LO OK
SMU MEDIA PRODUCTION
Production Director Meighan Ashford
Circulation & Merchandise
Coordinator Buck Todd
MAGAZINE
Editorial Director Cristiana Montalvan
Associate Editor Chloe Gjuraj
Senior Editor Lizzie Sexton
Writers Cameryn Smith, Elizabeth Wheless, Avery Zolfaghari
Editor Emeritus Leighton Cottrell
THE SITE
Digital Director Tyler Martin
Assistant Digital Director Mari Sato, Bella Stryker
Writers Reece McGowan, Sophia Pardo, Charlotte Pompa, Isabella Popo, Mythili Reddinbathini, Dakota Rose
FASHION
Creative Director Lauren Hastings
Assistant Creative Directors
Ella Miller, Betty Jane Thomas
Fashion Editors Emmy Kay Jensen, Alexis Perry
Model Coordinator Precious Nibigigwe
Production Coordinator Eva Guerree
Second Production Coordinator Ella McGriff
Fashion Assistants Cale Bedingfield, Electra Ford, Miranda Gonzalez, Kennedy Mehr, Quincy Nelson, Caroline Stiles
EVENTS
Event Director Jackie O’Hara
Assistant Event Director Ainsley Booth
Event Coordinators Nicole Kleinknecht, Sophia Knobbe, Brooke Morton, Kathryn Orr
ART & DESIGN
Art Director Maddie Miller
Assistant Art Director Angelica Koutsoubis
Art Team Laurel Dean, Carrington Miller, Tami Olujobi, Holland Poncy, Ilana Tatch
Photography Director Arden Eiland
Photographers Tyler Dallape, Morgan Hellebusch
Samantha Hernandez, Catherine Ourso, Davis Sinnott
MARKETING
Marketing Director Franki Palmer
Assistant Marketing Director Giselle Walker
Sales Team Internal: Tessa Maddox, Sophia Nguyen
External: Roberta Beneviadas, Bliss Hemstreet, Avery Leonard, Meghan Macdonald, Margo Washburne
Director of Affiliate Marketing Monet Manesh
Affiliate Marketing Team Valentina Geovanna, Sydney Gleiberman, Gala Jimez
SOCIAL MEDIA
Social Media Director Athena Mamatas
Instagram Director Emma Glaser
Instagram Assistant Olivia Atherton
Tik Tok Director Lia Domenech
TikTok Assistant Caroline Corcoran
Content Creators Ashley Brooks, Emma Clarke, Cate Cumbie, Dhana Henouda, Lilly James, Ava Mansourrian, Tessa Trivax, Maddie Wagner
Social Graphics Ruby Moley, Hailey Budenbender
ADVISORS
Faculty Advisors Andrea Arterbery aarterbery@smu.edu, Jenny Davis, jennydavis@smu.edu
Advising Editors Ethan Lascity, Jayne Suhler
Editorial Support Candice Barnhill, Lisa Goodson
Executive Director Melissa Chessher
CONTENTS
EDITOR’S LETTER
05 Energy by Cristiana Montalvan
QUICK LOOK
06 The Eat Sheet by Charlotte Fargis and Betty Jane Thomas
08 The Beauty of Determination by Meighan Ashford
WHAT’S TRENDING
10 Denim Redone by Lizzie Sexton
11 Sheer Chic by Cameryn Smith
12 Mixed Metals by Elizabeth Wheless
13 East Coast Casual by Chloe Gjuarj
FEATURES
14 Dandyism Deconstructed by Mari Sato
18 Made for You by Leighton Cottrell
20 Boot-Scootin’ Style by Ava Ingram
22 The Bigger Picture by Maddie Miller
24 Road Scholars by Elizabeth Wheless
28 Style Wise by Emmy Aasland
32 An Artist's Garden by Lauren Hastings
LOOKING BACK
40 Homeward Unbound by Sophia Pardo
ON THE COVER
Model: Hannah Lowe
Photography by Samantha Hernandez
For more information, see Page 11
SMU Look magazine is a biannual publication of SMU Look Media, the student-created, student-led editorial content brand based in the Journalism Division of Southern Methodist University in Dallas, Texas. All views and opinions published in this magazine and across SMU Look Media platforms do not reflect the views or opinions of SMU, its administration or faculty. For more compelling content, visit us online at SMULook.com and @smulook on Instagram and TikTok. To read this issue and all archived issues of SMU Look, visit Issuu.com/SMULook.
Collage design by Holland Poncy
LETTER EDITOR’S
Growing up in Miami, I was surrounded by the energy of the city. From the aroma of Cuban cafecito in the morning to the vibrant glow of neon lights at night, the melting pot of people and culture there comprised a community like no other place in America.
It’s definitely a different vibe from Dallas. When I first arrived at SMU, I immediately missed Miami’s energetic feel. An occasional palm tree sighting here just wasn’t enough. However, over the years, I realized that the energy I craved actually existed all around me – I just wasn’t looking for it in the right places. Now, I recognize the buzz of being out and about with my friends. I appreciate the thrill when my planned OOTD looks just right. Nothing makes me feel more alive than walking out of class after a final exam and into the bright, warm Texas sun.
As you flip through this spring/summer issue, I hope you’ll agree that we captured some of Dallas’s most energetic moments. There’s a piece about exotic sports cars coming to campus, a how-to about adding original art to your home, and several stories about where to go and what to wear while enjoying the sunshine.
As editorial director of SMU Look this year, I am incredibly proud of the team’s work on these pages, and I hope it inspires you to embrace the energy in your life, too.
THE SHEET EAT
A bite-size guide to the best local spots in Dallas.
By Charlotte Fargis and Betty Jane Thomas
Design by Angelica Koutsoubis
Photos courtesy of Betty Jane Thomas
When it comes to the Dallas dining scene, there’s plenty of appetit, but not all of it is bon. How’s a busy student to know the best place to go? Start by looking beyond the menu, says Lucy Burke, marketing director for Vandelay Hospitality, a group that includes restaurants considered among the coolest in Dallas. “Music is huge and such an overlooked element to a lot of restaurants,” she says, “and lighting is another weird thing you don’t think about, but we spend a lot of time tweaking and playing with the lights in these restaurants because those are the two first sensory experiences that a guest has and it being too loud or too bright can completely ruin an experience.” Of course, the menu does matter, and Burke suggests looking for culinary
variety. Whether it’s a playful twist on classic dishes or a menu that encourages sharing and exploration, variety is key to keeping the dining experience fresh and exciting, she says. From cozy hangouts to swanky new arrivals, here’s a serving of can’t miss spots located in neighborhoods convenient to campus:
Betty Jane Thomas is a senior studying advertising with a specialization in strategic brand management and fashion media. Charlotte Fargis is a senior studying journalism with a minor in advertising.
HIGHLAND PARK: JACK & HARRY'S
Jack & Harry’s, which opened in spring 2024, calls itself a New Orleans Chophouse, and it captures the energy of the Big Easy with its authentic Southern-inspired offerings. Entrees include a signature “Bourbon Street Gumbo” with either chicken and sausage or shrimp and jumbo crap and a variety of pan-seared steaks, of course. It’s also home to some of the city’s coldest martinis. With its Saltillo tile floors and cherry wood trim, the atmosphere is warm and inviting, and its proximity to campus – close enough to walk – it certainly convenient. Dallas native Jonathan Tsatsoulas, the restaurant’s executive general manager, says, “what makes NOLA so fun is the attitude and energy,” and that’s exactly what inspires Jack & Harry’s. But don’t expect to roll up in Lululemon: There’s a smart casual dress code here that keeps it classy among the city’s smart dining set.
6833 Snider Plaza, 972.432.4217, www.jackandharrys.com
OAK LAWN: DOLCE RIVIERA
Tucked between the neighborhoods of Oak Lawn and the Design District, Dolce Riviera is a must-be-discovered destination. Its sun-drenched patio, adorned with lush greenery and stylish accents, offers the perfect backdrop for an Instagram picture or a family celebration. Indulge in a stack of fluffy lemon ricotta pancakes, savor a plate of hearty fettuccine bolognese, or just sip on a mimosa. As the sun sets, Dolce Riviera’s patio transforms into a vibrant evening hotspot. The lively atmosphere, paired with innovative cocktails and creative plates, creates an unique dining experience. Social media influencer Alexa Field especially appreciates the “aesthetic drinks,” which she deems Instagram-approved.
950 North Harwood Street, No. 115, 469.458.6623, dolceriviera.com
LOVER’S LANE: DRAKE'S
HOLLYWOOD
If you’re after a glamorous, throwback vibe, Drake’s Hollywood is your spot. Nestled on the corner of West Lovers Lane and Briarwood Lane, Drake’s transports you to old Hollywood with its bold red leather upholstery and white tablecloth service. Murals of iconic Hollywood stars such as Marilyn Monroe adorn the interior walls, engulfing you in an atmosphere filled with martinis, caviar, and class. The honey truffle chicken is highly recommended, but save room for dessert: Drake’s strawberry cake will change your life.
5007 West Lovers Lane, 214.651.4114, drakeshollywood.com
KNOX HENDERSON: CHELSEA CORNER
Chelsea Corner’s outdoor patio in the Knox-Henderson district has been a gathering place for Mustangs since 1974. In the 1990s, two SMU alumni, Len Critcher and Chris Camillo, took over and breathed new life into its outdoor space, creating a haven filled with comfy couches, inviting barstools, and a massive TV screen so sports fans never miss a minute of the action. The outdoor patio is a favorite of SMU senior Clair Lapina. A patio regular, she appreciates how the space has “very chilled vibes during the day,” but transforms to a much livelier scene at night. The menu’s mix of upscale bar fare ranges from hearty chicken sandwiches to tuna poke tostadas, and most of it is priced under $20.
4830 McKinney Ave., 469.726.2211, chelseacornerdallas.com
QUICK LOOK
THE BEAUTY OF DETERMINATION
As a Black fashion media major at SMU, I was given two choices: blend in or stand out.
By Meighan Ashford
Design by Maddie Miller
Photography by Arden Eiland
My journey into the world of fashion began in my mother’s closet. At 6 years old, I watched in awe as she dressed for work, effortlessly pairing a flowing lime green polka dot maxi skirt with a crisp white button-up shirt. She exuded confidence, elegance, and grace — qualities that would shape my love for fashion. That moment was more than just an admiration for style; it became the birth of a passion within myself for an industry that tells stories through fabric and form.
But, as I grew older, I started seeing a glaring reality within the fashion industry: the continual absence of Black women in the spaces I aspired to enter. Despite an industry that’s always been inspired by Black creatives, such as Bethanne Hardison, one of the first high-profile Black models, and Elaine Welteroth, Teen Vogue’s first Black editor-in-chief, Vogue Business reports that only four people of color currently hold creative director roles at the major fashion luxury houses.
I entered Southern Methodist University’s Fashion Media program in the Fall of 2021, knowing that there probably wouldn’t be a lot of students within this space who looked like me. In fact, for much of the time, there would be no one. Apparently, this is the norm for Black students studying fashion. According to the Business of Fashion, Black students only comprise 8% of 2024 enrollment at the Fashion Institute of Technology and 5.2% in Parsons’ Spring 2023 enrollment.
While apprehensive, I was also excited because I realized the importance of my presence as one of 7.7 % of Black students enrolled at an institution with 51.7% white students, according to SMU’s Office of the Provost. Despite this, I knew I could be
great. There have been moments of isolation when I struggled to fit my voice into places where I felt it wasn’t welcome. For example, as a new digital writer for SMU Look Media’s online platform, I was always asked to cover and attend on-campus events for Black students because, as the only Black person on staff, others assumed that I’d be there. New ideas that I pitched outside of what would be considered the expected “SMU girl” aesthetic were often dismissed with the feedback of “no one would want to read that.” But this made me more determined to continue my journey.
Fast forward three years later, and I now hold the position of production director, overseeing operations for all of SMU Look Media. Despite these achievements, I’d be lying if I said there weren’t days when I questioned whether or not I belonged. But I also believe that’s where the beauty of my determination lies. The idea of belonging isn’t something given but is claimed — and I’ve claimed my space here in the hopes that more Black students who enter the Fashion Media program will continue to do the same.
As I prepare for graduation, I can honestly say that my journey here has been more than just my successes inside the classroom and within SMU Look Media. I leave here knowing I’m helping pave the way for other people of color who come into this program to write and take on leadership roles. We all can be whoever we choose, and I plan to keep elevating my voice within the fashion industry — one stylish look at a time.
Meighan Ashford is a senior studying fashion media and journalism with a minor in advertising.
WHAT’S TRENDING Redone
We share the season’s trends to strengthen your style.
Denim springs back this season as the wardrobe staple for warmer weather, but it’s anything but basic. Runways reflected a variety of styles, from retro-inspired looks like Y2K-inspired low rises to the wide, oversized silhouettes that have been trending for a while. Even the recently dismissed skinny jeans might be making a comeback: When Alessandro Michele debuted as creative director at Valentino for SS25 Haute Couture, he included straight-leg jeans in his collection, signaling a return to a slimmer fit. But denim
Denim
isn’t just dominating the runway. Celebrities like Bella Hadid, Lily-Rose Depp, and Rihanna are stepping out on the town in denim – sometimes even in double denim, aka the classic Canadian Tuxedo. Contemporary brands trending on the SMU campus include Frame and Agolde, and students who appreciate a more sustainably oriented brand wear vintageinspired jeans from the New York City-based independent label Still Here.
— Lizzie Sexton, Senior Editor
Model: Siena Badilla Dress: Alice + Olivia, $595, Alice + Olivia Highland Park Village Shoes: Gucci, $1,020, Neiman Marcus NorthPark
Sheer Chic
In the era of the Naked Dress, seeking the sartorial balance between shocking and sophisticated can be a challenge. Enter semi-sheer fabrics. Seen on celebrities like Lily-Rose Depp and Olivia Wilde and on spring 2025 runways for brands like Michael Kors, semi-sheer styles speak with confidence, but also with a whisper. Not ready for this much of a reveal? Hold back on a head-to-toe sheer look and pair a semisheer separate with a more classic, tailored opaque piece. That way your style will be the only thing on full blast.
— Cameryn Smith, Writer
Top:
Photography by Arden Eiland, Samantha Hernandez, Davis Sinnott
Styling by Lauren Hastings
Assistant Styling by Ella Miller, Betty Jane Thomas
Additional Styling by Cale Bedingfield, Kennedy Mehr, Alexis Perry
Model Coordination by Precious Nibigigwe
Design by Maddie Miller
Modeling by Abby Baden, Siena Badilla, Ben Kaplan, Hannah Lowe
Model: Hannah Lowe
Skirt: Monse, $690, MARKET Highland Park Village
Cult Gaia, $398, Neiman Marcus NorthPark
Heels: Manolo Blahnik, $925, Neiman Marcus NorthPark
Mixed Metals
For a long time, combining gold and silver was a fashion no-no. But the hautest trends often arise from broken rules, and mixing metals is a perfect example. Numerous celebrities and cool girls have rocked the look, including Hailey Beiber, Dua Lipa, Rihanna, and Leonie Hanne. It’s not just celebrities and influencers popularizing the trend but jewelers themselves. By simply browsing online, it’s clear that jewelry brands are pushing for this combination. Chic e-commerce fashion hub Net-a-Porter has declared the look ultra-chic, and independent luxury jewelry designers are championing it, too, including Foundrae, Yyonee Léon, and Spinelli Kilcollin, by featuring mixed metals in their most recent collections. The trend has even trickled down into mid-priced and mainstream lines, making it accessible for everyone. For example, LA-based brand Heaven Mayhem, founded by Australian model Pia Mance, went viral for its mid-priced mixed metal hoops after being spotted on Hailey Bieber in multiple looks during her pregnancy. So go ahead, mix those metals and make your stack really stand out this season.
— Elizabeth Wheless, Writer
Model: Abby Baden
RIGHT HAND JEWELRY:
Rings: (index finger) Banana Republic, $60, Banana Republic NorthPark; (Ring Finger) Stylist’s own
Bracelets: (Top) Model’s own; (Middle) Banana Republic, $160, Banana Republic NorthPark; (Bottom) David Yurman, $375, David Yurman NorthPark
LEFT HAND JEWELRY:
Rings: (Middle Finger) & Other Stories, $49, & Other Stories; (Thumb) Stylist’s own.
Bracelets: (Top): Banana Republic, $160, Banana Republic NorthPark; (Middle) David Yurman, $495, David Yurman NorthPark; David Yurman, $375, David Yurman NorthPark; (Bottom) Model’s own
Model: Hannah Lowe
RIGHT HAND JEWELRY:
Rings: (Index Finger) Banana Republic, $60, Banana Republic NorthPark; (Ring Finger) Model’s own
Bracelets: (Top) Model’s Own; (Bottom) Karen Lazar, $48, karenlazardesign.com
LEFT HAND JEWELRY:
Rings: (Middle Finger) Stylist’s own; (Ring Finger) Stylist’s own
Bracelets: (Bottom) enewton, $46, enewton; enewton, $46, enewtondesign.com; (Top) Model’s own
Watch: Stylist’s own
East Coast Casual
Preppy is more than peppy – it’s effortless style, but with a nostalgic touch. Just look at Ralph Lauren, the OG promotor of the polo life. While the brand has been channeling western styles in recent seasons, from Aspen chic to collabs with Native American artisans, it’s recently returned to its East Coast roots, showing its spring 2025 collection at a luxe equestrian complex in tony Bridgehampton, New York. Here the vibe was all about the Hamptons, and both female and male models worked the runway in blue and white basics like white pants, double-breasted navy jackets, and crisp white Oxford cloth button-downs – all with the RL monogram, of course. To achieve the Hamptons look for less, there’s always that mainstreamyet-classic mainstay J.Crew, or check out Parke, a current social media sensation stocked with easy, breezy basics, especially denim. — Chloe Gjuraj, Associate Editor
Model: Ben Kaplan
Shirt: Polo Ralph Lauren, $125, Dillard’s NorthPark
Model: Abby Baden Shirt: Hellessy, $620, MARKET Highland Park Village Jeans: 7ForAllMankind, $228, 7ForAllMankind NorthPark
To see a full page of where to shop, see pg. 39
the Africana Studies Department at Columbia University’s Barnard College. The exhibition features 12 sections that represent a defining characteristic of dandy style, and Miller serves as guest curator.
Dandyism Deconstr
Vogue editor Anna Wintour co-chaired the event, along with a coterie of Black celebrities renowned for their personal style: A$AP Rocky, Pharrell Williams, Colman Domingo, and Lewis Hamilton, with LeBron James as honorary chair. Each of these men has a different style, yet represents what Black dandyism is all about. Take A$AP Rocky. As a rapper, it would be easy to assume that his
WHERE DID BLACK DANDYISM ORIGINATE?
It’s generally believed that dandyism emerged in 18th-century Europe as part of a larger trend toward conspicuous consumption and consumerism. The trend was then imposed on Black men when it expanded among the upper classes to include fancifully dressed servants, according to the Costume Institute release; as a result, “both free and enslaved Black people quickly came to understand the power of clothing and style in signaling hierarchies of
Deconstr
How To ‘Dandify’ Your Style ucted
MIX TRADITIONALLY GENDERED CLOTHING
Black dandyism has always challenged tradition, especially ideas of what’s masculine and feminine in dress. Try mixing elements from both menswear and womenswear, like pairing a sharp suit with dainty accessories. For guys, this can mean carrying a clutch bag for women. Women might try inspiration from Doechii's 2025 Grammys outfit which featured Thom Browne custom suiting.
DRESS WITH INTENTION
Dandyism isn’t just about looking good, it’s about dressing with intention. Research the history and cultural significance of specific styles, like the oversized Zoot suit. Be sure to seek out independent fashion brands known for breaking cultural norms and challenging societal boundaries. Two Black-owned brands of note: Telfar, a New York City-based label started by Telfar Clemens, and Fear of God, founded in Los Angeles by Jerry Lorenzo.
BE EXTRA
The magic of Black dandyism often lies in blending past, present, pattern, texture, and print. Model and social media star Wisdom Kaye is a master of blending vintage and contemporary pieces with bold colors, patterns, and textures. He’s also known for indulging in accessories (especially Chrome Hearts bracelet stacks). Implement this methodology in your own dress by incorporating vintage finds with well-tailored investment pieces, and accessorize everything to the nines.
Mari Sato
story. “The origin of Black dandyism is in Black self-fashioning, whether it is on the African continent or in the diaspora of the United States,” he says.
WHY IS IT RELEVANT TODAY?
Square believes that it’s impossible to understand western fashion history “without considering the role and contribution from people of African descent.” Certainly America’s last 100 years of style rely significantly on trends that have emerged from Black culture and communities (see timeline).
For the everyday fashionista, however, the importance of Black dandyism is as clear as the lineup of the Met Gala co-sponsors, all legends across music, fashion, acting and sports who set the trends for everyone else to follow. They show that the concept of Black dandyism transcends any one style — or even what is considered high style. This is why someone who wears casual clothes, streetwear, and even athletic clothes can be considered a dandy. Square explains that it’s possible to play with ideas of dandyism without wearing something “rooted in respectability.”
Mari Sato is a junior studying fashion media and creative computing with a minor in business.
“Both free and enslaved Black people quickly came to understand the power of clothing and style in signaling hierarchies of race, class, and gender.”
Personalization offers a one-of-a-kind way to add individual style.
By Leighton Cottrell
Design by Tami Olujobi
Photography by Arden
Eiland
The hammering noise of an embroidering machine whirs loudly as Sarah Vose, an embroiderer at Clover Boutique in Dallas, guides the needle into place, stitching the swooping letters of a nickname onto the back pocket of a pair of designer jeans.
Once seen as an old-fashioned method of embellishing household items like tablecloths and quilts, embroidery has become an emblem of cool girl style thanks to an emerging trend in customization.
From painted handbags to charms on sneakers, personalization gives people the tools to create pieces that are uniquely theirs. Small businesses like Clover Women’s Boutique and Abbode, an embroidery business in New York City, are embracing this wave, while other brands like Staud and Marc Jacobs add sentimentality with hand-painted phrases and pet portraits.
But personalization isn’t just shaping trends – it’s taking over closets, one stitch at a time. Whether it’s a classic monogram or a bold graphic like cherries or lightning bolts, every detail adds a unique touch that embodies individual style, Vose says.
This trend is especially evident at Clover Boutique, a highend women’s clothing store. Here, Vose offers complimentary embroidery with purchase – no matter the item.
“You name it, we can add something special and personal to it,” she says. “It’s fun to see how the concept of embroidery and monogram design has completely pivoted into an art piece that elevates simple staples like a plain white tank top.”
Lydia Ramsdell, Abbode store manager, also has noticed customers using customization to elevate everyday pieces, especially when they have something specific to commemorate. “We see customers coming in and customizing something to denote an event or a new part of their life,” she says. For example, she’s seen college friends adding matching school logos to their tank tops, and brides getting their wedding day lingerie embroidered with their new last name.
Personalization does not just stop at clothing; it can also apply to accessories such as hair clips, purses, and even shoes. From subtle monograms to bold, hand-painted designs, customization is making its mark across the fashion industry.
The high-end brand Golden Goose is a prime example. The Italian luxury lifestyle brand originally made its mark with intentionally scuffed shoes, but it has since moved on to dominating the customization game thanks to a program it calls Co-Creation, allowing customers to customize their shoes by directing Golden Goose artists to add original designs to the shoes. In March 2024, Golden Goose expanded this concept by launching a 'bag lab' pop-up at the Neiman Marcus in Dallas’s NorthPark Center. The activation invited customers to personalize new bags with hand painting, charms, and other fun accessories.
Madison Salmonson, a Dallas-based artist with Golden Goose, says the people she works with really enjoy the opportunity to add a “sentimental and personal touch to their bags.” Her goal, she says, “is to put something really personal to the client on there, so they keep it forever and ever.”
Leighton Cottrell is a junior studying fashion media and journalism with a minor in French.
For you
By you
3 Tips for DIY Personalization.
As someone who loves embroidery as a hobby but also as a side hustle, I can attest that the craft is easy to get into, even if you don't typically have a knack for do-it-yourself projects. Whether you're picking up a needle for the first time or just looking for some tips to improve, embroidery is a craft that welcomes all skill levels (yes, I am serious). With just a few simple tips from someone who has been creating for over three years, you can create personalized and fun designs that give any piece some extra pizazz.
FIND YOUR INSPIRATION
This might sound like a no-brainer, but with endless embroidery ideas out there, it’s easy to get overwhelmed. The trick? Focus on what you love most! Whether it’s cherries, your initials, or something meaningful to you, narrowing it down makes the process more streamlined. Need a little spark? Scroll through TikTok or Pinterest—seeing what others have stitched up can inspire your next masterpiece. Once you’ve got your design locked in, it’s time to grab your needle and get stitching.
GO SHOPPING
“It’s fun to see how the concept of embroidery and monogram design has completely pivoted into an art piece that elevates simple staples like a plain white tank top.”
— Sarah Vose
The only downside to picking up embroidery? You probably don’t have a stash of supplies just lying around your house. But don’t worry — one quick trip to your local craft store can get set — for under $10. Here’s what you need to grab: an embroidery hoop (pick a size that best fits the item you're embroidering), colorful embroidery thread, and a pack of embroidery needles. Even better: All these supplies are usually in the same aisle, so you won’t have to wander around aimlessly searching for everything you need.
GET STITCHIN’
Once you have inspiration and supplies, the next step is to get started. Before you thread that first needle, though, you need to log onto YouTube. Here you’ll find myriad tutorials that will walk you through the basics. If you’re wondering which one to click on first, I suggest beginning with a tutorial on the backstitch — it’s extremely simple but looks super polished. I also suggest practicing on a scrap of canvas or fabric first, just to get the hang of the hand motions. Once you have mastered that, you are ready to pop your fabric into an embroidery hoop and start your masterpiece.
Leighton Cottrell
BOOTSCOOTIN’ STYLE
The Lone Star State’s favorite footwear isn’t just the best
Growing up in Austin, Texas, cowboy boots were everywhere, especially on my dad. As a country singer, his boots matched his persona as seamlessly as his guitar. Whether performing on stage, working around the house, or driving through the school pickup line, cowboy boots were his constant.
To me, boots always have symbolized practicality — built for long days and tough conditions. Recently, however, I’ve come to realize they mean so much more. From Austin City Limits to formal gatherings and luxury runways, cowboy boots are suddenly everywhere. It seems the fashion world is finally catching on to what my dad — and Texas — have known all along: That cowboy boots have grown beyond their ranch roots to become a symbol of style.
“Fashion mirrors the world around us, and TV shows like “Yellowstone” have glamorized the American frontier, fueling this trend,” confirms Chuck Steelman, district director at the Dallas luxury fashion retailer Stanley Korshak. “It’s not just Texas or Montana — these western influences are appearing globally.”
Even locally, Steelman says Korshak clients are enamoured by the steppedup style of luxury cowboy boots. In November 2024, the retailer hosted a shopping event called “Cowboy Cool.” Shoppers, many of whom Steelman says arrived at the event decked out in their own cowboy boots and fringe jackets, noshed on Western-themed bites like Frito pie and barbecue while perusing boots priced up to $3,000 and belt buckles worth as much as $98,000. “Customers loved
“Cowboy boots are fun, fashionable, and incredibly wearable they make anyone feel Western chic.”
— Chuck Steelman
Numbers confirm the rising popularity of Western boots. The market is thriving; it’s projected to 50% growth this year, nearing $2 billion in U.S. sales, according to Texas Monthly.
J’Nae Phillips, a London-based freelance editor, fashion columnist, trend analyst, and cultural researcher, confirms that “cowboy core” has gained international traction, especially in high fashion. Designers like Khaite, Gucci, Isabel Marant, and Saint Laurent are incorporating Western influences into their collections, Phillips says. Even legendary shoe designer Christian Louboutin got into the western spirit with its fallwinter 2024 “Giddy Up” collection, which leaned into themed motifs and materials like denim, buckles, horseshoes, and stars. The collection, according to a Vogue Singapore review, “pays homage to the adventurous spirit of the Wild West,” capturing what it called the “audacious essence of modern cowboys.”
But the cowboy boot trend didn’t just appear out of nowhere. Rather, their mainstream moment has come on the heels of the pop culture embrace of Western wear. Phillips points to TikTok’s “Coastal Cowgirl” trend that blew up in 2023, and also to the TV show “Yellowstone,” a neo-Western drama that ran on the Paramount Network from 2018 through the end of 2024. Business Insider called it “one of the biggest shows on TV,” and the show has since spawned two prequels and a sequel show, with more in the works.
And once people try on a cowboy boot, he adds, they’re instantly roped in: “Cowboy boots are fun, fashionable, and incredibly wearable. They make anyone feel ‘Western chic’.”
Boot designers, of course, have understood this appeal all along. “Cowboy boots have a way of empowering people to express themselves, whether they’re on a ranch or at a high-end event,” says Kelsey Crain, co-founder of Petite Paloma, a luxury boot brand based in Dallas.
The key lies in the comfort and craft quality, says Lizzie Means Duplantis, co-founder of the Dallas-based luxury cowboy boot brand Miron Crosby, which has boutiques in Dallas, Aspen, and Houston. “In a world dominated by fast fashion, people crave something authentic, and cowboy boots deliver that,” she says. They’re also so versatile, she adds, “you can wear them with jeans, a dress, or even a ball gown, and they still make a statement.”
Indeed the cowboy boot’s journey from ranch to runways has been big news in the fashion world, but not to my dad. “No matter where I’m going,” he says, “my boots are comfortable, they last, and they always feel like the right fit.”
Ava Ingram is a senior studying advertising and fashion media with a minor in journalism.
Photos courtesy of Caroline Guinn
(Left) The author with a selection of boots from Dallas-based boot brand Petite Paloma.
The Bigger
For recent college grads, investing in art represents an important rite of passage.
By Maddie Miller
Design by Maddie Miller
Illustrations by Angelica
Koutsoubis
When Lexi Friedman moved to New York City to start graduate school, she decided it was time to move on from dorm-era decor. Now, she would decorate her new apartment with original works of art.
“I became interested in buying art after college,” says Friedman, who graduated from Southern Methodist University in 2024 with a degree in fashion media. “I saw it as an investment, and I loved how you could find pieces that held special memories.”
When choosing what kind of art to add to her walls, Friedman knew exactly what she was looking for. “I’m particularly drawn to modern and abstract styles for their ability to bring energy and personality into a space,” she says. Even better, she says, the “open-ended nature of these styles invite individual interpretation”— meaning they serve as great conversation-starters when friends come over.
Friedman isn’t the only recent graduate to start buying art. Lauren Zogg, director of Blue Print Gallery in Dallas, says she frequently sees people in their early 20s looking to make their first art acquisition. In addition to visiting galleries, she says they’ll also seek out art fairs and other opportunities to participate in the “cultural experience” of buying art.
Young people also turn to social media to find artists and art, and they’re increasingly making their purchases online, says Danette Dufilho of Conduit Gallery in the Dallas Design District. Although there are many online-only art-buying options like artsy.net and even artist accounts on Instagram, Dufiho notes that many brick-and-mortar galleries offer ecommerce options, too. In fact, she says, Conduit Gallery recently invested in a reboot of its website to better showcase its collections to online buyers.
Bigger Picture
But it’s not just about where young people are buying, it’s also what they are buying. Reyne Hirsch, the owner of Dallas Auction Gallery, also in the Dallas Design District, says that younger generations are less interested in pieces that resemble “what their grandmother collected.” They’re turning away from traditional paintings and prints in favor of mixed media or sculpture, she says, adding that they’re also more likely to gravitate to works that address social causes that are important to them.
Since moving to New York City, Friedman says she’s enjoyed exploring the local art scene. She’s even purchased a few special pieces by emerging artists that she feels will be “long-term investments that I’ll keep for years to come.” Yet the most important piece in her growing collection just might be the one that holds a deep, personal connection. It’s a portrait painted of Friedman and her sister by a friend from SMU, fine arts major Davis Bland. “It’s one of my favorite pieces,” she says, “because it’s so beautiful and meaningful.”
Maddie Miller is a junior majoring in fashion media and marketing with a minor in advertising.
Collection Suggestions
Looking to level up that post-grad pad with an original work of art? Here’s where to start.
1. SETTLE ON A STYLE
Liliana Bloch, owner of Dallas-based Liliana Bloch Gallery, recommends going to museums and galleries to discover which styles resonate — and note which don’t. “Find what touches you about life because art intersects every aspect of it,” she says. A benefit of buying for love? “If the art market changes, you have lost nothing,” notes Reyne Hirsch, owner of Dallas Auction Gallery.
2. BAN THE BLEND
Avoid the idea that an artwork should match a piece of furniture or sync up with a room’s decor style, says Hirsch. Instead, she suggests approaching a work of art as a “talking point” that centers the rest of the room. Pro tip: Before buying any artwork of any style, Hirsch recommends ensuring that it’s signed by the artist. This signature, she says, adds “prestige and recognition” to the work.
3. SPEAK UP
Bloch believes finding that favorite piece starts with conversations. She encourages art buyers to speak with the gallery owners or assistants so that those-in-the-know know what to share. In fact, she suggests it’s best to “lose all shyness” — simply asking a question can make a difference when it comes to getting the right piece for the right price.
Maddie Miller
ROAD SCHOLARS
The Boulevard Car Club satisfies students with a need for speed.
By Elizabeth Wheless
Design by Maddie Miller and Ilana Tatch
Photography by Tyler Dallape
Model: Carrington Miller
Southern Methodist University always bustles with the sights and sounds of campus life.
But it’s rare to hear the roar of revving engines near Moody Hall — and rarer still for the nearby commuter parking lot to be filled with row after row of Ferraris, Lamborghinis, and Porsches. Yet that’s the scene I encountered after rolling up to the Boulevard Car Club’s spring meet-up on March 2.
The Boulevard Car Club was founded in 2022 by a trio of SMU students: Elliot Brandler, Reed Chudy, and Braden Schlimme.
“The idea came from wanting to create a space where SMU students could connect with local alumni and professionals in DFW through a shared passion for cars,” says Schlimme. “With such a large community of enthusiasts on and off campus, I was surprised a club like this didn’t already exist, but we set out to build more than just a car club — we wanted a platform for connection, collaboration, and fun.”
The club achieved financial independence within its first three months thanks to merchandise sales and event sponsors like Red Bull, Schlimme says. While the club was then able to self-fund its events, there was still work to do. “The biggest challenge early on was figuring out how to market the meets — where to post events to get the biggest turnout,” says Brandler. “Coordinating with SMU to make sure everything was approved and ran smoothly took some learning.”
Today, the club has grown to include more than 200 active members, and its Instagram account, @boulevard_car_ club, has become an effective tool for spreading the word about events.
THE DRIVE TO BELONG
Boulevard Car Club members get involved for a variety of reasons. Julian Seghers, a junior finance major, serves as club president and says he originally joined because he is passionate about cars and car collecting.
“If you’re passionate about cars or even just curious, this is a space where you can ask questions and try something new with a welcoming and enthusiastic community.”
— Stephanie Ciarochi
Community was one of the reasons Edward Weld joined the club. “I joined before I even had a car on campus,” says Weld, a junior financial economics major. “It’s given me an excellent way to connect my passion for cars with other SMU students and the Highland Park community.” He now has a car — a black BMW M304i xDrive — which he proudly brings to club meets and displays. For Weld, though, showing off his car is more than just a flex. “People don’t really know the history behind the vehicles they drive, and I feel like car culture is really connected with history, which is why I connect with classic cars,” he says. He also notes that engaging with people about his car at club events has helped him to hone his networking skills — there’s never any anxiety or pressure when speaking with a stranger when they share a similar passion for cars, he says.
For Stephanie Ciarochi, a junior finance major, being a part of the club sparked her appreciation of car culture — and the club itself. She now serves as its vice president. “Being part of the Boulevard Car Club has taught me so many valuable lessons about leadership, inclusivity, and the importance of community,” she says. “If you’re passionate about cars or even just curious, this is a space where you can ask questions and try something new with a welcoming and enthusiastic community.”
Elizabeth Wheless is a junior studying business management and fashion media.
Behind THE PHOTOSHOOT
I learned about the Boulevard Car Club while in a chair lift in Vail, Colo. Seated next to me was one of its members, Edward Weld. We quickly realized that we were both students at Southern Methodist University. That’s when he told me about the club, and his enthusiasm made a lasting impression on me.
A few weeks into the spring semester, I noticed a car meet scheduled for March on the club’s Instagram page. My mind immediately jumped to the possibilities for SMU Look magazine, where I’m on the editorial team. Of course, I thought of a photo shoot with the perfect vintage convertible where our photo team could capture the glamour of Old Hollywood.
I had no idea what to expect when planning the photo shoot. I figured there’d be a few cars lined up in the parking lot and maybe a handful of students hanging around. I was so wrong — the car meeting wildly exceeded my expectations. There were rows of exotic and exclusive cars, and the lot was filled with students, families, alumni, and other car fanatics chatting excitedly about all the vehicles on display. The car owners enthusiastically showed off their vehicles, lifting the hoods so everyone could observe the engineering inside. Among my favorite cars on display: the green Lamborghini owned by SMU student Ashish Veerjiwere and a vintage Pontiac that looked straight out of the movie Grease. There was even a coffee cart — a student-run business called The Bean Guys — and a vendor selling Hot Wheels toy cars.
Since private individuals owned each vehicle on display at the meet, we had to ask them for permission to include their cars in our shoot. Most were excited to participate in the shoot and agreed to let us feature their vehicles. I had so much fun at the meet that I decided to join the club. Look for me - and my wheels - at the next meet.
Elizabeth Wheless
STYLE WISE
Buying clothes from independent designers may cost more than fast fashion, but here’s why it’s worth the investment.
By Emmy Aasland
Design by Maddie Miller and Holland Poncy
Photography by Arden Eiland
From his design studio in Dallas, creative director Crespatrick de los Reyes transforms wide sheets of discarded denim into the jackets, shirts, and jeans he sells under his streetwear label, Crescente Patricio. From the curved front pockets and inverted seamed sleeves of his signature Saddle Pocket jacket to the eight pieces of raw denim used for his straight-leg jeans, each piece in the collection brings new life to fabric that might otherwise go to waste. But it’s not a fast process — every piece is hand-crafted in small batches, and custom orders are welcome. “There’s beauty in the slow process of making things,” de los Reyes says. “Not everything has to be mass-produced.”
That slow production process enables Crescente Patricio to remain a coveted niche brand among creatives such as artists, photographers, and stylists. Price is also a factor. The least expensive denim jacket costs $400, while trousers start at $350.
“What I’m making is limited in quantity or very much like a one-of-one piece, which, of course, is going to be more expensive,” explains de los Reyes.
In contrast, a basic denim jacket from H&M starts at $45; at Shein, it’s just $14. Price differences like these highlight why fast fashion brands have become the behemoth they are today. The global fast fashion market is valued at $54.85 billion, with nearly half of that market share
“There’s beauty in the slow process of making things.”
— Crespatrick de los Reyes
coming from North America, according to a March 2025 analysis from Coherent Market Insights, a market research firm that analyzes industry trends and forecasts. The State of Fashion 2024 industry report, produced by The Business of Fashion and McKinsey, found that 40 percent of US consumers shopped at Shein and Temu, Chinese-based fashion sources boasting rock-bottom pricing.
It wasn’t always this way. In the early to mid-20th century, small ateliers and designer-led brands defined the fashion industry. These independent designers understood American culture and lifestyle, creating the foundational fashion pieces that resonated with consumers, says fashion educator Dennita Sewell, founding director of ASU FIDM, a partnership between Arizona State University and the Fashion Institute of Design & Merchandising in Los Angeles.
Jessie Franklin Turner was one of those pioneers, establishing her atelier in 1923 on New York City’s prestigious Park Avenue. She was among the first to create unique designs rather than simply copying what was trending in Paris. In the 1940s, designers like Claire McCardell and Bonnie Cashin introduced innovative sportswear that emphasized practicality and comfort, creating a “modern dress code” that included easy-to-wash cotton dresses and even pants, according to the Metropolitan Museum of Art.
Economic shifts and technological advancements in the 1970s and ’80s transformed garment production and consumer demand, giving rise to a new kind of industry: fast fashion. With production centered in countries like India and Bangladesh, renowned for low wages and dodgy manufacturing oversight, fast
The Saddle Pocket jacket from Dallas-based independent brand Crescente Patricio
Next Page: Crescente Patricio's Lola vest
fashion companies like Zara and H&M were able to churn out clothing at extremely low prices, gradually squeezing out independent brands that couldn’t – or wouldn’tcompete, according to a 2025 Earth.org article about fast fashion.
It’s a given that independent designers play a significant role in shaping fashion trends. “Outside of couture, individual brands give consumers more choices for individuality,” Sewell says.
But fast fashion relies on the innovations of indie designers to spark demand for their copycat clothes — often at a fraction of the cost. As one indie designer told The Guardian in 2023, a dress she designed and was selling for $500 was copied by Shein and sold for $6.49.
Some independent designers have even gone to court to protect their designs against fast fashion look-alikes. In 2024, Los Angeles-based Chrome Hearts sued fast fashion brand Fashion Nova for copying a custom two-piece suede outfit it created for Kim Kardashian. It was the second time the brand has sued Fashion Nova; the first time, in 2020, it accused Fashion Nova of copying a garment featuring horse-shoe-inspired motifs and the case settled.
But independent designers are more than just creators — their brands also play a crucial role in promoting sustainable production practices. Sewell suggests that prioritizing local, responsible production is a generational concern. “Independent brands are often started by younger people, and I think overall, the upcoming generation of fashion industry professionals has a high awareness and a high value for sustainability,” she says. “They have also learned and thought about sustainable design and manufacturing practices.”
Less production is one example. By manufacturing garments in smaller runs, Sewell says independent designers can be more attuned to “what is selling,” in contrast to a fast fashion brand, “which has to produce in volume, leading to a lot of waste.”
Fashion entrepreneur Jenny Seide uses technology to further improve sustainable manufacturing practices. Seide is the founder of InStyle Exchange, a Dallasbased fashion production business that works with independent designers to bring their concepts to market.
With a background in computer science, Seide applies her technical expertise to fashion, allowing her to use the inherent efficiency to support sustainability when working with independent fashion brands. “We use 3D technology for visual fit, meaning we can check the fit with the software before we even cut the sample,” she says, a technique that saves both time and material.
While the desire for fast fashion will likely never disappear, de los Reyes remains hopeful that more people will realize the value of independent brands – and choose to support them. “I think there is a rise in conversation around buying quality instead of quantity and supporting independent brands,” he says. “I’m grateful that more people are having conversations around this topic, and there’s an awareness and a desire for it.”
Emmy Aasland is a senior majoring in fashion media and minoring in advertising. As the founder of Emmy’s Bikinis, she is also an independent fashion designer.
Photos courtesy of Crespatrick de los Reyes
An Artist’s Garden
Picture an inspiring spring with a palette of soft colors and strokes of creative genius.
Photography by Arden Eiland, Davis Sinnott
Styling by Lauren Hastings
Design by Maddie Miller
Assistant styling by Ella Miller, Betty Jane Thomas
Additional Styling Cale Bedingfield, Emmy Kay Jensen, Alexis Perry
Model Coordinator: Precious Nibigigwe
Production Coordinators: Eva Guerree, Ella McGriff
Models: Sandra Futwi, Joseph Lane, Kathryn Orr, Kylie Rhodes, Buck Todd
Dog Model: Monte Palmer
Cat Model: Mirabelle Hastings
32
ABOVE
Model: Kylie Rhodes
Dress: Ter et Bantine, $1,430, Betty Reiter
Pin: Betty Reiter, $310, Betty Reiter
Purse: Cult Gaia, $488, MARKET
Model: Buck Todd
Pants: Elwood, $85, elewoodclothing.com
Banana Pin: $335, Betty Reiter
Shoes: Gucci, $1,050, gucci.com PAGE
Model: Sandra Futwi Dress: $1,195, LoveShackFancy Earrings: $58, Luminary Lifestyle
Model: Kylie Rhodes
Dress: Ter et Bantine, $1,430, Betty Reiter
ABOVE RIGHT
Model: Kathryn Orr
Dress: Alémais, $490, Neiman Marcus
Bag: Baletti, $500, Betty Reiter
Earrings: $38, Luminary Lifestyle
BOTTOM LEFT
Model: Sandra Futwi
Skirt: Rosie Assoulin, $1,795
Top: Rosie Assoulin, $1,895
Necklace: Cult Gaia, $498
All from MARKET
For BTS content of this photo shoot and more, check out @smulook on Instagram and TikTok.
To shop these looks through the SMU Look x Shop Rodeo affiliate link, scan the QR code on page 39. SMU Look Media may receive a commission if you make a purchase through Shop Rodeo.
LEFT
Model: Joseph Lane Jacket: Murano, $250, Dillard’s Pants: Murano, $89.50, Dillard’s Sunglasses: Ray-Ban, $230, ray-ban.com
RIGHT
Model: Kathryn Orr
Top: STAUD, $195, Tootsies Skirt: STAUD, $245, Tootsies Bag: $128, Luminary Lifestyle Earrings: $38, Luminary Lifestyle
WHERE TO SHOP
Fashion in Focus, page 10
7ForAllMankind NorthPark 8687 N. Central Expy. Dallas 7forallmankind.com
Alice + Olivia Highland Park Village 7B Highland Park Village Dallas aliceandolivia.com
Banana Republic NorthPark 8687 N. Central Expy. Dallas bananarepublic.gap.com
David Yurman NorthPark 325 NorthPark Ctr Dallas davidyurman.com
Dillard’s NorthPark 8687 N. Central Expy. Dallas dillards.com
MARKET Highland Park Village 26 Highland Park Village Dallas markethighlandpark.com
Neiman Marcus NorthPark 8687 N. Central Expy. Dallas neimanmarcus.com
To follow and shop SMU Look on the Shop Rodeo app, scan this QR code. SMU Look Media may receive a commission if you make a purchase through these links.
An Artist’s Garden, page 32
Betty Reiter 4030 Villanova Street Dallas bettyreiter.com
Dillard’s NorthPark 8687 N. Central Expy. Dallas dillards.com
LoveShackFancy 29 Highland Park Village Dallas loveshackfancy.com
Luminary Lifestyle 4014 Villanova Street Dallas luminarylifestyle.com
MARKET Highland Park Village 26 Highland Park Village Dallas markethighlandpark.com
Neiman Marcus NorthPark 8687 N. Central Expy. Dallas neimanmarcus.com Ray-Ban ray-ban.com
Tootsies 8300 Preston Road Dallas tootsies.com
LOOKING BACK
HOMEWARD UNBOUND
Reverse culture shock is real. Here’s how to ease the return to reality after studying abroad.
By Sophia Pardo
When I signed up to spend a semester studying in Madrid, many people warned me to watch out for culture shock. Turns out, I didn’t have to worry. From late dinners to more laidback routines, I adapted quickly to Spanish culture, and the semester forever changed me.
When the semester ended, I was excited to come home to my family, friends, work, and school. I had no idea there was such a thing as reverse culture shock, but it hit me hard.
According to the U.S. Department of State, reverse culture shock is the emotional or psychological distress one can experience after returning from spending time abroad. For me, it felt like my life was different – out of my control. Although nothing at home actually had changed, I had changed, and I had to learn how to be my new self in my old world.
I’m not alone. Meg Thorton, a senior at Southern Methodist University who studied with me in Madrid, experienced this, too. In Spain, she says she’d grown accustomed to having everything “centered around friends, family, socializing, and just being around people nonstop,” in contrast to her life in America, where she notes that everything is “individual and work-centered.”
Thornton worked through it by creating new routines inspired by her time abroad. For example, instead of doing her homework alone at home like before, she now tries to meet up with friends to complete it together at the library. “I think the social culture of Spain is beautiful, and I want to continue that with my life here,” she says.
When I came home, what helped me adjust to my new norm was going slow and planning ahead. For example, the stress of balancing school, assignments, work, and a social life felt overwhelming, especially after spending a carefree semester overseas. I started using my Sundays to reflect on the upcoming week and plan out everything from classes to work, adding it all into my Google calendar. Taking it slow on Sundays – and having my entire week organized by Monday –makes me feel like I am on top of everything, and it’s been my biggest lifesaver.
I also had a lot of anxiety that my friendships with people at home would be different – it had been hard to stay in touch while away, especially with the time difference. Now, I make an effort to reach out and make plans to see the people I care about, whether it’s linking up for a morning walk or inviting a friend over to cook dinner together.
In addition to acknowledging that I have changed, these were important steps in my process of relearning myself and the type of person I am now. And I feel like I am heading in the right direction.
Sophia Pardo is a junior studying fashion media with a minor in corporate communications and public affairs.
For more information on SMU Abroad programs, visit smu.edu/abroad or scan this QR code:
This article has been edited and condensed from its original version, published on smulook.com on February 6, 2025. To read the full story, scan this QR code:
Photo courtesy of Sophia Pardo
The author exploring Morocco's Agafay desert while studying abroad in Spain.
