THE CONSERVATORY - where sound defines spaces

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UNLAYERING THE PAINTING - DESIGN CHARETTE 2

SCULPTURE OF THE PAINTING - DESIGN CHARETTE 3

SITE FINDINGS - PATHS PEOPLE PLACES

THE VISION- PERSPECTIVE COLLAGE - DESIGN CHARETTE 4

THE ART OF SPACE - PLANS

WHAT’S INSIDE - SECTIONS WHAT’S OUTSIDE - ELEVATIONS AND MODEL PICTURES

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02 03 04 05 06 07 08 PAINTING MUSIC- DESIGN CHARETTE 1 PAGE 1

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THE CHARRETTES

painting with our eyes closed, to the song that defines firdaus the most as an orchestra

scan to watch the painting of the music alive

solid concrete strokes surrounded by something light, reflective

solid - more people, denser, MORE SOUND light, reflective - less people, less dense, LESS SOUND

relates to the identity of firdaus as an orchestra, so many different intruments coming together in harmony.

N THE CANVAS OF OUR LIFE, EACH AN NDIVIDUAL STROKE YET TOGETHER WE CREATE MASTERP ECE, A UNITY TO DEVOTE HARMONY EX STS IN THE SYMPHONY OF TIME, THE MUSIC OF LIFE SOMETHING THAT CANNOT BE BROUGHT WITH ANY AMOUNT OF TIME BREATHING IN THE ESSENCE OF THIS SHARED PRESENCE COM NG TOGETHER TO SEEK GU DANCE SOME MAYBE BOLD SOME TIM D, SOME MAY GET OVERPOWERED DOWN THE L NE REGARDLESS OF THE CHAOS, EVERYONE SHINES POWERFUL CHARTS OF UNITY, A CHORUS SO GRAND TOGETHER WE DANCE TO THE UNIVERSAL SONNG, HAND IN HAND

INDIVIDUAL PRACTICE ROOMS

CIRCULATION

the red crystals signify small pockets of energy- individual practice rooms

P A I N T I N G M U S I C THE PAINTING IS ALIVE G R A P H I C I L L U S T R A T I O N P O E T I C S O F F I R D A U S S E C T I O N A L E X P L O R A T I O N U N L A Y E R I N G T H E P A I N T I N G

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FIRDAUSSTUDIO

Located in Expo City, adjacent to the India Pavilion and near Firadus Studio, the chosen site for this semester offers a rich contextual backdrop embedded within the vibrant tapestry of Dubais urban landscape. Expo City itself stands as a testament to Dubai's commitment to innovation and global connectivity, being the host of the prestigious World Expo, where nations converge to showcase their cultural, technological, and architectural prowess.

SITE

FIRDAUSSTUDENTHOUSING

SITE FINDINGS

STEVENHOLLPRECEDENT

T H E U S E R J O U R N E Y

U R B A N P A T T E R N

usingdifferentmaterialsto definethedifferentspaces

WASL DOME WASL DOME UAE PAVIL ON UAE PAV L ON FORSAN PARK FORSAN PARK THE SITE METRO STAT ON METRO STAT ON Thefosanpar et obe henewcre vehub accodngto heduba 2040maserpan or bengac yhometoman cea ves Sounddefnesspaces- ouney om heme o sa ontothes e hed feen node aes den fedby he ounda ound andthe maeras extueand ee Whch wha hs proec ha taken orwadasadesgnd ver Theubanpatenmode wasde nedb hs d feence nmae asandsound o d eent nodes duba met o - au ho a ve announcemen s o d conc ete was dome - d eam mus c ef ect e e tu e uae pa on - a ab c cu u e fo san par - wood pavemen s g een en ronmen benganexensono he or anpak he centeo hes e savod suroundedby he bu dng cen evodacsa apacetob ng hecommun y ogethe 2

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MASSING

diffence in height also comes into play depending on the function of the space

the width changes in certain parts depending on the function of the space

private spaces ar considering the p since it is a music a mainly private b users here are the MORE DENSE MOR

music is for all, cocert halls, group prac placed on the ground floor with glass fa connectivity to the central landscape. LESS DENSE LESS NOISE

building is pushed back to the site, to create this void in the centre which is a spaces for the community to come together

THE ART OF SPACE

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GROUND FLOOR PLAN

SECOND FLOOR PLAN

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WHAT’S INSIDE

Maximizing Views: Our site boasts breathtaking views of the forsan park, expo skyline and the landscape of the site itself. Glass facades allow for uninterrupted panoramic views from both interior and exterior spaces, enhancing the overall experience for residents, visitors, and workers.

Natural Light: Glass facades maximize the penetration of natural light into interior spaces, reducing the need for artificial lighting during the day. This not only creates a more pleasant and inviting environment but also contributes to energy efficiency and sustainability goals.

Secondary Glazing: Adding a secondary layer of glass with an air gap between the original glass facade and the secondary layer can help improve sound insulation. This additional barrier can reduce the transmission of external noise into the concert hall and minimize reverberation.

Acoustic Performance: Mesh refractive ceilings are designed to optimize acoustic performance by diffusing sound waves effectively. They can help control reverberation, minimize echoes, and improve the overall sound quality within the concert hall. This is crucial for ensuring that musical performances are heard with clarity and richness

Durability: Like traditional concrete, colored concrete is durable and long-lasting, requiring minimal maintenance over its lifecycle. Its resilience to wear and weathering means it can remain functional and aesthetically pleasing for many years, reducing the need for frequent replacements and conserving materials and resources.

SECTION AA’ SECTION CC’

SECTION BB’

SECTION AA’

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