9781784879617

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VINTAGE CLASSICS EX LIBRIS

JARED SHURIN

Jared Shurin’s previous anthologies include The Outcast Hours and The Djinn Falls in Love (both with Mahvesh Murad and both finalists for the World Fantasy Award). He has also been a finalist for the Shirley Jackson Award (twice), the British Science Fiction Association Award (twice) and the Hugo Award (twice), and won the British Fantasy Award (twice).

Alongside Anne C. Perry, he founded and edited the ‘brilliantly brutal’ (Guardian ) pop culture website Pornokitsch for ten years, responsible for many of its more irritating and exuberant articles. Together, they also co-founded the Kitschies, the prize for progressive, intelligent and entertaining speculative and fantastic fiction, and Jurassic London, an award-winning, not-for-profit small press.

His other projects have included the Best of British Fantasy and Speculative Fiction series and anthologies of mummies, weird Westerns and Dickensian London. A frequent reviewer, he has also written articles on topics as diverse as Gossip Girl and Deadwood

Jared is a certified BBQ judge.

ALSO EDITED BY JARED SHURIN

The Djinn Falls in Love and Other Stories (with Mahvesh Murad)

The Outcast Hours (with Mahvesh Murad) Irregularity

The Lowest Heaven (with Anne C. Perry)

JARED SHURIN

The Big Book of Cyberpunk

Volume Two

Vintage Classics is part of the Penguin Random House group of companies whose addresses can be found at global.penguinrandomhouse.com

Introduction and selection copyright © Jared Shurin 2023

The authors have asserted their right to be identified as the authors of this Work in accordance with the Copyright, Designs and Patents Act 1988. Pages 736–740 should be seen as an extension to this copyright page.

First published in Great Britain by Vintage Classics in 2024

First published in The United States by Vintage Books in 2023

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A CIP catalogue record for this book is available from the British Library

ISBN 9781784879617

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1 3 5 7 9 10 8 6 4 2
Editor’s Note xiii introduction to volume 2 xv SYSTEM 1 Time Considered as a Helix of Semiprecious Stones Samuel R. Delany 9 Cyberpunk Bruce Bethke 39 Hostile Takeover Craig Padawer 49 Rat James Patrick Kelly 55 Arachne Lisa Mason 65 Axiomatic Greg Egan 85 Gene Wars Paul J. McAuley 97 Britworld™ James Lovegrove 103
CONTENTS
viii Cont E nt S Ripped Images, Rusted Dreams Gerardo Horacio Porcayo 109 The Great Simoleon Caper neal Stephenson 115 Immolation Jeffrey thomas 127 Time of Day nick Mamatas 141 Branded Lauren Beukes 153 P Yun Ko-eun 159 I Can Transform You Maurice Broaddus 177 Be Seeing You Madeline Ashby 233 Keeping Up with Mr. Johnson Steven S. Long 247 Flyover Country tim Maughan 263 Darkout E. Lily Yu 269 2045 Dystopia Ryuko Azuma 281 Thoughts and Prayers Ken Liu 287 Somatosensory Cortex Dog Mess You Up Big Time, You Sick Sack of S**T Minister Faust 301 The Life Cycle of a Cyber Bar Arthur Liu 313 CHALLENGE 323 We Can Remember It For You Wholesale Philip K. Dick 331
ix Cont E nt S Speed Misha 349 Computer Friendly Eileen Gunn 355 I Was a Teenage Genetic Engineer nisi Shawl 369 The Gene Drain Lewis Shiner 373 Deep Eddy Bruce Sterling 383 The Yuletide Cyberpunk Yarn, or Christmas_Eve-117.DIR Victor Pelevin 413 Wonderama Bef 423 comp.basilisk.faq David Langford 431 Spider’s Nest Myra Çakan 435 The Last American John Kessel 443 Earth Hour Ken MacLeod 457 Violation of the TrueNet Security Act taiyo Fujii 469 Twelve Minutes to Vinh Quang t. R. napper 489 Operation Daniel Khalid Kaki 501 fallenangel.dll Brandon o’Brien 507 CRISPR Than You Ganzeer 521 Wi-Fi Dreams Fabio Fernandes 547 Juicy Ghost Rudy Rucker 559
x Cont E nt S Abeokuta52 Wole talabi 569 Keep Portland Wired Michael Moss 577 Do Androids Dream of Capitalism and Slavery? Mandisi nkomo 593 The State Machine Yudhanjaya Wijeratne 599 The Tin Pilot K. A. teryna 613 The Memory Librarian Janelle Monáe and Alaya Dawn Johnson 627 POST- CYBERPUNK 679 Cat Pictures Please naomi Kritzer 683 The Day a Computer Wrote a Novel Yurei Raita 691 The Endless Saad Hossain 697 Ghosts Vauhini Vara 709 About the Authors and the translators 721 About the Editor 733 Acknowledgments 734 Permissions Acknowledgments 736 Further Reading 741

Hope there is, but limits are quickly reached.

Salvage

EDITOR’S NOTE

The Big Book of Cyberpunk is a historical snapshot as much as a literary one, containing stories that span almost seventy-five years.

Cyberpunk, at its inception, was ahead of many other forms of literature in how it embraced (and continues to embrace) progressive themes. Cyberpunk, at its best, has strived for an inclusive vision of the present and future of society. Accordingly, the stories within The Big Book of Cyberpunk discuss all aspects of identity and existence. This includes, but is not limited to, gender, sexuality, race, class, and culture.

Even while attempting to be progressive, however, these stories also use language, tropes, and stereotypes common to the times and the places in which they were originally written. Even as some of the authors challenged the problems of their time, their work still includes problematic elements. To pretend otherwise would be hypocritical; it is the essence of cyberpunk to understand that one can simultaneously challenge and deserve to be challenged.

Cyberpunk is also literature that exists in opposition, and the way it expresses its rebellion is very often shocking, provocative, and offensive. It is transgressive by design, but not without purpose, and I tried to make my selections with that principle in mind.

INTRODUCTION TO VOLUME 2

There’s a popular meme that essentially goes along these lines:

wewerepromised blade runner andwegotxinstead

X is then something that represents a disappointing status quo. The digital animation in the latest superhero movie, AI -generated images of children with three arms, vegan pepperoni, whatever cause célèbre is rampaging across social media at any given movement. X represents the distinctively banal: something that taps our collective unconsciousness on the shoulder and whispers ‘this is a bit shit, innit?’. There are, undeniably, promises unmet. We don’t have flying cars or jet packs, holiday homes on Mars or meals in pill form.

Taken from the cyberpunk perspective (as is the remit of this book), the only response is ‘yes, obviously’. The genre exists to interrogate our relationship with technology and, more often than not, the result of that interrogation is an exasperated sigh. From its inception, cyberpunk has been whacking at the piñata of science fantasy with the bat of critical realism. It is easy to get lost in the hype and the dream; cyberpunk spikes optimism with realism.

If that sounds unduly harsh: cyberpunk doesn’t exist to quash dreams, or even undermine them, but it does ruthlessly tear into unexamined premises. Whether it is the glorious promise of post- singularity equality, shiny technoutopian virtual realities, or even the naive notion of meritocratic corporate rule, cyberpunk is there, to prod and poke at the underlying assumptions. It is a snarky guardian angel of a genre, protecting us from our own worst impulses.

wewerepromised blade runner andwegot

The previous volume of The Big Book of Cyberpunk began with William Gibson’s “The Gernsback Continuum” (1981). This story represents a self-aware bridging of fantasy and modernity; a moment of adolescence in science-fiction literature. The story, which also introduced the anthology Mirrorshades (1986), serves as the opening salvo for cyberpunk—both as a genre and a movement. It is also, for all practical purposes, this exact idea: We were promised enormous flying wings and we got collapsing gas stations instead.

What the story adds, as only a story can, is the emotional context of wistfulness; a nostalgia for that which never was. Whereas the meme expresses a more pronounced disappointment, “Gernsback”—setting the tone for cyberpunk as a whole— understands that these imagined futures were never possible in the first place. We are allowed (encouraged, even) to be disappointed about how things turned out, but we also bear responsibility for not tempering our expectations in the first place. Cyberpunk stories do not exist to quash our spirit, but to channel it. They encourage us to have less faith in sweeping, techno- utopian solutions, and more in ourselves. They encourage us to be skeptical of sweeping promises, while reinforcing the value of empathy and our shared humanity.

wewerepromised blade runner

Of course, the irony of this particular construction is that the world of Blade Runner is genuinely awful.

Ridley Scott’s 1982 film is an adaptation of Philip K. Dick’s Do Androids Dream of Electric Sheep? (1968).* In both the film and the source material, the future is bleak. Dick’s novel describes a post-nuclear setting in which virtually all non-human organic life has been rendered critically endangered. Out of a combination of guilt and whimsy, owning animals is now a fashionable trend. There’s a distinct class system that emerges between those who can afford the luxury of a real animal versus those who make do with a robotic equivalent. The novel also centers around the robotic equivalents of human beings, androids, who have been manufactured as slaves.

The future in Do Androids Dream is undeniably miserable. The underlying theme throughout the book is that humanity has become drained of empathy. The mass extinction of animals may be either a cause or a symptom, but the result is the same: humans now struggle to find any way to connect with, or even feel for, one another. This is further shown by humanity’s ability (or lack thereof) to feel even for the androids created in our own image. The world is miserable in less abstract ways as well. There’s a cultist religion that fetishizes misery, an oppressive class system, and a world that is still in the throes of an atomic holocaust.

Blade Runner is no cheerier. It focuses heavily on the story’s protagonist.

* Dick’s broader contributions to the genre are discussed later in this volume, alongside his story “We Can Remember It For You Wholesale” (1966).

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Decker is the titular ‘blade runner’: part private eye, part assassin.* Blade runners are bounty hunters, tasked with forcibly retiring those androids (or ‘replicants’) that manage to escape their lives of forced servitude.† Although an undeniably slow-moving film, it is punctuated with moments of incredible tension and painful loss.

Ridley Scott’s film is beautiful. Its rain-and-neon aesthetic successfully captivated the imagination in a Gernsbackian way: the look and feel of a future that never happened. But when it comes to the actual, lived experience of human beings (or near-human beings), the future is still, again, miserable. Blade Runner ’s projections of a stark, corporate-controlled future with clear distinctions drawn between the elite minority and the rough and dirty world beneath their feet. Decker is an example of a noir-worthy working stiff, who earns his paycheck ‘retiring’ replicants, with whom, we suspect, he has more in common than his paymasters. Our hero, such as he is, has an unpleasant role in an unpleasant world.

The meme’s promise/reality construction is catchy, but the world of Blade Runner is sorely lacking.

wewerepromised ...

Why then is Blade Runner, and cyberpunk more generally, used as a positive benchmark for our expectations? Why do we feel betrayed that this future, despite being patently impossible and pragmatically undesirable, has not come about? We want it, knowing that, for all practical purposes, we really, really shouldn’t. The lingering popularity of cyberpunk in its many guises, both thematic and aesthetic, proves that there is something in these worlds that resonates with audiences.

Functionally, cyberpunk plays an important role in helping us understand our relationship with technology and its impact on ourselves, our society, and the world(s) in which we live. From its inception—and indeed, before it coalesced into a named genre—cyberpunk has served as a mode of theoretical investigation of new technologies and their potential impact on people: how we

* As noted, the film is known for its contributions to the ‘look’ of cyberpunk. Similarly, the influence of its soundtrack, by Vangelis, is well noted. The film’s inventive use of language is just as important to the cyberpunk aesthetic as those other elements. Terms like ‘blade runner’ and ‘replicant’ never appear in the original novel. These chilly, futuristic, and functional phrases, alongside euphemisms such as ‘retiring’ replicants, set the tone for how cyberpunk connects technology and humanity, and establishes a linguistic ‘brand’ for the genre that continues to this day.

† At the time of writing this, London’s suburbs are currently plagued by a handful of loosely organized individuals who have taken against, of all things, the cameras that monitor London’s traffic for high-polluting vehicles. Their antics have included vandalizing the cameras, cutting them down, and even blowing one up with a homemade explosive device (miraculously, no one was killed, but the counter-terrorism police took a very dim view of the proceedings). These self-appointed crusaders have named themselves ‘blade runners’, demonstrating a fairly fundamental misunderstanding of the movie and who, exactly, are the baddies.

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create and consume culture, how we develop and express our identities, and how we relate to other human beings.

However, there’s still a disconnect between cyberpunk’s practical function (exploring what are, largely, disappointing futures) and its emotional appeal. Readers, viewers, gamers, listeners are all actively seeking out cyberpunk media as a form of entertainment. The ubiquity and longevity of this ‘dead’ genre is not solely down to its merits as a tool of critical engagement with modernity. It is emotionally resonant and, somehow, escapist.

The appeal of escaping into a cyberpunk world is, I propose, less about the world itself and more about our perceived role within it. Cyberpunk works are rarely caught up in the functional details: they’re often possible (and perhaps even plausible) extrapolations of a contemporary context. The technological shift is rarely robustly supported. We do not know, nor do we need to know, how exactly replicants are made. They merely are, and the narrative is predicated on their existence.

This vagueness feels antithetical to escapism. Surely we need to know the precise details in order to visit these worlds in our mind? Yet the truth is the reverse. One’s engagement with a fictional world is less about the precision of that world, and more about our emotional investment in it.* We respond most to worlds that invite us; worlds in which we can see ourselves; and worlds that have a clear role for us.

Cyberpunk, perhaps unintentionally, delivers against all three of those precepts. By being grounded in our contemporary reality, cyberpunk stories are invitational: we can see how we ‘enter’ them. No magical wardrobe or owl-dropped acceptance letter is required: the path to a cyberpunk world is simply there, unspooling in real time in front of our eyes. Some, like Neal Stephenson’s “The Great Simoleon Caper” (1995) or Bruce Bethke’s “Cyberpunk” (1983) could happen now (or, at least, contemporaneously). Others, such as Tim Maughan’s “Flyover Country” (2016) or Ken Liu’s “Thoughts and Prayers” (2019) are within easy touching distance. Even the wildest, most outre settings, like Eileen Gunn’s “Computer Friendly” (1989) or K. A. Teryna’s “The Tin Pilot” (2021), have recognizable potential. They may be frightening, or simply weird, but we can dimly see the thread connecting us from here to there. (In some stories, such as John Kessel’s “The Last American” (2007), that thread is spooled out in front of us.)

Cyberpunk is also inclusive: it is easy to see oneself in there. No magic powers or cosmic forces are necessary. Nor does cyberpunk revolve around Chosen Ones or the ubermensch. Cyberpunk protagonists are us: somewhat flawed, occasionally heroic, and entirely messy. These stories, in fact, revolve around human unexceptionalism: they’re tales of people, not mythic archetypes.

* Perhaps best explained by Henry Jenkins in Convergence Culture (2006) and the works that succeeded it. Or simply by talking to a supporter of any beleaguered property, from Gossip Girl to Arsenal. One is a fan not for any rational reason, but because, despite common sense and one’s own best efforts, one simply can’t bear not to be. And yes, I am very much talking about myself here.

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In this volume, our protagonists range from seedy corporate schemers to irritated private investigators; grieving parents to angry rebels; burned-out hackers to ambitious ‘brand ambassadors’. That’s a huge variety, united only by the fact that they are all achievable (if not always aspirational). None of them are out of reach; they are all, by design, easy extensions of ourselves.

Finally, and perhaps most importantly, cyberpunk stories give us the dream of agency. The underpinning and all-encompassing theme of cyberpunk is humanity triumphant (for good or for ill). Technology influences human affairs, but it does not subsume them. In each and every story, we see a system changed by technology, but humans are still finding a way to explore, interrogate, challenge, and even—occasionally—shift that system. Whether that is through actively participating in revolution (such as Michael Moss’s “Keep Portland Wired”), plotting a petty crime (such as Tim Maughan’s “Flyover Country” or Victor Pelevin’s “The Yuletide Cyberpunk Yarn, or Christmas_ Eve-117.DIR ”), or simply asking questions of the status quo (as in Eileen Gunn’s “Computer Friendly”). Even in the darkest and rainiest of worlds, we still see characters pushing towards glimmers of light—even, in the case Blade Runner ’s replicants, striving to defy their inescapable, pre-programmed fate (or, in this book, the ‘cultures’ of Punktown, as in Jeffrey Thomas’s “Immolation”).

Cyberpunk being cyberpunk, with its commitment to plausible speculation, not every rebellion succeeds or scheme pays off. More often than not, characters wind up exactly where they began—or perhaps set back further. But it is the action itself that is the appeal: the ability not just to exist in a world, but to have the ability to affect it.

The dream of agency feels a very pitiful sort of escape, but it is one of the most powerful emotional drivers. At any given time we are buffeted by forces beyond our control. We are, in our global village, increasingly aware of the many crises constantly occurring—and also aware of our own, personal, inability to contribute to solving them.* The apocalypse in and of itself is not a fearsome thing, it is our inability to avert it that is terrifying. Like replicants, programmed to expire, we feel like our destiny is out of our hands.

Cyberpunk offers us worlds we can easily imagine, filled with people like us. People that, unlike us, seem to have some say, however minor, over the path of their lives. Whether they are stealing or sleuthing, running or revolting, the characters in cyberpunk worlds are acting, and their actions have meaning. Sometimes that’s the escape we need.

• • •

This volume of The Big Book of Cyberpunk continues along the path set up by its predecessor—one based, loosely, on Marshall McLuhan’s concept of the global

* According to YouGov (January 2024), when asked ‘I believe people like me have the power to help influence changes that shape the future’, more Britons disagreed (42%) than agreed (40%).

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village.* While the previous volume focused on self and culture, this volume looks at system and challenge. It is, in a nutshell, less about the individual and more about the world in which they live.

Tim Berner-Lee wrote that “the world can be seen as only connections, nothing else.”† We, ourselves, are only one small part of a complex system; one that’s built on those connections between us. But what happens when those connections are facilitated through new technologies? What if they become faster, or slower; broader, or narrower; freer, or more surveilled? What are the worlds that are built as a result? What does society become, how does governance work, and who can we count on as friends, or family? These are not abstract questions, but ones that we already wrestle with every day. The stories within are simply ahead of the curve in seeking answers.

The stories in this volume also examine how, and why, we challenge these established systems.

Cyberpunk reminds us that we need not take the future for granted. For better or for worse, we do have agency, and our fate is not sealed. Nothing is settled, nothing is certain, and there’s always the capacity for change. These are stories about revolution and rebellion, which are not always justified, as well as crime and transgression, not always without merit. The forms of challenge in these stories range from petty crime to open warfare; choosing who to love, or even how to die. Many of the characters within are facing difficult choices: a dawning awareness that they live in an imperfect system, but that upending it could lead to something even worse.

These stories showcase not that our human agency exists, but also that it is meaningful, precious and, occasionally, very, very dangerous indeed.

* The Gutenberg Galaxy: The Making of Typographic Man. Toronto: University of Toronto Press (1962).

† Weaving the Web: The Original Design and Ultimate Destiny of the World Wide Web. New York: Harper (1999)

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SYSTEM

A system is a combination of interacting or interdependent elements, creating a whole that is both separate from, and more than, the sum of its parts. It is a set of things ‘interconnected in such a way that they produce their own pattern of behaviour over time’.* Society, as a whole, is a system (sometimes even a functioning one), but so are most interpersonal relationships, from romances to cults. Families, found or blood; corporations, cities and countries; gangs, bands, and online forums: these are all social systems. Systems are the broadest, most inclusive level of human affairs.

Technology influences all aspects of these systems: the individual elements, the connections between those elements, and the resulting outputs of the system itself. Technology changes how and where we work, how we travel, how we support our friends or fight with our enemies. Technology can make communities more interconnected or exacerbate the divisions between them. It encourages participation and spreads disinformation, it enables us to find love (and hedgehogs)† or share revenge porn, it launches our careers or docks our wages when we pee in bottles. Technology amplifies the whims and passions of these systems. It helps humans as a collective, empowering us to make dreams—or nightmares—come true.

* Donella H. Meadows. Thinking in Systems. Vermont: Chelsea Green Publishing (2008).

† Shout-out to the Big Hedgehog Map (bighedgehogmap.org).

Marshall McLuhan notes that technology serves as an “extension of man,” but tech does more than merely amplify our innate capacity for good or evil. What are the repercussions to outsourcing these relationships—to putting our systems in the phantom hands of algorithms? What happens if, or when, we entrust the heartless and the mechanical with authority over human dynamics? What does it mean for us as we increasingly rely on technology not only to facilitate our relationships, but also to create, manage, or even end them?

As systems are wide-ranging, so are the stories within this section. However, in each one of these stories, a system is established, investigated, and—in most cases—found wanting. Moreover, some aspect of that connection with others has been augmented by technology. What becomes swiftly apparent is that, even with the most seamless or desirable technological option, there remains friction. However oppressive the regime—or efficient the solution—a technocratic system that operates perfectly is impossible. The spark of creative chaos that makes us human is somehow anathematic to a smoothly functioning system. Technology creates and enforces a systems’ rules; humanity finds new ways to break them.

The initial story in this section is Samuel R. Delany’s “Time Considered as a Helix of Semiprecious Stones” (1968). Its atmospheric and decadent interplanetary setting is a far cry from the grubby, Earth-bound stories of cyberpunk worlds that follow. Delany’s story, however, sets up a recurring theme: that of the outsider perspective. Literature is obsessed with the outsider, and science fiction—and cyberpunk—is no exception. HCE , Delany’s wry criminal protagonist, gives us a (supposedly) dispassionate view as he climbs the ranks of society, showing us the rational flaws and emotional malaise that bubble under this seemingly charming society. Behind the pleasant veneer, there’s a culture of selfdestruction and discontent.

The outsider perspective is also on display in Bruce Bethke’s “Cyberpunk” (1983). Bethke writes a techno-thriller twist on the “juvenile delinquency” genre. Under the surface, Bethke’s story is less about an angsty generational divide than society’s wildly accelerated pace of change. The “punk” of the title is an embodiment of havoc and unease, bringing to life new dangers and unexpected threats. As well as defining the genre’s name, Bethke establishes the archetype of the hacker: someone that seeks thrills, power, and agency by exploiting holes in the system.

The titular character in James Patrick Kelly’s “Rat” (1986) is, like HCE or Bethke’s hacker, openly criminal. “Rat was not a fighter, he was a runner.” There’s very little moral or malicious intent to his actions. Rat’s a creature of instinct, simply trying to live. He’s a metaphor for the future of man in an overtly cyberpunk system: a scavenger and a survivor, doing what it takes to survive. However, unlike the two previous protagonists, Rat is not outside the system, but

THE BIG BOOK OF CYBERPUNK 2
• •

of it. He is a natural product of a system that encourages amorality. He fits, not breaks, the pattern.

In “Axiomatic” (1990), Greg Egan explores a radical reinterpretation of the social contract. Beliefs can be directly created—or deleted—by the use of implants. A faith, a habit, or even the fundamental respect for human life: now embeddable and editable. It feels inherently sinister, but, as the protagonist philosophizes, “using an implant wouldn’t rob me of my free will; on the contrary, it was going to help me to assert it.” Egan posits a social system where, thanks to technology, the social contract itself is now a variable, and not something that is fundamental and sacrosanct. What does a society look like when it is predicated on the total flexibility of belief?

“Ripped Images, Rusted Dreams” (1993) is a true classic of the cyberpunk genre, making its first appearance in English in this volume. Written and translated by Gerardo Horacio Porcayo, the story is an atmospheric vignette into the life of a burned-out hacker. Despite our protagonist’s pioneering efforts, he’s now sitting on the sidelines, seemingly desperate for the respect of the younger, more vicious and more extreme players. The tantalizing world of the story— with its references to a predatory digital deity and roving packs of android hunters—only makes the character’s internal pathos all the more powerful. This is a man that has seen (and possibly even contributed to) systemic change, and is struggling to find his place in a new world.

Our hero in “The Great Simoleon Caper” (1995) is no rebel. He’s a mathematician (as many of Neal Stephenson’s protagonists are) tasked with a giveaway of a new digital currency.* The titular “caper” occurs when he discovers that this harmless advertising gimmick is suddenly of interest to both the government and “crypto-anarchists.” Stephenson coined the now famous phrase “Metaverse” in 1992, as part of his playful—and insightful—science-fiction novel Snow Crash. The novel is certainly cyberpunk adjacent, but it also functions as a breathless and wide-eyed tour of the fascinating possibilities of a technologically enriched future. In “Simoleon,” Stephenson outlines a more grounded vision of an online world, one filled with grubbiness, fraud, intrusive advertising, and incoherent ideological shouting matches. Although very funny, it is also uncomfortably prescient.

Maurice Broaddus’s “I Can Transform You” (2013) is, above all, massively good fun. Broaddus’s novella contains all the most enjoyable tropes of the cyberpunk genre: the burned-out investigator, the sinister corporate overlords, big guns, and dark schemes. It shows a world in which technology has (quite

* The notion of “digital cash” was posited in 1983 by inventor David Lee Chaum, a cryptography pioneer whose technical work formed the inspiration for the “cypherpunk” movement. He put his notions into practice in 1990 with DigiCash, which sent its first payment in 1994 (the year after Stephenson’s “Simoleon”). Since then, digital currency has taken a variety of forms, ranging from “electronic gold” to “primates wearing funny hats.”

SYS t EM 3

literally) been used to patch over the world’s fundamental problems, creating a broken society held together solely by greed and profit. Sometimes big problems need explosive solutions. Not all systems can be salvaged.

• • •

There’s no shortage of heists, shady PI s, hackers, and net-running fools in cyberpunk. Their outsider perspective on systems is invaluable. But cyberpunk doesn’t forget those who sit within the system as well. Rebels and revolutionaries make for great literary protagonists, but can feel (tragically) irrelevant to most readers’ lives. Cyberpunk considers all of society, not just the outsider.

What is it like to live, and perhaps even thrive, within a technologically enhanced system? Lisa Mason’s “Arachne” (1987) features a mediator, a young legal advocate at a massive corporate firm. When her telelink fails for unknown reasons, Carly can’t continue her work. She’s desperate to avoid unemployment, reprogramming, and a return to the bottom. Her goal is simple and, throughout the story, Carly shows she has few limits on what she’ll do to keep her place on the ladder.

Paul J. McAuley’s “Gene Wars” (1991) begins in a world much like our own and ends up someplace very, very different. Despite the epic scope of the story, “Gene Wars” is ultimately about a very simple concept: control. Through the lens of one man’s life, we see what happens when a technology becomes the plaything of children and corporations alike, freely used without any thought or oversight. This is a story of a system that is strained and broken, eventually finding a new, unexpected equilibrium.

In “Immolation” (2000), Magnesium Jones is a culture: a vat-grown human with few rights. He’s one of the many strange and wondrous inhabitants of Punktown, a world brought to life through decades of Jeffrey Thomas’s work. Magnesium works as a drudge, living a thankless, grinding existence with little joy and no prospects. When he sees the chance for a better life, it is difficult to blame him for grabbing at it.

Our hustling heroine in Nick Mamatas’s “Time of Day” (2002) is taking a vacation: “a whole day spent on only one job instead of my usual eleven jobs.” Mamatas’s story contrasts two very different worlds: a hyperactive urban hustle that requires a steady flow of drugs and information simply to keep up, and the medieval, self-flagellating conservatism of a monastery. Although neither society is appealing, Mamatas manages to convey why people are drawn to, and remain within, these extreme situations.

By contrast, the world of Lauren Beukes’s “Branded” (2003) strikes a little too close to home. Published before the launch of Facebook, YouTube, or Twitter, Beukes’s story reflects the desire of corporate advertisers to invade friend groups and social circles. The notion of living one’s best life (“brought to you by . .”) not only exposes the low price we set on ourselves but predicts the rise of influencer culture.

In Madeline Ashby’s “Be Seeing You” (2015), Hwa is a bodyguard for the

THE BIG BOOK OF CYBERPUNK 4

Lynch family. They own the town, which means that Hwa’s job comes with (rather intrusive) oversight. Her boss knows her medical history, her usual breakfast order, and every single thing she sees. She watches the family. The company watches her. That’s simply the way of things.

The hero of Steven S. Long’s “Keeping Up with Mr. Johnson” (2016) is also a company employee. “Mr. Johnson” is Shadowrun slang for the corporate boss—the men or women who hire out “shadowrunners” to carry out the shadier side of the business. The heist-centered story has all the twists the reader might expect, with the largest being the protagonist’s surprising humanity.

Ken Liu’s “Thoughts and Prayers” (2019) describes an ordinary family dealing with extraordinary pain. A grieving mother tries to keep the memory of her child online with a virtual tribute. Told from many points of view, Liu’s heartbreaking story underlines the core theme that there is no technological solution for human nature. It is particularly tragic in that, when the technology (which is proven ultimately meaningless) is stripped away, the flawed and broken system that Liu describes is simply the world in which we live now.

In “Somatosensory Cortex Dog Mess You Up Big Time, You Sick Sack of S**T” (2021), Minister Faust uses technology as a karmic force in a truly satisfying satire. A greedy and amoral billionaire gets his comeuppance in a surprising but delightful way. Is it ethical? Probably not. Is it wildly entertaining? Absolutely.

Cyberpunk is also often connected with a sense of place. Settings like the Sprawl, Night City, and Neo-Tokyo are rightfully iconic. On a less grand level, there’s a clear pattern of cyberpunk stories taking place in bars and squats: transient, nameless locations. At the other end of the spectrum, even “wealth” in a cyberpunk world invariably leads to cookie-cutter homes and cubicle jobs. Spaces are anonymized, either through social erosion or mass production.

“Rural” cyberpunk does exist but is much more rare.* If the two essential components of cyberpunk are “human affairs” and “technology,” both occur in greater density in urban settings. Cities are also associated with a greater pace of change and are home to greater disparity in wealth and opportunity: all material for cyberpunk.† Although village life comes with its own unique set of challenges, cities are ultimately more complex systems, giving authors more to play with and explore.

In Craig Padawer’s “Hostile Takeover” (1985), the action all takes place in one specific part of the city. From start to finish, it is a gonzo litany of warfare,

* Jonathan Lethem’s “How We Got In Town and Out Again” (1996) and Carmen Maria Machado’s “The Hungry Earth” (2013) are two excellent examples.

† The suburbs have always been an excellent setting for tales of capitalist indecency and social ennui, making them fertile ground for cyberpunk. Please see the stories by Erica Satifka and Phillip Mann for two examples.

SYS t EM 5
• • •

with hired killers in “titanium zoot suits” blasting their way through inflatable bodyguards to take control of the sex trade. It is pointed (and poignant) commentary precisely because it is so over-the-top, proving that no matter how dehumanized someone can be, they are still worthy of both empathy and respect.

Another bizarre city features in James Lovegrove’s “Britworld™” (1992). Capitalism has become the new imperialism, and Britain is now a massive theme park. In Britworld™, USAC orp Entertainments ensures that everything is historically accurate for the most fulfilling visitor experience, even down to the regulation four-and-a-half hours of rain per day.*

Yun Ko-eun’s “P” (2011) makes its first appearance in English in this book, translated by Sean Lin Halbert. Chang quietly works at his job at the tire factory in the company town of P. He keeps his head down and has the requisite one (1) family photo on his desk. Chang even agrees to a “voluntary” endoscopy. There’s a speculative (or perhaps hallucinatory) element that’s central to the story, but the true influence of technology is “the interconnectedness of P.” His environment is a closed system; one that operates through a powerful combination of custom and surveillance. Chang feels the pressure to conform in everything he does, but he doesn’t find this disagreeable. In fact, his utmost desire is to keep his head down and simply do his work. But his desire to be the ideal employee is gradually offset by the dawning awareness that the company has a presence in all aspects of his life. As the powers that run the system tinker with it, Chang discovers exactly how expendable he is.

Tim Maughan’s “Flyover Country” (2016) is set in an American anytown, a nowhere that could be anywhere. Structurally, it is a low-stakes heist, but the emphasis is on the grinding and oppressive nature of the entire environment. Even the petty crime is an attempt at finding agency. Although ultimately successful, the reality remains. These tiny rebellions won’t change the system.

In the Pennsylvania town of E. Lily Yu’s “Darkout” (2016), “there was hardly forty square feet that was not continuously exposed to public view.” It is a world without privacy, where everyone can see and be seen. Yet, despite living in a panopticon, our grimy lives continue unchecked: gambling, adultery, racism, and domestic violence. “Darkout” ends with the ironic illusion of hope, a promise of returning to the world that we already have.

Ryuko Azuma’s “2045 Dystopia” (2018) gives us four short and harrowing glimpses into a near-future cyberpunk landscape, a world both wondrous and darkly fascinating. Translated by Marissa Skeels, these comics first appeared on Twitter and have not been previously collected. These vignettes show technology attempting to suppress our humanity, but only giving rise to darker impulses.

Arthur Liu’s “The Life Cycle of a Cyber Bar” (2021), translated by Nathan Faries, is a story of place, told from the place’s own perspective. We catch glimpses of stories, one after the other, but only within the door of the bar. The vast breadth and width of human affairs, as seen through a single, tightly focused

* This is satire. We all know the average is closer to six.

THE BIG BOOK OF CYBERPUNK 6

aperture. Despite the nonhuman protagonist, it continues the theme of an allconsuming relationship between person and place. •

McLuhan muses that “no society has ever known enough about its actions to have developed immunity to its new . . . technologies.” Introducing something new into a system will have repercussions: not all societies are—or should be— resilient, and not all feedback is positive. But these cyberpunk stories serve as a chance to test new technologies in the (relatively) safe sandbox of the imagination.

All the stories within this section allow for the influence of technology and highlight it as a vital part of any system, with the power to reinforce or disrupt its elements, the connections between them, or the pattern as a whole. However, the stories also showcase the persistence of humanity—the human beings that are often overlooked or taken for granted. Whether it comes from our enviable adaptability, our relentless survival instinct, our unshakable flaws or our irrepressible compulsions, humans still remain the most dominant element in any system, with a latent ability to sow chaos and cause change.

SYS t EM 7
• •

SAMUEL R. DELANY

TIME CONSIDERED AS A HELIX OF SEMIPRECIOUS STONES (1968)

lay ordinate and abscissa on the century. Now cut me a quadrant. Third quadrant if you please. I was born in fifty. Here it’s seventy-five.

At sixteen they let me leave the orphanage. Dragging the name they’d hung me with (Harold Clancy Everet, and me a mere lad—how many monikers have I had since; but don’t worry, you’ll recognize my smoke) over the hills of East Vermont, I came to a decision:

Me and Pa Michaels, who had belligerently given me a job at the request of The Official looking Document with which the orphanage sends you packing, were running Pa Michaels’s dairy farm, i.e., thirteen thousand three hundred sixtytwo piebald Guernseys all asleep in their stainless coffins, nourished and drugged by pink liquid flowing in clear plastic veins (stuff is sticky and messes up your hands), exercised with electric pulsers that make their muscles quiver, them not half-awake, and the milk just a-pouring down into stainless cisterns. Anyway. The Decision (as I stood there in the fields one afternoon like the Man with the Hoe, exhausted with three hard hours of physical labor, contemplating the machinery of the universe through the fog of fatigue): With all of Earth, and Mars, and the Outer Satellites filled up with people and what all, there had to be something more than this. I decided to get some.

So I stole a couple of Pa’s credit cards, one of his helicopters, and a bottle of white lightning the geezer made himself, and took off. Ever try to land a stolen helicopter on the roof of the Pan Am building, drunk? Jail, schmail, and some

hard knocks later I had attained to wisdom. But remember this, o best beloved: I have done three honest hours on a dairy farm less than ten years back. And nobody but nobody has ever called me Harold Clancy Everet again.

Hank Culafroy Eckles (redheaded, a bit vague, six-foot-two) strolled out of the baggage room at the spaceport, carrying a lot of things that weren’t his in a small briefcase.

Beside him the Business Man was saying, “You young fellows today upset me. Go back to Bellona, I say. Just because you got into trouble with that little blonde you were telling me about is no reason to leap worlds, come on all glum. Even quit your job!”

Hank stops and grins weakly: “Well . . .”

“Now I admit, you have your real needs, which maybe we older folks don’t understand, but you have to show some responsibility toward . . .” He notices Hank has stopped in front of a door marked men. “Oh. Well. Eh.” He grins strongly. “I’ve enjoyed meeting you, Hank. It’s always nice when you meet somebody worth talking to on these damned crossings. So long.”

Out the same door, ten minutes later, comes Harmony C. Eventide, six-foot even (one of the false heels was cracked, so I stuck both of them under a lot of paper towels), brown hair (not even my hairdresser knows for sure), oh so dapper and of his time, attired in the bad taste that is oh so tasteful, a sort of man with whom no Business Men would start a conversation. Took the regulation copter from the port over to the Pan Am building (Yeah. Really. Drunk.), came out of Grand Central Station, and strode along Forty-Second toward Eighth Avenue, with a lot of things that weren’t mine in a small briefcase.

The evening is carved from light.

Crossed the plastiplex pavements of the Great White Way—I think it makes people look weird, all that white light under their chins—and skirted the crowds coming up in elevators from the subway, the sub-subway, and the sub-sub-sub (eighteen and first week out of jail, I hung around here, snatching stuff from people—but daintily, daintily, so they never knew they’d been snatched), bulled my way through a crowd of giggling, goo-chewing schoolgirls with flashing lights in their hair, all very embarrassed at wearing transparent plastic blouses which had just been made legal again (I hear the breast has been scene [as opposed to obscene] on and off since the seventeenth century) so I stared appreciatively; they giggled some more. I thought, Christ, when I was that age, I was on a goddamn dairy farm, and took the thought no further.

The ribbon of news lights looping the triangular structure of Communication, Inc., explained in Basic English how Senator Regina Abolafia was preparing to begin her investigation of Organized Crime in the City. Days I’m so happy I’m disorganized I couldn’t begin to tell.

Near Ninth Avenue I took my briefcase into a long, crowded bar. I hadn’t been in New York for two years, but on my last trip through ofttimes a man used

THE BIG BOOK OF CYBERPUNK 10
• • •

to hang out here who had real talent for getting rid of things that weren’t mine profitably, safely, fast. No idea what the chances were I’d find him. I pushed among a lot of guys drinking beer. Here and there were a number of wellescorted old bags wearing last month’s latest. Scarves of smoke gentled through the noise. I don’t like such places. Those there younger than me were all morphadine heads or feebleminded. Those older only wished more younger ones would come. I pried my way to the bar and tried to get the attention of one of the little men in white coats.

The lack of noise behind me made me glance back.

She wore a sheath of veiling closed at the neck and wrists with huge brass pins (oh so tastefully on the border of taste); her left arm was bare, her right covered with chiffon-like wine. She had it down a lot better than I did. But such an ostentatious demonstration of one’s understanding of the finer points was absolutely out of place in a place like this. People were making a great show of not noticing.

She pointed to her wrist, blood-colored nail indexing a yellow-orange fragment in the brass claw of her wristlet. “Do you know what this is, Mr. Eldrich?” she asked; at the same time the veil across her face cleared, and her eyes were ice; her brows, black.

Three thoughts: (One) She is a lady of fashion, because coming in from Bellona I’d read the Delta coverage of the “fading fabrics” whose hue and opacity were controlled by cunning jewels at the wrist. (Two) During my last trip through, when I was younger and Harry Calamine Eldrich, I didn’t do anything too illegal (though one loses track of these things); still I didn’t believe I could be dragged off to the calaboose for anything more than thirty days under that name. (Three) The stone she pointed to . . .

“. . . Jasper?” I asked.

She waited for me to say more; I waited for her to give me reason to let on I knew what she was waiting for. (When I was in jail, Henry James was my favorite author. He really was.)

“Jasper,” she confirmed.

“—Jasper .” I reopened the ambiguity she had tried so hard to dispel.

“. Jasper—” But she was already faltering, suspecting I suspected her certainty to be ill-founded.

“Okay, Jasper.” But from her face I knew she had seen in my face a look that had finally revealed I knew she knew I knew.

“Just whom have you got me confused with, ma’am?”

Jasper, this month, is the Word.

Jasper is the pass/code/warning that the Singers of the Cities (who last month sang “Opal” from their divine injuries; and on Mars I’d heard the Word and used it thrice, along with devious imitations, to fix possession of what was not rightfully my own; and even there I pondered Singers and their wounds) relay by word of mouth for that loose and roguish fraternity with which I have been involved (in various guises) these nine years. It goes out new every thirty days; and within hours every brother knows it, throughout six worlds and worldlets. Usually it’s grunted at you by some blood-soaked bastard staggering into

t i ME Con S i DERED AS A H EL ix o F S EM i PREC iou S Ston ES 11

your arms from a dark doorway; hissed at you as you pass a shadowed alley; scrawled on a paper scrap pressed into your palm by some nasty-grimy moving too fast through the crowd. And this month, it was: Jasper.

Here are some alternate translations:

Help! or

I need help! or

I can help you! or

You are being watched! or

They’re not watching now, so move!

Final point of syntax: If the Word is used properly, you should never have to think twice about what it means in a given situation. Fine point of usage: Never trust anyone who uses it improperly.

I waited for her to finish waiting.

She opened a wallet in front of me. “Chief of Special Services Department Maudline Hinkle,” she read without looking at what it said below the silver badge.

“You have that very well,” I said, “Maud.” Then I frowned. “Hinkle?”

“Me.”

“I know you’re not going to believe this, Maud. You look like a woman who has no patience with her mistakes. But my name is Eventide. Not Eldrich. Harmony C. Eventide. And isn’t it lucky for all and sundry that the Word changes tonight?” Passed the way it is, the Word is no big secret to the cops. But I’ve met policemen up to a week after change date who were not privy.

“Well, then: Harmony. I want to talk to you.”

I raised an eyebrow.

She raised one back and said, “Look, if you want to be called Henrietta, it’s all right by me. But you listen.”

“What do you want to talk about?”

“Crime, Mr. ?”

“Eventide. I’m going to call you Maud, so you might as well call me Harmony. It really is my name.”

Maud smiled. She wasn’t a young woman. I think she even had a few years on Business Man. But she used makeup better than he did. “I probably know more about crime than you do,” she said. “In fact I wouldn’t be surprised if you hadn’t even heard of my branch of the police department. What does Special Services mean to you?”

“That’s right, I’ve never heard of it.”

“You’ve been more or less avoiding the Regular Service with alacrity for the past seven years.”

“Oh, Maud, really—”

“Special Services is reserved for people whose nuisance value has suddenly

THE BIG BOOK OF CYBERPUNK 12

taken a sharp rise a sharp enough rise to make our little lights start blinking.”

“Surely I haven’t done anything so dreadful that—”

“We don’t look at what you do. A computer does that for us. We simply keep checking the first derivative of the graphed-out curve that bears your number. Your slope is rising sharply.”

“Not even the dignity of a name—”

“We’re the most efficient department in the Police Organization. Take it as bragging if you wish. Or just a piece of information.”

“Well, well, well,” I said. “Have a drink?” The little man in the white coat left us two, looked puzzled at Maud’s finery, then went to do something else.

“Thanks.” She downed half her glass like someone stauncher than that wrist would indicate. “It doesn’t pay to go after most criminals. Take your big-time racketeers, Farnesworth, the Hawk, Blavatskia. Take your little snatch-purses, small-time pushers, housebreakers, or vice-impresarios. Both at the top and the bottom of the scale, their incomes are pretty stable. They don’t really upset the social boat. Regular Services handles them both. They think they do a good job. We’re not going to argue. But say a little pusher starts to become a big-time pusher; a medium-sized vice-impresario sets his sights on becoming a fullfledged racketeer; that’s when you get problems with socially unpleasant repercussions. That’s when Special Services arrive. We have a couple of techniques that work remarkably well.”

“You’re going to tell me about them, aren’t you?”

“They work better that way,” she said. “One of them is hologramic information storage. Do you know what happens when you cut a hologram plate in half?”

“The three-dimensional image is . . . cut in half?”

She shook her head. “You get the whole image, only fuzzier, slightly out of focus.”

“Now I didn’t know that.”

“And if you cut it in half again, it just gets fuzzier still. But even if you have a square centimeter of the original hologram, you still have the whole image— unrecognizable but complete.”

I mumbled some appreciative m’s.

“Each pinpoint of photographic emulsion on a hologram plate, unlike a photograph, gives information about the entire scene being hologrammed. By analogy, hologramic information storage simply means that each bit of information we have—about you, let us say—relates to your entire career, your overall situation, the complete set of tensions between you and your environment. Specific facts about specific misdemeanors or felonies we leave to Regular Services. As soon as we have enough of our kind of data, our method is vastly more efficient for keeping track—even predicting—where you are or what you may be up to.”

“Fascinating,” I said. “One of the most amazing paranoid syndromes I’ve ever run up against. I mean just starting a conversation with someone in a bar. Often, in a hospital situation, I’ve encountered stranger—”

t i ME Con S i DERED AS A H EL ix o F S EM i PREC iou S Ston ES 13

“In your past,” she said matter-of-factly, “I see cows and helicopters. In your not too distant future, there are helicopters and hawks.”

“And tell me, oh Good Witch of the West, just how—” Then I got all upset inside. Because nobody is supposed to know about that stint with Pa Michaels save thee and me. Even the Regular Service, who pulled me, out of my head, from that whirlybird bouncing toward the edge of the Pan Am, never got that one from me. I’d eaten the credit cards when I saw them waiting, and the serial numbers had been filed off everything that could have had a serial number on it by someone more competent than I: good Mister Michaels had boasted to me, my first lonely, drunken night at the farm, how he’d gotten the thing in hot from New Hampshire.

“But why—” it appalls me the clichés to which anxiety will drive us “—are you telling me all this?”

She smiled, and her smile faded behind her veil. “Information is only meaningful when shared,” said a voice that was hers from the place of her face.

“Hey, look, I—”

“You may be coming into quite a bit of money soon. If I can calculate right, I will have a helicopter full of the city’s finest arriving to take you away as you accept it into your hot little hands. That is a piece of information . . .” She stepped back. Someone stepped between us.

“Hey, Maud—”

“You can do whatever you want with it.”

The bar was crowded enough so that to move quickly was to make enemies. I don’t know—I lost her and made enemies. Some weird characters there: with greasy hair that hung in spikes, and three of them had dragons tattooed on their scrawny shoulders, still another with an eye patch, and yet another raked nails black with pitch at my cheek (we’re two minutes into a vicious free-for-all, case you missed the transition. I did) and some of the women were screaming. I hit and ducked, and then the tenor of the brouhaha changed. Somebody sang “Jasper!” the way she is supposed to be sung. And it meant the heat (the ordinary, bungling Regular Service I had been eluding these seven years) were on their way. The brawl spilled into the street. I got between two nasty-grimies who were doing things appropriate with one another, but made the edge of the crowd with no more wounds than could be racked up to shaving. The fight had broken into sections. I left one and ran into another that, I realized a moment later, was merely a ring of people standing around somebody who had apparently gotten really messed.

Someone was holding people back.

Somebody else was turning him over.

Curled up in a puddle of blood was the little guy I hadn’t seen in two years who used to be so good at getting rid of things not mine.

Trying not to hit people with my briefcase, I clucked between the hub and the bub. When I saw my first ordinary policeman, I tried very hard to look like somebody who had just stepped up to see what the rumpus was.

It worked.

THE BIG BOOK OF CYBERPUNK 14

I turned down Ninth Avenue and got three steps into an inconspicuous but rapid lope—

“Hey, wait! Wait up there . . .”

I recognized the voice (after two years, coming at me just like that, I recognized it) but kept going.

“Wait. It’s me, Hawk!”

And I stopped.

You haven’t heard his name before in this story; Maud mentioned the Hawk, who is a multimillionaire racketeer basing his operations on a part of Mars I’ve never been to (though he has his claws sunk to the spurs in illegalities throughout the system) and somebody else entirely.

I took three steps back toward the doorway.

A boy’s laugh there: “Oh, man. You look like you just did something you shouldn’t.”

“Hawk?” I asked the shadow.

He was still the age when two years’ absence means an inch or so taller.

“You’re still hanging around here?” I asked.

“Sometimes.”

He was an amazing kid.

“Look, Hawk, I got to get out of here.” I glanced back at the rumpus.

“Get.” He stepped down. “Can I come, too?”

Funny. “Yeah.” It makes me feel very funny, him asking that. “Come on.” •

By the streetlamp half a block down, I saw his hair was still pale as split pine. He could have been a nasty-grimy: very dirty black denim jacket, no shirt beneath; very ripe pair of black jeans—I mean in the dark you could tell. He went barefoot; and the only way you can tell on a dark street someone’s been going barefoot for days in New York is to know already. As we reached the corner, he grinned up at me under the streetlamp and shrugged his jacket together over the welts and furrows marring his chest and belly. His eyes were very green. Do you recognize him? If by some failure of information dispersal throughout the worlds and worldlets you haven’t, walking beside me beside the Hudson was Hawk the Singer.

“Hey, how long have you been back?”

“A few hours,” I told him.

“What’d you bring?”

“Really want to know?”

He shoved his hands into his pockets and cocked his head. “Sure.”

I made the sound of an adult exasperated by a child. “All right.” We had been walking the waterfront for a block now; there was nobody about. “Sit down.” So he straddled the beam along the siding, one filthy foot dangling above the flashing black Hudson. I sat in front of him and ran my thumb around the edge of the briefcase.

t i ME Con S i DERED AS A H EL ix o F S EM i PREC iou S Ston ES 15
• •

Hawk hunched his shoulders and leaned. “Hey .” He flashed green questioning at me. “Can I touch?”

I shrugged. “Go ahead.”

He grubbed among them with fingers that were all knuckle and bitten nail. He picked two up, put them down, picked up three others. “Hey!” he whispered. “How much are all these worth?”

“About ten times more than I hope to get. I have to get rid of them fast.”

He glanced down past his toes. “You could always throw them in the river.”

“Don’t be dense. I was looking for a guy who used to hang around that bar. He was pretty efficient.” And half the Hudson away a water-bound foil skimmed above the foam. On her deck were parked a dozen helicopters—being ferried up to the Patrol Field near Verrazzano, no doubt. For moments I looked back and forth between the boy and the transport, getting all paranoid about Maud. But the boat mmmmed into the darkness. “My man got a little cut up this evening.”

Hawk put the tips of his fingers in his pockets and shifted his position.

“Which leaves me uptight. I didn’t think he’d take them all, but at least he could have turned me on to some other people who might.”

“I’m going to a party later on this evening—” he paused to gnaw on the wreck of his little fingernail “—where you might be able to sell them. Alexis Spinnel is having a party for Regina Abolafia at Tower Top.”

“Tower Top ?” It had been a while since I palled around with Hawk. Hell’s Kitchen at ten; Tower Top at midnight—

“I’m just going because Edna Silem will be there.”

Edna Silem is New York’s eldest Singer.

Senator Abolafia’s name had ribboned above me in lights once that evening. And somewhere among the endless magazines I’d perused coming in from Mars, I remembered Alexis Spinnel’s name sharing a paragraph with an awful lot of money.

“I’d like to see Edna again,” I said offhandedly. “But she wouldn’t remember me.” Folk like Spinnel and his social ilk have a little game, I’d discovered during the first leg of my acquaintance with Hawk. He who can get the most Singers of the City under one roof wins. There are five Singers of New York (a tie for second place with Lux on Iapetus). Tokyo leads with seven. “It’s a two-Singer party?”

“More likely four if I go.”

The inaugural ball for the mayor gets four.

I raised the appropriate eyebrow.

“I have to pick up the Word from Edna. It changes tonight.”

“All right,” I said. “I don’t know what you have in mind, but I’m game.” I closed the case. •

We walked back toward Times Square. When we got to Eighth Avenue and the first of the plastiplex, Hawk stopped. “Wait a minute,” he said. Then he buttoned his jacket up to his neck. “Okay.”

THE BIG BOOK OF CYBERPUNK 16

Strolling through the streets of New York with a Singer (two years back I’d spent much time wondering if that was wise for a man of my profession) is probably the best camouflage possible for a man of my profession. Think of the last time you glimpsed your favorite Tri-D star turning the corner of Fifty-Seventh. Now be honest. Would you really recognize the little guy in the tweed jacket half a pace behind him?

Half the people we passed in Times Square recognized him. With his youth, funereal garb, black feet, and ash-pale hair, he was easily the most colorful of Singers. Smiles; narrowed eyes; very few actually pointed or stared.

“Just exactly who is going to be there who might be able to take this stuff off my hands?”

“Well, Alexis prides himself on being something of an adventurer. They might just take his fancy. And he can give you more than you can get peddling them in the street.”

“You’ll tell him they’re all hot?”

“It will probably make the idea that much more intriguing. He’s a creep.”

“You say so, friend.”

We went down into the sub-sub. The man at the change booth started to take Hawk’s coin, then looked up. He began three or four words that were unintelligible inside his grin, then just gestured us through.

“Oh,” Hawk said, “thank you,” with ingenuous surprise, as though this were the first, delightful time such a thing had happened. (Two years ago he had told me sagely, “As soon as I start looking like I expect it, it’ll stop happening.” I was still impressed by the way he wore his notoriety. The time I’d met Edna Silem, and I’d mentioned this, she said with the same ingenuousness, “But that’s what we’re chosen for.”)

In the bright car we sat on the long seat. Hawk’s hands were beside him; one foot rested on the other. Down from us a gaggle of bright-bloused goo-chewers giggled and pointed and tried not to be noticed at it. Hawk didn’t look at all, and I tried not to be noticed looking.

Dark patterns rushed the window.

Things below the gray floor hummed.

Once a lurch.

Leaning once, we came out of the ground.

Outside, the city tried on its thousand sequins, then threw them away behind the trees of Ft. Tryon. Suddenly the windows across from us grew bright scales. Behind them girders reeled by. We got out on the platform under a light rain. The sign said twelve towers station.

By the time we reached the street, however, the shower had stopped. Leaves above the wall shed water down the brick. “If I’d known I was bringing someone, I’d have had Alex send a car for us. I told him it was fifty-fifty I’d come.”

“Are you sure it’s all right for me to tag along then?”

“Didn’t you come up here with me once before?”

“I’ve even been up here once before that,” I said. “Do you still think it’s .”

He gave me a withering look. Well; Spinnel would be delighted to have Hawk

t i ME Con S i DERED AS A H EL ix o F S EM i PREC iou S Ston ES 17

even if he dragged along a whole gang of real nasty-grimies—Singers are famous for that sort of thing. With one more or less presentable thief, Spinnel was getting off light. Beside us rocks broke away into the city. Behind the gate to our left the gardens rolled up toward the first of the towers. The twelve immense luxury apartment buildings menaced the lower clouds.

“Hawk the Singer,” Hawk the Singer said into the speaker at the side of the gate. Clang and tic-tic-tic and Clang. We walked up to the path to the doors and doors of glass.

A cluster of men and women in evening dress were coming out. Three tiers of doors away they saw us. You could see them frowning at the guttersnipe who’d somehow gotten into the lobby (for a moment I thought one of them was Maud because she wore a sheath of the fading fabric, but she turned; beneath her veil her face was dark as roasted coffee); one of the men recognized him, said something to the others. When they passed us, they were smiling. Hawk paid about as much attention to them as he had to the girls on the subway. But when they’d passed, he said, “One of those guys was looking at you.”

“Yeah. I saw.”

“Do you know why?”

“He was trying to figure out whether we’d met before.”

“Had you?”

I nodded. “Right about where I met you, only back when I’d just gotten out of jail. I told you I’d been here once before.”

“Oh.”

Blue carpet covered three-quarters of the lobby. A great pool filled the rest in which a row of twelve-foot trellises stood, crowned with flaming braziers. The lobby itself was three stories high, domed and mirror-tiled.

Twisting smoke curled toward the ornate grill. Broken reflections sagged and recovered on the walls.

The elevator door folded about us its foil petals. There was the distinct feeling of not moving while seventy-five stories shucked down around us.

We got out on the landscaped roof garden. A very tanned, very blond man wearing an apricot jumpsuit, from the collar of which emerged a black turtleneck dicky, came down the rocks (artificial) between the ferns (real) growing along the stream (real water; phony current).

“Hello! Hello!” Pause. “I’m terribly glad you decided to come after all.” Pause. “For a while I thought you weren’t going to make it.” The Pauses were to allow Hawk to introduce me. I was dressed so that Spinnel had no way of telling whether I was a miscellaneous Nobel laureate that Hawk happened to have been dining with, or a varlet whose manners and morals were even lower than mine happen to be.

“Shall I take your jacket?” Alexis offered.

Which meant he didn’t know Hawk as well as he would like people to think. But I guess he was sensitive enough to realize from the little cold things that happened in the boy’s face that he should forget his offer.

He nodded to me, smiling—about all he could do—and we strolled toward the gathering.

THE BIG BOOK OF CYBERPUNK 18

Edna Silem was sitting on a transparent inflated hassock. She leaned forward, holding her drink in both hands, arguing politics with the people sitting on the grass before her. She was the first person I recognized (hair of tarnished silver; voice of scrap brass). Jutting from the cuffs of her mannish suit, her wrinkled hands about her goblet, shaking with the intensity of her pronouncements, were heavy with stones and silver. As I ran my eyes back to Hawk, I saw half a dozen whose names/faces sold magazines, music, sent people to the theater (the drama critic for Delta, wouldn’t you know), and even the mathematician from Princeton I’d read about a few months ago who’d come up with the “quasar/quark” explanation.

There was one woman my eyes kept returning to. On glance three I recognized her as the New Fascistas’ most promising candidate for president, Senator Abolafia. Her arms were folded, and she was listening intently to the discussion that had narrowed to Edna and an overly gregarious younger man whose eyes were puffy from what could have been the recent acquisition of contact lenses.

“But don’t you feel, Mrs. Silem, that—”

“You must remember when you make predictions like that—”

“Mrs. Silem, I’ve seen statistics that—”

“You must remember—” her voice tensed, lowered till the silence between the words was as rich as the voice was sparse and metallic—“that if everything, everything were known, statistical estimates would be unnecessary. The science of probability gives mathematical expression to our ignorance, not to our wisdom,” which I was thinking was an interesting second installment to Maud’s lecture, when Edna looked up and exclaimed, “Why, Hawk!”

Everyone turned.

“I am glad to see you. Lewis, Ann,” she called: there were two other Singers there already (he dark, she pale, both tree-slender; their faces made you think of pools without drain or tribute come upon in the forest, clear and very still; husband and wife, they had been made Singers together the day before their marriage six years ago), “he hasn’t deserted us after all!” Edna stood, extended her arm over the heads of the people sitting, and barked across her knuckles as though her voice were a pool cue. “Hawk, there are people here arguing with me who don’t know nearly as much as you about the subject. You’d be on my side, now wouldn’t you—”

“Mrs. Silem, I didn’t mean to—” from the floor.

Then her arms swung six degrees, her fingers, eyes, and mouth opened. “You!” Me. “My dear, if there’s anyone I never expected to see here! Why it’s been almost two years, hasn’t it?” Bless Edna; the place where she and Hawk and I had spent a long, beery evening together had more resembled that bar than Tower Top. “Where have you been keeping yourself?”

“Mars, mostly,” I admitted. “Actually I just came back today.” It’s so much fun to be able to say things like that in a place like this.

“Hawk—both of you—” (which meant either she had forgotten my name, or she remembered me well enough not to abuse it) “—come over here and help me drink up Alexis’s good liquor.” I tried not to grin as we walked toward her. If she

t i ME Con S i DERED AS A H EL ix o F S EM i PREC iou S Ston ES 19

remembered anything, she certainly recalled my line of business and must have been enjoying this as much as I was.

Relief spread Alexis’s face: he knew now I was someone if not which someone I was.

As we passed Lewis and Ann, Hawk gave the two Singers one of his luminous grins. They returned shadowed smiles. Lewis nodded. Ann made a move to touch his arm, but left the motion unconcluded; and the company noted the interchange.

Having found out what we wanted, Alex was preparing large glasses of it over crushed ice when the puffy-eyed gentleman stepped up for a refill. “But, Mrs. Silem, then what do you feel validly opposes such political abuses?”

Regina Abolafia wore a white silk suit. Nails, lips, and hair were one copper color; and on her breast was a worked copper pin. It’s always fascinated me to watch people used to being the center thrust to the side. She swirled her glass, listening.

“I oppose them,” Edna said. “Hawk opposes them. Lewis and Ann oppose them. We, ultimately, are what you have.” And her voice had taken on that authoritative resonance only Singers can assume.

Then Hawk’s laugh snarled through the conversational fabric.

We turned.

He’d sat cross-legged near the hedge. “Look .” he whispered.

Now people’s gazes followed his. He was looking at Lewis and Ann. She, tall and blond, he, dark and taller, were standing very quietly, a little nervously, eyes closed (Lewis’s lips were apart).

“Oh,” whispered someone who should have known better, “they’re going to . . .”

I watched Hawk because I’d never had a chance to observe one Singer at another’s performance. He put the soles of his feet together, grasped his toes, and leaned forward, veins making blue rivers on his neck. The top button of his jacket had come loose. Two scar ends showed over his collarbone. Maybe nobody noticed but me.

I saw Edna put her glass down with a look of beaming anticipatory pride. Alex, who had pressed the autobar (odd how automation has become the upper crust’s way of flaunting the labor surplus) for more crushed ice, looked up, saw what was about to happen, and pushed the cutoff button. The autobar hummed to silence. A breeze (artificial or real, I couldn’t tell you) came by, and the trees gave us a final shush.

One at a time, then in duet, then singly again, Lewis and Ann sang.

Singers are people who look at things, then go and tell people what they’ve seen. What makes them Singers is their ability to make people listen. That is the most magnificent oversimplification I can give. Eighty-six-year-old El Posado in Rio de Janeiro saw a block of tenements collapse, ran to the Avenida del Sol and

THE BIG BOOK OF CYBERPUNK 20
• •

began improvising, in rhyme and meter (not all that hard in rhyme-rich Portuguese), tears runneling his dusty cheeks, his voice clashing with the palm swards above the sunny street. Hundreds of people stopped to listen; a hundred more; and another hundred. And they told hundreds more what they had heard. Three hours later, hundreds from among them had arrived at the scene with blankets, food, money, shovels, and more incredibly, the willingness and ability to organize themselves and work within that organization. No Tri-D report of a disaster has ever produced that sort of reaction. El Posado is historically considered the first Singer. The second was Miriamne in the roofed city of Lux, who for thirty years walked through the metal streets, singing the glories of the rings of Saturn—the colonists can’t look at them without aid because of the ultraviolet the rings set up. But Miriamne, with her strange cataracts, each dawn walked to the edge of the city, looked, saw, and came back to sing of what she saw. All of which would have meant nothing except that during the days she did not sing— through illness, or once she was on a visit to another city to which her fame had spread—the Lux Stock Exchange would go down, the number of violent crimes rise. Nobody could explain it. All they could do was proclaim her Singer. Why did the institution of Singers come about, springing up in just about every urban center throughout the system? Some have speculated that it was a spontaneous reaction to the mass media which blanket our lives. While Tri-D and radio and newstapes disperse information all over the worlds, they also spread a sense of alienation from firsthand experience. (How many people still go to sports events or a political rally with their little receivers plugged into their ears to let them know that what they see is really happening?) The first Singers were proclaimed by the people around them. Then, there was a period where anyone could proclaim himself a Singer who wanted to, and people either responded to him or laughed him into oblivion. But by the time I was left on the doorstep of somebody who didn’t want me, most cities had more or less established an unofficial quota. When a position is left open today, the remaining Singers choose who is going to fill it. The required talents are poetic, theatrical, as well as a certain charisma that is generated in the tensions between the personality and the publicity web a Singer is immediately snared in. Before he became a Singer, Hawk had gained something of a prodigious reputation with a book of poems published when he was fifteen. He was touring universities and giving readings, but the reputation was still small enough so that he was amazed that I had ever heard of him, that evening we encountered in Central Park. (I had just spent a pleasant thirty days as a guest of the city, and it’s amazing what you find in the Tombs Library.) It was a few weeks after his sixteenth birthday. His Singership was to be announced in four days, though he had been informed already. We sat by the lake till dawn while he weighed and pondered and agonized over the coming responsibility. Two years later, he’s still the youngest Singer in six worlds by half a dozen years. Before becoming a Singer, a person need not have been a poet, but most are either that or actors. But the roster through the system includes a longshoreman, two university professors, an heiress to the Silitax millions (Tack it down with Silitax), and at least two persons of such dubious background that the

t i ME Con S i DERED AS A H EL ix o F S EM i PREC iou S Ston ES 21

ever-hungry-for-sensation Publicity Machine itself has agreed not to let any of it past the copy editors. But wherever their origins, these diverse and flamboyant living myths sang of love, of death, of the changing of seasons, social classes, governments, and the palace guard. They sang before large crowds, small crowds, to an individual laborer coming home from the city’s docks, on slum street corners, in club cars of commuter trains, in the elegant gardens atop Twelve Towers, to Alex Spinnel’s select soirée. But it has been illegal to reproduce the “Songs” of the Singers by mechanical means (including publishing the lyrics) since the institution arose, and I respect the law, I do, as only a man in my profession can. I offer the explanation then in place of Lewis’s and Ann’s song.

They finished, opened their eyes, stared about with expressions that could have been embarrassment, could have been contempt.

Hawk was leaning forward with a look of rapt approval. Edna was smiling politely. I had the sort of grin on my face that breaks out when you’ve been vastly moved and vastly pleased. Lewis and Ann had sung superbly.

Alex began to breathe again, glancing around to see what state everybody else was in, saw, and pressed the autobar, which began to hum and crush ice. No clapping, but the appreciative sounds began; people were nodding, commenting, whispering. Regina Abolafia went over to Lewis to say something. I tried to listen until Alex shoved a glass into my elbow.

“Oh, I’m sorry .”

I transferred my briefcase to the other hand and took the drink, smiling. When Senator Abolafia left the two Singers, they were holding hands and looking at one another a little sheepishly. They sat down again.

The party drifted in conversational groups through the gardens, through the groves. Overhead clouds the color of old chamois folded and unfolded across the moon.

For a while I stood alone in a circle of trees, listening to the music: a de Lassus two-part canon programmed for audio-generators. Recalled: an article in one of last week’s large-circulation literaries, stating that it was the only way to remove the feel of the bar lines imposed by five centuries of meter on modern musicians. For another two weeks this would be acceptable entertainment. The trees circled a rock pool; but no water. Below the plastic surface, abstract lights wove and threaded in a shifting lumia.

“Excuse me . . . ?”

I turned to see Alexis, who had no drink now or idea what to do with his hands. He was nervous.

“. . . but our young friend has told me you have something I might be interested in.”

I started to lift my briefcase, but Alexis’s hand came down from his ear (it had gone by belt to hair to collar already) to halt me. Nouveau riche.

“That’s all right. I don’t need to see them yet. In fact, I’d rather not. I have

THE BIG BOOK OF CYBERPUNK 22
• • •

something to propose to you. I would certainly be interested in what you have if they are, indeed, as Hawk has described them. But I have a guest here who would be even more curious.”

That sounded odd.

“I know that sounds odd,” Alexis assessed, “but I thought you might be interested simply because of the finances involved. I am an eccentric collector who would offer you a price concomitant with what I would use them for: eccentric conversation pieces—and because of the nature of the purchase I would have to limit severely the people with whom I could converse.”

I nodded.

“My guest, however, would have a great deal more use for them.”

“Could you tell me who this guest is?”

“I asked Hawk, finally, who you were, and he led me to believe I was on the verge of a grave social indiscretion. It would be equally indiscreet to reveal my guest’s name to you.” He smiled. “But indiscretion is the better part of the fuel that keeps the social machine turning. Mr. Harvey Cadwaliter-Erickson . . .” He smiled knowingly.

I have never been Harvey Cadwaliter-Erickson, but Hawk was always an inventive child. Then a second thought went by, viz., the tungsten magnates, the Cadwaliter-Ericksons of Tythis on Triton. Hawk was not only inventive, he was as brilliant as all the magazines and newspapers are always saying he is.

“I assume your second indiscretion will be to tell me who this mysterious guest is?”

“Well,” Alex said with the smile of the canary-fattened cat, “Hawk agreed with me that the Hawk might well be curious as to what you have in there,” (he pointed) “as indeed he is.”

I frowned. Then I thought lots of small, rapid thoughts I’ll articulate in due time. “The Hawk?”

Alex nodded.

I don’t think I was actually scowling. “Would you send our young friend up here for a moment?”

“If you’d like.” Alex bowed, turned. Perhaps a minute later, Hawk came up over the rocks and through the trees, grinning. When I didn’t grin back, he stopped.

“Mmmm .” I began.

His head cocked.

I scratched my chin with a knuckle. “. . . Hawk,” I said, “are you aware of a department of the police called Special Services?”

“I’ve heard of them.”

“They’ve suddenly gotten very interested in me.”

“Gee,” he said with honest amazement. “They’re supposed to be pretty effective.”

“Mmmm,” I reiterated.

“Say,” Hawk announced, “how do you like that? My namesake is here tonight. Wouldn’t you know.”

t i ME Con S i DERED AS A H EL ix o F S EM i PREC iou S Ston ES 23

“Alex doesn’t miss a trick. Have you any idea why he’s here?”

“Probably trying to make some deal with Abolafia. Her investigation starts tomorrow.”

“Oh.” I thought over some of those things I had thought before. “Do you know a Maud Hinkle?”

Hawk’s puzzled look said “no” pretty convincingly.

“She bills herself as one of the upper echelon in the arcane organization of which I spoke.”

“Yeah?”

“She ended our interview earlier this evening with a little homily about hawks and helicopters. I took our subsequent encounter as a fillip of coincidence. But now I discover that the evening has confirmed her intimations of plurality.” I shook my head. “Hawk, I am suddenly catapulted into a paranoid world where the walls not only have ears, but probably eyes and long, claw-tipped fingers. Anyone about me—yea, even very you—could turn out to be a spy. I suspect every sewer grating and second-story window conceals binoculars, a tommy gun, or worse. What I just can’t figure out is how these insidious forces, ubiquitous and omnipresent though they be, induced you to lure me into this intricate and diabolical—”

“Oh, cut it out!” He shook back his hair. “I didn’t lure—”

“Perhaps not consciously, but Special Services has Hologramic Information Storage, and their methods are insidious and cruel—”

“I said cut it out!” And all sorts of hard little things happened again. “Do you think I’d—” Then he realized how scared I was, I guess. “Look, the Hawk isn’t some small-time snatch-purse. He lives in just as paranoid a world as you’re in now, only all the time. If he’s here, you can be sure there are just as many of his men—eyes and ears and fingers—as there are of Maud Hickenlooper’s.”

“Hinkle.”

“Anyway, it works both ways. No Singer’s going to—Look, do you really think I would—”

And even though I knew all those hard little things were scabs over pain, I said, “Yes.”

“You did something for me once, and I—”

“I gave you some more welts. That’s all.”

All the scabs pulled off.

“Hawk,” I said. “Let me see.”

He took a breath. Then he began to open the brass buttons. The flaps of his jacket fell back. The lumia colored his chest with pastel shiftings.

I felt my face wrinkle. I didn’t want to look away. I drew a hissing breath instead, which was just as bad.

He looked up. “There’re a lot more than when you were here last, aren’t there?”

“You’re going to kill yourself, Hawk.”

He shrugged.

“I can’t even tell which are the ones I put there anymore.”

THE BIG BOOK OF CYBERPUNK 24

He started to point them out.

“Oh, come on,” I said too sharply. And for the length of three breaths, he grew more and more uncomfortable till I saw him start to reach for the bottom button. “Boy,” I said, trying to keep despair out of my voice, “why do you do it?” and ended up keeping out everything. There is nothing more despairing than a voice empty.

He shrugged, saw I didn’t want that, and for a moment anger flickered in his green eyes. I didn’t want that either. So he said: “Look . . . you touch a person softly, gently, and maybe you even do it with love. And, well, I guess a piece of information goes on up to the brain where something interprets it as pleasure. Maybe something up there in my head interprets the information in a way you would say is all wrong. .”

I shook my head. “You’re a Singer. Singers are supposed to be eccentric, sure; but—”

Now he was shaking his head. Then the anger opened up. And I saw an expression move from all those spots that had communicated pain through the rest of his features and vanish without ever becoming a word. Once more he looked down at the wounds that webbed his thin body.

“Button it up, boy. I’m sorry I said anything.”

Halfway up the lapels, his hands stopped. “You really think I’d turn you in?”

“Button it up.”

He did. Then he said, “Oh.” And then, “You know, it’s midnight.”

“So?”

“Edna just gave me the new Word.”

“Which is?”

“Agate.”

I nodded.

Hawk finished closing his collar. “What are you thinking about?”

“Cows.”

“Cows?” Hawk asked. “What about them?”

“You ever been on a dairy farm?”

He shook his head.

“To get the most milk, you keep the cows practically in suspended animation. They’re fed intravenously from a big tank that pipes nutrients out and down, branching into smaller and smaller pipes until it gets to all those high-yield semi-corpses.”

“I’ve seen pictures.”

“People.”

“. . . and cows?”

“You’ve given me the Word. And now it begins to funnel down, branching out, with me telling others and them telling still others, till by midnight tomorrow .”

“I’ll go get the—”

“Hawk?”

He turned back. “What?”

t i ME Con S i DERED AS A H EL ix o F S EM i PREC iou S Ston ES 25

“You say you don’t think I’m going to be the victim of any hanky-panky with the mysterious forces that know more than we. Okay, that’s your opinion. But as soon as I get rid of this stuff, I’m going to make the most distracting exit you’ve ever seen.”

Two little lines bit down Hawk’s forehead. “Are you sure I haven’t seen this one before?”

“As a matter of fact I think you have.” Now I grinned.

“Oh,” Hawk said, then made a sound that had the structure of laughter but was all breath. “I’ll get the Hawk.”

He ducked out between the trees. •

I glanced up at the lozenges of moonlight in the leaves.

I looked down at my briefcase.

Up between the rocks, stepping around the long grass, came the Hawk. He wore a gray evening suit over a gray silk turtleneck. Above his craggy face, his head was completely shaved.

“Mr. Cadwaliter-Erickson?” He held out his hand.

I shook: small sharp bones in loose skin. “Does one call you Mr. . ?”

“Arty.”

“Arty the Hawk?” I tried to look like I wasn’t giving his gray attire the once-over.

He smiled. “Arty the Hawk. Yeah. I picked that name up when I was younger than our friend down there. Alex says you got . . . well, some things that are not exactly yours. That don’t belong to you.”

I nodded.

“Show them to me.”

“You were told what—”

He brushed away the end of my sentence. “Come on, let me see.”

He extended his hand, smiling affably as a bank clerk. I ran my thumb around the pressure-zip. The cover went tsk. “Tell me,” I said, looking up at his head, lowered now to see what I had, “what does one do about Special Services? They seem to be after me.”

The head came up. Surprise changed slowly to a craggy leer. “Why, Mr.  Cadwaliter-Erickson!” He gave me the up and down openly. “Keep your income steady. Keep it steady, that’s one thing you can do.”

“If you buy these for anything like what they’re worth, that’s going to be a little difficult.”

“I would imagine. I could always give you less money—”

The cover went tsk again.

“—or, barring that, you could try to use your head and outwit them.”

“You must have outwitted them at one time or another. You may be on an even keel now, but you had to get there from somewhere else.”

Arty the Hawk’s nod was downright sly. “I guess you’ve had a run-in with

THE BIG BOOK OF CYBERPUNK 26
• •

Maud. Well, I suppose congratulations are in order. And condolences. I always like to do what’s in order.”

“You seem to know how to take care of yourself. I mean I notice you’re not out there mingling with the guests.”

“There are two parties going on here tonight,” Arty said. “Where do you think Alex disappears off to every five minutes?”

I frowned.

“That lumia down in the rocks”—he pointed toward my feet—“is a mandala of shifting hues on our ceiling. Alex”—he chuckled—“goes scuttling off under the rocks where there is a pavilion of Oriental splendor—”

“And a separate guest list at the door?”

“Regina is on both. I’m on both. So’s the kid, Edna, Lewis, Ann—”

“Am I supposed to know all this?”

“Well, you came with a person on both lists. I just thought . . .” The Hawk paused.

I was coming on wrong. But a quick-change artist learns fairly quick that the verisimilitude factor in imitating someone up the scale is your confidence in your unalienable right to come on wrong. “I’ll tell you,” I said. “How about exchanging these”—I held out the briefcase—“for some information.”

“You want to know how to stay out of Maud’s clutches?” He shook his head. “It would be pretty stupid of me to tell you, even if I could. Besides, you’ve got your family fortunes to fall back on.” He beat the front of his shirt with his thumb. “Believe me, boy. Arty the Hawk didn’t have that. I didn’t have anything like that.” His hands dropped into his pockets. “Let’s see what you got.”

I opened the case again.

The Hawk looked for a while. After a few moments he picked a couple up, turned them around, put them back down, put his hands back in his pockets. “I’ll give you sixty thousand for them, approved credit tablets.”

“What about the information I wanted?”

“I wouldn’t tell you a thing.” The Hawk smiled. “I wouldn’t tell you the time of day.”

There are very few successful thieves in this world. Still less on the other five. The will to steal is an impulse toward the absurd and tasteless. (The talents are poetic, theatrical, a certain reverse charisma .) But it is a will, as the will to order, power, love.

“All right,” I said.

Somewhere overhead I heard a faint humming.

Arty looked at me fondly. He reached under the lapel of his jacket and took out a handful of credit tablets—the scarlet-banded tablets whose slips were ten thousand apiece. He pulled off one. Two. Three. Four.

“You can deposit this much safely—”

“Why do you think Maud is after me?”

Five. Six.

“Fine,” I said.

“How about throwing in the briefcase?” Arty asked.

t i ME Con S i DERED AS A H EL ix o F S EM i PREC iou S Ston ES 27

“Ask Alex for a paper bag. If you want, I can send them—”

“Give them here.”

The humming was coming closer.

I held up the open case. Arty went in with both hands. He shoved them into his coat pockets, his pants pockets; the gray cloth was distended by angular bulges. He looked left, right. “Thanks,” he said. “Thanks.” Then he turned and hurried down the slope with all sorts of things in his pockets that weren’t his now.

I looked up through the leaves for the noise, but I couldn’t see anything.

I stooped down now and laid my case out. I pulled open the back compartment where I kept the things that did belong to me and rummaged hurriedly through.

Alex was just offering Puffy-eyes another Scotch, while the gentleman was saying, “Has anyone seen Mrs. Silem? What’s that humming overhead—?” when a large woman wrapped in a veil of fading fabric tottered across the rocks, screaming.

Her hands were clawing at her covered face.

Alex sloshed soda over his sleeve, and the man said, “Oh, my God! Who’s that?”

“No!” the woman shrieked. “Oh, no! Help me!” waving her wrinkled fingers, brilliant with rings.

“Don’t you recognize her?” That was Hawk whispering confidentially to someone else. “It’s Henrietta, Countess of Effingham.”

And Alex, overhearing, went hurrying to her assistance. The Countess ducked between two cacti, however, and disappeared into the high grass. But the entire party followed. They were beating about the underbrush when a balding gentleman in a black tux, bow tie, and cummerbund coughed and said in a very worried voice, “Excuse me, Mr. Spinnel?”

Alex whirled.

“Mr. Spinnel, my mother .”

“Who are you ?” The interruption upset Alex terribly.

The gentleman drew himself up to announce: “The Honorable Clement Effingham,” and his pants leg shook for all the world as if he had started to click his heels. But articulation failed. The expression melted on his face. “Oh, I . . . my mother, Mr. Spinnel. We were downstairs at the other half of your party when she got very . . . excited. She ran up here—oh, I told her not to! I knew you’d be upset. But you must help me!” and then looked up.

The others looked, too.

The helicopter blacked the moon, rocking and settling below its hazy twin parasols.

“Oh, please .” the gentleman said. “You look over there! Perhaps she’s gone back down. I’ve got to”—looking quickly both ways—“find her.” He hurried in one direction while everyone else hurried in others.

THE BIG BOOK OF CYBERPUNK 28
• • •

The humming was suddenly syncopated with a crash. Roaring now, as plastic fragments from the transparent roof chattered down through the branches, clattered on the rocks . . .

I made it into the elevator and had already thumbed the edge of my briefcase clasp, when Hawk dove between the unfolding foils. The electric eye began to swing them open. I hit door close full fist.

The boy staggered, banged shoulders on two walls, then got back breath and balance. “Hey, there’s police getting out of that helicopter!”

“Hand-picked by Maud Hinkle herself, no doubt.” I pulled the other tuft of white hair from my temple. It went into the case on top of the plastiderm gloves (wrinkled, thick blue veins, long carnelian nails) that had been Henrietta’s hands, lying in the chiffon folds of her sari.

Then there was the downward tug of stopping. The Honorable Clement was still half on my face when the door opened.

Gray and gray, with an absolutely dismal expression, the Hawk swung through the doors. Behind him people were dancing in an elaborate pavilion festooned with Oriental magnificence (and a mandala of shifting hues on the ceiling). Arty beat me to door close . Then he gave me an odd look.

I just sighed and finished peeling off Clem.

“The police are up there ?” the Hawk reiterated.

“Arty,” I said, buckling my pants, “it certainly looks that way.” The car gained momentum. “You look almost as upset as Alex.” I shrugged the tux jacket down my arms, turning the sleeves inside out, pulled one wrist free, and jerked off the white starched dicky with the black bow tie and stuffed it into the briefcase with all my other dickies; swung the coat around and slipped on Howard Calvin Evingston’s good gray herringbone. Howard (like Hank) is a redhead (but not as curly).

The Hawk raised his bare brows when I peeled off Clement’s bald pate and shook out my hair.

“I noticed you aren’t carrying around all those bulky things in your pockets anymore.”

“Oh, those have been taken care of,” he said gruffly. “They’re all right.”

“Arty,” I said, adjusting my voice down to Howard’s security-provoking, ingenuous baritone, “it must have been my unabashed conceit that made me think that those Regular Service police were here just for me—”

The Hawk actually snarled. “They wouldn’t be that unhappy if they got me, too.”

And from his corner Hawk demanded, “You’ve got security here with you, don’t you, Arty?”

“So what?”

“There’s one way you can get out of this,” Hawk hissed at me. His jacket had come half-open down his wrecked chest. “That’s if Arty takes you out with him.”

t i ME Con S i DERED AS A H EL ix o F S EM i PREC iou S Ston ES 29

“Brilliant idea,” I concluded. “You want a couple of thousand back for the service?”

The idea didn’t amuse him. “I don’t want anything from you.” He turned to Hawk. “I need something from you, kid. Not him. Look, I wasn’t prepared for Maud. If you want me to get your friend out, then you’ve got to do something for me.”

The boy looked confused.

I thought I saw smugness on Arty’s face, but the expression resolved into concern. “You’ve got to figure out some way to fill the lobby up with people, and fast.”

I was going to ask why, but then I didn’t know the extent of Arty’s security. I was going to ask how, but the floor pushed up at my feet and the door swung open. “If you can’t do it,” the Hawk growled to Hawk, “none of us will get out of here. None of us!”

I had no idea what the kid was going to do, but when I started to follow him out into the lobby, the Hawk grabbed my arm and hissed, “Stay here, you idiot!”

I stepped back. Arty was leaning on door open.

Hawk sprinted toward the pool. And splashed in.

He reached the braziers on their twelve-foot tripods and began to climb.

“He’s going to hurt himself!” the Hawk whispered.

“Yeah,” I said, but I don’t think my cynicism got through. Below the great dish of fire, Hawk was fiddling. Then something under there came loose. Something else went Clang! And something else spurted out across the water. The fire raced along it and hit the pool, churning and roaring like hell.

A black arrow with a golden head: Hawk dove.

I bit the inside of my cheek as the alarm sounded. Four people in uniforms were coming across the blue carpet. Another group were crossing in the other direction, saw the flames, and one of the women screamed. I let out my breath, thinking carpet and walls and ceilings would be flameproof. But I kept losing focus on the idea before the sixty-odd infernal feet.

Hawk surfaced on the edge of the pool in the only clear spot left, rolled over onto the carpet, clutching his face. And rolled. And rolled. Then, came to his feet.

Another elevator spilled out a load of passengers who gaped and gasped. A crew came through the doors now with firefighting equipment. The alarm was still sounding.

Hawk turned to look at the dozen-odd people in the lobby. Water puddled the carpet about his drenched and shiny pants legs. Flame turned the drops on his cheek and hair to flickering copper and blood.

He banged his fists against his wet thighs, took a deep breath, and against the roar and the bells and the whispering, he Sang.

Two people ducked back into the two elevators. From a doorway half a dozen more emerged. The elevators returned half a minute later with a dozen people each. I realized the message was going through the building, there’s a Singer Singing in the lobby.

THE BIG BOOK OF CYBERPUNK 30

The lobby filled. The flames growled, the firefighters stood around shuffling, and Hawk, feet apart on the blue rug by the burning pool, Sang, and Sang of a bar off Times Square full of thieves, morphadine-heads, brawlers, drunkards, women too old to trade what they still held out for barter, and trade just too nasty-grimy; where earlier in the evening a brawl had broken out, and an old man had been critically hurt in the fray.

Arty tugged at my sleeve.

“What . . . ?”

“Come on,” he hissed.

The elevator door closed behind us.

We ambled through the attentive listeners, stopping to watch, stopping to hear. I couldn’t really do Hawk justice. A lot of that slow amble I spent wondering what sort of security Arty had.

Standing behind a couple in bathrobes who were squinting into the heat, I decided it was all very simple. Arty wanted simply to drift away through a crowd, so he’d conveniently gotten Hawk to manufacture one.

To get to the door we had to pass through practically a cordon of Regular Service policemen, who I don’t think had anything to do with what might have been going on in the roof garden; they’d simply collected to see the fire and stayed for the Song. When Arty tapped one on the shoulder—“Excuse me please”—to get by, the policeman glanced at him, glanced away, then did a Mack Sennett double take. But another policeman caught the whole interchange, touched the first on the arm, and gave him a frantic little headshake. Then both men turned very deliberately back to watch the Singer. While the earthquake in my chest stilled, I decided that the Hawk’s security complex of agents and counteragents, maneuvering and machinating through the flaming lobby, must be of such finesse and intricacy that to attempt understanding was to condemn oneself to total paranoia.

Arty opened the final door.

I stepped from the last of the air-conditioning into the night.

We hurried down the ramp.

“Hey, Arty .”

“You go that way.” He pointed down the street. “I go this way.”

“Eh what’s that way?” I pointed in my direction.

“Twelve Towers sub-sub-subway station. Look. I’ve got you out of there. Believe me, you’re safe for the time being. Now go take a train someplace interesting. Goodbye. Go on now.” Then Arty the Hawk put his fists in his pockets and hurried up the street.

I started down, keeping near the wall, expecting someone to get me with a blow dart from a passing car, a death ray from the shrubbery.

I reached the sub.

And still nothing had happened.

Agate gave way to Malachite:

Tourmaline:

Beryl (during which month I turned twenty-six):

t i ME Con S i DERED AS A H EL ix o F S EM i PREC iou S Ston ES 31

Porphyry:

Sapphire (that month I took the ten thousand I hadn’t frittered away and invested it in The Glacier, a perfectly legitimate ice cream palace on Triton—the first and only ice cream palace on Triton—which took off like fireworks; all investors were returned eight hundred percent, no kidding. Two weeks later I’d lost half of those earnings on another set of preposterous illegalities and was feeling quite depressed, but The Glacier kept pulling them in. The new Word came by):

Cinnabar:

Turquoise:

Tiger’s Eye:

Hector Calhoun Eisenhower finally buckled down and spent three months learning how to be a respectable member of the upper-middle-class underworld. That’s a novel in itself. High finance; corporate law; how to hire help: Whew! But the complexities of life have always intrigued me. I got through it. The basic rule is still the same: Observe carefully; imitate effectively.

Garnet:

Topaz (I whispered that word on the roof of the Trans-Satellite Power Station, and caused my hirelings to commit two murders. And you know? I didn’t feel a thing):

Taafeite:

We were nearing the end of Taafeite. I’d come back to Triton on strictly Glacial business. A bright pleasant morning it was: the business went fine. I decided to take off the afternoon and go sightseeing in the Torrents.

“. two hundred and thirty meters high,” the guide announced, and everyone around me leaned on the rail and gazed up through the plastic corridor at the cliffs of frozen methane that soared through Neptune’s cold green glare.

“Just a few yards down the catwalk, ladies and gentlemen, you can catch your first glimpse of the Well of This World, where over a million years ago, a mysterious force science still cannot explain caused twenty-five square miles of frozen methane to liquefy for no more than a few hours during which time a whirlpool twice the depth of Earth’s Grand Canyon was caught for the ages when the temperature dropped once more to .”

People were moving down the corridor when I saw her smiling. My hair was black and nappy, and my skin was chestnut dark today.

I was just feeling overconfident, I guess, so I kept standing around next to her. I even contemplated coming on. Then she broke the whole thing up by suddenly turning to me and saying perfectly deadpan: “Why, if it isn’t Hamlet Caliban Enobarbus!”

Old reflexes realigned my features to couple the frown of confusion with the smile of indulgence. Pardon me, but I think you must have mistaken . . . No, I didn’t say it. “Maud,” I said, “have you come here to tell me that my time has come?”

She wore several shades of blue with a large blue brooch at her shoulder obviously glass. Still, I realized as I looked about the other tourists, she was more inconspicuous amid their finery than I was. “No,” she said. “Actually I’m on vacation. Just like you.”

THE BIG BOOK OF CYBERPUNK 32

“No kidding?” We had dropped behind the crowd. “You are kidding.”

“Special Services of Earth, while we cooperate with Special Services on other worlds, has no official jurisdiction on Triton. And since you came here with money, and most of your recorded gain in income has been through The Glacier; while Regular Services on Triton might be glad to get you, Special Services is not after you as yet.” She smiled. “I haven’t been to The Glacier. It would really be nice to say I’d been taken there by one of the owners. Could we go for a soda, do you think?”

The swirled sides of the Well of This World dropped away in opalescent grandeur. Tourists gazed, and the guide went on about indices of refraction, angles of incline.

“I don’t think you trust me,” Maud said.

My look said she was right.

“Have you ever been involved with narcotics?” she asked suddenly. I frowned.

“No, I’m serious. I want to try and explain something . . . a point of information that may make both our lives easier.”

“Peripherally,” I said. “I’m sure you’ve got down all the information in your dossiers.”

“I was involved with them a good deal more than peripherally for several years,” Maud said. “Before I got into Special Services, I was in the Narcotics Division of the regular force. And the people we dealt with twenty-four hours a day were drug users, drug pushers. To catch the big ones we had to make friends with the little ones. To catch the bigger ones, we had to make friends with the big. We had to keep the same hours they kept, talk the same language, for months at a time live on the same streets, in the same buildings.” She stepped back from the rail to let a youngster ahead. “I had to be sent away to take the morphadine detoxification cure twice while I was on the narc squad. And I had a better record than most.”

“What’s your point?”

“Just this. You and I are traveling in the same circles now, if only because of our respective chosen professions. You’d be surprised how many people we already know in common. Don’t be shocked when we run into each other crossing Sovereign Plaza in Bellona one day, then two weeks later wind up at the same restaurant for lunch at Lux on Iapetus. Though the circles we move in cover worlds, they are the same—and not that big.”

“Come on.” I don’t think I sounded happy. “Let me treat you to that ice cream.” We started back down the walkway.

“You know,” Maud said, “if you do stay out of Special Services’ hands here and on Earth long enough, eventually you’ll be up there with a huge income growing on a steady slope. It might be a few years, but it’s possible. There’s no reason now for us to be personal enemies. You just may, someday, reach that point where Special Services loses interest in you as quarry. Oh, we’d still see each other, run into each other. We get a great deal of our information from people up there. We’re in a position to help you, too, you see.”

“You’ve been casting holograms again.”

t i ME Con S i DERED AS A H EL ix o F S EM i PREC iou S Ston ES 33

She shrugged. Her face looked positively ghostly under the pale planet. She said, when we reached the artificial lights of the city, “I did meet two friends of yours recently, Lewis and Ann.”

“The Singers?”

Maud nodded.

“Oh, I don’t really know them well.”

“They seem to know a lot about you. Perhaps through that other Singer Hawk.”

“Oh,” I said again. “Did they say how he was?”

“I read that he was recovering about two months back. But nothing since then.”

“That’s about all I know, too,” I said.

“The only time I’ve ever seen him,” Maud said, “was right after I pulled him out.”

Arty and I had gotten out of the lobby before Hawk actually finished. The next day on the newstapes I learned that when his Song was over, Hawk shrugged out of his jacket, dropped his pants, and walked back into the pool.

The firefighter crew suddenly woke up. People began running around and screaming. He’d been rescued, seventy percent of his body covered with secondand third-degree burns. I’d been industriously trying not to think about it.

“You pulled him out?”

“Yes. I was in the helicopter that landed on the roof,” Maud said. “I thought you’d be impressed to see me.”

“Oh,” I said. “How did you get to pull him out?”

“Once you got going, Arty’s security managed to jam the elevator service above the seventy-first floor, so we didn’t get to the lobby till after you were out of the building. That’s when Hawk tried to—”

“But it was you who actually saved him, though?”

“The firemen in that neighborhood hadn’t had a fire in twelve years! I don’t think they even know how to operate the equipment. I had my boys foam the pool, then I waded in and dragged him—”

“Oh,” I said again. I had been trying hard, almost succeeding, these eleven months. I wasn’t there when it happened. It wasn’t my affair. Maud was saying:

“We thought we might have gotten a lead on you from him, but when I got him to the shore, he was completely out, just a mass of open, running—”

“I should have known the Special Services uses Singers, too,” I said. “Everyone else does. The Word changes today, doesn’t it? Lewis and Ann didn’t pass on what the new one is?”

“I saw them yesterday, and the Word doesn’t change for another eight hours. Besides, they wouldn’t tell me, anyway.” She glanced at me and frowned. “They really wouldn’t.”

“Let’s go have those ice-cream sodas,” I said. “We’ll make small talk and listen carefully to each other while we affect an air of nonchalance. You will try to pick up things that will make it easier to catch me. I will listen for things you let slip that might make it easier for me to avoid you.”

“Um-hm.” She nodded.

“Why did you contact me in that bar, anyway?”

THE BIG BOOK OF CYBERPUNK 34

Eyes of ice: “I told you, we simply travel in the same circles. We’re quite likely to be in the same bar on the same night.”

“I guess that’s just one of the things I’m not supposed to understand, huh?”

Her smile was appropriately ambiguous. I didn’t push it.

It was a very dull afternoon. I couldn’t repeat one exchange from the nonsense we babbled over the cherry-peaked mountains of whipped cream. We both exerted so much energy to keep up the appearance of being amused, I doubt either one of us could see our way to picking up anything meaningful—if anything meaningful was said.

She left. I brooded some more on the charred phoenix.

The Steward of The Glacier called me into the kitchen to ask about a shipment of contraband milk (The Glacier makes all its own ice cream) that I had been able to wangle on my last trip to Earth (it’s amazing how little progress there has been in dairy farming over the last ten years; it was depressingly easy to hornswoggle that bumbling Vermonter) and under the white lights and great plastic churning vats, while I tried to get things straightened out, he made some comment about the Heist Cream Emperor; that didn’t do any good.

By the time the evening crowd got there, and the moog was making music, the crystal walls were blazing; and the floor show—a new addition that week—had been cajoled into going on anyway (a trunk of costumes had gotten lost in shipment [or swiped, but I wasn’t about to tell them that]), and wandering through the tables I, personally, had caught a very grimy little girl, obviously out of her head on morph, trying to pick up a customer’s pocketbook from the back of his chair—I just caught her by the wrist, made her let go, and led her to the door daintily, while she blinked at me with dilated eyes and the customer never even knew—and the floor show, having decided what the hell, were doing their act au naturel, and everyone was having just a high old time, I was feeling really bad.

I went outside, sat on the wide steps, and growled when I had to move aside to let people in or out. About the seventy-fifth growl, the person I growled at stopped and boomed down at me, “I thought I’d find you, if I looked hard enough! I mean if I really looked.”

I looked at the hand that was flapping at my shoulder; followed the arm up to a black turtleneck where there was a beefy, bald, grinning head. “Arty,” I said, “what are . . . ?” But he was still flapping and laughing with impervious gemütlichkeit.

“You wouldn’t believe the time I had getting a picture of you, boy. Had to bribe one out of the Triton Special Services Department. That quick change bit: great gimmick. Just great!” The Hawk sat down next to me and dropped his hand on my knee. “Wonderful place you got here. I like it, like it a lot.” Small bones in veined dough. “But not enough to make you an offer on it yet. You’re learning fast there, though. I can tell you’re learning fast. I’m going to be proud to be able to say I was the one who gave you your first big break.” Arty’s hand came away, and he began to knead it into the other. “If you’re going to move into

t i ME Con S i DERED AS A H EL ix o F S EM i PREC iou S Ston ES 35
• • •

the big time, you have to have at least one foot planted firmly on the right side of the law. The whole idea is to make yourself indispensable to the good people. Once that’s done, a good crook has the keys to all the treasure houses in the system. But I’m not telling you anything you don’t already know.”

“Arty,” I said, “do you think the two of us should be seen together here . . . ?”

The Hawk held his hand above his lap and joggled it with a deprecating motion. “Nobody can get a picture of us. I got my men all around. I never go anywhere in public without my security. Heard you’ve been looking into the security business yourself,” which was true. “Good idea. Very good. I like the way you’re handling yourself.”

“Thanks. Arty, I’m not feeling too hot this evening. I came out here to get some air .”

Arty’s hand fluttered again. “Don’t worry, I won’t hang around. You’re right. We shouldn’t be seen. Just passing by and wanted to say hello. Just hello.” He got up. “That’s all.” He started down the steps.

“Arty?”

He looked back.

“Sometime soon you will come back; and that time you will want to buy out my share of The Glacier, because I’ll have gotten too big; and I won’t want to sell because I’ll think I’m big enough to fight you. So we’ll be enemies for a while. You’ll try to kill me. I’ll try to kill you.”

On his face, first the frown of confusion, then the indulgent smile. “I see you’ve caught on to the idea of hologramic information. Very good. Good. It’s the only way to outwit Maud. Make sure all your information relates to the whole scope of the situation. It’s the only way to outwit me, too.” He smiled, started to turn, but thought of something else. “If you can fight me off long enough and keep growing, keep your security in tiptop shape, eventually, we’ll get to the point where it’ll be worth both our whiles to work together again. If you can just hold out, we’ll be friends again. Someday. You just watch. Just wait.”

“Thanks for telling me.”

The Hawk looked at his watch. “Well. Goodbye.” I thought he was going to leave finally. But he glanced up again. “Have you got the new Word?”

“That’s right,” I said. “It went out tonight. What is it?”

The Hawk waited till the people coming down the steps were gone. He looked hastily about, then leaned toward me with hands cupped at his mouth, rasped, “Pyrite,” and winked hugely. “I just got it from a gal who got it direct from Colette” (one of the three Singers of Triton). Arty turned, jounced down the steps, and shouldered his way into the crowds passing on the strip.

I sat there mulling through the year till I had to get up and walk. All walking does to my depressive moods is add the reinforcing rhythm of paranoia. By the time I was coming back, I had worked out a dilly of a delusional system: The Hawk had already begun to weave some security-ridden plot about me, which ended when

THE BIG BOOK OF CYBERPUNK 36
• • •

we were all trapped in some dead-end alley, and trying to get aid I called out, “Pyrite!” which would turn out not to be the Word at all but served to identify me for the man in the dark gloves with the gun/grenade/gas.

There was a cafeteria on the corner. In the light from the window, clustered over the wreck by the curb was a bunch of nasty-grimies (à la Triton: chains around the wrist, bumblebee tattoo on cheek, high-heel boots on those who could afford them). Straddling the smashed headlight was the little morph-head I had ejected earlier from The Glacier.

On a whim I went up to her. “Hey ?”

She looked at me from under hair like trampled straw, eyes all pupil.

“You get the new Word yet?”

She rubbed her nose, already scratch red. “Pyrite,” she said. “It just came down about an hour ago.”

“Who told you?”

She considered my question. “I got it from a guy, who says he got it from a guy, who came in this evening from New York, who picked it up there from a Singer named Hawk.”

The three grimies nearest made a point of not looking at me. Those farther away let themselves glance.

“Oh,” I said. “Oh. Thanks.”

Occam’s Razor, along with any real information on how security works, hones away most such paranoia. Pyrite. At a certain level in my line of work, paranoia’s just an occupational disease. At least I was certain that Arty (and Maud) probably suffered from it as much as I did. •

The lights were out on The Glacier’s marquee. Then I remembered what I had left inside and ran up the stairs.

The door was locked. I pounded on the glass a couple of times, but everyone had gone home. And the thing that made it worse was that I could see it sitting on the counter of the coat-check alcove under the orange bulb. The Steward had probably put it there, thinking I might arrive before everybody left. Tomorrow at noon Ho Chi Eng had to pick up his reservation for the Marigold Suite on the Interplanetary Liner The Platinum Swan, which left at one-thirty for Bellona. And there behind the glass doors of The Glacier, it waited with the proper wig, as well as the epicanthic folds that would halve Mr. Eng’s sloe eyes of jet.

I actually thought of breaking in. But the more practical solution was to get the hotel to wake me at nine and come in with the cleaning man. I turned around and started down the steps; and the thought struck me, and made me terribly sad, so that I blinked and smiled just from reflex; it was probably just as well to leave it there till morning, because there was nothing in it that wasn’t mine anyway. milford

July1968

t i ME Con S i DERED AS A H EL ix o F S EM i PREC iou S Ston ES 37
• •

BRUCE BETHKE

CYBERPUNK (1983)

the snoozer went off at seven and I was out of my sleepsack, powered up, and on line in nanos. That’s as far as I got. Soon’s I booted and got—

CRACKERS/B u DDYB oo /8ER

on the tube I shut down fast. Damn! Rayno had been on line before me, like always, and that message meant somebody else had gotten into our Net— and that meant trouble by the busload! I couldn’t do anything more on term, so I zipped into my jumper, combed my hair, and went downstairs.

Mom and Dad were at breakfast when I slid into the kitchen. “Good Morning, Mikey!” said Mom with a smile. “You were up so late last night I thought I wouldn’t see you before you caught your bus.”

“Had a tough program to crack,” I said.

“Well,” she said, “now you can sit down and have a decent breakfast.” She turned around to pull some Sara Lees out of the microwave and plunk them down on the table.

“If you’d do your schoolwork when you’re supposed to you wouldn’t have to stay up all night,” growled Dad from behind his caffix and faxsheet. I sloshed some juice in a glass and poured it down, stuffed a Sara Lee into my mouth, and stood to go.

“What?” asked Mom. “That’s all the breakfast you’re going to have?”

“Haven’t got time,” I said. “I gotta get to school early to see if the program checks.” Dad growled something more and Mom spoke to quiet him, but I didn’t hear much ’cause I was out the door.

I caught the transys for school, just in case they were watching. Two blocks down the line I got off and transferred going back the other way, and a coupla transfers later I wound up whipping into Buddy’s All-Night Burgers. Rayno was in our booth, glaring into his caffix. It was 7:55 and I’d beat Georgie and Lisa there.

“What’s on line?” I asked as I dropped into my seat, across from Rayno. He just looked up at me through his eyebrows and I knew better than to ask again.

At eight Lisa came in. Lisa is Rayno’s girl, or at least she hopes she is. I can see why: Rayno’s seventeen—two years older than the rest of us—he wears flash plastic and his hair in The Wedge (Dad blew a chip when I said I wanted my hair cut like that) and he’s so cool he won’t even touch her, even when she’s begging for it. She plunked down in her seat next to Rayno and he didn’t blink.

Georgie still wasn’t there at 8:05. Rayno checked his watch again, then finally looked up from his caffix. “The compiler’s been cracked,” he said. Lisa and I both swore. We’d worked up our own little code to keep our Net private. I mean, our Olders would just blow boards if they ever found out what we were really up to. And now somebody’d broken our code.

“Georgie’s old man?” I asked.

“Looks that way.” I swore again. Georgie and I started the Net by linking our smartterms with some stuff we stored in his old man’s home business system. Now my dad wouldn’t know an opsys if he crashed on one, but Georgie’s old man—he’s a greentooth. A tech-type. He’d found one of ours once before and tried to take it apart to see what it did. We’d just skinned out that time.

“Any idea how far in he got?” Lisa asked. Rayno looked through her, at the front door. Georgie’d just come in.

“We’re gonna find out,” Rayno said.

Georgie was coming in smiling, but when he saw that look in Rayno’s eyes he sat down next to me like the seat was booby-trapped.

“Good morning, Georgie,” said Rayno, smiling like a shark.

“I didn’t glitch!” Georgie whined. “I didn’t tell him a thing!”

“Then how the Hell did he do it?”

“You know how he is, he’s weird! He likes puzzles!” Georgie looked to me for backup. “That’s how come I was late. He was trying to weasel me, but I didn’t tell him a thing! I think he only got it partway open. He didn’t ask about the Net!”

Rayno actually sat back, pointed at us all, and smiled. “You kids just don’t know how lucky you are. I was in the Net last night and flagged somebody who didn’t know the secures was poking Georgie’s compiler. I made some changes. By the time your old man figures them out, well . . .”

I sighed relief. See what I mean about being cool? Rayno had us outlooped all the time!

Rayno slammed his fist down on the table. “But dammit Georgie, you gotta keep a closer watch on him!”

Then Rayno smiled and bought us all drinks and pie all the way around. Lisa

THE BIG BOOK OF CYBERPUNK 40

had a cherry Coke, and Georgie and I had caffix just like Rayno. God, that stuff tastes awful! The cups were cleared away, and Rayno unzipped his jumper and reached inside.

“Now kids,” he said quietly, “it’s time for some serious fun.” He whipped out his microterm. “School’s off!”

I still drop a bit when I see that microterm—Geez, it’s a beauty! It’s a Zeilemann Nova 300, but we’ve spent so much time reworking it, it’s practically custom from the motherboard up. Hi-baud, rammed, rammed, ported, with the wafer display folds down to about the size of a vid cassette; I’d give an ear to have one like it. We’d used Georgie’s old man’s chipburner to tuck some special tricks in ROM and there wasn’t a system in CityNet it couldn’t talk to.

Rayno ordered up a smartcab and we piled out of Buddy’s. No more riding the transys for us, we were going in style! We charged the smartcab off to some law company and cruised all over Eastside.

Riding the boulevards got stale after a while, so we rerouted to the library. We do a lot of our fun at the library, ’cause nobody ever bothers us there. Nobody ever goes there. We sent the smartcab, still on the law company account, off to Westside. Getting past the guards and the librarians was just a matter of flashing some ID and then we zipped off into the stacks.

Now, you’ve got to ID away your life to get on the libsys terms—which isn’t worth half a scare when your ID is all fudged like ours is—and they watch real careful. But they move their terms around a lot, so they’ve got ports on line all over the building. We found an unused port, and me and Georgie kept watch while Rayno plugged in his microterm and got on line.

“Get me into the Net,” he said, handing me the term. We don’t have a stored opsys yet for Netting, so Rayno gives me the fast and tricky jobs.

Through the dataphones I got us out of the libsys and into CityNet. Now, Olders will never understand. They still think a computer has got to be a brain in a single box. I can get the same results with opsys stored in a hundred places, once I tie them together. Nearly every computer has got a dataphone port, CityNet is a great linking system, and Rayno’s microterm has the smarts to do the job clean and fast so nobody flags on us. I pulled the compiler out of Georgie’s old man’s computer and got into our Net. Then I handed the term back to Rayno.

“Well, let’s do some fun. Any requests?” Georgie wanted something to get even with his old man, and I had a new routine cooking, but Lisa’s eyes lit up ’cause Rayno handed the term to her, first.

“I wanna burn Lewis,” she said.

“Oh fritz!” Georgie complained. “You did that last week!”

“Well, he gave me another F on a theme.”

“I never get F’s. If you’d read books once in a—”

“Georgie,” Rayno said softly, “Lisa’s on line.” That settled that. Lisa’s eyes were absolutely glowing.

Lisa got back into CityNet and charged a couple hundred overdue books to Lewis’s libsys account. Then she ordered a complete fax sheet of Encyclopaedia Britannica printed out at his office. I got next turn.

C YBERP un K 41

Georgie and Lisa kept watch while I accessed. Rayno was looking over my shoulder. “Something new this week?”

“Airline reservations. I was with my dad two weeks ago when he set up a business trip, and I flagged on maybe getting some fun. I scanned the ticket clerk real careful and picked up the access code.”

“Okay, show me what you can do.”

Accessing was so easy that I just wiped a couple of reservations first, to see if there were any bells and whistles.

None. No checks, no lockwords, no confirm codes. I erased a couple dozen people without crashing down or locking up. “Geez,” I said, “There’s no deep secures at all!”

“I been telling you. Olders are even dumber than they look. Georgie? Lisa? C’mon over here and see what we’re running!”

Georgie was real curious and asked a lot of questions, but Lisa just looked bored and snapped her gum and tried to stand closer to Rayno. Then Rayno said, “Time to get off Sesame Street. Purge a flight.”

I did. It was simple as a save. I punched a few keys, entered, and an entire plane disappeared from all the reservation files. Boy, they’d be surprised when they showed up at the airport. I started purging down the line, but Rayno interrupted.

“Maybe there’s no bells and whistles, but wipe out a whole block of flights and it’ll stand out. Watch this.” He took the term from me and cooked up a routine in RAM to do a global and wipe out every flight that departed at an :07 for the next year. “Now that’s how you do these things without waving a flag.”

“That’s sharp,” Georgie chipped in, to me. “Mike, you’re a genius! Where do you get these ideas?” Rayno got a real funny look in his eyes.

“My turn,” Rayno said, exiting the airline system.

“What’s next in the stack?” Lisa asked him.

“Yeah, I mean, after garbaging the airlines . . .” Georgie didn’t realize he was supposed to shut up.

“Georgie! Mike!” Rayno hissed. “Keep watch!” Soft, he added, “It’s time for The Big One.”

“You sure?” I asked. “Rayno, I don’t think we’re ready.”

“We’re ready.”

Georgie got whiney. “We’re gonna get in big trouble—”

“Wimp,” spat Rayno. Georgie shut up.

We’d been working on The Big One for over two months, but I still didn’t feel real solid about it. It almost made a clean if/then/else; if The Big One worked/ then we’d be rich/else . . . it was the else I didn’t have down.

Georgie and me scanned while Rayno got down to business. He got back into CityNet, called the cracker opsys out of OurNet, and poked it into Merchant’s Bank & Trust. I’d gotten into them the hard way, but never messed with their accounts; just did it to see if I could do it. My data’d been sitting in their system for about three weeks now and nobody’d noticed. Rayno thought it would be really funny to use one bank computer to crack the secures on other bank computers.

While he was peeking and poking I heard walking nearby and took a closer

THE BIG BOOK OF CYBERPUNK 42

look. It was just some old waster looking for a quiet place to sleep. Rayno was finished linking by the time I got back. “Okay kids,” he said, “this is it.” He looked around to make sure we were all watching him, then held up the term and stabbed the RETURN key. That was it. I stared hard at the display, waiting to see what else was gonna be. Rayno figured it’d take about ninety seconds.

The Big One, y’see, was Rayno’s idea. He’d heard about some kids in Sherman Oaks who almost got away with a five-million-dollar electronic fund transfer; they hadn’t hit a hang-up moving the five mil around until they tried to dump it into a personal savings account with a $40 balance. That’s when all the flags went up.

Rayno’s cool; Rayno’s smart. We weren’t going to be greedy, we were just going to EFT fifty K. And it wasn’t going to look real strange, ’cause it got strained through some legitimate accounts before we used it to open twenty dummies.

If it worked.

The display blanked, flickered, and showed:

t RA n SAC tion C o MPLE t ED. HAVE A ni CE DAY.

I started to shout, but remembered I was in a library. Georgie looked less terrified. Lisa looked like she was going to attack Rayno.

Rayno just cracked his little half smile, and started exiting. “Funtime’s over, kids.”

“I didn’t get a turn,” Georgie mumbled.

Rayno was out of all the nets and powering down. He turned, slow, and looked at Georgie through those eyebrows of his. “You are still on The List.”

Georgie swallowed it ’cause there was nothing else he could do. Rayno folded up the microterm and tucked it back inside his jumper.

We got a smartcab outside the library and went off to someplace Lisa picked for lunch. Georgie got this idea about garbaging up the smartcab’s brain so that the next customer would have a real state fair ride, but Rayno wouldn’t let him do it. Rayno didn’t talk to him during lunch, either.

After lunch I talked them into heading up to Martin’s Micros. That’s one of my favorite places to hang out. Martin’s the only Older I know who can really work a computer without blowing out his headchips, and he never talks down to me, and he never tells me to keep my hands off anything. In fact, Martin’s been real happy to see all of us, ever since Rayno bought that $3000 vidgraphics art animation package for Lisa’s birthday.

Martin was sitting at his term when we came in. “Oh, hi Mike! Rayno! Lisa! Georgie!” We all nodded. “Nice to see you again. What can I do for you today?”

“Just looking,” Rayno said.

“Well, that’s free.” Martin turned back to his term and punched a few more IN keys. “Damn!” he said to the term.

“What’s the problem?” Lisa asked.

“The problem is me,” Martin said. “I got this software package I’m supposed to be writing, but it keeps bombing out and I don’t know what’s wrong.”

C YBERP un K 43

Rayno asked, “What’s it supposed to do?”

“Oh, it’s a real estate system. Y’know, the whole future-values-in-currentdollars bit. Depreciation, inflation, amortization, tax credits—”

“Put that in our tang,” Rayno said. “What numbers crunch?”

Martin started to explain, and Rayno said to me, “This looks like your kind of work.” Martin hauled his three hundred pounds of fat out of the chair and looked relieved as I dropped down in front of the term. I scanned the parameters, looked over Martin’s program, and processed a bit. Martin’d only made a few mistakes. Anybody could have. I dumped Martin’s program and started loading the right one in off the top of my head.

“Will you look at that?” Martin said.

I didn’t answer ’cause I was thinking in assembly. In ten minutes I had it in, compiled, and running test sets. It worked perfect, of course.

“I just can’t believe you kids,” Martin said. “You can program easier than I can talk.”

“Nothing to it,” I said.

“Maybe not for you. I knew a kid grew up speaking Arabic, used to say the same thing.” He shook his head, tugged his beard, looked me in the face, and smiled. “Anyhow, thanks loads, Mike. I don’t know how to . . .” He snapped his fingers. “Say, I just got something in the other day, I bet you’d be really interested in.” He took me over to the display case, pulled it out, and set it on the counter. “The latest word in microterms. The Zeilemann Starfire 600.”

I dropped a bit! Then I ballsed up enough to touch it. I flipped up the wafer display, ran my fingers over the touch pads, and I just wanted it so bad! “It’s smart,” Martin said. “Rammed, rammed, and ported.”

Rayno was looking at the specs with that cold look in his eye. “My 300 is still faster,” he said.

“It should be,” Martin said. “You customized it half to death. But the 600 is nearly as fast, and it’s stock, and it lists for $1400. I figure you must have spent nearly 3K upgrading yours.”

“Can I try it out?” I asked. Martin plugged me into his system, and I booted and got on line. It worked great! Quiet, accurate; so maybe it wasn’t as fast as Rayno’s—I couldn’t tell the difference. “Rayno, this thing is the max!” I looked at Martin. “Can we work out some kind of ?” Martin looked back to his terminal, where the real estate program was still running tests without a glitch.

“I been thinking about that, Mike. You’re a minor, so I can’t legally employ you.” He tugged on his beard and rolled his tongue around his mouth. “But I’m hitting that real estate client for some pretty heavy bread on consulting fees, and it doesn’t seem real fair to me that you . . . Tell you what. Maybe I can’t hire you, but I sure can buy software you write. You be my consultant on, oh . . . seven more projects like this, and we’ll call it a deal? Sound okay to you?”

Before I could shout yes, Rayno pushed in between me and Martin. “I’ll buy it. List.” He pulled out a charge card from his jumper pocket. Martin’s jaw dropped. “Well, what’re you waiting for? My plastic’s good.”

THE BIG BOOK OF CYBERPUNK 44

“List? But I owe Mike one,” Martin protested.

“List. You don’t owe us nothing.”

Martin swallowed. “Okay Rayno.” He took the card and ran a credcheck on it. “It’s clean,” Martin said, surprised. He punched up the sale and started laughing. “I don’t know where you kids get this kind of money!”

“We rob banks,” Rayno said. Martin laughed, and Rayno laughed, and we all laughed. Rayno picked up the term and walked out of the store. As soon as we got outside he handed it to me.

“Thanks Rayno, but but I coulda made the deal myself.”

“Happy Birthday, Mike.”

“Rayno, my birthday is in August.”

“Let’s get one thing straight. You work for me.”

It was near school endtime, so we routed back to Buddy’s. On the way, in the smartcab, Georgie took my Starfire, gently opened the case, and scanned the boards. “We could double the baud speed real easy.”

“Leave it stock,” Rayno said.

We split up at Buddy’s, and I took the transys home. I was lucky, ’cause Mom and Dad weren’t home and I could zip right upstairs and hide the Starfire in my closet. I wish I had cool parents like Rayno does. They never ask him any dumb questions.

Mom came home at her usual time, and asked how school was. I didn’t have to say much, ’cause just then the stove said dinner was ready and she started setting the table. Dad came in five minutes later and we started eating.

We got the phone call halfway through dinner. I was the one who jumped up and answered it. It was Georgie’s old man, and he wanted to talk to my dad. I gave him the phone and tried to overhear, but he took it in the next room and talked real quiet. I got unhungry. I never liked tofu anyway.

Dad didn’t stay quiet for long. “He what ?! Well thank you for telling me! I’m going to get to the bottom of this right now!” He hung up.

“Who was that, David?” Mom asked.

“That was Mr. Hansen. Georgie’s father. Mike and Georgie were hanging around with that punk Rayno again!” He snapped around to look at me. I’d almost made it out the kitchen door. “Michael! Were you in school today?”

I tried to talk cool. I think the tofu had my throat all clogged up. “Yeah yeah, I was.”

“Then how come Mr. Hansen saw you coming out of the downtown library?”

I was stuck. “I—I was down there doing some special research.”

“For what class? C’mon Michael, what were you studying?”

It was too many inputs. I was locking up.

“David,” Mom said, “Aren’t you being a bit hasty? I’m sure there’s a good explanation.”

“Martha, Mr. Hansen found something in his computer that Georgie and Michael put there. He thinks they’ve been messing with banks.”

“Our Mikey? It must be some kind of bad joke.”

“You don’t know how serious this is! Michael Arthur Harris! What have you

C YBERP un K 45

been doing sitting up all night with that terminal? What was that system in Hansen’s computer? Answer me! What have you been doing?!”

My eyes felt hot. “None of your business! Keep your nose out of things you’ll never understand, you obsolete old relic!”

“That does it! I don’t know what’s wrong with you damn kids, but I know that thing isn’t helping!” He stormed up to my room. I tried to get ahead of him all the way up the steps and just got my hands stepped on. Mom came fluttering up behind as he yanked all the plugs on my terminal.

“Now David,” Mom said. “Don’t you think you’re being a bit harsh? He needs that for his homework, don’t you, Mikey?”

“You can’t make excuses for him this time, Martha! I mean it! This goes in the basement, and tomorrow I’m calling the cable company and getting his line ripped out! If he has anything to do on a computer he can damn well use the terminal in the den, where I can watch him!” He stomped out, carrying my smartterm. I slammed the door and locked it. “Go ahead and sulk! It won’t do you any good!”

I threw some pillows around till I didn’t feel like breaking anything anymore, then I hauled the Starfire out of the closet. I’d watched over Dad’s shoulders enough to know his account numbers and access codes, so I got on line and got down to business. I was finished in half an hour.

I tied into Dad’s terminal. He was using it, like I figured he would be, scanning school records. Fine. He wouldn’t find out anything; we’d figured out how to fix school records months ago. I crashed in and gave him a new message on his vid display.

“Dad,” it said, “there’s going to be some changes around here.”

It took a few seconds to sink in. I got up and made sure the door was locked real solid. I still got half a scare when he came pounding up the stairs, though. I didn’t know he could be so loud.

“MICHAEL !!” He slammed into the door. “Open this! Now! ”

“No.”

“If you don’t open this door before I count to ten, I’m going to bust it down! One!”

“Before you do that—”

“Two!”

“Better call your bank!”

“Three!”

“B320-5127-OlR.” That was his checking account access code. He silenced a couple seconds.

“Young man, I don’t know what you think you’re trying to pull—”

“I’m not trying anything. I did it already.”

Mom came up the stairs and said, “What’s going on, David?”

“Shut up, Martha!” He was talking real quiet, now. “What did you do, Michael?”

“Outlooped you. Disappeared you. Buried you.”

“You mean, you got into the bank computer and erased my checking account?”

“Savings and mortgage on the condo, too.”

THE BIG BOOK OF CYBERPUNK 46

“Oh my God .”

Mom said, “He’s just angry, David. Give him time to cool off. Mikey, you wouldn’t really do that, would you?”

“Then I accessed DynaRand,” I said. “Wiped your job. Your pension. I got into your plastic, too.”

“He couldn’t have, David. Could he?”

“Michael!” He hit the door. “I’m going to wring your scrawny neck!”

“Wait!” I shouted back. “I copied all your files before I purged! There’s a way to recover!”

He let up hammering on the door, and struggled to talk calm. “Give me the copies right now and I’ll just forget that this happened.”

“I can’t. I mean, I did backups in other computers. And I secured the files and hid them where only I know how to access.”

There was quiet. No, in a nano I realized it wasn’t quiet, it was Mom and Dad talking real soft. I eared up to the door but all I caught was Mom saying “why not?” and Dad saying, “but what if he is telling the truth?”

“Okay Michael,” Dad said at last. “What do you want?”

I locked up. It was an embarrasser; what did I want? I hadn’t thought that far ahead. Me, caught without a program! I dropped half a laugh, then tried to think. I mean, there was nothing they could get me I couldn’t get myself, or with Rayno’s help. Rayno! I wanted to get in touch with him, is what I wanted. I’d pulled this whole thing off without Rayno!

I decided then it’d probably be better if my Olders didn’t know about the Starfire, so I told Dad first thing I wanted was my smartterm back. It took a long time for him to clump down to the basement and get it. He stopped at his term in the den, first, to scan if I’d really purged him. He was real subdued when he brought my smartterm back up.

I kept processing, but by the time he got back I still hadn’t come up with anything more than I wanted them to leave me alone and stop telling me what to do. I got the smartterm into my room without being pulped, locked the door, got on line, and gave Dad his job back. Then I tried to flag Rayno and Georgie, but couldn’t, so I left messages for when they booted. I stayed up half the night playing a war, just to make sure Dad didn’t try anything.

I booted and scanned first thing the next morning, but Rayno and Georgie still hadn’t come on. So I went down and had an utter silent breakfast and sent Mom and Dad off to work. I offed school and spent the whole day finishing the war and working on some tricks and treats programs. We had another utter silent meal when Mom and Dad came home, and after supper I flagged Rayno had been in the Net and left a remark on when to find him.

I finally got him on line around eight, and he said Georgie was getting trashed and probably heading for permanent downtime.

Then I told Rayno all about how I outlooped my old man, but he didn’t seem real buzzed about it. He said he had something cooking and couldn’t meet me at Buddy’s that night to talk about it, either. So we got off line, and I started another war and then went to sleep.

C YBERP un K 47

The snoozer said 5:25 when I woke up, and I couldn’t logic how come I was awake till I started making sense out of my ears. Dad was taking apart the hinges on my door!

“Dad! You cut that out or I’ll purge you clean! There won’t be backups this time!”

“Try it,” he growled.

I jumped out of my sleepsack, powered up, booted and—no boot. I tried again. I could get on line in my smartterm, but I couldn’t port out. “I cut your cable down in the basement,” he said.

I grabbed the Starfire out of my closet and zipped it inside my jumper, but before I could do the window, the door and Dad both fell in. Mom came in right behind, popped open my dresser, and started stuffing socks and underwear in a suitcase.

“Now you’re fritzed!” I told Dad. “I’ll never give you back your files!” He grabbed my arm.

“Michael, there’s something I think you should see.” He dragged me down to his den and pulled some bundles of old paper trash out of his desk. “These are receipts. This is what obsolete old relics like me use because we don’t trust computer bookkeeping. I checked with work and the bank; everything that goes on in the computer has to be verified with paper. You can’t change anything for more than twenty-four hours.”

“Twenty-four hours ?” I laughed. “Then you’re still fritzed! I can still wipe you out any day, from any term in CityNet.”

“I know.”

Mom came into the den, carrying the suitcase and Kleenexing her eyes. “Mikey, you’ve got to understand that we love you, and this is for your own good.” They dragged me down to the airport and stuffed me in a private Lear with a bunch of old gestapos.

I’ve had a few weeks now to get used to the Von Schlager Military Academy. They tell me I’m a bright kid and with good behavior, there’s really no reason at all why I shouldn’t graduate in five years. I am getting tired, though, of all the older cadets telling me how soft I’ve got it now that they’ve installed indoor plumbing.

Of course, I’m free to walk out any time I want. It’s only three hundred miles to Fort McKenzie, where the road ends.

Sometimes at night, after lights out, I’ll pull out my Starfire and run my fingers over the touchpads. That’s all I can do, since they turn off power in the barracks at night. I’ll lie there in the dark, thinking about Lisa, and Georgie, and Buddy’s All-Night Burgers, and all the fun we used to pull off. But mostly I’ll think about Rayno, and what great plans he cooks up.

I can’t wait to see how he gets me out of this one.

THE BIG BOOK OF CYBERPUNK 48
• • •

CRAIG PADAWER

HOSTILE TAKEOVER (1985)

and then one night Swann’s armored cars rolled into town, and the consolidation of flesh began.

They hit Ho’s first, blasting their way past his sumos and into the pimp’s private parlor, where his Ninja waited. But even Ho’s master assassin was no match for Shimmy G’s hi-tech killers with their Black & Decker implants and their five-speed rotating blades. They’d diced the Ninja like a carrot and then fed the pieces to Ho with his jade chopsticks before they finally killed him as well. Then they ground his geishas into tofu and continued north to The Hairy Clam, where they shot all the fish in Felsig’s barrel. Real sportsmen, Swann’s chromeheads. They stood at poolside with their telescopic eye implants and their 9 mm semiautomatic arm grafts firing, reloading, and firing again, picking off patrons in the glass-bottom boats, murdering the mermaids as they tried to take cover beneath the inflatable lily pads, filling the porpoises so full of lead that they sank like submarines to the bottom of the tank.

The Clam’s kitchen just happened to have run out of the house specialty at 11:00 that night and had called in an emergency order of Littlenecks to Veraciti’s Seafood Supply, which had dispatched a truck immediately. They were just unloading the shellfish when Swann’s goons struck. Felsig managed to slip out through the kitchen and escape in the fish king’s refrigerated delivery truck accompanied by six cartons of red snapper filets, a pair of halibut hanging on hooks, and a crate of clams that chattered at him like a bundle of bones as the

driver hit what seemed like every pothole between Harbor Street and the fish pier. Back at The Clam, Swann’s chrome killers were snapping drill bits into their multifunction wrist sockets and boring holes in the skulls of Felsig’s kitchen staff in an attempt to discover his whereabouts, as if in their mechanical naivete the overhauled imbeciles imagined that language was a liquid bottled up inside the body and any hole would decant it. In fact, the busboys had leaked as soon as they got a look at the hardware on Shimmy G’s hoodlums, but the toolheads hadn’t liked what they’d heard and they drilled the pimp’s busboys dry, their gears seizing with rage. When that failed to produce Felsig, they burst into The Clam’s plush grottoes, pried open the pimp’s patented shell beds, shucked his nymphs, and minced them like mollusks. Then they blew the bottom out of the glass lagoon, drowning the diners below and flooding Harbor Street from Cod Place to Waterfront Drive.

Meanwhile, a second unit had struck at the cash gash end of Harbor Street and was moving south toward the blue-chip houses, gunning down street pimps and freelancers along the way, firebombing the budget brothels and the fast-fuck joints. They blew the lid off the Dick-in-the-Box on Eel Street, leveled the Wiener Queen, and wiped The Bun Factory right off the block. They hit the Instant Eatery on the corner of Harbor and Tuna Street, and some tax adder with her muff up against the drive-in window was divested of her assets along with the hired tongue who was delivering her Slurpy to her through the hole in the bulletproof glass.

While their counterparts to the south finished off Felsig’s and moved on to The Sweat Shop, the northern unit raided The Side Show and Tufa’s Club Zoo, neither of which had heavy security. The houses fell like dominoes. Swann’s anti-tank missiles turned Tufa’s elephants into hamburger, while what was left of the pimp’s menagerie stampeded south, trampling wounded bathhouse boys and hookers hobbling along on broken heels. A small detachment of mechanical thugs remained behind to mop up the top end of Harbor Street while the northern unit’s main force headed west on Oyster to take Rocheaux’s office and knock out Brash, Sarsen & Scree’s flagship facility. Then the troops regrouped two blocks south for an assault on The Rubber Womb.

Merkle had invested heavily in the latest weaponry and The Womb had a formidable security force, despite the mocking comments made by Merkle’s colleagues. Vesuvius, who liked to boast about his own rented muscle, had once told Emma with a sneer that Merkle’s inflatable bodyguards were “full of hot air.”

“Hydrogen,” Merkle corrected him, having overheard the remark.

“Hot air, hydrogen . . . same shit,” Vito spat.

“I’m afraid you’re quite mistaken. There’s a definitive difference, Vito, and if you get any closer to Emile here with that vile cigar of yours, you’ll discover it firsthand . . . and then foot, nose, teeth, and liver. In short, my friend, they’ll be sweeping your pieces off the street.”

“Pshshhhh!” Vito hissed derisively, his head snapping back as if he’d been slugged in the chin, smoke spewing from his mouth.

Merkle turned to Emma. “Good night, Ms. Labatt,” he said. “You’re to be

THE BIG BOOK OF CYBERPUNK 50

commended on your tolerance, but surely a businesswoman of your caliber recognizes a profitless endeavor when she sees one.” With that he wrapped his rubber scarf around his throat and slipped into the bulletproof overcoat being offered by one of his bodyguards. Then he bowed to Emma, pulled the brim of his black rubber fedora down over his brow with a squeak, and walked off flanked by four of his inflatable escorts.

“Hey, Merkle,” Vesuvius had shouted after him, “fuck you, ya dumb bastard. You call that protection? They’re nothing but a bunch a fuckin’ balloons. That’s right, fuckin’ bunch a rubber scumbags with faces painted on ’em, that’s all. It’s like tryna stop a bullet with a goddamn condom, fer chrissake. Hey! Tell ya what, Merkle I’ll have my boys cut a hole in one of those balloon goons a yours and I’ll wear him on my dick when I fuck your mother. How ’bout that? How’s that for fuckin’ protection? Hey, maybe you oughta fold one up and carry him in your wallet, cause that’s all the protection they’re gonna give ya.”

In the end, Vito was right, not just about Merkle’s security force, but about his entire inflatable enterprise. It was a credit to the pimp’s miraculous craftsmanship that his entire nightclub, from floor to ceiling, from light fixtures to plumbing to windows, was nothing more than an elaborate balloon. But that sort of evanescent intricacy was only so admirable. Merkle paid the price for his genius in vulnerability. His inflatable men proved to be no match for Swann’s mechanical killers. The chromeheads went through The Rubber Womb like a nail through a beach ball. Pulling steel stickpins from their copper neckties, they popped Merkle’s balloon goons, and had at his dolls. Swann, who believed the penis was obsolete, an inefficient cord of meat vulnerable to viruses and vaginal bacteria, had replaced his killers’ genitals with weaponry. Now the toolheads unzipped their flies, greased their barrels with balloon jelly, and rammed them up the rubber rectums of Merkle’s dolls, pumping away until a twitch of pleasure in what remained of their flesh tripped their triggers, and they came in a burst of gunfire. The inflatable beauties popped like party balloons when the bullets struck, leaving their attackers clutching nothing but air and a few shreds of latex.

As johns jumped from the windows of The Womb and hoofed it up Harbor Street, Swann’s clockwork killers went from room to rubber room, doing in Merkle’s dolls, puncturing the air mattresses, the inflatable toilets, and the blowup bathtubs. The air outside became so saturated with helium that Tufa’s tigers sounded like tabbies as they fled down Harbor Street. Helium hissed from the inflatable walls and beams, and the nightclub began to collapse in on itself, to shrivel and fold, until finally the chrome assassins turned their flamethrowers on it, and The Womb went up with a WHOOSH . There was a single explosion as Merkle’s hydrogen tank blew, and then it was over. All that remained of the club was a puddle of molten rubber.

Emma pushed through the bordello’s revolving door and stepped out into the chaos of the street. Out on the avenue the traffic was frozen: drivers and passengers peered through their windows. The yap schlock hawkers and the cat dog vendors had left their carts and drifted to the curb like sleepwalkers summoned

Ho S ti LE tAKE o VER 51

in a dream. She could hear animals howling, the braying of Tufa’s pornographic donkeys. And beneath that another sound, a murmur like a mechanical parody of the harbor washing against the pier.

Then the northern end of the Harbor Street seemed to explode with movement. Refugees began streaming into the square: barefoot house whores wrapped in satin sheets, queens in kimonos zigzagging down the street like enormous butterflies as they tried to dodge the bullets that went zipping by. Jailbait and babymeat were borne along on a tide of trained tigers, inflatable whores, and wounded studs dressed in the Marquis de Sade’s underwear. Emma saw a chimpanzee and a pair of Gneissman’s naked midgets go galloping by on one of Tufa’s zebras; they turned west on Oceanside, weaving through the stalled traffic until she lost sight of them. The sound of gunfire grew closer. Bullets ricocheted off the mansion’s facade. Panicky passengers left their cars and fled up the avenue on foot.

The remnants of Merkle’s security force fell back along the water, pursued by Swann’s goons. Emma could see the mechanical killers now. They wore titanium zoot suits and steel fedoras, and they came marching down Harbor Street looking like a fleet of tanks designed by Oleg Cassini. Some of them had machine gun assemblies built right into their skulls, and their grinning heads rotated 360 degrees as they raked the streets with gunfire. Merkle’s hydrogen hoodlums went off like incendiary bombs when the slugs hit them. Those who hadn’t been hit returned fire with Uzis and Street Sweepers, but the bullets didn’t even put a dent in the enemy’s wardrobe.

As Emma ordered her women to pull back from the street, she could see Merkle’s men tossing aside their weapons, stepping out of their lead loafers, and floating up into the night sky, rising above the flaming streets like rubber angels, until the wind carried them out over the harbor. Some of them would drift for days or weeks, finally floating to earth somewhere on the coast of Greenland or Labrador, where they would vainly hunt for helium like vampires hungry for blood, until finally, sagging and emaciated, they would expire on barren bluffs, where fisherman’s wives would find them, take them home, and stitch them into raincoats for their sea-haunted husbands.

Back inside the mansion, Emma threw all her security at her front door, opened up the bar, and circulated among her customers to calm them. But as Swann’s first army swept up from the south, the pincer closed, trapping the fleeing whores in the square. The desperate refugees stormed the mansion seeking asylum.

Emma prayed for fog to mask the carnage and inhibit the killers, but the night remained clear and the moon burned like a bulb. From the window she could see one of Galena’s Gigantic Gigolos lying dead in the street, wearing nothing but his own blood. One of his coworkers crouched over him, moving like an astronaut in the merciless moonlight, his body so bloated with muscle he was barely able to bend. Over to the south a rocket struck G.A.S.M.’s headquarters and the old building burped smoke. Tracer fire arced across the square like a flock of burning birds. The two naked giants outside Emma’s window looked now like a

THE BIG BOOK OF CYBERPUNK 52

pair of Greek heroes that had been painted onto the wrong scenery: Achilles bawling over the death of his pornographic Patroclus as Paris fell to the Germans. A passing queen paused and began tugging at the mourner’s arm with one hand as she clutched the front of her kimono closed with the other, but the giant wouldn’t budge. She tried again, letting go of her robe and wrapping both her arms around his biceps, but it was like trying to uproot an oak tree. And then somehow the gigolo lost his balance and tipped backward. He lay there in the gutter with his arms waving in the air, like some enormous beetle, so weighed down by his own muscle that he was unable to sit up or flip himself over. The queen flapped her arms and screamed for help, her kimono billowing behind her in the frigid wind. Her hormone-grown breasts were stunted and pale in the moonlight, her prick shaven clean as an infant’s and shriveled now with fear.

A bunch of streetwalkers, ever practical, responded to the queen’s distress by tugging off their whorehoppers and flinging them through the mansion’s stained-glass windows in an attempt to get Emma’s attention.

Hippolyta opened up the bordello’s arsenal and began arming the patrons, the whores, and the housekeeping staff, then joined Emma at the window and nervously surveyed the scene. To the north, along the curve of the water, Swann’s killers fired surface-to-surface missiles from their prosthetic arm launchers, and the boardwalk crumbled like a cracker in the tracer-light. Cabs burned out on the avenue, and flaming figures raced down the streets like human shish kebabs. The lobby smelled of sulfur and burning meat. Shimmy G’s southern units were already on the outskirts of the square. The trapped refugees would have the option of either being driven into the frigid harbor or slaughtered in the streets.

As rocket fire began to eat up the asphalt, the blowjob boys and anal artists stormed Emma’s steps. Rocheaux’s brats tried to scale the fence and were impaled on the wrought iron spikes where they flapped like fish on the end of a spear and whined through the night like tortured cats. Merkle’s girls also fell prey to the spikes: their corpses hung from the fence like an atman’s laundry, and whores hoisted themselves up by the dolls’ deflated limbs—but the bordello’s windows were too high and there was nowhere for them to go. Bullets cut into the crowd. There were screams as the sea of flesh surged forward and washed up against the mansion’s facade.

The cops were nowhere in sight. And for all Emma knew, these were Vito’s soldiers, mail ordered from some weapons warehouse in Georgia or Tennessee and kept under wraps until the moment was right. She had no choice but to open her doors.

That night her house took on the atmosphere of a field hospital. Her boudoirs were filled with wounded whores, and all her satin sheets went for bandages. Giles was busy in the kitchen, boiling his old mechanic’s tools in hot water and performing makeshift surgeries on the chrome countertops, prying slugs out of house whores with a Phillips screwdriver and a pair of needle-nose pliers, and leaving it to Hector Citrine’s seamstress to sew them up. They stacked the dead in the walk-in freezer. By dawn they were almost out of shelf space.

Even one of Merkle’s helium whores managed to make it to Emma’s place.

Ho S ti LE tAKE o VER 53

She was leaking, and Giles patched her up with a piece of electrical tape, then gave her mouth-to-mouth in an attempt to reinflate her. She perked up for a while, but as the night wore on her head began to wilt again, wrinkles appeared in her face and thighs, her latex tits began to shrink and droop. She seemed to be aging right before their eyes. They pumped some more air into her, but it was no good. She needed helium. Or maybe she was leaking from a hole they hadn’t seen. By morning she was as flat as a floor mat. Emma wondered whether she was dead. How could you tell with a blowup doll, anyway? What vital signs did you check for? Air pressure? Surface tension? Finally they just pulled the plug on her. What was left of her helium escaped in one brief sigh. Emma thought she felt the air in the room change ever so slightly, and she held her breath for a moment, as if she were afraid that by breathing she might inhale the whore’s soul. Then she folded up the girl’s empty skin and tucked it away in a drawer. By that point, all she could think of was that Merkle’s ingenuity had saved her a space in the freezer.

She waited all night for the attack, but it never came. Swann’s troops swung west, bypassing her bordello. A couple of hours later heavy artillery could be heard from the south. It went on for a solid hour. The mansion’s beams rattled in the thunder, and plaster rained down from the kitchen ceiling like confectionery sugar, powdering the whores’ open wounds so that their hearts and livers looked like candied fruits. Giles called for more water while Emma provided what suction she could with a turkey baster.

Toward dawn the gunfire began to die down. Outside the blood froze in the streets, and come morning children with ice skates appeared, carving figure eights in the crimson pools.

THE BIG BOOK OF CYBERPUNK 54

JAMES PATRICK KELLY RAT (1986)

rat had stashed the dust in four plastic capsules and then swallowed them. From the stinging at the base of his ribs he guessed they were now squeezing into his duodenum. Still plenty of time. The bullet train had been shooting through the vacuum of the TransAtlantic tunnel for almost two hours now; they would arrive at Port Authority/Koch soon. Customs had already been fixed, according to the marechal. All Rat had to do was to get back to his nest, lock the smart door behind him, and put the word out on his protected nets. He had enough Algerian Yellow to dust at least half the cerebrums on the East Side. If he could turn this deal he would be rich enough to bathe in Dom Perignon and dry himself with Gromaire tapestries. Another pang shot down his left flank. Instinctively his hind leg came off the seat and scratched at air.

There was only one problem; Rat had decided to cut the marechal out. That meant he had to lose the old man’s spook before he got home.

The spook had attached herself to him at Marseilles. She braided her blonde hair in pigtails. She had freckles, wore braces on her teeth. Tiny breasts nudged a modest silk turtleneck. She looked to be between twelve and fourteen. Cute. She had probably looked that way for twenty years, would stay the same another twenty if she did not stop a slug first or get cut in half by some automated security laser that tracked only heat and could not read—or be troubled by—cuteness. Their passports said they were Mr. Sterling Jaynes and daughter Jessalynn, of Forest Hills, New York. She was typing in her notebook, chubby fingers curled

over the keys. Homework? A letter to a boyfriend? More likely she was operating on some corporate database with scalpel code of her own devising.

“Ne fais pas semblant d’étudier, ma petite,” Rat said. “Que fais-tu?”

“Oh, Daddy,” she said, pouting, “can’t we go back to plain old English? After all, we’re almost home.” She tilted her notebook so that he could see the display. It read, “Two rows back, second seat from aisle. Fed. If he knew you were carrying, he’d cut the dust out of you and wipe his ass with your pelt.” She tapped the return key and the message disappeared.

“All right, dear.” He arched his back, fighting a surge of adrenaline that made his incisors click. “You know, all of a sudden I’m feeling hungry. Should we do something here on the train or wait until we get to New York?” Only the spook saw him gesture back toward the fed.

“Why don’t we wait for the station? More choices there.”

“As you wish, dear.” He wanted her to take the fed out now but there was nothing more he dared say. He licked his hands nervously and groomed the fur behind his short, thick ears to pass the time.

The International Arrivals Hall at Koch Terminal was unusually quiet for a Thursday night. It smelled to Rat like a setup. The passengers from the bullet shuffled through the echoing marble vastness toward the row of customs stations. Rat was unarmed; if they were going to put up a fight the spook would have to provide the firepower. But Rat was not a fighter, he was a runner. Their instructions were to pass through Station Number Four. As they waited in line Rat spotted the federally appointed vigilante behind them. The classic invisible man: neither handsome nor ugly, five-ten, about one-seventy, brown hair, dark suit, white shirt. He looked bored.

“Do you have anything to declare?” The customs agent looked bored too. Everybody looked bored except Rat who had two million new dollars’ worth of illegal drugs in his gut and a fed ready to carve them out of him.

“We hold these truths to be self-evident,” said Rat, “that all men are created equal.” He managed a feeble grin—as if this were a witticism and not the password.

“Daddy, please!” The spook feigned embarrassment. “I’m sorry, ma’am; it’s his idea of a joke. It’s the Declaration of Independence, you know.”

The customs agent smiled as she tousled the spook’s hair. “I know that, dear. Please put your luggage on the conveyor.” She gave a perfunctory glance at her monitor as their suitcases passed through the scanner and then nodded at Rat. “Thank you, sir, and have a pleasant . . .” The insincere thought died on her lips as she noticed the fed pushing through the line toward them. Rat saw her spin toward the exit at the same moment that the spook thrust her notebook computer into the scanner. The notebook stretched a blue finger of point discharge toward the magnetic lens just before the overhead lights novaed and went dark. The emergency backup failed as well. Rat’s snout filled with the acrid smell of electrical fire. Through the darkness came shouts and screams, thumps and cracks—the crazed pounding of a stampede gathering momentum.

He dropped to all fours and skittered across the floor. Koch Terminal was his

THE BIG BOOK OF CYBERPUNK 56

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