JEWELLERY, WATCHES & SILVER
SATURDAY 18 MAY2024
ALSO SELLING TODAY:
COUNTRY HOUSE SALE
SATURDAY 18 MAY 9.30AM
YOUR SPECIALISTS
Tennants is the UK’s largest family-owned fine art auctioneers, with a well-deserved reputation for delivering unrivalled service and results.
Twenty-seven specialist departments offer an outstanding range of depth and expertise that, combined with the company’s strong traditional values and a personal approach, have won Tennants widespread respect in the international marketplace.
Each year Tennants holds over 80 auctions and handles in excess of 40,000 lots covering all major disciplines, making it one of the UK’s busiest salerooms.
Jeffrey Lassaline (Silver & Objects of Vertu) Jessica Fall BSc (Hons) FGA, DGA (Jewellery) Adam Wasdell Wostep, MBHI (Watches) Sarah Hardy, PJ Dip, FGA, DGA (Consultant, Jewellery)
JEWELLERY, WATCHES & SILVER SATURDAY 18 MAY2024 AT 9.30AM
AUCTION
The Auction Centre, Leyburn North Yorkshire DL8 5SG
VIEWING
Wednesday 15 March 10.00am to 4.00pm
Thursday 16 March 10.00am to 4.00pm
Friday 17 March 10.00am to 4.00pm
Morning of Sale from 8.00am
Live bidding is available on this sale by registering at www.tennants.co.uk
All lots illustrated online at www.tennants.co.uk
CONTACT
Telephone: 01969 623780
enquiry@tennants-ltd.co.uk www.tennants.co.uk
Georg Jensen: Beauty and Functionality
For many Georg Jensen is the firm which best represents the simplicity of Scandinavian design. Georg Jensen (1866-1935) trained in Copenhagen as a silversmith, goldsmith and sculptor, which included 2 years with the artist Ballin. Jensen was a late follower of a Danish style known as skønwirke (meaning aesthetic work), but probably the most famous artist of that movement. His distinctive style had some common ground with the Austrian secessionists and with an appreciation for the Art Nouveau style, he favoured organic forms, using stylistic representations of nature whilst paring back the designs so they were both simple and ornate, with functionality at the forefront.
Jensen opened his own shop in 1904, and the brand grew to achieve international acclaim. Later pieces were more abstract than his earlier work, although naturalistic influences were sometimes still evident. Jensen continued to design many pieces himself, whilst also employing talented artists to create designs stylistically in keeping with his. The firm acknowledged their input, quite a revolutionary concept. Over the years names such as Henning Koppel (1918-1981), Jørgen Ditzel (1921-1961), Nanna Ditzel (1923-2005) and Vivianna “Torun” Bülow-Hübe (1927-2004) joined or collaborated with the business, allowing new designs to continue following the death of Jensen. The Georg Jensen brand continues today.
2001
A Silver Pendant on Chain, designed by Henning Koppel for Georg Jensen modelled as a stylised openwork star form numbered 342, on a silver fancy link chain pendant measures 7.7cm by 4.7cm, chain length 72.8cm
2002
A ‘Peak’ Necklace, Bracelet and Earring Suite, by Georg Jensen formed of white plain polished triangular peak motifs, earrings with clip fittings
length 38.5cm, 17.5cm and 2.7cm respectively
2003
A Pendant on Chain, designed by Henning Koppel for Georg Jensen the white plain polished openwork abstract form suspended from a plain polished bale, on a trace link chain pendant measures 3.2cm by 3.6cm, chain length 46cm
2004
A ‘Continuity’ Ring, designed by Vivianna Torun Bülow-Hübe for Georg Jensen of white plain polished scroll form, numbered 443 finger size N
2005
A Silver Ring and A Pair of Earrings, by Georg Jensen the oval plain polished dome within an oval bead work border, to a forked shoulder plain polished shank, numbered 19; the earrings of round plain polished dome form, numbered 86D, with post fittings finger size L1/2, earrings measure 1.5cm diameter
2006
A Silver Brooch, designed by Nanna Ditzel for Georg Jensen of abstract circular form with two slits, numbered 337 measures 6.0cm diameter
2007
A Silver Brooch, designed by Henning Koppel for Georg Jensen of folded square form, numbered 368 measures 4.6cm by 4.6cm
2008
An ‘Alliance’ Bangle, by Georg Jensen formed of four white plain polished crossover bands measures 6.0cm by 4.5cm
2009
A Silver Brooch, designed by Nanna and Jorgen Ditzel for Georg Jensen modelled as a stylised oyster, numbered 328 measures 5.3cm by 4.1cm
2010
A Pendant on Chain and Two Pairs of Earrings, by Georg Jensen the pendant formed of a rectangular plain polished plaque, numbered 173, on a black plaited necklace; a pair of ‘Lotus’ drop earrings, with post fittings; and a pair of moonstone earrings, with post fittings pendant length 3.0cm, necklace length 48cm, earring drop length 3.9cm, studs measure 0.9cm diameter
2011
A ‘Peak’ Necklace, by Georg Jensen formed of thirteen white plain polished triangular peak motifs length 38.5cm
2012
A ‘Forget-Me-Knot’ Brooch and Matching Earrings, designed by Vivianna Torun Bülow-Hübe for Georg Jensen formed of plain polished forget-me-knot motifs, the brooch numbered 384, the earrings with post fittings brooch measures 7.0cm by 1.8cm, earring drop length 6cm
2013
A ‘Lotus’ Necklace, Bracelet and Earring Suite, designed by Per Hertz for Georg Jensen formed of white plain polished stylised leaf motifs, earrings with clip fittings length 42cm, 18.5cm and 2.0cm respectively
2014
A Diamond Cluster Pendant on Chain
the central princess cut diamond within a border of baguette cut diamonds, with eight-cut diamonds at each corner, to an outer border of eight-cut diamonds, in white claw settings, on an 18 carat gold curb link chain, total estimated diamond weight 0.95 carat approximately pendant measures 1.2cm diameter, chain length 44cm £300-500
2015
An 18 Carat White Gold Blue Topaz and Diamond Cluster Pendant on Chain
the fancy oval cut blue topaz within a border of round brilliant cut diamonds, in white claw settings, with a similarly set bale, on a 9 carat gold curb link chain, total estimated diamond weight 0.15 carat approximately pendant length 2.4cm, chain length 41cm £300-500
2016
A Pair of Art Deco Style Coral, Onyx and Diamond Drop Earrings
the disc set throughout with eight-cut diamonds and a single round cabochon onyx, intersected by an articulated bar of eight-cut diamonds, in white millegrain settings, suspending faceted onyx and coral drops, total estimated diamond weight 0.35 carat approximately, with post fittings
drop length 6.2cm £400-600
2017
An Emerald and Diamond Three Stone Ring
the emerald-cut emerald flanked by old cut diamonds, in white claw settings, to a tapered shoulder plain polished shank, total estimated diamond weight 0.55 carat approximately finger size O½
£400-600
2018
A Diamond Bar Brooch
the white knife edge bar overlaid with eleven graduated old cut diamonds, in millegrain settings, total estimated diamond weight 0.65 carat approximately length 6.0cm
£200-300
2019
A Synthetic Sapphire and Diamond Ring
the emerald-cut synthetic sapphire in a white four claw setting, to stepped eight-cut diamond set shoulders in millegrain settings, on a plain polished shank, total estimated diamond weight 0.20 carat approximately finger size M½
£300-500
2020
A Grey Cultured Pearl and Diamond Ring
the grey cultured pearl in a fluted shoulder mount, pavé set throughout with eight-cut diamonds, to a matte white shank, total estimated diamond weight 0.10 carat approximately finger size N
£300-500
2021
An 18 Carat Gold Diamond Three Stone Ring
the round brilliant cut diamonds in white claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.70 carat approximately finger size I
£200-300
2022
A Pair of Diamond Cluster Earrings
the clusters formed of round brilliant cut diamonds, in white claw settings, total estimated diamond weight 0.55 carat approximately, with post fittings measure 0.7cm diameter
£300-500
2023
A Pair of 18 Carat Gold Diamond Solitaire Earrings
the round brilliant cut diamonds in white claw settings, total estimated diamond weight 0.45 carat approximately, with post fittings £200-300
2024
A Platinum Diamond Three Stone Ring
the graduated round brilliant cut diamonds in white rubbed over settings, to a plain polished shank, total estimated diamond weight 0.50 carat approximately finger size K
The ring is accompanied by a Diamond Dossier from Gemological Institute of America, GIA, report number 6232300545, dated July 25, 2016 stating the central diamond as 0.34 carat, colour G, clarity VVS2 £400-600
2025
An 18 Carat White Gold Diamond Half Hoop Ring, by Iliana three rows of princess cut diamonds in a channel setting, to a plain polished shank, total estimated diamond weight 0.55 carat approximately finger size N1/2
£250-300
2026
An 18 Carat White Gold Diamond Solitaire Ring
the round brilliant cut diamond in a tension setting, to a plain polished shank, estimated diamond weight 0.20 carat approximately finger size N
£400-600
2027
A Rock Crystal and Diamond Pendant and Earring Suite realistically modelled as flowers, the carved rock crystal petals in yellow caps, with round brilliant cut diamond pollinia in white claw settings, on a yellow fancy link chain, earrings with post fittings, total estimated diamond weight 0.10 carat approximately pendant measures 4.0cm by 5.0cm, chain length 46.8cm, earring length 3.2cm
£400-600
2028
A Multi-Gem Set Pendant on Chain, by Catherine Best the yellow spray form set throughout with an oval cut peridot, a pear cut garnet, a pear cut pink tourmaline and a round brilliant cut diamond, in rubbed over and claw settings, suspended from a plain polished bale, on a cable link chain pendant measures 4.6cm by 2.3cm, chain length 40.7cm
£600-800
2029
A Ruby, Sapphire, Diamond and Jade Pendant the circular jade frame with a yellow foliate scene centrally, decorated throughout with round cut rubies, sapphires and round brilliant cut diamonds, in claw settings, suspended from a plain polished bale measures 6.0cm by 4.8cm
£200-300
2030
A Pair of 18 Carat Gold Mabe Pearl Earrings
the mabe pearls in yellow swirl borders, with post and clip fittings measure 2.1cm diameter
£300-500
2031
A Synthetic Ruby Novelty Brooch realistically modelled as a yellow horse and carriage driven by two figures, with round cut synthetic ruby and cabochon synthetic ruby decoration measures 5.6cm by 3.5cm
£300-500
2032
An 18 Carat Gold Ring, by Gilbert Albert the yellow textured openwork shank accompanied by six interchangeable spheres of tiger’s-eye, nephrite, chalcedony, onyx, carnelian and hematite
finger size M
£400-600
2033
A Sapphire and Diamond Ring
the oval cut sapphire flanked by a square cut sapphire to either side, spaced by pairs of round brilliant cut diamonds, in yellow rubbed over settings, laid upon a matte shank, with beadwork decoration and borders, total estimated diamond weight 0.04 carat approximately finger size R½
£300-500
2034
A Multi-Gem Set Cross Pendant, by Catherine Best
the cross motif set throughout with baguette cut amethyst, peridot and citrine, with a central princess cut diamond, in yellow channel settings, estimated diamond weight 0.20 carat approximately measures 4.8cm by 2.5cm
£300-500
2035
An 18 Carat Gold Garnet Brooch modelled as a stylised flower, the centre formed of yellow textured beadwork, to a petal surround of oval cut garnets with pierced terminations, measures 3.8cm diameter
£350-450
2036
A Multi-Gem Set Bracelet, by H. Stern comprising of graduated oval cut citrine, amethyst, aquamarine, garnet, blue topaz, green and pink tourmaline, in yellow four claw settings length 18.3cm
£400-600
2037
A Diamond Hinged Bangle
the central round brilliant cut diamond cluster in white claw settings, to yellow textured shoulders with eight-cut diamond detailing, to a plain polished hinged back, total estimated diamond weight 0.50 carat approximately inner measurements 5.2cm by 4.4cm
£300-500
2038
A Ruby and Diamond Pendant on Chain
the central round brilliant cut diamond cluster in white claw settings, within a border of round cut rubies in yellow claw settings, suspended from a plain polished bale, on an 18 carat gold snake link chain, total estimated diamond weight 0.05 carat approximately pendant length 2.0cm, chain length 40.5cm
2039
A Multi-Colour Sapphire and Diamond Pendant on Chain
the white textured square plaque with a yellow rope twist and plain polished border, decorated throughout with five vari-coloured sapphires and round brilliant cut diamonds, in yellow rubbed over settings, to a similarly formed diamond set bale, on a 9 carat gold belcher link chain, total estimated diamond weight 0.10 carat approximately pendant measures 3.4cm by 2.2cm, chain length 61.2cm
2040
A Pair of Ruby and Diamond Cuff Earrings
three rows of round cut rubies in yellow star settings, flanked by rows of round brilliant cut diamonds, total estimated diamond weight 0.60 carat approximately, with clip fittings length 1.6cm
2041
An 18 Carat White Gold Ruby and Diamond Cluster Ring
the oval cut ruby within a border of round brilliant cut diamonds, in claw settings, to a tapered shoulder plain polished shank, total estimated diamond weight 0.35 carat approximately finger size O½
£250-300
2042
A Ruby and Diamond Cluster Ring
a raised round brilliant cut diamond, to a geometric motif, formed of round brilliant cut diamonds and round cut rubies, in white claw settings, to a tapered shoulder triple row plain polished shank, total estimated diamond weight 1.25 carat approximately finger size J
2043
A Synthetic Ruby and Diamond Three Stone Ring
the oval cut synthetic ruby in a yellow elongated claw setting, flanked by round brilliant cut diamonds in claw settings, to a plain polished shank, total estimated diamond weight 0.25 carat approximately finger size P½
2044
A Black and Yellow Diamond Bead Necklace
four chain linked black faceted diamond beads alternate with a single yellow faceted diamond bead length 78cm (approximately)
2045
A Ruby, Sapphire and Diamond Novelty Brooch
realistically modelled as a tennis racket, the white strings within a frame of round cut rubies and a round cut sapphire ball, in claw settings, to a tapered shaft terminating to an eight-cut diamond set handle length 5.1cm
2046
A Green Tourmaline Brooch a yellow knife edge bar overlaid with a plaque depicting Australia, with five round cut tourmalines surrounding arranged as the Southern Cross, in claw settings measures 5.2cm by 3.3cm
2047
An 18 Carat Gold Ruby and Diamond Five Stone Ring the round cut ruby flanked by graduated old cut diamonds, in yellow claw settings, to a tapered shoulder plain polished shank, total estimated diamond weight 0.55 carat approximately finger size M £250-300
2048
A Pair of 18 Carat Gold Cultured Pearl Drop Earrings, by Tiffany & Co. the cultured pearls within yellow heart motif caps, with hook fittings drop length 2.3cm
2049
A Water Opal Brooch the pear cabochon water opal in a white claw setting, to a tapered bar length 4.4cm
2050
An 18 Carat White Gold Diamond Solitaire Ring the old cut diamond in a claw setting, to a tapered shoulder plain polished shank, estimated diamond weight 0.60 carat approximately finger size Q½ £400-600
2051
An Early 20th Century Diamond Brooch of openwork scroll form, set throughout with old cut and rose cut diamonds, suspending a single old cut diamond, in white claw and millegrain settings, total estimated diamond weight 0.60 carat approximately measures 3.9cm by 4.3cm
2052
A Green Tourmaline and Diamond Pendant on Chain
the oval cut green tourmaline to an oval openwork frame with scroll seed pearl and rose cut diamond forms at four points, in white millegrain settings, suspended from an engine turned bale, on a trace link chain, total estimated diamond weight 0.10 carat approximately pendant measures 4.1cm by 2.3cm, chain length 41.3cm
2053
An Emerald and Diamond Pendant of openwork scroll form, set throughout with old cut diamonds, suspending a trefoil of old cut diamonds in white claw and millegrain settings, with a cabochon emerald centrally in a yellow claw setting, total estimated diamond weight 0.55 carat approximately measures 3.5cm by 3.3cm
2054
An 18 Carat Gold Diamond Five Stone Wishbone Ring
the round brilliant cut diamonds in white claw settings, to a yellow plain polished shank, total estimated diamond weight 0.75 carat approximately finger size O
2055
A Diamond Necklace of openwork scroll form, set throughout with old cut and rose cut diamonds, in white claw and millegrain settings, to a fancy link chain, total estimated diamond weight 0.95 carat approximately drop length 3.1cm, chain length 40.3cm
2056
An 18 Carat White Gold Diamond Solitaire Ring
the round brilliant cut diamond in a claw setting, to a tapered shoulder plain polished shank, estimated diamond weight 0.85 carat approximately finger size M½
2057
A Pair of Diamond Cluster Earrings
four round brilliant cut diamonds in white rubbed over settings, total estimated diamond weight 0.40 carat approximately, with post fittings measure 0.9cm by 0.7cm
2058
A Citrine and Diamond Brooch
the emerald-cut citrine within a geometric border of eight-cut diamonds, flanked by circular eight-cut and rose cut diamond links, in white claw and channel settings, total estimated diamond weight 1.00 carat approximately measures 7.3cm by 1.0cm £400-600
2059
A Pair of Diamond Cluster Earrings
four round brilliant cut diamonds in white claw settings, spaced by a plain polished x-motif, total estimated diamond weight 0.40 carat approximately, with post fittings measure 0.7cm by 0.7cm £200-300
2060
A Diamond Two Stone Ring
the round brilliant cut diamonds in white illusion claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 1.40 carat approximately finger size P½ £800-1,200
2061
An Edwardian Pearl and Diamond Brooch
the tapering bar set throughout with six graduated pearls and rose cut diamonds, in white millegrain settings, total estimated diamond weight 0.60 carat approximately length 8.3cm
NB: the pearls have not been laboratory tested £500-700
2062
A Diamond Half Hoop Ring
a row of tapered baguette cut diamonds within two rows of round brilliant cut diamonds, in white channel and claw settings, to a plain polished shank, total estimated diamond weight 0.90 carat approximately finger size M½ £250-300
2063
An Emerald and Diamond Brooch the sugarloaf cabochon emerald in a yellow rubbed over setting, to a white tapered bar decorated with rose cut diamonds length 6.3cm
Provenance: Dutton Manor, Lancashire £150-200
2064
An 18 Carat White Gold Diamond Half Hoop Ring
seven round brilliant cut diamonds in claw settings, to a plain polished shank, total estimated diamond weight 0.70 carat approximately finger size Q½
£250-300
2065
An 18 Carat Gold Diamond Pendant on Chain
the stylised ribbon motif set throughout with baguette cut and round brilliant cut diamonds, in white claw and channel settings, on a fancy link chain, total estimated diamond weight 1.25 carat approximately pendant measures 2.3cm by 1.9cm, chain length 44cm £500-700
2066
A 9 Carat Gold Cultured Pearl Necklace
the cultured pearls spaced by yellow plain polished beads and bead work decorated roundels length 44.5cm
£400-600
2067
An Art Deco Jade and Diamond Brooch
the oval pierced and carved jade plaque depicting birds amongst foliage, in a white claw setting, with eight-cut, round brilliant cut and baguette cut diamond detailing at four points, in rubbed over and millegrain settings, total estimated diamond weight 0.60 carat approximately measures 4.5cm by 2.5cm £400-600
2068
A Diamond Pendant
the central old cut diamond to a circular openwork frame set throughout with old cut diamonds, in white claw and crimped settings, suspended from a similarly set bale, total estimated diamond weight 0.30 carat approximately length 1.9cm £100-150
2069
A Synthetic Sapphire and Diamond Brooch
the central round brilliant cut diamond flanked by four square synthetic sapphires to either side, with scalloped round brilliant cut diamond decoration to the centre, in white millegrain and channel settings, total estimated diamond weight 0.45 carat approximately length 4.2cm £100-150
2070
A Platinum Diamond Solitaire Ring
the round brilliant cut diamond in a tension setting, to a plain polished shank, estimated diamond weight 0.28 carat approximately finger size L £400-600
2071
A Pair of 18 Carat White Gold Diamond Cuff Earrings
two rows of princess cut diamonds, in white channel settings, total estimated diamond weight 1.80 carat approximately, with post and clip fittings length 1.6cm £500-700
2072
An 18 Carat White Gold Diamond Crossover Ring
the round brilliant cut diamond in a white tension setting, to a crossover plain polished shank, estimated diamond weight 0.25 carat approximately finger size J £400-600
2073
An 18 Carat White Gold Diamond Floral Spray Brooch set throughout with round brilliant cut and eight-cut diamonds, in claw settings, total estimated diamond weight 0.50 carat approximately measures 5.2cm by 2.1cm £200-300
2074
A Pair of Victorian Moss Agate Drop Earrings
the vari-shaped moss agate plaques in yellow claw settings, with bead and rope work decoration throughout and terminating to a scroll motif, with screw fittings drop length 7.7cm £150-200
2075
A Sapphire and Diamond Brooch modelled as a ribbon motif, set throughout with vari-shaped sapphires and round brilliant cut and marquise cut diamonds, in white claw and rubbed over settings, total estimated diamond weight 1.50 carat approximately measures 4.5cm by 3.0cm
2076
A Jade and Onyx Tassel Necklace
an onyx bead suspends a rectangular carved and pierced jade plaque, with two similar smaller drops and a central black fabric tassel, to a corded necklace
drop length 17.5cm, necklace length 96cm (approximately)
Provenance: Dutton Manor, Lancashire £150-200
2077
A Late 19th Century Coral and Split Pearl Cameo Brooch
the coral carved to depict Bacchus, in a yellow claw setting, to a shell, rope twist and bead work border, with split pearls at four points measures 4.6cm by 4.3cm £200-300
2078
An Opal and Diamond Pendant on Chain
the irregular shaped opal plaque decorated with two round brilliant cut diamonds, in a yellow rubbed over setting, suspended from a plain polished bale, on a curb link chain, total estimated diamond weight 0.15 carat approximately pendant measures 3.5cm by 2.4m, chain length 58.5cm £300-500
2079
A Coral and Seed Pearl Pendant and A Coral, Split Pearl and Enamel Ring
the cross pendant formed of oval and round cabochon coral terminating to seed pearls and plain polished beads, in yellow claw settings, suspended from a textured bale; the ring formed of a round cabochon coral within a border of split pearls in yellow claw settings, to a textured shoulder plain polished shank, the underside of the cluster of scalloped form and enamelled in black pendant measures 4.5cm by 2.3cm, finger size I £100-150
2080
A 9 Carat Gold Malachite Pendant on Chain
the oval cabochon malachite within a textured frame, suspended from a similarly textured bale, on a trace link chain pendant measures 5.1cm by 2.8cm, chain length 61.5cm £200-300
2081
An 18 Carat Gold Opal and Diamond Three Stone Ring
the oval cabochon opal in a yellow double claw setting, flanked by round brilliant cut diamonds in white claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.45 carat approximately finger size Q½ £400-600
2082
A Pair of Opal Earrings
the oval cabochon boulder opals in yellow claw settings, surmounted by a plain polished bead, with screw fittings drop length 2.1cm £100-150
2083
An Opal Ring
the yellow plain polished rectangular plaque overlaid with an oval opal plaque, in a rubbed over setting, to a plain polished shank finger size Q £250-300
2084
A Small Quantity of Coral Jewellery
comprising of a carved coral oval brooch, in a yellow frame; a pair of carved coral drop earrings, with hook fittings; and a carved coral charm/pendant brooch measures 3.6cm by 2.7cm, earring drop length 5.9cm, charm length 2.9cm £100-150
2085
A Malachite Bracelet
the eleven chain linked oval malachite plaques in yellow rubbed over settings length 18.0cm £200-300
2086
An 18 Carat White Gold Diamond Pendant on Chain
the cross motif with a round brilliant cut diamond centrally to tapered baguette cut diamonds, in claw settings, suspended from a plain polished bale, on an 18 carat gold curb link chain, total estimated diamond weight 0.30 carat approximately pendant measures 2.9cm by 1.7cm, chain length 41.5cm
£300-500
2087
A 14 Carat Gold Emerald and Diamond Cluster Ring
the kite motif comprising of emerald-cut emeralds in yellow claw settings alternating with round brilliant cut diamonds in white claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.90 carat approximately finger size G½
£400-600
2088
A Diamond Bar Brooch
the bar set throughout with round brilliant cut diamonds, with a stepped cluster centrally, in white channel settings, total estimated diamond weight 0.75 carat approximately length 5.4cm
£300-500
2089
An Emerald and Diamond Ring
three oval cut emeralds spaced by pairs of round brilliant cut diamonds, in yellow claw settings, total estimated diamond weight 0.40 carat approximately finger size O½
£250-300
2090
A Diamond Eternity Ring
the nineteen round brilliant cut diamonds in white claw and channel settings, total estimated diamond weight 0.75 carat approximately finger size P
£300-500
2091
An 18 Carat Gold Emerald and Diamond Triple Cluster Ring
three graduated oval cut emeralds within a border of round brilliant cut diamonds, in white claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.60 carat approximately finger size S (approximately, sizing band fitted)
£500-700
2092
An 18 Carat Gold Diamond Cluster Ring
the central raised round brilliant cut diamond within a border of round brilliant cut diamonds, in white claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 1.10 carat approximately finger size N½ £300-500
2093
An Emerald and Diamond Cluster Ring
the emerald-cut emerald in a yellow claw setting, within a border of old cut diamonds in white claw settings, to a yellow plain polished shank, total estimated diamond weight 0.50 carat approximately finger size L½ £400-600
2094
A Triple Row Cultured Pearl Necklace, with A Diamond and Cultured Pearl Cluster Clasp
the 53:54:57 cultured pearls knotted to a 9 carat white gold cluster clasp comprising of cultured pearls and eight-cut diamonds, in claw settings, total estimated diamond weight 0.30 carat approximately length 36.5cm. £200-300
2095
An 18 Carat Gold Emerald and Diamond Five Stone Ring
three round cut emeralds alternate with two round brilliant cut diamonds in yellow rubbed over settings, to a plain polished shank, total estimated diamond weight 0.30 carat approximately finger size Q½ £250-300
2096
A Pair of Emerald and Diamond Drop Earrings
a cluster suspends two tassel drops, set throughout with round brilliant cut diamonds and round cut emeralds, in yellow claw settings, total estimated diamond weight 0.60 carat approximately, with post fittings drop length 3.1cm
£400-600
2097
An 18 Carat Gold Emerald and Diamond Three Stone Ring
the emerald-cut emerald in a yellow rubbed over setting flanked by round brilliant cut diamonds in white rubbed over settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.25 carat approximately finger size Q½ £200-300
2098
A Pair of 18 Carat Gold Emerald and Diamond Drop Earrings
the pear cut emerald within a border of round brilliant cut diamonds, surmounted by a plain polished bar to a single round brilliant cut diamond, in yellow claw settings, total estimated diamond weight 0.50 carat approximately, with post fittings drop length 2.1cm
£200-300
2099
An Edwardian Pearl and Diamond Bracelet three yellow openwork lozenge panels with a pearl centrally and flanked by pairs of rose cut diamond leaf motifs, in white millegrain settings, to a yellow expanding bracelet, total estimated diamond weight 0.10 carat approximately length 15.8cm
NB: the pearls have not been laboratory tested £100-150
2100
An Early 20th Century Moonstone and Synthetic Ruby Necklace eleven round cabochon moonstones suspend round and oval cabochon moonstone drops, the central drop spaced by a round cut synthetic ruby, in yellow rubbed over settings, to a trace link chain drop length 3.6cm, necklace length 40cm
£200-300
2101
A Victorian Diamond Star Brooch/Pendant, circa 1880 an old cut diamond centres twelve radial arms, each set throughout with graduated old cut and rose cut diamonds, in white claw settings, total estimated diamond weight 1.05 carat approximately measures 3.2cm diameter
Provenance: Dutton Manor, Lancashire
£300-500
2102
A Diamond Cluster Ring
the central old cut diamond within a border of smaller old cut diamonds, in white millegrain settings, to a tapered shoulder plain polished shank, total estimated diamond weight 0.75 carat approximately finger size M
£250-300
2103
A Diamond and Pearl Arrow Brooch, circa 1900
the point and feathers set throughout with rose cut diamonds, with a pearl centrally, in white claw settings, total estimated diamond weight 0.40 carat approximately length 6.0cm
NB: the pearl has not been laboratory tested £200-300
2104
A Diamond Three Stone Ring
the oval cut diamond flanked by old cut diamonds, in white double claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.60 carat approximately finger size P £200-300
2105
A Two Row Cultured Pearl Necklace, with An Emerald, Ruby and Diamond Cluster Clasp
the 66:63 graduated cultured pearls knotted to an oval clasp composed of an oval cut emerald within a border of cushion cut rubies, to an outer border of old cut diamonds, in yellow claw settings, total estimated diamond weight 0.30 carat approximately length 41.3cm £150-200
2106
A Diamond Cluster Ring
the central raised old cut diamond within a border of smaller old cut diamonds, in yellow claw settings, to a tapered shoulder plain polished shank, total estimated diamond weight 0.80 carat approximately finger size N £300-500
2107
A Victorian Diamond Hare Brooch
the running hare set throughout with old cut and rose cut diamonds, and a round cabochon ruby eye, in white claw settings, total estimated diamond weight 1.00 carat approximately measures 3.9cm by 1.1cm £300-500
2108
A Diamond Cluster Ring
the navette form set throughout with old cut diamonds, in white claw settings, to a yellow plain polished shank, total estimated diamond weight 0.45 carat approximately finger size N £150-200
2109
A Late 19th Century Garnet Bracelet
six double chain linked round cabochon carbuncle garnets in yellow rubbed over settings length 18.5cm £200-300
2110
A Pair of Garnet Drop Earrings
a round cut garnet suspends a smaller round cut garnet and an oval garnet, in yellow collet settings, with hook fittings drop length 3.0cm £150-200
2111
An Early 20th Century Mother-of-Pearl, Diamond and Enamel Button and Cufflink Suite
comprising of four buttons and a pair of chain linked cufflinks, each circular mother-of-pearl plaque within a white enamel border, with a rose cut diamond cross motif centrally, total estimated diamond weight 0.20 carat approximately, in a fitted case
Provenance: Dutton Manor, Lancashire
£150-200
2112
A Diamond Bracelet
white tapered bars spaced by round brilliant cut diamonds in yellow claw settings, total estimated diamond weight 0.80 carat approximately length 19.4cm
£200-300
2113
A Lady’s Diamond and Ruby Set Wristwatch, signed Lackritz, circa 1960, manual wound lever movement signed Panto Watch Co, champagne coloured dial with baton markers, with a diamond and ruby buckle motif case front, to a yellow textured bracelet, case lower edge with pull out bar to release bracelet, bracelet set with a row of diamonds to one side and a row of rubies to the other, total estimated diamond weight 0.90 carat approximately 17mm wide
£500-700
2114
An 18 Carat Gold Diamond Half Hoop Ring
two rows of round brilliant cut diamonds in yellow tension settings, to a plain polished shank, total estimated diamond weight 1.50 carat approximately finger size L
2115
A Lady’s 14 Carat Gold Diamond Set Concealed Dial Wristwatch, 1960’s, manual wound lever movement signed Charmex Watch Co, silvered dial with Arabic and dot markers and indistinctly signed, case with a hinged concealed diamond set cover, to an integral bracelet, total estimated diamond weight 0.60 carat approximately 14mm x 34mm
£600-800
2116
A Diamond Three Stone Ring
the graduated old cut diamonds in white claw settings, overlaid upon a broad yellow textured shank, total estimated diamond weight 1.00 carat approximately finger size M
£500-700
2117
A Pair of Enamel Cufflinks
the yellow oval chain linked plaques enamelled in blue and white stripes, case labelled John Hall & Co, Diamond Merchants, 56. King Street, Manchester
Provenance: Dutton Manor, Lancashire £200-300
2118
A Pair of Ruby and Diamond Cufflinks, by Hamann & Koch the yellow oval plaques inset with two round cut rubies alternating with three old cut diamonds, chain linked to a torpedo shaped bar, total estimated diamond weight 0.25 carat approximately £200-300
2119
A Pair of Russian Sapphire and Enamel Cufflinks
the pink oval enamel plaque with a round cabochon sapphire centrally, to a yellow scroll frame, with swivel bars £200-300
2120
A Pair of Diamond Cufflinks
the yellow domed oval plaque inset with three old cut diamonds, chain linked to a torpedo shaped bar, total estimated diamond weight 0.40 carat approximately £200-300
2121
A Diamond Buckle Bracelet
two rows of yellow rope twist chain terminating to an eight-cut and baguette cut diamond buckle motif, in white pavé settings, total estimated diamond weight 0.45 carat approximately length 21.5cm £500-700
2122
A Diamond and Onyx Cufflink, Button and Dress Stud Suite comprising of four buttons, two studs and a pair of chain linked cufflinks, each circular onyx plaque decorated with a ring of rose cut diamonds in a white millegrain settings, total estimated diamond weight 0.25 carat approximately, in a fitted Van Cleef & Arpels, 22. Place Vendôme, Paris case £500-700
2123
A Multi-Gem Set Necklace
oval and cushion cut garnet, spinel and yellow stones, suspend a round cut topaz centrally, in yellow rubbed over settings, to a trace link chain drop length 4.0cm, necklace length 40cm
£200-300
2124
A French Art Nouveau Turquoise, Pearl and Diamond Necklace in the form of a yellow openwork stylised cross, with a trio of floral motifs comprised of marquise turquoise with rose cut diamond centres, and further oval turquoise decoration, suspending a pearl from the top and base, to a fancy link chain drop length 4.3cm, necklace length 42.5cm
£200-300
2125
An 18 Carat Gold Diamond Five Stone Ring
the graduated old cut diamonds inset into a tapered yellow plain polished band, total estimated diamond weight 0.55 carat approximately finger size K½
£200-300
2126
A Victorian Split Pearl and Diamond Brooch
the openwork heart set throughout with graduated split pearls, a ribbontied motif centrally suspending a pearl and a split pearl trefoil motif on either side with a rose cut diamond centrally measures 2.5cm by 2.4cm
£200-300
2127
An Opal and Diamond Cluster Ring
the oval opal within a border of old cut diamonds, in white millegrain settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.80 carat approximately finger size L £300-500
2128
A Pair of Garnet Drop Earrings
a round lasque cut garnet suspends a floral motif formed of round and oval lasque cut garnets, to a further round and pear cut lasque cut garnet drop, in yellow collet settings, with hook fittings drop length 4.3cm
£100-150
2129
A Two Row Cultured Pearl Necklace, with An Amethyst and Split Pearl Cluster Clasp
the 71:79 graduated cultured pearls knotted to an oval cut amethyst within a border of split pearls, in yellow claw settings length 42cm £150-200
2130
A Synthetic Ruby and Split Pearl Brooch
a round cut synthetic ruby bar terminating to seed pearls and overlaid with a horseshoe motif set throughout with split pearls, in yellow claw settings length 5.3cm
£150-200
2131
An Amethyst and Diamond Cluster Ring
the round cut amethyst within a border of round brilliant cut diamonds, in white claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.20 carat approximately finger size N½
£200-300
2132
A Victorian Turquoise Brooch
the horseshoe motif set throughout with graduated round cabochon turquoise, in yellow claw settings measures 2.2cm by 1.9cm
£100-150
2133
A Cultured Pearl and Diamond Ring
the cultured pearl within a border of old cut diamonds, in white claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.35 carat approximately finger size K
£200-300
2134
An Early 20th Century Peridot, Green Tourmaline and Seed Pearl Bracelet
three yellow trace link chains interspaced by scroll links and seed pearls, with a marquise cut green tourmaline centrally and a marquise cut peridot either side, in rubbed over settings, in a fitted case labelled James Aitchison, To The King & Queen, Court Jeweller, 80. Princes St
Edinburgh length 18.0cm
£300-500
2135
An Amethyst and Split Pearl Brooch
the oval cut amethyst within a border of split pearls, in yellow claw settings, to an outer surround of beadwork decoration measures 4.1cm by 3.4cm
£300-500
2136
A Victorian Enamel and Split Pearl Brooch and Matching Drop Earrings the central split pearl in a yellow star setting, within a blue enamel star border, to a further oval cream enamel surround, the outer frame with rope twist, scroll and beaded decoration, with locket compartment to the reverse, the earrings of similar design with an opening flower bud surmount, with hook fittings
brooch measures 4.5cm by 4.5cm, earrings drop length 5.3cm
2137
A Victorian Enamel and Split Pearl Pendant/Locket on Chain
the oval plaque with a rasied dome section with a split pearl centrally in a yellow star setting, to a blue enamel border, a single pearl to the bottom section within a circular recess, with rope twist and beadwork decoration throughout, and fringing suspended below, locket compartment to the reverse, on a snake link chain drop length 8.2cm, chain length 38cm
2138
A Pair of Victorian Drop Earrings
the round cut colourless stone within a yellow shell motif border, suspending a larger circular plaque overlaid with textured and beadwork decoration and an oval cut colourless stone, with festoon and tassel drops, with hook fittings drop length 5.9cm
£150-200
2139
A Sapphire and Diamond Cluster Ring
the oval cut sapphire within a border of old cut diamonds, in yellow claw settings, to diamond set forked shoulders, on a plain polished shank, total estimated diamond weight 0.70 carat approximately finger size N
2140
A Sapphire and Diamond Cluster Ring
the round cut sapphire within a border of old cut diamonds, in yellow claw settings, to a fancy shoulder plain polished shank, total estimated diamond weight 0.45 carat approximately finger size O½
2141
An Enamel and Diamond Cross Pendant
the old cut diamonds in yellow claw settings, within a border of blue enamel, suspended from a similarly formed bale, total estimated diamond weight 0.35 carat approximately measures 3.5cm by 1.7cm
2142
A Pair of Victorian Drop Earrings of pear shaped openwork form, with fringe and cannetille decoration, with hook fittings
drop length 4.9cm £200-300
2143
A Late 19th Century Diamond and Split Pearl Brooch/Pendant realistically modelled as an eight rayed star, with an old cut diamond centrally and set throughout with split pearls, estimated diamond weight 0.40 carat approximately measures 3.2cm diameter
Provenance: Dutton Manor, Lancashire £200-300
2144
A Sapphire and Diamond Hinged Bangle nine graduated oval cut sapphires spaced by pairs of old cut diamonds, in yellow claw settings, to a plain polished hinged back, total estimated diamond weight 0.15 carat approximately inner measurements 5.6cm by 4.7cm £300-500
2145
An 18 Carat Gold Enamel Mourning Ring the yellow broad band enamelled in black to read IN MEMORY OF, engraved to the inside Adam Dugdale died 8 april 1838 aged 67 finger size R½
Provenance: Dutton Manor, Lancashire £200-300
2146
A Victorian Sapphire, Diamond and Pearl Star and Crescent Brooch the crescent comprised of graduated cushion cut sapphires, split pearls and old cut and rose cut diamonds, with a star motif centrally composed of a cushion cut sapphire and old cut diamonds at five points, in yellow claw and collet settings, overlaid upon a plain polished bar terminating to old cut diamonds and pearls, total estimated diamond weight 0.30 carat approximately, case labelled Hunt & Roskell, Late Storr & Mortimer, London length 4.6cm
NB: the pearls have not been laboratory tested £250-300
2147
An Enamel and Split Pearl Pendant on Chain, circa 1815 the central locket compartment containing a miniature on ivory depicting putti, a border of blue enamel, overlaid with split pearl foliate decoration, and a similar outer border with a bow motif to the base, surmounted by a split pearl bale, with a hinged locket compartment to the reverse, on a trace link chain pendant measures 6.0cm by 3.4cm, chain length 43.7cm
With Non-Transferable Standard Ivory Exemption Declaration Number
QBFRGLH3 £200-300
2148
An Edwardian Paste Necklace
the scroll and garland motifs set throughout with round cut colourless paste, with round cut green and pink paste decoration, and pear cut green and pink paste drops, in white millegrain and collet settings, to a trace link chain drop length 4.5cm, necklace length 42cm
Provenance: Dutton Manor, Lancashire
2149
An Enamel Mourning Ring
the oval glazed compartment depicting the Tree of Life, to a shank enamelled in white to read John Wilson OB: 8 March 1764 AE: 29, Wilson Suffered At PAT: EI: Oct 6 1763 AET 35 finger size P½
2150
A Topaz and Diamond Ring and An Emerald and Split Pearl Brooch
the cushion cut topaz in a yellow rubbed over setting, to lasque cut diamond set shoulders, on a plain polished shank; the emerald-cut emerald in a white crimped setting, within a border of split pearls in yellow claw settings
finger size O, brooch measures 2.2cm by 2.0cm
2151
An 18 Carat Gold Amethyst Necklace the chain linked oval cut amethysts in yellow rubbed over settings length 45cm
2152
A Mid-Victorian Enamel, Split Pearl and Diamond Brooch/Pendant
the blue enamel lozenge shaped plaque with a split pearl centrally, within a border of round blue enamel plaques with old cut diamonds centrally in white collet settings, total estimated diamond weight 0.25 carat approximately measures 3.4cm by 2.8cm £150-200
2153
An 18 Carat Gold Enamel Mourning Ring and An Enamel Mourning Brooch
the outer shank enamelled in black to read IN MEMORY OF, spaced by panels depicting floral scenes, the inner shank engraved Adam Dugdale Ob April 8th 1838 at 67, the rectangular brooch with a locket compartment centrally, in a black enamel surround reading IN MEMORY OF, the reverse engraved Thos Sidebottom Obt 4th Jan’y 1827 aet 42 finger size I1/2, brooch measures 2.2cm by 1.6cm
Provenance: Dutton Manor, Lancashire
2154
A Pair of Early 20th Century Amethyst and Seed Pearl Drop Earrings
the round cut amethyst in a yellow millegrain setting within a border of six seed pearls, surmounted by a knife edge bar decorated with split pearls, with hook fittings drop length 3.7cm
2155
An 18 Carat Gold Chrysoberyl and Diamond Ring
three graduated cushion cut chrysoberyls in yellow claw settings, and textured borders, with rose cut diamond accents, on a plain polished shank, the inner shank engraved to read in memory of William Rowland died Sept 22nd 1868 aged ? finger size I½ £150-200
2156
A Late 19th Century Enamel and Diamond Brooch
the red enamel lozenge shaped plaque in a yellow rubbed over setting, within a border of rose cut diamonds, and overlaid centrally with two similarly set interlocking heart motifs, in white claw settings, total estimated diamond weight 0.30 carat approximately, engraved to the reverse 12th Feby 96 measures 4.4cm by 1.5cm
NB: three diamonds deficient
2157
A Turquoise and Mother-of-Pearl Pendant on Chain
the openwork scroll and foliate motif frame decorated with oval motherof-pearl plaques and oval cabochon turquoise, in yellow rubbed over settings, on a fancy link chain pendant measures 4.5cm by 2.7cm, chain length 41cm
2158
An Early 20th Century Chalcedony Négligée Necklace and A Pair of Chalcedony Drop Earrings
the round cabochon chalcedony suspending two chain linked drops, in white rubbed over settings, to a trace link back chain, case labelled J. Macmichael, to the King and Queen, 48. South Audley St, London. W.; the earrings of similar design, with screw fittings necklace drop length 6.5cm, necklace length 45cm, earring drop length 2.7cm
Provenance: Dutton Manor, Lancashire
2159
A 9 Carat Gold Diamond Solitaire Pendant on Chain
the round brilliant cut diamond in a yellow claw setting, suspended by a plain polished bale, on a trace link chain, estimated diamond weight 0.25 carat approximately pendant length 0.9cm, chain length 46cm
£100-150
2160
A Pair of Cultured Pearl and Diamond Cluster Earrings
the cultured pearls within borders of eight-cut diamonds in white claw settings, total estimated diamond weight 0.50 carat approximately, with post fittings, in a fitted case labelled Martin & Co, Goldsmiths, Silversmiths and Diamond Merchants, Promenade, Cheltenham measure 1.1cm diameter
£300-500
2161
A Synthetic Sapphire and Diamond Cluster Ring
the central raised round brilliant cut diamond within a double border of round brilliant cut diamonds, spaced by tapered baguette cut synthetic sapphires, in white claw and millegrain settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.65 carat approximately finger size M
£200-300
2162
An 18 Carat White Gold Diamond Solitaire Ring
the round brilliant cut diamond in a claw setting, to a tapered shoulder plain polished shank, estimated diamond weight 0.60 carat approximately finger size P
£300-500
2163
An 18 Carat Gold Sapphire and Diamond Cluster Ring
the central raised round brilliant cut diamond within a border of oval cut sapphires spaced by round brilliant cut diamonds, in white claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.25 carat approximately finger size O½
£200-300
2164
An 18 Carat Gold Diamond Cluster Ring
the central raised round brilliant cut diamond within a double stepped border of eight-cut diamonds, in white claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.40 carat approximately finger size N £200-300
2165
A Pair of 18 Carat White Gold Sapphire and Diamond Cluster Earrings
the round cut sapphires within borders of round brilliant cut diamonds, in claw settings, total estimated diamond weight 0.80 carat approximately, with post fittings measure 1.0cm diameter
£400-600
2166
An 18 Carat White Gold Sapphire and Diamond Three Stone Ring
the oval cut sapphire flanked by round brilliant cut diamonds, in claw settings, to a tapered shoulder plain polished shank, total estimated diamond weight 0.55 carat approximately finger size J½ £300-500
2167
A Diamond Three Stone Ring
the graduated round brilliant cut diamonds in white claw settings, to a tapered shoulder plain polished shank, total estimated diamond weight 0.70 carat approximately finger size L½ £250-300
2168
An 18 Carat Gold Sapphire and Diamond Five Stone Ring
the central baguette cut sapphire flanked by pairs of baguette cut diamonds in yellow rubbed over settings, to a plain polished shank, total estimated diamond weight 0.55 carat approximately finger size L½ £300-500
2169
A Sapphire and Diamond Bracelet
three graduated oval cut sapphires alternate with two old cut diamonds, in yellow claw settings, within openwork frames, to a curb link chain, total estimated diamond weight 0.65 carat approximately length 19.2cm
£500-700
2170
A George II Silver Caster, by Thomas Bamford, London, 1734 baluster and on spreading foot, the pull-off cover pierced with foliage scrolls and with baluster finial, later engraved with a crest, further engraved underneath with initials ‘K*P’ 17cm high, 7oz, 1dwt, 219gr
2171
A George I Silver Caster, by Thomas Bamford, London, 1725 octagonal and on conforming foot, the pull-off cover pierced and with baluster finial, engraved with a coat-of-arms 13.5cm high, 4oz 5dwt, 132gr
2172
A George I Silver Caster, by Richard Bayley, London, 1723, Britannia Standard octagonal and on conforming foot, the pull-off cover pierced and engraved with foliage scrolls and with baluster finial, engraved with a crest 19cm high, 9oz 5dwt, 289gr
2173
A George I Silver Kitchen-Pepperette, by William Fleming, London, 1720, Britannia Standard baluster and on spreading foot, with a central reeded band and a detachable domed cover with pierced and engraved foliage, engraved underneath with initials ‘W’ over ‘R*E’ 11cm high, 3oz 9dwt, 108gr
2174
A Queen Anne Silver Hot-Water Jug, by James Rood, London, 1712 baluster and on spreading foot, the hinged cover with baluster finial, with later ebonised wood handle 16.5cm high, gross weight 10oz 1dwt, 313gr
£300-500 £200-300 £500-800 £150-250
2175
A Pair of Queen Anne Silver Candlesticks, by Simon Pantin, London, 1710
each on octagonal base, the conforming baluster octagonal stems terminate in conforming spool-shaped socket, the bases engraved with a coat-of-arms within foliage cartouche 19cm high, 28oz 13dwt, 891gr (2)
The arms are most likely those of Geare impaling Twigge.
Pantin was born in London into a family of French silversmiths who originally hailed from Rouen. Pantin gained his freedom from Pierre Harache in 1701 and variously worked in Peacock Street, St Martin’s Lane and then, from 1709-1711, when the present candlesticks were hallmarked, at St Martin-in-the-Fields; the peacock, a reference to his workshop on Peacock Street, is a feature of all of his recorded marks.
£1,500-2,500
2176
£700-1,000 2175
A Queen Anne Silver Teapot, by William Gamble, London, 1712 pear-shaped and on collet foot, the hinged domed cover with baluster finial, engraved with a coat-of-arms within foliage cartouche, with later wood handle 15cm high, gross weight 15oz 2dwt, 469gr
William Gamble was the son of Thomas Gamble, a carpenter. He apprenticed to John Sutton in June of 1680 and was to gain his freedom in March 1688, though his first recorded mark doesn’t appear until 1697 when he is recorded as working on Foster Lane. He worked his way up in the Worshipful Company of Goldsmiths’, joining the Livery in 1705, the court in 1724 and finally becoming Warden in 1730. He would seem to have had a successful career giving the surviving body of work that exists, including a broad range of domestic wears of which the present teapot is a good example.
2177
A George I Silver Salver, by Edward Vincent, London, 1726, Britannia Standard hexafoil and on three openwork tapering panel feet, engraved with a coat-of-arms within foliage cartouche 31cm diameter, 28oz 13dwt, 891gr
These arms are those of Ranson, Hinson or Waltham, with a crescent for difference, impaling another.
As recorded by Arthur Grimwade the early ledgers which are preserved at Goldsmiths’ Hall in London have no page for the letter V in largeworkers register, it believed to have fallen out, so it is not entirely clear who Edward Vincent was apprenticed to (A. Grimwade, London Goldsmiths 1697-1837, Their Marks and Lives, London, 1990, pp. 689-690). His first recorded mark is 1739 and shows him to be the son of William Vincent, a yeoman from Hendon in the county of Middlesex. This entry suggests that he was apprenticed to Robert Cooper in 1699 and free by July 1712. It is generally accepted that the EV mark that appears on the present hexafoil salver was the second mark he registered, in around 1720, when the sterling standard was re-introduced.
His existing body of work suggests that he was a prolific maker of a wide range of plate through the 1720s and 1730s. Among the existing plate with his mark is a seal salver of 1728 which is engraved by Charles Gardner for Sir Robert Eyre with the seal of the Lord Chief Justice of the Common Pleas. The salver is accompanied by a matching example of 1735 by John Liger (Sotheby’s, London, 5 July 2017, lot 23). His other works include a wide range of silver such as a wall-light of circa 1720 (Sotheby’s, New York, 28 October 2004, lot 458); a kettle, stand and lamp of 1734, engraved with the coat-of-arms of Richard Turbutt of Doncaster (Christie’s, New York, 19 October 2004, lot 1061) and a beer-jug, engraved with the arms of Sir Robuck Lynch, 4th Bt. (Christie’s London, 29 November 2007, lot 570).
Of Edward Vincent’s work Grimwade notes ‘The author was in no doubt, however, about the silversmith’s surviving work, writing that he must have been ‘...of considerable rank producing high-quality hollow-ware, coffee-pots, cups and salvers. His masterpiece is with little doubt the superb oblong salver of 1729 of the Middle Temple of which Lamerie would not have been ashamed.’ (op. cit., p. 690). With that said his career was not without some problems as he would seem to have been declared bancrupt on two occasions, first in 1722 and again in 1743, though like his early career there remains some question if these references refer to him or another silversmith. He is variously recorded as working in Dean Street, Fetter Lane and later in the Strand, before ending up back in Dean Street. £1,000-1,500
2178
A William III Silver Punch-Bowl, by Benjamin Pyne, London, 1697 tapering cylindrical and on spreading spiral-fluted foot, the body overall fluted and chased with foliage at the border, with reeded rim, later engraved inside with a coat-of-arms below a baron’s coronet and outside with a crest 28.5cm diameter, 15cm high, 40oz 14dwt, 1,265gr
The engraved crest is that of Dundas and the engraved coat-of-arms are those of Dundas impaling FitzWilliam below a baron’s coronet, for Sir Thomas Dundas, 2nd Baronet and later 1st Baron Dundas (1741-1820) and his wife Lady Charlotte FitzWilliam, (d.1833), daughter of William FitzWilliam, 3rd Earl FitzWilliam (d.1756).
Sir Thomas was the son of Sir Lawrence Dundas, 1st Baronet and his wife Margaret Bruce. He was a man of great means as well as a politician and, from 1794 when he was created Baron Dundas, a peer of the realm. His father had been a great collector of art and his son was to follow in his footsteps, for example commissioning Pompeo Batoni to paint his full-length portrait while on a grand tour. The portrait remains at Aske Hall, near Richmond, which he inherited from his father and which remains in the family of his descendants to this day. His son Lawrence was created 1st Earl of Zetland in 1838, at the time of the coronation of Queen Victorian in honour of the financial assistance he has given to the Duke and Duchess of Kent, Victoria’s parents. The first earl’s grandson, also Lawrence, was to be created 1st Marquess of Zetland in 1892.
£3,000-5,000
A George III Provincial Silver Two-Handled Cup, by John Langlands, Newcastle, 1771
inverted bell-shaped and on spreading reeded foot, with central reeded band and two scroll handles, one handle engraved with initials ‘O’ over ‘TA’
18.4cm high, 18oz 13dwt, 580gr
2180
A George II Silver Two-Handled Cup, by William Williams, London, Circa 1740
inverted bell-shaped and on spreading foot, with two scroll handles, later engraved underneath ‘Easter 1902’ 12cm high, 9oz 18dwt, 308gr
A George III Provincial Silver Two-Handled Cup, by John Langlands and John Robertson, Newcastle, 1783
inverted bell-shaped and on spreading reeded foot, with central reeded band and two scroll handles, one handle engraved with initials ‘H’ over ‘H*E’
14cm high, 11oz 3dwt, 347gr
2182
A Pair of George II Silver Tea-Caddies, by John Swift, London, 1746 each oblong and with slightly stepped hinged cover, the front engraved with a coat-of-arms within foliage cartouche, the cover engraved with a crest 91mm by 85mm, 25oz 18dwt, 806gr (2)
The arms are those of Martin impaling another. £1,200-1,800
2183
A George II Silver Kettle, Stand and Lamp, by Matthew Cooper, London, 1726 compressed globular and with part-turned wood overhead-swing handle, engraved with a coat-of-arms with another in pretence, the shoulder engraved with foliage and latticework, the conforming stand with three scroll legs and central lamp 37cm high, gross weight 75oz 19dwt, 2,362gr
The arms are those of Bourchier with Wilson in pretence. £1,500-2,500
2185
A George III Silver Salver, Probably by Thomas Hannam and Richard Mills, London, 1763
shaped circular and on three leaf-capped scroll feet, with shell-heightened gadrooned rim, engraved with a coat-ofarms, further engraved underneath with presentation initials ‘E*U to I*U’ 31.5cm diameter, 27oz 16dwt, 864gr £500-800
2184
A Pair of George III Silver Candlesticks, Probably by John Carter, London, 1768
each shaped circular base chased with foliage and beaded rocaille, the baluster stems and spool-shaped sockets similarly decorated, with detachable shaped circular nozzles 27cm high, 45oz 1dwt, 1,401gr (2) £1,200-1,800
2186
Two George III Silver Candlesticks, by Robert Jones and John Scofield, London, 1776
each on steped hexafoil base with shell corners, one base with gadrooned central border and the other with reeded central border, the baluster stems each terminating in spool-shaped socket with detachable hexafoil nozzle, one marked for Dublin, circa 1780, the bases engraved with a crest above a duke’s coronet 22.5cm high, 36oz 8dwt, 1,133gr (2)
The crest is that of Campbell, probably for the Dukes of Argyll. £1,000-1,500
2187
Two George III Silver Two-Light Candelabra, One Base by Ebenezer Coker, London, 1760, The Other Base by Louis Black, London, 1761, The Branches With Indistinct Marks, Circa 1760 each on triangular base, each foot stamped with scrolls and with quilting above, further decorated with beading and shells and with similarly decorated stem, terminating in spiral-fluted socket, with detachable candle-arms, each scrolling foliage-cast branch terminating in spiral-fluted socket and with leaf-cast wax-pan, with central openwork finial, the bases later engraved with a coat-of-arms, one base filled 40cm high, weighable silver 75oz 7dwt, 2,344gr (2) £1,200-1,800
2188
A George III Silver Chamber-Candlestick, by William Cafe, London, 1764 shaped circular and on three tapering pad feet, with gadrooned border and scrolling handle, the central socket with opening for snuffers and spool-shaped socket, the detachable nozzle with gadrooned border, the socket further supports a tapering extinguisher, the base, nozzle and extinguisher each engraved with the crest of English 19.5cm wide over handle, 14oz 10dwt, 451gr £400-600
2189
A Pair of George III Silver Sauce-Tureens and Covers, by Robert Hennell, London, 1782 each oval and on conforming spreading foot, the foot and rim each with beaded border, with reeded scroll handles, the bodies engraved with a coat-of-arms within foliage and beaded cartouche, the detachable covers with vase-shaped finial and engraved with a crest; Together With two George IV silver sauce-ladles, London, one 1823 and one 1824, Fiddle pattern, engraved with a crest the sauceboats 23.cm wide over handles, total weight 35oz 16dwt, 1,114gr (4)
Provenance:
The sauceboats: Chiswick Auctions, 31 March 2021, lot 383. £600-800
2190
A George III Silver Sauce-Tureen and Cover, Probably by Robert Hennell, London, 1778
tapering oval and on spreading foot, with beaded borders and reeded scroll handles, the detachable cover with beaded loop finial and engraved with initials 25cm wide over handles, 22oz 13dwt, 705gr £250-350
2191
A George III Silver Coffee-Pot, by Thomas Whipham and Charles Wright, London, 1765
pear-shaped and on spreading gadrooned foot, the hinged cover with gadrooned border and fluted baluster finial, hinge-pin lacking, with wood handle, engraved with a crest within ribbon-tied husk cartouche 27cm high, gross weight 27oz 4dwt, 846gr
£500-700
2193
A George III Silver Coffee-Pot, by John Scofield, London, 1776 pear-shaped and on spreading foot, later chased with foliage scrolls and flowers on a matted ground, each side centring a cartouche, one engraved with a crest, the hinged cover with later dolphin-cast finial, with later leaf-capped and ivory-insulated scroll handle 25.5cm high, gross weight 26oz 9dwt, 823gr
With non-transferable standard ivory exemption declaration number YQREKEJV.
£300-500
2192
A George III Scottish Silver Teapot, Maker’s Mark Lacking, Edinburgh, 1790
shaped oval and with foliage engraved borders, each side engraved with a ribbon-tied shield, one engraved with initials and one vacant, the domed cover with carved pineapple finial, with later carved wood handle
29.5cm wide over handle, gross weight 16oz 9dwt, 512gr
£300-500
2195
A George III Silver Sugar-Basket, by Solomon Hougham, London, 1794 oval and on spreading foot, with reeded rim and overhead swing handle 16.5cm wide, 7oz 4dwt, 223gr
2194
A George III Silver Goblet, by Rebecca Emes and Edward Barnard, London, 1811
the body cylindrical and on spreading foot, with lobed lower body, engraved on one side with a coat-of-arms and on the other with an inscription, each below a band of chased foliage scrolls on a matted ground, the foot engraved with a further inscription, the interior gilt 15cm high, 11oz 14dwt, 364gr
The inscription on the body reads ‘MDCCCXIII Joan Sudbury nuper Dec Dun: David Cockerton A. B. Coll. Emman’ and the inscription on the foot reads ‘Aien Apicteyein’
2196
A George III Silver Goblet, by Robert Hennell and Samuel Hennell, London, 1809
the circular rim above a facetted tapering body and on spreading pedestal foot, the rim engraved with foliage and scrolls, the foot reeded 20.2cm high, 14oz 15dwt, 459gr
£250-350 £150-250
2197
A George III Silver Christening-Mug, by Charles Fox, London, 1819 baluster and on spreading foot, the lower body lobed, with a band of oak leaves and acorns on a textured ground, with a double snake-cast handle and flower and foliage-stamped border 90mm high, 5oz 11dwt, 173gr
2198
A George IV Silver Cream-Jug, by William Burwash, London, 1821 compressed globular and on spreading foot, with gadrooned border and double snake-cast handle, the interior gilt 14.5cm wide over handle, 8oz 19dwt, 278gr
2199
A George IV Silver Christening-Mug, by Edward, Edward, John and William Barnard, London, 1831 tapering and on spreading foot, the lower body chased with foliage and flowers on a matted ground and below a band of applied oak leaves and acorns, with leaf-capped scroll handle, the front engraved with initials, the interior gilt 10cm high, 6oz 2dwt, 189gr
2200
A Victorian Silver Christening-Mug, by Henry Wilkinson and Co., Sheffield, 1853 tapering and on spreading foot, the sides stamped with foliage scrolls centring a vacant cartouche on each side, with leaf-capped scroll handle
10.5cm high, 4oz 6dwt, 133gr
2201
A Cased Pair of George V Silver Seal-Top Spoons, by E. J. Haseler and C.Bill, Chester, 1922 each in the 17th century style, the oval bowl with slightly tapering stem which terminates in baluster seal terminal, in fitted gilt-tooled black leather covered case the case 20cm wide, the spoons 16.6cm long, 3oz 7dwt, 105gr (2)
2202
A William III Silver Trefid-Spoon, by Lawrence Coles, London, 1701 the bowl oval and with ribbed rat-tail, the terminal engraved, probably later, with initials ‘W+B’ over ‘T+O’ and dated 1699 18.9cm long, 1oz 2dwt, 34gr
2203
A Charles I Silver Seal-Top Spoon, Maker’s Mark F in Shield, London, 1636
the oval bowl with tapering facetted stem which terminates in a gilt baluster stem, the top of the seal prick-engraved with initials ‘AW’ 17.5cm long, 1oz 14dwt, 53gr
2204
A Charles II Silver Trefid-Spoon, Probably by Edward Hulse, London, 1684
the oval bowl later gilded inside and with ribbed rat-tail, the back of the terminal engraved with initials ‘D’ over ‘EM’, the front of the terminal later engraved with an initials ‘H’ 19.7cm long, 1oz 15dwt, 54gr
2205
A Queen Anne Silver Dog-Nose Spoon, Maker’s Mark ?a, London, Circa 1705
the oval bowl with rat-tail, the terminal engraved with initials ‘S’ over ‘WI’ 20cm long, 1oz 15dwt, 54gr
2206
A William and Mary Silver Trefid-Spoon, Probably by Thomas Allen, London, Circa 1690
the bowl oval and with ribbed rat-tail, the terminal engraved with initials ‘I*S’
19.6cm long, 1oz 13dwt, 52gr
£100-150 £100-150 £400-600 £120-180 £100-150
2207
A Cased Set of Six George V Silver Individual Asparagus-Tongs, by James Dixon and Sons, Sheffield, 1925, Retailed by H. Lamb, West Hartlepool
each with plain handle, in fitted green leather covered case the case 20.5cm, weight of silver 6oz 17dwt, 213gr (6) £150-250
2208
A Cased Set of Six Victorian Parcel-Gilt Silver Berry-Spoons and a Sifting Spoon, by Henry John Lias and James Wakely, London, 1880, Retailed by Jays, 142-144 Oxford Street, London
Bacchanalian pattern, the bowls of the berry-spoons gilt and engraved with fruiting vines, the bowl of the ladle pierced and shell-shaped, in fitted gilt-tooled leather-covered case the case 35cm wide, weight of silver 20oz 18dwt, 651gr (7) £300-500
2209
A Danish Silver Basting-Spoon, Maker’s Mark MK, Possibly for Fredrik Moritz Klose, Copenhagen, 1824, Assay Master Christian Næboe with a pointed terminal, engraved with foliage centring initials, with pointed oval bowl 36.6cm long, 4oz 13dwt, 145gr
Provenance: Tennants, 23 April 2022, lot 2031. £70-100
2210
A Set of Seven Victorian Silver Table-Forks and Six Victorian Silver Teaspoons, by William Eaton, London, 1865 King’s pattern, engraved with the crest of English; Together With a pair of Queen’s pattern sugar-tongs, by Joseph and Albert Savory, London, 1865 and six pairs of Old English Thread and Shell pattern fruit-eaters, some by William Chawner, London, 1833 and some by William Eaton, London, 1865, each engraved with a matching crest weighable silver 32oz 5dwt, 1,003gr (26) £500-800
2211
An Edward VII Silver Basting-Spoon, by John Round and Son Ltd., Sheffield, 1908
Old English pattern with a zig-zag border, engraved with an initial 34cm long, 6oz 16dwt, 211gr
Provenance:
Tennants, 23 April 2022, lot 2035. £70-100
2212
A Continental Silver-Gilt Spoon, Marked With Dresden Style Pseudomarks and a Further Mark, 19th Century the oval bowl engraved with George slaying the dragon and with egg and dart border, the stem formed of three tapering fluted tubular columns and with a finial cast as three putto 29cm long, 7oz 10dwt, 234gr £150-250
2213
An Elizabeth II Silver Sauce-Ladle, by Gerald Benney, London, 1966 the angular handle with an overall textured finish, with oval bowl 17.5cm long, 3oz 9dwt, 107gr
2214 (part)
2215 (part)
2214
An Elizabeth II Silver Table-Service, by C. J. Vander Ltd., London, Mostly 1958
King’s pattern, comprising
3 table-spoons
8 table-forks, four 1955
8 soup-spoons
8 dessert-spoons
8 dessert-forks
weight of silver 87oz 12dwt, 2,724gr
Together With the following silver plate King’s pattern flatware
2 table-spoons
6 table-forks
4 dessert-forks
8 table-knives, with stainless steel blades
8 cheese-knives, with stainless steel blades (63)
£1,200-1,800
2215
A George V Silver Table-Service, Maker’s Mark G&S, Sheffield, 1930
Hanoverian pattern, comprising
6 table-forks
6 soup-spoon
6 dessert-spoons
6 dessert-forks in fitted oak canteen
the canteen 42.5cm wide, weight of silver 48oz 18dwt, 1,521gr (24)
£700-1,000
2216
A Hungarian Silver Table-Service, Maker’s Mark Mostly WB, Second Quarter 20th Century
each piece with plain tapering handle, comprising
6 table-spoons
8 table-forks
8 fish-forks
8 fish-knives
8 round-bowl dessert-spoons, maker’s mark KM
8 dessert-forks
12 teaspoons and the following with filled handles and stainless steel blades
7 table-knives, maker’s mark KA
7 cheese-knives, two maker’s mark KA, five Austro-Hungarian with indistinct maker’s mark
weighable silver 108oz 19dwt, 3,389gr (72)
£1,500-2,500
2217
An Elizabeth II Silver Table-Service, by Frank Cobb and Co. Ltd., Sheffield, Mostly 1977 and 1979
each piece with a gadrooned border, comprising
4 table-spoons
8 table-forks
8 soup-spoons
8 dessert-spoons
8 dessert-forks
8 teaspoons
and the following with filled handles
8 table-knives, with stainless steel blades
8 cheese-knives, with stainless steel blades
8 fish-forks, with silver tines
8 fish-knives, with silver blades
weighable silver 78oz 16dwt, 2,451gr (76)
£1,200-1,800
2216 (part)
2217 (part)
2218
An Austrian Silver Bowl, Indistinct Maker’s Mark, Vienna, Post 1922 shaped oval and on spreading foot, the sides pierced with foliage scrolls and with an egg and dart border
33.5cm wide, 15oz 19dwt, 497gr £200-300
2219
An Austrian Silver Five-Light Candleabra, Indistinct Maker’s Mark, Vienna, Post 1922
on shaped domed base, stamped with foliage and flowers on a matted ground, the baluster stem fluted and terminating in four scrolling branches, each with part-fluted socket and plain wax-pan, with a further central socket
31cm high, 47oz 14dwt, 1,483gr £600-800
2220
A Continental Silver Bowl, The Border Stamped ‘900’, 20th Century shaped circular and on three rocaille-cast feet, with pierced lattice border and fruiting grapevine sides below a cast fruiting grapevine border, engraved under the border
‘Lemberg 1902’ 33.5cm, 24oz 9dwt, 761gr £300-500
2221
A Pair of Austrian Silver Four-Light Candelabra, Possibly by Franz Zeitler, Vienna, 1856
each on shaped domed base chased with foliage and flowers, the baluster stem terminating in a fluted socket, engraved with initials below a coronet and supporting the detachable three branch candle-arms, each arm foliage-stamped, with a further central branch, the bases filled 46cm high, the branches 26oz 17dwt, 835gr (2)
2222
A German Silver Vase, Maker’s Mark Apparently a Winged Horse, Perhaps for Badische Silberwaarenfarbik Baer and Deibele, Pforzheim, Circa 1900
in the Art Nouveau style, tapering cylindrical and on spreading plain foot, the sides applied with foliage and flowers in high relief 36cm high, 32oz 8dwt, 1,008gr
2223
A Pair of Israeli Silver Sabbath Candlesticks, by Hazorfim, Second Half 20th Century
each on domed base and with scroll feet, stamped with foliage and rocaille at the corners, the baluster stems similarly decorated and terminating in a tapering socket 43.5cm high, 49oz 14dwt, 1,546gr (2)
2225
A Maltese Silver Soup-Ladle and Basting-Spoon, The Soup-Ladle by Paolo Pace, Circa 1860, The Basting-Spoon Maker’s Mark Lacking, Circa 1810
each Fiddle pattern, the basting-spoon engraved with initials 35cm long and slightly smaller, 12oz 11dwt, 392gr (2)
2224
A Maltese Silver Sugar-Bowl and Cover, by Francesco Arnaud, Rohan Period, Circa 1780
tapering fluted cylindrical and on three hoof feet, the detachable cover with wrythen finial, with an overall hammered finish 12cm high, 5oz 17dwt, 182gr
2226
A Maltese Silver Sugar-Bowl and Cover, Maker’s Mark Indistinct, 20th Century
in the late 18th century style, tapering fluted cylindrical and on three hoof feet, the detachable cover with foliage finial 13.5cm high, 8oz 3dwt, 254gr
2227
A German Silver Model of a Goat and Putto, by Neresheimer, Hanau, With English Import Marks for Berthold Muller, Chester, 1903 the goat depicting pulling a shell-shaped carriage with the putto resting on the front edge, the carriage chased with foliage scrolls and with openwork border, on two openwork wheels 26cm wide, 16oz 14dwt, 522gr £250-350
2228
A Portuguese Silver Jug and Cover, Indistinct Maker’s Mark, Porto, Possibly Late 19th Century oblong and on four paw-cast and leaf-capped feet, the lower body fluted below bands of foliage and flowers, the hinged cover with baluster finial, with leaf-capped scroll handle 15cm high, 14oz 5dwt, 444gr £200-300
2229
A Pair of German Silver and Ivory Figures, Attributed to Neresheimer, Hanau, With English Import Marks for Berthold Muller, London, 1921 each modelled as a medieval knight, on square base with canted corners and openwork foliage sides, the knights each shown in armour and holding an heraldic shield in one hand and a sword in the other, each with carved ivory face 22.5cm high and slightly smaller, total gross weight 27oz 7dwt, 952gr (2)
With non-transferable standard ivory exemption declaration number DXJ72WS2.
2230
A German Silver Model of a Dog, Attributed to Neresheimer, Hanau, With English Import Marks for Berthold Muller, London, 1899 modelled as a setter, with detachable head 22cm long, 8oz 19dwt, 278gr £150-250 2229 2230
2231
A Pair of Portuguese Silver Five-Light Candelabra, by Topázio, Second Quarter 20th Century in the rococo style, the base cast and chased in high relief with foliage scrolls and shells on a textured ground, the baluster stems similarly decorated, the branches with four arms and a central branch, each terminating in a foliage-cast socket with wax-pan 37cm high, 69oz 10dwt, 2,162gr (2) £1,000-1,500
2232
A Collection of Ten Italian Silver and Enamel Clown Figures, Eight by Sorini and Two Attributed to Sorini, Arezzo, Some with English Import Marks for Casa Julia International or Other Sponsors, 1998-2002 humouristically modelled in various pursuits ranging from 13.5cm high to 6cm high (10) £800-1,200
2233
A Four-Piece Canadian Silver Tea and Coffee-Service With a Tray En Suite, by Henry Birks and Sons, Montreal, With English Import Marks for Sheffield, 1975
each piece with fluted lower body, comprising a teapot; a coffee-pot, each with ebonised handle and finial; a cream-jug and a sugar-bowl, the tray oval and engraved with foliage scrolls, with two shell and foliage-cast handles
the tray 63.5cm wide over handles, the coffee-pot 22.5cm high, total gross weight 140oz 16dwt, 4,379gr (5) £2,000-3,000 2234
An American Silver-Gilt Mounted Green Overlay Glass Decanter, The Silver-Gilt Mounts by Gorham, Providence, Rhode Island, First Quarter 20th Century
the tapering clear glass body with green glass overlay and clear glass loop handle, the silver-gilt mounted rim with scroll border, with conforming glass stopper 20.5cm high
2235
A French Silver Oil and Vinegar-Cruet, by Marc-Augustin Lebrun, Paris, 1809-1819
the base oblong and with canted corners and on cast paw feet, with foliage border, with supports for the two associated glass bottles, each support cast with vases of flowers and floral swags below butterflies, the handle tapering and with loop ring with ram’s mask terminals 22cm wide, 31.5cm high, weight of silver 27oz 8dwt, 852gr £400-600
2236
A French Silver Second-Course Dish, Maker’s Mark GLJ, Early 20th Century shaped circular and with reeded rim 30cm diameter, 20oz 11dwt, 639gr £300-500
2237
A Continental Silver Watch-Case, Apparently Unmarked, Perhaps Augsburg, Germany, Circa 1650 in the form of a human skull, with suspension loop, the forehead engraved with memento mori symbols of an hourglass and a scythe, further engraved with the memento mori exhortations ‘Vita Fugit Ut Hora’ (life flies, like an hour) on the forehead; ‘Æterna Respice Caduca Despice’ (keep eternal matters in mind, shun ephemera) on the top; ‘Dum Viuis Viue ut Viuas’ (while you live, live to live) between and ‘Incerta Mortis Hora’ (the hour of death is uncertain) on the back of the skull, hinged at the jaw 44mm wide, 1oz 2dwt, 34.2gr
Provenance:
by tradition from a Northumberland country house, Alnwick Auctions, 13 December 2020.
This fascinating watch case is one of a known series produced in the 17th century and variously attributed to different countries of Europe. Like other memento mori works of art, such as paintings, watch-cases such as this were produced as a reminder of the inevitability of death and became particularly popular in the 17th century.
A very similar example, perhaps by the same hand, is in the collection of the Ashmolean museum (WA1947.191.58), bequeathed by J.Francis Mallet in 1947. It is engraved with identical memento mori exhortations as on the present example as well as the symbols of an hourglass and a scythe, though these symbols are depicted one above the other on the Ashmolean example and side by side on the present example. The Ashmolean example is later fitted with a verge watch of circa 1830 by the Norwich watchmaker Benjamin Russell. The case is described as possibly French though the present example tests at approximately 89% silver suggesting it to be more likely German as that would be below both the French and English standard of the time.
Another example of a case realistically formed as a human skull, with a movement by the Swiss watchmaker Jean Rousseau (16061684) was sold by Sotheby’s 16 April 2019, lot 28. Rousseau was the great-grandfather of the philosopher Jean-Jacques Rousseau and was a well regarded watchmaker and a Master of the Clockmaker’s Company of Geneva. The case on this example, dated to circa 1650, is realistically formed but lacking the memento mori symbols and exhortations which appear on both the present example and that in the Ashmolean.
Another example, which can perhaps better help us identify the origin of this example, is one in the collection of the British Museum (1874,0718.41) which was previously in the collection of Sir Charles Fellows and was presented by his wife Lady Harriet Fellows in 1874. This example is engraved with exhortations ‘Vita Fugitur’ (life is fleeting); ‘Caduca Despice’ (look down upon a fallen thing); ‘Æsterna Respice’ (look upon eternity) and ‘Incerta Hora’ (the hour is uncertain) with an hourglass between. Helpful in determining its origin, has a movement by Joseph Conrad Vuolf of Donauwörth, Germany. David Thompson talks further about the British Museum example in his book Watches (London, 2008, pp. 46-47) and cites another example with a German movement, by Johann Georg Engelschalk and suggests that the cases were made in Augsburg which seems to also be likely for the present example.
£3,000-5,000
2238
A Montblanc John F. Kennedy Rollerball-Pen, The Clip Numbered MBFF618Q5 the black resin body with white metal mounts, the clip with initials ‘JFK’, the fitted case with the same initials, with information booklet the case 20cm square £250-350
2239
A Russian Silver Napkin-Ring, by Fabergé, With Imperial Warrant, Moscow, 1896, With Scratched Inventory Number 1525 of typical form, chased with foliage scrolls and flowers and centring a cartouche with engraved initials 48mm high, 53mm diameter, 1oz 15dwt, 55gr
2240
An Estonian Silver, Gold and ‘Gem’-Set Cigarette-Case, by Johannes Messner, Tallinn, First Half 20th Century oblong, the hinged cover with gold thumbpiece set with a blue cabochon thumbpiece, with rayed lines, the interior gilt 10cm wide, gross weight 5oz 1dwt, 157gr £100-150
2241
A Danish Silver, Gold and ‘Gem’-Set CigaretteCase, Maker’s Mark Lacking, Assay Master Johannes Siggaard, 1945 oblong, the hinged cover with gold thumbpiece set with a blue cabochon thumbpiece, with rayed lines, the interior gilt 12cm wide, gross weight 8oz 3dwt, 253gr £150-250
2242
A Russian Silver and Niello Cheroot-Case, by Alexander Yegarov, Moscow, 1865 oblong, the hinged cover nielloed with a Russian street scene, the base nielloed with scrolls on an engine-turned ground, the interior gilded and with hinged silver support 11cm wide, gross weight 4oz 10dwt, 140gr £100-150
2243
A Victorian Silver Vinaigrette, by Nathaniel Mills, Birmingham, 1845 oblong, the hinged cover engraved with foliage scrolls and with foliage and flower border, the base engraved with wrigglework, opens to reveal a gilt interior, the hinged grille engraved with foliage and flowers 39mm wide, 12dwt, 18gr
£120-180
2244
A Pair of George IV Silver-Mounted BottleStoppers, The Silver Mounts by John Reily, London, 1823 each with reeded border and cast shell, one engraved ‘Sherry’ on each side and the other engraved ‘Port’ on each side 10.5cm high (2)
Provenance:
Woolley and Wallis, 29 January 2003, lot 454.
£300-500
2245
A George III Silver-Gilt Vinaigrette, by John Bettridge, Birmingham, 1818 oblong, the hinged cover stamped with fruiting foliage in high relief and on a textured and foliage engraved ground, with flower border, the base similarly engraved, the hinged cover opens to reveal a foliage and flower pierced and engraved hinged grille 36mm wide, 11dwt, 17.4gr
£100-150
2246
A Victorian Silver Card-Case, by Frederick Marson, Birmingham, 1895 oblong, engraved overall with foliage scrolls, the front further engraved with initials, in associated gilt-tooled black leather covered case 10cm high, 1oz 15dwt, 55gr
£100-150
2247
A Continental Silver and Enamel Bonbonnière, With Unidentified Maker’s Mark, Perhaps Austro-Hungarian, First Quarter 20th Century circular and with pull-off cover, the cover enamelled with a cockerel and hen within foliage and on a white guilloche enamel ground, the sides similarly decorated 65mm diameter
£250-350
2248
An Austro-Hungarian Silver and Enamel Bonbonnière, Maker’s Mark a Hook, Vienna, 1872-1922
oval, the sides engine-turned, the pull-off cover set with an enamel plaque painted with an elegant lady wearing a pale blue dress with a white ruffled collar and a yellow ribbon, within husk border, the interior gilt
72mm wide, gross weight 4oz 13dwt, 145gr £200-300
2249
A George V Gold and Enamel Badge, by H. T. Lamb and Co., London, 1935, 9ct. oval, enamelled with the coat-of-arms of the Incorporated Society of Auctioneers & Landed Property Agents, with blue silk ribbon, the back engraved with an inscription and later with another inscription, in fitted black leather covered case, gross weight approximately 18dwt, 28gr; Together With two similar badges for the Junior Members Organisation, each apparently unmarked, engraved with the same coat-of-arms, the back of one engraved with a name, with blue silk ribbon (3)
The inscriptions on the gold and enamel badge read ‘Arthur G. Minter (London) President 1935’ and ‘Howard Minter President 1955-57’ £400-600
2250
A George IV Gold Vinaigrette, Apparently Unmarked, Circa 1830 circular and with engine-turning within foliage borders, the hinged cover opens to reveal the pierced and engraved foliage and flower grille, with suspension loop 40mm high including suspension loop, 7dwt, 10gr
£400-600
2251
A Victorian Gold Small Vesta-Case, Apparently Unmarked, 19th Century oval and engraved with foliage scrolls, one side applied with a striking surface, with suspension loop, engraved with initials 38mm long including suspension loop, 4dwt, 6gr
£250-350
2252
A George V Gold and Enamel Badge, by Vine and Thompson, Birmingham, 1931, 9ct. circular and with fleur-de-lys border, enamelled for the ‘Incorp’td Society of Auctioneers & Landed Property Agents’ and with three coats-of-arms, with blue ribbon, approximate gross weight 9dwt, 15g; Together With a similar Elizabeth II silver-gilt and enamel badge, by Toye and Co., London, 1952 (2)
£250-350
2253
A Continental Gold Cigarette-Case, With English Import Marks for London Chain Bag Co. Ltd., London, 1926, 9ct shaped oblong and with hardstone thumbpiece and overall engine-turned finish 83mm wide, gross weight 1oz 7dwt, 41.8gr
£1,000-1,500
2254
A Continental Gold Cigarette-Case, With English Import Marks for London Chain Bag Co. Ltd., London, 1921, 9ct oblong and with an overall engine-turned finish, the hinged cover engraved with an initial ‘R’ 80mm long, 2oz 9dwt, 77gr
£2,000-3,000
22552257
2255
A Pair of American Silver Plate Five-Light Candelabra, by Van Bergh Silver Plate Co., Rochester, New York, 20th Century each on shaped circular base with foliage-cast border, the stem tapering and terminating in four foliage-cast branches, each with fluted socket and with detachable wax-pan, with further central light
62cm high (2)
£400-600
2257
A Victorian Silver Plate Four-Light Candelabrum, Apparently Unmarked, Second Half 19th Century
the base square and four paw feet, connected with cast foliage, the tapering stem fluted and terminating in four cast-elephant masks, with four branches and a further central light, each socket cast with foliage and flowers and suspending chains
2256
59cm high £100-150
22562258
A George IV Old Sheffield Plate Entrée-Dish, Cover and Stand, Probably by J. and N. Nowill, Sheffield, Circa 1825 shaped oval and with shell and foliage border, the domed cover with fruiting grapevine and branch form handle, engraved with the coat-ofarms of English with another in pretence, the conforming stand with two reeded loop handles the stand 37cm wide over handles £150-250
2258
An Edward VII Silver Plate Novelty Inkwell, Apparently Unmarked, Dated 1903
the base shaped oblong, supporting a cast figure of a gentleman golfer, the inkwell formed as a stump, the hinged cover opens to reveal a glass bottle and an engraved inscription 20.5cm wide
The inscription reads ‘L.K. from Gipsy Jack Co 14-3-1903’ £200-300
2259
A German Silver Plate Wine-Cooler, Liner and Stand, by Arthur Krupp, Berndorf, 20th Century
the cooler cylindrical and with four applied masks at the rim, the lower body stamped with foliage and flowers, the stand on four ram’s maskcapped tapering legs and with openwork circular base 71cm high
£300-500 2259
2260
A Pair of George III Old Sheffield Plate Wine-Coolers, Collars and Liners, Apparently Unmarked, First Quarter 19th Century campana-shaped and on spreading foot, with reeded and leaf decorated handles with foliage terminals, with gadrooned rim and engraved with a crest, with plain collar and liner
26.5cm high (2)
£800-1,200 2260
2261
A William IV Silver Teapot, by Jonathan Hayne, London, 1833
tapering and chased with alternating panels of flowers and foliage, one side engraved with a crest, with ivory-insulated leaf-capped handle, the hinged cover with flower and foliage finial; Together With a similar cream-jug and sugar-bowl, the cream-jug by Edward, Edward, John and William Barnard, London, 1834, the sugar-bowl by Joseph and John Angell, London, 1836 the teapot 30cm wide over handle, total gross weight 54oz 6dwt, 1,689gr (3)
With non-transferable standard ivory exemption declaration number T1JS6K7M.
£800-1,200
2262
A George IV Silver Coffee-Pot, by William Burwash, London, 1821 pear-shaped and on spreading foot, robustly chased with foliage scrolls and rocaille, one side further chased with a vacant cartouche, the hinged cover similarly decorated, with leaf-capped ivory-insulated scroll handle
24.5cm high, gross weight 41oz 13dwt, 1,294gr
With non-transferable standard ivory exemption declaration number P9ZFFYDC.
£600-800
2263
A Three-Piece George IV Silver Tea-Service, by Joseph Angell, London, 1821 each piece compressed cylindrical and on spreading foot, the lower bodies part-fluted, with gadrooned borders, comprising a teapot, with slightly later ivoryinsulated handle; a cream-jug and a sugar-bowl the teapot 28cm wide over handles, total gross weight 36oz 5dwt, 1,127gr (3)
With non-transferable standard ivory exemption declaration number 76R4CFZH.
£600-800
A Victorian Silver Teapot, by Edward, Edward, John and William Barnard, London, 1841 compressed globular and on spreading foot, engraved with foliage scrolls, the hinged cover with melon and foliage-cast finial, with ivoryinsulated handle 26cm wide, gross weight 21oz, 653gr
With non-transferable standard ivory exemption declaration number
DC69HBQU.
£300-500 2266
A Victorian Silver Claret-Jug, by Frederick Elkington, Birmingham, 1875
tapering and on spreading foot, engraved with palmettes and trailing foliage, with hinged cover and scroll handle 31cm high, 16oz 7dwt, 508gr
A Victorian Silver Teapot, by Edward, Edward, John and William Barnard, London, 1844 tapering melon-fluted and on four palmette and scroll feet, the hinged cover with melon and foliage-cast finial, with ivory-insulated scroll handle, engraved with initials 29.5cm wide over handle, gross weight 24oz 19dwt, 776gr
With non-transferable standard ivory exemption declaration number
JQJ43CSG.
£300-500 2267
A Victorian Silver-Mounted Engraved-Glass Claret-Jug, The Silver Mounts by William and George Sissons, Sheffield, 1862 the glass body with cylindrical neck and globular body, engraved overall with stars, the silver mounts stamped with flowers and foliage and centring a vacant cartouche on each side, the hinged cover similarly stamped and with openwork thumbpiece, with scroll handle
25cm high
An Edward VII Silver Salver, by Elkington and Co., Birmingham, 1902 shaped circular and with foliage and scroll border, on three tapering leaf and scroll-cast feet
26cm diameter, 19oz 6dwt, 601gr £300-500 2271
A Victorian Silver Salver, by Jenkins and Timm, Sheffield, 1900 shaped circular and on three ball and claw feet, with foliage and flowercast border, later engraved with an inscription 27.5cm diameter, 18oz 5dwt, 568gr
The inscription reads ‘Presented to Dr Edgar English by Patients at Haxley & Wroot 1924’ £250-350 2269 22702271 2270
A Victorian Silver Salver, by Henry Harrison, Sheffield, 1866 shaped circular and on three cast ball and claw feet, with beaded rim above pierced border, engraved overall with foliage scrolls 30.5cm diameter, 28oz 11dwt, 887gr £400-600
An Edward VII Silver Salver, by Atkin Brothers, Sheffield, 1901 shaped circular and with foliage, shell and scroll-cast border, on three tapering foliage-cast feet, engraved with a cypher 44.5cm diameter, 59oz 14dwt, 1,856gr
2272
A Four-Piece Victorian Silver Tea and CoffeeService With Two Salvers En Suite, The Tea and Coffee-Service by Daniel and Charles Houle, London, 1864, The Salvers by George John Richards and Edward Charles Brown, London, 1864 and 1865
each piece of the tea and coffee-service pearshaped and on four foliage-capped scroll feet, engraved with foliage and vacant cartouches, comprising a teapot; a coffee-pot, each with ivoryinsulated handle; a cream-jug and a sugar-bowl, the salvers each circular and on three tapering beaded panel feet, with beaded border and engraved with foliage, the larger salver engraved with an inscription, in fitted oak box with metal handles and vacant brass shield the coffee-pot 27cm high, the largest salver 30.5cm diameter, total gross weight 119oz 6dwt, 3,711gr (6)
The inscription on the salver reads ‘This Salver and Tea Service are Presented to Stephen Jackson Esq’re by Mess’rs John Brogden & Sons, in Token of Their High Respect and Their Appreciation of His Services’
With non-transferable standard ivory exemption declaration number ELMSN5F4. £2,000-3,000
2273
A Four-Piece Victorian Silver Tea and CoffeeService, by Charles Reily and George Storer, London, The Coffee-Pot 1846, The Other Pieces 1847
each piece tapering hexagonal and on collet foot, engraved with foliage scrolls centring a vacant cartouche on each side, comprising a teapot; a coffee-pot, each with ivory-insulated handle, the hinged covers with baluster finial; a cream-jug and a sugar-bowl the coffee-pot 30cm high, total gross weight 79oz 16dwt, 2,483gr (4)
With non-transferable standard ivory exemption declaration number DJSY3MF6. £1,200-1,800 2272
A Pair of Victorian Silver Three-Light Candelabra, Maker’s Mark CF, Perhaps for Charles Favell, Sheffield, 1883 each on square base with beaded borders, the stems tapering and with spool-shaped socket, with detachable three-light candle-arms, each socket with detachable beaded nozzle, the bases engraved with a crest, the bases filled 34cm high, the branches 21oz 12dwt, 672gr (2) £400-600
A George IV Silver Chamber-Candlestick, by S. C. Younge and Co., Sheffield, 1826 the shaped circular base with foliage and flower-stamped border, the scroll handle with similar thumbpiece and supporting the tapering extinguisher, the spool-shaped socket with detachable nozzle, the base and extinguisher each later engraved with an initial ‘H’ 17.5cm wide over handle, 11oz 9dwt, 356gr £200-300
2276
An Edward VII Silver-Mounted Cut-Glass Claret-Jug, The Silver Mounts by Atkin Brothers, Sheffield, 1901 the cut-glass body with a central cylindrical section above a compressed globular base, cut with diamonds, squares and stars, with large lozenge motifs to the neck, the silver mounts decorated with flowers and foliage on a matted ground, the hinged cover similarly decorated and with baluster finial, with leaf-capped scroll handle, the spout cast as a grotesque mask 28cm high
Provenance:
Tennants, 17 July 2009, lot 436. £300-500
2277
An Edward VII Novelty Silver Jewellery-Box, by William Comyns, London, 1902 in the form of a table with leaf-capped scrolling cabriole legs, the skirt stamped with foliage scrolls, opens to reveal a velvet-lined interior 19cm wide, 10cm high £150-250
2279
A George V Silver and Enamel-Cased Timepiece, The Case by Wright and Davies, London, 1919, The Timepiece Stamped ‘Made in France’ oblong and on four bun feet, the sides and front each with pale blue enamel on an engine-turned ground and with white enamel borders, the dial with Roman numerals, the back later engraved with a presentation inscription
high
The inscription reads ‘Carrie with Love Fabian 7-2-76’
A Victorian Silver-Mounted Glass Inkwell, The Silver Mounts by John Thomas Heath and John Hartshorne Middleton, Birmingham, 1893 the glass body ribbed globular, the plain silver mounts with hinged, slightly domed cover with ball finial, opens to reveal an internal glass liner 90mm diameter
2280
A Victorian Silver Novelty Playing-Card Box, by Samuel Jacob, London, 1900 in the form of a sedan-chair, the sides stamped with foliage scrolls and latticework, with two scroll handles, the hinged cover opens to reveal two compartments for playing-cards, cards lacking 95mm high, 4oz 18dwt, 152gr
2281
A Pair of George V Silver Waiters, by Atkin Brothers, Sheffield, 1930, Retailed by Penlington & Batty, Liverpool each circular and on three scroll-cast tapering feet, with egg and dart borders, each engraved with an inscription 20.5cm diameter, 18oz 9dwt, 573gr (2)
The inscription reads ‘The West Lancashire Golf Club Dr. Peter Stuart Memorial 1931’ one further engraved ‘Won by E. M. Marsh’ and the other further engraved ‘Won by N. A. McNeill’
2282
An Edward VII Silver Salver, by George Howson, London, 1904 shaped circular and on three tapering foliage and shell-cast feet, with shell and foliage-heightened gadrooned border 32cm diameter, 31oz 14dwt, 987gr
2283
A Set of Three George VI Silver Plates, by Davies and Powers, Birmingham, 1948 each circular and with engine-turned border
20cm diameter, 30oz 5dwt, 941gr (3)
2284
A Victorian Silver Christening-Mug, by Goldsmiths Alliance Ltd., London, 1876 cylindrical and engraved with foliage scrolls and on each side with a circular shield, two vacant, one engraved with flowers and foliage and one engraved with initials, with leaf-capped scroll handle, the interior gilt
90mm high, 6oz 1dwt, 188gr £120-180 2286
A Victorian Silver Bowl, by Charles Stuart Harris, London, 1885 oval, the sides chased with flowers, foliage and quilting, with two grotesque mask-capped scroll handles 25.5cm wide, 14oz 5dwt, 444gr £150-250 22852287 22842286 2285
A Victorian Silver Mug, by Hilliard and Thomason, Birmigham, 1888 tapering and engraved with foliage scrolls within roundels, with similarly engraved handle, engraved on the front with initials and behind the handle with an inscription 90mm high, 5oz 17dwt, 182gr
The inscription reads ‘In Memoriam M.A.B. Obit Ap’r 29 1889’ £120-180 2287
An Edward VII Silver Basket, by Asprey and Co. Ltd., London, 1924 in the George III style, shaped circular and with shell and foliageheightened gadrooned border, on domed foot with gadrooned border, with wirework sides, the domed centre engraved with a badge and the rim engraved with an inscription 28.5cm diameter, 10cm high, 25oz 2dwt, 780gr
The inscription at the rim reads ‘J. E. Rawson from Two Steeples Limited after 50 years of service 1949’. £300-500
A Four-Piece Edward VII Silver Tea-Service, by Richard Martin and Ebenezer Hall, Sheffield, 1903 each piece oval and with fluted lower body, engraved with initials, comprising a teapot, with ebonised handle and finial; a hot-water jug, with ebonised handle and silver wrythen finial; a cream-jug and a sugar-bowl, in fitted oak case the hot-water jug 28.5cm, the case 52cm wide, total gross weight 5oz 19dwt, 1,740gr (4)
A George V Silver-Mounted Cut-Glass Claret-Jug, The Silver Mounts by Joseph Rodgers and Sons, Sheffield, 1914 the tapering glass body cut with ribbon-tied drapery swags, with plain silver mounts, the spout applied with ribbon-tied drapery swags, the hinged cover with openwork foliage finial and with leaf-capped scroll handle
28.5cm high
£800-1,200 2290
A Five-Piece Victorian Silver Tea and CoffeeService, by William Gibson and John Lawrence Langman, London, 1891, Retailed by Goldsmiths and Silversmiths Co. Ltd., London each piece tapering and on ball feet, the shoulder with a reeded band with foliage corners, engraved with a crest, comprising a teapot; a smaller teapot; a coffee-pot, each with wood handle and finial; a cream-jug and a sugar-bowl the coffee-pot 23cm high, total gross weight 64oz 11dwt, 2,009gr (5)
£800-1,200
2291
2291
A Set of Six Victorian Silver-Gilt Dressing-Table Bottles or Jars, by Samuel Summers Drew and Ernest Drew, London, 1893 each chased with foliage, flowers and rocaille, comprising a glass-lined scent-bottle, engraved with initials; two oval section jars with bayonetmounted hinged covers and three differing cylindrical jars, two with pull-off covers and one with threaded cover; Together With a similar clothes-brush, by William Comyns, London, 1892 weighable silver 15oz 1dwt, 468gr (7)
2293
2293
A George V Silver Inkstand, by Mappin and Webb Ltd., London, 1921 oblong and on four scroll-cast feet, the sides and back with pierced gallery and with an overall gadrooned border, later engraved with an inscription, with two silver-mounted cut-glass ink-bottles; Together With an associated silver-mounted fountain-pen 27.5cm wide, weighable silver 27oz 8dwt, 853gr (2)
The inscription reads ‘To A. Norman Dugdale From His Fellow Directors of The Manganese Bronze & Brass Co. Ltd. May 1909-June 1943’
2292
22922294
A Pair of George V Silver Sauceboats, by Stokes and Ireland Ltd., Chester, 1928 in the George III style, each oval and on three scroll feet, with gadrooned border and leaf-capped scroll handle 20cm long, 22oz 4dwt, 690gr (2)
Provenance: with Boustead Bland Antiques, Chester, November 2001. £200-300
2294
A Cased Set of Four George V Silver Place-Card Holders, by Goldsmiths and Silversmiths Co. Ltd., London, 1929 each formed of two circular discs and on a circular base, in fitted gilttooled blue leather covered case, applied inside with a plaque engraved with an inscription the case 19cm wide, the holders each 32mm diameter, total weight 3oz 9dwt, 108gr (4)
The inscription reads ‘Mummy and Daddy 1905 8th Feb 1930 From The Kids’
An Elizabeth II Silver Tray, by David Shaw Silverware Ltd., London, 1978 shaped oval and with two scroll handles 60cm wide over handles, 70oz 14dwt, 2,199gr
£1,000-1,500
A Cased Pair of Elizabeth II Silver ChampagneFlutes, by Carrs of Sheffield Ltd., Sheffield, 2000, Britannia Standard each tapering and on spreading base, in fitted mahogany finish case, the case applied with silver plaque engraved with maker’s name and ‘Millennium’, with signed and numbered certificate the goblets 30.5cm high, the case 37cm wide, weighable silver 16oz 11dwt, 515gr (2)
£250-350
2297
A Pair of Elizabeth II Silver Two-Light Candelabra, by Bryan Savage, London, 1974 in the George I style, each on octagonal base and with conforming stem, the octagonal socket supports the removable branches, each branch terminates in an octagonal socket, with a further central socket, one with a detachable finial 20cm high, 48oz 3dwt, 1,497gr (2)
£800-1,200
