Christine Johnson - &Gallery Catalogue

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Christine Johnson

As above, so below April 5 - May 4 2025

Christine Johnson

As Above, So Below.

These artworks are inspired by the legacy of the Mallee botanist Hilda Eileen Ramsay (18861961). Her story resonates with me because of the courageous and creative way in which she lived her own life after the tragic loss of her two brothers, Alan and Tom Couve, who were killed at Gallipoli in 1915. The Couve family didn’t know of any details of their deaths for several years. Four of Hearts and The Blue Notebook are paintings of ephemera in the Australian War Memorial that hold some of that history.

After the war, Eileen moved to the Mallee with her parents where her father, Joson Couve, opened a pharmacy to help returning soldiers in the new soldier settlement. This was where, in later life, Eileen began creating her botanical collection.

I saw the collection for the first time at the Mildura Arts Centre in 2015. (It is now held at the National Herbarium of Victoria). With the help of local plant enthusiasts, I was shown the mysteries of the Mallee landscape and its beguiling flora. Together we set about finding Eileen Ramsay’s plants in the remnant native landscape, and this is how the drawings for HER Story began.

You get a sense of deep layers of time in the Mallee. The only lifeline is the Murray River winding through the harsh semi-arid desert, leaving pools and billabongs behind after heavy and often erratic seasonal flooding. My painting, Terra Madre, is painted from a bend in the Murray River at Red Cliffs, near where Eileen Ramsay lived.

The two coastal paintings, Terra Aria and Terra Aqua, are dedicated to the memory of Eileen’s father. Joson Couve was French-Mauritian and came to Australia on a sugar ship, the Lindores Abbey, which passed through the heads at Point Nepean on 1 April, 1883, leaving behind forever the turquoise water and coral sands of the Isle de France as Mauritius was once known. Joson died in 1930 and is buried at the Red Cliffs Pioneer Cemetery.

The title of the exhibition, As Above, So Below is an extract from a Hermetic text:

“As within, so without, as above, so below, as the universe, so the soul.”

Sales:

Julie Collins - Director gallery@djprojects.net

0417324 795

Free Delivery and Installation within Victoria

Shipping arranged interstate and Overseas.

21 Morce Ave Sorrento, Victoria, Australia

www.andgalleryaustralia.net & Gallery is part of the djprojects family of art related businesses. www.djprojects.net

Archival pigment print assembled from pastel drawing.

Edition of 5, 74 x 59 cm (framed)

$1,800

1. Mallee Fowl feather

Archival pigment print assembled from pastel drawing.

Edition of 5, 74 x 59 cm (framed)

$1,800

2. White Cypress Pine

Archival pigment print assembled from pastel drawing. Edition of 5, 74 x 59 cm (framed)

$1,800

3. Umbrella Wattle I

Archival pigment print assembled from pastel drawing. Edition of 5, 74 x 59 cm (framed)

$1,800

4. Umbrella Wattle II

Archival pigment print assembled from pastel drawing. Edition of 5, 74 x 59 cm (framed)

$1,800

5. Bush Banana

Archival pigment print assembled from pastel drawing.

Edition of 5, 74 x 59 cm (framed)

$1,800

6. Spotted Emu Bush

Archival pigment print assembled from pastel drawing.

Edition of 5, 74 x 59 cm (framed)

$1,800

7. Pink Mullah mullah

Archival pigment print assembled from pastel drawing.

Edition of 5, 74 x 59 cm (framed)

$1,800

8. Wilga

Archival pigment print assembled from pastel drawing.

Edition of 5, 74 x 59 cm (framed)

$1,800

9. Silver Cassia

Archival pigment print assembled from pastel drawing.

Edition of 5, 74 x 59 cm (framed)

$1,800

10. Hattah Lily

Archival pigment print assembled from pastel drawing.

Edition of 5, 74 x 59 cm (framed)

$1,800

11. Wheel Fruit

Archival pigment print assembled from pastel drawing. Edition of 5, 74 x 59 cm (framed)

$1,800

12. Cactus Bossiaea

Archival pigment print assembled from pastel drawing.

Edition of 5, 74 x 59 cm (framed)

$1,800

13. Salt Bush

14. Golden Everlasting

Archival pigment print assembled from pastel drawing. Edition of 5, 74 x 59 cm (framed)

$1,800

The Troopships of ANZAC, a poem by Eileen Ramsay
15. Coastline, Turkey. Pastel on paper, 112 x 82 cm (framed) $ 4,500
16. Red Cliffs on the Murray River, Victoria. Pastel on paper, 112 x 82 cm (framed) $4500
17. Four of Hearts, 2025
Oil on linen
140 x 112cm
$12,000

$12,000

18. The Blue Notebook, 2025
Oil on linen
140 x 112cm

19. For Frank Cahir, Five Soldiers, 2019

Solar plate engraving and archival pigment print.

64 x 59 cm (framed)

$1,800

20. For Alan Couve, Five Soldiers, 2109

Solar plate engraving and archival pigment print.

64 x 59 cm (framed)

$1,800

$28,000

21. Terra Aria , 2025
Oil on linen
160 x 350 cm

$28,000

22. Terra Madre, 2025
Oil on linen
160 x 350 cm

$28,000

23. Terra Aqua, 2025
Oil on linen
160 x 350 cm

Christine Johnson - C.V.

Christine Johnson was born in Melbourne in 1959. Since her first solo exhibition of paintings in Melbourne in 1989, Christine has had numerous exhibitions in Melbourne, Sydney, Adelaide, and Perth. She currently combines an interest in historical narratives and native flora, exploring ideas through painting, drawing and printmaking and adapting these traditional forms into public art, sound and installation works. She works at her home studio in Melbourne.

Her artworks are held in the public collections of the National Gallery of Victoria, State Library of Victoria, National Library of Australia, Monash University Collection, University of Queensland, Artbank and Victorian regional art galleries including Ballarat, Mildura, Benalla and Hamilton. Christine’s paintings can also be seen in Melbourne at Peter MacCallum Cancer Centre, Park Hyatt Hotel and Crown Promenade Hotel.

Christine’s work featured in the Print Portfolio for Melbourne Now at the National Gallery of Victoria in 2023. Other recent exhibitions include Field at Workspace 3496 in Red Cliffs, Victoria, Species at Risk, at The Royal Botanical Gardens, Sydney, finalist in the Gallipoli Prize in Sydney and a solo exhibition dedicated to the legacy of Mallee botanist, HER Story, Hilda Eileen Ramsay at the Print Council of Australia Gallery, Southbank. In 2022 Christine worked with Hassell Studio architects creating perforated metal artworks for a public laneway development. The imagery for the artworks is based on native medicinal plants and nature’s DNA coding. The artworks celebrate the botanical legacy of Eileen Ramsay. In 2021 Christine was awarded a Print Council of Australia commission with her print, Saltbush. Also exhibiting in 2021 at Mildura Arts Centre in The Mallee On The Map and Soundscape and Landscape, a poetic multi-media installation in the old ballroom at Rio Vista House. In 2019, Christine was commissioned by the Faculty of Pharmacy and Pharmaceutical Sciences, Monash University to create Five Soldiers, a remembrance project dedicated to five former students of the College of Pharmacy who tragically lost their lives in World War One. The project was awarded the Grand Gold Award at the CASE awards in Washington in 2020. Her print from the series, For Frank Cahir was selected for the 2021 Geelong Acquisitive Print Prize Exhibition.

Prior to this Christine was awarded a Creative Fellowship by the State Library of Victoria and undertook research on early Australian botanical art. The result of this extensive research is the touring exhibition, Voyages Botanical. It includes 30 solar-plate engravings and related drawings and paintings. The exhibition was launched in December 2014 at the Alliance Française, Melbourne and concluded at Albury Regional Gallery in January 2019. During this time Christine presented talks about her work at Mueller Hall - National Herbarium of Victoria, Melbourne University, the Alexandra Club, Wangaratta Art Gallery, Bribie Island Museum and Blue Mountains Cultural Centre and taught Cyanotype workshops at Bribie Island, Wangaratta, Mildura Arts Centre and at the Royal Botanical Gardens, Melbourne.

Selected solo exhibitions:

2025 As Above, So Below, & Gallery, Victoria

2023 HER Story, Print Council of Australia, Southbank, MelbourneField: Ephemera,Workspace

3496, Red Cliffs, Victoria

2021 Soundscape and Landscape, Mildura Arts Centre, Victoria

2018 Firmament, Fox Galleries, Collingwood, Melbourne

2017 Inland, The Art Vault, Mildura, Victoria

2014 -19 Voyages Botanical Touring Exhibition

2017 Florae, Fox Galleries, Collingwood, Melbourne

2016 Inland, Port Jackson Press

2011 Indigene, Scott Livesey Galleries, Melbourne

The Botany of Beauty, Greenhill Galleries, Perth

2010 Halation, BMG, Adelaide

Afterglow, Tim Olsen Gallery, Sydney

2009 Hothouse, Australian Galleries, Melbourne

2008 Arabesque, Martin Browne Fine Art, Sydney

2006 Other Echoes, Martin Browne Fine Art, Sydney

2005 Sub Rosa, Australian Galleries, Melbourne

2004 Spira Mirabilis, Martin Browne Fine Art, Sydney

Selected Group exhibitions:

2023 Melbourne Now, Print Portfolio, National Gallery of Victoria

2022 Baldessin Studio, The Legacy, Australian Galleries, Melbourne

2021 The Mallee on The Map, Mildura Arts Centre

2019-2020 Return; The Way Back Home, Matheson Library, Monash University

2019 Baldessin Studio – The Story, Montsalvat, Victoria

Layers of Settlement, The Art Vault, Mildura, Victoria

2015 Arkley (and friends…) Tarrawarra Museum of Art, Victoria

2014 Mirror of the World, State Library of Victoria

Public Collections:

National Gallery of Victoria

State Library of Victoria

National Library of Australia

Monash University, Clayton, Victoria

Faculty of Pharmacy and Pharmaceutical Sciences, Monash University, Parkville

Print Council of Australia

University of Queensland

Peter MacCallum Cancer Centre, Melbourne

Artbank

Regional Galleries including Art Gallery of Ballarat, Mildura Arts Centre, Benalla Art Gallery, Hamilton Art Gallery

Park Hyatt Hotel, Melbourne

Crown Promenade Hotel, Melbourne

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