New Zealand Printer September-October 2025

DRAGON PRINTING UNLEASHES GALLUS ONE DIGITAL PRESS

September/October

The research shaking up print Bind25 conference takeaways What Print & Wrap NZ teaches us

The new rules of print marketing

with 1987-2025

At the heart of everything we do is a commitment to innovation, quality, and reliability — values that have driven us for 175 years, and will continue to guide us into the future. As a leader in the packaging and printing industry, we develop solutions that set new standards, looking far beyond our core sector. Thanks to our expertise built on 175 years of experience, we are constantly providing new impetus and actively helping to shape the future. We would like to thank all the customers, partners, and staff accompanying us on this journey. heidelberg.com/175

Dragon Printing unleashes Gallus One Digital Press

With the addition of a Gallus One to Dragon Printing’s existing fleet of high performance presses, the Sydney-based business is stepping into a new era boosting capacity, expanding capabilities, and reinforcing its position as a leader in premium label production.

With the new Gallus One Digital Press fired up at Sydney-based Dragon Printing, the company has entered a new phase – one that gives its clients even better options, while greatly increasing the workload the company can handle.

Investing in advanced technology is a signature move of Dragon Printing, keeping the business at the forefront of label manufacturing and enabling it to deliver an exceptional range of high-quality work.

Dragon Printing prides itself as a company that moves forward with the times, having shown a willingness to

invest in innovation and give itself an edge over its competition. Already boasting a fleet of Gallus presses, there’s almost nothing it can’t do.

This has meant that the presses are fully loaded. Though it’s a good problem to have, it has created the need for faster, more agile systems that truly harness the power of digital press systems.

“Today, so much more of our work is suited for digital press systems,” explains Paul McCullum, director of Dragon Printing.

“We saw the need to alleviate the workload on our current presses, using them for more hybrid work. What we needed was a press

that would fit with our existing systems well but also be a natural progression in terms of the work we are doing, where the market is heading, and still be able to deliver the standard of work we are known for.”

As with any significant investment, McCullum and the team at Dragon Printing did their due diligence, looking at multiple options from selected manufacturers.

“We did look at all the available presses that might suit our needs,” McCullum said.

“We have seen them running and know what they’re best suited for. We were obviously already very familiar with

Dierk Wissmann (Heidelberg Australia & New Zealand) and Paul McCullum (Dragon Printing)

COVER STORY

– and extremely happy with – the Gallus Labelfire presses that we have in operation. After speaking with Dierk Wissmann and the team at Gallus, and seeing what the Gallus One could do, we knew it was the right fit for our business and the work we need it to handle.”

Modularity benefits enhance flexibility

The Gallus One is a unification of all Labelmaster modules. The press is built around the idea of ‘modularity’, so that it can adapt to changing needs and market trends.

Businesses operating the Gallus One can easily add, remove, or replace units up and downstream, including flexo and screen printing, cold foiling, die-cutting, and more. This level of flexibility means print manufacturers can expand their services as their business grows, but without having to make significant investments in other types of printing systems and presses. It can all be done on the one press.

“A press with this level of flexibility is perfect for us because of the ‘hybrid’ work we do,” McCullum said.

“We handle a lot of cosmetics, pharmaceuticals, food, and wine labels that we do as one long pass on our Gallus Labelfire. At the same time, we are also running a lot of very simple jobs that are just die-cut and varnished. So, we now split the work between the systems, doing the more

complicated jobs on the Labelfire, while the more straightforward jobs are done on the Gallus One. Because of the speed and print capabilities of the Gallus One, it will become the ‘workhorse’ of our operations.

“The options with the Gallus One are nearly endless. You can start your journey with a simple roll-to-roll configuration with CMYK+W and later expand the machine according to your needs.”

“The running speed of the press is one of the significant features that attracted our interest, and of course, we know the technology and we know the inks. We won’t be wasting valuable time colour-matching jobs; it’s a straight swap from one press to the other. We will achieve huge time savings because this press is an all-in-one process.”

The Gallus One can print up to speeds of 70m/min, even with high-opacity white of 85 per cent. With a printing width of 340mm or 430mm, the press can run a variety of self-adhesive materials such as papers, plastics, and unsupported materials.

As impressive as the stats are, it’s the modularity of the press that is really something special.

The dawn of a new era

“The Gallus One represents the dawn of a new era,” said Dierk Wissmann, national

sales manager – Australia at Heidelberg Australia and New Zealand.

“The options with the Gallus One are nearly endless. You can start your journey with a simple roll-to-roll configuration with CMYK+W and later expand the machine according to your needs. This new ‘system to compose’ allows business owners to add to or change the composition of the machine system at any time of the journey.”

Options include the expansion of the colour gamut by adding orange and violet, flexo printing units, screen printing units, RDC Top, SDC ABG, and RDC quick die-cutting solutions, as well as a cold or hot foil, rotary embossing, web turn bar, de-lam re-lam, mono and PS laminating and MR touch.

“In Dragon Printing’s case, it is a Gallus One CMYK+W with a flexo unit for varnish or lamination, as well as a semi rotary die-cutting unit at the end. And of course, all of this comes with the highest print quality in 1,200 dpi by 1,200 dpi and at 70m/min – including white!” Wissmann said.

“The new Gallus One ‘system to compose’ allows business owners to add to or change the composition of the machine system at any time of the journey.

“In addition to high print quality, high speed, and high flexibility, to be truly successful, there is one more important

The Gallus One represents a significant leap for digital press label manufacturing

piece of the puzzle – high machine uptime. “We have taken everything we have learned from our clients using the Labelfire systems and poured all that knowledge into the development and design of the new Gallus One press.

“We have added new automated features such as automatic ultrasonic printhead cleaning, for example, to reduce downtime. The overall new design comes with many improvements to extend the life of vital parts and thus increase the machine uptime to a new level.

“In addition, Heidelberg Australia and New Zealand has a very strong service team on the ground, ready to jump in and offer support should it be required. Finally, there is no purging required; therefore nearly 100 per cent of the purchased ink is used to produce labels with virtually no ink waste.

“Which brings us to the final puzzle piece – high affordability. With its lower entry price, high quality, speed, and uptime, and nearly 100 per cent ink utilisation, the new Gallus One truly tears down the TCO barriers there might have been in the past.

“Driving the press is our market-leading Prinect workflow system from Heidelberg. This was jointly developed by Heidelberg and Gallus and combines the digital printing and software know-how of Heidelberg with the extensive expertise of Gallus in label printing. The Gallus One is the perfect solution for Dragon Printing who need a very fast, versatile press that still delivers exceptional print results.”

The abilities of the Gallus One press were not the only reason why Dragon Printing chose to re-invest with the company. The company has a strong partnership with Heidelberg and knows it can rely on service and support if, and when, needed.

“We’ve been dealing with Heidelberg for more than five years now,” McCullum said.

“Right from the start, we insisted that any servicing was done by Heidelberg, which it has done, and we always have access to online support. If we need to, we can always pick up the phone and speak to the team directly.

“For us, being able to rely on the manufacturer is extremely important because we cannot afford unnecessary downtime.”

Market competition, and the developing trend of shorter, more varied runs in faster time, means that label manufacturers such as Dragon Printing cannot afford downtime. They must be able to perform when the customer needs them and to a level that befits their reputation.

“Despite the capabilities we have and the results we can achieve, what we are really known for is our honesty,” McCullum said.

“Our customers deal with us because they know we are straight up. If there’s a problem, we will say it. With a press like the Gallus One, and the service and support we get from Heidelberg, we know we can promise our customers exceptional results with very short turnaround time.”

Minimal installation to learning curve time

The Gallus One has been up and running for a few months now at Dragon Printing’s Sydney headquarters. Finished jobs are already flowing because the installation time to learning curve was minimal as the Dragon Printing team was already familiar with the Labelfire press.

“We are very happy with how things have gone and the results we are getting,” McCullum said.

“The new Gallus One ‘system to compose’ allows business owners to add to or change the composition of the machine system at any time of the journey.”

“It hasn’t taken our people long to adapt to the new press because it shares some basic similarities with the Labelfire, and we are already very familiar with Prinect. You can certainly notice the speed difference; that’s something we are still getting used to. We can run a large volume of work through the Gallus One and still have room for more because it is so quick.”

The Gallus One represents a significant leap for digital press label manufacturing. The combination of speed, print quality, automation, and the ability to grow with the needs of the manufacturer, means Dragon Printing has the firepower necessary to handle any job.

Content and images supplied by Labels Plus Magazine and republished with permission.

Dragon Printing produces high-quality cosmetic, pharmaceutical, food, and wine labels on the Gallus Labelfire

3-5 Heidelberg: With the addition of a Gallus One to Dragon Printing’s existing fleet of high performance presses, the Sydney-based business is stepping into a new era, boosting capacity, expanding capabilities, and reinforcing its position as a leader in premium label production. PrintNZ

10-11 Comment: Over 10 days, Bind25 attendees enjoyed workshops, a conference, and a trade fair. Ruth Cobb has the details.

12-14 Helping Hand: Iain MacIntyre profiles Print & Wrap NZ’s legacy of innovation and commitment to sustainability.

Features p-16-24

16 Konica Minolta: Digital printing startup Pop Print has installed a Konica Minolta AccurioPress C4070 in its new Auckland plant as it seeks to grow its customer base.

18-20 Durst: Its strategic partnership with OMET sees Durst redefining the hybrid printing concept. The Durst Labels Factory aims to power print and elevate workflows

22 & 24 Print Promotion: Recently, Konica Minolta welcomed print industry professionals for breakfast as PrintNZ and VMA shared their latest research data.

September/October

Wide Format Plus p25-48

26 Aarque Group: Mirage Visual has expanded its production with a new Colorado M5W printer, supplied through Aarque Group.

28 NZSDA Update: Mikayla Hopkins reports on the professional development opportunities for NZSDA members.

30-31 Currie Group: SCG has snapped up a brand new Colorado M-series printer, supplied through Currie Group.

32 NZSDA President: Take advantage of your NZSDA membership now, says Logan Sutton

34-35 Epson: The Copy Centre makes use of a range of Epson solutions to deliver high quality printed products.

36-38 CCG: Attendees were impressed with the DTF Station technology running at CCG’s recent Open House.

EDITORIAL: 021 631 559

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CONTRIBUTORS: Ruth Cobb, Mikayla Hopkins, Iain MacIntyre, Logan Sutton

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Enjoying a break during the recent Bind25 event: Tiffany Tucker, Bookbinding apprentice NZ with Piper Hithersay, Queensland Bookbinders’ Guild Bind25 – page 10-11.

Tim Houlden takes the reins at Opal Specialty Packaging

Opal Specialty Packaging has appointed Tim Houlden as general manager New Zealand.

With over 30 years’ experience in the packaging industry, Tim has covered everything from rigid plastics to flexible films, and for the past 20 odd years, corrugated cardboard packaging and displays. He says, “My first role in the packaging industry was for Plix Packaging, which in those days was part of the old Carter Holt Harvey packaging business. In that role I covered the South Island as an account manager looking after industries from horticulture to confectionery and retail meat packaging.”

He followed that with roles as New Zealand sales manager for Danaflex Packaging with flexible films and coated papers, with a “particular focus on the New Zealand red meat sector, with shrink film and associated equipment”; a 12-month stint with Resene Paints, “a great Kiwi business”, as central region manager; and general manager for Globus Group New Zealand “that manufactured flexible films and ingredients, mainly for the processed meat sector in NZ, along with a range of capital equipment

Konica Minolta AccurioLabel

400 Digital

Press

associated with this range of products”.

For the past 21 years prior to joining Opal, Tim was chief executive officer of APC Innovate. He says, “APC was New Zealand’s leading designer and manufacturer of retail point of purchase solutions and high end short run packaging. Products included permanent displays and shop fitouts, semipermanent point of sale displays, digitally printed large and medium format point-of-purchase promotional materials and high quality short run corrugated cardboard packaging.”

He still finds inspiration in the industry. He says, “The industry offers variety, constant change, and touch points across all the key drivers of our economy, from retail to primary produce and manufacturing.

visually striking labels with ease.

“The opportunity to be part of a larger organisation and to support Specialty Packaging’s growth as a valuable adjunct to Opal’s core paper and corrugated businesses was a key driver for taking on my new role as the general manager for New Zealand.

“One of Opal Specialty’s strengths is that it is a larger organisation that can offer customers an end-to-end solution in the cardboard packaging sector. The ability to service both the North Island and South Island of NZ with localised manufacturing capability is also another strength.

“Opal’s point of difference is the ability to provide customers with fast and high quality printing solutions. Opal has invested in and replicated the same printer technology in New Zealand, Victoria, South Australia, New South Wales, and Queensland, Australia. This means customers can benefit from consistent, vibrant printing across multiple locations, potentially providing freight efficiencies.”

Aware of the challenges that businesses face in the current economic environment, he says, “During unstable economic times, consumer spending drops and this can have a knock on effect for a range of industries including packaging. Opal’s focus is to be ready to support our customers as the market shifts and growth opportunities appear.

“It is a great industry to work in as evidenced by the variety, the innovation, and the passionate people that work within it.”

Brand differentiation occurs as clients differentiate their products with customised labels that reflect their brand identity and stand out against competitors.

receives Color-Logic certification ABG launches ABG Flex Pack

The company says that integrating Color-Logic software with the AccurioLabel 400 enables printers to expand their service offerings, delivering eye-catching labels that elevate product branding. By leveraging the advanced metallic effects and vibrant colour enhancements made possible with ColorLogic design software, printers can create premium labels that stand out on crowded shelves and attract consumer attention.

Color-Logic has announced certification of the Konica Minolta AccurioLabel 400 Digital Press. This certification affirms the compatibility of the press and the Color-Logic process, enabling printers to produce high-impact, metallic, and

Finishing supplier A B Graphic International (ABG) has expanded into the flexibles sector with the launch of ABG Flex Pack. Currie Group supplies ABG solutions in Australia and New Zealand.

Color-Logic says the benefits include: Metallic labels and effects produce enhanced visual appeal elevating the perceived value of products.

Increased revenue opportunities from offering premium, eye-catching labels that open new markets and increase margins.

ABG has made thermal laminators, pouch finishing systems such as the Digicon 3000, and shrink sleeve machines installed in markets worldwide. ABG Flex Pack now consolidates this expertise into a dedicated division to deliver a complete, end to end packaging solution.

ABG Flex Pack will launch a compact, modular thermal laminator and will add pouch making solutions through

Streamlined Workflow results from integration with the AccurioLabel 400, ensuring efficient production without compromising quality.

Mark Geeves, director of sales at Color-Logic, says, “Certification of the Konica Minolta AccurioLabel 400 with Color-Logic technology represents a significant milestone.

“It empowers printers to deliver exceptional labels that captivate consumers and enhance their clients’ brands, all while maintaining efficient, cost-effective production.”

a partnership with Galaxy Packtech, a family-run business with 24 years of experience, over 2,000 installations worldwide, and a 200-strong team of experts that manufactures pouch and bag making machines. Through the partnership, ABG wants to help its customers diversify in a changing market space with a partner they recognise, understand and trust.

Tim Houlden as general manager New Zealand for Opal Specialty Packaging

IN BRIEF

KODAK has reported decreased revenue and profit in its financial results for the second quarter 2025. Jim Continenza, executive chair and chief executive officer at Kodak, said, “In the second quarter, Kodak continued to make progress against our long-term plan despite the challenges of an uncertain business environment. “For the balance of the year, we plan to focus on serving our customers, strengthening our balance sheet and developing growth businesses for our future.”

PLOCKMATIC has announced plans to move the majority of its UK assembly operation to its purpose-built manufacturing, assembly, and logistics plant in Latvia. The company says this realignment forms part of its wider strategy to focus further on customers’ requirements for cost-effective and highly productive modular finishing systems delivered with shortened lead times, for both offline and inline solutions. It plans to further upscale its machine building and logistics capabilities with plans for developing new inline and offline finishing technology.

PRINTFM has begun broadcasting at printfmradio. com, delivering nonstop interviews, discussions, live broadcasts, educational programming, and event coverage featuring established leaders and fresh voices from around the world. Launched as the first 24/7 global internet radio station dedicated exclusively to print and graphic communications, its creators at The Print Media Centr say it will serve as a central hub for timely information and ‘printspiration’ for print professionals, marketers, manufacturers, print buyers, and creatives everywhere.

Adrian Fleming returns to printIQ

printIQ has appointed Adrian Fleming as its general manager for the Australia and New Zealand market.

He previously served as printIQ’s global sales director from 2015-2021, where he played a pivotal role in the company’s growth story.

John Alden, chief executive officer at printIQ, says, “We are absolutely delighted to have Adrian rejoin our team. His proven track record with printIQ, combined with his deep industry knowledge and exceptional leadership capabilities, makes him the perfect choice to lead our

Print readership numbers grow

The latest Roy Morgan readership results paint a powerful picture of the enduring strength and vitality of print and digital media across the country.

The data confirms that print media, far from fading, remains a core part of the daily lives of millions of New Zealanders, often complementing and growing alongside their digital counterparts.

According to the Roy Morgan New Zealand Single Source survey, an impressive 2.70 million New Zealanders

Australia and New Zealand operations into the next phase of growth.”

The company says, “During Adrian’s tenure, he helped drive revenue while significantly expanding our customer base. His leadership was instrumental in printIQ’s successful expansion into North America and Europe, and his strategic vision helped establish our presence in new markets including labels,

aged 14 and over – 61.4 per cent of the population – read or access newspapers via print or online platforms in an average seven day period.

Magazines continue to hold a significant place in the market, with 1.65 million New Zealanders (37.5 per cent of those aged 14+) reading them in print or online. The numbers also show growth for individual publications.

The New Zealand Herald leads the pack with a total cross-platform audience of 1,812,000, a solid increase of 96,000 (+5.6 per cent) over the past year. This growth highlights the public’s continued trust and engagement with longstanding mastheads.

Other titles also demonstrated strong gains, reinforcing the health of the

packaging, promotional products, and office supplies.

“Adrian brings over 20 years of executive leadership experience in sales, business growth, and transformation across Australia and international markets. His career includes senior leadership roles at Kodak, where he managed complex, multi-million dollar operations across the Asia Pacific region.”

industry. The Otago Daily Times, the country’s oldest continuously published newspaper, grew its audience by 37,000 (+13.9 per cent) to 304,000, while Hawke’s Bay Today experienced a remarkable surge of 72,000 (+59.5 per cent) to reach 193,000 readers.

The ability of publications to grow their cross-platform audiences demonstrates the successful adaptation of the industry to modern consumption habits, proving that print media and its digital extensions form a powerful combination.

For advertisers, marketers, and the print industry itself, this data provide a ringing endorsement of the medium’s ability to connect with a vast, engaged audience across the country.

Adrian Fleming, printIQ general manager for the Australia and New Zealand market

Rodden Graphics appointed as sales agent for Canon labels and packaging

Canon Production Printing Oceania has appointed Rodden Graphics as sales agent for the labels and packaging sectors across Australia and New Zealand.

The announcement follows Canon Production Printing Oceania’s recent expansion of its product portfolio, which introduced the sale, installation, and servicing of Edale flexographic label and carton converting systems alongside the Canon LabelStream LS2000 digital label press.

With Canon’s expansion, the company says Australian and New Zealand print service providers and converters will now benefit from a single source supplier offering a complete range of Canon’s high volume digital production inkjet systems, together with Edale’s world class

Durst integrates GMG into Workflow Software and Smart Factory

Durst Group has announced the full integration of GMG’s spectral colour management technology into Durst’s proprietary Durst Workflow software as well as into the open Smart Factory portfolio of the Open Software Initiative.

The companies have scheduled the official launch of the solution to coincide with the presentation of the Open Software Initiative at Printing United 2025.

With this integration, Durst says it

flexographic solutions. Industry veteran James Rodden founded Rodden Graphics in 2018. As a trusted advisor in the label and packaging solutions market, Rodden Graphics built its name on providing expert guidance, tailored solutions, and ongoing support. For the past seven years, Rodden Graphics has also represented Edale, successfully placing systems into Oceania.

Craig Nethercott, managing director, Canon Production Printing Oceania, says, “Rodden Graphics brings a wealth of

is setting a new industry benchmark for automated and colour consistent production, regardless of printing system or substrate. From now on, the Durst Workflow will be delivered with fully embedded spectral colour management from GMG. Existing customers with a valid software agreement will receive the new solution at no additional cost.

The integration covers all market segments in which Durst operates: labels and packaging; corrugated; as well as sign and display. In addition, the GMG solution becomes a key component of Durst’s modular Smart Factory architecture, which is central to the Open Software Initiative, Durst’s vision of an open, fully connected production ecosystem.

Michael Deflorian, director Business Unit Software and Solutions at Durst Group, says, “By integrating GMG into our Durst Workflow and open Smart Factory

experience, deep market knowledge, and strong customer relationships to our label and packaging business.

“Their proven track record with both digital and conventional solutions makes them an ideal sales partner. Coupled with Canon’s significant service and support infrastructure across Oceania, which will enable us to support customers in achieving success with our label and packaging technologies.”

James Rodden adds, “We are proud to extend our collaboration with Canon Production Printing Oceania. This appointment builds on our history with Edale and allows us to offer customers a comprehensive portfolio, from flexographic solutions to Canon’s groundbreaking LabelStream LS2000. Together, we’ll help manufacturers and converters across Oceania access the right technologies to future proof their businesses.”

Rodden Graphics will work alongside Canon Production Printing Oceania to deliver consultative sales, installations, and after-sales service for label and packaging customers. The companies say this will ensure customers are equipped with the innovation, reliability, and support required to thrive in a rapidly evolving industry.

platform, we are delivering a new level of colour consistency, fully automated and highly scalable.

“At the same time, this marks a first real-world example of a true best-ofbreed integration in the spirit of our Open Software Initiative. It underlines our ambition to deliver the best software solutions on the market, not just for Durst customers, but for the entire print industry.”

Darrian Young, global partnership manager at GMG, adds, “This partnership brings together two companies with innovation and quality at the core of their DNA. The integration into the Durst Workflow and Smart Factory architecture enables a consistent, media neutral production process.”

With this milestone, Durst Group says it further strengthens its position as a technology provider for end to end production solutions.

From left: Craig Nethercott, Canon Production Printing Oceania; with Sarah and James Rodden, Rodden Graphics; and Imran Hasnath, Canon Production Printing Oceania

COMMENT

Preserving the past and crafting the future of print

International conference celebrates printing and related crafts.

Auckland was home to two events in September held across 12 days that saw printers, bookbinders, print finishers, conservators, calligraphers, book artists, librarians and students gathering to learn more about their crafts. These two events highlighted that while letterpress printing and hand-booking are often seen as traditional, they remain very much relevant today.

The 35th Wayzgoose (noun, a works outing made annually by a printing house) kicked off with a weekend of events including a tour of Inline Graphics and a visit to Pride In Print Supreme Award winner Studio Q/Laserfoil where they had the opportunity to make themselves a memento of the event. This was followed by a Saturday night dinner with New Zealand Printer editor Bruce Craig taking the stage as guest speaker.

Bind25

But Bind25 was the big event with 10 days of workshops, a conference and a trade fair that provided something for everyone. This was an Australasian event that saw a good quota of Aussies crossing the ditch to join in. And it wasn’t just those with grey hair in attendance, it was great to see

a number of young people attending who were equally enthused by what they were seeing and the opportunity to hone their craft.

I also had the pleasure of attending the Bind25 weekend conference at the Auckland University of Technology and it highlighted the importance of the work these amazing people do, and the incredible skill involved.

Presenters came from as far away as France and England and as well as speaking at the conference, they offered hands-on workshops during the week that were valued by those that got to get close up and personal with the presenters.

The “books” that were on display during the conference showcased the uniqueness of what bookbinders and print finishers do. This was highlighted by the collection of works where everyone was given the same printed sheets and the license to bind and finish them how they chose. Every one of the finished products was a distinctive piece, many of which could only be described as a work of art.

Both the trade fair and the auction held at dinner on Saturday night were awash with

specialist tools and products that were snapped up by attendees. The auction, in particular, was a highlight with donated items being fiercely fought after, raising well over $5000 to go towards the costs of the conference.

AUT printing

AUT used to be home to a full print shop that ran pre-employment print courses and hosted the apprentice workshops back in the day. Many of our more mature printers have fond memories of their block courses at AUT (as much for what they learned off campus as on campus). Alas the larger print shop was closed down in the early 2000s, but while I was at AUT over the weekend, I had the privilege of meeting the Graphic Design head of department and was given a tour of the print facilities that still exist. I saw the current students’ work in an exhibition called ‘Another Paper Jam’.

AUT still has a screen printing facility, Risographs and a binding room that see the students complete printed works from go to wo, ensuring the graphic design students can turn their on-screen creations into actual printed products.

While technology sees our industry moving more and more to digital technologies that allow for enhanced inline solutions, the traditional methods of both printing and finishing still have their part to play and it is important that we don’t lose them.

Well done to the organisers of the two events for celebrating the past, while looking to the future. It was so pleasing to see one of our current print finishing apprentices win a scholarship to attend and immerse herself in the weekend. Tiffany Tucker from Bookbinding etc gave the closing address at the conference and talked about how much she benefited from being exposed to such a broad range of practitioners and enthusiasts.

Remember, the job isn’t finished until it’s finished, and the myriad interpretations of what that might look like provide a valuable opportunity to add value, permanence and an emotional connection to the printed product.

The Bind25 organising committee, from left: Julz Henderson, David Ashman, Chris Stewart, Terrie Reddish, Winsome Brown, and Mark Elphick. All photos courtesy of KirstenJ Photography

Bind25 presenters Coleen Curry, from USA and Ben Elbel, from France

An auction item submitted by UK book artist Paul Johnson, titled Te Waka o Tamarereti

Traditional methods of both printing and finishing still have their part to play and it is important we don’t lose them

Tiffany Tucker, Bookbinding apprentice NZ with Piper Hithersay, Queensland Bookbinders’ Guild

Chris Woods, director, National Conservation Service UK, addressing the conference attendees

Print & Wrap NZ honours a family legacy of innovation and integrity

Innovative, family owned Canterbury print company is playing its part in shaping the New Zealand print industry’s sustainable future.

Jack Hayward established Print & Wrap NZ 13 years ago. The company, still based in Sockburn, Christchurch, prides itself on bringing “integrity, personal service and true craftsmanship” to New Zealand’s food grade packaging sector.

Jonathon Hayward, Jack’s son and now the owner and director of Print & Wrap NZ, describes the business as one of “family legacy, innovation and a deep commitment to sustainability and qualities that drive us every day”.

He says, “My father built the company from the ground up, creating not just a business, but a reputation for quality and reliability that became our calling card with food producers, bakers, cafes, and hospitality businesses throughout the country.

“In April 2025, I had the privilege of stepping into my father’s shoes as he has stepped down from the business. While his ethos still forms the backbone of everything we do, my mission is to write the next chapter, one focused on sustainability, digital transformation, and leadership in green packaging solutions.

“Our team is small but dynamic. Alongside myself, we have two dedicated employees, and we bring in experienced contractors and specialists when workflows demand. This agile approach lets us maintain close customer relationships, high service standards, and the ability to quickly respond to changing market needs.”

Custom printing capabilities

Jonathon considers the firm’s in house product and custom printing capabilities among its key points of difference. He explains, “Our core offering is comprehensive, spanning the manufacture and custom printing of food-grade paper products. This includes everything from muffin cups, baking liners and tray liners to food wraps and paper bags.

“We operate a custom muffin cup manufacturing machine, flexo four-colour print machine as well as three paper bag

machines, each enabling us to design, print and manufacture entirely onsite, giving us the flexibility to create highly customised solutions, whether for largescale orders or niche, bespoke jobs.

“Additionally, we hold our own paper splitter that allows us to break down large rolls of raw material direct from the mill, thereby reducing reliance on external converters and helping us optimise for both quality and efficiency. This direct control over the supply chain translates to better lead times, higher consistency, and greater confidence for our customers.”

Smoke, Wrap & Rest

Of all the products Print & Wrap NZ has created, Jonathon feels most proud of the Smoke, Wrap & Rest food grade cooking wrap.

He says, “Designed for serious pitmasters and home chefs alike, this 100 per cent cellulosic, all natural, plastic-free, and fully compostable wrap was created in response to increasing demand for sustainable, food-safe packaging options.

“Traditional wraps often contain plastics or chemicals that can leach or affect both food and the environment. We wanted to offer something genuinely different – a product that performs beautifully in the kitchen but holds up and meets the strictest environmental standards.

“The result is a greaseproof, natural wrap that has been enthusiastically adopted by leading New Zealand hospitality businesses, caterers, and artisan food producers. Customers love that it allows them to present their food attractively while also demonstrating a real commitment to sustainability.

“For many, it has become part of their own brand story.”

Efficient and sustainable

A green transformation and digital transition make Print & Wrap NZ an industry standout. Jonathon says, “We see ourselves as more than just a packaging supplier. We are on a mission to lead the

Jonathon Hayward, owner and director of Print & Wrap NZ

& Wrap NZ manufactures and custom prints food-grade paper products

industry toward greener, smarter, and more efficient ways of operating.

“Recently, we completed the transition of our entire vehicle and forklift fleet to electric, a move that has not only reduced our emissions but also inspired others in our supply chain to consider similar changes.

“For us, sustainability isn’t just a selling point, it’s a responsibility. We rigorously recycle our paper offcuts and continually search for ways to further reduce waste. With every operational and product decision, we ask: ‘How can we minimise our footprint and maximise our positive impact?’

“We see green innovation as central to our future. Our ambition is to expand

our product range to replace even more traditional packaging with 100 per cent cellulosic alternatives, giving New Zealand businesses and, eventually, international markets a better way forward.

“Internally, we have invested in a digital transformation of our systems and processes. Our new website and fullyintegrated warehouse management platform have enabled us to streamline order tracking, stock management, and customer communication. This has made our business more transparent and agile, ultimately delivering a smoother, more responsive experience for our customers.”

Relentless commitment

Unequivocally passionate about the company’s direction and values, Jonathon

says, “What truly underpins Print & Wrap NZ’s success is our relentless commitment to quality, training, and collaboration.

“We take pride in nurturing a workplace where learning and upskilling are encouraged. When additional expertise is needed, we engage skilled contractors,

Print & Wrap NZ’s reputation for quality and reliability has become its calling card with businesses throughout the country

Jonathon Hayward considers his company’s in house product and custom printing capabilities among its key points of difference

not only to meet immediate workflow demands but to help us raise the bar across the business.

“Our focus on continuous improvement means we regularly review our processes, seek feedback from clients, and invest in new technology to keep us at the leading edge of the industry.”

He embraces the challenges that lie ahead. He says, “The New Zealand print and packaging sector is in the midst of a powerful evolution. There is much to celebrate: the industry’s resilience, the spirit of innovation, and the willingness to embrace change for the greater good. At the same time, challenges remain, from supply chain volatility and material costs to the ongoing need for upskilling and collaboration across the sector.

“My perspective is that those who embrace authenticity and agility, who put substance behind their sustainability claims, will set the pace and earn lasting loyalty.

“If I could offer one piece of advice to others in this space, it would be to truly embed sustainability into your business and to never stop learning. Customers are increasingly discerning, and they know the difference between greenwashing and real environmental action. The businesses that thrive will be those that are bold, transparent, and willing to innovate continuously.”

New horizons

The demand for sustainable packaging will continue to grow and Jonathan sees Print & Wrap NZ playing a part in that expansion. He says, “Looking ahead, our plans are ambitious but clear. We aim to develop a broader range of green, sustainable products, especially in categories that have traditionally relied on plastic.

“We are actively exploring new product lines that can be manufactured using our 100 per cent cellulosic material, giving customers real, practical alternatives as they transition away from single-use plastics.

“Export is not yet part of our business, but as the demand for sustainable packaging grows globally, we are laying the groundwork for future international opportunities.

“We’re proud to be a part of New Zealand’s dynamic print industry and excited about the role Print & Wrap NZ can play in shaping its sustainable future.”

& Wrap NZ embodies Jack

Iain Macintyre

Smoke Wrap & Rest is a 100 per cent cellulosic, all natural, plastic-free, and fully compostable wrap

Print

Hayward’s original vision for integrity, personal service and true craftsmanship

Kiwis understand the environmental

DIGITAL

Konica Minolta AccurioPress C4070 pops up at Pop Print

Auckland-based print startup welcomes innovations built into Konica Minolta technology.

Recently, startup print company Pop Print installed a Konica Minolta AccurioPress C4070. Pop Print founder Aaron Yap says the AccurioPress C4070 ticked all the boxes in terms of what he needs in his latest venture.

He says, “I started Pop Print two months ago. I am already enjoying printing with the Konica Minolta AccurioPress C4070. Although it is my first Konica Minolta machine, I have known Wade Marriner, from Konica Minolta, for many years.

“The accuracy and colour management the AccurioPress C4070 offers is something that will help my business develop. Its print quality is super sharp, especially with photographs and small print.

“The installation was pretty smooth, and I did not need much training on the machine as it is so user friendly. Mark Northin, technical specialist at Konica Minolta, was able to answer all my questions and I have gained a thorough knowledge of its functions and capabilities from Mark being super patient with me.”

Automation innovations

Printing up to 71 pages per minute in colour and black and white, the AccurioPress C4070 offers 3600dpi x 2400dpi print resolution with eight-bit processing and

high speed, dual colour scanning at up to 280ipm. It handles a range of media with weights from 62 to 360 gsm.

The IQ-501 Integrated Colour Care Unit, Konica Minolta’s closed-loop quality management tool, performs automatic density correction and front-to-back registration prior to printing. It inspects colour density and registration accuracy on a sheet by sheet basis throughout the print run taking remedial action if it detects any deviation.

Aaron says, “The print quality we get from the machine is excellent and all automated from the IQ unit. Not having to complete colour calibration on the printer frees me up for other tasks and I have quite a few of those to do since I started Pop Print.

“In house finishing makes a big difference for small print companies. Also, there is no comparison to having to complete finishing work manually and doing it inline. Now I am working alone, I want to do as much possible in house. You really need as much gear as possible in house when you operate in a fast turnaround environment.

“Right now, I am producing a fair number of booklets, and it saves so much time doing everything inline. It is not just the time saving though. The accuracy is really important as customers are used to much higher standards for digitally printed

products than before. I remember some of the old digital printers and it is impressive how the technology has evolved.

“Apart from the inline finisher, the software is really powerful. Basically, I just click, and it sorts out whatever it needs to do.

“The Konica Minolta AccurioPress C4070 also gives me the option to produce labels but that is not yet a big part of my business.”

Experienced startup

While Pop Print is a startup print company, Aaron has plenty of experience in the industry. After immigrating to New Zealand in 2001, he completed a graphic design degree at AUT and found that he enjoyed working in the signage sector, eventually co-owning Auckland-based Vast Print & Sign.

He says, “I sold my share of Vast Print & Sign just after the Covid-19 pandemic, but I remained working there until a few months ago. Starting Pop Print gives me the opportunity to explore new opportunities within the industry and I am excited at the prospects ahead.

“At the moment, I can still manage the work by myself but as things get busier, I will have to employ someone to keep up with the work as it comes in. I have always collaborated with other printers and sign makers, and I continue to do so. I still print signage and, once in a blue moon, I will get someone to help me with an installation. In this print and signage space, it is what we have always done: helping each other.

“Over the past few weeks, I have managed to get my website up and running. Now, I need to let people know what Pop Print can do so I can build a solid customer base. Going on social media is a part of that.”

Aaron sees a good future for print locally. He says, “I hear a lot of people saying how things are going toward screens, but print is always going to be there.

“I love living here in New Zealand; everyone is mellow compared with other countries and I really enjoy producing great print and signage.”

Aaron Yap with his new Konica Minolta AccurioPress C4070 at Pop Print

WITH THE ACCURIOPRESS C4080/C4070

Introducing the AccurioPress C4080/C4070 - incredibly versatile digital print systems that can help your business succeed. With exceptional output quality, enhanced media capability, compact footprint and expanded finishing options you can build a configuration to suit your requirements and say yes to more opportunities to grow your business.

To rethink versatility, simply visit: konicaminolta.co.nz/AccurioPressC4080series

LABELS FACTORY

Durst strengthens hybrid labels production with Labels Factory

Durst redefines the hybrid printing concept through its strategic partnership with OMET

Durst Labels Factory aims to power print and elevate workflows with hybrid labels printing solutions. Next-level productivity can be achieved with the Durst-OMET KJet, a cylinderbased printing system, and XJet, a premium sleeve-based printing system, designed to optimise labels printing efficiency and reduce unnecessary costs.

The launch of the KJet follows an announcement at Labelexpo Europe in 2023, extending the hybrid development partnership between the two organisations beyond the XJet platform.

“The current XJet platform, which has been the leading hybrid solution in the market with multiple installations worldwide, will be further improved and expanded,” both companies said at the time.

Durst Oceania managing director Matt Ashman emphasised the importance of providing customers with a single, reliable point of contact in the market.

As a result, Durst has assumed exclusive responsibility for the global sales of the KJet and XJet.

“The launch of the KJet and the introduction of the XJet strengthens our incredible relationship with OMET,” Ashman said.

“These two Italian industry powerhouses – one from the mountains and one from the lakes – have joined forces to help transition analogue businesses to a digital future delivering a truly collaborative and complimentary partnership. Durst Oceania is proud to bring these solutions to the regions of Australia, New Zealand and beyond.

“This partnership and collaboration delivers the Durst digital engine cradled within the traditional engineering supplied by OMET that is historically loved and highly regarded by the label converting community.

“The KJet and XJet product range has been designed to fit both small and large label converting, delivering medium volume to high volume work for those businesses looking to augment and complement their traditional analogue label products with a cutting-edge inkjet solution that only an OMET and Durst partnership can deliver.

“The beauty of this hybrid solution is that it is a true hybrid of the Durst RSCi and the KFlex or XFlex combined with all the advantages that those robust and reliable machines deliver.

“The sky is the limit with various configurations available – yes, you can have your flexo unit with this configuration; yes, you can have your slitting unit with this configuration.

“This is truly the best of all worlds for the astute converter that can access every solution and every module available with the KFlex and the XFlex machines combined with the fastest and highest quality LED UV inkjet printing engine available on the market today.

“We have seen the labels category growing exponentially; however every business is looking for versatility in the investment that they make in today’s competitive world and every dollar needs to deliver.

“Hence, it was essential for Durst to grow its partnership with OMET, as this is what traditional label converters have been telling us is needed in the marketplace – and we have delivered.”

The launch of the KJet strengthens Durst’s incredible relationship with OMET

LABELS FACTORY

Durst has been at the forefront of the digital printing revolution and evolution for the last 20 years – assisting strong traditional analogue businesses embrace, expand, and depend on digital solutions that complement their rich analogue products.

“Some have thought that digital technology was designed and created to usurp analogue technology. However, Durst has known for many years that this is not the case,” Ashman said.

“Businesses that have invested in rich analogue knowledge and capability are looking to add a digital solution. What’s more, a hybrid digital solution can elevate the final product and future-proof their businesses. The Durst digital label technology is represented by the RSCi platform, which has been very successful globally in its own right, offering direct-tomedia high quality inkjet up to 100 linear metres per minute and high opacity white.

“The question I always get asked is who will support the sale, installation, and service for a hybrid product like the KJet and the XJet. The answer is simple – Durst will. Durst Oceania will install, service and support all KJet and XJet sales in the Oceania region.

“Our message to existing and future OMET customers is straightforward – visit our stand at Labelexpo Europe in September or attend our Durst Beyond event at the Durst head office at Brixen from 13-15 September. You will see the KJet installed at the Durst Customer Experience Center and see the benefits of this hybrid product as it is demonstrated to the world.

“Customers are always invited to visit the Durst headquarters and experience the KJet printing system firsthand. In addition, our exhibit at Labelexpo Europe in Barcelona offers another opportunity to explore Durst’s latest innovations and meet and network with like-minded businesses across the globe. We will also organise educational sessions and seminars as well as visits to key label converters in the region, so visitors can see firsthand

how the Durst digital technology can make a real difference to the profitability and success of your business.

“We welcome all print providers from any speciality to come and experience the KJet and XJet collaboration as we have seen the growth of start-up business units within non-related traditional print providers that have embraced the value that label converting can offer.”

Durst sales director for labels and packaging Thomas Macina shared his excitement regarding the KJet and the importance of the OMET partnership.

“The combination of digital with flexo offers an innovative hybrid solution that maximises productivity and flexibility, enabling printers to select between flexo or digital printing. This optimises efficiency and reduces costs while meeting evolving market demands such as personalisation and just-in-time deliveries in a singlepass. We have been leading the inkjet label printing market for many years and we provide solutions for all label converters

around the world – starting with entry level solutions up to industrial needs with 100m/ min and 510 millimetres wide,” Macina said.

“We have been observing a clear market trend towards end-to-end production and this is why we have reinforced our partnership with OMET. At drupa, we launched the KJet – which is the perfect combination of a dual-servo cylinder based flexo unit combined with the robustness, efficiency, and productivity of the Durst RSCi digital print engine. This provides operators with a new experience in terms of simplicity, minimal set-up time, and low waste.”

Durst CEO and co-owner, Christoph Gamper described the K-Jet as a product that is “beyond your standard label press”.

“It is customised to the needs of the converter and it is a perfect synergy. We see the alliance with OMET as the best of both worlds. There is no need to invent everything by ourselves. We are the digital experts – this is where we are coming from and this is where we are going,” he said.

The XJet is a premium sleeve-based printing system designed to optimise labels printing efficiently

Century Printing & Packaging from the US believes in the Durst ultimate hybrid concept

LABELS FACTORY

KJet – Durst and OMET deliver the ultimate hybrid concept

Representing an unprecedented partnership between two of the industry’s most respected manufacturers, Durst and OMET, the KJet represents the pinnacle of hybrid technology, offering operators a seamless experience with its user-friendly interface and ultra-short web path. This design not only minimises waste but also reduces setup times, showcasing the advantages of digital printing.

Combining the great ‘cylinder-base dual-servo’ flexo technology from OMET with the robustness and reliability of Durst RSCi digital printing engine, the KJet line is born to be the benchmark in hybrid printing machines.

The power of its automation and register control redefine the concept of versatility and extend the boundaries of printing and converting solutions. Endless possibilities of applications, from labels to packaging without compromising on performance or print quality.

“The combination of digital with flexo enables printers to select between flexo or digital printing, thereby optimising efficiency and reducing costs while meeting evolving market demands such as personalisation and just-in-time deliveries in a singlepass,” Durst Oceania managing director Matt Ashman said.

THE DURST LABELS FACTORY

Power your print and elevate your workflow with the hybrid labels printing solutions Durst-Omet KJet and XJet – combining inkjet, flexo and in-line finishing for unmatched efficiency.

For more information, please visit

durst-group.com/labels-factory

PRINT PROMOTION

Research data shows trust in print remains higher than digital

Breakfast session places focus on print’s positive aspects.

Recently, Konica Minolta New Zealand hosted a breakfast session at its Auckland headquarters for print, visual media, and marketing professionals titled ‘Hot Off the Press: Why Print Still Reigns’.

The session, run by industry organisations PrintNZ and Visual Media Association (VMA), highlighted recent research and insights into New Zealand’s shifting consumer behaviours with some ideas about how print businesses can leverage the enduring power of print in a digitally fatigued world. PrintNZ and VMA commissioned the research that surveyed Kiwis across the country earlier this year to obtain the data.

Eric Holtsmark, managing director Konica Minolta New Zealand, welcomed everyone to the event. He said, “At Konica Minolta, we are proud to partner with PrintNZ and VMA to shine a spotlight on print’s unmatched ability to cut through digital noise. Print is powerful and it is important to share that message.”

Ruth Cobb, chief executive officer, PrintNZ, said, “Having up to date data to support what we already know, that print is both effective and sustainable, gives us the perfect platform to promote print from a position of strength.”

Keynote speaker, Kellie Northwood, chief executive officer at VMA, presented some of the main findings from the research that proved again how Kiwis trust and prefer print when communicating with brands and retailers.

Her main point was that print is trusted, remembered, useful and understood. She said, “We have an opportunity to shift how we sell and communicate print. We must change how we sell print. Using this research will help change the conversation. As we sell printed material to customers, we need to start solving their problems. We can use the data on the efficacy of print. We need to learn that dialogue.

“The shift has to be from taking and producing the order to actually leaning in with a genuine curiosity as to what is the customer’s problem. Stop selling and start knowledge sharing.”

She quoted some statistics from the research and made points from the data as follows:

• Since the covid-19 pandemic ended, magazines have had 16 per cent recovery but social media has had a seven per cent decline.

• Print channels are trusted in an era when media authenticity is being challenged.

• The letterbox is an essential, and trusted part of everyday life with 90 per cent of Kiwis checking their letterbox every week and 33 per cent checking it daily.

• Over a decade, catalogues have been called the most useful advertising.

• Consumers want more than one

channel, and Kiwis behave differently with different channels.

• Of 36 OECD countries, New Zealand ranked 19th for internet affordability but digital fatigue is real, and mothers have the highest concern around social media.

• For emails, the average kiwi has 447 unread emails in their inbox and 51 percent of kiwis delete them without reading them. So, smash out the EDM but don’t lose print.

• The strength of print does not conflict with strength of digital.

She added, “Quoting research is a really lovely way to start talking to your customers. Start having those conversations now.”

Ruth Cobb, PrintNZ and Eric Holtsmark, Konica Minolta

New Zealand Printer magazine and PrintNZ thank attendees, speakers and sponsors of our inaugural New Zealand Printing & Packaging Forum incorporating the People In Print and Rising Stars Of Print Awards on October 14

PLATINUM SPONSOR

GOLD SPONSORS

SILVER SPONSOR

BRONZE SPONSORS

SUPPORTERS

Australia & New Zealand Printing & Packaging Week

Helen Pengelly, Konica Minolta and Janice Page, Caxton

David Farrant and Judy Curson, Good as Gold Media

Phil Norvill, ACI and Wade Marriner, Konica Minolta

Tom Dempsey, Webstar; Bo Burns, Times Media, and Ingrid Williams, Webstar

Rebecca Hughes, Konica Minolta and Phillip Yee, Print Plus

Tom Dempsey, Webstar and Seth Gold, Good as Gold Media

Laura Grace and Lee Colson, Webstar

Ingrid Williams and Pip O’Halloran, Webstar

Rajesh Mudundi, Five Star Print; Vivek Sharma, Marsh; and Linden Hoverd, PrintNZ

From left: Rebecca Hughes, Konica Minolta; Kellie Northwood, VMA; and Bridget Batchelor, Caxton

WIDE FORMAT

Mirage expands Colorado count with Aarque Group

Aarque Group: the Kiwi home for Canon wide format solutions since 2001.

Since its inception in 1982, Palmerston North-based Mirage Visual has grown steadily to the point that it now employs 20 staff. The family-owned company produces a range of work spanning small and large format print; signage; as well as both temporary and permanent point-of-sale products.

Sam Blenkiron, director at Mirage, says, “We are supported by nationwide logistics and fulfilment through MyStock Logistics, part of the Mirage Group. This end to end service allows us to deliver everything from campaign creative to nationwide roll-outs.”

In August, Mirage installed a Colorado M5W printer, supplied through Aarque Group. Sam says, “The M5W wasn’t an update but an expansion. We’ve had great success with our first Colorado, so investing in a second model with white ink capability was a natural step forward.

“Training on the new printer was straightforward; our team picked it up quickly. The interface is intuitive, and once you’ve loaded the media, you can trust it to run smoothly. It’s absolutely a machine you can leave unattended with confidence, which is invaluable in a busy production environment.

“The technology was already proven in our workflow, so we had full confidence in adding another Colorado. The M5W’s white ink was the standout feature for us, giving us the ability to produce high quality whites at commercial speed, something our other equipment couldn’t match.

“For us, it’s about consistency, speed, and new opportunities. The Colorado ensures rock solid colour quality across repeat campaigns, which is vital for our International FMCG and retail clients. Its productivity means we can meet tight deadlines without compromise.

“Brand colour is non-negotiable for our clients, and the Colorado nails it every time. The colour is vibrant, repeatable, and consistent across multiple runs and substrates, which gives us confidence when producing large national rollouts.

“The detail is razor-sharp, even on fine text and intricate designs. It’s the sort of quality that makes POS and in-store signage really stand out.

“The Colorado runs fast and reliably, which means we can take on more work without adding pressure to our operators. The ability to print unattended lets the team focus on other tasks while the machine just gets on with it.

“With the UVgel technology, prints come off the machine instantly dry, durable, and scratch-resistant, often eliminating the need for lamination. That saves time and cost while giving clients a product that’s built to last indoors and out.

“White ink was the big selling point for us. We can now produce high-opacity whites at commercial speed, opening applications we couldn’t tackle before like window graphics, layered effects, and block-out signage on coloured or transparent media.

“We are producing striking backlit displays, premium decals with white underlays, and short-run campaigns on speciality media. These applications give our clients fresh ways to present their brands and stand out in store.”

Mirage has partnered with Aarque Group for over 20 years. Sam says, “Aarque Group has been a reliable partner for us. They can make deals happen when we need them, and they are consistently there with the right advice and support. That consistency has made them a trusted partner in helping Mirage grow.

“Aarque’s service and support have been excellent. They usually have the answer straight away and point us in the right direction when we need it. At Mirage, we pride ourselves on delivering for our customers, so we only work with suppliers who do the same. Aarque’s consistency means we’re never letting our clients down.”

Sam says the biggest challenge Mirage faces is the pace of client demand. He says, “Campaigns are faster, shorter, and expectations are higher. We deal with that by investing in the right technology, like the Colorado M5W, and keeping our systems lean and agile. All our equipment is chosen so we can pivot into new business areas if the market shifts, which keeps us flexible and ahead of the curve.

“A great week for us is seeing a national campaign roll out smoothly and knowing we’ve made it easy for our client. We thrive on challenges and business should be fun. By focusing on A and B grade clients, we can invest in the best facilities and equipment. We don’t want to be the biggest; we want to be agile, innovative, and leading from the front. Our focus is always on delivering outcomes that help our clients win.

“Change in our industry is constant. Faster turnarounds, sustainability, automation, and now AI are all reshaping how work gets done. That’s why we now hire for roles previously unheard of in print, like digital specialists, to make sure our tech stack is delivering more for clients.

“If you stand still in this industry, you’re already moving backwards. So, we focus on systems and processes that keep us at the forefront.”

Matt Ahern, Aarque Group and Sam Blenkiron, Mirage Visual with the Canon Colorado M5W printer

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NZSDA UPDATE

NZSDA places major focus on sign makers’ development

Webinars, online lunchbreak sessions, and signee courses deliver support to NZSDA members.

One of the ways we can best support our members is by making training more accessible. We know how valuable supplier trainings are, but also how hard it can be to attend them in person. That is why we are working to bring you online lunchbreak sessions, offering practical training that is easy to access and fit into your day.

We have two sessions in the calendar so far. The first is an online panel with Kirbyco, 3M, and Impactex, who will share their knowledge on sustainability in sign and print.

This session will give you fresh ideas on how to manage waste, use materials in smarter ways, and create campaigns that are both environmentally responsible and profitable.

Computaleta will deliver the second webinar, which will provide practical training on LED lighting installations and how to keep them compliant. This is a great opportunity to hear tips and tricks directly from the experts and to pick up valuable lessons for signees of any level.

We also recently ran an online seminar alongside Minitech on how to use AI tools safely, and when they might not be the best option. A key takeaway was the data you feed into Chat GPT isn’t always as private as it may seem. Even if platforms say it is “anonymised,” it can often still be

pieced back together, which means client and business information could be at risk if names and key details aren’t redacted. Many other helpful tips were shared during the session, and the full recording is now available on our website.

Well attended meetings

We have also been out connecting with signees in person through our regional meetings in Auckland and the Bay of Plenty. These were well attended, and we want to thank everyone who made the effort to come along.

This was the first Bay of Plenty meeting in quite some time, so it was particularly valuable to bring the local community together. Face to face connections are so important to us, and we truly appreciate the opportunity to meet members in person whenever possible.

Master Sign Maker

The August intake for Master Sign Maker has now closed, and we are thrilled to announce two new Master Sign Makers: Badboy Graphix and Landmark Signs. These businesses have put in the work to achieve this accreditation, and we are so excited to celebrate this milestone with them. The fourth and final intake for 2025 will take place in November, so businesses wanting to achieve the accreditation this year will need to act quickly to meet the deadline.

Signee courses

This month, we also want to remind you about the Signee course, an online tool that provides a comprehensive introduction to sign writing. The programme covers the key pillars of the industry and helps bridge the gap for those who are new to the trade, or whose role only covers one part of the process.

As recent participant Deakyn Hands shared, “It was very informative, showing me the different aspects and applications within the industry in a short time.”

His employer added, “We found the Signee programme a very useful tool for Deakyn, it gave us a chance to show him a lot more of the industry, beyond what we offer in our shop. I would recommend using the programme for all staff new to the industry.”

The course is free for NZSDA members, while non-members can access it for a small fee.

Finally, we are excited to announce that our new partnership with n3 is now live. This business buying group represents thousands of companies in New Zealand, giving members access to incredible discounts with key suppliers.

NZSDA members can now tap into these savings on everyday business purchases, which we know will make a significant difference at a time when costs are tight. This partnership adds real value to membership, making it harder than ever to find a reason not to join.

“Mā te rongo, ka mōhio. Mā te mōhio, ka mārama. Mā te mārama, ka mātau. Mā te mātau, ka ora.”

Through listening comes knowledge. From knowledge comes understanding. From understanding comes wisdom. From wisdom comes wellbeing.

Mikayla Hopkins, Lead Projects, Events, and Marketing Specialist NZSDA

Ethan Moir from Alexandra Images who won the PSP Prize Giveaway at the recent Bay of Plenty Regional Meeting

WIDE FORMAT

Currie Group kick starts Canon partnership in New Zealand with Colorado by Appointment event

Straight off the back of adding the Canon Colorado and Arizona printers to its portfolio in New Zealand, Currie Group has announced the sale of its first Colorado M-series printer to leading Kiwi print company SCG.

SCG has continually invested in the most innovative technology available.

Brian Landry, general manager at SCG, says, “The Colorado offers a number of advantages over what we are currently running. Its speed means it can replace two machines and the range of stocks it can handle through the LED curing technology opens up a plethora of opportunity.

“It is next generation, and it has proved itself in the market. Other benefits include the ability to print matte, gloss, or a mix of the two, which is huge. It will be an asset to SCG as we forge ahead in today’s competitive market.”

Travis Jordan, account manager at Currie Group, says, “SCG’s investment in the Canon Colorado is a milestone

moment, not only for their business, but for Currie Group as we launch our Canon partnership here in New Zealand. They will gain the speed, consistency, and versatility of UVgel technology, with the confidence that it’s backed locally by our service and support.

“It’s exactly why Canon has a new home in New Zealand with Currie Group, to give leading businesses like SCG the tools to further scale by adding new applications and services.”

Colorado versatility

Craig Paul, country manager Currie Group New Zealand, says the Colorado M-series sale to SCG was one of several highlights during the company’s successful two-day ‘Colorado by Appointment’ event at Currie Group’s Demonstration Centre in Auckland.

Currie Group hosted personalised, one on one appointments, focused on the capabilities of the Colorado M-series.

Craig says, “We welcomed customers from across the signage, display, and commercial print sectors, demonstrating the capabilities and versatility of the Colorado M-series.

“At Currie Group, we have a team with the requisite knowledge and expertise to match our customers’ business needs with the right solutions.

At the ‘Colorado by Appointment’ event, customers had the chance to see first-hand how the Colorado M-series printer’s advanced print capabilities, automation features, and smart workflow tools drive real impact for the businesses that own them.

The local Currie Group team and customers received invaluable support from across the Tasman with Paul Whitehead, Marcus Robinson, and Matt Tangey from Curie Group Australia, as well as Steven Badger from Canon Production Printing Australia coming to Auckland for the event.

Paul Whitehead, business unit manager – Sign & Display Currie Group, says, “As the local Sign & Display market in New Zealand continues to evolve, Currie Group is committed to provide solutions that meet the needs of our customers who require greater versatility, productivity, and innovation.

“The addition of the Canon Arizona and Colorado M-series products to our New Zealand Sign & Display portfolio allows us to provide the widest and most comprehensive range of wide-format solutions on the market, backed by unmatched service and technical support.

“Currie Group has partnered with Canon for just over two years and now, New Zealand customers will benefit from the partnership supported by the combined product expertise and knowledge of both Currie Group and Canon Production Printing teams and by their extensive service and support operation.”

SCG snaps up first Colorado M-series printer in New Zealand from Currie Group.

Brian Landry, SCG and Travis Jordan, Currie Group with the Colorado M-series

Bart Mann, Philstic and Travis Jordan, Currie Group

Matt Heaps and Mike Dorsch, Currie Group

From left: Kris Hassett, Torque Digital: Craig Paul, Currie Group; Mark Bult, Torque Digital; and Paul Whitehead, Currie Group

Rajesh Mudundi, Five Star Print and Travis Jordan, Currie Group

From left: Paul Whitehead, Marcus Robinson and Matt Tangey, Currie Group with Steven Badger, Canon Production Printing

From left: Craig Paul and Travis Jordan, Currie Group with Julia and Mike Ruediger, NZ Sign Co

From left: Craig Paul, Currie Group; Scott Hobden, Orafol; and Travis Jordan, Currie Group

From left: Chris Bennett, Jenny Naley, and Steve Horan, Currie Group

Steven Badger, Canon Production Printing and Vicky Winslow, Chrome Grafix

Dave Trotter, Studio Q and Rob Calvert, 5Digital

John Christie, Labelshop and Craig Paul, Currie Group

Paul Whitehead, Currie Group and Matt Porteous, Xtream Signs

NZSDA PRESIDENT’S CORNER

Don’t wait – take advantage of your NZSDA membership now

From discounts to courses, opportunities abound for NZSDA members.

With the arrival of Spring, we hear the birds chirping a little louder; we see new lambs wobbling across paddocks; and we feel that spark in the air. New life, new energy, and new jobs landing on the desk creates a sense of urgency. A little more than they did a week ago.

If you are anything like most of the sign shops I know, Spring marks the beginning of that time of year: the lead-up to Christmas. There is something about the longer days and warmer weather that kicks people into gear. Jobs that have been “just waiting on sign-off” suddenly become urgent. Diaries go from full to overfull overnight. And the countdown to the holidays begins.

For many of us, that’s a good thing, especially if winter has been a bit quieter. But that sudden surge can catch us off guard too, especially if we are running lean or still feeling the pinch from earlier in the year. This is why I am super stoked about our new partnership with business buying group n3.

Exclusive discounts from n3

If you are already an NZSDA member, you are going to love this. And if you have not yet become a member, then you must be fresh out of excuses.

NZSDA members now have access to n3’s exclusive discounts. I am not talking about shaving a few cents off here and there. I mean real, meaningful savings on everyday business costs, and a few good personal ones as well.

I was lucky enough to get early access to the n3 app and take it for a spin. Scott and

I even had a bit of fun putting together a short video to show what kind of value is on offer. If you haven’t seen it yet, check it out here:

Here’s a quick breakdown of the video:

1. Drum of two-core cable from JA Russell – saved $90.50

2. Forklift battery from Century Yuasa – saved $253

3. 10 posts, 40m framing timber, and 30 bags of Quickcrete from Carters – saved $475

In the video, Scott says you can make back your membership in three months. But I’ll be honest, my Category C membership ($815) was completely covered by these three purchases alone, all within two weeks. How good is that?

And it doesn’t stop there. Since filming, I have also saved:

• $120 on tyres

• $83 on new first aid kits

• And, if I can get the green light from my wife, I am eyeing up a Sony Bravia 85” TV from JB Hi-Fi this weekend. It’s already on sale, but N3 is offering another $239 off.

The crazy part? Your NZSDA membership literally pays for itself. After that, every dollar saved is money straight back in your pocket. It’s almost like n3 is paying you to be a member.

Now, I’ve heard it a hundred times: “I’m not sure I get enough value out of being a member.”

Fair enough, we are all watching the bottom line. But I truly believe this partnership removes that excuse for good.

Value in membership

Still, I would argue the real value of NZSDA membership isn’t just in the dollars. It’s in the connections, the support, the shared knowledge, and the feeling that you’re part of something bigger: a bigger industry; a community of people who get it; the support; the friendships; as well as the opportunities to grow and give back.

If saving money gets you through the door, then brilliant. Jump in. Sign up. And while you are at it, tell your mates who own sign shops as well. This is about building something that lasts and making it more accessible for every sign business in New Zealand.

And if the n3 savings weren’t enough already, here is a reminder of everything else you unlock as a member:

• Access to the Master Sign Maker Accreditation

• Promotion through Find a Sign Maker

• Access to the Signee Course

• Pricing Guide

• Wage & Salary Guide

• Webinars

• Industry awards, conferences, and regional events. This is the good stuff, all focused on connection, excellence, and growth.

So, here’s your spring challenge: don’t wait. Whether it’s saving money, stepping up your professional game, or reconnecting with this awesome community, now is the time.

And hey, if you are already a member, help us spread the word. Let’s help more sign shops tap into the support they need to thrive.

So, here’s to smart savings, strong connections, and a thriving industry.

See you out there, Logan Sutton President NZSDA

Check out Logan’s video about n3

NZSDA members at the recent Bay of Plenty Regional Meeting held at Alternative Graphics

P9360 44" Epson SureColor P9560

*The offer is valid for purchases made between 1st September 2025 and 30th November 2025 for any configuration of the nominated printer model supplied through Epson New Zealand and purchased from an approved Epson large format reseller, shipped to a customer located in New Zealand and registered within the claim period. Refer to www.epson.co.nz/promotions for further details. **To be eligible to redeem the Cashback Amount for Printer & 2-yr and 4-yr CoverPlus, the CoverPlus must be purchased along with the Eligible Printer in one transaction, on a single day within the promotion period. When you purchase a new eligible P-Series printer between 1st September 2025 and 30th November 2025

WIDE FORMAT

Epson solutions bring high performance printing to The Copy Centre at Unitec

Unitec print shop delivers high quality printed products and service to University staff and students across the campus through Epson technology and innovation.

The Copy Centre at Unitec in Auckland services the printing needs of the University’s staff and students.

Carl Salas, director of The Copy Centre, says, “We are undergoing an interim period of getting The Copy Centre back up to full capacity. I have printed for the Unitec Department of Architecture for more than eight years, starting out as a student myself with a consumer-grade printer, helping classmates with essays and projects.

“I manage a team of four employees and together, we provide small format document printing for the campus as well as specialist large format printing for the Architecture and Design departments.”

The Copy Centre uses a range of Epson technology: two Epson SureColor WorkForce Pro WF-C879R printers;

an Epson SureColor T7760D printer and an Epson T7760DM printer; as well as an Epson SureColor V1060 UV printer.

Epson SureColor V1060 UV Printer

Carl says, “We installed the Epson SureColor V1060 UV printer in August, not as an update, but as a completely new machine to expand our product offering into personalised and branded items for businesses.

“With my background in printing, training was minimal, about an hour to learn. Paired with Epson Edge Print, the workflow is very user-friendly.”

The compact Epson SureColor V1060 UV flatbed printer enables direct printing onto a vast array of materials such as acrylic, metals, wood, and canvas. It supports substrates up to 297mm x

210mm and up to 70 mm in thickness. Epson says the UV curable UltraChrome UV ink with CMYK + White + Varnish provides a stunning output on both rigid and flexible materials. Additional White and Varnish inks can be applied as layers or spot colours for enhanced image expression and finish quality.

At 699mm x 699mm x 426mm, it fits snugly into The Copy Centre’s print shop, and it offers additional space saving with a built-in air filtration system and minimal rear clearance. It offers a variety of print modes, including wide gap print mode, which improves clarity of text and images on three-dimensional substrates, such as golf balls and pens.

A vacuum flatbed and fully automated print height adjustment ensure accurate media positioning during printing. The six-colour ink set, including White and Varnish inks, offers gloss and matte finish options on both light and dark surfaces. Other features include an 11cm screen; replaceable 140ml ink pack system; built-in Wi-Fi connection; and a fully automated printhead cleaning system.

Carl says, “With its ability to print on almost any substrate it allows us to produce branded products in house, reducing costs and turnaround times.

“The CMYK + White + Varnish gives strong flexibility across materials, and the print quality is exceptional, especially on metal and acrylic. We design and make our own jigs to ensure every job is perfectly aligned. This keeps productivity consistently high.

“We are currently testing personalised golf balls and acrylic magnets with photos or company logos.

Epson SureColor T7760D and T7760DM Printers

The Copy Centre’s T7760D and T7760DM printers replaced other wide format machines in 2022 and 2025, respectively.

Madison Boggs, account manager at Aarque Group and Carl Salas, director at The Copy Centre with the Epson SureColor T7760DM printer

Carl says, “We are impressed with the dual roll function and unmatched print speed these machines deliver. Students often request prints last minute. The speed and dual rolls let us handle a high volume without constantly swapping media.

Epson says that The Copy Centre’s SureColor T7760D and T7760DM printers combine an extremely compact footprint with flexible media handling and a high print speed.

Designed for colour drawings and posters in moderate to high volume, they offer six inks that come in large cost-effective cartridges with an additional Red to enhance the colour range. Integrated high-speed hardware-based Postscript enables fast and accurate image reproduction via drag-and-drop from the desktop or direct from a USB device. All configurations feature dual-roll support with the second roll also able to be used as an Auto Take Up.

Using Epson’s latest PrecisionCore print heads with ultra-fine nozzles and a small minimum drop size, they print on a wide range of media up to 111.8cm wide, and the extra wide 6.7cm print width supports resolutions up to 2400 x 1200 dpi. A durable high speed feed mechanism makes them ideally suited for high volume production.

Epson UltraChrome ink features an aqueous all-pigment construction. The XD3 formulation includes an additional Red for vivid output with an enhanced gamut range. Prints exit almost dry with a finish that is resistant to damage through scratching and moisture exposure. The ink set incorporates both a photo and matte black to support imaging on a range of media types.

Ink cartridges can be ordered individually in a choice of 350ml or 700ml sizes to suit different operational and costs per print requirements. Wastage is minimised through the implementation of dedicated PK/MK ink lines, inklessnozzle status monitoring, and automatic nozzle replacement/masking. Everything loads from the front for easy consumable replacement.

Other features include supporting stock as light as 80gsm; borderless printing, a high speed auto-cutter that will cut an A1 sheet in just 2 seconds; and an inbuilt Roll Media Barcode Management system to track consumption and facilitate automatic re-configuration upon loading.

Carl adds, “These printers give us outstanding print quality. We certainly make use of the added Red ink, which enables us to achieve a wider colour gamut across a broad range of media.

WIDE FORMAT

These machines are true workhorses. The 700ml ink cartridges mean we can run long jobs (like banners) without worrying about ink outages.

“We print and stretch canvases in house, one of our best-sellers. The bypass tray also allows printing on card up to 1.5mm thick. Another benefit is the ease of operation; they are very reliable. I have left the machine running unattended on 50-metre banner jobs, with the second roll acting as a take-up spool.”

Epson SureColor WorkForce Pro WF-C879R printers

Carl says, “We installed our WorkForce Pro printers about two years ago in order to provide small format printing (A4 and A3). They are ideal for thesis documents and soft-bound copies. Having two of them gives us the advantage of handling multiple thesis print jobs at once, cutting time in half.”

Epson says its WorkForce Pro WF-C879R printers deliver outstanding results with high capacity ink packs lasting up to 86,000 pages for mono, and 50,000 pages for colour. Smaller capacity ink is available that can enable up to 20,000 printed pages in mono and colour.

The printers use Epson’s Heat-free PrecisionCore technology. Epson says that, at the core of this proprietary technology is the PrecisionCore MicroTFP print chip, a digital chip that does not use heat to eject ink and prints at the micron level, 1/100th the size of a human hair. No heat means less power consumption, fewer consumables, and less intervention.

Other features include WorkForce Pro RIPS and a managed print service; efficient paper handling with a 330 sheet capacity; an optional stapling unit; a pigment based four-colour ink set; and wireless connectivity.

Upgrading technology

Like other print shops, The Copy Centre faces a range of challenges. Carl says, “While we are quite pleased with our Epson printers, we also have other production machines that we are looking to upgrade to improve speed and reduce manual finishing tasks like trimming. We see automation helping us to save time and increase our accuracy.

“We enjoy our work here and obviously, it is great to have high print job numbers, but we get huge satisfaction from solving tricky problems for students and staff. For example, finding the best way to impose jobs is rewarding.

“Looking ahead, we are developing a website to make it easier for students and staff to see available products and services at The Copy Centre.”

The Copy Centre enjoys a strong relationship with the team at Epson and Aarque Group, which supplies Epson solutions. Carl says, “It is really good for us working with Avi (Avinash Patel) and Madison Boggs, our account manager at Aarque Group. They have set a high standard of service, which reflects very well on Epson and Aarque Group. The Epson machines allow us to deliver unmatched speed and service to staff and students across the campus.”

Carl Salas with the Epson SureColor V1060 printer

GARMENT PRINTING

CCG showcases DTF Station at Open House in Auckland

Guests impressed with Direct to Film demonstrations.

Recently, industry supplier CCG hosted an Open House at its Albany showrooms in Auckland.

Directors Mark Oudney and Bryan Simpson welcomed guests from around the country for the event, which featured a range of DTF Station solutions in action.

DTF Station founder Tony Lee travelled from the USA to support the CCG team. He said, “Since my last visit here, I have noticed how everyone has gained a greater understanding of how Direct to Film (DTF) technology is disrupting the screen printing sector.

“What they are seeing is how easy DTF is. This process makes it easier to produce printed garments. And it is not just the garment sector that is noticing it. We are talking to businesses from across the printing and signage sectors as well.”

He added that another change since he last spoke to New Zealand Printer was the ratio of sales across countries. He explained, “For DTF Station, the international market used to see around 80 per cent of sales in the USA, but now we have a 60/40 ratio of USA sales versus the rest of the world. Europe is growing and of course, down here in New Zealand and Australia. It is exciting. We now have many more dealers as well and printer sales continue to increase at a fast rate.

“I love coming to New Zealand because the people in this industry are so hungry to learn more about how they can deliver the best products to their customers. With the technology improving all the time, we are increasing their capabilities and helping them grow their business.”

A range of DTF solutions

CCG ran live demonstrations on a range of DTF Station printers including the Aries 124 60cm UV printer with DigiRIP Pro software, the fastest and widest of its UV-DTF printers. This printer covers the likes of promotional, personalised and sign solutions.

The Open House also featured the DTF Station Prestige XL3 60cm CMYK & RGBO DTF printer, which also comes with DigiRIP Pro Software. It has three advanced Epson

i3200 printheads and an expanded colour range thanks to the addition of Red, Green, Blue, and Orange inks. Designed for high-demand environments, it offers maintenance features like the White Ink Management System and automatic cleaning cycles, ensuring minimal downtime and maximum productivity.”

CCG also highlighted other DTF Station solutions that are essential in the garment printing process.

The DTF Station Miro 36 powder shaker and dryer is built for easy setup, use, and maintenance. DTF says that, with a modular build and compact footprint, it fits easily into a production workflow. It is also easy to operate with a touch screen control panel, and its built-in purification system means you don’t need any extra equipment to run a safe workspace.

Also running at the Open House, the DTF Station Arc 127 advanced roll to roll table cutter is the company’s first automatic roller cutting system. It has a maximum cutting width of 70cm and supports both sheet and roll cutting modes, with options for single-blade and dual-blade cutting. Tony added, “Automation holds the key to improving productivity. The Arc 127 integrates seamlessly with DigiRIP RIP Software and DTF Station’s line of printers with a simple, user-friendly interface and an easy to use intuitive control panel.”

CCG directors Bryan Simpson and Mark Oudney added, “We are excited to add the latest DTF Station solutions to the CCG portfolio and we look forward to discussing the ways our solutions can take your garment printing to the next level.”

DTF Station founder Tony Lee flanked by CCG directors Bryan Simpson and Mark Oudney

GARMENT PRINTING

Phil Norvill, Robyn Duncan and Liam Blom from ACI

Roxy Whiteman and Josh Halton, The Embroidery House

Rich Cullwick and Barry Tetley, Diffuse

Mike and Jason Gitmans, Prographix

Mark Oudney, CCG and Warren Lawson, ACI

Max Lyness, Clear Edge and Denis Hibbs, Branding NZ

Ellen Crayford, Six Oaks; with Rae Sinclair and Corey Brown, Reflections by Ruapehu Signs

Jason Hall, MOQ1 and Rhys Smith, CCG

Tony Scerry, Stitchery House Embroidery and Screenprinting with Linden Hoverd, PrintNZ

GARMENT PRINTING

Brian Slater, CCG; Luo Bailiu, DTF Station; and Graham Hughes, That Kiwi Print Shop

Darron and Hayden Rudkins, Game Changer Lu and Kansas Keokotavong, Custom Teez

Mark Watson and Aldrin Domingo, CCG

Fiona Pollock, Printifique Studios and Rhys Smith, CCG

Trent Boswell, TNT Customs and Arlene Frost, Destination Apparel

Tracy Te Kohai and Denise Ria, On The Outer

Bryan Simpason, CCG and Sabrina Soar, Ricoh Finance

Nela Fotu, AS Colour and Linden Hoverd, PrintNZ

WIDE FORMAT NEWS

Fujifilm Acuity Prime 20 arrives

Fujifilm Business Innovation (FBNZ) has announced the arrival of the Fujifilm Acuity Prime F20 in New Zealand.

The Fujifilm Acuity Prime 20 prints at speeds of up to 130 square metres per hour at 1200dpi resolution. Fujifilm says the printer produces borderless prints with little effort. Chris Cordes, technical specialist at FBNZ, says, “It has a range of innovations. For example, you can use clear ink to add impact using a spot or flood clear with uniform finish and use white ink to produce images on transparent or coloured materials.

“In addition, It prints colour-whitecolour layers in one pass for two-sided images on transparent materials. Another innovation is its three different levels of feathering to eliminate UV banding.

“The Fujifilm Acuity Prime 20 also prints backlit images direct to transparent media and prints with a double strike white for extra-high opacity, using the jettable primer option adhesion to industrial media such as glass, metal and wood is made possible.”

Fujifilm says applications for the new printer include point of sale graphics; indoor signage; as well as industrial graphics and product decoration. It prints direct to rigid or flexible sheets; objects or pre-cut media; PVC; polycarbonate; acrylic; paper; board; wood; aluminium composite and many other materials.

John Wall retires from Roland DG and Visual Connections

John Wall has retired as managing director of Roland DG Australia.

An integral part of Roland DG for the past 21 years, John joined the company as marketing manager, rising through the ranks to lead the organisation as managing director. The company says that “throughout his tenure, he demonstrated unwavering dedication and made significant contributions to our growth and development”.

Recognised as a stalwart of the industry, John always found ways to give back, particularly as a Visual Connections Board member for over 20 years in different capacities, and notably as president in 2021.

Darrin Weir, general manager of local Roland DG supplier Aarque Groups,

Chris adds, “The Fujifilm Acuity Prime 20 has a compact footprint for a 2.5m flatbed and it is scalable; you can tailor it to suit your production requirements. For example, you can field upgrade to triple printheads for greater speed.

“It is now in stock and ready to go. Fujifilm has trained engineers to assist you with setup, service and support.”

Chris describes the Fujifilm Acuity Prime 20 features:

Dedicated flatbed design: The dedicated flatbed design with media registration pins ensures accurate registration for edge-to-edge printing and tiling of large layouts over multiple boards, even with multiple print passes.

High quality Greyscale printheads: Set in a staggered configuration, the printheads deliver near-photographic image quality that is consistent over the whole bed.

Uvijet LED UV ink technology: Fujifilm’s Uvijet ink delivers strong,

says, “I’ve worked closely with John since Aarque Group was appointed as the Roland DG master distributor for New Zealand in 2009.

“John’s support over the years has been second to none, a great brand ambassador to both Roland DG and Aarque Group and a big supporter to the New Zealand Sign and Display industry. We wish him well in his retirement.”

Roland DG adds, “John’s tenure with Roland DG saw major advancements in technology and significant changes to the

vibrant, lightfast colours with superior colour gamut.

Colour channel options: The Acuity Prime can be configured with either four, five, six, or seven colour channels. The channels are populated with ink sets that best suit your application needs, including CMYK, white, clear and a jettable primer for excellent adhesion to more industrial media types.

Rigid or flexible media options: The ability to print on a variety of media, from flexible to rigid substrates up to 51mm thick.

Print mode options: A range of print modes are available to provide different levels of quality and speed, depending on the specific job requirements.

Vacuum zones: Its five dedicated vacuum zones, tailored to common media sizes, reduce the amount of bed masking required and enable quick media changeover. Adjustable vacuum strength provides optimum handling for different media.

Registration pins: Pneumatic registration pins enable quick, repeatable, easy loading of rigid media in perfect registration.

Static bars: The ionising bars reduce the effects of static on some synthetic materials.

Hands-free cleaning: An optional Automatic Printhead Maintenance System reduces the amount of manual cleaning required. The automatic process is clean and consistent.

market landscape. We are deeply grateful for his commitment, leadership, and the legacy he leaves behind. As he embarks on a new chapter in life, we extend our heartfelt appreciation and best wishes for his retirement and future endeavours.”

The company has appointed Jessie Parker as its new managing director.

John also retired from his board duties at Visual Connections. Mitch Mulligan, president of Visual Connections, says, “John is not only a valued member of our Board, but has become a trusted advisor, supporter and friend.

“Sitting on the Visual Connections board is a voluntary role; there is no payment, and little external recognition of the contributions which are made. The fact that John has served the industry in this way for 20 years, in addition to all the many other things he does, attests to his passion and commitment to the sector. The way he has served, with grace, tenacity, wisdom and humour, speaks volumes about the man himself.

“We are incredibly grateful to have had him on our team for so long. We will miss him enormously.”

Chris Cordes, technical specialist at FBNZ, with the Fujifilm Acuity Prime 20

Stalwart: John Wall has given sterling service to the industry and members wish him all the best for his retirement

Size IS EVERYTHING

At Centrum Group, we can produce anything from small shelf wobblers to booklets, binding, packaging and offset printing up to 1170mm x 1580mm, as well as POS displays. We partner with the trade to supply all your printing and finishing needs.

NO MATTER HOW BIG OR HOW SMALL

Custom Manufacturing

NOT JUST RING-BINDERS

Options •

Flatbed Printing

Packaging

Sample making

Assembly

Lanyard Pockets

Registration Holders

Self Adhesive Pockets

Mounting/Case Binding

Recycled and Recyclable

Specialists in Finishing & Synthetic Stocks

Printing & Packaging Forum

People In Print Awards and Rising Stars of Print Awards

October 14, 2025 | Auckland

The awards event, which recognises the outstanding people in our industry, will follow the must attend inaugural Printing & Packaging Forum. newzealandprinter.co.nz

Women In Print & Sign

November 20, 2025 | Sorrento in the Park, Auckland

November 27, 2025 | Quality Hotel Elms, Christchurch

These networking events, specifically for the women in our industry, have become sell-outs. So, make sure you block out the date. printnz.co.nz

Labelexpo Asia

December 2-5, 2025 | Shanghai

The region’s largest event for the label and packaging printing industry will host the latest industry technology and trends at the Shanghai New International Expo Centre. labelexpo-asia.com

Interpack 2026

May 7-13, 2026 | Düsseldorf

As a global industry highlight, industry and research professionals will present innovations, developments, visionary impulses, and future oriented solutions. interpack.com

Fespa Global Print Expo 2026

May 19-22, 2026 | Barcelona

See the latest technology, materials, and applications across print, personalisation and signage with live demonstrations, hands on opportunities, and networking events. fespaglobalprintexpo.com

Visual Impact | Sydney Showgrounds

September 2-4 29 to October 1, 2025

See the latest innovations for signage; digital and wide format; engraving and routing; textile printing and garment decoration; promotional products and awards; vinyl application; design; screenprinting and display solutions. visualimpact.org.au

New

Packaging Forum

26 June 2026