The Architect's Diary Magazine Edition - 07

EDITION : 07 | JULY 2022

INDIA'S MOST VISITED ARCHITECTURE WEBSITE

MEMBER'S ONLY EDITION

BRICK VEIL

By Haarsha Architects

EVEREST

By Studio Wodehouse ORTUS LAMP COLLECTION

By Studio Palasa WATERFRONT

By Design Kacheri THE ARACADIAN APARTMENT

By Spaxis ONE-ON-ONE INTERVIEW With Anushi Shah & Ravi Dave UPRISE FEAT + Shraddha Architects + Project Ray Design + Concept O Studio + M.A.D.E by Urvashi Sathaye

DESIGN REFORMATION & TRANSFORMATION Contemporary design is no more jargon or a visual rip-off, but is a concept-aided design style

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NOTE Indian residences have witnessed a gradual incline in design reformation and transformation. Contemporary design is no more jargon or a visual rip-off, but is a concept-aided design style that never had a movement in the past, did not arise in only certain specific parts of the world but developed into a rather open-ended statement design process.

"Light, air, and comfort - these three things I must always have in a room."

Elsie de Wolfe P&T Studio defines their project Waterfront as Warm Luxury, that in my opinion meticulously dissects every element of the much sought-after design and aesthetic style. Windowed walls embellish the common spaces with natural light, the bedroom is a symphony of the warmth of woods and sophistication of minimal botanical elements while the utility spaces strictly adhere to functionality over form keeping visual uniformity intact. This well-composed amalgamation of muted palettes symbolizing minimalism, textures & patterns expressing nostalgia, and inclusion of abstract art, artifacts & décor manifesting a sense of curiosity among the visitors makes Waterfront indeed a space of comfort, luxury, and soul-pleasing all at once.

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#TADFLASH

BRICK VEIL

Taking inspiration from its striking brick materiality that largely envelopes its elevation, the building is aptly called Brick veil.

Feature : Haarsha Architects Photography : Shamanth Patil WWW.THEARCHITECTSDIARY.COM

The 4-story abode elegantly towers over the landscape and faces the Southern skies in all its earthy glory.

Its warm appeal perfectly complements the moderatelycool climatic conditions of a high-altitude city like Bengaluru.

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The first and second floors accommodate the more private spaces sacrosanct to the home anatomy, with bed & bath spaces occupying the Southern and Northern facing pockets.

The layout and an informal family living/bridge that is centrally located.

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A moment held still in the clasp of tradition and Indian craftsmanship; the inviting dining area remains steadfastly grounded in its identity. A liveedge wood dining table commands the space, accompanied by a set of six umber teak and beige linenupholstered chairs.

A rattan-faced credenza borders the zone, reveling in the delicate patterned weaves while a distressed engraved wood Buddha mural rests above it.

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The building also showcases a strategic play of vertical surfaces with an unpolished finish that adds an organic charm to the architecture.

HAARSHA PRINCIPAL ARCHITECT

HAARSHA ARCHITECTS

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Portions of the building facade also showcase brick jaalis that facilitate privacy and re-engineer the quality of natural light entering into doubleheight communal spaces in the abode. Likened to functional art forms, the jaalis aesthetically uplift the building inside and out.

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A tasteful blend of simplicity and artfulness trickles into the interior compositions of Brick Veil. The base canvas of the interiors comprises brightly whitewashed walls and soft beige marble floors.

Interior layering of accent and feature elements begins to personalize and add character to each space like decorative wallpapers and fluted wall paneling

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Furnishing and artful decor pieces add to the final touch, like statement light fixtures, midcentury modern furniture, and soft monochromatic palettes specific to each space.

Texture-rich additions like rattan, suede tufted beds, timber false ceilings, and hardwood flooring; bold pops of accents in rust and toasty browns altogether enhance the experiential signature of Brick Veil.

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DESIGNED BY : HAARSHA ARCHITECTS| PROJECT LOCATION : BANGALORE YEAR BUILT : 2021 | PROJECT SIZE : 7000 SQ.FT PRINCIPAL ARCHITECT : HAARSHA PHOTOGRAPHY : SHAMANTH PATIL

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#TADSTANCE

EVEREST

this house has been designed extremely sustainably with only upcycled furniture, or locally sourced products.

Feature : Studio Wodehouse Photography : Talib Chitalwala WWW.THEARCHITECTSDIARY.COM

In the living room - they had two oddly sized small windows on either side of the main window, which they covered up with mock drapes.

They added an extra overhead cabinet for storage in the kitchen as it lacked storage space, and reconfigured the staff room with a loose pull out storage bed and a washing / drying area. It all happened very quickly and seamlessly.

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They added pelmets on the windows for curtains, she was adamant that she wanted full length curtains - sheers specifically on black rods to add height and filter the light to make it softer.

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It took us about 6 months to complete the space, bit by bit, picking up pieces as we went along and had some more money

SHONALI MAHAJAN PRINCIPAL DESIGNER

STUDIO WODEHOUSE

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She loves oversized and dramatic modern art - so her lovely mother in law Maxie Cooper who is also an artist opened up her collection and studio to us - it is a lot of her art that is plastered on their walls.

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Most of the Parsi style furniture and the white glass lights we have was either inherited from Rustom's grandfather who had a beautiful home in Pune, and repurposed. Or bought earlier for a different space and re-used or gifted them for their wedding.

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For the aesthetic inspiration and direction - while Studio Wodehouse creates bespoke designs for each client, Shonali Mahajan has a very clear aesthetic preference.

She loves anything Tribal, black and white, bold, abstract, mid century and graphic. she wanted her home to be a place that she could come and relax in after a long day or a week at site, a place that reflected every aspect of her personality

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DESIGNED BY : STUDIO WODEHOUSE | PROJECT LOCATION : MUMBAI PRINCIPAL ARCHITECT : SHONALI MAHAJAN PHOTOGRAPHY : TALIB CHITALWALA

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RATTAN LAMP COLLECTION ORTUS The raw basket weaves of all the Rattan and Bamboo lights will make for a beautiful set-up, and add a unique intimate flair to any room.

Feature : Studio Palasa

PREINE PEREIRA

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WATERFRONT The idea was to let all the natural light come in seamlessly and bring in the brightness and warmth to the apartment.

Feature : P&T Design Studio Photo courtesy : Anuja Kambli

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#TADEDGE

The apartment is housed in a 25+ year old building and required complete remodeling. Our clients reached out to us to break down the apartment and redo it completely.

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Design is a marriage between different elements and thoughts. We believe in bringing out the space in a way, wherefrom an apartment it transforms into a home.

A sliding folding partition replaces another wall that is demolished to provide a larger layout.

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The use of custom furniture allowed the play with scale and proportion in a way that not an inch of space was wasted, and every saved space contributed to the openness of the house.

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The idea was to let all the natural light come in seamlessly and bring in the brightness and warmth to the apartment.

PALLAVI GOEL & TEJAL SHAH PRINCIPAL ARCHITECTS

P&T DESIGN STUDIO

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DESIGNED BY: P&T DESIGN STUDIO | PROJECT LOCATION: VERSOVA YEAR BUILT : 2022 | PROJECT SIZE : 950 SQ.FT PRINCIPAL ARCHITECT : PALLAVI GOEL & TEJAL SHAH PHOTOGRAPHY: ANUJA KAMBLI

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#TAD MUSE

THE ARACADIAN APARTMENT The existing layout of this mumbai home was of two 3bhks which we had to combine.

Feature : Spaxis Design Photo courtesy : Pixellus Photography WWW.THEARCHITECTSDIARY.COM

The living room also has an office space with fluted sliding glass shutters. This not only gives the benefit of providing complete privacy and solitude for all the work-from-home sessions but can also be opened up when entertaining more guests. A true form of work-life balance.

Since the huge and spacious living room is sprawled horizontally without any walls and with big openings. The wooden ceiling that connects the living room and the dining area has been given character by adding a wooden detail.

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This was a special project because we worked on the planning as well as the execution of clubbing two homes. It took a lot of planning and going back and forth to decide how to create one harmonious space out of the two apartments that we were tasked to combine.

SANJANA KANTAWALA & HELLY SHAH PRINCIPAL ARCHITECTS

STUDIO INFINITY

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The ceiling that connects the living room and the dining area has also been given character by adding a wooden detail. The planked wood ceiling feature draws a bridge between two separate spaces of the house, creating a symbiosis of design and space.

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The parents’ bedroom is again kept in the warm neutral tones of whites, blues, and browns. The bed frame is kept simple and minimalistic. The paneled woodwork on the wall draws one’s attention to the bed and the coziness that it offers.

The room door is disguised as a part of this wood paneling and gives the space a continuity that makes it look spacious and seamless.

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The guest bedroom has been decorated in a way that it can be later converted into a kid’s bedroom.

The sofa-cum-bed offers to keep a lot of open space in the room for any recreational activities. The battleship grey of the bed and the sage green of the curtains create a lively and bright room.

DESIGNED BY : SPAXIS DESIGN | PROJECT LOCATION : MUMBAI YEAR BUILT : 2022 | PROJECT SIZE : 2200 SQ.FT PRINCIPAL ARCHITECT : SANJANA KANTAWALA & HELLY SHAH PHOTOGRAPHY : PIXELLUS PHOTOGRAPHY

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PRESENTS

3 Diaries

TALK SERIES | SEASON 3

UNFOLD

EPISODE 01

BADRINATH KALERU PRINCIPAL ARCHITECT STUDIO ARDETE

EPISODE 02

BHAVUK JAIN

PRINCIPAL ARCHITECT SYNC DESIGN STUDIO

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WATCH NOW

EPISODE 03

EPISODE 04

AR. AMAN SOHAL

AR. MANURAJ

FORUM ADVAITA

I2A ARCHITECTS STUDIO

PRINCIPAL ARCHITECT

PRINCIPAL ARCHITECT

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PRESENTS

3 Diaries

TALK SERIES | SEASON 3

UNFOLD

EPISODE 05

EPISODE 06

SHEKHAR SHINDE

RUCHIR SHETH

S2A STUDIO

DESIGN STUDIO

PRINCIPAL ARCHITECT

WATCH NOW

PRINCIPAL ARCHITECT

WATCH NOW

EPISODE 07

CHIRANJIVI LUNKAD PRINCIPAL ARCHITECT STUDIO INFINITY

EPISODE 08

SURBHI GIT

PRINCIPAL ARCHITECT

SURBHI RG ARCHITECTS

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WATCH NOW

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ONE ON

ONE

TAD EXCLUSIVE INTERVIEW

STUDIO INVOKE Minimalistic designs, with earthy shades calming colours, clean lines and play of light describe this contemporary residence. We should work on our skills by reading, and seeing the work of great architects.

We must work hard to achieve the same. Design is a constantly evolving process so rather than coming up with one approach we can try to diverse the thinking to get better solutions.

"OUR FOCUS IS TO CREATE SPACES THAT ENHANCE OUR CLIENTS BUSINESS".

ANUSHI SHAH & RAVI DAVE PRINCIPAL ARCHITECT STUDIO INVOKE

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ONE-ON-ONE 1. WHAT IS YOUR CREATIVE PROCESS?

Once we finalize the project, firstly we understand clients’ needs and site context.

We decode a few points from the brief given by the client. These points become the key points to generating a design language that also resolves the need of the user. A lot of research and analysis has been done for the brief so we can generate the customized design within the language. This also helps shape the project with its personalized touch and also nullified our preconceive intuition.

We also take a concept to execution with meticulous detail.

2. DO YOU HAVE A SIGNATURE PALETTE? IF YES, HOW DID IT BECOME A SIGNATURE?

We do not have a signature palette for each project.

We believe in the versatility of design. We try to make at least one unique element that stands out and becomes the “Identity” of the project.

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3. WHAT KIND OF QUESTIONS DO YOU ASK BEFORE BEGINNING ANY DESIGN PROJECT? WHICH PIECE OF INFORMATION IS OF UTMOST VALUE?

5. TELL US ABOUT A PROJECT THAT BECAME A TURNING POINT IN YOUR PROFESSIONAL LIFE.

We generally set a meeting and try to understand their needs by talking about the project. We then show them a presentation about different styles of interior design such as contemporary, traditional, Indian contemporary, boho, rustic, etc. Once they liked a particular style we make a mood board and conceptual presentation for the same. We also ask if they have any sets of problems facing right now so we can resolve that in our design for their new space. The key points can be clients’ taste and their resource allocation.

We started our design journey 10 years back as an individual and established the firm 5 years back. so, if we see it as a milestone, we cannot pick one significant project. During our first year, we had designed a 7 storied- 50-bed pediatric hospital where services were much more important. It opened doors for us in the health care industry. During our second year, we turned an 1800 sqft basement space into a luxury boutique space. Then we worked for a brand like Havmor icecreams, we had to design parlors keeping the brand identity intact while still giving it a completely new look.

4. WHAT KIND OF RULES, CULTURE, OR STRUCTURE DO YOU THINK NEED TO BE INCORPORATED TO FOSTER TEAM COLLABORATION AT THE WORKPLACE?

We do not believe in hierarchy, so in our office, we all always seat together in a studio. This helps us to brainstorm on projects together. We believe it builds a healthy relationship with our staff. Regular discussions with the team evolve into a good output in the final design. We hold site visits and client meetings as a team, which helps them to be a part of the design journey. As we think design is a collective effort and it evolves through process and teamwork.

Design is a constantly evolving process so rather than coming up with one approach we can try to diverse the thinking to get better solutions.

We try to make at least one unique element that stands out and becomes the “Identity” of the project.

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6. HOW DO YOU STRATEGIZE AND BALANCE WHEN YOU HAVE MULTIPLE COMPETING PRIORITIES?

We generally set the priorities at the beginning of the week and channel our work. If sometimes priority clashes, then we try to work hard to achieve those parameters. The result might be optimum in given challenges not necessarily maximum. We try to raise our standard with better planning on paper. And also try to come up with more than one option to achieve the best solution.

7.YOUR SUGGESTIONS AND RECOMMENDATIONS FOR THIS DESIGN COMMUNITY?

We think as a designer one should believe in themselves. Clients can only trust our process if we are convinced. We should also respect our ecosystem. We should work on our skills by reading, and seeing the work of great architects. We must work hard to achieve the same.

Design is a constantly evolving process so rather than coming up with one approach we can try to diverse the thinking to get better solutions.

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#tad uprise

SHEENAL PATEL PRINCIPAL ARCHITECT

ROHAN JAIN

PRINCIPAL DESIGNER

SHRADDHA ARCHITECTS

PROJECTED RAYS DESIGN

ESHA STANLEY

URVASHI SATHAYE

PRINCIPAL ARCHITECTS CONCEPT O STUDIO

PRINCIPAL DESIGNER M.A.D.E BY URVASHI SATHAYE

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#tad uprise SHRADDHA ARCHITECTS BASED IN :- VADODARA & BHARUCH

Glimpses into the formal living, the light fixtures, mirror artwork, transparent center table with edgy legs and minimally designed lush leather sofa add a touch of modernity, while their colour palette and selection of materials give a classic sensibility to the space. The wall art gives a beautiful sneak peek of the space.

SHEENAL PATEL PRINCIPAL ARCHITECT

SHRADDHA ARCHITECTS

WITH A VISION TO INTEGRATE SPACES WITH THE NATURE AND STAYING MINIMALISTIC IN THEIR APPROACH.

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#tad uprise

PROJECTED RAYS DESIGN BASED IN :- CHANDIGARH

The strong visual artistic aura of the design is derived from the dramatic confrontation with everyday memories of the city, bringing a brand-new sense of lightness and imagination to the lounge experience. The interior of the bar lounge is oriented to be a completely open spaces. We divided seating areas with low-partitions, ensuring a view spreading from the area deep inside the covered shell to the landscape in the rear.

ROHAN JAIN

PRINCIPAL DESIGNER

PROJECTED RAYS DESIGN

WE FOCUS OUR EFFORTS AND ENERGY TO ENSURE PRECISE CRAFTSMANSHIP, TIMELY DELIVERY, AND THOROUGH ATTENTION TO DETAIL.

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#tad uprise CONCEPT O STUDIO BASED IN :- BENGALURU

Tucked away in a sprawling gated community in J.P. Nagar, this scandinavian interiors home is a testament to the trans formative nature of design in creating a resonating calm in the midst of a bustling metropolitan city. they envisioned a home within their house.

They wanted a space that would serve as a place of repose, far from the corporate drudgery of modern living ESHA STANLEY

PRINCIPAL ARCHITECTS CONCEPT O STUDIO

WORKING TO REALIZE THEIR VISION AND OFFER STYLISTIC AND TECHNICAL SOLUTIONS TAILORED TO EACH PROPERTY.

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#tad uprise

M.A.D.E. BY URVASHI SATHAYE BASED IN :- MUMBAI

This 1150 sq.ft residence is located in a relatively quiet and pleasantly green locality of Mumbai. The clients are an elderly retired couple for whom this will be the family home where they can relax and spend time together, with their children and grandkids visiting often So, of the 4 bedrooms, we designed 2 as the master bedrooms and one as a guest room..

URVASHI SATHAYE PRINCIPAL DESIGNER

M.A.D.E. BY URVASHI SATHAYE

OUR SPACES NEED TO WORK FOR US, INTUITIVELY AND FUNCTIONALLY. THEY ALSO NEED TO LOOK BEAUTIFUL AND COMFORTABLE.

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#TADscape

4 ICONIC GATEWAYS OF INDIA E X H I B I T I N G

R I C H

A R C H I T E C T U R E

&

H E R I T A G E

INDIA GATE

ARCHITECT - NEDWIN LUTYENS LOCATION - NEW DELHI

Sir Edwin Lutyens, who structured the India Gate, was a main war remembrance planner and was additionally an individual from CWGC. He built it as a secular memorial freed from any religious association or cultural ornamentation. Also, Lutyens wanted the monument to be a classical one, so refused to include any Asian motifs like pointed arches. The style of architecture of India Gate is that of a monument and is usually compared with the Arc de Triomphe in Paris, the Gateway of India in Mumbai, and the Arch of Constantine in Rome.

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#TADscape

GATEWAY OF INDIA

ARCHITECT - GEORGE WITTET LOCATION :- MUMBAI, MAHARASHTRA

The structural design of the Gateway of India is constituted of a large arch, with a height of 26m. The monument is built in yellow basalt and indissoluble concrete. The structural plan of Gateway of India is designed in the Indo-Saracenic style. One can also find traces of Muslim architectural styles incorporated in the structure of the grandiose edifice. The central dome of the monument is about 48 feet in diameter, with a total height of 83 feet. Designed with intricate latticework, the 4 turrets are the prominent features of the entire structure of the Gateway of India.

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#TADscape

WARANGAL FORT GATE

LOCATION :- WARANGAL, TELANGANA

The construction of the Warangal Fort began under the reign of Ganapati Deva in the 13th century. It is believed that Ganapati Deva replaced an existing structure made of bricks to build the stone fort of Warangal on a hillock called Ekashila. After him, his daughter Rani Rudrama Devi and her grandson Pratap Rudra Deva, made considerable additions to the fort.

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#TADscape

TORAN GATE

LOCATION :- BHOPAL, MADHYA PRADESH

The gates were made of stone but the inscription looks similar to that on timber.

This was the first of its kind and the artisans followed their experience with wood. The entire body of the gateways was covered with extensive narrative sculptures. These reliefs show events in the life of Buddha but there is no order to it. This clearly indicates an involvement of various devotees in the construction of the gates.

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#journal

APPEALING PARTITION WALL IDEAS

The Office space with minimal approach and bringing transparency in design. The entire office is zoned according the function and keeping maximum occupancy in consideration.

Bringing the color palate to cooler tones and uplifting the space with hint of green, was the design strategy in order to provide a better working experience for the employees. The entire space is divides through metal sections bringing bold and minimal look to the divisions, while the partitions with the wooden vibrant popups are complementing the same in the subtle and playful manner.

FACT FILE DESIGN BY:- KAKSH THE DESIGN STUDIO PRINCIPAL ARCHITECT:- KISHAN BARAIYA & HARSH MENPARA LOCATION :- RAJKOT

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#journal

House is comprised of bespoke products which widen the scope of designers in the context of furniture, doors, kitchens, and floors. Every inch layers up to create oneness. We as budding designers had some unique concepts to meet the needs of the space. like a rotating partition between living and dining area which keeps the space visually connected , unfolds grandeur and makes the tv float in the air.

FACT FILE DESIGN BY:- NEST ARCHITECTS PRINCIPAL ARCHITECT:- NIKITA TAHILYANI & VIKRAM SINGHANIA LOCATION :- NAGPUR

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#journal

Most of the rooms have high ceilings so we used bamboo matting and stunning chandeliers to highlight it. We also used hardwood floors to add warmth to the rooms.

Classic chesterfield sofas were teamed with a dramatic wicker day bed and coffee tables to create a welcoming drawing room.

FACT FILE DESIGN BY:- PHYLOSOPHY DESIGN STUDIO PRINCIPAL ARCHITECT:- VASUNDHARA SAMPATH LOCATION :- TAMIL NADU

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#journal

The colour palette used throughout is calming with muted shades of blush pink, blue-yellow and grey on walls, furniture and upholstery. One of the best things about pastels is that together they work in harmony. Combining these colours with the rich, smooth and rough textures of Italian grey marble, the retro-chic appeal of lightly coloured white oak wood, balances with the elegant and exclusive furniture.

FACT FILE DESIGN BY:- J+AM STOREY PRINCIPAL ARCHITECT:- JAANSHI BHATIA & AMIT BHATIA LOCATION :- NEW DELHI

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