The Scene Winter Edition 2018

Music, Art & Entertainment

The

WINTER EDITION

Indoor venue schedule - PAGE 3 Top 3 indoor concerts - PAGE 11 Concert review: Pretty Lights - PAGE 19

Music, Art & Entertainment

f

C O N T E N T S

A note from the director........................................... Page 2 Indoor venue schedule............................................. Page 3 How to look cool while staying warm....................... Page 6 Seven ways to order healthier drinks at shows....... Page 8 Top 3 indoor concerts............................................Page 11 Album review: Björk...............................................Page 16 Artist feature: Aqueous..........................................Page 17 Concert review: Pretty Lights.................................Page 19 Published by The Daily Star, The Scene is your guide to arts and entertainment in Central New York. Free copies are distributed throughout Otsego, Delaware, Schoharie and Chenango counties. www.thesceneonline.com or check us out at The Scene on Facebook 102 Chestnut St., P.O. Box 250, Oneonta, NY 13820

From the Director

Winter 2018

It’s cold, and The Scene is keeping the focus indoors. The festival feeling doesn’t have to leave with the cold, it’s just a different animal. The music, fun and community move inside to single shows; the experience includes friends, food, shelter, and we hope, after-parties that are eventful enough but also leave you time to hibernate. When you have four seasons, it can be 20 miles uphill in the snow at times – but this is what we do! Get out and experience some music and art to spark your creativity or build your memories.

It’s a mess out there, so “whatever you do, take care of your shoes!”

DIRECTOR Chad Ritchko critchko@thedailystar.com (607) 441-7239

GRAPHIC DESIGNER Tracy Bender PUBLISHER Fred Scheller fscheller@thedailystar.com (607) 441-7214

Chad Ritchko Director of The Scene 2

| The Scene

|

WINTER 2018

EDITOR Jessica Reynolds reynolds.jessica1926@gmail.com (607) 437-5007

ADVERTISING DIRECTOR Valerie Secor vsecor@thedailystar.com (607) 441-7235

Member of The Associated Press and CNHI News Service

ENTERTAINMENT

DOOR IN SHOWS

It’s a new year, and that means it’s time to make some resolutions. One of ours is to collect memories and experiences rather than things. Care to follow suit? You can start by taking a look at this list of shows in the region and plugging a bunch into your calendar. You won’t regret it.

B

Barclays Center Brooklyn, NY

Above & Beyond – Jan. 27 Katt Williams – Feb. 16 Ladies Night R&B Jam – Feb. 17 Marvel Universe Live – Feb. 22 Marvel Universe Live – Feb. 23 Marvel Universe Live – Feb. 24 Marvel Universe Live – Feb. 25 Demi Lovato & DJ Khaled – March 16 Lorde – April 4

Blue Cross Arena Rochester, NY Justin Moore – Feb. 24

JanuaryFebruary MarchApril ò

The Scene | WINTER 2018 | 3

B

Brooklyn Bowl Brooklyn, NY

Circles Around the Sun – Jan. 19 Slick Rick – Jan. 20 The Rock and Roll Playhouse Presents: The Music of the Grateful Dead for Kids – Jan. 21 The Grass is Dead – Jan. 24 Robert Randolph and the Family Band – Jan. 25 G. Love & Special Sauce – Jan. 26 G. Love & Special Sauce – Jan. 27 The Rock and Roll Playhouse Presents: The Music of Michael Jackson – Jan. 28 Madaila + Brandon “Taz” Niederauer – Jan. 31 Giant Panda Guerilla Dub Squad – Feb. 1 Bruce in the USA – Feb. 2 Bruce in the USA – Feb. 3 The Rock and Roll Playhouse Presents: The Music of the Beatles! – Feb. 4 People of Earth – Feb. 6 Kyle Hollingsworth Band + Big Something – Feb. 7 Papadosio – Feb. 9 Papadosio – Feb. 10 Dwane Gretzky – Feb. 11 The Wailers – Feb. 14 The Wailers – Feb. 15 Antibalas – Feb. 16 Antibalas - Feb. 17 LTJ Bukem (Extended DJ Set) – Feb. 17 The Rock and Roll Playhouse Presents: The Music of Dave Matthews Band – Feb. 18 Back to Back to Black: Amy Winehouse Tribute – Feb. 21 The Skatalites – Feb. 23 Vieux Farka Toure’ – Feb. 25 Corey Smith – Feb. 28 The Greyboy Allstars – March 2 The Greyboy Allstarts – March 3 Williamsburg Salsa Orchestra – March 11 The Floozies – March 16 Matador! Soul Sounds – March 17 The Soul Rebels – March 22 The Soul Rebels – March 23 The Soul Rebels – March 24 Drive-By Truckers – March 29 Drive By Truckers – March 30

4

| The Scene

|

WINTER 2018

Brooklyn Steel Brooklyn, NY G Jones – Jan. 19 Allah-Las – Jan. 20 Glen Hansard – Jan. 21 Majid Jordan – Jan. 22 Tennis Overcoats – Jan. 23 The Devil Makes Three – Jan. 24 MO & Cashmere Cat – Jan. 25 MO & Cashmere Cat – Jan. 26 Destroyer – Jan. 27 Kimbra + KING – Jan. 29 Emancipator Ensemble – Feb. 1 Black Rebel Motorcycle Club – Feb. 2 J. Roddy Walston and the Business – Feb. 7 Girlpool – Feb. 8 Hippo Campus – Feb. 10 Sleighbells – Feb. 13 Borns – Feb. 15 X Ambassadors – Feb. 16 Galactic + Rubblebucket – Feb. 17 STRFKR – Feb. 22 City of the Sun – Feb. 23 Lane 8 – Feb. 24 LP + Noah Kahan – March 1 Rhye – March 2 Hippie Sabotage – March 3 Nada Surf – March 8 Tune-Yards – March 9 Godspeed You! Black Emperor – March 12 Godspeed you! Black Emperor – March 13 Beth Ditto – March 14 Son Lux – March 22 Keys N Krates – March 23 Miquel – March 24 Dan Auerbach & The Easy Eye Sound Revue – March 27 Dashboard Confessional – March 29 Yo La Tengo – April 6 Cigarettes After Sex – April 7

C

D M DCU Center Hartford, CT

Brantley Gilbert – Feb. 1

Madison Square Garden Manhattan, NY

Billy Joel – Jan. 11 The Killers – Jan. 12 The King Romeo Santos – Feb. 15 The King Romeo Santos – Feb. 17 Billy Joel – Feb. 21 Ricardo Arjona – Feb. 22 PINK – April 5

Capitol Theatre Port Chester, NY

Joe Russo’s Almost Dead – Jan. 14 Neko Case – Jan. 17 Tedeschi Trucks Band – Feb. 20 Tedeschi Trucks Band – Feb. 21 SOJA – March 1 Steve Winwood – March 13 Phil Lesh & the Terrapin Family Band and Steve Winwood – March 14 Phil Lesh & the Terrapin Family Band – March 15 Dan Auerbach & The Easy Eye Sound Revue – March 28 Daughtry – April 4

P S T State Theatre Ithaca, NY

Henry Rollins – Jan. 23 Get the Led Out – Jan. 27 Blues Traveler – Jan. 28 Ladysmith Black Mambazo – Feb. 8 Trey Anastasio Acoustic – Feb. 9 Jason Isbell and the 400 Unit – Feb. 13 The Wailin’ Jennys – Feb. 14 “Weird Al” Yankovic – March 14 The Musical Box: 50 Years of Genesis – March 23 Demetri Martin – March 30

Palace Theatre Albany, NY

Jason Isbell and the 400 Unit – Jan. 31 Get the Led Out – Feb. 3 Sara Evens, RaeLynn & Kalie Shorr – Feb. 15 Moe. – Feb. 23 Moe. – Feb. 24 Joe Russo’s Almost Dead – March 16 Albany Symphony Orchestra – March 18 Stomp – March 20 Daughtry – April 7

Turning Stone Casino Verona, NY

Playstation Theatre Manhattan, NY Jacob Sartorius – Jan. 19 Rich The Kid – Jan. 20 Greensky Bluegrass – Jan. 26 Greensky Bluegrass – Jan. 27 Black Label Society – Jan. 31 Neck Deep – Feb. 2 Datsik – Feb. 3 NF – Feb. 8 Machine Head – Feb. 9 Mumiy Troll – Feb. 10 Ganja White Night – Feb. 16 Architects – Feb. 17 Lila Downs – Feb. 23 Bananarama – Feb. 24 Jeezy – March 2 Nightwish – March 14 Mat Kearney – March 15 Bianca Del Rio – March 18 Kelsea Ballerini – April 5

The Theatre at Madison Square Garden Manhattan, NY

Elton John: I’m Still Standing - A Grammy Salute – Jan. 30 Tyler, the Creator – Feb. 23 Tyler, the Creator – Feb. 24

Times Union Center Albany, NY MJ Live – Jan. 21 James Taylor and John Legend – Jan. 26 Brantley Gilbert – Feb. 3 Jeff Dunham – Feb. 7

U

Under the Streetlamp – Jan. 12 Real Diamond – Jan. 13 Crystal Gayle – Jan. 20 Rascals – Jan. 26 Thompson Square – Jan. 27 Queensryche – Feb. 2 The Lettermen – Feb. 3 Night Fever – Feb. 10 Sara Evens – Feb. 16 The Marshall Tucker Band – Feb. 23 Human Nature – March 1 John Valby – March 3 Phil Vassar – March 9 Chubby Checker – March 10 Dennis DeYoung – March 22 Ozzmosis – March 23 Paul Zerdin – March 24 Piff the Magic Dragon – April 7 Clay Walker – April 8 Michael Bolton – April 11 Skid Row – April 13

Upstate Concert Hall Clifton Park, NY

Rebelution – Jan. 11 Ja Rule – Jan. 12 WALK THE MOON – Jan. 17 Granger Smith – Jan. 26 Steve Aoki – Feb. 14 Montgomery Gentry – March 2 Motionless In White – March 7 Judah & the Lion – March 13

Miguel – March 15 Knuckle Puck – March 16 Pop Evil – March 17 Ty Dolla $ign – March 18 Kayzo – March 28 Fozzy – April 4 SuicideGirls – April 6 A$AP Ferg – April 11

The Scene | WINTER 2018 | 5

How to look cool while staying warm

W

When we think about concert fashion, we generally think about warm-weather concert fashion – fun, flowy outfits that embody the free spirit we feel in a live music environment.

By Amy Migicovsky Artist, designer and owner of online boutique, Rock My Soul

6

| The Scene

|

WINTER 2018

For many of us, however, the majority of the year isn’t so conducive to that type of ensemble. So how do you inject those summer vibes into cold weatherappropriate concert wear?

Here are a few ideas.

At a show anything goes, so have fun with your fashion!

Layers.

I’m a big layer person in general, but I especially love layers for cold-weather concerts. You need to stay warm while heading in and out of the show, but when the show starts and you start to dance, that temperature rises fast!

I’m partial to ripped jeans because A) pockets – I need somewhere to put my stuff and hate bringing a purse to a show and B) ventilation and comfort.

Leggings are awesome to dance in too and can be layered with a fun, sparkly skirt or shorts and paired with a chic waist pack for your phone and other essentials.

I always wear a tank top to a show… always. Top it with a thin long sleeve or cute sweater that you can throw around your waist if you’re not in a seat. I also love a furry, shearling or fringe jacket, or anything fringe for that matter…more on that in footwear.

Guys? These same principles work

for you, too. Well-fitting jeans and a tee are always a hit. Layer them with a plaid shirt or cool cardigan, or get funky with a cool print. At a show anything goes, so have fun with your fashion! Maybe just stay away from those leather pants…you can thank me later.

Footwear.

I personally would rather be dancing barefoot whenever possible, but when it’s cold outside that’s not exactly an option. Comfort is key for dancing all night, but that doesn’t mean you can’t choose something cute. As I mentioned above, I love fringe, and my fringe moccasins are my absolute favorite shoes to dance in. They’re soft, comfortable and fun. They cover all the bases! Running shoes are also a good option for dance-friendly footwear, but I like to opt for something such as Converse that are lighter than classic running shoes and come in a rainbow of colors and patterns.

Ladies, the only rule that I always follow is to wear flats. With so many cute options for flats out there, why hinder your experience being uncomfortable?

There are plenty of other opportunities to make use of those heels…

Accessories.

This is my favorite way to bring that

summer festival vibe to a winter show ensemble and can be implemented in so many different ways! For jewelry, necklaces, bracelets, rings and earrings can add so much color to any outfit, and I say layer them on! Clips, feathers, headbands, hats, etc. are fun hair additions. And fun makeup can dress up any outfit. Funky colors, glow-in-the-dark makeup or my favorite - sparkles! I always say, the more sparkles, the better. Anybody who knows me or has ever hugged me at a show can vouch for that.

I also love fun glasses at a show, and there are so many cool ones to be found. Tinted, bedazzled and my favorite - holographic. Trust me, you want to try them.

Lastly, you want to look cute on your way in and out of the show, so don’t forget about all the fun warm-weather accessories like scarves, toques, gloves and fingerless gloves in fun patterns and colors. They’re the perfect way to stay warm, cozy and cute. Shows are festive and adding accessories helps us get in the spirit!

At the end of the day, whether it’s hot or cold, you want to be comfortable and able to dance your heart out in anything you wear to a show because we’re all there to get down and have the time of our lives! ¯

The Scene | WINTER 2018 | 7

Seven ways to order healthier drinks at shows

I

It’s no secret that live music sounds best with a side of refreshing drinks. In fact, it might even feel weird if you’re standing around empty-handed. Extra points if the venue has delicious grub, too. And if you choose to drink alcohol (because you aren’t the one driving, of course) it’s tempting to buy whatever has the

lowest price tag. But what happens if you are trying to be just a little bit healthier?

Drinking booze might feel contradictory, but it’s possible to imbibe while being mindful of what goes in your body. Besides, for some people, alcohol is a major part of socializing. There’s

By Kirsten Nunez Lifestyle journalist, editor, author and past contributor to Verily Magazine, CureJoy Inc and Time Inc.

8

| The Scene

|

WINTER 2018

champagne on New Year’s Eve and mimosas at Sunday brunch.

And when you’re rocking out at a show, a cocktail just feels right.

To start, it helps to approach alcohol as a toast to a fun night out. And with these simple tips and small changes, you can give your beverage a healthy boost.

1

Order Seltzer Instead of sugary soda, ask for seltzer. It’s essentially carbonated water, so it has zero calories. You can also order club soda, which has added minerals for flavor.

Substitute with Fruit Juice Most bars and venues carry cranberry, orange or pineapple juice. And if your taste buds are a fan, consider ordering a simple mixed drink with one or two juices.

3

Choose Half and Half

At the same time, keep in mind that some juices still have lots of sugar. Cranberry “cocktail” juices are major offenders! To soften the blow, have a drink made with half seltzer and half fruit juice.

Add a Splash You can take it even further by asking for “just a splash” of fruit juice. For example, ask for club soda and vodka with a splash of cranberry juice. You’d be surprised at how a little goes a long way.

5

Add More Fruit

4

W

While the typical venue won’t have a full-on produce stand, they’re bound to have lemon wedges.

Some spots might even have limes and oranges, too.

If so, ask for an extra slice or two and muddle into a seltzer-based cocktail for instant citrus flavor.

Garnish with Herbs Herbs can transform any recipe, and mixed drinks are no different. Mint and rosemary work especially well for alcoholic beverages. And while this might not be doable at pubs and dive bars, try your luck at other venues. You never know what fresh herbs they’ll have on hand.

7

2

While you’re at it, order water in between drinks. It’s usually free anyway, so why not? Regularly sipping on H2O will keep you hydrated enough to enjoy the show to begin with. You’ll thank yourself in the morning.

Go Small

6

Mixed drinks like rum and Coke are often offered as singles and doubles. Simply ordering the single version is a game-changer, especially if you opt for normal soda. It’s automatic portion control for alcohol.

*Healthiness doesn’t stop at what’s in your actual drink.

How much you consume is just as important! The American Heart Association recommends drinking alcohol in moderation, which counts as two drinks a day for men and one drink a day for women.

While you’re it, order water in between drinks. It’s usually free anyway, so why not? Regularly sipping on H2O will keep you hydrated enough to enjoy the show to begin with. You’ll thank yourself in the morning. ¯ The Scene | WINTER 2018 | 9

Oneonta's Original Old School

Haircuts ~ Hot Shaves ~ Shoeshine

Appointments Available & Walk-Ins Welcome 18 Dietz St Oneonta, New York (607)- 386-0363 Mon - Fri: 9am - 6pm • Sat: 8am - 12pm

Burgers Chicken Tenders Wings Philly Cheese Steaks Chicken Spiedies Hot Plates Loaded Tater Tots and More!

Open Late Night We Deliver

Monday: CLOSED Tues - Thurs: 4:00pm - 1:30am Fri: 4:00pm - 2:30am Saturday: Noon - 2:30am Sun: Noon - 8:00pm

607.267.4409

281 Main St., Oneonta, NY 13820

An Eclectic Latin Infusion.

TRENDY FOODS NY LATIN FUSION Don’t just eat. Be satisfied...

A Blend of Latin flavors from all neighboring South American friends and Tropical Latin Carribean cuisine. Our menu is fun, unconventional with a nontraditional twist on Latin Food. We bring with a New York City style to Oneonta with a la Mode flair!

THE CHERRY BRANCH GALLERY 2 5 M A I N ST. C H E R RY VA L L E Y, N .Y. 1 3 3 2 0 ( 6 07 ) 2 6 4 - 9 5 3 0 2 5 BM I N F O @ C H E R RY RA AINNCSHT. G A L L E RY.CO M C H E R R Y V A L L E Y, N .Y. 1 3 3 2 0

T H U R S DAY - S U N DAY: 1 2 - 6 P M Serving Lunch & Dinner (Brunch on Sundays 10AM - 3PM) Paella, Brisket, Roasted Pork (Pernil), Cuban Picadillo, Ceviche, Full BBQ, Argentinian, Chilean Parillada Tres Leches Desserts, and more!

214 Main Street Oneonta New York 13820

TRENDY FOODS

(607) 386-4191 http://trendyfoodsny.com/

We Deliver!

(607) 264-9530 I N F O @ C H E R R Y B R A N C H G A L L E R Y. C O M T H U R S D A Y - S U N D A Y: 1 2 - 6 P M

3 p o T

We’ve been to a lot of shows. Here are our all-time favorites, in our own words:

R O O IND ERTS C N O C

Name: Christopher McMullen Affiliation to music: I’ve done media coverage, performance art (fire performance/juggling/flow arts), volunteered, and done some light production work at various venues, as well as being a vendor Approximate number of shows attended: Probably close to 1,000 Who: Jazz trio Medeski, Martin & Wood When: Dec. 1, 2000 Where: Palace Theatre, Albany Why was it memorable? My close, late friend Dylan and I went to see the Jazz trio Medeski, Martin & Wood in Albany, NY. After a standard solid first set by MMW, we were surprised during the second set by the announcement that lead guitarist Trey Anastasio of Phish was joining them onstage. Being a Phish fan, I was really excited. Dylan was less than impressed. He enjoyed MMW but not jam bands. Trey would join the ensemble that night featuring MMW, guitarist Oren Bloedow and percussionist Cyro Baptista for the better half of the second set, including “Partido Alto,” “Start/Stop,” “Dracula,” and, always a crowd pleaser, “Chubb Sub.” They encored with “Swamp Road,” and Dylan’s face had a certain look of incredulity mixed with respect. He had been swayed. It was an incredible show.

Who: Phish When: Dec. 14, 1995 Where: Broome County Arena, Binghamton Why was it memorable? It was snowing. Hard. My mother and I traveled from Oneonta to Binghamton on treacherous roads to see my second Phish show at the time, which was her first. We arrived slightly late. They played an all-around incredible show.

Highlights for me were “Makisupa Policeman> Split Open and Melt” as well as “Tweezer> Timber Ho!” during the second set, in which they teased a “Slipknot” for a moment. My mom really enjoyed her only Phish show. It will always be my favorite.

Who: Shpongle When: Oct. 28, 2011 Where: Hammerstein Ballroom, New York Why was it memorable? It was the last official day of the Mayan calendar and only the second performance of Shpongle Live in the United States. It was a chilly fall evening in New York City.

Most of the sold-out crowd of 3,300 people were seemingly all in line at once. Security was thorough, so the line was slow going. The line was a myriad of glitter, sequins, neon, wigs and costumes as far you could see, and the air was electric.

Once inside, my good friend Paola, her friend Mike and I were treated to two-and-a-half hours of some of the most intensely psychedelic downtempo/psytrance music I could imagine. At the end of Phutureprimitive, the opening act, Simon Posford, the creator of Shpongle, was pulled onstage and all 3,300 of us sang him “Happy Birthday.” For Shpongle’s set, Simon was joined by Raja Ram - an expert flautist and shamanic musical visionary, Joe Russo on drums, and Encanti handling the laptop and knobs, plus a full set of horns and other percussionists.

Highlights of the evening were “Star Shpongled Banner,” which included another full crowd sing-along, as well as “Around the world in a Tea Daze,” where thousands of balloons that had been held to the ceiling with netting finally descended on the crowd, coupled with rainbow ticker tape like glitter, all while the song climaxed. It was an incredible spectacle.

ò

The Scene | WINTER 2018 | 11

Top 3

R INDOORTS E CONC

Name: Randy Miritello Affiliation to music: I play guitar and sing for the bands Hop City Hellcats and Horseshoe Lounge Playboys.

Approximate number of shows attended: I have been going to live shows ranging from huge stadium shows to intimate club shows since I was 13 (that was a few years ago) so, I guess I have seen around 800 shows.

of bluegrass music, and his storytelling connects all those dots. His song “Walls of Time” is still one of my favorites.

Who: Peter Rowan When: Nov. 14, 2014 Where: B-Side Ballroom, Oneonta Why was it memorable? I had seen Peter Rowan a few years before and it was great, but for this show I was his backstage security, so I got to hang with him and chat. He was so on-cue that night when he hit the stage - I was mesmerized. He is such a link to the origins

Who: DakhaBrakha When: Aug. 22, 2016 Where: The West Kortright Centre, East Meredith Why was it memorable? This Ukrainian band is both a visual and audio treat and The West Kortright Center is the perfect venue to see them. I couldn’t understand most of what the lyrics were because I don’t speak Ukrainian, but I didn’t need to in order to be transported to a boreal forest at one point and a Kiev Subway next, while hypnotized by three beautiful women wearing traditional wardrobe, including black hats that were 18 inches tall.

Who: The Grateful Dead When: Dec. 12, 1990 Where: McNichols Sports Arena, Denver Why was it memorable? I had just seen two shows in Phoenix, and the band was so hot that I decided I better go see the next shows in Denver- makes sense, right? This was the first of three in Denver, and it was freezing outside, but the stadium was electric because the band was burning it up. The second set opened with a “China/Rider” into “Looks Like Rain,” then “Iko Iko” into just the first verse of “Dark Star,” which I had never seen. They finished the song two nights later. They played a bunch of my favorites, and it was my first “Dark Star,” so it was a pretty special night!

Name: Scott Harris Affiliation to Music: House Photographer for The Capitol Theatre in Port Chester, NY and Brooklyn Bowl in Brooklyn, NY. Freelance photographer and frequent contributor to Relix, JamBase, Live For Live Music, LIVE Music Blog, NYS Music and other music publications.

Number of concerts attended: Way, way, way too many to count What: HeadCount benefit concert When: Sept. 7, 2012 Where: The Capitol Theatre, Port Chester Why was it memorable? This was the second-ever show in the newly renovated and reopened Cap and my first visit to this stunning venue. The show opened with an emotional Bob Weir acoustic set-turned-sing-along and followed with a fantastic collaboration between Bob, Trey Anastasio, Warren Haynes, Grace Potter, Bobby Keys and The Roots. Little did I know at the time, just about a year to the day later I would have the honor of joining the venue’s staff as a House Photographer.

very first JRAD show.

I went that night on a whim, not knowing what to expect, other than that a INDOOR CONCERTS bunch of incredible musicians were coming together to play some Grateful Dead. It’s safe to say that everyone in attendance walked out of the Bowl jawdropped. It was, by far, one of the most mind-blowing experiences of my live musical life and, since that night, JRAD has exploded onto the live music scene, playing countless incredible shows honoring the music – and spirit – of the Dead.

Who: Joe Russo’s Almost Dead When: Jan. 26, 2013 Where: Brooklyn Bowl, Brooklyn Why was it memorable? This was the

Who: Phish When: Oct. 27, 2013 Where: The XL Center, Hartford

12

| The Scene

|

WINTER 2018

Top 3

Why was it memorable? Phish is my favorite band and, although I’ve seen many of their incredible shows over the years, (hitting my 150th show during the Baker’s Dozen run this past summer), that night in particular was special on a personal level. It was the first time I had the opportunity to photograph the band with press credentials – and in my home state, no less. The energy and emotion of standing in that photo pit for the first time as the lights went down and the band came onstage was unreal and something I’ll never forget.

Name: Greg Ellis Affiliation to music: I have been a concert lighting designer for almost 15 years. For the last nine years, I’ve toured the world with Pretty Lights, a soulful hiphop based electronic producer.

Number of Concerts Attended: I can honestly say I have no idea how many concerts I’ve attended between work and play, but it is certainly in the thousands.

unique and awe-inspiring shows I’ve Who: David Gilmour When: April 4, 2016 witnessed. The band, which seems Where: The United Center, Chicago to have a newfound happiness, Why was it memorable? I don’t displayed several moments of exuthink I’ve ever left a concert feeling berance, which is very unlike them. the way I did after this incredible It’s never been easy to explain what performance. After seeing Roger exactly makes them so special, but it Waters a couple times, I finally had was crystal clear on this night. the opportunity to see the other half of Pink Floyd. I try not Who: Phish to use words like this When: Jan. 1, 2011 when describing live Where: Madison Square Garperformances, but it den, New York was honestly the closR O Why was it memorable? This INDCOERTS est thing to perfection I was the first time in Phish’s CON have ever witnessed. The storied career that they band, the production, the would take the stage the atmosphere in the arena day AFTER their epic three-set show all were tuned in in a way I’ve never to ring in the New Year. I had just experienced. And one thing became finished my own NYE run with Pretty blatantly obvious – Roger Waters Lights and got on the first flight out of was the brains behind Pink Floyd, Chicago on no sleep so that I could but David Gilmour was the heart and kick off 2011 in the best way possisoul. Let’s hope he decides to get back out there one more time before ble. Now, I would like to say first off, that there is no greater place to see calling it a career. this band play than MSG. And for all you New Yorkers out there, if you Who: Radiohead have never attended any sort of event When: April 1, 2017 there, I suggest you do so immediWhere: Philips Arena, Atlanta ately. There is a magic that fills the Why was it memorable? In support air in that arena, and the band feels of what I consider one of their finest it just the same as us fans. I went albums, “A Moon Shaped Pool,” back to look at the set list, and to be Radiohead embarked on their first honest, it’s nothing special. But the full U.S. tour in four years. As they fond memories I have for that show began the show, they ran through transcend any song selections. And the first five songs of the new album that too, goes to what the venue and then began to mix in older fan means to the band. They always favorites, rarities and everything in bring something extra to the table between. The visual production, and are always creating memorable orchestrated by the legendary Andi Watson, was perhaps one of the most moments.

Top 3

ò

Wishing Everyone a Happy Holidays and Joyous New Years!

139 Main St. Oneonta, NY Fax: 607-441-5201 Phone: 607-441-5200 www.simplythaioneonta.com

R E S TA U R A N T 1420-349758

Call Today and Ask about Our Specials!

225 River Street., Oneonta, NY 13820 607-433-9000 • hoteloneonta.com The Scene | WINTER 2018 | 13

Name: Amy Migicovsky Affiliation to Music: I’m a textile and pattern designer with my own company, Rock My Soul, and my art is very much inspired by the free spirit of the music I love. Live music is my joy and passion.

Number of concerts attended: I can’t tell you exactly how many shows I’ve been to, but it’s a lot. I’ve been lucky enough to travel all over the world experiencing so much amazing music and meeting so many incredible people that have become friends.

Who: Phil Lesh and Friends Mardi Gras Celebration When: Jan. 26, 2008 Where: Bill Graham Civic Auditorium, San Francisco Why was it memorable? Firstly, any show at Bill Graham Civic Auditorium is amazing. It’s such a special venue.

I love seeing Phil Lesh and Friends, as he always has such a stellar lineup of musicians, and the shows always have such great energy. That amazing energy was taken up another notch at this festive Mardi Gras show. Complete with a costume contest and a full Mardi Gras parade through the crowd, this show was incredible. Beads were being thrown from the floats that literally seemed to float through the audience; stilt walkers and dragons waded through the crowd; and everyone was dressed up in their Mardi Gras best…as well as a plethora of other costumes including a Dancing Bear who won the costume competition.

Of course, the music was on-point as well, including a roaring “Iko Iko,” which was played as the parade was in full swing. This show was definitely one of my faves.

Who: Levon Helm Midnight Ramble When: June 2, 2007 Where: Levon Helm Studios, Woodstock Why was it memorable? This show was so special on so many levels. I had wanted to go to a Midnight Ramble for a long time and OR O D was lucky enough IN CERTS N that my brother O C was able to get us

Top 3

14

| The Scene

|

WINTER 2018

tickets. I can’t even explain the excitement we felt on our way (complete with a stop for a photo op at Big Pink) and especially when we pulled up to the barn. The Ramble really has a community feel, with everyone being asked to bring something to contribute to the potluck. The Barn is so small and intimate. You’re basically at Levon’s house. There are folding chairs on the main floor and some up on the small balcony above. Levon is always joined by different amazing artists, and this was no exception. Levon had the best energy and spirit, and I will forever feel so lucky to have had the opportunity to see him in that environment. It was a very special night.

Who: Phish When: March 6, 2009 Where: Hampton Coliseum, Hampton Why was it memorable? While choosing my other favorite indoor shows forced me to think a bit and look through my concert stubs, choosing my No. 1 show was easy. I still get chills when I watch footage of the opening of this show. Phish were fresh off hiatus, and this was a hot ticket. I even remember jumping up and down with joy when I actually got the tickets.

Everything surrounding this show was exciting. The build up, the drive from Toronto to Norfolk, Virginia, the vibe and surprisingly warm weather when

we arrived, and all the restaurants had signs welcoming Phish fans. Everyone was over the moon to be there. This was a general admission show, so everyone lined up early in the day to get the seat they wanted. I’ll never forget them opening the doors and everyone just running. Not pushing anyone else but just bursting into the building with so much joy and excitement. The energy in that building as we waited for the band to come on stage was electric…and then the band came on the stage. The building erupted in what, up until that point, I thought was the loudest crowd I had ever heard.

Just when you thought it couldn’t possibly get any louder, they opened the show with “Fluffhead,” a song they hadn’t played in a very long time.

The volume of the crowd then went up another decibel, into the stratosphere.

I’ve never experienced anything like it before or since. I’ve talked with other people who were there and they all feel the same way; including lifelong friends I actually made at that show and throughout the next two nights of that run. It was pure magic and an experience that I will cherish forever.

ò

Name: Chad Ritchko Affiliation to Music: I’ve been covering live music with interviews and reviews for five years, while transitioning into photography more in recent years. But it’s not my job, it’s my hobby and being at the show is one of the greatest loves of my life.

Number of Concerts Attended: Between festivals and shows, in the thousands.

Who: Phish When: Dec. 31, 2010 Where: Madison Square Garden, New York Why was it memorable? Not only was it my first Phish show, it was one of its most legendary NYE “gags.”

Phish is known for doing an elaborate Broadway-style “gag” for a song leading into the New Year. This year was theatrical genius as members performed “Meatstick” while numerous groups of ethnicities sang the lyrics in their native language. During the song and dance, the band disappeared, only to reappear flying in on the rafters of MSG in a giant hot dog. Yes, the entire band, in the air, in a hot dog with headlights and exhaust. After landing and leading us into the countdown and balloon drop, the band played after midnight to wrap up a feeling that led me to the next seven New Year’s Eves and a hundred of the band’s shows since.

Who: The Rolling Stones When: June 12, 2013 Where: TD Garden, Boston Why was it memorable?

In the midst of the group’s

“50 and Counting” tour, it would’ve been easy to be skeptical and skip the show; however, it’s The Rolling Stones, I had to cross the Stones off my “musical bucket list.” Not only is the group still incredible, everything about the show was. The musicianship, the member’s energy, the crew, the production — most of all, the audience in amazement.

This was one of the only two shows I’ve ever spontaneously and uncontrollably cried because it was so magical. If you ever have a sliver of opportunity to see The Rolling Stones — throw all of your cards on the table — it’s time to go all in.

Who: Eric Clapton’s Crossroads Guitar Festival When: April 12, 2013 Where: Madison Square Garden, New York Why was it memorable?

Another show at MSG, I know, but well-deserved. The lineup is as good on paper as it gets and the most I’ve ever spent on a ticket for face value — thankfully it translated to be priceless. Of the two

Top 3

INDOOR CONCERTS

nights, this one in particular featured the likes of B.B. King, Buddy Guy, Gary Clark Jr., John Mayer, Keith Urban and The Allman Brothers, as well as many more talents and Clapton himself fitting in the multi artist mix-ups.

Top that off with Dan Aykroyd playing master of ceremonies with a rotating stage and two staging areas set up in the front corners — it speaks for itself. Being grateful for witnessing music history is a beautiful feeling, and all in attendance felt the honor of being there. ¯ We Accept Dragon Dollars We Deliver to Campus ($15 Minimum)

Asian Cuisine

JAPANESE SUSHI BAR CHINESE CUISINE 195 Main St. Oneonta, NY 13820 TEL. 607.441.3396 ◊ 607.441.3397 Open 7 Days a Week Mon-Thurs: 11AM-10PM Fri & Sat: 11AM-11PM Sun: 12PM-9:30PM

CLASSIC SUSHI ROLL SPECIALS All the time!

Sake Bomb Parties!

Reservations Available!

Order Online at tigerasiancuisineoneonta.com www.tigerasiancuisine.com

261 Main St Oneonta, NY 604-267-4347

Welcome Back Students!

Art Supplies Custom Framing Cards & Gifts

Under the Yellow Awning

franklinwiseguyspizza.com

Oneonta's Newest Destination for Hand Crafted Sandwiches!!

Order Online

Check Online for Hours @WiseGuysSammys

170 Main Street Oneonta, NY 13820 Phone: 607.432.0679 Fax: 607.432.0679

Tues - Wed: 10am - 5:30pm

Friday: 10am - 5:30pm

Thursday: 10am - 6pm

Saturday: 10am - 5pm

Closed Sunday & Monday

The Scene | WINTER 2018 | 15

w e i v e r album

Björk Utopia

By Erin Jerome

B

Reporter at The Daily Star

Bjork’s “Utopia” isn’t as glittery as advertised, but then she’s an expert at shirking expectations and no Pollyanna.

Still it’s a reversal of two years ago when, at 50, she released the most gutting breakup album you have or haven’t heard, drawing on the end of a 13-year relationship with artist Matthew Barney.

That album, “Vulnicura,” was its cover image of the artist’s split soul and open palms, offering a chronology of heartbreak both precisely raw and epic.

The next album would be a paradise, she said.

16

| The Scene

|

WINTER 2018

So the cover this time features a more colorful and quasi-amphibious Bjork holding a flute. Other promotional photos shot by Tim Walker are lush with pastel flora and couture costuming, where she is similarly unrecognizable under makeup lending to eyespots on moth’s wings, silicone orchids and studded pearls.

What’s the story here?

“Arisen my senses” is the first field recording of Bjork’s paradise, and pulls off the particular magic of strings and God knows what other instruments that convince me she’s singing into the wind off the peak of an Icelandic mountain. It’s swelling and grounded and natural and industrial. A new environment is there from the beginning with chittering birds and yawning pollywogs.

In true form she’s talking about love. It’s talking out loud, to herself and, I suppose, to us but not him.

She’s had an awakening, where he sees me for who I am, but am I keen, or keen, or not keen?

I anticipated an album dedicated to sexual exploration, and maybe it is. But it doesn’t ring as an ode to hedonism at all. There are schoolgirlish ramblings about kissing and sharing music with one man, who here seems a distant second fiddle to whatever else is going on. Did I just fall in love with love?

A wide wound is now a gate for love, so the lyrics go. From a fractured spirit, she had to emerge from the primordial soup. That new world is pink and amorphous, full of promise but not innocence.

It isn’t a dynamic Bjork album but true to the artist overwhelmed again and again by the cyclic beauty of love and living. A peek at that in abstract is enough for me and the leagues of fans inspired

by most every decision she makes.

The looking ahead here is the inspiring part, especially considering the proximity to her heartbreak.

It’s evident in everything she gets into- appearing as an avatar, in virtual reality, in cryptocurrency. She’s always toeing the precipice of the future as a reckless genius of the heart, with a seemingly blind faith in transhumanism. That we can evolve in the here and now, that technology is a human element, that a symbiotic web growing outside us is nothing to fear. ¯

SHOP.BJORK.COM

Artist Feature

NICK SONRICKER

“New Year’s Resolution:

Go to an

A

AQUEOUS Show”

AQ – It looks like an element symbol straight out of your high school science class, but it’s the first thing you see on the band Aqueous’ most recent release, “Element Pt. 1 (Live 2017).”

Aqueous is an improvisational groove-rock band that was built in Buffalo by friends Mike Gantzer (guitar/vocals), Evan McPhaden (bass) and Dave Loss (guitar/keys/ vocals).

By Alex Sader Artist, freelance photographer

“Mike, Evan and myself started the band when we were all in high school without too much intent other than to have some fun and make music as friends,” Loss said. Following years of touring, high-profile sets at major festivals and the addition of drummer Rob Houk, the band has become nationally known.

Because Aqueous members have such a history together as

friends and bandmates, their chemistry onstage has grown exponentially as the years have passed. And, with tweaking and improvements, their sound has never been tighter.

“We added Rob about a yearand-a-half ago,” McPhaden said, “and he has brought a great energy. He not only fit the sound we wanted but has also helped propel the band and all of us as players.”

ò

The Scene | WINTER 2018 | 17

IT ine O D T ’ N ch DO time ma

“

he t e eeks d i w s l n i a r t i e s v e t for s I can’ e c a p s n ord ki w c l u t a s n fi n e e I’ve be If nthe ieve isthhavingocfun, l e red r b crowd u t c o d d l a I couthen we’re at hfun, h w e having and v e i l e b t One of Aqueous’ major goals is to o n I couldif we’re having fun, then the make sure their music is “grooving e ak t o t h and danceable, but hard hitting and t a p - that e crowd is having fun h t e e powerful too,” Houk told The Scene. d i k c a f deis endless.” d t n o a n l Give a listen to the beginning of the 9 d a l e u r circle m o r f You co n minute, 37 second “Don’t Do It” and r e c d isAqueous or d w t l o a n n you can hear that for yourself.

Listen for d fi l the e v e i d a while longer, and you’ll also hear that You wou l e e r r b occu d not d l the group has taken a good deal of influa u o h c t a u h o Y w e ence from the Buffalo music scene. v e i l be t o n d l “We up first seeing the local u ts grew i b o You co t n i Buffalo scene thrive with bands like Lazlo lew b d a e h Hollyfeld and Peanut Brittle Satellite,” Houk my t a h t y y said.

The group’s fiercest fans are based dil r ar ca e s t o u s o l l d a rectly in Buffalo, he said, which makes their e s ch a n w u t a i l d p s i n hometown shows extremely special.

A esh r lip ayband’s inception, Gantzer, e dthe The spac ords had left you save tSince h !’ have incorpow to itHouk McPhaden, Loss and e d o l h d t u t o ’ n c n e y o h W rated , adlight and sound engineer to improve eyquality ll the h a ‘ d y i a d s w e the of the show and have added more l e cr op e e p h t r e e h s t improvisation into sets, hoping to connect to a o b e h t r a e the crowd. h Back at far to o o t t u re“If the crowd is having fun, then we’re o phehaving ere s w o t u a o r fun,” they said, “and if we’re having y t s t u e h t r the crowd is having fun - that circle o t a e n fun, then i p e p v a i s d i d e s w s is endless.” ¯ Headlong make the badne can breathe you we e e t r s e a h There are plenty of chances to see Aqueous h w h e t d c e a Wi v p i s e c a perform many regions of the United States. n o Check outin https://aqueousband.com/tour c ed e l l n i e s ’ t w a to e th t o l p No mor r e buy tickets to future shows and/or listen to h anot their groovy music.

No more

Upcoming Tour Dates 01/17/18 02/07/18 02/08/18 02/09/18 02/10/18 02/11/18

18

| The Scene

Miami, FL Philadelphia, PA Asbury Park, NJ Brooklyn, NY Brooklyn, NY New Haven, CT

|

WINTER 2018

Jam Cruise TLA The Stone Pony Brooklyn Bowl Brooklyn Bowl Toad’s Place

02/13/18 02/14/18 02/15/18 02/16/18 02/17/18 02/23/18 03/23/18 03/24/18 05/25/18

Portland, ME Burlington, VT Syracuse, NY Boston, MA Boston, MA Albany, NY Norfolk, VA Richmond, VA Chillicothe, IL

Port City Music Hall Higher Ground Westcott Theater The Sinclair The Sinclair The Palace Theatre The Norva The National Summer Camp Music Festival

Concert Review

INSTAGRAM

Pretty Lights (Live) NYE 12/31/2017 The Fillmore Philadelphia, PA

n

New Year’s Eve tends to be a very special time of year. People like to be together and will travel far and wide to find a special place to be to kick off the new year. Having a few options, I chose to kick off my first few hours of 2018 with Pretty Lights Live.

After seeing the live band several times this year, I felt compelled to see them again one last time. Derek Vincent Smith, the master behind Pretty Lights, closed out his four-night 2017 NYE run with his live band at The Fillmore in Philadelphia, PA this New Year’s Eve. They played a two night run at The Fillmore in Michigan, then played Snowta Festival in Minneapolis on the 30th.

After missing pre-sale and waiting patiently for resale

Derek Vincent Smith - Producer Alvin Ford Jr. - Drums Brian Coogan - Keyboards Borahm Lee - Keyboards Chris Karns - Turntables

By Lonny Chin prices to drop, I bought my ticket on Christmas as a present to myself.

Coloradobased electronic music producer, Derek Vincent Smith, began playing bass guitar at a young age, then went to pursue college but dropped out during freshman year to focus on his music. In 2004, Smith and Michal Menert formed Pretty Lights by sampling many different genres of music and crossing them to create a glitched out mix of hip hop beats, buzzing synth, heavy bass, and funky soul music.

Using a variety of digital controllers and software, they created a renowned

genre of electronic music.

After releasing their first album, Taking Up Your Precious Time, in 2006, Menert left Pretty Lights and Smith went on to release 3 more full studio albums and several EPs. Smith began headlining festivals that he formally opened up for as well as headlining his own shows.

After his 2013 album, A Color Map of the Sun, was nominated for Best Dance/ Electronic Album at the 2014 Grammys, Smith went on to reinvent his live shows by collaborating with his Analog Future Band, incorporating live instruments to his live performances.

After switching some instruments and musicians up, Smith went on to his “Episodic Tour” starting in Spring 2016 with his current crew. In 2017, he decided to continue his tour throughout the year where I saw him at The Bank Pavilion of New Hampshire in September 2017. A couple of weeks later, the NYE Run was announced and I decided to end the New Year with one last PL show.

The Fillmore of Philadelphia recently opened in 2015, a franchise after the original Fillmore in San Francisco, CA. The 25,000 bi-level venue holds a cap of 2,500 people, combining a classic vintage look with modern technology,

ò

The Scene | WINTER 2018 | 19

created a very intimate experience.

Jade Cicada, also known as Skyler Golden, a Boston-based producer, opened the show up at 9PM with a vibed up glitch-hop set that included many favorites such as “Beefcake” and “Byte Evaders.” Jade also opened up for PL back in September in New Hampshire. He also sold out a show back in September at Coda, another venue in Philly. Pretty Lights Live took the stage around 10:20PM and opened up with their remix of “Time” by Pink Floyd. Transitioning through songs like “Understand Me Now,” their remix of Daft Punk’s “Solar Sailer,” “Finally Moving,” and his latest single, “Rainbows and Waterfalls,” Borahm Lee and Brian Coogan dueled keyboards back and forth while Chris Karns laid down some vigorous glitch scratches and Alvin Ford kept the beat with his hard and quick snare attacks and dynamic fills. They took a break around 11:30PM and came back

around 11:45PM for their second set. Opening with their remix of “Final Countdown” to kickoff the NYE countdown, they took a short onstage break to allow everyone to take in the moment as balloons poured from the ceiling. Coming back in full force, Derek brought Michal Menert on stage for an old collab, “Summer Love,” and as the set went on, they seemed to pick up their tempo.

Playing hits like “High School Art Class,” “I Can See It In Your Face,” and “Who Loves Me,” they also gave some time for each musician to get some solos in. They closed with “Hot Like Sauce” around 1:40AM and everyone rushed towards the doors to 8 degree weather to continue their nights into the New Year.

Along with the name Pretty Lights, there must be a light show. Upstate NY native, Greg Ellis, known as The Lazer Shark, blew minds with his lighting design and production for

the show. LED lasers, video synthesis and visuals make up half of the name and experience. Along with good friend and also Upstate NY native, Phil Salvaggio, PL’s production manager and audio engineer, the sound and lighting were coordinated and controlled professionally to ensure the best experience for the musicians and audience.

Over the few past tours, Pretty Lights has been live streaming and posting their whole sets online on Facebook and Youtube for free where viewers are able to donate support towards Hurricane Irma, Maria, and Harvey relief. Additionally, Pretty Lights partnered with Plus 1 where $1 is donated from every ticket purchased. As of now, Pretty Lights does not have any upcoming shows listed, but stay tuned to see what they come out with next... maybe a new album. ¯

Phish closes a historic run leading into the New Year If I was asked which band is my favorite – I’d say The Beatles, because I care about the history. If I was asked which band I love the most – I’d say Phish. I LOVE Phish; although, our timing here together is relative.

From my first show, I find that 94 shows later, Phish too is making history. In 2017 Phish had a championship banner hung in the rafters of Madison Square Garden after its “Baker’s Dozen” of 13 shows packed the house through the end of July and beginning of August. It was the most consecutive shows played by one artist at the venue. Of course, the group doesn’t stop at the top – a four-show New Year’s Eve run made for 17 shows in 2017 in the storied venue.

As Phish achieves historic highs, it’s clear that the band plans to keep this an upward trend into 2018, including a rumored festival in Watkins Glen. Don’t miss history in the making!

If 2017 is the year of Love and Light – I can’t wait to see what ‘More’ 2018 will bring.

Chad Ritchko

PHOTO BY CHAD RITCHKO 20

| The Scene

|

WINTER 2018