COOL GIRL ZEE VIBEZ
ind-bending masterpiece “Severance” and Mike White’s magnum opus “The White Lotus” rank high on my list of the best TV shows of the 21st century. “Trippy”, “blistering”, “spellbinding”, “triumphant”, and “tour de force” best describe the viewing experience. With each new episode, the shows have blessed the small screen with spectacular visuals that are both aesthetically satisfying and stylistically unique. They successfully deliver clever social commentary dished from different sides of the dinner table, further catapulting them to evergreen heights. So, in curating this issue, “The White Lotus” and “Severance” kept me on the edge of my seat by offering the masterful convergence of great intrigue, superb suspense, and unpredictable plot twists. Above all, it’s the unforgettable characters who have left me mesmerised.
Zooming in on the women of “The White Lotus”, I’m obsessed with all of them. I love-to-hate the gossipy mean-girl BFFs, joined at the hip and brought to life through stellar performances by Michelle Monaghan (Jaclyn), Carrie Coon (Laurie), and Leslie Bibb (Kate). Like the rest of the internet, I can’t get enough of Parker Posey’s exaggerated Southern accent as Victoria, with her slurring her speech because she’s boozed up and popping lorazepam — aaah, rich-people problems are top tier. My favourite meme-worthy moments of season three are Victoria’s odd pronunciation of “tsunami” and “Buddhism”.
Then there is Aimee Lou Wood (Chelsea) — it’s hard to resist the charm of her Mancunian voice and her overbite. Chelsea has a sting in her barb. Thanks to her sparkling nature, she can deliver a cutting insult in the cheekiest and most playful manner. In episode two, she nonchalantly suggests to her much older boyfriend Rick (played by the sublime Walton Goggins): “You’re gonna have loads in common with him — you’re both old. He’s bald and you’re going bald.” That was Chelsea’s doubled-edged pitch to get Rick to befriend another balding white man, Greg (Jon Gries) or, as they call them on the show, LBH (“loser back home”). The scene hit close to home and my inner monologue mirrored Greg’s rumble. Chelsea sent a dagger into my chest — I was triggered because I am Rick, hounded by malepattern baldness as a hallmark of ageing. Haven’t you heard, bald is a synonym for old?
THE EDITORFrom
Unlike Rick, I won’t wallow in self-pity and misery. Like Grammy winner Doechii said: “Denial Is a River”. I choose to make more out of less. Since December, I’ve enjoyed the freedom of my widow’s peak becoming more exposed. For some time now, my hairline has started further back on my scalp. I have even tried to work with my barber to cover it up, in an effort to accommodate the Chelseas of this world — no more!
My favourite unsolicited remark on my thinning hair has to be: “What’s up with the politician hair?” Much in the style of the judgy mid-40s divas — Jaclyn, Laurie, and Kate — in “The White Lotus”, the comment was delivered with a fake grin. But this was a backhanded compliment, subtle on the surface yet loaded with the subtext of criticism and insult.
(Side note: While on the subject of home truths, it’s a slap in the face to say to a 35-year-old: “You look great for your age.”)
I refuse to play a toxic game of one-upmanship — there are no clear wins and it comes with unhealthy shame, insecurities, and embarrassment. I will also not cover up with hats or opt for a cleanshaven chiskop to accommodate any unattainable beauty standard. What I will do is give myself grace. I’m going to own my visible bald spot and give it a fighting chance to shine. My confidence will not be diminished in the process — instead, I will pull it off with pride. By the time I’m done, it will be effortlessly cool. This is how I’m rewriting the classics this year.
Welcome to the April “rewrite the classics” issue, starring football legend Teko Modise, amapiano megastars Young Stunna and Zee Nxumalo, and supernova TV presenter Lerai Rakoditsoe.
Emporio Armani sunglasses, R3 193, Essilor Luxottica essilorluxottica.com/en; Swarovski Millenia tennis necklace, R10 500, Spilhaus spilhaus.com; Magugu F.C. jersey feather dress, R15 675, Thebe Magugu thebemagugu.com; watch, editor’s own; BMW Lifestyle shorts, R1 399, Puma; socks, stylist’s own; Speedcat OG sneakers, R1 999, Puma puma.com
REWRITE THE CLASSICS
The new Puma Speedcat is all about self-expression
Puma brand ambassador and rising amapiano artist Zee Nxumalo continues her road trip with Puma, showcasing the newest Speedcat silhouette in Royal Blue and White.
The Puma Speedcat was reintroduced in the summer of 2024 with immediate celebrity co-signs and sell-out appeal. In October last year it was named the hottest sneaker on the Lyst Index, the quarterly ranking of the hottest brands and products based on shopper behaviour, including searches, product views, social-media mentions, and sales.
The Speedcat is a bold symbol of selfexpression, capturing the spirit of freedom and unpredictability. It was brought back from the Puma archive for its 25th anniversary to rewrite the legacy of this motorsport-inspired style for a new generation.
The Puma Speedcat Royal Blue/White is available from puma.com, Puma retail stores, Sportscene, Archive, JD Sports, and Office London from 10 April.
Price R1 999
EDITOR-IN-CHIEF EMMANUEL TJIYA (smag@sowetan.co.za)
CREATIVE DIRECTOR ANNA LINEVELDT
FASHION DIRECTOR SHARON ARMSTRONG
BEAUTY EDITOR NOKUBONGA THUSI
SUBEDITOR IOLANDI POOL
FASHION ASSISTANT JENNIFER KRUG
DESIGN INTERN PATIENCE TSHABALALA
CONTENT PRODUCERS NOMBUSO KUMALO & MASEGO SEEMELA
FINAL EYE CARÉNÈ BOSHOFF
SOWETAN EDITOR SIBONGAKONKE SHOBA
CEO PULE MOLEBELEDI
ADVERTISING ACCOUNT MANAGER
CAPE TOWN: SAMANTHA PIENAAR 082 889 0366 pienaars@arena.africa
DEPUTY CHIEF SALES OFFICER PIERRETTE SPADONI (spadonip@arena.africa)
S.Mag is available with all copies of Sowetan newspaper, five editions a year PRINTED by CTP Printers, Cape Town, for Arena Holdings, Hill on Empire, 16 Empire Road (cnr Empire and Hillside roads), Parktown, Johannesburg, 2193
The new cLassics.
ACT:RED-HOT MESS: 01
01.
If red lipstick could go “off duty”, this is what it would look like. At Moschino, classic red lips took a break from their refined, considered character and entered a messier, worn-off territory. Lips were made to look severely lived-in, whether roughly outlined with just a red lip liner or with lipstick nonchalantly smeared on with a brush or the fingertips.
TRY:
Lancôme L’Absolu
Rouge Drama Ink
Liquid Lipstick in 525, R700; Nars
Powermatte Lip Pigment in Don’t Stop, R660
ANIME LASHES:
TRY: MAC Lash in 85
Sexpot Lash, R420; Benefit
BADgal Bounce Volumizing Mascara, R575
Inspired by Japanese anime and manga characters, eyes are made to look round, doe-eyed, and cartoon-like with individual false lashes. At Fiorucci, models were sent out withlashspikyclusters applied differentin lengths along the top bottomand lashes, creating an exaggerated fanned-out doll look, which was amplified with mascara.
3D LINER:
03.
When it comes to a classic, black, winged liner, we love ours super black and with a razorsharp finish. At Antonio Marras, the memo was taken one step further with a reimagined “flick-outside-the-lines” approach. Models sported eyeliner that hugged the top and bottom lash lines but was super elongated, thanks to a slither of black cardboard attached to the outer corner, creating a 3D-liner illusion that extended past the face.
TRY:
Byredo Kajal Pencil in Kali Kali, R610; Fenty Beauty Flyliner Longwear
Liquid Eyeliner in Cuz I’m Black, R595
MICRO
Denial may be a river but not when it comes to musician Doechii’s viral revival of face tape — she has turned it into a beauty statement by wearing it exposed. A classic hack to lift skin, with tape applied to the temples and connected by a wire, face tape is usually hidden under hair or makeup to create the illusion of a snatched face.
TREND
04.
Put those French tips on hold and take a cue from rapper Megan Thee Stallion for the update we didn’t know we needed — inverted nails. Also seen at Chet Lo, this futuristic, alien-like manicure is bizarrely intriguing, with long, iridescent press-on nails applied onto a short nail bed in reverse, resulting in the length of the nail lying against the fingers instead of over the nail edge.
New-Age Afro: The Afro is not going anywhere, but we were happy to see it receive an update at Soweto Fashion Week. In a modern twist to traditional Afro styling, hair was given volume and length through Afro-textured extensions and styled in a bubble braid that ran down the centre of the model’s head, like a Mohawk. Alternatively, hair looked just as cool when styled in multiple bubble braids to create a full “bubble Afro”. 02.
1970s bounce: At Tolu Coker, the 1970s made a comeback in the best way as hair got a breath of fresh air in a look inspired by bouncy blowouts and sweeping bangs. Models were sent out with double French twists, with height created at the crown via mini beehives for added volume. Thin, face-framing fringes and side pieces were given bounce with the use of rollers to create a rounded shape. 03.
Koroba mania: West African classics are still having a moment, as Koroba braids are still seen everywhere. The “upside- down basket” braids start at the centre of the head, ending in intricate coils, and this season some of their elements are also woven into other styles. Think Koroba-inspired coils at the ends of a braided high ponytail or coils woven into cornrows or box braids to create a coiled crown.
04.
Fantastical fauxhawks:
Seen at Dior Haute Couture and on sartorialist Candace Marie, classic faux hawks are given a touch of whimsy when paired with shells and feathers. At Dior, hair was slicked up into messy, punkish fauxhawks and finished off with twig-like feather accessories along the centre. Cornrows looked just as ethereal when styled into a braided fauxhawk and finished off with cowrie shells.
05.
Modern Mod: The retro obsession shows no signs of slowing down, with 1950s- and 1960s-inspired hair spotted at Tolu Coker. In a nod to 1950s retro curls and 1960s Mod volume, the two aesthetics seemed to merge as models showcased a softer, loosely waved treatment that felt more blowout and less tight curl, giving it an effortless, modern twist.
Business up front with a party in the back! That’s the vibe check when amapiano supernova Zee Nxumalo steps onto the set of her SMag cover shoot an hour behind schedule. She is the epitome of “sexy” dressing. From the front, her outfit’s demure silhouette is simple — until she turns around. Boom! Her breezy open-back top puts a slither of glowing skin on display. Peeping from her peekaboo style is a fine-line tattoo dripping down her spine. It demands my full attention.
Combining artistry and positive affirmation, the words “maphupho fezeka” are inked all the way down her back. When I point out that the script looks freshly tattooed and still slightly puffy, she confirms that her daring body art is only a month old, if not less. Directly translating to “dreams come true”, the tattoo is a gentle reminder of the incredible time the 22-year-old singer had in 2024. “Last year was crazy, a dream,” she says, almost as though she’s doubting that this is her life.
DARE TO DREAM DARE TO DREAM
THE NAME ON EVERYONE’S LIPS IS ZEE
NXUMALO
“But now it’s no longer a dream, it needs to be maintained. I’m at a stage where everything is possible and we can elevate it even further — it’s work now.”
No kidding, there is no stopping Nxumalo. After entering the music scene in late 2023 she has already name-checked collaborations with industry titans DBN Gogo (“Funk 55”), Kabza De Small (“Ucingo”), Dlala Thukzin (“Ama Gear”), Master KG (“Mfazi Wephepha”), and Pabi Cooper (“Thula Mabota”). Put Nxumalo’s light-lyric soprano on an infectious amapiano beat and you have an instant hit.
“In terms of rewriting the classics, I’m someone who came into the industry having looked up to the classics, the likes of Brenda Fassie and Babes Wodumo. I’m the new age of the classic,” she says.
Speaking of classics, there can be no doubt that the 2024 smash hit “Ama Gear” has written itself into the history books. “It’s still going to play in 20 years and some people are still going to go, ‘Why we were sleeping on this song?’,” she says with pride. “It’s going to get sampled and we are going to get more money. ‘Ama Gear’ is relatable to everyone from the age of four to 40.”
So how did the magnetic bridge and singalong chorus for “Ama Gear” come about?
“It was a freestyle and we did it in one take,” she recalls. “It was Thukzin’s studio camp and I was having so much fun. They played the beat and I gave it a try. Thukzin was by the pool and he heard it, stood up, and just started chopping it.”
She notes that music lovers are obsessed with the pre-chorus, especially the line “zee mabhodlela…”, which alludes to popping bottle and creating great vibez. But at the heart of the track is the inspirational message of a young woman seeing her dreams come true right before her eyes.
“Each song I do relates to the era that I’m in. I was in an era in which I felt as though my dreams were coming true,” she says. “Thukzin flew me to Durban just for a studio session. I thought it was crazy that they had booked accommodation and flights just for me to sing. ‘What if I don’t give you a hit? How can you risk all that money and time, just for me to come and sing?’ The lyrics speak to that, how we have switched into a new gear and are on another level.”
Previous spread: Hat, model’s own; oyster-bead necklace, R60, Mr Price; T-Astris top, R5 999, Diesel; Multi-styling wrap trousers, POR, Naked Ape; Speedcat OG sneakers, R1 999, Puma
This spread, left: Paisley headscarf, stylist’s own; hoops, stylist’s own; Emporio Armani sunglasses, R3 193, Essilor Luxottica; oyster-bead necklace, R60, Mr Price; Magugu F.C. Shift dress, R6 600, Thebe Magugu; socks, stylist’s own; Speedcat OG sneakers, R1 999, Puma
Below: Rings, R70, Mr Price; Hoops x Scooby Doo sweater, R4 399; “Lace em up” bralette, R999; Hoops x Scooby Doo trousers, R2 199, Speedcat OG sneakers, R1 999, all Puma
Stockists
Diesel diesel.co.za Essilor Luxottica essilorluxottica.com/en Mr Price mrp.com
Naked Ape nakedapeofficial.com Puma puma.com
Thebe Magugu thebemagugu.com
Nxumalo, who was raised in Alexandra township in northern Joburg, says she had a typical ’hood experience with her parents, grandparents, and extended family members. “I’m big on family. I have always loved everything to do with entertainment and fashion. I’ve always been that girl who entertains people and dresses nice.”
One of her biggest achievements came late last year when she was named as one of Puma’s local ambassadors.
“I knew I would be here even before it started, even with my Puma collaboration,” she says. “In 2021, when I was still in high school, we went to the Puma store in Braam. I asked my father to buy me a pair of shoes that were R1 500 and he kept giving me the runaround. So, I loved going to that store and just fantasising about what I would buy and how I would rock the tights. Two years later, I got the Puma contract. But the funny thing is, now that I have the access, I hardly go. It’s funny how life works.”
When I ask her what is next, she sums it up in two words: “The stars,” she quips.
DESIGN-
production : JENNIFER KRUG AND LISO CEZA
text : EMMANUEL TJIYA
photography : STEVE TANCHEL
FUTURE -ING LERAI RAKODITSOE IS USING HER VOICE FOR GOOD THE
“I want to be a world leader. What does that look like? I have no idea right now,” Lerai Rakoditsoe announces after I express my awe at her evolution over the past four years.
The 22-year-old TV presenter, doing her final year in politics and international relations at the University of Pretoria (UP), laughs when I point out that she’s nothing like the image that made her famous. She has become more outspoken, self-assured, and animated. “I’m in a space where I’m no longer taking myself as seriously as in the beginning,” she replies. “I knew the only thing I had going for me, coming in, was professionalism. Now I want to have fun with myself.”
When I first met the starry-eyed Rakoditsoe in early 2021, she was the new kid on the block. I did her first press interview when she made history as Nickelodeon Africa’s first African presenter at the age of 18.
“A few months prior to my joining, Uncle Vinny had joined MTV Base and we were great friends,” she says, remembering how she ended up presenting NickMusic. “One day, the Major League DJz were having an Amapiano Balcony Mix close to where I lived and Vinny asked me to bring him something to eat. So, I took him the skhaftin [lunchbox] and just ended up chilling with them. That particular Balcony Mix is online, you can actually see the moment that changed my life on a rooftop. I sent an audition tape to Paramount [the parent company of MTV Base and Nickelodeon Africa] after I’d been asked and then forgot about it.”
She is currently shaking things up at MTV Base.
Next, Rakoditsoe tells how she crossed paths with Grammy winner Tyla early in her career, before the “Water” hitmaker found global superstardom.
“On my callback script, I think they had levelled it down to the final two and they’d accidentally given me the wrong script,” she recalls. “The name on top was Tyla. At the time, she had just gotten her record deal and dropped “Getting Late” with Kooldrink. Even more crazy, just before that I had interned for her first manager. It was funny to see her name pop up again. It’s crazy to see how much she has achieved.”
Rakoditsoe is now back at UP after taking a break last year to focus on her mental health.
“UP is one of the best research universities in Africa and my degree is research intensive,” she says. “It’s exciting to learn about what’s going on in the world. I want to get the degree so I can up my skills. I love learning and reading.”
Previous spread: Rings, R70, Mr Price; hoops, stylist’s own; Swarovski Harmonia choker, R9 300, Spilhaus; oyster-bead necklace, R60, Mr Price; Palais artisan shirt, R2 199; baby T-shirt, R369; archive jorts, R1 499, all Puma; socks, R40, Mr Price; Speedcat OG sneakers, R1 999, Puma
This page:
Hoops, stylist’s own; Swarovski Harmonia choker, R9 300, Spilhaus; archive racer jacket, R3 499, Puma; Magugu F.C. Home jersey, R4 850, Thebe Magugu; D-Zenyd dress, R7 999, Diesel; socks, R40, Mr Price; Speedcat OG sneakers, R1 999, Puma
Stockists
Diesel diesel.co.za Essilor Luxottica essilorluxottica.com/en Mr Price mrp.com
Naked Ape nakedapeofficial.com Puma
puma.com Spilhaus spilhaus.com
Thebe Magugu thebemagugu.com
We return to the topic of how, as a social changemaker, she plans to reshape the world. Rakoditsoe speaks with passion, her critical thinking paired with problem-solving skills and great communication. Her positive outlook on making an impactful change in society is rubbing off on me and I’m beginning to believe that there is a better and brighter future out there — the world is safe in her hands.
So, what is the next step after her getting her degree? Is it goodbye television? Not quite — later in the conversation she hints that she will be making her acting debut this year.
“I have no idea right now, but I can see myself in an international organisation that has Africa’s interests at its core,” she answers. “Maybe being part of the African Union [AU] and being part of the people who transform a powerful entity like the AU. I’m about collaboration, so, getting great minds and ideas together and working together to solve problems, whatever that may look like, that’s what my career is going to be.”
This year, she launched RaiTalks, her politics podcast or, as she calls it, her “thoughtleadership platform”. Having a publication like SMag give her a platform to air her views is also not something she takes lightly.
“SMag asked me to give my political opinion of [this year’s] State of the Nation Address [Sona], which was happening in the evening,” she says. “That morning, I started stressing because you guys wanted to know my political opinions. It wasn’t about me looking pretty or a presenting thing. It aligned with my academic side, which was validated in that moment. That was a big achievement for me. I was sobbing the entire afternoon. I took my camera and started recording to encourage my followers to read the article. That validation was a great push.”
Rakoditsoe was raised by a single mother in Joburg, who remains her biggest hero — she knows that her mother sacrificed a lot, sending her to great schools while supporting extramural activities such as drama.
“I grew up watching an independent woman and I guess I became an independent woman myself. My mom comes from a hectic tech background and she got this child who just wants to run around in front of people and make them smile,” she says. “She gave me that logical and entrepreneurial thinking that crafted how I approach my career. But she’s also such a mom, she will see a stranger in the street and start showing them pictures of her daughter, who is on TV. She’s so proud and that’s all I want to do, to make her proud.”
Modern meets traditional in the blended wedding of content creator Anika and property broker Siphesihle
Dambuza
THE MEETING
Anika: We were both at Stellenbosch University, but we only met at a house party on 15 October 2018. The story Sihle likes to tell is that we once met in the BA building months before we met at the house party. Sihle: It was a Tuesday morning and I was late for my Chinese class, and my lovely makoti [bride] was sitting outside the class but never went in. She was with a mutual acquaintance and, despite being late, I recall saying to myself: “Who is this lady?” We had a brief chat but I didn’t meet Anika again until the house party two months later. The reason for this is that our mutual acquaintance couldn’t remember who she was when I asked about her. When she walked into the house party, I nearly jumped out of my skin.
THE DATING LIFE
Anika: We had “love at first sight” twice. He didn’t ask me to be his girlfriend but I could see he was into me. We’d spend so much time together but he wouldn’t say anything, so I took the initiative and I told him I liked him. Things between us became intimate and we chose to be exclusive. We were both students and didn’t have much money. So, we’d usually hang out at res. In the beginning of 2019, we had our first date — it was at a nearby restaurant and I had the yummiest oxtail.
THE LIGHTBULB MOMENT
Anika: When we went for our December holidays at the end of 2018, my mother didn’t know about our relationship. Not only did I want to make sure that Sihle was the one but I was also scared of the race discussion. I had been a naughty and rebellious child and was worried she’d think it was a phase. So, I sent her a long message explaining and expressing my love for Sihle. I was crying when I sent her pictures of us, but she said to me: “Relax. I don’t know why you’re making a big deal about this. As long as
he treats you well.” Sihle: I told my parents the same day I met Anika that “I had met my wife”. I never had a girlfriend before, she’s my first ever. I went on an 11-hour bus journey in December 2019 from Makhanda [formerly Grahamstown] to Cape Town to see her — that’s when I knew she was the one.
MEETING THE FAMILY
Anika: I met his family during the pandemic in 2020. I wore booty shorts and a top but I soon learnt that I had to wear dresses and skirts — at the time, I didn’t know or understand why, because we were just dating and not married, but I got to see how cultural Sihle’s family is.
THE PROPOSAL
Anika: Sihle is my second boyfriend, my first
one was in high school. Getting into a relationship with Sihle was for marriage, kids, and all that comes with that. We would often visit Sihle’s family in December so, in 2022, when he went home, he told me that he’d told his family that we were getting married the next December. All I was thinking was, “Where is the ring?” Afterwards we started looking for a venue, the dress, the suits, and all of that. It was only in August 2023 that he went down on one knee — after the wedding invitations had been sent out. Sihle: I chose to do the proposal at home. I wanted to surprise her by filling the room with balloons, but she opened the car boot too soon and saw the balloons. She apologised and said that she’d pretend not to have seen anything. I read a letter that I’d written but couldn’t finish the third sentence without crying.
LOBOLA NEGOTIATIONS
Sihle: When I proposed, I asked her dad and then her mom for her hand in marriage, since her parents are divorced. Her mother told me that, as much as paying lobola is a nice gesture, she would rather we use the money towards our wedding. Anika: My family is filled with women and I don’t have that many uncles, so even if we were to go the lobola route, it was going to be difficult to find uncles who’d represent me.
THE WEDDING
Anika: We got married on 1 November at Home Affairs but our official ceremonies were on 28 and 29 December. We chose a venue that was nice and affordable and close to everyone. Belmont Golf Club in Makhanda was the most central place, as we couldn’t do a two-destination wedding. A month before our wedding, Sihle’s aunt passed away and then his uncle passed away a week before the wedding. His parents called us, asking if we could reschedule, but we couldn’t because people from Cape Town had already bought their tickets to Makhanda. We delayed the running order of the wedding to later in the day, after the funeral. Our traditional wedding wasn’t open to the community owing to the restrictions, but many of my Afrikaans friends and family learnt a lot from the ceremony.
THE DRESS
Anika: Since I’m not a girly woman, I chose a plain, simple dress and matched it with a long, beaded veil. I was super excited to wear my traditional attire, made by Uyinqaba Designs. I got some of my inspiration from their Instagram page, to match the turquoise and orange as our colours. I also asked them to make a corset with a dress into one outfit and it turned out beautifully.
THE SUIT
Sihle: I wanted a plain suit but I couldn’t find what I wanted, so I chose to match my wife. My traditional outfit was my favourite because we looked like the perfect couple that we are.
a boss
ANDRONNICA MASE MOLA think like
Can you tell us a little about yourself? I grew up in Bela Bela, a small town outside Pretoria. I completed my schooling there before moving to Pretoria to further my studies in the early years of South Africa’s democracy. I eventually qualified as a chartered accountant and transitioned into commerce. What drew you to finance? In grade 10, during a career-guidance session, I learned about the new commercial-studies field being introduced at my school. I was good at math but not at science, so commerce was appealing. I was also inspired when our teachers explained that there were very few Black professionals — especially African women — in this field. The next day, I told my mother about my ambition and even wrote my name on my school bag with the chartered-accountant designation — CA. And although my journey took a few detours, such as studying part-time for a diploma in accounting, I eventually qualified as a CA 14 years later. After completing my junior degree, I joined the Auditor General’s office and now I am Barloworld Equipment Southern Africa CEO. What has been the defining moment of your career? Passing my final CA exam in 2002. It was more than just a qualification; it validated my journey. After matric, I didn’t have the funds for university and my bursary applications were rejected. Political unrest in the late 1980s had disrupted schooling, impacting my university entrance marks. I had to study parttime while working, which turned a seven-year CA journey into a 14-year one. That moment showed
... proves that dreams deferred are not dreams denied
text : SANAA MAJA
me that perseverance pays off. It also allowed me to make an impact, creating opportunities for marginalised groups and taking a seat at decisionmaking tables where change happens. What was it like entering a male-dominated field? It was challenging because there weren’t many people with whom I could identify. However, having a strong support structure helped. When I joined the Auditor General’s office in 2000, we were among the first group of trainee accountants in a
full-time programme, and we supported each other. In this industry, biases exist, and women often don’t get the benefit of the doubt. I advise my mentees to always be over-prepared, as this earns respect and credibility. If you were to ask my 16-year-old self whether I imagined that one day I’d be the CEO of a R28-billion business, the answer would have been no, but what I knew for sure was that growth was bound to happen. How would you describe your leadership style? I adapt my leadership style to the situation. At Barloworld, working with a young team, I needed to provide direction and explain the “why” behind decisions. As a partner at KPMG, I led among equals, which required a more collaborative and co-creative approach. Leadership success comes from knowing when to direct and when to work collaboratively. Who has inspired you in your career? My biggest inspiration has always been my mother. As a single parent raising four kids, she navigated many challenges. When I started working, I realised that her salary as a teacher of 34 years was only a R200 difference from my salary. That made me appreciate how much she had sacrificed. What keeps you grounded outside of work? My 17-year-old daughter keeps me busy, and I prioritise spending time with my family despite my demanding work schedule. If I weren’t an accountant, I would probably have been an interior designer. I love attending home expos, keeping up with design trends, and designing spaces for family and friends. What advice would you give your daughter, knowing everything you do now? I’d tell her to aim high and know that she can be anything she wants. The only real limitations are in our minds. Success isn’t accidental, it’s the result of a deliberate effort to make a difference. As long as she keeps moving forward with purpose, she can achieve whatever she desires.
FWOMEN ON
THE MOVE
At Barloworld, gender equity is a lived experience
or International Women’s Day on 8 March, three of Barloworld’s female leaders — Andronicca Masemola (CEO of Barloworld Equipment Southern Africa), Vuyelwa Mahanyele (Executive Head of Energy and Transportation), and Mbali Tshitenge (Executive Head of Aftermarket) — shone on the digital cover of SMag.
This year, the International Women’s Day theme was “Collectively, We Can Accelerate Action for Gender Equality”, a call to harness and leverage collaboration across genders, sectors, and spheres.
Barloworld is an industry leader in transformation, innovation, and thought leadership. It is committed to promoting gender equity and diversity in leadership and remains steadfast in its commitment to advance its diversity, equity, and inclusivity (DEI) efforts.
Equal employment is not just a mantra but a lived ethos in Barloworld, a progressive organisation committed to fostering a diverse workforce that reflects the demographics of its environment. This commitment is evident in the opportunities created across its operational footprint, particularly in driving diversity and inclusion.
Barloworld has group-wide diversity and inclusion targets in its employment equity plans. The company continues to progress towards a more diverse and inclusive workforce in South Africa by focusing on career development,
appointments, promotions, and retentions — and meeting and exceeding the targets set in its employment equity plans. A total of 52.4% of Barloworld’s leadership team, including the board and EXCO, consists of women. Women also made up 33.3% of the total South African workforce in 2024, with 29.5% of that total being Black women. In greater Africa, Russia, and Mongolia, Barloworld’s diversity and inclusion strategy includes increasing the number of women at all organisational levels. In Eurasia, women represent 43% of the management team, which is a 2.7% improvement year on year, and 39% of the people promoted were women.
In 2022, the company also launched a genderlinked bond to demonstrate its commitment to gender equity. This underscores Barloworld’s dedication to creating a diverse and inclusive environment that reflects the demographics of the communities it serves and the geographies in which it operates.
The inspirational women in Barloworld’s executive structures are future-focused and helping to give the company a competitive edge. They are driven by a dedication to foster an inclusive workplace that results in business growth and social impact. Masemola (above, middle, and on the opposite page) has fostered a culture of continuous improvement in her teams, making her a trusted and visionary leader. Mahanyele (above, right) spearheads innovative
strategies and cultivates dynamic partnerships to maintain the company’s position at the forefront of industry developments. Tshitenge (above, left) leads initiatives dedicated to delivering exceptional service, innovative solutions, and unparalleled value to customers across South Africa and beyond. Read more about Mahanyele and Tshitenge’s stories on sowetanlive.co.za/s-mag/
As Barloworld celebrates these milestones and the remarkable women in the organisation, it remains committed to addressing inequalities and ensuring that its legacy of inclusion continues. The executive team is dedicated to sustaining transformation and enhancing equal employment opportunities. This will be achieved through mentorship and career growth. The benefits of harnessing female leadership, which often bears the hallmarks of empathy, compassion, respect, and authenticity, augur well for all organisations.
Some of the career lessons shared by Barloworld’s female executives — along with the mentorship they provide — underline the importance of mentors in giving perspective. The company believes that the inclusion of women in business should not be a charitable act but rather a deliberate and vocal exercise with accountability attached to it. Only then will the goal of gender equity in South Africa’s corporate sector be achieved.
From left to right: Mbali Tshitenge Swarovski Harmonia drop earrings, R3 290, Spilhaus; Jozsy 3-Step dress, R13 999, Africa Rise; bangle and rings, model’s own; heels, model’s own Andronicca Masemola Swarovski Harmonia drop earrings, R3 290, Spilhaus; Zimmermann Eden gown, R34 844, Mytheresa; ring, model’s own; open-toe stilettos, R199, Mr Price Vuyelwa Mahanyele Swarovski Millenia Matrix earrings, R3 950; Swarovski Harmonia cuff, R9 300, both Spilhaus; watch, model’s own; Africa Your Time Is Now Sober kaftan, R6 000, Africa Rise; heels, model’s own
Babes Welocal
Tell us about your career in marketing? It has surprised me. Just when I think I’ve done all I can or given my best to a brand, I surprise myself when I move on to the next chapter. When I left Metro FM, I thought it had been the defining highlight of my career. When I joined Proudly South African [as chief marketing officer], nothing could have prepared me. I believe it’s a personal decision — spiritually, mentally, and physically — that determines my “why”. That’s what drives me and keeps me going. This is my ninth year at Proudly South African. I have grown with the brand and I’ve built a team of incredible people. How has the business of marketing evolved? Marketers have to be extraordinary. I am not satisfied with mediocre work and just ticking a box. I am completely over the top, steadfast, incredibly focused, and driven by one key question: what change am I going to make? I cannot leave a place the same way I found it. Marketing is evolving, and I have always been able to adapt. During Covid-19, as the head of marketing, the board and CEO asked me, “How do we justify keeping six event coordinators in the marketing department when there are no events happening?” I couldn’t accept that retrenching people was the only solution. I spent hours researching and teaching myself about webinars and how they could be relevant to our advocacy work. I realised we could perfect the world of webinars. I am proud to say that not a single person was retrenched or left without a salary. Being an industry leader, what are the three things essential for every marketer?
HAPPY MAKHUMALO NGIDI
... is an accomplished marketer with years of experience in her field
text : LESLEY MOFOKENG
First, I am big on kindness. People want to be seen and heard. I never respond just for the sake of responding; I listen. When people feel heard and valued, they give you their best. Kindness matters because everyone is facing challenges you know nothing about. Second is empathy. You need to put yourself in someone else’s shoes. If you can’t do that,
you can’t lead. Third, you can’t box in a marketing leader. The world is your oyster. It’s about pushing the needle, breaking boundaries when it’s safe to do so, and being incredibly innovative. Building on the mantra of “local is lekker”, how have attitudes changed to locally made goods? People are finally hearing what we’ve been saying over the years, and we are ecstatic. You often hear people say local goods are not of good quality or too expensive. But when it comes to buying global luxury brands, we never complain or question the quality. So, it is heartwarming to see people start with just a single local purchase and their mindsets change because they realise the impact of their purchasing decisions. Which campaigns and projects had the greatest impact for Proudly South African? During Covid, we had the legendary John Kani acting as the president in our ad titled “Game Time”, which encouraged people to buy local, so we could rebuild the economy. Our flagship event, the Buy Local Summit and Expo, is the premier local-procurement campaign and enjoys the support of various government departments, state-owned entities, and leading companies. It’s an annual, two-day gathering that attracts nearly 200 local exhibitors spanning various industries, over 1 500 delegates, 450 trade buyers, and 160 stakeholders from both the public and private sector. The Local Fashion Police campaign spotlights fashion and holds consumers accountable on how they spend their rands, encouraging them to consciously choose locally made garments. What advice would you give your 18-yearold self? Know who you are, be confident enough to take the lead. You’ll step into rooms you haven’t dreamed of yet. Take it all in, one day you will be your ancestors’ wildest dream come true, because the universe will align for you.
The Buy Local Summit & Expo 2025, hosted by Proudly South African, has ignited a commitment to buy local. This premier campaign is not only a call for patriotic procurement and consumption but also an acknowledgement that buying local is smart economics.
Held on 17 and 18 March at the Sandton Convention Centre under the theme “Building a Resilient Economy through Localisation”, the gathering was more than a showcase — it was a call to action for the future of the South African economy.
The event attracted hundreds of manufacturers, creatives, supply-chain agents, businesses, government representatives, consumers, and other stakeholders in the ecosystem of local production. Delegates and guests navigated conversations about how sourcing local products could protect industries, strengthen supply chains, and drive growth. The timing could not have been more perfect, as South Africa faces considerable economic challenges amid increasing geopolitical uncertainty. The world order is shifting and this has put global supply chains under pressure. Yet, this is also an opportunity for local enterprises to prove that resilience, innovation, and homegrown solutions are key to sustainable growth and that localisation is a strategic necessity.
In South Africa, small and medium-sized enterprises make up 98% of formal businesses and employ between 50% and 60% of the workforce. Yet, many still battle the perception that imported goods are superior. The Buy Local Summit & Expo is aimed at reversing that narrative and engendering the message of “Proudly South African”, as it showcases locally made products of world-class quality.
“Supporting local businesses means more jobs, economic stability, and a self-sufficient South Africa,” says Eustace Mashimbye, CEO of Proudly South African (pictured top right). From sustainable fashion to hi-tech manufacturing, the event spotlighted innovative local brands redefining industries. Attendees engaged with industry leaders, government reps, and business pioneers — all championing a thriving local economy.
Key discussions were held on the impact of local sourcing on jobs and resilience; how to make South African businesses the first choice; and the role of consumers, businesses, and the media in driving change. There was also a fashion panel, “Threads of Time”, exploring the past, present, and future of local fashion while, at a panel on “Local Heroes”, industry leaders shared their success stories.
Says Mashimbye: “Every rand spent locally strengthens our economy. It’s time to prioritise South African products.”
The Buy Local Summit & Expo is more than an event — it’s a movement that invites all South Africans to be part of the conversation. Local is the new global, indeed.
LOCAL IS LEKKER
The future of South African business is all around us
Tennis’strendy sist
ertext : PALESA BUYEYE
Padel is much more than just a sport, it’s a lifestyle
Padel is the new vibe — call it
Mzansi’s fastest growing sport or tennis’s trendy stepsister. And it’s not just Mzansi — the whole world is obsessed, and it’s now a feature at all kinds of celebrations, gatherings, brunches, and teambuilding events. The fast-paced game has become the go-to theme for everything under the sun, including mimosas with the girls.
Like the classics — tennis and squash — padel exudes an “old-money” aesthetic that the socialmedia kids crave. After all, we all wanted to look like Zendaya in Luca Guadagnino’s trippy tennis drama Challengers last year. The sporty and minimalist wardrobe of the film created by Loewe
and JW Anderson designer Jonathan Anderson had the fashion world going gaga for understated “tenniscore” silhouettes and colourways.
“Padel is like a mixture between tennis and squash. It has been played in Spain and Argentina since the 1980s/1970s but has been in South Africa for only about three years,” says padel coach Ethan Meyer, who has been playing since 2023. “The serving lines and net are inspired by tennis, while the glass at the back and front of the court and walls, which can be used to bounce the ball off of, is derived from squash. The scoring is exactly the same as tennis.” Unlike tennis, however, padel can only be played as doubles, bringing in the social aspect everyone loves.
“I remember watching people playing padel at the German Country Club a few years ago and on the one court there were very high-level players,” adds padel coach Sasha Martinengo. “And two courts away were four ladies who you could see had probably never played tennis, squash or badminton; they could hardly hold the racket properly. However, they were hitting the ball, laughing, and having so much fun.”
As with any sport or fitness trend, aside from the social aspect, the health benefits and the impact of consistently showing up on the court are major.
“There is a strength benefit to it in terms of activating your core and your lower body because of all the sideways and forward movements. There is also a lot of bending down,” Meyers explains. “It’s almost like high-intensity interval training but without the weights.”
Meyers adds that it can be especially beneficial for the elderly. Some upper-body strength is also a key benefit, as the padel racket is heavier than you’d expect. “One of my clients who had had a couple of lessons lost over 5kg in six months just from padel. He was training about four times a week,” says Meyer.
Apart from the physical and social aspects, padel, like tennis, is a mental game in which the player should not overthink things — getting out of your mind is the only way to conquer.
“The mental side of this game is phenomenal. Because it is a doubles game, you have to trust your partner and understand that both of you are going to make mistakes, but when you make those mistakes, you have to get over them immediately because the game is so fast,” Meyers says.
Although the sport has a number of benefits, it doesn’t come cheap.
“Padel is an expensive sport, mainly because it’s still new. The venue and courts have to charge a certain amount [to cover the] building [costs],” explains Meyer. “The other thing that makes it quite expensive — especially if you are taking it seriously — is the racket, which ranges from R900-R1 000.”
Meyer advises investing in proper padel shoes before forking out a grand for a racket, as the surface often needs a particular type of shoe for competing. “Your shoes need to have the correct grooves at the bottom — you can’t play with too much of a flat-footed sole if you want to take it seriously.”
Getting a coach like Meyer or Martinengo is the next step if you are trying to take the sport seriously or level up. If you are looking to train with a coach, you should budget anything from R600-R800 per session.
sowetanlive.co.za
THE Man
COMINGOFTEKO
SECOND MOD I SE
IS KEEPING IT REAL. BEYOND THE PITCH, LIFE AFTER FOOTBALL HAS BEEN REWARDING FOR THE GENERAL
Six years after hanging up his Cape Town City boots in 2019, football legend Teko Modise has reclaimed his mojo. These days, the 42-yearold, who made 66 appearances for Bafana Bafana and whose club career includes playing for Orlando Pirates and Mamelodi Sundowns, is no longer energised by dealing with demanding coaches, pleasing adoring fans, or securing lucrative contracts. Modise has found post-retirement success in fashion, broadcasting, and the boardroom. Style, in particular, has given him the freedom to express himself and he reveals that he’s in the “advanced stages” of an exciting clothing venture with African Fashion International (AFI).
TEKO MOD ISE
But, in order to make such a transition, Modise agrees that there had to be introspection and change — he needed to lower his defences.
“People think I’m arrogant, but maybe that has changed over the years. I had to work hard to remove that tag,” he says. “I needed to get rid of the wall. I built such a high wall and was very protective of my name. But [this] was also because I was insecure based on how the media portrayed me.”
Admittedly, it’s not his favourite topic, but Modise experienced terrible childhood trauma. He was born in Meadowlands, Soweto, and his father kicked him out when he was eight. Describing himself as a “street kid”, he would end up moving around a lot, which he hated.
“Many people, if they were to go through what I went through, would not have survived. I wasn’t supposed to make it. At every household I stayed I was chased out, until the last house, when I was scouted,” he remembers. “Football saved my life. I’m grateful to be here because I fought and worked hard to find myself in better spaces so that my kids wouldn’t have to taste even a bit of what I went through.”
As a boy, Modise didn’t know where his mother was, saying that his father kept them apart. His mother would eventually come back for him after learning that he was living on the street — only to drop him off at his greatgrandmother’s house. “She hated my guts,” he remembers of his great-grandmother.
His mother later returned and they lived together. But it was hardly a stable environment, as they moved around and he had many stepfathers. “I was the most ridiculed footballer in SA at one stage, which caused a lot of insecurity,” Modise says. “I never had an opportunity to defend myself and those insecurities are still there. I always wanted to be known as a footballer. I was insecure about how I had grown up and used to be jealous of people going home to be with their families. I didn’t want people to know where I came from and have them pity me. But when the media started digging, things started coming out.”
At 17, Modise got his big break when he was scouted by City Pillars. His years in Limpopo, between 2002 and 2006, shaped his football career. “I was isolated because I didn’t have friends in Limpopo and that helped me a lot.
S.Man cover: Oakley Latch Panel sunglasses, R3 120, Essilor Luxottica; layered chain necklace set, R90; rings, R70; signet rings, R30, all Mr Price; button shirt, R1 350; long denim trousers, R2 000, both Sinchui; socks, stylist’s own; Speedcat OG sneakers, R1 999, Puma
This spread: Giorgio Armani sunglasses, R10 984, Essilor Luxottica; layered chain necklace set, R90, Mr Price; Puma x Teenage Mutant Ninja Turtles vest, R2 599, Puma; Heirloom II shirt, R9 650, Thebe Magugu; rings, R70; signet rings, R30, both Mr Price; Heirloom II trousers, R8 250, Thebe Magugu; Speedcat OG sneakers, R1 999, Puma
Stockists
Essilor Luxottica essilorluxottica.com/en Mr Price mrp.com Puma puma.com Sinchui robynagulhas@gmail.com Thebe Magugu thebemagugu.com
After years of staying there and coming back to Joburg I was ready to be the Teko Modise whom everyone knows,” he says. “The reason I stayed longer in Limpopo was because that was the first time in my life that I felt loved. The owner of the club took care of me. He treated me as though I was his kid and he my father. I belonged.”
Modise prides himself on being a master of reinvention. But the transformation on and off the field has not been easy, and he has relied on the mentorship of the likes of veteran sportscaster Robert Marawa. “As a soccer player, you are used to doing the same thing over and over for years. Venturing into something new is always challenging and at times you are scared,” he says. “But I took a leap of faith and trusted that, if I failed, I had nobody to blame. In that transition I tapped into what I liked and I discovered that I love clothes. I’m not a big talker, but through clothes I can express myself.”
Creating a post-retirement template for those coming after him has been paramount.
“It seemed seamless to others, but it was difficult to be in a boardroom with people who had gone to school,” Modise admits. “My insecurities started to kick in a bit, but once I was accepted, I took the responsibility upon myself [to ensure that] those who come after me will reach greater heights than me.”
Modise observes that the way society views football has changed — it’s no longer solely about having skills on the football field. Local sport stars can achieve stardom by fusing their talent with good looks, a charming personality, and great style. He watches in awe how rugby player Makazole Mapimpi’s gregarious personality shines on TikTok and wishes he could have mirrored that when he played.
“The clubs are protective because football in South Africa is run like a culture. We also don’t have a history of footballers speaking well in the media,” he says. “So, we understand why they are so protective because those are the people who pay you, they are protective of their brands. They don’t give you the freedom to be so expressive of your personality outside of football.”
Taking his cue from Mapimpi, he plans to give fans more carefree content on social media. “I’m still scared,” he confesses. “I used to shoot a lot of content and then take it down on Instagram. I’m still struggling to find the balance between ‘am I bragging or is this who I am?’”
Relive your childhood this two everyday classics, baked a fresh twist
photographer : RAY MANZANA
Nothing bumps up the nutrition, convenience, and flavour of the beloved seven colours like a baked-beans and mayonnaise combo. But is it a salad or a side? You decide.
In curating an old-fashioned Easter menu with a mouth-watering twist, Umpheko food stylist and fashion designer Mpumelelo Dhlamini drew inspiration from dishes rooted in nostalgia.
BAKED BEANS MAYO, A SALAD? and
“This Easter, we are recreating the classics while keeping it contemporary,” Dhlamini says. “Even though we keep evolving as people, certain dishes remain dear to us. Those dishes celebrate who we are, merging the past and present, like the dishes I used to make with my late parents for the holidays.”
Enter Mzansi’s kitchen staples, the iconic baked beans and chakalaka. Packed with flavour, they also save time and money.
“South Africans love baked beans and chakalaka — that’s our thing,” says Dhlamini. “Growing up, I had an aunt who lived in Soweto, and I remember the smell of chakalaka greeting us by her doorway when we visited her. Chakalaka is the one dish that goes with almost everything, from a braai to a roast.
“It can be mixed up or kept simple — it elevates the plate and adds a different flavour.”
Easter by giving beans and chakalaka,
01. BAKED BEANS & MAYO “SALAD”
Ingredients:
1 can of Koo baked beans
1 can of Koo green peas (drained)
1/4 cup feta cheese
3 tablespoons of mayonnaise
Method:
1. In a bowl, combine peas, baked beans, and feta cheese 2. Add mayonnaise and mix 3. Serve with seven-colour classics
EASTER:
Ingredients:
400g shortcrust pastry
1 can of Koo chakalaka
6 large eggs
1 teaspoon green-onion spice
1 teaspoon Aromat
1/2 teaspoon black pepper
1/2 cup grated mozzarella cheese
1/2 cup grated cheddar cheese
Method:
1. Preheat oven to 180 deg C 2. Roll out shortcrust pastry and cut out circles that will fit in a muffin pan 3. Grease the muffin pan and add the pastry circles to each well, pressing down gently 4. In a mixing bowl, combine the rest of the ingredients — chakalaka, eggs, green-onion spice, Aromat, black pepper, and 3/4 of the cheese (the remaining cheese is for the topping) 5. Pour the mixture onto the pastry circles, gently filling each well. Leaving about a centimetre at the top 6. Sprinkle the remaining cheese on top of each mini quiche 7. Bake for 12-15 minutes or until golden brown
Dry ingredients:
1 cup polenta flour
1 cup all-purpose flour
1 tablespoon baking powder
2 tablespoons icing sugar
1 teaspoon salt
Wet ingredients:
3 large eggs
250ml sour cream
1 cup of canned Koo sweetcorn
2 tablespoons honey
1/4 cup unsalted butter
Method:
1. Preheat oven to 180 deg C 2. In a large bowl, combine all the dry ingredients; in a separate bowl, combine all the wet ingredients 3. Combine the two bowls of dry and wet ingredients 4. Line or butter your baking pan and pour the mixture into the pan 5. Bake for 30-35 minutes or until fully done. Do a knife test to see if the bread has cooked through 6. After baking, allow the bread to cool before serving.
SWEETCORN BREAD
02. MINI CHAKALAKA QUICHE
COLOUR THAT PLATE WITH KOO
It’s time to colour your plate with KOO.
Whether you’re ko kasi enjoying a sizzling shisanyama with friends or preparing a hearty seven-colours Sunday lunch for the family, KOO has the right product for the occasion.
And if, like most of us, you simply enjoy watching mouth-watering dishes being created, season four of Colour Your Plate with KOO is just for you.
After three fiery seasons, the show made an epic return to our screen last month with a few new additions. The long-standing head judges, celebrity chef and restaurateur Reuben Riffel and Tiger Brands food and nutrition expert Arthur Ramoroka, are joined by award-winning actress Thembisa Mdoda-Nxumalo in her second season as an official judge, as well as guest judges funnyman Sipho “Alphi” Mkhwanazi, stand-up comedian Vafa Naraghi, and influencer Mmule Setati. Mkhwanazi facilitates the role of Mr. Spice for KOO: “I’m honoured to be the face of such a deliciously fiery part of our culture and I can’t wait to share some exciting, spice-filled moments with all of you this season.”
The show revolves around aspiring home chefs who each week have to assemble appetising meals
Amp up your kitchen game with SA’s trusted favourite
incorporating KOO’s hero ingredients, making the plate their canvas and the food presented their work of art. An emphasis is placed on creating healthy and nourishing meals that contribute towards your “five-a-day” (three veg and two fruit) intake that provides essential nutrients such as fibre and vitamins for overall health and a balanced diet — an easy objective to achieve with KOO’s extensive catalogue.
However, it’s not all plain sailing, as the contestants are thrown curve balls in the form of “mystery boxes”, challenging them to dig deep into their culinary skills as they formulate a winning dish that ticks all the judges’ boxes in the hope of being crowned Mzansi’s next cooking star and winning the grand prize of R150 000.
For over eight decades, KOO has been a trusted household brand when it comes to delivering the best in canned foods without compromising quality or taste. To take just one example, the KOO Chakalaka and KOO Baked Beans combo — high in fibre, vitamins, and minerals — has become part of our gastronomic culture. This pairing brings many dishes to life, infusing each spoonful with a signature “spice and nice” flavour. KOO is more than just a decorative addition to your meal — it becomes the heart of it, as it transports you to a world of flavours and aromas that will warm your heart and satisfy your stomach.
Question is, can the contestants craft a dish that embodies all the elements of KOO that we have come to know and love? Or will the heat in the kitchen prove too much for them? Tune in and find out on season four of Colour Your Plate with KOO on Tuesdays at 7pm on SABC2.
REWRITTEN
The evolution of male practicesgrooming has seen routines go from being a basic means of cleanliness to being a sign of the times, a status marker, and even an act of rebellion. Now, it’s all about selfexpression and experimentation. Gents just want to have fun — and it shows, as grooming trends step away uniformityfrom and instead create pockets of individuality and creativity that borrow from oldschool classics.
CLASSICS
text : NOKUBONGA THUSI
DHRUV KAPOOR
EDITOR’S CHOICE:
TRENDING:
REBOOT : STAPLE
Retro replay.
Play back the classics as the streets and red carpets remaster them with a new tune. Micro-trend / Let it (side) burn: Mix a little Motown into your grooming as 1970s influences are seen in hair trends by way of supersized lamb-chop sideburns. Sported by retro icons such as Stevie Wonder, these are making a niche comeback as wide, triangular, neatly trimmed sideburns that give a cool, retro twist to modern styles such as fades, braids, dreadlocks, and Afros. Moustache comeback: When it comes to facial hair, it’s pretty much been a toss-up between being part of the beard gang or rocking some strategic stubble. But with the growing influence of the 1920s and more flair to grooming, moustaches are coming out tops as the facial hair to rock. Less a 1980s thick, chevron ’stache and more of a cleaner, almost pencil-thin variety, the modern moustache is best served on its own or paired with a goatee. 1950s barbering: Vintage barbering is putting its stamp firmly on the present as old-school barbering techniques and haircuts return with a twist. Taking inspiration from the 1950s, gents are turning to classic retro cuts that Andre3000 and Prince would be proud of — the pompadour, side part, and slick back, which champion a clean, structured sophistication, now merge with modern skin fades, beard blowouts, and textured tops. Y2K revival: Blame it on Kendrick Lamar’s Celine flared jeans at the Super Bowl halftime show, but the resurgence of Y2K is only gaining more momentum. A growing revival since 2020, Y2K is spilling over into grooming, bringing about a nostalgic refresh. Think frosted hair tips, sported by boy bands and athletes, slowly resurfacing atop of dreadlocks, with the tips dyed coppery blonde, paired with a clean line-up. Rodman rebellion: Classic cuts are getting an injection of colour by way of vibrant dye jobs that give a nod to 1990s bad-boy icon and US basketball player Dennis Rodman, known for his brightly coloured hair and rebellious grooming choices. The modern spin on buzz cuts, waves, and fades is seen on celebrities such as Usher and Chris Brown, who are turning to punchy hair colours such as green, turquoise blue, chrome, orange, and pastel pink. 1920s renaissance: A renewed look at the past is bringing about a new-found love for the 1920s. Take your cue from musician Omar Apollo and turn to male makeup inspired by the era. Think tight-lined smoky waterlines, diffused blush swept across the cheeks, and a healthy, natural glow to skin. As men step away from the idea that makeup feminises the face, 1920s-inspired makeup is being used to discreetly enhance male features to look more sophisticated and masculine.
TO CHOOSE THE RIGHT STYLE FOR YOUR FACE SHAPE
TIPS
01. If you have a square face. Your strong jaw is the perfect canvas for traditional, fuller moustaches such as the chevron, as the face’s width can support more facial hair along the upper lip. Also try moustache styles such as the horseshoe that will elongate the face.
02. If you have an oval face. Try to experiment with different, more adventurous styles, such as the pencil moustache, as your face suits almost any ’stache. Try to follow the natural shape of the face as there is no need to counteract any imbalances.
03. If you have a round face. Try not to go for wide styles with features that are rounder and set wide apart — rather keep your moustache style quite narrow, like the lampshade or pencil style, with a length that’s aligned with the corners of the mouth or extends just past them.
04. If you have a triangular face. It’s best to try to balance out the length of the chin with the rest of the face. Go for thick moustache styles like the chevron that will shorten the face’s length or a beard ’stache that will shorten a long chin.
1. Revlon ColorStay Multi-Liner in 007 As Is, R220 2. Moroccanoil Purple Treatment 50ml, R735
3. The Body Shop Jamaican Black Castor Oil Cleansing Conditioner 400ml, R235 4,5. Tweezerman GEAR moustache scissors with comb, R399 6. Fenty Beauty Cheeks Out Freestyle Cream Blush in Rose Latte, R545 7. Benton Snail Bee High Content Essence 100ml, R375
text : EMMANUEL TJIYA
: STEVE TANCHEL
“My first hundred thousand, I didn’t know what to do with it, I locked myself in my room in disbelief,” Young Stunna chuckles, reflecting on the first few months of his meteoric rise to fame. “I was like, ‘This is my first R100k, what am I going to do about it?’ I went crazy. I made my first million in my first year, it was crazy.”
This was three years ago. It all happened after he’d been called to the house of amapiano pioneer Kabza De Small. In 2021, while he was bubbling under as a hip-hop artist, Young Stunna found his sound in amapiano instead. Some two weeks after his meeting his hero and hitting it off in studio, they created the magical singles “Camagu” and “Adiwele”.
“I spent money recklessly and I learnt to save. I’m saving a lot now,” the 27-year-old says when I ask him about the biggest lesson he’s learnt
NA YOU NG STU N
Previous spread and above: UDolly the coat, R10 490; Isqalo knitted top, R3 600, both Imprint; rings, R70, Mr Price; BMW Lifestyle shorts, R1 399, Puma; socks, stylist’s own; Speedcat OG sneakers, R1 999, Puma
Right:
Brighton shirt, R795, ALCA; Melo Phoenix T-shirt, R1 199, Puma; bracelets, model’s own; rings, R70, Mr Price; Melo Phoenix shorts, R1 999, Puma; socks, model’s own; Speedcat OG sneakers, R1 999, Puma
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in the past three years. “It’s been crazy, I haven’t been able to let it all sink in. Every week there is something new and I’m always on the road. There is less time with family and friends. I spend most of my time by myself. I have just been learning. Information goes a long way and it depends on with whom you associate yourself. Musically, I’m growing and the money is getting bigger.”
Not everything that came out of the Covid-19 pandemic was bad — Young Stunna is that anomaly. During lockdown, viral stardom and social-media success came calling. He hit half a million followers on Instagram in just five months and is now sitting on 1.4-million followers.
“My family gave me 2020 as my gap year after matric to try music,” he says. “I got distinctions and good grades when I matriculated in 2019. I could get into any university and my family was going to pay for it, but I didn’t want it. So, I ran away from home for six months in the middle of the pandemic. I lived with my producer and finished my hip-hop project. I just wanted to explore and he introduced me to amapiano.”
Born Sandile Msimango in Daveyton on the East Rand, his lyrics are heavily influenced by growing up in the ’hood. That’s where he got his other moniker, Mashaya. “Where I come from it’s difficult to make it out, unless you are disciplined and choose which side you are going to fall into,”
he says. “It’s either you chill in the corner to hustle or chill in the corner to do drugs. My music comes from those experiences and that’s why I call myself Mashaya, which is basically a hustler. When they call you Mashaya, it means you can sell anyone anything. I used to be around boys who stole phones and give them strategies to get big money.”
While both his parents (who are separated) were present in his life while growing up, Young Stunna was mostly raised by his two grandmothers. They made a huge impression on his life, especially since he was raised in the church.
“That’s where I learnt how to respect and carry myself,” he says. “As soon as you wake up, you are getting ready for church at home.”
Young Stunna says that his second album is 80% done — and his most important work yet. He describes the project, named after his greatgrandmother, as spiritual. “Not too much of the club life, I’m not into that,” he says of his creative process. “My music doesn’t use vulgar language. I don’t want to express myself like that.”
He is already making a transition in the new album with his appearance. “I want to introduce a new character, which is why I went bald,” he says. “I’m naming the second album after my greatgrandmother. It was good for me to cut my hair in that respect. It’s more than the music for me, it’s about what guides me to get there. Sometimes I feel as though I’m not doing the writing, but they [his ancestors] guide me. It’s not about me being smart or knowing how to turn a story into a song. When I get in the studio, they take over too. That’s why my music is not too vulgar.”
His debut album, “Notumato”, was recorded and released in just five months after he had been signed to Piano Hub in early 2021. The 16-track album had guest appearances by Kabza De Small, Big Zulu, Daliwonga, DJ Maphorisa, Blxckie, Sizwe Alakine, and Felo Le Tee. On the new record, he’s not exploring as many features, although he teases a huge international collaboration.
“The first album felt like an exercise to me because I didn’t know the requirements and what it takes to make a hit song,” he says. “I was just introduced to sound and it was my first time experimenting with and experiencing amapiano.”
He also plans to return to his rap career. “Amapiano saved my life, but hip hop is always home,” he says. “I will always go back to hip hop because I have more to say and amapiano doesn’t allow me to express myself like that.”
Young Stunna regards himself as a multihyphenate creative. When he’s not in the studio making music or performing on stage, he acts, writes, designs, and draw. He also doesn’t work with a stylist — all his fresh fits are all him.
THIS IS THE STORY OF HOW AMAPIANO SAVED MASHAYA
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The fashion designer delivers a masterclass in creativity, longevity, and relevance
Rewriting the classics... Being an icon or legend doesn’t matter to me. Your title does not define you, but your work must advocate what you stand for.
• The future and our economy lie in our hands, not only in government but also in us as individuals and the creative sector. • Travelling to different provinces and seeing how people celebrate and appreciate the brand makes me realise the impact we’ve had. This is a sign of affirmation that we are doing something right and are on to something great.
• A number of young designers have trained with us and have their own brands — Mmuso Maxwell, Siphosihle Masango, Ntando XV, and many others. It gives me joy to say we have done something.
• This year, we celebrate 21 years of being in business and our job is not done. More work is needed to ensure we build the South African clothing and textile industry that we want to see 10, 20 or 30 years from now. How it started… The decision to quit auditing is where everything began. Without that decision, I don’t think there would have
been a brand called David Tlale.• Winning Elle New Talent 2003 at South African Fashion Week launched the brand. • Building a luxury brand, proudly made in SA, started from humble beginnings in my hometown of Vosloorus, inspired by a vision. How it’s going… The new generation of creatives has harnessed the power of collaboration across disciplines such as design, art, and music.
• Social media has made it easy for creatives to communicate our brands and place them globally.
• Our biggest responsibility is to reignite the clothing and textile industry, making sure we partner with the government and private sector to reopen factories that will bring manufacturing back to South Africa. • We are starting to learn and understand the business of fashion holistically. We’ve moved past the infancy stage, I believe. • As Africans, we must own our resources and our craft and change the status quo of how Africa has always been perceived. The world is watching Africa. Lessons I’ve learnt… The first lesson was to strengthen my faith in and journey with God and to know that He is the keeper of my future and journey.
• Give your brand one more day because tomorrow will be a better day. In the creative sector, we sell art daily, so it’s important to be patient and never rush to achieve greatness. • Keep pushing boundaries daily by working both hard and smart.
• Each day is about learning, winning, and achieving — you need to remain passionate about your craft.
• Allow the journey to take its course, but sometimes you must direct your path: that’s why it’s important to remain principled and committed to achieving your dreams and aspirations. Lessons for the youngins… You must open up yourself to wanting to know more as a designer or as a creative. If what you bring to the table is competitiveness, then it’s pointless. • Know your purpose in coming into the creative sector and how you will contribute to the status quo of the fashion industry and the overall business of fashion in South Africa.
• Fashion is not about celebrity dressing and red carpets. There is a whole value chain. Know which part of the value chain you want to be part of and become a specialist within that space. • Don’t be afraid to start small.
text : NOMBUSO KUMALO
