In its fourth print issue, t-art magazine turns its critical gaze toward the structures that shape contemporary art, with particular attention to exhibition politics and institutional critique. Anchored by reflections on the 2024 Venice Biennale, this volume interrogates the politics of identity, the limits of representation, and the performance of inclusion. Through exhibition reviews, personal essays, and visual works, contributors examine how curation, performance, and immersive environments complicate the boundary between audience and artwork. Highlights include incisive commentary on biennials, gallery shows, and museum collections, revealing the blurred lines between sincerity, visibility, and curatorial intent in an increasingly mediated art world.
