reunión de Superados’ and ‘El Jardín de Olivia’-, along with the international launch of ‘El Internado’.
Patricio Hernández, CEO of Megamedia
“The hub [in Lima] shows Megamedia’s DNA: productions with super high standards, on par with what you see in the biggest international markets”
Megamedia is making a big comeback to the world of reality shows. After more than a decade leading in scripted TV, the company headed by Patricio Hernández is shaking things up with the launch of ‘El Internado,’ a format that blends extreme coexistence, physical and culinary challenges, and a narrative style loaded with humor.
The production marks a milestone not only for the network, but also for Global Content, Megamedia’s international production arm, which is kicking off its new content hub in Lima with a bold move aimed at winning over both local and global audiences.
“It’s a super fresh format for the genre,” says Hernández, pointing out that in ‘El Internado’ celebrities who know nothing about cooking will have to figure it out while stuck
in a tough environment. “They’re going to be thrown into brutal culinary and physical competitions, grow and harvest their own ingredients from a garden and farm they’ll have to maintain, and deal with the pressure of living together, which means clashes, drama, and also funny-as-hell moments that make the whole story stand out.”
With this formula, Megamedia is aiming to recapture a space that once brought it major ratings wins and international buzz: reality TV. But this time, it comes with a modern twist, designed from the get-go as a multiplatform product.
A NEXT-GEN HUB IN LIMA. The premiere of ‘El Internado’ isn’t just a return to the genre for the group; it’s also the debut of the first major production shot at the brandnew international hub built by Megamedia and Global Content in Lima. The 20,000
El Internado Format
VIÑA 2026: A FESTIVAL WITH GLOBAL AMBITIONS
Megamedia’s shortterm future isn’t only about scripted and unscripted content. Another big play is the international expansion of the Viña del Mar Festival, whose hosting lineup
has been refreshed and that in 2026 will aim to reach way beyond Latin America. “The festival is a cultural gem that grows in prestige and reach every single year. With Disney as
our strategic partner, we’ve already nailed down solid coverage in the region and in the US, and now we’re looking at alliances that can get us into Europe, especially within the circuit of
international festivals broadcast there,” Hernández explains. The artist lineup will be revealed in the coming weeks, but expectations are high, both for the level of live performances
and for the ratings impact. “The crowd that sells out tickets is a huge part of the vibe, but so is the TV audience, which makes the festival one of the most-watched shows of the year,” he adds.
“We’ve been exporting our scripts for more than 12 years to all five continents. Now we want to add to that prestige with a lineup of realities and entertainment formats with serious global potential”
square-meter facility is loaded with stateof-the-art tech and designed to shoot up to three reality shows at the same time.
The numbers are insane: 45 robotic cameras, six broadcast cameras, two crane cams, 40 audio feeds, and fiber optic links directly connecting the hub to Global Content’s offices in San Isidro and Santiago de Chile. Add to that 30 editing bays, 1.5 tons of lighting equipment, and a massive storage server with 1,400 terabytes of capacity.
But it’s not just about the tech. The hub was built as a full production ecosystem, complete with a cafeteria, dressing rooms, makeup areas, wardrobe workshops, storage, content offices, medical services, and even chill-out spaces. “This hub shows Megamedia’s DNA: productions with super high standards, on par with what you see in the biggest international markets,” says Hernández.
The bet goes way beyond ‘El Internado.’ The Peruvian hub will serve as the launchpad for future projects across multiple genres: talent shows, game shows, and cooking competitions. On top of that, Global Content has already tested the scripted waters in Peru, producing three telenovelas for Latina TV in the past two years under the leadership of María Eugenia Rencoret, building a bridge that now aims to extend to Mexico and Colombia.
“The setup in Lima lets us not only diversify what we produce but also create partnerships with key markets across the region. We want Megamedia to be recognized as a real player in the international industry, not just in scripted drama, but also in entertainment and news,” the CEO explains.
A MULTIPLATFORM STRATEGY TO GO GLOBAL. How ‘El Internado’ will be distributed shows just how much the game has changed. It’s not just a broadcast TV show, but a multiplatform product tailored for dif-
ferent kinds of audiences. The episodes will air on Mega 1, the network’s main channel, but Mega GO and YouTube subscribers will get it 24 hours earlier. Paying members will also unlock 18 hours a day of exclusive content you won’t find in the free tier.
The rollout covers every angle: a daily block on Mega 2, two YouTube react channels, viral clips on TikTok and Instagram, and steady coverage on Mega’s website. “The whole idea is for people to choose how they want to experience it: like a traditional TV viewer, as an active digital user, or as a hardcore fan who wants to binge every single detail on socials,” Hernández points out.
With ‘El Internado’ and several other big bets, Megamedia is headed to Cannes to reinforce its reputation as a global drama powerhouse. “We’ve been exporting our scripts for more than 12 years to all five continents, and we’ve killed it in Mexico, where three of our stories became ratings leaders on Televisa. Now we want to add to that prestige with a lineup of realities and entertainment formats with serious global potential,” Hernández says.
In Cannes, Megamedia will present four new telenovela scripts: ‘Los Casablanca,’ ‘Aguas de Oro,’ ‘Reunión de Superados,’ and ‘El Jardín de Olivia’, along with the international launch of ‘El Internado.’ It’s a clear statement of how the Chilean company is positioning itself as a one-stop provider of stories and formats for multiple screens and markets.
Behind all of these projects is the strategic vision of Patricio Hernández, who took the reins of Megamedia with the mission of transforming it into a global player in the content industry. “We don’t just want to be a big deal in Chile, we wanna be a go-to reference across the whole region. Our goal’s crystal clear: create top-notch content, with global-level standards, that moves audiences everywhere and builds solid partnerships with other markets,” the executive concludes.
Dori Media Group
By Luis Cabrera lcabrera@todotv.tv @luis_cabreram
An engaging, fresh and funny new format, ‘The Auction’ leads Dori Media Group’s catalogue for Cannes, where the company is looking to showcase a potent lineup of both in-studio shows and premium dramas.
LOOKING FOR THE HIGHEST BIDDER
After the international success found with ‘Power Couple’, Dori Media Group (DMG) is excited with the potential of their newest game show, ‘The Auction’, a funny and engaging format that is already gathering very good ratings in Perú.
‘The Auction’ pits two teams of five family members against each other, in a fun and suspenseful auction setting. Owned by Abot Hameiri and Dori Media in colaboration with America Television, Kapow and Open Kimono, and produced locally by America Estudios, ‘La subasta’ made its TV debut earlier this year on América TV.
“We are confident that ‘The Auction’ has strong potential across the entire Latin American region and expect to sell it widely to broadcasters,” says Nadav Palti, CEO of Dori Media Group. “The format offers a truly original and highly appealing formula: an in-studio family game show built around blind bidding, hilarious clues, and the chance to win cash prizes.”
“It is simple, fresh, and funny, yet also very cost-effective, as all prizes can be provided by sponsors. The show delivers an entertaining mix of intuition, strategy, humor, adrenaline, tension, courage, and luck, making it a unique and engaging experience for viewers of all ages,” explains the executive.
On the drama side, this year the company celebrated the premiere of ‘AMIA’, both in Argentina and Israel, while showcasing other important titles from its catalogue like the horror comedy ‘Soul Sucker ’, the drama ‘Asfur ’, the kids’ fantasy adventure ‘Cramel ’.
On the production side, the company wrapped in September the filming of the 20 episodes of the upcoming ‘Young Suchard’, the drama series about the early life of Israeli mentalist Lior Suchard. Expected to make its debut on Kan Kids in Israel later this year, the show will blur the lines between reality and imagination, offering a unique blend of comedy and drama with a nostalgic wink to the vibrant 90s in which he grew up.
“For the first time, young audiences will get an exclusive behind-the-scenes look at the world of mentalism, a craft that, contrary to popular belief, doesn’t involve actual mind reading, Instead, it combines a profound understanding of body language, social behavior, anatomy, mathematics, the design of custom-made devices, and much more,” shares Palti.
“The behind-the-scenes footage has already generated tremendous interest, and we be -
CEO of Dori Media Group
“We are confident that ‘La subasta’ (‘The Auction’) has strong potential across the entire Latin American region and expect to sell it widely to broadcasters”
lieve the series will achieve worldwide success,” added the executive.
“We are constantly working on new developments, groundbreaking ideas, and fascinating stories that are interest worldwide,” said Palti. “Some of our projects are entirely fictional, while others are inspired by real events. We also create innovative unscripted formats and expand on existing ones. In short, we offer a wide range of developments tailored to our clients’ needs.”
AMIA LED THE RATINGS IN ARGENTINA
The anticipated premiere of the drama ‘AMIA’ in Argentina finally happened in July, when the show arrived both in Free TV (Telefe) and streaming (Flow). The series, a dramatization of the investigation of the terrorist attacks of 1992 and 1994 against the Israeli community in Buenos Aires, became a hit on both: “On Telefe, ‘AMIA’ led its premiere with 7.51 rating and 52.86% share (households) and was number 1 in the women and men 20-49 segments (+50% share) throughout the entire season,” detailed Palti. “On Flow, only a few days after its premiere, it ranked at the top of the most-watched series on the platform and remained in the top-5 for a month”. The series had its worlwide premiere earlier this year, when it debuted in Israel’s Reshet 13. “It was very important for us to showcase the series to the world and especially in Argentina, since the series addresses a highly sensitive subject in the country: a terrorist attack for which no one has yet been held accountable,” said Palti.
Nadav Palti,
Movistar Plus+
Three powerful, intriguing and moving titles
-‘The Center’, ‘The Nameless’ and ‘The Anatomy of a Moment’- lead Movistar Plus+’s catalogue for Mipcom 2025.
HIGH-CONCEPT PREMIUM DRAMAS K
nown for the strength, depth and relevancy of its narratives, and the high-quality of its productions, it is not surprising to find Movistar Plus+ bringing another selection of spectacular and engaging titles to Cannes.
The company’s international distribution arm will showcase the latest additions to its streaming platform; titles like ‘The Center’ (‘El centro’), ‘The Nameless’ (‘Los sin nombre’) and ‘The Anatomy of a Moment’ (‘Anatomía de un instante’), while still offering a deep roster of past hits and in-development projects.
The newest content from Movistar Plus+ is ‘The Center’, which premiered on the platform just a couple of days back, on October 9th. The six-episode thriller, produced in collaboration with Fonte Films, was created by David Moreno and has David Ulloa as its director.
The cast is led by Juan Diego Botto, Elena Martín Gimeno, Israel Elejalde, Elisabet Casanovas, Clara Segura, Tristán Ulloa, David Lorente, and Nacho Sánchez.
Set in the present day, but with echoes of the Cold War, ‘The Center’ is a spy thriller that delves into the unknown world of the National Intelligence Center (CNI). The plot begins with a murder that uncovers an international operation by Russian intelligence services and leads CNI members on a race against time to dismantle it, while trying to uncover a traitor within their ranks. The series is an intimate, ensemble look at the challenges faced by members of the Spanish intelligence service as they navigate loyalty, betrayal, and duty.
According to the company: “‘The Center’ offers a realistic and emotional view of intelligence work, showing not only the risks of the operations,
‘The Nameless’, created by Pau Freixas and Pol Cortecans, is a psychological thriller starring Miren Ibarguren, Rodrigo de la Serna and Milena Smit
The Nameless Mini-series
“‘The Center’ offers a realistic and emotional view of intelligence work, showing both the risks of the operations, and the personal challenges faced by its protagonists”
but also the personal challenges faced by its protagonists in an increasingly turbulent world.”
Another mini-series that just premiered, after its debut during the San Sebastián International Film Festival, is ‘The Anatomy of a Moment’ (‘Anatomy of an Instant’), based on Javier Cercas sixth book, which has been called “one of the major works of literature in the Spanish language of our time.”
Based on the coup d’état in Spain on February 23, 1981, ‘The Anatomy of a Moment’ dissects one of the crucial moments in recent Spanish history: the Transition. When Civil Guard Lieutenant Colonel Antonio Tejero entered the Congress building with a pistol in his hand, only three men remained seated while the rest ducked for cover: Adolfo Suárez, Santiago Carrillo, and Gutiérrez Mellado.
Earlier this year, in June, Movistar Plus+ premiered ‘The Nameless’ (‘Los sin nombre’) and, following ‘Marbella’s example, was also broadcasted by Disney in Latin America. ‘The Nameless’, created by Pau Freixas and Pol Cortecans, is a psychological thriller starring Miren Ibarguren, Rodrigo de la Serna and Milena Smit.
In the mini-series, Claudia, a woman who loses her daughter Angela in a traumatic way, discovers years later, just as she begins to recover from the trauma, that her daughter may still be alive. “Mom, it’s me, Angela. Please come and get me!” This is the shocking phrase Claudia hears on the phone, giving her hope. Claudia then turns to Salazar, the inspector who handled the case after the di-
sappearance, and Laura, the young woman whose life was saved by Angela, a special girl with a strange gift, after a serious traffic accident. Together they will follow the little girl’s trail through mysterious places that hide a terrifying truth.
Movistar Plus+ will be at the Riviera 7 of the Palais des Festivals, more specifically R7.N7.
MOVISTAR PLUS+ FILMS ITS NEW ORIGINAL: KILLING A BEAR
Filming began in September on ‘Matar a un oso’ (‘Killing a Bear’), the new original Movistar Plus+ series produced with ARTE France and in collaboration with Kubik Films (Studio TF1). Created by brothers Jorge and Alberto Sánchez-Cabezudo, and directed by Jorge Sánchez-Cabezudo, filming will take place in locations such as the Aran Valley, the Catalan Pyrenees, Madrid and Segovia. The six-episode series is inspired by real events and begins with the mysterious death of the bear Cachou in the Aran Valley during the pandemic lockdown. This event triggers an unprecedented judicial investigation in Spain, in which the animal’s death is treated as a murder. This brings to light deep tensions between the inhabitants of the valley, environmentalism and European policies, reflecting a conflict between tradition and modernity that is highly relevant today. “The story of the bear Cachou is a multi-layered case,” said Jorge and Alberto SánchezCabezudo. “What seemed like a surreal event became a complex portrait of the clash between the local and the global, tradition and the present. We are delighted to be working with Movistar Plus+ again; we feel that this project is tailor-made for a platform that is committed to ambitious and unique series such as this one.”
The Center Series
The Anatomy of a Moment Series
Killing a Bear Series
Record TV
A CLASSIC REMASTERED
The
remastered
version of ‘The Slave Isaura’ tops Record TV’s catalog, which aims to win over new audiences with its iconic telenovela, thanks to the innovative artificial intelligence process used to update it.
By Luis Cabrera lcabrera@todotv.tv @luis_cabreram
One of the greatest classics of Brazilian television, the telenovela ‘The Slave Isaura’ is making a comeback in the international market, with a remastering which updates its aesthetics without losing all the elements that make it a timeless hit.
“It is one of Record’s most important telenovelas and now has a remastered version that combines the historical legacy of Brazilian telenovelas with cutting-edge technology,” said Delmar Andrade, director of International Sales for the Brazilian company. “With this, we seek to open new broadcast windows, especially in territories where the telenovela has already left its mark, and conquer new audiences with a contemporary aesthetic.”
“This classic work has been completely revitalized in Full HD with 5.1 Dolby Atmos audio, using artificial intelligence to restore image and sound,” explained Andrade. “This technology is unprecedented in Latin Amer-
ica and, until now, was only used in film productions. Record has pioneered its introduction in Brazil, especially for the relaunch of this work.”
Based on Bernardo Guimarães’ book, published in 1875, Isaura’s story had already had two different versions and multiple endings. Now a third version and a new ending have come to the screen.
On its return to local screens on September 1, the telenovela consolidated its second place in São Paulo, from 3:30 p.m. to 4:21 p.m., surpassing third place by 46%.
The production features Bianca Rinaldi, Maria Ribeiro, Leopoldo Pacheco, Norma Blum, and Jackson Antunes, among others. In 2020, the telenovela was rebroadcast by Record in its original version and became an online phenomenon. New generations were captivated by the story and made it one of the most talked-about topics on what is now X.
“For this new version, we are offering an exclusive alternative ending, which allows channels to generate greater engagement and conversation with the audience,” said the executive. “Distributors and programmers have highlighted the technical quality
Delmar Andrade, director of International Sales of Record TV
“We seek to open new broadcast windows, especially in territories where the telenovela has already left its mark”
achieved with the use of AI, which provides a completely new visual and audio experience without losing the original essence.”
Along with the new version of ‘The Slave Isaura’, Record is also presenting the telenovelas ‘Toppísima ’ and ‘Ultimate Love ’ in its catalog, along with documentaries such as ‘Doc Investigation’, ‘The Hospital’, and ‘The Beast’.
Warner Bros. International Television Production
LOCAL EXPERTISE WITH GLOBAL REACH
By Carolina Mussio cmussio@todotv.tv @carolinamussio
Leaning on an international network of production companies, and solid partnerships with broadcasters and creators, WBITVP has put together a coveted catalog of new unscripted formats and dramas, as well as beloved global franchises, set to take center stage at Mipcom in Cannes.
André Renaud, GVP Format & Finished Sales at Warner Bros. International Television Production
“With a network of production companies around the world, we’re able to combine local expertise with global reach, and to adapt quickly when opportunities arise”
Through strained budgets, new viewing trends, greater competition and a dizzyingly fast technological evolution, the content and entertainment industry is going through major changes, and players in it must adapt to stay afloat.
“It’s no secret that the content business is navigating challenging conditions: audiences are shifting, markets are evolving, and the need to be flexible has never been greater,” said André Renaud, GVP Format & Finished Sales at Warner Bros. International Television Production (WBITVP). “In that environment, collaboration is key: working together across borders, sharing ideas, and being open to new ways of producing and distributing content.”
And WBITVP’s structure is built exactly for that. “With a network of production companies around the world, we’re able to com -
bine local expertise with global reach, and to adapt quickly when opportunities arise.
Our focus on partnership -with broadcasters, streamers and creators alike– ensures that we can remain agile while still delivering the kind of bold, entertaining content that audiences expect,” he explained.
On this note, one of WBITVP’s biggest highlights of the year was the launch of WBITVP Italia under the direction of Stefano Torrisi, with Pierangelo Marano as Head of Entertainment, Max Giammarrusti as Head of Production, and Nicolas de las Peñas as Business Director. “The team has already hit the ground running, producing the local version of ‘First Dates ’, working closely with our partners at Discovery as well as the other key broadcast commissioners,” the executive revealed.
“We’ve also built our strength in reality,” he continued, “with new series such as ‘Reality
Reality Kings on Safari Reality
Kings on Safari’ joining its sister brand ‘Reality Queens of the Jungle’ in the Netherlands, and fresh factual entertainment like ‘Custom Cars’ from our UK production company Ricochet. We launched documentary format ‘Inside Therapy ’ at our Showcase in February and it has already had a local version in France, and long-running brand ‘House Hunters’ was remade in Australia.”
These new shows join other well-established and globally-recognized brands in the company’s catalog, such as ‘The Bachelor ’ and its spin-offs, which continue to be a powerhouse, with more than 340 series across 40 countries; or ‘First Dates’, another signature brand, launching this year in Chile.
“And we’re excited for the upcoming launch of ‘First Dates Beach Club ’ in the UK. Add to this ‘Cash or Trash ’ from ZDF Studios in Germany, ‘Glow Up’ now in its seventh UK series and remade in 6 countries, and ‘Reality Queens of the Jungle’ proving a hit in the Netherlands, Poland, Germany and India,” he listed.
And along with formats, the group still sees demand for scripted titles. “Belgium’s ‘The Twelve’ has just had a third series in Australia, and the appetite for dramas centered on strong female characters, family and revenge remain strong. Series like ‘Footballers Wives ’ continue to offer rich opportunities in that space, as the wives and girlfriends of the biggest football stars love, fight, and scheme their way to the top,” he explained.
A FULL SLATE FOR CANNES. To further grow its catalog’s international potential, WBITVP is now headed to Mipcom, where they will be presenting “a diverse slate of formats and finished series” for this year’s event.
Leading the formats slate is ‘The Final Circle’ from Satisfaction for TF1 in France. It’s the gameshow that doesn’t test knowledge, but brainpower across categories like memory, language, and logic. And reality remains at their core, with ‘Reality Kings on Safari ’ following the hit ‘Reality Queens of the Jungle’, ‘World’s Wildest Race ’, which sees two celebrity teams head out on the ultimate road trip challenge.
From Eyeworks Film & TV Drama in Belgium comes scripted titles including ‘The Divine Monster’ about a wealthy family torn apart
WBITVP ITALIA UNVEILS SENIOR TEAM
Following the launch of its new production label in Italy earlier this year under Stefano Torrisi, Warner Bros. International Television Production confirmed the senior leadership appointments for WBITVP Italia, marking a major step forward in its presence in the territory. Pierangelo Marano joined as Head of Entertainment, taking creative and strategic lead on nonscripted programming. Marano brings
extensive experience from Banijay Italia, where he developed and delivered hit entertainment and factual formats
for both television and streaming. Max Giammarrusti stepped in as Head of Production, responsible for all operational
by greed and corruption, and ‘Double Life’, where two women discover they shared a relationship with the same man after they learn of his death.
In finished programming, highlights include ‘The Golden Bachelor’s first Australian series, Lucy Worsley’s ‘Victorian Murder Club’, where a crack team of experts investigate a forgotten Victorian serial killer, ‘The Thames Torso Murderer’, and Guz Khan’s ‘Custom Cars’, where a comedian jumps into the world of car customisation.
In scripted, long-running hit drama ‘Waterloo Road’ returns for a new series, while New Zealand comedy ‘Crackhead ’ sees party girl Frankie facing the option of jail or rehab after burning everything in her life, including her sister’s house.
“As always, our goal is to connect with partners and showcase the breadth of storytelling from our own global production network and third-party partners, so there is absolutely something for everybody,” Renaud said.
“We remain committed to working in close partnership with our clients and collaborators worldwide. Whether through new formats, scripted series, or returning franchises, our focus is on delivering content that excites audiences and builds long-term value for our partners,” he concluded.
aspects of nonscripted production, from budgeting and compliance to delivery and staffing. He works closely with creative teams to ensure production excellence while supporting the company’s commercial and strategic growth. Lastly, Giammarrusti also joined from Banijay Italia, and his recent responsibilities include leading production teams for Masterchef, Lo Show dei Record (Guinness Book of
World Records) and Che Tempo Che Fa, one of Italy’s most popular talk shows. He has also previously served as Executive Producer for the Endemol Shine Group for both scripted and unscripted shows. Rounding out the appointments, Nicolás de las Peñas expanded his current role as Business Director for WBITVP Spain and Portugal to also oversee finance and operations for the new Italian label.
“As always, our goal is to connect with partners and showcase the breadth of storytelling from our own global production network and third-party partners, so there is absolutely something for everybody”
The Final Circle Game Show
Just For Laughs Distribution
THE WORLD NEEDS A LAUGH
Through the universal language of comedy, Just For Laughs Distribution speaks to audiences around the world with premium content -spanning sketch shows, stand-up specials, dramedies and more-, to provide much needed comic relief in a serious world.
By Carolina Mussio cmussio@todotv.tv @carolinamussio
Alex Avon, Chief Marketing Officer at Just For Laughs Distribution
“Our mission, after all, is ‘Keeping the World Feeling Good’ with premium content”
In a reality that at times can feel heavy and somber, Just For Laughs Distribution acts as a beacon of light, delivering all kids of comedy content for viewers everywhere. “The world needs to laugh these days,” summarized Alex Avon, Chief Marketing Officer at Just For Laughs Distribution. “And our mission, after all, is ‘Keeping the World Feeling Good’ with premium content.”
Staying true to this mission, the group has had “a tremendous year” so far, having expanded their FAST/AVOD ecosystem on over 30 platforms and reaching an impressive 100 billion views through their digital content.
“We are so very pleased that our Just For Laughs content has been enormously popular around the world”, Avon said, “and we attribute this to the great comedy actors and writers for our ‘Just For Laughs Gags’ and ‘Just For Laughs
LOL’ programs, as well as stand-up comedy shows.
We increase views month-over-month and will continue to add fresh new comedy and grow even more. We have the power of a vast digital ecosystem with Just For Laughs 84 million subscribers on our Social Media and Digital platform.”
And the group is only set to grow even further, with brand new seasons to offer international buyers of both ‘Just For Laughs Gags ’ and ‘Just For Laughs LOL’, which are now seen in over 150 countries.
“We are also pleased to debut hilarious new stand-up comedy shows with top international comedians, filmed during this summer’s Just For Laughs Festivals in Canada,” he added.
‘Just For Laughs Gags’ is a variety sketch show, where there’s no dialogue but plenty of laughs, when a crazy Quebec-based troupe uses the city as its stage and its inhabitants, or victims, as characters!
‘Just For Laughs LOL’, meanwhile, is a unique comedy series of non-verbal sketches, where versatile characters evolve in different scenarios: incompetent nuclear engineers, remorseless ambulance drivers, impatient chefs. Outlandish situations deliver unexpected payoffs.
And the Just For Laughs stand-up comedy shows were filmed at the summer 2025 Just For Laughs Festival with top international comedians. “Additionally, we are launching our first ever Singapore Just For Laughs Festival in November where we will capture more comedy content,” Avon explained.
On top of their world-renowned comedy content, Just For Laughs Distribution has also had great success with their dramedy ‘About Antoine ’, which is now available with English dubbing for the international market.
“’About Antoine’ won multiple awards such as the Mipcom Diversify Award for best drama as well as several other global awards. We now have season 2 to offer the world and an English-language version of both series 1 & 2 and we are currently producing an exciting ‘About Antoine’ movie. Our development team is working on producing new comedy and dramedy series and we look forward to debuting new shows in 2026,” Avon revealed.
Speaking of Mipcom, Just For Laughs Distribution is headed to this year’s event in Cannes with all of these successful formats and productions, in addition to others such as animated comedy ‘Babyatrice ’, the dramedy series ‘Larry’, and the comedy fiction movie ‘1995’.
“We are bringing hilarious comedy content to Mipcom and buyers are already showing interest pre-market, with our calendars filling up fast,” Avon concluded.
About Antoine Dramedy
Thema América
COREA+ STREAMING ARRIVES IN LATIN AMERICA
Its debut in Mexico is just the first step in Thema América’s strategy, which includes bringing the K-Drama platform to new territories such as Argentina, Chile, Colombia, and Peru.
By Rosa Fuentes rfuentes@todotv.tv
Thema América launched Corea+, the first subscription video-on-demand (SVOD) platform in Latin America dedicated entirely to K-Drama or deurama. With this initiative, the company is committed to offering a unique experience, placing one of the world’s most popular genres at the center of its strategy for the region.
The arrival of Corea+ in Mexico marked the beginning of an ambitious expansion plan that seeks to respond to the growing interest of Latin American fans in Korean content. Series that combine romance, intrigue, melodrama, and fantasy are presented as a carefully curated premium offering that not only seeks to win over audiences but also generate value for distribution partners.
Francheska M. León de la Barra, VP of Marketing at Thema América, commented that the platform fits naturally into the ecosystems of operators, OTTs, and aggregators in the region, with the aim of offering a smooth and frictionless experience to the end user.
“Our focus is to consolidate Corea+ as the benchmark platform for K-Dramas in Spanish,” she said.
With titles such as ‘Her Private Life’ and ‘High Society’, the platform offers a catalog that combines emotion, mystery, and sensitivity, designed to connect with Latin American audiences who are increasingly demanding more specialized content.
A STRATEGIC LAUNCH. After its first step in Mexico, Corea+ is looking towards Argentina, Chile, Colombia, and Peru as some of its next target markets, given the growing prominence of K-Dramas in digital consumption rankings in those countries.
“We are already in active discussions with partners in different Latin American coun-
Francheska M. León de la Barra, VP of Marketing at Thema América
“Our immediate goal is to consolidate Corea+ as the leading provider of K-Dramas in Spanish for Latin America”
tries, with the aim of growing efficiently and scalably. The relevance of K-dramas is reflected throughout the region, with key markets such as Argentina, which shows great
affinity for international content; Chile, with a very active K-Pop and K-Drama community and a high willingness to pay for specialized SVOD; and Colombia and Peru, emerging markets with highly connected young audiences where Korean dramas often appear in the top 10 of renowned streaming platforms,” explained León de la Barra.
For now, Corea+ is conceived as an SVOD service distributed exclusively through partner platforms such as mvshub, within the existing ecosystems of operators, OTTs, and aggregators in the region.
According to León de la Barra, this strategy allows them to offer an integrated and seamless experience for the end user, while adding value to their distribution partners.
“Our immediate goal is to consolidate Corea+ as the leading provider of K-Dramas in Spanish for Latin America, and to achieve this, we are prioritizing strategic alliances that allow us to scale efficiently. In the future, we do not rule out exploring alternative models, provided they contribute to expanding the brand’s reach and complement our market positioning,” she said.
Although Corea+ is an SVOD service, Thema’s strategy is complemented by its agreement with Roku in the AVOD arena, which has allowed Korean and Turkish content to be brought to large audiences for free with advertising. In this way, the company integrates two models -one free and one premium- that enhance each other.
“With Corea+, we offer something different: an immersive experience, in Spanish, curated for fans who are looking for more than just a scattered catalog within a generalist platform,” the executive emphasized.
GLOBAL VISION, LOCAL ADAPTATION. Corea+’s specialization did not come out of nowhere. Thema has previously distributed African, Turkish, and Korean content, which has allowed it to understand which narrative styles connect best with each audience. Today, this knowledge translates into an offer
“We are already in active discussions with partners in various Latin American countries, with the aim of growing efficiently and scalably”
designed specifically for the Latin American market, with the flexibility to adapt to other regions in the future.
“We have learned to assess the audience’s appetite and affinity for different styles of storytelling and production. This expertise allows us today to design Corea+, a specialized offering in drama that responds to the region’s demand, applying knowledge acquired about what types of stories and formats connect best with Latin American viewers,” said León de la Barra.
Likewise, the alliance with SPI International -with channels such as FilmBox, FightBox,
COREA+ CONTENT
The Corea+ programming offers a premium selection of titles that combine romance, intrigue, and fantasy, including: ‘Her Private Life’ is a romantic comedy starring Park Min-young and Kim Jae-wook, which mixes the art world with the secret life of a K-Pop fan. ‘High Society’ is a telenovela-style thriller that exposes the secrets and struggles of the Korean elite. ‘The Smile Has Left Your Eyes’ is an intense romantic melodrama that explores destiny and second chances. ‘The Witch’s Diner’, meanwhile, is a fantasy story where a mysterious owner grants her customers’ wishes... in exchange for an unexpected price.
and FashionBox- expands Thema’s offer in the region, while Corea+ strengthens its commitment to streaming. Both lines complement each other under the same goal: to bring quality international stories to more Latin American households.
“With Corea+, we offer an immersive experience in Spanish, curated for fans who are looking for more than just a scattered catalog within a generalist platform”
Her Private Life Romantic comedy
High Society Drama
The Smile Has Left Your Eyes Romantic drama
The Witch’s Diner Fantasy drama
The Kitchen
BOUTIQUE SERVICES ON A GLOBAL SCALE
Based in the epicenter of the European entertainment industry in London, Liz Clarke, The Kitchen’s new Director of Global Sales is spearheading the company’s global expansion, exploring new opportunities in EMEA and APAC, to take their one-of-a-kind localization services to all corners of the globe.
By Carolina Mussio cmussio@todotv.tv @carolinamussio
Liz Clarke, Director of Global Sales at The Kitchen
“The Kitchen has incredible strength in the Americas; my mandate is to replicate that success in EMEA and APAC”
Recognized as one of the leading content localization studios in the Americas, The Kitchen has been steadily expanding its footprint in the international market through new regional hubs and offices, and a growing team of highly-skilled professionals and talent, which allow it to now serve a multitude of clients with dozens of languages in the international market.
One of the most recent additions to the team is Liz Clarke, The Kitchen’s first Director of Global Sales, based in the epicenter of the European production and entertainment industry, in London, who spoke to ttv about her goals for the new role.
“Through the years, I’ve seen countless mergers and acquisitions that often dilute
the personal service and quality that clients value most”, she explained. “This is one of The Kitchen’s greatest attributes. Of course, there are some successful mergers, and these can complement each other’s services, whilst retaining that special attention to customer success. What drew me to The Kitchen is that the company has maintained its boutique feel, while building genuine global capabilities.”
“I’ve always been passionate about content – ensuring great storytelling reaches everyone, regardless of language or ability. The Kitchen’s proven workflows, longevity in the industry, and exceptional teams, gives something unique: we can deliver enterprise-scale projects, while maintaining personal attention. In an industry increasingly dominated by large corporations, we offer agility, innovation, and genuine care for each project’s success,” she added.
The Kitchen has a proven track-record in the Americas and Liz Clarke’s goal is to expand that notable reputation into other key markets, such as EMEA and APAC.
“While The Kitchen has incredible strength in the Americas - we’re well-established with major US networks and Latam broadcasters - my mandate is to replicate that success in EMEA and APAC. The UK is a key focus, particularly as English content continues to dominate global streaming platforms. Our Madrid office and European language hub gives us almost 24/7 capabilities, which is essential in today’s global market,” she explained.
In this regard, Clarke emphasized that APAC represents the “biggest new opportunity” for The Kitchen. “The explosion of Korean, Japanese, and Indian content globally has created unprecedented demand for localization services. Our industry relationships will
be crucial here, as will our ability to demonstrate our track record with major streaming platforms in the Americas.”
As the next big step in this mission to expand The Kitchen’s reach, Liz Clarke is heading to a new edition of Mipcom in Cannes, where she has set big goals for herself and the team.
“I have just returned from IBC, which was my first major industry event as The Kitchen’s Director of Global Sales. Heading to Mipcom now, the timing couldn’t be better. After eight weeks in my new role, I’m excited to introduce European and Asian content distributors to what makes The Kitchen special,” she said.
“My industry relationships will be valuable in bringing more clients from APAC and EMEA communities. At Mipcom, I will be meeting with longtime contacts of The Kitchen who understand how The Kitchen’s unique vendor model delivers both global scale and authentic local expertise. I am also driving forward on meeting new contacts and making new relationships in Cannes.”
With the globalization of content and the high demand for localization from platforms around the world, the road ahead looks promising for The Kitchen, and Clarke is glad to be a part of the journey.
“Having seen how content consumption has exploded globally, there’s never been a greater need for what we do,” she said. “I am super excited to be a part of the localization community and grow as The Kitchen grows. We are aggressively working on taking The Kitchen to the next step as a provider of language localization services and I’m honored to be spearheading the effort from London,” she concluded.
DISTRIBUTION SABBATICAL ENTERTAINMENT’S (L)OVER LANDS ON MEDIASET INFINITY
SABBATICAL ENTERTAINMENT
announced the arrival of ‘(L)Over’ on the revamped Mediaset Infinity Spain. With a fresh, direct, and uncompromising style, ‘(L) Over’ offers a fun and irreverent look at the most iconic love stories of international and local celebrities. From Shakira and Piqué to Taylor Swift and Travis Kelce, Penélope Cruz and Javier Bardem, and Johnny Depp and Amber Heard, each episode combines humor, irony, and drama in a fast-paced format, ideal for digital consumption and streaming marathons. The premiere is part of Mediaset Infinity’s rebranding, which now offers a renewed and modern experience, along with the premium Infinity+ option, aimed at improving the user experience with additional content and benefits.
ADAPTATIONS BBC STUDIOS FORMAT
WISDOM OF THE CROWD GETS SPANISH ADAPTATION
CAN A SINGLE INDIVIDUAL overcome the collective intelligence of the masses? This is the premise of ‘Los 200: uno contra la masa,’ a new game show that Telecinco began filming in September, with Carlos Sobera as host. This is the first international adaptation of the ‘Wisdom of the Crowd’ format, originally from the UK, where it is scheduled to air on BBC One. It will be produced in collaboration with Brutal Media, part of BBC Studios Global Productions. In each episode, four contestants face off individually against a group of 200 people present on set. They all answer fun and curious numerical questions, but will they be able to beat the average crowd?
PRODUCTION GOQUEST MEDIA
GREENLIGHTS ITS NEXT TURKISH DRAMA, ARAFTA
ON THE HEELS OF THE PHENOMENAL success of ‘Kuma’ (‘The Other Wife’), GoQuest Media has greenlit its next premium Turkish production: ‘Arafta’, with the acclaimed production house Rains Pictures. At the heart of this vengeful love story is a romantic generational saga, where passion, revenge, and family drama collide, crafting an unforgettable narrative. The series stars İlsu Demirci as Mercan, a young woman trapped between fate and survival, alongside Ateş, played by Emin Günenç, whose raw intensity and depth promise to electrify audiences. Together, their turbulent journey will hold viewers captive in this storm of passion, betrayal, and redemption. Building on the success of GoQuest Media’s digital triumphs and licensing achievements, ‘Arafta’ will premiere globally soon.
EXECUTIVES
MARIANA VARGAS JOINS DYNAMO AS DIRECTOR OF ENTERTAINMENT
DYNAMO, the production company behind hits such as ‘One Hundred Years of Solitude’ and ‘Narcos’, continues to consolidate its position as a leader in the regional audiovisual industry with the addition of Mariana Vargas as its new Director of Entertainment. In this new strategic role, Mariana will head the newly created Entertainment/ Unscripted business unit and will be responsible for the creative strategy of non-fiction content such as reality shows, docuseries, competitions, and talent shows for streaming platforms and broadcast television in Mexico, Colombia, and Spain. She will report directly to Angélica Guerra, Dynamo partner and leader of the company’s expansion into new formats.
Listings Mipcom
Tel: +90 212 210 10 10
info@acunmedya.com Stand: C16.F
EXECUTIVES
Mirka Savic Pinhas, Head of Formats and Productions
Abdullah Terzioglu, Format Acquisitions Manager
Ebru Atasav Tahranci, CEO
EXATLON
It welcomes you to a new perception of the future of reality competition, built on the human spirit, team dynamics, and a strong will to win. Two teams embark on an adventure of physical and emotional discovery, revealing and sharing their journey as they push their limits to the highest level. With daily or weekly structures and competitions, the teams face Exatlon’s iconic high-octane parkours in pursuit of victory. Beyond the competition, they must also live together and coexist in their exclusive Exatlon camps. The aim is not only to secure weekly team victories but also to achieve the ultimate individual triumph: being crowned the Exatlon Champion at the end of the season.
POWER OF LOVE
It is a reality show that serves as a social experiment where contestants goal is to find true love. It is a thrilling, reality dating show that pushes the boundaries in the search of “love” like never before! A group of young women and men, living in two stunningly designed homes, completely separated with a wall. They spend their days in their designated homes and can only meet with the opposite sex with specific arrangements made by the production and once the wall is open. For the rest of the day, they are free to do anything. There is only one rule outside the studio: they can never get together.
Av. Isla Graciosa, 13, 28703
San Sebastián de los Reyes, Madrid sales@atresmediatv.com international-sales-atresmedia.com
Stand: R7.J1
EXECUTIVES
Jose Antonio Salso, Head of Acquisitions and Sales
Rebeca Fernández, Sales Director for Europe
Ismael Ramiro, Sales Manager
Miguel García Sánchez, Sales Director
LAS HIJAS DE LA CRIADA (Drama, 8 x 50’)
Galicia, 1900. Two girls, Clara and Catalina, are born in the Espiritu Santo manor house. Clara is the daughter of the maid, Renata, while Catalina is the daughter of the Valdés family, Don Gustavo and Doña Inés. An unexpected revenge will shake up the lives of these girls and this will force Doña Inés to survive heartbreak and the pain of abandonment. She will also have to survive the power struggles to make her true daughter the heir to an empire, in an era when women were not allowed to be the masters of their own lives.
DREAMS OF FREEDOM
(Telenovela, 2 seasons)
Begoña Montes is the new wife of Jesús de la Reina, son of the owner of a major beauty products company. The series begins with her, a young mother, running through the forest with her stepdaughter Julia while her husband chases them with a rifle in hand. What could have happened? It’s the year 1958. Jesús, the heir to Perfumerías de la Reina, is a controlling, jealous, ambitious, and unscrupulous man. Things worsen with the arrival of Andrés, his brother, who returns to help and protect his father, Damián, suspecting that his ambitious brother would do anything to take control of the company. Jesús de la Reina’s desperation will even lead him to mistreat his wife Begoña. Meanwhile, she will gradually fall in love with Andrés, further provoking the wrath of her husband.
+90 212 354 30 00
@atvdistribution Stand: R7.E75
EXECUTIVES
Gozde Dinc Ozcan, Sales Deputy Manager
Sena Kul, Sales Specialist
Fabiola Flores Cortes, Content Sales
Aysenaz Cubukcu, Sales Assistant Specialist
Merve Tunc, Deputy Marketing Manager
STRANGER IN THE MIRROR
(Drama, 45’, In Production)
Azra and Emirhan seem like the perfect couple, but Emirhan’s obsessive love soon turns her life into a prison. When she tries to escape with her daughter Leyla, tragedy strikes, and Leyla is lost. Desperate, Azra undergoes plastic surgery to return to the Karaaslan mansion under a new identity. But complications erase her memory, and she becomes “Defne.” Drawn back into the mansion as a maid, Defne slowly uncovers dark secrets, reconnects with Leyla, and ultimately realizes the shocking truth: she is Azra, Leyla’s mother, and the key to it all.
QUEEN OF TEARS
(Drama, 45’, In Production)
Selim, the legal director of Aksel Group, is married to Meyra, the company’s future heir. While he endures the weight of power struggles and family pressure, Meyra hides her loneliness and fragility behind her strong exterior. As emotional distance grows between them, Selim considers walking away, until he discovers Meyra’s life-threatening illness. This revelation forces them to confront their long-suppressed truths and rediscover the love they thought was lost. But under the shadow of illness, family expectations, corporate rivalries and buried secrets, their journey becomes the ultimate test of love, honesty, and the choice to stand by one another.
Akshit Sandhu,Format Acquisitions & Format Sales, Sales Manager (India)
Cristina Duffy,Sales Executive (LATAM)
Firat Gulgen, CEO & Founder
LIES AFTER LIES
(Drama, in production)
‘Lies After Lies’ tells the story of Ayse, a woman who spent years in prison after being accused of murdering her husband. Once released, her only wish is to be reunited with her daughter, Zeynep, who was taken from her as a child. But Zeynep has since been adopted by Kemal and knows nothing of her real mother. To reclaim her daughter, Ayse must earn Kemal’s trust—and perhaps even his love. Her greatest obstacle, however, is her former mother-in-law, Ilter, who blames Ayse for her son’s death and is determined to take revenge. At its heart, Lies After Lies is a powerful drama about a mother’s struggle to reunite with her child while facing deep prejudice, old wounds, and relentless vengeance.
Stranger in the Mirror
ATV DISTRIBUTION
Exatlon ACUN MEDYA
Las hijas de la criada ATRESMEDIA SALES
Muge Akar, Head of Sales
150 Alhambra Circle, suite #1250. Miami, FL, 33134 USA
The world met Analía when, after a life dominated by the desire for revenge, she was able to defeat her monstrous father’s, Guillermo León Mejía, and send him to prison. In this new season, she finally begins to feel that she can be happy with Pablo de la Torre, her great love and presidential candidate. But everything starts to get complicated because her father resurfaces with an even greater hatred.
NUEVO RICO, NUEVO POBRE
A new version of the story of Andrés Ferreira and Brayan Galindo Romero, who, in a hospital in a town called San Francisco, are switched at birth due to a mistake made by a nurse who showed up for work drunk. Thirty years later, the truth is discovered, triggering a series of hilarious situations.
ESCUPIRÉ SOBRE TUS TUMBAS
This story begins with Sonny, who, after proposing marriage to one of the richest women on the Colombian Caribbean coast, is found dead. His brother Vinicio, imprisoned in Africa for extortion, is released and decides to avenge his death. To do so, he devises a plan to seduce his brother’s former fiancée, and all the women who may be connected to the case in one way or another, in order to discover who was responsible for Sonny’s death and take justice into his own hands.
2 Raul Wallenberg st. Tel Aviv 6971901 Israel +972 3 647 8185 www.dorimedia.com / www. dorimediadistribution.com Stand: P-1.F50
EXECUTIVES
Carolina Sabbag, VP Sales, Western Europe, USA & Canada
Camila Premet, Sales Manager, UK, Central Europe, Australia & New Zealand, Middle East, Africa
Liza Makarova, Sales Manager, Nordics, CIS, Poland & Asia
Devdatta Potnis, Sales Manager, India
Einat Borovich-Naim, VP Marketing
THE AUCTION
(Game show)
Grev Turegatan 30, 114 38 Stockholm, Sweden www.ecchorights.com Stand: P3.B1
An original TV game show that makes participants (and viewers) hold their stomachs from laughter or bite their nails in suspense. With all the components that make up auctions as we know them, but with surprising twists, two groups, items for sale that are not known in advance, hints that will help (maybe), a huge prize at the end, and all in an amusing competition combining intuition, strategy, humor, adrenaline, tension, a little courage and luck... An auction elevates a person’s ego, Not the value of the purchase, But the feeling of victory!
AMIA
(Political Drama, 8 x 45’)
Diego, a Mossad agent whose sister was killed in the Argentina terrorist attack, takes a leave of absence and hooks up with Gisela, a local journalist to find those responsible. Their journey to uncover the truth draws them into a world of espionage, intelligence agencies and arms dealers. A dubious world in which lies are truths, and justice and revenge become indistinguishable. The journey that the two embark on will eventually lead to a re-examination of their connection with their families and even their concept of self-identity.
Terra Rossa is a brand-new classical love story, featuring international Emmy nominee Engin Akyürek and Gülsim Ali. In Adana, the feud between the Bereketoğulları and Karahanlıs reignites. As Ömer struggles to protect his family and land, newly appointed prosecutor Nevin arrives, seeking justice for her fiancé’s death. Their collision sparks a dangerous bond, where duty and desire clash and love becomes the most unpredictable weapon of all.
BENEATH THE SURFACE (S2, 20 x 45’)
When Officer Cihan’s oppressive father dies under mysterious circumstances, she is barred from the case but investigates in secret. Metin, officially assigned, names her sisters as prime suspects. As they work together, romantic tension grows. Six months later, a new series of murders marked with the word “Sin” reunites the team, uncovering links to Cihan’s father’s case and revealing shocking truths that shake Cihan and everyone around her.
The series aims to accompany our little Barto-fans as they take the big step of becoming students, surrounded by music, comedy, and new friends with whom to explore school life in all its splendor and contrast.
WADOO (Comedy, music, pre-production)
In association with Mediawan Kids & Family. Meet Wadoo, a charming new animated series for children aged 2 to 6. With vibrant animation and heartwarming stories, Wadoo nurtures curiosity while celebrating friendship and teamwork.
ZENON´S FARM (Music videos)
‘Zenon’s Farm’ represents life in a simple and fun way; the country customs, the love for animals, and the good care of the earth.
‘Zenon’s Farm’ has over 50M subscribers on YouTube and 45B videos views.
BOOGIE BUGS (Preschool)
In this musical series, some little bugs suggest tasks, choreographies, and funny activities that match the rhythm of cheerful songs. The Bichikids are affectionate and restless. With their joyful songs and dance steps these contents stimulate motor coordination, reflexes and movement.
TERRA ROSSA (Drama, 96 x 45’)
La venganza de Analía 2 CARACOL TELEVISIÓN
The Auction
Terra Rossa DORI MEDIA GROUP
Bartolito ECCHO RIGHTS EL REINO INFANTIL
Listings Mipcom
+90 (212) 231 0102
info@intermedya.tv www.intermedya.tv
Stand: C16.C
EXECUTIVES
Hasret Özcan, President
Beatriz Cea Okan, VP and Head of Sales and Acquisitions
Ahmet Ziyalar, COO
Pelin Koray, Senior Sales, Acquisition and Strategy Manager
Sinem Alışkan, Senior Sales and Communication Manager
HALEF (Drama)
575 Rue Saint-Joseph E, office 200 / Québec, Qc, Canada G1K 3B7 +1 418 647-2525
Can Okan, Founder And CEO TOP
Alex Avon, Chief Marketing & Strategy Officer
JUST FOR LAUGHS GAGS
(Variety sketch, S1-26: 26 x 30’)
There’s no dialogue but plenty of laughs when a crazy Quebec-based troupe uses the city as its stage and its inhabitants, or victims, as characters!
After secretly marrying the woman he loves, Melek, Serhat returns to his hometown only to be forced by a blood feud into a second, religious marriage with Yıldız. Once a surgeon, now the heir and Agha, Serhat must step into his new role while living under the same roof with both women. In a mansion filled with enemies and buried truths, not only his leadership but also his love will be put to the ultimate test.
ESHREF RUYA (Drama)
Eşref spent years searching for a girl he once loved from afar as a child—a memory so distant and idealized, he called her “Rüya,” meaning dream. In the process, he rose to power as a high-ranking member of a mafia syndicate. Nisan, an idealistic young musician, ends up entangled in his world after performing at a wedding held in the luxury hotel Eşref runs. He falls for her, unaware that she’s not only the long-lost Rüya he’s been searching for, but also secretly working as an informant for the police. As love, betrayal, and power collide, Eşref is pulled into a deep reckoning—both with his crew and his own heart.
Sold in 150 countries – Produced by ComediHa, now Just For Laughs. Unique comedy series of non-verbal sketches where versatile characters evolve in different scenarios: incompetent nuclear engineers, remorseless ambulance drivers, impatient chefs. Outlandish situations deliver unexpected payoffs.
ABOUT ANTOINE
(Dramedy, S1-2: 20 x 30’)
An uplifting story of love and family triumphing over limitations. With authenticity, sensitivity and humor, explores life with a poly-handicapped child. Inspired by true events.
SINS & ROSES (Drama)
Betrayed by his past, Serhat built an empire on family and honor. But when the woman he loves hides a devastating secret, fate collides him with Zeynep — fearless, passionate, and unlike anyone he’s ever known. A story of shattered trust, forbidden desire, and a love powerful enough to defy destiny.
THE FAMILY BURDEN (Drama, 95 x 44’)
Melike, wrongfully imprisoned for twenty years, dreams of reuniting with her daughter, Hazal. Upon release, she faces a new prison of lies and betrayal. As she uncovers the truth and searches for her husband’s real killer, Melike must confront the complexities of her daughter’s life, who has known another woman as her mother.
ENVY (Drama)
The powerful story of a woman who has finally had enough. Seniha spent her entire life on the margins of her own family — unloved by her status-obsessed mother and constantly overshadowed by her brilliant and charming brother Halit. While he becomes one of the country’s most successful attorneys and enjoys every privilege their wealth provides, Seniha is becoming an aging spinster, living like a servant in the very mansion where she was born. But when her brother’s secret relationship with a nightclub singer threatens the family’s reputation, Seniha finally seizes the opportunity.
LEYLA (Drama)
Young Leyla’s life spirals into disaster when her father, Hilmi, marries Nur, the beautiful young woman who once cared for Leyla’s late mother. Blinded by love, Hilmi doesn’t see the torment Leyla’s new stepmother inflicts on her, turning their home into a living nightmare. Tragically, Hilmi realizes too late that Nur is not who she seems, paying for his mistake with his life. Left homeless and alone, Leyla swears revenge on the woman who destroyed her family and stole her life. TOP EXECUTIVE
Arzu Zeynep Demirtaş, Marketing and Product Manager
Ebubekir Talha Erdogan, Sales Manager, MEA & Asia
Eliz Arkayın Ungan, Acquisitions Manager
BITTER JUSTICE
(Drama, 81 x 42’)
TOP EXECUTIVE
Kerim Emrah Turna, Managing Director
(+90) 216 695 1300
Barbaros Mah. Fikret Mualla Sok. No:13 Fidem
Prestij Blokları B Blok D:21 34664 Uskudar, Istambul, Turkey www.mistco.tv
COME WHAT MAY
TOP EXECUTIVE
Aysegul Tuzun, General Director
(Romantic Drama, 89 x 45’)
The day Alize was born, her mother died. Although her father Nurettin tries to make her happy, Alize has become aggressive, selfish, and confrontational. When Alize crashes into a mechanic’s car and flees the scene, Nurettin decides to teach his daughter things he couldn’t teach her when she was younger, before it’s too late.
www.movistarplus.es Stand: R7.N7
Rebeca Aguilar, Distribution Manager
THE CENTER
When her father’s ruthless boss Noyan demands her life in return for the son he lost in a tragic construction accident, Dünya is forced into secret captivity inside his mansion. Struggling to endure for the sake of her loved ones, she finds an unlikely ally in his right-hand man Sinan, who feels compelled to shield her from Noyan’s escalating cruelty and unsettling fixation.
ALACA
(Drama, 120 x 42’)
Born from a hidden affair and raised oblivious to her true origins, Alaca is thrown into a nightmare when her ruthless biological father steals her kidney to save the daughter he chose to raise. The mystery of why she was attacked becomes the catalyst for her quest for answers, and she discovers that even those closest to her, like her mom and the love of her life, Kenan, may be concealing truths from her.
LONELY HEARTS
(Drama, 120 x 42)
After losing track of each other after a magical evening in Cappadocia, Ayda and Teoman meet again in Ankara three years later, but Ayda is now with Teoman’s cousin, Mehmet.
BAHAR
(Drama, 114 x 45’)
‘Bahar’ is the story of a young woman who struggles to maintain her inner goodness despite all the darkness that surrounds her. After witnessing her father’s murder, she tries to prove that Aysun (her stepmother) committed the crime. On the other hand, the love between Bahar and Demir, who met a few days before the murder, grows day by day, but it becomes even more impossible as Aysun is obsessively attached to Demir and is determined to win him over at any cost.
SECRETS OF AN ANGEL
(Drama, 90 x 45’)
‘Secrets of an Angel’, starring Alp Navruz and İrem Helvacıoğlu, is about a family whose lives are abruptly changed by tragedy. Cennet, who was exposed to domestic violence for years by her husband, Yılmaz, falls ill and is hospitalized. While receiving treatment, she sees lawyer Zeynep’s number in the hospital window and calls her for help.
Set in the present day, but with echoes of the Cold War, ‘The Center’ is a spy thriller that delves into the unknown world of the National Intelligence Center (CNI). The plot begins with a murder that uncovers an international operation by Russian intelligence services and leads CNI members on a race against time to dismantle it, while trying to uncover a traitor within their ranks. The series is an intimate, ensemble look at the challenges faced by members of the Spanish intelligence service as they navigate loyalty, betrayal, and duty.
THE NAMELESS
Claudia, a woman who loses her daughter Angela in a traumatic way, discovers years later, just as she is beginning to recover from the trauma, that her daughter may still be alive. “Mom, it’s me, Angela. Please come and get me!” This is the shocking phrase Claudia hears on the phone, giving her hope. Claudia then turns to Salazar, the inspector who handled the case after the disappearance, and Laura, the young woman whose life was saved by Angela, a special girl with a strange gift, after a serious traffic accident. Together they will follow the little girl’s trail through mysterious places that hide a terrifying truth.
THE ANATOMY OF A
MOMENT
Starting with the coup d’état of February 23, 1981, in Spain, Anatomy of a Moment dissects one of the crucial moments in recent Spanish history: the transition to democracy. When Civil Guard Lieutenant Colonel Antonio Tejero entered Congress with a gun in his hand, only three men remained seated while the rest ducked for cover: Adolfo Suárez, Santiago Carrillo, and Gutiérrez Mellado.
Ekin Koyuncu Karaman, Global Distribution & Partnership Director
REBORN (Drama, in production)
’Çarpıntı’ is a gripping family drama about Aslı, a young woman who has only known illness and survival until a donor heart gives her a second chance at life. But the heart she receives belonged to the daughter of Istanbul’s wealthiest family, pulling her into a world of grief, power, and forbidden love. Torn between her poor, bitter mother and the powerful Alkan dynasty, Aslı becomes the living link between two families divided by class and tragedy. With every beat of her borrowed heart, she steps deeper into a dangerous web of passion, secrets, and betrayal where love could either save her or destroy her.
THE FALL OF THE KING (Drama, in production)
Kenan Baran—The King—appears to have it all: wealth, power, and the perfect wife. But beneath the surface, betrayal, desire, and old wounds threaten to shatter his empire. When one woman from his past reclaims her strength and another from a modest life becomes an unexpected temptation, Kenan’s reign begins to crumble. ‘The Fall of the King’ is a gripping tale of passion, power, and the inevitable price of a life built on lies.
Bitter Justice
Come What May The Center
Listings Mipcom
350 Orchard Road #21-08/10,Shaw House Singapore 238868 distribution@powerkidsentertainment.com powerkids.net
TOP EXECUTIVE
240, Varzea St, Barra Funda São Paulo, SP - Brasil 01140-080 - São Paulo - SP, Brasil +55 11 3300-4022 tbcastro@recordtv.com.br www.recordtvnetwork.com
EXECUTIVE
Thiago Castro, International Sales Executive
Calle del Alcalde Sáinz de Baranda (92) y calle de O’Donnell (77), Madrid, España www.rtve.es/comercial
EXECUTIVE
Javier Quevedo, Head of International Strategy sales@sic.pt internationaldistribution.sic.pt
EXECUTIVE
André Santos Silva, Sales Executive
Manoj Mishra, CEO TOP
ADVENTURES OF AKIRA & MOWGLI
(S1, 52 x 11’)
‘Jungle Book’, the story that is over 100 years old and every time the book opens with its tales, it never fails to enthrall the audience. Mowgli, Baloo, Bagheera, Shere Khan, Kaa are world famous characters and their names are embedded in the minds of people of all ages, across the globe. The book has opened up yet again and only this time we read through those pages which were never narrated earlier.
LITTLE MOWGLI
(S1, 52 x 7,5’)
This is a prequel series to the ‘Jungle Book’! Before Mowgli was the brave and fierce warrior we all know and love, he was an adorable, little man-cub! Our adventurous 3-year-old spent his days crawling around the vast Seonee Jungle, swinging on his first vine, diving off his first cliff, and making his first friends (even the ones he didn’t realize wanted to eat him...) And since it was his very first time taking it all in, his perspective was as fresh as the fruits growing off the trees... chomp! Whoops... That one was actually a bit sour!
TOP EXECUTIVE
Delmar Andrade, International Sales Director
THE SLAVE ISAURA
(Telenovela, 167 x 45’)
The remastered 4K version of the hit Brazilian soap opera that reached more than 80 countries around the world. Based on Bernardo Guimarães’ 1875 novel. The soap opera tells a love story set against the backdrop of slavery. Isaura is the daughter of the slave Juliana and the estate manager, Miguel. Juliana dies and Isaura is raised and educated by the Commander’s family.
TOPÍSSIMA
(Telenovela, 145 x 45’)
A telenovela that delves into the female universe and brings to light the conflicts faced by modern women: work versus love life, independence versus loneliness, motherhood versus career, aging versus aesthetics, the illegality of abortion versus death, among others. In addition to issues specific to the female universe, there will be a parallel police investigation full of twists and turns that will involve the protagonists.
Rosalía Alcubilla, Head of Global Clients
TOP EXECUTIVE
Carlota Vieira, Manager
SIN GLUTEN
(8 x 55’)
Ricardo is a successful chef who refuses to admit his problem with alcohol, especially after receiving a Michelin star and running a successful restaurant. However, a night of heavy drinking leads him to make a serious mistake and he is fired. With no other options, he returns as a teacher to the cooking school where he began his career. There, his students —young people from diverse backgrounds, some at risk of social exclusion— help him rediscover his passion for cooking and reconnect with a more authentic and simpler life.
LA FRONTERA (5 x 60’)
In 1987, a captain of the Guardia Civil discovers an imminent ETA attack in Paris and, seeing that the Spanish government decides not to intervene, he acts on his own with a French policeman. Unbeknownst to him, his partner belongs to ETA, but is forced to help him stop the attack. In a race against time, they face betrayals, mafias and loyalty dilemmas.
VITÓRIA (Drama)
Vitória struggles to protect her family when she finds out that her father-in-law, Manuel Mendonça, is a criminal willing to do anything for power. After the tragic death of her husband, Vitória tries to shield her children from their grandfather’s influence and prove the crimes of the tyrant Mendonça. While defending herself from an attack by her brother-in-law, she ends up being arrested and loses custody of her children. Two years later, she gets out of jail determined to get Afonso, Beatriz, and Francisco back. But she is far from imagining that Manuel has managed to turn her children against her and that he will do anything to keep her away from the family. With the support of Jorge, a brilliant lawyer and her first love, Vitória will fight to win back the love and trust of her children and expose her father-in-law, putting the Mendonça empire at risk.
BROKEN PROMISE (Drama)
Based on a Turkish script by Kanal D, the story centers on the relationship between two families who end up involved in a secret deal, giving rise to conflicts, but also to forbidden passions entangled in a complicated plot. Two sisters in conflict, two cousins with scores to settle, and many raw emotions. Betrayals and conspiracies will unfold around them and bring to light the best-kept dirty family secrets.
Gonzalo Claiman-Versini, Diamond Films Spain Director
TOP EXECUTIVE
Tomás Darcyl, Co-Chairman
THE SMASHING MACHINE (Sport/Drama, 2h3)
Dwayne Johnson, Emily Blunt, and Paul Lazenby star in this intense story based on real events. ‘Smashing Machine’ chronicles the life of Mark Kerr, a mixed martial arts legend and UFC champion whose ferocity in the octagon contrasts with the personal battles he faces outside the ring. A powerful portrait of glory, addiction, and the price of being the best.
MARTY SUPREME (Drama, 2h)
Marty Reisman, the athlete who defied the impossible, comes to life in Marty Supreme. The feature film directed by Josh Safdie boasts a star-studded cast: Timothée Chalamet, Gwyneth Paltrow, Fran Drescher, and Tyler the Creator. Get ready to be amazed by the extraordinary!
GREENLAND: MIGRATION (Post-apocalyptic, 2h)
In the aftermath of a comet strike that decimated most of the earth, ‘Greenland: Migration’ follows the Garrity family as they’re forced to leave the safety of their bunker in Greenland to traverse a shattered world in search of a new home
Béatrice Nouh, Head of Distribution and Coproductions
Fernando Méndez, Content Distribution Manager Spain-LATAM
Catalina Porto, Head of the Mediapro Studio Colombia &México
JAKARTA
(Drama, 6 x 45’)
Periférico Sur 4121, Col. Fuentes del Pedregal, C.P. 14140, México, CDMX tvaztecainternacional.com Stand: R8.B8
TOP EXECUTIVE
Jesica Stescobich, Director of Distribution and Strategic Alliances
CAUTIVA POR AMOR (Telenovela, 70 x 45’)
TOP EXECUTIVE
Marta Ezpeleta, General Director
Joserra, haunted by his badminton past, finds hope in Mar, a gifted player. He dedicates himself to training her, confronting sporting challenges, adolescence, and inner demons.
RAZA BRAVA (Drama, 4 x 52’)
Barti, from humble origins, becomes leader of Colo-Colo’s Garra Blanca. Ambition drives him into drugs and corruption, forcing him to confront violence or lose everything meaningful.
REYKJAVIK FUSION
(Thriller, 6 x 52’)
The talented chef Jónas, falsely imprisoned, tries to regain the trust of his family. Rejected by society, he accepts illicit funds to open a restaurant. This puts his parole — and his life — in danger.
In her relentless pursuit of personal revenge, Jazmín Palacios embarks on a journey of redemption and justice. During this arduous journey, she dismantles a ruthless human trafficking and slave labor network that held her captive and threatened to extinguish her life. However, what she does not anticipate on this journey is the unexpected twist of fate that gives her the opportunity to reunite with her daughter, whom she believed was lost forever.
LA GRANJA VIP (Reality)
Survival and competition reality show set in a rural environment, with high visual and emotional impact.
MASTERCHEF CELEBRITY GENERACIONES (Reality)
The latest version of the hit cooking show, which brings together celebrities from different generations, creating a unique competition full of excitement and surprises.
LOTERÍA DEL CRIMEN (New season, 24 x 45’)
An intriguing thriller returns with new episodes, taking viewers into a world full of mystery, crime, and justice.
www.wbitvp.com
+ 44 (0) 7768 568970
EXECUTIVES
Andrew Zein, Executive Vice President, Creative Format Dev & Sales
Leonora Teale, Executive Director, Sales (Asia, Latin America & Israel)
Reema Patel, Director, Formats (Eastern Europe & Africa)
Chantal Faudone, Director (Germany, France, Italy, Iberia & Latin America)
Jack Davies, Sales Manager (CEE, CIS, Baltics, Balkans, Middle East & Israel)
REALITY KINGS ON SAFARI
(Format)
From WBITVP Netherlands, producers of the hit Reality Queens franchise for streamer Videoland, comes Reality Kings on Safari, where a group of male reality stars swap likes and luxury for survival in the wild. Split into rival camps, and with no phones, no home comforts and no easy way out, the stars must navigate the wild and fight for survival as challenges test both brawn and brains to see who will thrive under pressure and who will crack when the wild gets real.
THE FINAL CIRCLE
(Format)
From Satisfaction for TF1 in France, this format challenges every part of the mind - from logic and memory to language, calculation and visual skills, and puts players under pressure to prove the full power of their brain. Fifty players start on the outer ring of a 360-degree studio arena. Their goal? Survive the round and move forward through fast thinking under pressure. As they advance, the questions get harder and the circle tightens until only one contestant remains, stepping into the final circle where strategy, speed and brainpower collide in a high-stakes showdown for the grand prize.
Cautiva por amor
The Smashing Machine
Jakarta
IN NUMBERS
8 billion dollars is the estimated cost of the SkydanceParamount merger
75% of Spaniards watch content on AVOD and FAST platforms, according to Rakuten TV
4.7 million subscribers were reached by pay TV in Portugal in 2025, according to data from Anacom
36% of US users’ viewing time was spent watching YouTube this year, according to Digital
20.6 million households in the UK have access to SVOD platforms, Barb revealed
5 Globo productions will compete at the 2026 Oscars, the most for a Latin American group
3 days, from April 14 to 16, 2026, is the length of the new event, Paris Unscripted Showcase
EXECUTIVES
VALERIO FIORESPINO
AND ALESSANDRO
SABA
APPOINTED CO-CEOS OF FREMANTLE ITALY
FREMANTLE ITALY GROUP announced its new management structure: Valerio Fiorespino and Alessandro Saba have been appointed Co-CEOs of Fremantle Italy Group. The CEOs of the Italian companies within the group – Fremantle Italia, Lux Vide, The Apartment, Wildside, Picomedia, and Stand By Me – will have dual reporting lines to both, while group functions will be divided by area of expertise. Fiorespino and Saba will both report to Andrea Scrosati, Group COO and CEO Continental Europe.
LUIS SANTAMARÍA, NEW GENERAL DIRECTOR OF FICTION AT BOOMERANG TV
BOOMERANG TV is strengthening its scripted strategy with the appointment of Luis Santamaría as General Manager of its Fiction division. In his new role, Santamaría will report to Jaime Ondarza, CEO of Boomerang TV. The Mediawan group company thus recognizes the work carried out by the executive, who has successfully led the Fiction division over the past two years, promoting numerous productions that have become industry benchmarks. Among the most recent titles produced under Santamaría’s leadership are ‘Perdiendo el juicio’, which recently won the Vitoria Film Festival Award, and ‘Entre tierras’, the mostwatched series in Spain in 2024, which has just wrapped filming for its second season. Upcoming releases also include ‘La Suerte’, a Disney+ series directed by Paco Plaza and Pablo Guerrero, which made its debut in the official section of the San Sebastián International Film Festival.
FORMATS ALL3MEDIA FORMAT SORT YOUR LIFE OUT GETS NEW EUROPEAN ADAPTATION
CASTING HAS BEGUN FOR THE SPANISH ADAPTATION of ‘Sort Your Life Out’, a successful international format from All3Media International, created by Optomen, which has aired for six seasons on BBC One. RTVE is preparing ‘Ordena tu vida’, an internationally successful format that has revolutionized the home organization and transformation genre, with a family-friendly, inspiring, and relatable approach. In each episode, the program will help a family completely transform their home: getting rid of accumulated objects, reorganizing every corner, and turning chaotic spaces into practical, cozy, and stress-free homes by moving all their belongings into storage and deciding what to keep and what to let go. ‘Sort Your Life Out’ is produced by RTVE in collaboration with Lavinia Audiovisual.
