THE HOUSING - building bridges to self growth

PORT FOLIO ADS5 ANUSHKA DASGUPTA HOO382317

TUTORS - DR. HARPREET SETH, PROF. ELI FRAGKAKI

THE HOUSING ANUSHKA DASGUPTA HOO382317

THEME - ARCHITECTONICS OF MUSIC Architectonics of music refers to the structural organization and design principles that govern the composition and arrangement of musical elements within a piece. Similar to how an architect plans and constructs a building, a composer employs architectonic principles to shape the form, balance, and coherence of a musical work.

In the realm of music, architectonics encompasses various aspects, including the overall structure of a composition, the relationship between different sections, the development and resolution of musical ideas, and the interplay of elements such as melody, harmony, rhythm, and texture. Composers employ techniques like repetition, variation, contrast, and thematic development to craft a coherent and engaging musical narrative.

SITE LOCATION - EXPO CITY, NEXT TO LUXEMBORG PAVILLION BUILT UP AREA - 2500 M2 PROJECT - HOUSING FOR MUSICIANS AND STUDENTS FROM FIRDAUS MUSIC SCHOOL

THE FELT CHARRETTE 1 - CHOOSING AN EXPERIMENTAL PIECE OF MUSIC, IDENTIFYING EMOTIONS

AUDITORY MAPPING

ABSTRACT EXPRESSION

EXPRESSIVE NOTATION

CHARRETTE 2 - D0 - REDO - UNDO , STUDY MODELS OF EMOTIONS FELT

FRUSTRATION SATISFACTION POWERFUL

SECTIONAL EXPLORATION

EMPOWERING - THE FELT WORD

VISION FOR SPATIAL QUALITY OF THIS PROJECT - GEOMETRIC RIGIIDITY COMBINED ITH A FLOW OF SOMETHING CONTINOUS

THE FELT SITE SITE ANALYSIS

INFERENCES MASS AND VOID MAINLY MASS PROPOSAL FOR PROJECT TO HAVE MORE VOID THEN MASS COMMUNAL SPACES ON GROUND GIVING BACK TO THE COMMUITY LACK OF GREEN SPACES IMPLEMENTATION OF GREEN SPALES FOR LANDSCAPING MAIN BUGGY AND PEDESTRIAN PATHS ENTRANCE TO PROJELT FROM EAST EXISTING PARKING BACK ENTRANCE FOR MUSICIANS TRAVELING

BY CAR -BASEMENT PARKING UNDER VIP MAJLIS LACK OF SHADED SPACES -SHADED COMMUNAL SPACE. LACK OF ENGAGING SPACES INTERACTIVE COMMUNAL SPACES. FREE MOVEMENT OF PEOPLE PROPOSAL TO CONTINUE THAT ON THIS PROJECT BUILDING HEIGHTS HIGHEST POINT FOR THE BEST VIEW ENVIRONMENTAL FACTORS SHADED COMMUNAL SPACES POSSIBLE VOIDS FOR NATURAL VENTILATION

URBAN CONTEXT SITE FINDINGS - WHAT IMPACTS MY PROJECT LACK OF SHADED SPACES EMPOWERING MOVEMENT OF PEOPLE VISUAL CORRIDORS

URBAN PATTERN MODEL

THE BRIDGE VISIONS OF THE BRIDGE

PHYSICAL WELLNESS VISUAL CONNECTIVITY - SENSE OF BELONGING PASSIVE STRATEGY - SHADING DEVICE

ITERATIONS ITERATION 1

BRINGE CONNECTING THE BUILDINGS EXTERNALLY

ITERATION 2

MAIN BRIDGE IN THE CENTRE ACTING LIKE A SHDING DEVISE FOR THE LANDSCAPE SMALLER BRIDGES EXTENDING TO THE BUILDINGS

ITERATION 3

BRINGE CONNECTING THE BUILDINGS EXTERNALLY AND INTERNALLY

THE FELT DESIGN

STRONG SOUTH SUN

NORTH WEST WINDS

NORTH SITE SHADED FOR THE OPEN PUBLIC PLAZAS

USER PROFILE MUSIANS STUDENTS TOURITS EXPO STAFF THE YOUTH

TYPOLOGIES SINGLE ENSUITES DOUBLE ENSUITES All three typologies meant for both the musicians and students, to cancel out hierarchy.When there is no strict hierarchy, residents are more likely to view their living situation as a community rather than as a structured organization. This can contribute to a greater sense of belonging and shared responsibility for the well-being of the community.A flatter organizational structure can encourage collaboration among students. Residents may be more likely to work together on shared goals, initiatives, or community projects when there's a sense of equality and shared responsibility.

DOUBLE STUDIO

FLOOR PLANS UNDERGROUND FLOOR PLAN

3

1

2

GROUND FLOOR PLAN

FIRST FLOOR PLAN

SECOND FLOOR PLAN

THIRD FLOOR PLAN

A

A’

SECTION AA’

C I R C U L A T I O N

PRIVATE

PUBLIC

PUBLIC

PUBLIC

ELEVATIONS FRONT ELEVATION

RIGHT ELEVATION

BACK ELEVATION

LEFT ELEVATION

SITE PLAN

MODEL PICTURES