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SUNDAY, MARCH 26, 2017 Adelle Chua, Editor
Opinion
Joyce Pangco Pañares, Issue Editor
mst.daydesk@gmail.com
EDITORIAL
POP GOES THE WORLD JENNY ORTUOSTE
WHY EVERYONE SHOULD KEEP A SKETCHBOOK
A FAIRER WORLD M ARCH is women’s month. Every year the world “celebrates” women in all societies— paying tribute to the ones who have made a difference despite the odds, and committing to help all those who have yet to find their voice, much less pursue their potential.
It should not be a token celebration. Unfortunately, many people mistake Women’s Month celebrations for exalting women, asserting that they need protection, and that they must be treated with flattery and be subject to special rules and considerations. We all know this isn’t so. Just recall that viral video of a professor being interviewed on BBC about South Korean politics. In the middle of the telecast, his children storm into his home office and
approach the screen. When the professor learns about this, he tries to distract his daughter into doing something else; it is only when his wife gets the children out of the room and closes the door that he becomes visibly relieved. Another video surfaced a few days later. This time it is a female professor being interviewed. When her daughter walks into her home office, she picks up the child lovingly while continuing to talk serious matter with the interviewer. She gives a bottle of milk to the toddler. She entertains the other, younger child with a rattle. She does other household chores—preparing a meal, ironing a shirt, cleaning the toilet, even defusing a bomb—while carrying on the conversation on the fate of the Korean president with a straight face, hardly looking overwhelmed. Finally her husband comes and asks where his other sock is, and she concludes the interview before she proceeds to tell him where it is. The second one is a parody, of course, but there is truth to what it shows us. And this is exactly why women are seen in awe not just in the month of March
but every day—they are able to take on multiple roles even under the direst of circumstances. Often, they do so with flair. In homes saddled with extreme poverty, for instance, the woman finds ways to still feed her family. In conflict areas, a woman’s first concern is that her children are safe and well-fed. Female corporate executives or top officials, tasked with making high-impact decisions, are not tied to their office desks—they are able to enjoy personal and family time as well. But perhaps the best role that women can take on is to help others realize their economic status, religion or gender does not define them. A woman inspires others to speak out when everybody else cowers, or to break patterns when it is so much easier to go with the status quo. Unfortunately, she has to deal with harsher backlash when she dares speak her mind. Women’s Month is not a time to speak patronizingly about the “fairer sex.” Every day, instead, is a challenge to build a fairer world for everybody— regardless of gender.
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JUNIORS’ JOURNEY LONG STORY SHORT ADELLE CHUA
THIRTY-SIX young musicians have collectively qualified to represent the Philippines in the Summa Cum Laude International Music Festival in Vienna in July. These members of the Manila Symphony Junior Orchestra will compete against similar youth groups from Austria, Germany, China, United States, Ja-
pan, Australia, Thailand, Spain, and Italy. The contest will be held at the prestigious Golden Hall of the Musikverein. The MSJO, whose members are between nine and 21 years old playing the violin, viola and cello, has also been invited to play in concert venues in Salzburg, Munich and Prague. They will go on to
the Sound of Music tour and undergo tutorials and workshops by the best music teachers in Europe. The trip does not come free. The tour fee and airfare will be shouldered, partly by the families of the children and partly by the orchestra through scholarships. Turn to B2
I’VE always been a great believer in Joan Didion’s advice on keeping a notebook. In her essay named exactly that, included in her “Slouching Towards Bethlehem” collection of essays, she says it is “in order to remember, of course, but exactly what was it I wanted to remember?... So the point of my keeping a notebook has never been…to have an accurate factual record of what I have been doing or thinking,” but rather “how it felt to me.” Notebooks—and diaries and journals— are, therefore, a way to experience the world and to express that experience. We take an event, say, “lunch with Adelle on Thursday,” and write it down in our planner. In our notebook or diary we expand on that, noticing some things and not others, and sometimes remembering things wrong, but that was how the lunch was for us. A sketchbook has the same purpose. But what relevance does it still have today, in the age of mobile phone cameras, which are more convenient to use and accurate as to image quality? But that is exactly the difference between photography and drawing. Photos are too detailed, too perfect, when sometimes what you want to capture is an emotion or an impression. Making marks on paper, however tentative or hesitant, is still more special than a photograph because a drawing is your own interpretation of what you saw. Keeping a daily sketchbook is like keeping a notebook, but primarily in drawings rather than words. You might say, “But I can’t draw…” Did that stop us, when we were children, scribbling merrily all over our Grade 1 pads and squabbling over the gold and cornflower crayons? We can all draw, and sketching is a way to tap into the potential to develop that skill while creating and preserving memories— “create” because we choose what to remember, and “preserve” because those drawings are safe in a book. It’s not only memories we can keep pressed between the pages of a sketchbook, but flights of fancy as well. An officemate saw me scrawling in my sketchbook when we were away at a training. “My nine-year-old daughter draws a lot,” she said, “those anime characters and robots, but on loose sheets of paper that get misplaced or thrown away.” I said, “Get her a sketchbook so you have a record of her progress. It’ll be great for you both to see later on how her skill and imagination have developed.” For some, sketching is a way to communicate what’s inside them that they cannot, or will not, express verbally. In her graphic novel One Hundred Demons, cartoonist Lynda Barry advises putting down on paper all the demons you’ve wrestled with in your past—in her case, a lice-ridden boyfriend and a stereotypeaddled grandmother (who was Filipina). Writer and visual artist Jay David has his own 100 Demons project, a Moleskine notebook populated by a vampire Voltes V and a Frankenstein Mazinger Z, among other creatures. Artist Al Rio (IG: @artistmonk) says she keeps a sketchbook because “Ideas tend to pop up, sometimes at inconvenient times. So I…sketch it for later reviewing. Also, sketching notable moments—reunion dinners, road trips, beach with friends— sometimes captures the spirit of that point in time better than photographs.” Art can also be used not only to remember, but as a remembrance or souvenir. Another artist, Rica PalomoEspiritu (IG: @ricaespiritu) says, “I do keep several [sketchbooks], in a vain attempt to organize my drawings—one would be for doodles, zen doodles, urban sketches, people sketches…” In high school, people admired her skill and would ask for her artworks, which she gave away freely, tearing pages from her sketchbooks. “I’d buy one every two weeks and give it away. That alone gave me the incentive to draw.” Like a notebook, a sketchbook is an intensely personal artifact that can be shared if you wish, as Rica did and Didion, too with the material in her notebooks (she went on to use her jottings in her work). Similarly, neither notebook nor sketchbook need be expensive, unless the allure of quality art materials tempts you—then go for it. Other people, perhaps even you, have spent money on less useful things. Turn to B2
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