Fine Prints & Photographs | Skinner Auction 2977B

Fine Prints & Photographs Sale 2977B

January 27, 2017

Boston

Fine Prints & Photographs

Specialists

Robin S.R. Starr

Elizabeth C. Haff

Department Director 508.970.3259

508.970.3258

Michelle Lamunière

Kathleen M. Leland 508.970.3297

508.970.3264

Department Inquiries: 508.970.3206

Auction Information Auction 2977B

Preview

Absentee Bidding

Friday, January 27 12PM

Wednesday, January 25 12 to 5PM

T: 617.874.4318 F: 617.350.5429

followed by Fine Paintings & Sculpture at 4PM

Thursday, January 26 12 to 8PM

63 Park Plaza Boston, MA

Friday, January 27 9 to 10AM

General Inquiries 617.350.5400

SKINNERLIVE! skinnerinc.com

View all lots online at www.skinnerinc.com cover : 110 ; interior front cover : 64 ; interior back cover : 181 ; back cover : 180

American & European Works of Art Auction 2704B 02/07/2014 4:00 PM EST Lot 632 Of 689 - Alexander Calder (American, 1898-1976) Red Circus Horse

M Y AC T IVIT Y AU C T IO N LO G O U T

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SK2148

$40,000 - $60,000 $110,000

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$110,000 Floor Bidder $105,000 Floor Bidder $100,000 Floor Bidder $95,000 Floor Bidder $90,000 Internet Bidder SK2149 Online bidder SK2149 requests bid of $90,000 on lot 632 $85,000 Floor Bidder $80,000 Floor Bidder $75,000 Floor Bidder

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Table of Contents 1

Auction & Specialist Information

2

Web Site & Online Bidding

4

Exhibition Announcement

5

Provenance

6

Glossary of Terms

7

Lots 1–199

122

Artist Index

123

Conditions of Sale

124

Company Directors & Specialty Departments

125

Administrative Staff & Client Services

126

Map & Driving Directions

127

Absentee Bid Form

Please Note: All lots sold subject to our Conditions of Sale.

Please refer to page 123 of this catalog for the full terms and conditions governing your purchase.

Copyright Š Skinner, Inc. 2017 All rights reserved MA LIC. 2304

WALDEN: FOUR VIEWS Abelardo Morell on exhibit February 10 - August 20, 2017

Presenting Sponsor:

www.concordmuseum.org

Above: Walden Pond - Tent Camera Image, 2016

Provenance Descendants of Frank Weston Benson The Collection Wilhelm Eduard Drugulin, Leipzig The Estate of Irving Penn, New York Citizens Bank, Providence, Rhode Island Estates in Massachusetts and New York The Collection of Robert Bradford Newman, Massachusetts A Corporate Collection in Florida The Estates of Pablo Picasso and Jacqueline Picasso The Collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art The Julien Levy Collection The Collection of Carl Zigrosser, former curator of prints, drawings, and rare books at the Philadelphia Museum of Art The Collection of Janie & Peter Gross, Pennsylvania The Collection of Jonathan Goldin, Amherst, Massachusetts The Estate of Richard E. Anderson, New York, New York/Redding, Connecticut The Estate of Joan Sonnabend, Boston, Massachusetts Private Collections in Connecticut, Florida, Massachusetts, Maine, New York, and Rhode Island

Glossary of Terms All items in this catalog are described according to the following table of terminology.

Please note that all statements in this catalog as to Authorship, Period, and Origin, are qualified statements subject to the Conditions of Sale.

Authorship will be described in the following ways: John Joseph Enneking In our judgment, the work is by the artist.

Attributed to John Joseph Enneking In our judgment, the work may be ascribed to the artist on the basis of style, but leaves some question as to actual authorship.

School of John Joseph Enneking In our judgment, a work of an unknown follower executed in the style of the artist and contemporary in period.

Manner of John Joseph Enneking In our judgment, a work executed in the style of the artist by an unknown hand and probably from a later period.

After John Joseph Enneking In our judgment, an intended copy of the work of the artist.

American School, 19th Century In our judgment, the work of an unknown hand that can only be identified as to period and culture.

Other terms: Bears signature In our judgment, the signature not of the artist. This term is generally used separately, or together with a description of the work as “attributed to,” “school of,” “manner of,” or “after” the artist.

Measurements are given as height x width and refer to the size of the support unless otherwise indicated.

Fine Prints & Multiples

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1 Louis Abel-Truchet (French, 1857-1918) Le Journal Publie: Prostituée par Victor Margueritte, published by Pichot Imprimerie, Paris. Signed and identified within the matrix.

Color lithographic poster, image size 45 1/2 x 61 1/2 in. (115.6 x 156.2 cm), framed.

Condition: Unobtrusive toning, not examined out of frame.

Provenance: A private Florida collection. $400-600 2 Jules Chéret (French, 1836-1932) Musée Grévin, Les Dames Hongroises, published by Chaix (Atelier Chéret), Paris.

Signed and identified within the matrix. Color lithographic poster, image size 45 3/4 x 32 3/8 in. (116.0 x 82.2 cm), framed.

Condition: Central horizontal and vertical creases, both possibly with small repairs, gentle toning, not examined out of frame.

Provenance: A private Florida collection. $400-600

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3 Jules Chéret (French, 1836-1932)

4 Paul Colin (French, 1892-1985)

Musée Grévin. Théatre les Fantoches, 1900, published by Chaix (Atelier Chéret), Paris. Signed and dated within the matrix.

Color lithographic poster, sight size 47 1/4 x 32 1/2 in. (119.9 x 82.5 cm), framed.

Condition: Gentle toning and rippling, not examined out of frame.

Silence l’ennemi guette vos confidences, 1939. Signed and identified within the matrix.

Color lithographic poster, sight size 23 1/8 x 14 1/2 in. (58.5 x 36.7 cm), framed.

Condition: Softly pressed horizontal creases, cockling, foxing, not examined out of frame. $800-1,200

Provenance: A private Florida collection. $700-900

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5 Jean-Baptiste-Camille Corot (French, 17961875) Souvenir D’Italie, 1863, second or third state of four, published by A. Cadard et al., Paris (Delteil 5; Melot 5). Identified within the matrix, publisher’s dry stamp l.c. Etching on paper, plate size 12 1/2 x 9 1/8 in. (31.6 x 23.1 cm), framed.

Condition: Unobtrusive mat burn, gentle rippling, not examined out of frame. $400-600 6 Albrecht Dürer (German, 1471-1528) The Flight into Egypt, from The Life of the Virgin, c. 1503, impression prior to the addition of the Latin text for the 1511 edition (Bartsch, 89; Hollstein, 201; Meder, 201 b or c). Monogrammed within the matrix, collector’s mark (see below) to verso.

Woodcut on laid paper with bull’s head watermark, image size 11 3/4 x 8 1/4 in. (29.7 x 20.8 cm), framed.

Condition: Remargined, retouching to borderlines, pinhole and thinned spot (later to verso), pencil annotations to verso.

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Provenance: Ex-collection Wilhelm Eduard Drugulin (1825-1879), a print dealer in Leipzig (Lugt, 2612); through to Colnaghi, London, in 1936 (according to annotations); through to the current private Massachusetts collection. $1,000-1,500

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7 Paul César Helleu (French, 1859-1927)

8 Paul César Helleu (French, 1859-1927)

Garden Statue, Possibly Versailles.

Stamped “Helleu” l.l. Etching on chine collé, plate size 11 1/8 x 4 in. (28.2 x 10.0 cm), matted, unframed.

Condition: Foxing, soiling to supporting sheet (recto and verso), crease to right margin of support. $400-600

Girl by a Doorway. Signed “Helleu” in pencil l.r., inscribed “1e Epreuve” in pencil l.l. Etching on laid paper with crown and fleur-de-lis watermark, plate size 12 1/2 x 5 3/4 in. (31.6 x 14.5 cm), matted, unframed.

Condition: Deckled edges, soft breaks to fibers along plate mark, subtle soiling, old hinges to right edge on verso. $500-700

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9 Charles Meryon (French, 1821-1868) La Pompe de Notre-Dame, 1852, probably from the third state of nine (Delteil, 31), an impression prior to title or inscriptions.

Unsigned. Etching on chine collĂŠ, plate size 6 3/4 x 9 15/16 in. (17.0 x 25.0 cm), framed.

Condition: Toning, mat burn to supporting sheet, chine just disadhering along left edge near upper corner, gentle rippling, not examined out of frame. $500-700 10 Giovanni Battista Piranesi (Italian, 17201778) Veduta interna del Tempio della Tosse, from Vedute di Roma, 1764 (Hind, 70ii/v).

Identified within the plate. Etching on paper, plate size 24 3/4 x 18 3/8 in. (62.8 x 46.5 cm), framed.

Condition: Gentle rippling, not examined out of frame.

Provenance: A private Maine collection. $400-600

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11 Giovanni Battista Piranesi (Italian, 17201778) Avanzi d’un portico coperto, o criptoportico, in una villa di Domiziano, from Vedute di Roma, 1766 (Hind, 79i/iv).

Identified within the plate. Etching on paper, plate size 17 x 24 in. (43.2 x 60.8 cm), framed.

Condition: Gentle rippling, not examined out of frame.

Provenance: A private Maine collection. $400-600 12 Odilon Redon (French, 1840-1916) Frontispice, from Les Chimères, 1889, edition of 120 (Mellerio, 105). Monogrammed within the matrix. Lithograph on chine collÊ, image size 5 1/2 x 3 3/4 in. (13.9 x 9.4 cm), matted, unframed.

Condition: Uneven right edge with nicks/ losses, small losses and creases at corners, toning to edges, faint soiling to margins, indentation to right margin on verso (just visible on recto), soft pencil line along mat edge. $300-500

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13 Rembrandt van Rijn (Dutch, 1606-1669)

14 Fritz Weninger (Austrian, 1892-1981)

David at Prayer, 1652, printed on 18th century paper (Hind, 258; Bartsch, 41; Hollstein/White & Boon, 41). Unsigned.

Etching on laid paper, plate size 5 5/8 x 3 5/8 in. (14.3 x 9.1 cm), unmatted, unframed.

Condition: Margins 1/8 inch or more, old hinges to upper corners and glue residue to left edge both on verso, pencil annotations to verso. $1,000-1,500

Mistinguett, 1933, published by WaldheimEberle AG, Vienna. Identified within the matrix. Color lithographic poster printed on three sheets, sight size 108 x 48 in. (274.3 x 121.9 cm), framed.

Condition: Rippling, minor surface rubs, water or similar staining (primarily near lower edge), not examined out of frame. $400-600

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15 Anders Zorn (Swedish, 1860-1920) The Guitar-player, 1900, final state of four (Asplund, 156). Signed “Zorn” in pencil l.r., signed and dated within the plate. Etching on paper, 9 3/8 x 6 1/4 in. (23.8 x 15.8 cm), framed.

Condition: Toning, not examined out of frame. $400-600 16 Anders Zorn (Swedish, 1860-1920) Bust, 1916, final state of three (Asplund, 272).

Signed “Zorn” in pencil l.r., signed and dated in the plate. Etching on paper, plate size 9 3/4 x 7 in. (24.7 x 17.7 cm), framed.

Condition: Toning, not examined out of frame. $400-600 17 Anders Zorn (Swedish, 1860-1920) Sappo, 1917, final state of three (Asplund, 278).

Signed “Zorn” in pencil l.r., monogrammed and dated within the plate. Etching on paper, plate size 8 x 7 in. (20.2 x 18.0 cm), framed.

Condition: Toning, not examined out of frame. $600-800 15

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18 Frank Weston Benson (American, 18621951) Supper, 1920, published state of 150 (Paff, 182). Signed “FrankWBenson.” in pencil l.l.

Etching on paper, plate size 6 13/16 x 4 7/8 in. (17.2 x 12.3 cm), unmatted, unframed.

Condition: Margins over 2 1/4 inches with two deckled edges, pencil annotations l.l.

Provenance: Descended within the family of the artist. $1,000-1,500 19 Frank Weston Benson (American, 18621951) Dark Pool, 1920, published state of 150 (Paff, 189). Signed “FrankWBenson.” in pencil l.l., initialed and dated within the plate. Drypoint on paper, plate size 8 x 11 7/8 in., unmatted, unframed.

Condition: Margins 1 inch or more with deckled edges, pencil annotations l.r., subtle soiling to margins.

Provenance: Descended within the family of the artist. $800-1,200

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20 Frank Weston Benson (American, 18621951)

21 Frank Weston Benson (American, 18621951)

Nascaupée Indian, 1921, published state of approximately 150 (Paff, 210). Signed “FrankWBenson.” in pencil l.l. Etching with plate tone on laid paper, plate size 7 7/8 x 5 7/8 in. (19.9 x 15.0 cm), unmatted, unframed.

Condition: Margins 1 1/2 inches or more with two deckled edges, pencil annotations l.l.

Two Impressions of Teal, 1925, proof A-3 and an impression from the published edition of 150 (Paff, 243). Both signed “FrankWBenson.” in pencil l.l. Drypoints on laid paper, one with “JWHATMAN” watermark, plate sizes 7 13/16 x 10 3/4 in. (19.6 x 27.2 cm), unmatted, unframed.

Condition: Full margins with most edges deckled, pencil annotations to lower margins, minor soiling and fingerprints to margins and verso.

Provenance: Descended within the family of the artist. $600-800

Provenance: Descended within the family of the artist. $1,200-1,800

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22 Frank Weston Benson (American, 18621951)

23 Frank Weston Benson (American, 18621951)

24 Frank Weston Benson (American, 18621951)

Pointer Dog, 1925, published state of 150 (Paff, 251). Signed “FrankWBenson.” in pencil l.l., pencil annotations l.l. Etching on laid paper, plate size 5 7/8 x 7 7/8 in. (14.8 x 19.8 cm), unmatted, unframed.

Condition: Margins 1 1/4 inches or more, deckled edges to two sides, gentle cockling, pencil annotations to lower margin.

Pintails Passing, 1930, published state of 150 (Paff, 300). Signed “FrankWBenson.” in pencil l.l. Drypoint on laid paper with “ENGLAND” watermark, plate size 15 x 9 7/8 in. (38.1 x 24.9 cm), unmatted, unframed.

Condition: Full margins with deckled edges to three sides, pencil annotations to lower margin.

November Moon, 1931, published state of 150 (Paff, 316). Signed “FrankWBenson.” in pencil l.l. Etching and aquatint on wove paper, plate size 9 7/8 x 8 in. (25.0 x 20.3 cm), unmatted, unframed.

Condition: Full margins with deckled left and lower edges, pencil annotations to lower margin, minor soiling to margins.

Provenance: Descended within the family of the artist. $700-900

Provenance: Descended within the family of the artist. $1,000-1,500

Provenance: Descended within the family of the artist. $800-1,200

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25 Frank Weston Benson (American, 1862-1951) Heron Roost, 1937, impression of proof A (Paff, 339). Signed “FrankWBenson.” in pencil l.l., inscribed “A1” in pencil l.l. Etching on wove paper, plate size 11 13/16 x 9 7/8 in. (29.9 x 25.0 cm), unmatted, unframed.

Condition: Deckled edges, pencil annotations to lower margin, minor soiling and creases to margins.

Provenance: Descended within the family of the artist.

N.B. This print was never published in an edition, but four states were created before the plate was destroyed. $1,000-1,500 26 Thomas Hart Benton (American, 1889-1975) The Race, 1942, edition of 250, published by Associated American Artists, New York (Fath, 56). Signed “Benton” in pencil l.r. and within the matrix. Lithograph on paper, image size 9 x 13 1/8 in. (22.6 x 33.3 cm), unmatted, unframed.

Condition: Margins approximately 1/2 inch, toning, mat burn, tape and glue residue with corresponding thinned areas to verso near each corner, tape residue along upper edge on verso. $7,000-9,000

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27 Paul Cadmus (American, 1904-1999) The Fleet’s In, 1934, from the second edition of 35 printed in 1979 (Davenport, 34).

Signed “Paul Cadmus” in pencil l.r., titled and numbered “...16/35 II” in pencil l.l. Etching on paper, plate size 7 1/2 x 14 1/8 in. (18.9 x 35.7 cm), framed.

Condition: Gentle rippling, not examined out of frame. $2,000-3,000 28 Paul Cadmus (American, 1904-1999) Suite of Three Works: Nudo 1, 2, and 3, 1984, second state, edition of 30 (Davenport, 58). Each signed “Paul Cadmus” in pencil l.r., signed within the plate, and titled and numbered “...23/30 second state” in pencil l.l. Etchings on paper, plate sizes 9 1/8 x 8 in.

(23.1 x 20.3 cm), framed.

Condition: Not examined out of frames. $2,000-3,000

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29 Martin Lewis (American, 1881-1962) Night in New York, 1932, outside of the edition of 125, probably one of the 10 proofs (McCarron, 102). Signed within the plate, inscribed “P” in pencil to corner of margin u.r., inscribed “Chic. Soc. of Et./1932/5-12-33” in pencil on the verso. Etching on laid paper with partial “ENGLAND” watermark, plate size 8 7/16 x 8 7/8 in. (21.3 x 22.5 cm), unmatted, unframed.

Condition: Margin 1 1/2 inches or more with ink and minor soiling, gentle handling creases almost exclusively to the margins, thin spot to margin l.l., fingerprints to verso. $1,000-1,500 30 Martin Lewis (American, 1881-1962) Boss of the Block, c. 1939, edition of about 212 (McCarron, 128). Signed “Martin Lewis” in pencil l.r., initialed within the plate. Etching and aquatint on paper, plate size 11 x 7 5/8 in.

(27.8 x 19.3 cm), framed.

Condition: Mat burn, not examined out of frame. $800-1,200

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31 Reginald Marsh (American, 1898-1954)

32 William C. McNulty (American, 1889-1963)

33 John French Sloan (American, 1871-1951)

Battery Belles, 1938, final state of six, edition of 40 (Sasowsky, 177). Signed “Reginald Marsh” in pencil l.r., initialed and dated within the plate, inscribed “Forty Proofs” in pencil l.l., identified on a label from ACA Galleries, New York, affixed to the backing. Etching and engraving on paper, plate size 9 x 12 in. (22.7 x 30.4 cm), framed.

Condition: Gentle rippling, not examined out of frame. $300-500

The Whirlpool, alternatively titled In the Fifties. Signed “Wm C McNulty” in pencil l.r., titled in pencil l.l. Etching on paper, plate size 13 5/8 x 7 1/4 in. (34.5 x 18.3 cm), framed.

Condition: Not examined out of frame. $500-700

The Wake on the Ferry, 1949, from the edition of 200 for the Art Students League, total edition of 350 (Morse, 313). Signed “John Sloan” in pencil l.r., titled in pencil l.c., inscribed “200 proofs” in pencil l.l. Etching on paper, plate size 5 x 7 in. (12.2 x 17.7 cm), framed. Condition: Mat burn, pale foxing, not examined out of frame. $400-600

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34 James Abbott McNeill Whistler (American, 1834-1903)

35 James Abbott McNeill Whistler (American, 1834-1903)

The Forge, 1861, final state of six (Glasgow, 86; Kennedy, 68). Signed and dated within the plate, identified on a label from The Gage Gallery, Cleveland, affixed to the backing.

Etching on paper, plate size 7 5/8 x 12 1/2 in.

(19.3 x 31.6 cm), framed.

Condition: Pale foxing, toning, subtle mat burn, not examined out of frame. $700-900

Battersea Dawn (Cadogan Pier), alternatively titled Early Morning, Battersea, 1863, second state of two (Glasgow, 95; Kennedy, 75). Signed within the plate, identified in inscriptions on the backing.

Etching on paper, plate size 4 1/2 x 5 13/16 in. (11.3 x 14.7 cm), framed.

Condition: Pale fox marks, gentle cockling, not examined out of frame. $1,500-2,000

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36 James Abbott McNeill Whistler (American, 1834-1903)

37 James Abbott McNeill Whistler (American, 1834-1903)

38 James Abbott McNeill Whistler (American, 1834-1903)

Little Putney Bridge, 1879, probably from the final state of five (Glasgow, 186; Kennedy, 179). Monogrammed within the plate. Etching on paper, plate size 5 1/4 x 8 1/8 in. (13.3 x 20.5 cm), matted, unframed.

Condition: Light-struck, soft pencil line along mat edge, staining at upper corners (none near the image), pale soiling and fox marks to margins, pencil annotations to lower margin, creases to corner of margin l.l. $400-600

Gants de Suède, 1890, from the edition of 3,000 published in The Studio, London (Spink, Stratis, & Tedeschi, 35). Monogrammed within the matrix, publisher’s dry stamp l.l.

Lithograph on smooth paper, image size 8 3/4 x 4 1/8 in. (22.2 x 10.4 cm), matted, unframed.

Condition: Foxing, left edge uneven and with glue/residue to verso, subtle soiling along mat line. $300-500

La robe rouge, 1894, second state, from the edition of 3,000 published in The Studio, London (Spink, Stratis, & Tedeschi, 107).

Monogrammed within the matrix, publisher’s dry stamp l.l. Lithograph on laid paper, image size 7 1/2 x 6 1/8 in. (18.8 x 15.4 cm), matted, unframed.

Condition: Prevalent foxing, left edge uneven and with glue/residue to verso, subtle soiling or soft pencil line along mat edge. $300-500

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39 James Abbott McNeill Whistler (American, 1834-1903) The Smith’s Yard, 1895, from the edition of 3,000 published in The Studio, London (Spink, Stratis, & Tedeschi, 124). Monogrammed within the matrix, publisher’s dry stamp l.l.

Lithograph on smooth paper, image size 7 3/4 x 6 1/8 in. (19.5 x 15.4 cm), matted, unframed.

Condition: Deckled right edge, image lightstruck, subtle soiling or soft pencil line along mat edge, cockling to edges. $300-500 40 James Abbott McNeill Whistler (American, 1834-1903) Firelight: Joseph Pennell, No. 1, 1896, from the published edition (Spink, Stratis, & Tedeschi, 144). Monogrammed within the matrix. Lithograph on laid paper with Van Gelder Zonen watermark, image size 6 5/8 x 5 5/8 in. (16.8 x 14.3 cm), matted, unframed.

Condition: Right edge uneven, subtle soiling or soft pencil line along mat edge, creasing near upper corners (none near the image). $300-500

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41 James Abbott McNeill Whistler (American, 1834-1903) Savoy Pigeons, 1896, from the edition of approximately 3,000 published in The Studio, London (Spink, Stratis, & Tedeschi, 154).

Monogrammed within the matrix, publisher’s dry stamp l.l. Lithograph on laid paper, image size 8 x 5 1/2 in. (20.2 x 13.9 cm), matted, unframed.

Condition: Toning, pale foxing, left edge uneven, subtle soiling or soft pencil line along mat edge, minute nicks/tear to right edge. $300-500

42 Mher Abeghyan (Armenian, 1909-1994) Three Landscapes: Cow and Canyon; Lake Sevan, 1964 (Nersesov et al., 45); and A Lonely Tree, 1985 (Nersesov et al., 97). The last two signed in pencil l.r., each monogrammed within the matrix. Linocuts on paper, image sizes to 12 1/2 x 17 1/4 in. (31.7 x 43.7 cm), framed.

Condition: Not examined out of frames. $600-800

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43 Josef Albers (German/American, 18881976) Blue Reminding, 1966, edition of 200, published by Ives-Sillman, Inc., New Haven (Danilowitz, 168). Initialed and dated “JA ‘66” in pencil l.r., titled and numbered “...182 - 200” in pencil l.l., dedicated “for Irving Penn. XII ‘67.

JA” in pencil l.c. Color screenprint on paper, image size 11 1/8 x 11 1/8 in. (28.0 x 28.0 cm), unmatted, unframed.

Condition: Margins approximately 3 inches.

Provenance: The estate of Irving Penn, New York. $1,500-2,000 44 Josef Albers (German/American, 18881976) I-S LXX b, 1970, edition of 125, printed by Ives-Sillman, New Haven (Danilowitz, 197).

Signed and dated “JA ‘70” in pencil l.r., titled and numbered “I-S LXX b 54/125” in pencil l.l., printer’s dry stamp l.r. Color screenprint on paper, image size 12 x 12 in. (30.4 x 30.4 cm), framed.

Condition: Subtle toning to the edge of the sheet, floated within the frame, not examined out of frame. $1,000-1,500 44

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45 Karel Appel (Dutch, 1921-2006)

46 Karel Appel (Dutch, 1921-2006)

47 Karel Appel (Dutch, 1921-2006)

Untitled (Figure), 1969. Signed and dated “appel 69” in pencil l.r., inscribed “ea” in pencil l.l. Color lithograph on paper, image size 25 1/8 x 19 3/4 in. (63.7 x 50.1 cm), framed.

Condition: Subtle toning, not examined out of frame. $400-600

Untitled (Face), 1970, edition of 100.

Signed and dated “appel 1970” in pencil l.r., numbered “46/100” in pencil l.l. Color lithograph on paper, image size 20 x 26 1/4 in.

(50.7 x 66.5 cm), framed.

Condition: Toning, mat burn, not examined out of frame.

Untitled (Cat), edition of 175. Signed “appel” in white crayon within the image l.r., numbered “140/175” in white crayon within the image l.l.

Color lithograph on paper, image/sheet size 21 1/2 x 29 1/4 in. (54.5 x 74.1 cm), framed.

Condition: Floated within the mat (one or more hinges loose/broken), not examined out of frame. $400-600

Provenance: The Janie & Peter Gross Collection, Pennsylvania. $300-500

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48 Alexander Archipenko (Ukrainian/American, 1887-1964) Bathers, 1950, printed by George Miller, New York, published by Associated American Artists, New York, in 1954, intended edition of 250 (Karshan, 32; Windisch et al., 1221; Czestochowski/AAA, 1954.005).

Signed “Archipenko” in red crayon l.r.

Lithograph in ochre on smooth paper, image size 12 7/8 x 8 1/2 in. (32.5 x 21.4 cm), matted, unframed.

Condition: Light-struck, glue and tape residue (with corresponding areas of thinning) to margins.

N.B. The exact edition size is uncertain, but it is generally agreed that less than 100 were printed, and only about half of these impressions were signed. The final color chosen for the published version was a brick red, but several other colors were proofed beforehand. $300-500 49 Mario Avati (French, 1921-2009)

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T comme Turner, 1981, edition of 85.

Signed “AVATI” in pencil l.c., dated “81” in pencil l.r., numbered and titled “56/85...” in pencil l.l., identified on a label from the Miller Gallery, Cincinnati, affixed to the backing.

Color mezzotint on paper, plate size 11 1/2 x 15 7/8 in. (29.2 x 40.2 cm), framed.

Condition: Not examined out of frame. $300-500

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50 Jonathan Borofsky (American, b. 1942) White Horse, 1990, edition of 35. Numbered and signed “22/35 Jonathan Borofsky” in pencil in the lower margin, identified on a label from the Obelisk Gallery, Boston, affixed to the backing. Color lithograph on paper, image size 30 1/2 x 23 7/8 in. (77.4 x 60.5 cm), framed.

Condition: One hinge loose or broken, not examined out of frame.

Provenance: The estate of Joan Sonnabend, Boston, Massachusetts. $500-700 51 Calvin Burnett (American, 1921-2007) Two Girls Dancing Together, edition of 10.

Signed “Calvin Burnett” in pencil l.r., numbered and titled “2/10...” in pencil l.l. Woodcut on paper, image size 22 x 14 1/2 in. (55.8 x 36.7 cm), framed.

Condition: Toning, not examined out of frame. $200-300

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52

52 Jack Hamilton Bush (Canadian, 1909-1977)

53 Alexander Calder (American, 1898-1976)

54 Alexander Calder (American, 1898-1976)

Lincoln Center, 1974, edition of 144.

Signed, dated, and numbered “Jack Bush 1974 33/144� in pencil l.l. Color screenprint on paper, image size 58 x 34 in. (147.3 x 86.3 cm), framed.

Condition: Minor soiling, possible abrasion to image l.l., not examined out of frame.

Untitled (Friendship), 1974, plate 2 from the series Flying Colors, 1975. Initialed and dated within the matrix, Flying Colors dry stamp l.r. Color lithograph on paper, image/ sheet size 20 x 26 in. (50.6 x 65.8 cm), framed.

Condition: Floated within the frame, not examined out of frame. $400-600

Untitled (Beastie), 1974, plate 3 from the series Flying Colors, 1975. Initialed and dated within the matrix, Flying Colors dry stamp l.r. Color lithograph on paper, image size 16 7/8 x 22 3/4 in. (42.8 x 57.7 cm), framed.

Condition: Gentle toning, not examined out of frame.

Provenance: Citizens Bank, Providence, Rhode Island. $1,500-2,000

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Provenance: The estate of Joan Sonnabend, Boston, Massachusetts. $600-800

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55 Marc Chagall (Russian/French, 1887-1985) The Four Seasons, Chicago, 1974, printed

by Mourlot, Paris, published by The First National Bank of Chicago (Mourlot, 727).

Identified within the matrix. Color lithographic poster, sight size 34 3/4 x 22 7/8 in. (88.1 x 58.0 cm), framed.

Condition: Not examined out of frame.

Provenance: A private Florida collection. $400-600 56 Anne Chu (American, b. 1959) XIX, from the Blue Jay Monotypes, 2010, published by the Institute of Contemporary Art, University of Pennsylvania, Philadelphia.

Signed and dated “Anne Chu 10” in pencil within the image l.r., inscribed “XIX” in pencil within the image l.l. Mixed media with color monotype and photo-offset on heavy paper, image/sheet size 15 x 18 1/8 in. (38.1 x 45.8 cm), unmatted, unframed.

Condition: Deckled edges.

N.B. Information about the work from the publisher accompanies the lot. $1,000-1,500

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57 Salvador Dalí (Spanish, 1904-1989) Petite chouette (Little Owl), 1968, edition of 200, from the second edition (with blue ground) of two (Michler & Löpsinger, 246e; Field, 68-9-2). Signed “Dalí” in pencil l.r., numbered “97/200” in pencil l.l. Color etching on paper, plate size 6 13/16 x 4 7/8 in. (17.2 x 12.3 cm), framed.

Condition: Gentle rippling, not examined out of frame.

Provenance: Collection of Robert Bradford Newman (1917-1983), professor of architectural acoustics at Massachusetts Institute of Technology School of Architecture and the Harvard Graduate School of Design, and co-founder of Bolt, Beranek and Newman Inc., Cambridge, Massachusetts. $2,000-3,000

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58

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59

58 Giorgio de Chirico (Italian, 1888-1978)

59 Giorgio de Chirico (Italian, 1888-1978)

Il ritorno del figliuol prodigo, plate 1 from Metamorphosis, 1929, published by Editions des Quatre Chemins (Ciranna, 11). Signed “G. de Chirico” in pencil l.r., numbered “25/100” in pencil l.l. Color lithograph on paper, image size 16 3/8 x 12 1/4 in. (41.4 x 31.0 cm), framed.

Condition: Margins over 2 1/4 inches, pale toning and staining, gentle rippling, not examined out of frame.

Hebdomeros, from Metamorphosis, 1929, published by Editions des Quatre Chemins (Ciranna, 13). Signed “G. de Chirico” in pencil l.r., numbered “7/10” in pencil l.l. Lithograph on paper, image size 16 x 12 1/4 in. (40.5 x 30.9 cm), framed.

Condition: Margins over 1 1/4 inches, pale toning and staining, gentle cockling, not examined out of frame.

Provenance: The estate of Irving Penn, New York. $1,500-2,000

Provenance: The estate of Irving Penn, New York. $700-900

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60 Sonia Delaunay-Terk (Ukrainian, 1885-1979) Untitled, 1964, probably from the portfolio Zwanzig Jahre Galerie d’Art Moderne Bâle, 1965, edition of 150. Signed and dated “Sonia Delaunay 64” in pencil l.r., initialed within the plate.

Etching in red and black on BFK Rives paper with partial watermark, plate size 13 1/4 x 10 3/4 in.

(33.5 x 27.2 cm), matted, unframed.

Condition: Registration mark l.c., toning to edges of sheet. $800-1,200 61 Charles Fazzino (American, b. 1955) Betty’s Booping and Popeye’s Swooning on Coney Island Beach, 1995, edition of 100. Signed “Charles Fazzino” in pencil l.r., titled in pencil l.c., numbered “42/100AE” in pencil l.l., multiple copyrights l.l., signed, dedicated, and with a portrait head of Wilma Flintstone on the backing paper. Color screenprint construction with glitter on paperboard, image size 27 3/4 x 35 1/4 in. (70.4 x 89.4 cm), framed.

Condition: Not examined out of frame.

Provenance: A private Florida collection. $300-500

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62 Richard Estes (American, b. 1932) Manhattan, from Urban Landscapes No. 3, 1981, edition of 250 plus proofs, published by Parasol Press, Ltd., New York (Arthur, p. 121).

Signed “Richard Estes” in pencil l.r., numbered “250/250” in pencil l.l. Color screenprint on paper, image size 14 x 20 in. (35.5 x 50.8 cm), framed.

Condition: Not examined out of frame.

Provenance: A private Connecticut collection. $1,000-1,500

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63

64

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63 Fresh Air School/A Portfolio of Three Works: Sam Francis (American, 1923-1994), Untitled (Lembark, 155); Joan Mitchell (American, 1925-1992), Untitled; and Walasse Ting (Chinese/American, 19292010), Untitled. Each 1972-73, edition of approximately 6,000 printed by Maeght, Paris, published by the Museum of Art, Carnegie Institute, Pittsburgh. The last dedicated, signed, and dated “to Maria with best wishes ting 73” in red crayon. Color offset lithographs on paper, image/sheet sizes, 15 x 22 in. (38.0 x 55.7 cm), presented in the original unbound booklet.

Condition: Central creases (as published), subtle toning. $500-700 64 Helen Frankenthaler (American, 1928-2011) Radius, 1993, proof outside of the edition of 30, published by Tyler Graphics, Ltd., Mount Kisco, New York (Harrison, 234). Signed and dated “Frankenthaler ‘93” in pencil within the image l.r., numbered “AP 7/8” in pencil within the image l.l., publisher’s dry stamp l.r. Color woodcut on paper, image/sheet size 28 1/8 x 28 1/4 in. (71.4 x 71.6 cm), framed.

Condition: Deckled edges, floated within the mat, not examined out of frame.

Provenance: A private Florida collection. $3,500-5,500 65 Helen Frankenthaler (American, 1928-2011) Eve, 1995, edition of 108, the List Art Posters and Lincoln Center for the Performing Arts, New York. Signed and numbered “Frankenthaler 4/108” in pencil within the image l.l., signed within the matrix. Color screenprint on paper, image/sheet size 43 3/4 x 30 in. (111.0 x 76.0 cm), framed.

Condition: Not examined out of frame.

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Provenance: A private Florida collection. $5,000-7,000

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67

66

66 Alberto Giacometti (Swiss, 1901-1966)

67 Leon Golub (American, 1922-2004)

Annette de face, 1955, edition of 50, published by Maeght, Paris (Lust, 62). Signed “Alberto Giacometti” in pencil l.r., numbered “6/50” in pencil l.l. Etching on paper, plate size 8 1/8 x 2 3/8 in. (20.4 x 5.8 cm), framed.

Condition: Not examined out of frame. $500-700

Dancing Men, 1993, edition of 100, published by the Institute of Contemporary Art, University of Pennsylvania, Philadelphia, and Brand X Editions, New York. Signed “GOLUB” in pencil l.r., titled and numbered “...32/100” in pencil l.c., latter publisher’s dry stamp l.r.

Color screenprint with offset on heavy wove paper, sheet size 24 3/4 x 22 1/8 in. (62.7 x 53.4 cm), unmatted, unframed.

Condition: Deckled edges. $600-800

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68 R.C. (Rudolph Carl) Gorman (American, 1932-2005) Trilogy (State II)/A Triptych, 1986, edition of 150 plus proofs, published by Editions Press, San Francisco. Left panel signed “R.C. Gorman” in pencil l.l., center panel titled in pencil l.c., right panel inscribed “A/P” in pencil l.r., each with publisher’s dry stamp l.r. Color screenprint on paper, sheet sizes 37 1/4 x 27 1/8 in. (94.5 x 68.8 cm), framed.

Condition: Deckled edges, each floated within the frame, not examined out of frames.

N.B. A photocopy of the print’s description from the publisher accompanies the lot. $1,200-1,800 69 R.C. (Rudolph Carl) Gorman (American, 1932-2005) Chili Peppers, 1987, total edition of 382, published by Taos Editions, Inc., Albuquerque.

Signed and dated “R.C. Gorman 1987” in pencil within the image l.l., inscribed “C.T.P.” in pencil within the image l.r. Color lithograph on paper, image/sheet size 27 1/2 x 35 1/4 in.

(69.7 x 89.4 cm), framed.

Condition: Deckled edges, floated within the mat, not examined out of frame.

N.B. A photocopy of the print’s description from the publisher accompanies the lot. $600-800

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70

70 R.C. (Rudolph Carl) Gorman (American, 1932-2005) Masa, 1987, edition of 200, published by the artist and Origin Press, Tucson. Signed and dated “R.C. Gorman 1987” in pencil within the image l.l., numbered “91/200” in pencil within the image l.r., publisher’s dry stamp l.r. Color lithograph on paper, image/sheet size 36 1/4 x 29 1/2 in. (91.8 x 74.8 cm), framed.

Condition: Deckled edges, floated within the frame, not examined out of frame. $800-1,200 71 Adolph Gottlieb (American, 1903-1974) Black Field, 1972, edition of 150. Signed and dated “Adolph Gottlieb 1972” in pencil l.l., “87/150” in pencil l.r., identified on a label from Marine Midland Bank - Western affixed to the backing. Color screenprint on paper, 24 x 17 1/2 in. (60.8 x 44.4 cm), framed.

Condition: Gentle rippling, not examined out of frame. $600-800 71

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72 Gronk (Glugio Gronk Nicandro) (American, b. 1954) Fertile Landscape, 1996, edition of 30.

Signed and dated “GRONK 96” in pencil within the image l.r., numbered “14/30” in pencil within the image l.l. Color woodcut on paper, image/sheet size 24 1/4 x 24 3/8 in.

(61.4 x 61.7 cm), framed.

Condition: Deckled edges, floated within the mat, not examined out of frame.

Provenance: A private Florida collection. $700-900 73 Red Grooms (American, b. 1937) Red’s Roxy, 1985, edition of 200 plus proofs, co-published by the artist and Shark’s Lithography, Ltd., Boulder (Knestrick, 104). Numbered and signed “134/200 Red Grooms” in pencil on front. Three-dimensional lithograph in colors with crank-operated Mylar filmstrip on paper in Plexiglas box, 8 1/4 x 6 1/2 x 11 3/4 in. (20.8 x 16.4 x 29.7 cm).

Condition: Filmstrip no longer moves when crank is turned.

Provenance: The Janie & Peter Gross Collection, Pennsylvania. $800-1,200

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74 Philip Guston (American, 1913-1980)

75 Philip Guston (American, 1913-1980)

76 Philip Guston (American, 1913-1980)

Curtain, 1979-80, edition of 50 plus proofs, published by Gemini G.E.L., Los Angeles (NGA/Gemini, 21.2). Signed and dated “Philip Guston ‘80” in pencil l.r., titled and numbered “...36/50” in pencil l.l., publisher’s and copyright dry stamps l.r., identified on a label from the Obelisk Gallery, Boston, affixed to the backing. Lithograph on heavy gray paper, image size 29 1/4 x 40 1/4 in. (74.2 x 102.1 cm), framed.

Condition: Deckled edges, gentle rippling, floated within the frame, not examined out of frame.

Sea, 1979-80, edition of 50 plus proofs, published by Gemini G.E.L., Los Angeles (NGA/Gemini, 21.3). Signed and dated “Philip Guston ‘80” in pencil l.r., titled and numbered “...17/50” in pencil l.l., publisher’s and copyright dry stamps l.r., identified on a label from the Obelisk Gallery, Boston, affixed to the backing. Lithograph on heavy gray paper, image size 23 x 39 1/2 in. (58.3 x 100.3 cm), framed.

Condition: Deckled edges, gentle rippling, floated within the frame, not examined out of frame.

Remains, 1979-80, from Eight Lithographs to Benefit the Foundation for Contemporary Performance Arts, Inc., 1981, proof outside of the edition of 50, published by Gemini G.E.L., Los Angeles (NGA/Gemini, 21.25). Numbered “P.A.P. I/VIII” in pencil l.l., dry stamps of the artist’s estate and the publisher l.r., identified on the title page of the portfolio which accompanies the lot. Lithograph on paper, image/sheet size 19 3/4 x 29 7/8 in. (50.0 x 75.8 cm), framed.

Condition: Deckled edges, floated within the frame, not examined out of frame. $800-1,200

Provenance: The estate of Joan Sonnabend, Boston, Massachusetts. $5,000-7,000

Provenance: The estate of Joan Sonnabend, Boston, Massachusetts. $2,500-3,000

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76

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77

77 Charles Hinman (American, b. 1932) Portfolio of Four Works, 1976, edition of 100. Each signed and dated “Charles Hinman ‘76” in pencil l.r. and numbered “9/100” in pencil l.l. Color screenprint with embossing on paper, image sizes 34 x 31 in. (86.1 x 78.5 cm), framed.

Condition: Very minor creases to some edges, floated within the frames, not examined out of frames.

Provenance: A corporate collection, Florida. $800-1,200

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78 David Hockney (British, b. 1937) Lightning, from The Weather Series, 1973, edition of 98 plus proofs, published by Gemini G.E.L., Los Angeles (NGA/Gemini, 23.21).

Signed and dated “david hockney 73” in red crayon l.r., titled in blue crayon u.c., numbered “15/98” in red crayon l.l., publisher’s and copyright dry stamps l.r. Lithograph and screenprint in blacks and whites on paper, image size 31 1/4 x 25 5/8 in. (79.3 x 65.0 cm), framed.

Condition: Subtle toning to edges of sheet, gentle rippling, floated within the frame, not examined out of frame. $7,000-9,000

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79

80

79 David Hockney (British, b. 1937)

80 David Hockney (British, b. 1937)

Parade Metropolitan Opera N.Y., 1981, published by Petersburg Press, London (Baggott, 103). Identified within the matrix.

Color screenprint on paper, image size 80 x 40 in. (203.2 x 101.6 cm), framed.

Condition: Not examined out of frame.

Parade Metropolitan Opera, 1982, published by Petersburg Press, London (Baggott, 109). Identified within the matrix.

Color screenprint on paper, image size 80 x 40 in. (203.2 x 101.6 cm), framed.

Condition: Not examined out of frame.

Provenance: A private Florida collection. $800-1,200

Provenance: A private Florida collection. $1,000-1,500

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81 Howard Hodgkin (British, b. 1932) In Tangier, 1991, edition of 72 plus proofs, printed by Brand X Editions, New York, published by Lincoln Center/List Art Posters & Prints, New York. Numbered, initialed, and dated “22/72 HH 91” in pencil l.c., printer’s dry stamp l.r. Color screenprint on paper, image size 27 1/4 x 29 3/4 in. (69.0 x 75.5 cm), framed.

Condition: Deckled edges, floated within the frame, not examined out of frame.

Provenance: A private Florida collection. $1,200-1,800 82 Wolf Kahn (German/American, b. 1927) Dark Pines, 2001, edition of 108. Signed “W Kahn” in pencil l.r., numbered “56/108” in pencil l.l. Color screenprint on paper, image size 22 x 34 1/8 in. (55.8 x 86.5 cm), framed.

Condition: Not examined out of frame.

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Provenance: A private Florida collection. $400-600

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83

83 Alex Katz (American, b. 1927) Maria Series: Maria I and Maria II, 1992, edition of 75 plus proofs, published by Chalk & Vermilion Fine Arts, Greenwich, Connecticut (Schröder, 264-265). Both signed and numbered “Alex Katz 65/75” in pencil l.l., identified on labels affixed to the backing.

Color aquatint on paper, sheet sizes 17 1/8 x 21 3/4 in. (43.4 x 55.2 cm), presented together in a single frame.

Condition: Deckled edges, gentle rippling, floated within the mat, not examined out of frame. $5,000-7,000

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84

84 Ellsworth Kelly (American, 1923-2015) Red/Blue (Untitled), from the portfolio Ten Works x Ten Painters, 1964, edition of 500, published by The Wadsworth Atheneum, Hartford, printed by Scirocco Screenprinters and Ives-Sillman, New Haven (Axsom, 2).

Unsigned, printer’s dry stamp l.r. Color screenprint on paper, image size 22 x 18 in.

(55.8 x 45.7 cm), framed.

Condition: Not examined out of frame. $1,000-1,500

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85

85 Paul Klee (German, 1879-1940) Hoffmaneske Szene, alternatively titled Hoffmaneske Märchenscene, 1921, the second (final) state, total edition of 110, published in Bauhaus-Drucke. Neue europäische Graphik. Erste Mappe. Meister des Staatlichen Bauhaus in Weimar (Kornfeld, 82IIc; Klee, 2714). Signed and dated/with work number “Klee 1921/123” in pencil within the image l.c. Color lithograph on smooth paper, image size 12 1/2 x 9 in. (31.6 x 22.7 cm), framed.

Condition: Margins approximately 1/2 inch, fading, toning to edges of sheet, hinged near upper corners, 3 1/2 inch crease to image l.l. with break to sheet at edge of margin, pinholes to upper and lower margins (probably for registration).

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Provenance: From the Eleonore Austerer Gallery, San Francisco, 2002, to the current private Massachusetts collection.

N.B. The composition is based on a mixed media composition also from 1921. $25,000-35,000

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86 Henri Laurens (French, 1885-1954) Femme assise à la jambe leveé, 1950, from the edition of 60 outside of the edition of 200 (Völker, 31). Signed “H. Laurens” in pencil l.l., numbered “XIV/LX” in pencil l.r. Lithograph in black and gold on paper, image size 17 3/8 x 9 1/8 in. (44.1 x 23.2 cm), framed.

Condition: Not examined out of frame. $300-500

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87 Roy Lichtenstein (American, 1923-1997) Portrait, from the series Brushstrokes Figure, 1989, edition of 60 plus proofs, published by Waddington Graphics, London, and Graphicstudio, University of South Florida, Tampa (Corlett, 229). Numbered, signed, and dated “42/60 roy Lichtenstein ‘89” in pencil l.r., Graphicstudio dry stamp l.r. Color lithograph with woodcut and screenprint on paper, image size 50 1/8 x 32 1/4 in. (127.0 x 81.5 cm), framed.

Condition: Deckled edges, floated within the mat, subtle rippling, not examined out of frame.

Provenance: A private Florida collection. $15,000-25,000 88 Roy Lichtenstein (American, 1923-1997) Art Critic, 1996, edition of 1,500 plus proofs, published by the artist and the Brooklyn Academy of Music, New York (Corlett, 305).

Numbered, signed, and dated “19/150 roy Lichtenstein ‘96” in pencil l.r. Color screenprint on paper, image size 19 3/4 x 13 3/8 in. (50.1 x 33.8 cm), framed.

Condition: Not examined out of frame.

Provenance: A private Florida collection.

N.B. Lichtenstein’s later prints refer back to his earlier ones and their Pop sensibility, employing Ben-Day dots and a limited palette of primary colors and black outlines. At the same time many of the later works refer to looking at art on a larger scale. His Haystack and Cathedral series were direct references to Monet’s series paintings of the 1890s. Later series such as 1984-85’s Landscapes quote or at least reference earlier masters such as Van Gogh and Matisse.

In his Art Critic of 1996, Lichtenstein presents a cubist portrait of a female critic—a nod to Picasso—looking at a painting. We see only a corner of the work and its frame, reminiscent of Lichtenstein’s Paintings series of 1982-85.

Lichtenstein was not always well received by critics, especially in his early days. The subject is thus ironic for the artist as he nears the end of his career. $25,000-35,000

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89 Marino Marini (Italian, 1901-1980) Il Miracolo, 1975, edition of 125, printed

by Emil Matthieu, Zurich, published by the Philadelphia Museum of Art (Guastalla, 82).

Signed “MARINI” in pencil l.r., numbered “112/125” in pencil l.l., titled within the matrix.

Lithograph on Rives paper with watermark, image size 30 3/4 x 22 in. (78.0 x 54.8 cm), framed.

Condition: Deckled edges, floated within the mat, not examined out of frame.

Provenance: The Janie & Peter Gross Collection, Pennsylvania. $300-500 90 Joan Miró (Spanish, 1893-1983) Plate from Le Lézard aux plumes d’or, 1967, proof outside of the edition of 50, printed by Mourlot, Paris (Cramer, 148).

Signed “Miró” in pencil l.r., numbered “X/X” in pencil l.l. Color lithograph on Japan paper, image size 13 1/4 x 19 in. (33.5 x 48.2 cm), framed.

Condition: Not examined out of frame. $2,000-3,000 89

90

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91

91 Robert Motherwell (American, 1915-1991) Untitled, 1978, edition of 24 plus proofs, published by the artist and released by Brooke Alexander, Inc., New York (Dedalus, 223; Terenzio & Belknap, 192). Signed and numbered “Motherwell 21/24” in pencil l.r.

Lithograph on buff chine collé, image (chine collé) size 19 3/8 x 19 1/2 in. (49.2 x 49.4 cm), framed.

Condition: Small stain near left edge of chine collé, not examined out of frame. $1,200-1,800

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92

92 Robert Motherwell (American, 1915-1991) Untitled, from the suite Three Poems by Octavio Paz, 1988, edition of 50 plus proofs (Dedalus, 437; Terenzio & Belknap, 376).

Initialed and numbered “RM/50/50” in pencil l.r. Lithograph on buff chine collé, image (chine collé) size 10 9/16 x 13 3/4 in. (26.7 x 34.8 cm), framed.

Condition: Not examined out of frame. $1,500-2,500

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93

93 Elizabeth Murray (American, 1940-2007) The Clock, 1993, edition of 108 plus proofs, published by Lincoln Center/List Print Program, New York, printed by Brand X Editions, New York. Signed and dated “Elizabeth Murray 93” in pencil l.r., numbered “103/108” in pencil l.l., printer’s dry stamp l.r.

Color screenprint on paper, image size 35 x 35 in. (88.8 x 88.8 cm), framed.

Condition: Not examined out of frame.

Provenance: A private Florida collection. $700-900 94 Otto Wilhelm Ernst Nebel (Swiss, 18921973) Untitled (L. 413), 1946. Dated and signed “1946 OTTO NEBEL” in purple pencil l.r., identified, signed, and dedicated on the facing mat. Color linocut on paper, image size 15 3/4 x 9 3/4 in. (40.0 x 24.5 cm), matted, unframed.

Condition: Uneven margins with soiling and pinholes (probably for registration), crease to corner of margin l.r.

Provenance: A New York estate. $300-500

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95

95 LeRoy Neiman (American, 1921-2012) Neiman’s Montreal 76, 1977, edition of 600. Signed “LeRoy Neiman” in pencil l.r., numbered “401/600” in pencil l.l. Color screenprint on paper, image size 31 1/2 x 48 1/8 in. (79.8 x 122.5 cm), framed.

Condition: Staining and pale foxing to margins, gentle rippling, not examined out of frame. $1,200-1,800 96 John Newman (American, b. 1952) Headlock, 1992, edition of 38. Signed and dated “John Newman 1992” in pencil l.r., numbered “10/38” in pencil l.l., identified on a label from Artcetera, Boston, affixed to the backing. Color lithograph on paper, image size 26 1/8 x 21 in. (66.2 x 53.3 cm), framed.

Condition: Not examined out of frame.

Provenance: A private Florida collection. $250-350

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97 Jules Olitski (American, 1922-2007) Luminous Dawn, 1997, edition of 108 plus proofs, printed by Brand X Editions, New York.

Signed and dated “Jules Olitski ‘97” in pencil l.r., numbered “37/108” in pencil l.l., printer’s dry stamp l.r. Color screenprint on paper, image size 18 3/8 x 30 1/8 in. (46.5 x 76.3 cm), framed.

Condition: Deckled edges, creases to margin near corner l.l., floated within the frame, not examined out of frame.

Provenance: A private Florida collection. $1,000-1,500 98 Ed Paschke (American, 1939-2004) Two Works: Fem-rouge and Fem-verde, 1987, editions of 50, published by Landfall Press Inc., Santa Fe. Both signed and dated “E. Paschke ‘87” in pencil l.r., titled in pencil l.c., numbered “26/50” in pencil l.l., with copyright and publisher’s dry stamps l.l., and stamped by publisher on verso. Color lithographs on paper, image sizes 22 1/2 x 30 1/2 in. (57.0 x 77.5 cm), unmatted, unframed.

Condition: Minor handling creases (primarily near edges within margins). $300-500 98

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99

99 Victor Pasmore (British, 1908-1998) Untitled, 1975, edition of 90. Monogrammed and dated “VP 75” in pencil l.r., numbered “48/90” in pencil l.l. Color aquatint on chine collé, image size 21 3/4 x 16 5/8 in. (55.2 x 42.2 cm), framed.

Condition: Not examined out of frame.

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N.B. The central shape in the composition is related to Points of Contact numbers 18 and 26 of 1974 (Pasmore, 33 & 48D) and The Image in Search of Itself (Pasmore, 65C). This particular composition is not in the catalogue raisonné. $1,000-1,500

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100 Pablo Picasso (Spanish, 1881-1973) Femme au char triomphal, 1949. Unsigned, dated “X.XI.49” l.l., labels from the Hammer Galleries, New York, affixed to the frame.

Unique hand-painted, glazed terra-cotta tile, 9 11/16 x 13 in. (24.5 x 33.0 cm), framed.

Condition: Repaired break to l.r. quadrant, small chip to bottom edge (toward verso, not affecting the face).

Provenance: From the estate of the artist to the estate of Jacqueline Picasso; through to Etienne Sassi, Inc.; through to the Hammer Galleries, New York to the current private Massachusetts collection.

100

Exhibitions: Hommage à Jacqueline Picasso, Galerie Sassi Milici, Vallauris, France, July 21–September 10, 1990; Picasso—Unique Ceramics, Nassau County Museum of Art, Roslyn Harbor, New York, November 16, 1996–January 26, 1997, this exhibition showed first at the Hammer Galleries, New York, illustrated on p. 19 of the show’s catalog; Picasso—Unique Ceramics from the Estate of Jacqueline Picasso, Hammer Galleries, New York, Summer 1999.

N.B. A photo-certificate from Maya Widmaier Picasso dated November 12, 1996, accompanies the lot. $40,000-60,000 101 Pablo Picasso (Spanish, 1881-1973) Le joueur de diole, 1957. Unsigned, dated “6.2.57.” on the lower edge, label from the Hammer Galleries, New York, affixed to the frame. Unique hand-painted, glazed terracotta tile, 7 11/16 x 7 5/8 in. (19.4 x 19.3 cm), framed.

Condition: Good.

Provenance: See Lot 100.

Exhibitions: Hommage à Jacqueline Picasso, Galerie Sassi Milici, Vallauris, France, July 21–September 10, 1990; Picasso—Unique Ceramics, Nassau County Museum of Art, Roslyn Harbor, New York, November 16, 1996–January 26, 1997, this exhibition showed first at the Hammer Galleries, New York, listed on p. 28 of the show’s catalog; Picasso—Unique Ceramics from the Estate of Jacqueline Picasso, Hammer Galleries, New York, Summer 1999.

101

N.B. A photo-certificate from Maya Widmaier Picasso dated November 11, 1996, accompanies the lot. $35,000-55,000

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102 Pablo Picasso (Spanish, 1881-1973) Toros, 1952, edition of 500 (Ramié, 161).

Inscribed “EDITION PICASSO” on the underside, stamped “EDITION PICASSO” and “MADOURA...” on the underside. Turned white earthenware plate with engobes, oxidized paraffin, enamel, and glazes, diameter 7 3/4 in. (19.6 cm).

Condition: Minor soiling (mostly to underside), surface rubs visible within blacks. $2,000-3,000

102

103 Pablo Picasso (Spanish, 1881-1973) Maroon/Black Wood-owl, 1952, edition of 100 (Ramié, 134). Inscribed “EDITION PICASSO 19/100 MADOURA” on the bottom, stamped “EDITION PICASSO” on the reverse.

Turned white earthenware vase with knifeengraving, oxides, enamel, and glazes, height 11 1/2 in. (29.2 cm).

Condition: Minor soiling, minor chips to rim and edge of base. $8,000-12,000 104 Pablo Picasso (Spanish, 1881-1973)

103

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Face, 1955, edition of 500 (Ramié, 289).

Inscribed “EDITION PICASSO MADOURA” on the bottom, stamped “EDITION PICASSO” and “MADOURA...” on the reverse. Turned white earthenware pitcher with engobes, paraffin, enamel, and glazes, height 12 in.

(30.4 cm).

Condition: Minor soiling (mostly to underside), surface rubs visible within blacks. $7,000-9,000

105 Pablo Picasso (Spanish, 1881-1973) 104

Bull’s Profile, 1956, edition of 450 (Ramié, 315). Dated “XXII II 56” (reversed) l.r., stamped “EMPRIENTE ORIGINALE DE PICASSO” and “MADOURA...” on the reverse. Convex white earthenware plaque with engraving, oxidized paraffin, and glazes, diameter 10 1/4 in. (26.0 cm).

Condition: Minor soiling, minor chips to edge on the reverse. $3,000-5,000 106 Pablo Picasso (Spanish, 1881-1973) Flute Player and Goat, 1956, edition of 450 (Ramié, 382). Stamped “EMPRIENTE ORIGINALE DE PICASSO,” “MADOURA...,” and “MADE IN FRANCE” (the last in ink) on the reverse. Convex white earthenware plaque with engraving, oxidized paraffin, and glazes, diameter 10 1/8 in. (25.5 cm).

Condition: Minor soiling, chip to edge on the reverse. $4,000-6,000

105

106

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107

109

108

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107 Pablo Picasso (Spanish, 1881-1973) Jacqueline’s Profile, 1956, edition of 500 (Ramié, 383). Stamped “EMPRIENTE ORIGINALE DE PICASSO” and “MADOURA...” on the reverse. Convex white earthenware plaque with engraving, oxidized paraffin, and glazes, diameter 7 3/8 in. (18.5 cm).

Condition: Minor soiling. $8,000-12,000 108 Pablo Picasso (Spanish, 1881-1973) Face no. 144, 1963, edition of 150 (Ramié, 382). Inscribed “No 144 EDITION PICASSO 49/150 MADOURA” on the reverse. Turned white earthenware plate with engobes, enamel, and glazes, diameter 10 in. (25.3 cm).

Condition: Minor soiling. $6,000-8,000 109 Pablo Picasso (Spanish, 1881-1973) Dishevelled Woman, 1963, edition of 100 (Ramié, 509). Inscribed “52/100” and incised “T103” on the reverse, stamped “EMPRIENTE ORIGINALE DE PICASSO” and “MADOURA...” on the reverse. Turned white earthenware plate with engobes and glazes, diameter 10 1/2 in. (26.5 cm), framed.

Condition: Very minor soiling. $10,000-15,000

109A

109A José Guadalupe Posada (Mexican, 18511913) La Calavera de Madero, 1910. Signed within the matrix. Metal relief print on paper, image size 11 7/8 x 5 1/4 in. (30.0 x 13.0 cm), unmatted, unframed but glazed.

Condition: Pale staining near upper edge, not removed from glazing.

Provenance: The estate of Irving Penn, New York. $500-700

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110

110 Robert Rauschenberg (American, 19252008) Signs, 1970, edition of 250, published

by Castelli Graphics, New York. Signed, numbered, and dated “RAUSCHENBERG 203/250 70� in pencil within the image l.r.

Color screenprint on paper, image size 35 3/8 x 26 7/8 in. (89.8 x 68.2 cm), framed.

Condition: Not examined out of frame.

Provenance: A private Florida collection. $10,000-15,000

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111 Robert Rauschenberg (American, 19252008) Cardbird II, from the series Cardbird, 1971, edition of 75 plus proofs, published by Gemini G.E.L., Los Angeles (NGA/Gemini, 41.53). Signed, numbered, and dated “RAUSCHENBERG 6/75 ‘71” on the reverse, publisher’s copyright and stamp on the reverse. Collage construction of photo offset lithograph and screenprint with tape and steel staples on corrugated cardboard, 55 x 34 in.

(139.7 x 86.36 cm), unframed.

Condition: Holes to corners (for hanging, as designed), subtle toning/surface grime, minor crimping to lower edge.

Provenance: The estate of Joan Sonnabend, Boston, Massachusetts.

111

N.B. Rauschenberg’s Cardbird multiples appear simple, both in their materials and construction. His early adoption of collage and assemblage techniques remained prevalent in his work throughout his career, and he often combined found objects and images in his works. In 1970 Rauschenberg became a permanent resident of Captiva Island in Florida (although he maintained a studio in New York), and began a series of constructions made of corrugated boxes, which the artist referred to as Cardboards. The Cardbirds are an ironic twist on the Cardboards. What looks like a seemingly simple arrangement of cardboard scraps is actually a labor-intensive facsimile of a cardboard collage. Each Cardbird is based on a maquette made with found pieces of cardboard. Rauschenberg then used images of the original pieces of cardboard to create lithographic and screenprinted reproductions of the scraps, which were then laminated onto cardboard to reproduce the original concept. $4,000-6,000

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112 Robert Rauschenberg (American, 19252008) Untitled, 1984, edition probably of 300.

Signed and dated “RAUSCHENBERG 84” in pencil within the image l.r. Color lithograph on paper, image size 18 3/4 x 17 in. (47.5 x 43.2 cm), framed.

Condition: Not examined out of frame.

Provenance: A private Florida collection. $1,200-1,800 113 Larry Rivers (American, 1923-2002) Art in the Armory, 1988. Signed “Larry Rivers” in pencil within the image l.r., titled and dated within the matrix. Color offset lithographic poster, image size 35 x 24 7/8 in.

(88.8 x 63.2 cm), framed.

Condition: Not examined out of frame.

Provenance: A private Florida collection. $400-600

112

113

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114

114 James Rosenquist (American, b. 1933) Night Transitions, 1985, edition of 30 plus proofs, published by ULAE, Bay Shore, New York (Glenn, 204). Signed and dated “James Rosenquist 1985” in pencil l.r., numbered and titled “30/35...” in pencil l.l., publisher’s dry stamp l.r. Color lithograph on paper, image size 47 3/4 x 30 1/2 in. (121.3 x 77.4 cm), framed.

Condition: Gentle rippling, not examined out of frame.

Provenance: A private Florida collection. $1,500-2,500 115 James Rosenquist (American, b. 1933) The Light Bulb Shining, 1992, edition of 50 plus proofs, published by Tyler Graphics, Ltd., Mount Kisco, New York (Glenn, 228). Signed and dated “James Rosenquist 1992” in pencil l.r., numbered and titled “42/50...” in pencil l.l., publisher’s dry stamp l.r. Color lithograph with metal chain on paper, image size 47 7/8 x 37 3/8 in. (121.5 x 94.9 cm), framed.

Condition: Deckled edges, floated within the mat but with loose and/or broken hinges, gentle rippling, not examined out of frame.

Provenance: A private Florida collection. $1,500-2,500

115

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116 Georges Rouault (French, 1871-1958) Vieille Courtisane à la Fenêtre, alternatively titled Fière autant qu’un vivant, de sa noble stature..., 1937, from Les Fleurs du Mal, edition of 250, printed by Lacourière, Paris, published by Vollard, Paris (Chapon/ Rouault, 277; Wofsy, 275). Initialed and dated within the plate. Color etching and aquatint on paper, plate size 12 x 8 5/8 in. (30.4 x 21.7 cm), framed.

Condition: Not examined out of frame. $500-700 117 Karl Schmidt-Rottluff (German, 1884-1976) Frauenkopf, 1916 (Schapire, 191). Unsigned, dated within the matrix. Woodcut on paper, image size 10 1/8 x 7 1/8 in. (25.6 x 18.0 cm), framed.

Condition: Not examined out of frame. $200-250 118 Sean Scully (Irish/American, b. 1945) Conversation, 1986, edition of 40. Signed “Sean Scully” in pencil l.l., titled in pencil l.c., numbered “19/40” in pencil l.r. Color woodcut on Japan paper, image size 30 x 45 in. (76.2 x 114.2 cm), framed.

Condition: Deckled edges, crease to lower margin, floated within the frame, not examined out of frame.

116

Provenance: Citizens Bank, Providence, Rhode Island. $1,500-2,500

117

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118

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119

119 Richard Serra (American, b. 1939) Venice Notebook 2001, #18, from Venice Notebook 2001, edition of 60 plus proofs, published in 2002-03 by Gemini G.E.L., Los Angeles (NGA/Gemini, 47.143). Signed and dated “R Serra 03” in pencil l.r., numbered “5/60” in pencil l.l., publisher’s and copyright dry stamps l.r., identified on a label from the Barbara Krakow Gallery, Boston, on the backing. Etching on Fabriano Tiepolo paper, plate size 12 x 13 3/4 in. (30.4 x 34.8 cm), framed (unglazed).

Condition: Floated within the frame with gentle rippling, pinpoint stain or fox mark to margin u.r. $1,200-1,800 120 Shaoul Smira (Israeli, b. 1939) Ten Poems by Jacques Prévert, 1985, total edition of 120, published by City Light Publisher, San Francisco. Each signed “SMIRA” in pencil l.r. and numbered “22/100” in pencil l.l., numbered and dedicated “To my dear friend with respect & ASmira 1986” on the colophon. Color lithograph on folded Arches paper with watermarks, half sheet sizes 28 7/8 x 21 in. (73.2 x 53.3 cm), in the original clamshell portfolio box.

Condition: Deckled edges, extremely minor handling creases to several. $400-600 120

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121

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122

121 Frank Stella (American, b. 1936)

122 Donald Sultan (American, b. 1951)

Hark!, from Waves II, 1988, edition of 60 plus proofs, published by Waddington Graphics, London. Numbered, signed, and dated “60/60 F. Stella 88” in pencil within the image l.r. Color lithograph with screenprint, linocut, collage, and hand-embellishment on paper, sight size 72 1/2 x 52 3/4 in. (184.2 x 134.0 cm), framed.

Condition: Not examined out of frame.

Two Impressions of La Guerida, 1994, edition of 17. Both titled, dated, and initialed “...Jan 18, 1994 DS” in pencil along the left margin and numbered “5/17” in pencil l.r.

Aquatint, one in color, on heavy wove paper, plate sizes 6 1/2 x 8 1/2 in. (16.4 x 21.4 cm), unmatted, unframed.

Condition: Full margins with deckled edges. $600-800

Provenance: A private Florida collection. $7,000-9,000

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123 Andy Warhol (American, 1928-1987) Campbell’s Soup Can on Shopping Bag, 1966 (Feldman & Schellmann, II.4A). Marked “Andy Warhol Institute of Contemporary Art, Boston October 1966” beneath the image.

Color screenprint on paper shopping bag, size (not including handles) 19 5/8 x 17 in. (49.8 x 43.1 cm), unmatted, unframed.

Condition: Minor soiling and toning, two horizontal folds with corresponding breaks to ink. $700-900 124 Andy Warhol (American, 1928-1987) Signed One Dollar Bill. Signed “Andy Warhol” in marker on the face, two postage stamps cancelled in October, 1981, to face, stamped “Andy Warhol” on verso. Signed United States currency, 2 11/16 x 6 1/8 in.

(6.6 x 15.4 cm), unmatted, unframed.

Condition: Good. $800-1,200

123

124

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125 Neil Welliver (American, 1929-2005) Moose, 1981, edition of 79 plus proofs, published by Brooke Alexander, New York (Welliver, 61). Signed “Welliver” in pencil l.r., numbered “54/79” in pencil l.l. Color aquatint on paper, plate size 11 x 8 1/2 in. (27.8 x 21.5 cm), framed.

Condition: Gentle rippling, not examined out of frame.

Provenance: Collection of Robert Bradford Newman (1917-1983), professor of architectural acoustics at Massachusetts Institute of Technology School of Architecture and the Harvard Graduate School of Design, and co-founder of Bolt, Beranek and Newman Inc., Cambridge, Massachusetts. $300-500 126 William T. Wiley (American, b. 1937) State I, 1983, edition of 10. Signed and dated “Wiley 83” in pencil l.r., numbered and titled “4/10...” in pencil l.l., identified on a label from Artcetera, Boston, affixed to the backing.

Etching on paper, plate size 3 x 28 7/8 in. (7.5 x 73.3 cm), framed.

Condition: Gentle rippling, not examined out of frame. $800-1,200

125

126 with detail

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Fine Photographs

127

127 Auguste Salzmann (French, 1824-1872) Jerusalem, Champ du Sang, 1854, printed

by Louis Désiré Blanquart-Évrard’s company, Imprimerie Photographique. Titled and identified on the mount. Salted paper print from a paper negative mounted to board, image/sheet size 9 1/4 x 13 in. (23.5 x 33.0 cm), matted, unframed.

Condition: Scattered fox marks on the mount.

N.B. Faith and Photography: Auguste Salzmann in the Holy Land, an exhibition of the artist’s Jerusalem photographs, is currently on view at New York’s Metropolitan Museum of Art. $1,500-2,500

Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art.

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128 Attributed to Adolphe Braun (French, 18111877) Floral Study (Apple Blossoms), c. 1854.

Unsigned. Albumen silver print mounted to paper, image/sheet size 16 5/8 x 18 3/4 in.

(42.3 x 47.8 cm), matted, unframed.

Condition: Chemical inconsistencies, especially at edges, water damage or similar along bottom edge of mount, tears in mount at u.r. and l.l. edges, loss in mount at u.r. corner.

Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art. $300-500 129 Charles Marville (French, 1813-1879) Central Portal, West Façade, Reims Cathedral, c. 1854. “CH. MARVILLE/PARIS” blind stamp on mount below image. Salted paper print from paper negative mounted to paper/board, image/sheet size 13 7/8 x 10 in.

(35.3 x 25.4 cm), matted, unframed.

Condition: Yellowing, scattered subtle foxing on mount with some areas visible on print, minor soiling, discoloration, and tears on mount along top and bottom edges.

129

Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art. $600-800

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130

130 Robertson and Beato (British, fl. 18531867) Dolmabahçe Palace Imperial Gate, Turkey, c. 1856-57. Signed “Robertson & Beato photog” in the negative l.r. Albumen silver print mounted to board, image/sheet size 9 3/8 x 12 1/8 in. (23.8 x 30.8 cm), matted, unframed.

Condition: Fox marks along upper edge and c.r., areas of spot toning at l.c. and center of image, mount appears to have been cut down.

Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art. $600-800 131 Attributed to Claude-Joseph Désiré Charnay (French, 1828-1915) Palais des Nonnes, Uxmal, Mexico, c.

1860. Unsigned. Albumen silver print, image/ sheet size 8 x 10 in. (20.3 x 25.5 cm), matted, unframed.

Condition: Scattered handling creases and crimps, 1/2 inch tear l.c., subtle foxing in area of sky, hinge remnants on the verso at all corners.

131

Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art. $300-500

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132 Francis Frith (British, 1822-1898) Street View in Cairo, from the album Egypt, Sinai and Jerusalem: A Series of Twenty Photographic Views. Signed and dated “Frith 1858” in the negative l.l., titled and identified on the pre-printed mount. Albumen silver print mounted to album page, image/ sheet size 19 x 15 1/4 in. (48.3 x 38.8 cm), matted, unframed.

Condition: Discoloration along right edge, overall yellowing to print, scattered light fox marks and water stains or similar along bottom edge of mount.

Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art. N.B. Francis Frith turned to photography in the early 1850s, and in 1856 made his first trip to Egypt, traveling up the Nile from Cairo to Abu Simbel, and photographing ancient monuments and locations using a stereoscopic camera and two large format cameras with different negative sizes (8x10 and 16x20). Despite the challenging environmental conditions, Frith succeeded in producing his arresting images using a portable darkroom with wet-plate collodion on glass negatives. His use of three negative formats demonstrates the commercial nature of his enterprise and the high demand in mid19th century England for pictorial evidence of Middle Eastern subjects.

132

The successful sale of Frith’s views financed his next trip to Palestine, Syria, and Egypt in late 1857, and in the summer of 1859, he returned to Egypt, traveling up the Nile to the Fifth Cataract, and venturing further south than any other photographer before him. Settling back in Britain, he opened his own firm in Reigate, Surrey, near London, to publish and sell his images, as well as the work of other photographers. $2,500-3,500 133 Francis Frith (British, 1822-1898) Mount Serbal, From the Wádee Feyrán, Egypt, 1858-60. Titled on the pre-printed mount. Albumen silver print mounted to album page, image/sheet size 15 1/2 x 19 in.

(39.3 x 48.3 cm), matted, unframed.

Condition: Discoloration along left and bottom edges, overall yellowing to print, minor crease in u.l. corner, scattered unobtrusive abrasions, scattered light fox marks and discolored areas on mount, tear in mount u.c.

Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art. $3,000-5,000

133

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134 partial

134 Various Artists, including Antonio Beato (Italian, c. 1835-1906) Twenty-eight Views of Egypt (Cairo, Faiyum, Karnak, and Thebes), 1860s-70s.

Albumen silver prints, image/sheet sizes to 7 3/4 x 10 in. (19.7 x 25.5 cm), matted, unframed.

Condition: Prints have been removed from their mounts, most lightly faded, several with scattered subtle fox marks and minor handling creases.

Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art. N.B. The prints are from two dismantled albums. The covers are included with the lot. $1,000-2,000 135 James Robertson (English, 1813-1888) Temple of Jupiter, Athens, 1862. Signed “Robertson� in the negative l.r. Albumen silver print mounted to board, image/sheet size 9 1/8 x 11 5/8 in. (23.2 x 29.5 cm), matted, unframed.

Condition: Scattered fox marks visible in area of sky, mount appears to have been cut down.

135

Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art. $600-1,200

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136

136 American School, 19th Century Park Street Church and Tremont Street, Boston, c. 1859. Albumen silver print mounted to board, image/sheet size 17 1/8 x 22 1/8 in. (43.5 x 56.2 cm), framed.

Condition: Faded, mat burn, vertical area of subtle discoloration in center probably due to acidic backing, scattered area of spot toning, scuff mark or similar u.r. $700-900 137 Oscar Gustave Rejlander (British, 18131875) Young Woman in Prayer, 1858-60.

Unsigned. Albumen silver print mounted to album page, image/sheet size 7 5/8 x 5 3/4 in.

(19.4 x 14.7 cm), matted, unframed.

Condition: Overall fading and rippling to sheet, mount with scattered light fox marks and tears.

Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art. N.B. The reverse of the album page contains five photographic reproductions of painted portraits of British artists, authors, and philosophers. $800-1,200

137

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138 Oscar Gustave Rejlander (British, 18131875) Nude Female Study, c. 1867. Unsigned.

Albumen silver print mounted to board, image/ sheet size 7 3/4 x 5 1/2 in. (19.8 x 14.0 cm), matted, unframed.

Condition: Corner of sheet missing l.r., sheet appears to be affixed at edges only, scattered handling crimps, possible repaired tear l.c.

Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art. $800-1,200 139 Victor Albert Prout (British, 1835-1877) Forty-five River Thames Views, including Locks, Weirs, and Bridges, 1860s.

Unsigned, many inscribed with locations on the versos. Albumen silver prints, image/sheet sizes 4 x 7 in. (10.1 x 17.8 cm), unmatted, unframed.

Condition: Prints have been removed from their mounts, most lightly faded, several with scattered subtle fox marks and minor handling creases.

138

Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art. N.B. The prints are from a dismantled album.

The cover is included with the lot. $1,500-2,500 140 David Wilkie Wynfield (British, 1837-1887) Three Portraits of Victorian Artists, including William Holman Hunt, William Gale, and an Unidentified Man in Costume, c. 1860s. Unsigned. Albumen silver prints mounted to boards, image/sheet sizes 8 3/8 x 6 in. (21.3 x 15.3 cm), matted, unframed.

Condition: Yellowing, fading, mounts with discoloration and surface grime, several with scattered foxing.

Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art. $600-800

139 partial

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141

141 Julia Margaret Cameron (British, 18151879) Alfred Tennyson, 1870. Signed and inscribed “Julia Margaret Cameron Freshwater” in ink l.r., inscribed “A Tennyson” in ink l.c., inscribed “From Life Registered Photograph Copyright” in ink l.l., identified on a label from Robert Schoelkopf Gallery, New York, on the backing. Albumen silver print, image/sheet size 10 7/8 x 9 5/8 in. (27.7 x 24.5 cm), matted, framed.

Condition: Yellowing, fading; toning, foxing, and water damage or similar to mount.

Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art. $2,000-3,000

140

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142 Attributed to Frank Jay Haynes (American, 1853-1921) Twenty-nine Views of Yellowstone, including Old Faithful and Mammoth Springs, c. 1885. Unsigned, several titled in white ink below the image. Albumen silver prints mounted to black paper album pages, image/sheet sizes to 7 7/8 x 11 3/8 in. (20.0 x 29.0 cm), unmatted, unframed.

Condition: Good.

142 partial

Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art. N.B. The prints are from a dismantled album.

The cover is in poor condition and is included with the lot. $800-1,200 143 Eadweard Muybridge (British, 1830-1904) Plate 338 (Men Boxing) from Animal Locomotion, 1887. Identified within the plate.

Collotype on paper, sheet size 19 x 24 in.

(48.3 x 61.0 cm), unmatted, unframed.

Condition: Minor discoloration and scattered minor losses at sheet edges.

Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art. $800-1,200

143

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144 Eadweard Muybridge (British, 1830-1904) Two Plates from Animal Locomotion: Plate 286 (Man Throwing a Baseball) and Plate 307 (Man Throwing a Discus), 1887.

Identified within the plates. Collotypes on paper, sheet size 19 x 24 in. (48.3 x 61.0 cm), unmatted, unframed.

Condition: Minor discoloration and scattered minor losses at sheet edges, plate 286 with a tear in sheet u.c.

Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art. $1,000-1,500 145 Eadweard Muybridge (British, 1830-1904) Two Plates from Animal Locomotion: Plate 46 (Woman with Fan) and Plate 226 (Woman with Water Jug), 1887. Identified within the plates. Collotypes on paper, sheet sizes 19 x 24 in. (48.3 x 61.0 cm), unmatted, unframed.

Condition: Minor discoloration at sheet edges.

Provenance: Proceeds to benefit the Philadelphia Museum of Art. $700-900

144

145 partial

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146

147

146 Eadweard Muybridge (British, 1830-1904)

147 Eadweard Muybridge (British, 1830-1904)

Plate 166 (Leap-frog) from Animal Locomotion, 1887. Identified within the plate.

Collotype on paper, sheet size 19 x 24 in.

(48.3 x 61.0 cm), unmatted, unframed.

Condition: Minor discoloration and scattered minor losses at sheet edges.

Plate 394 (Man Turning a Crank) from Animal Locomotion, 1887. Identified within the plate. Collotype on paper, sheet size 19 x 24 in. (48.3 x 61.0 cm), unmatted, unframed.

Condition: Minor discoloration and scattered minor losses at sheet edges, cracks in paper at bottom corners.

Provenance: Proceeds to benefit the Philadelphia Museum of Art. $800-1,200

88

Provenance: Proceeds to benefit the Philadelphia Museum of Art. $800-1,200

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148

148 William B. Post (American, 1857-1921) Landscape Study with Birch Trees and Water, c. 1900. Signed “WB Post� in pencil within the image l.r. Platinum print, image/ sheet size 6 1/4 x 9 3/8 in. (16.0 x 23.8 cm), matted, unframed.

Condition: Subtle chemical stain or similar c.l., hinge remnants on verso at corners.

Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art. $1,000-1,500

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149 Edward Sheriff Curtis (American, 18681952) The Oath—Apsaroke, 1908. Signed “Curtis L.A. ©” in black ink in the image l.r. Toned double border gelatin silver print, image size 7 5/8 x 5 5/8 in. (19.4 x 14.4 cm), unmatted, framed.

Condition: The print has darkened, subtle corrugation stains on the verso, minor thinning of sheet at l.l. edge.

Provenance: Acquired from Kiva Gallery, Boston, 1977; to a private Rhode Island collection.

149

N.B. Edward Sheriff Curtis is best known for his Herculean effort to document the North American Indian through photographs and recordings of song and speech. As the western United States was developed, he endeavored to record the vanishing cultures of the land’s original inhabitants, creating a body of work that at the time defined the country’s popular vision of Native American culture.

Curtis began his fieldwork in 1906 with the support of financier J. Pierpont Morgan, and by 1930 he had documented more than eighty tribes and made over 40,000 photographs.

The original 1977 receipt from Kiva Gallery accompanies the lot. $2,000-3,000

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150

150 Eva Watson-Schütze (American, 18671935) Portrait of a Girl, c. 1910. Monogrammed in pencil u.r. Platinum print hinged to paper, image/sheet size 8 1/8 x 6 1/8 in. (21.7 x 15.5 cm), matted, unframed.

Condition: Good.

Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art. $700-900 151 Francis Bruguière (American, 1879-1945) Portrait of an Actress (Possibly Rosalinde Fuller), 1920s. Stamped “PLEASE/CREDIT/ FRANCIS BRUGUIERE” in black ink on the verso at center. Gelatin silver print, image/ sheet size 13 x 10 7/8 in. (33.0 x 27.7 cm), matted, unframed.

Condition: Loss in l.r. corner, subtle silver mirroring, scattered minor handling crimps.

Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art. $1,000-1,500

151

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152

153

152 André Kertész (Hungarian/American, 18941985) Bocskay-tér, Budapest, 1914, printed 1950s.

Titled and dated in black ink on the verso u.c., stamped “PHOTO BY/ANDRÉ KERTÉSZ” in black ink on the verso l.c. Gelatin silver print, image size 7 1/4 x 9 5/8 in. (18.5 x 24.5 cm), matted, unframed.

Condition: Subtle cracks in emulsion at u.l. and l.r. corners, hinge remnants on the verso along upper edge.

Provenance: A private New York collection. $1,500-2,500

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153 Roger Parry (French, 1905-1977) Guns, Glasses, and Dice, c. 1929. Stamped “PHOTO R. PARRY/18. rue A, Gervais/ISSYSEINE” in black ink and inscribed “#6” in pencil on the verso at center. Gelatin silver print, image/sheet size 7 x 9 1/4 in. (17.8 x 23.5 cm), matted, unframed.

Condition: Subtle abrasion at center.

Provenance: The Julien Levy Collection, purchased from Jean Farley Levy for the Philadelphia Museum of Art by Lynne and Harold Honickman, 2001; sold with the approval of the Trustees of the Philadelphia Museum of Art to benefit acquisition funds. $2,000-3,000

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154

154 Brett Weston (American, 1911-1993) Lily Stalks, 1925, printed later. Signed and dated “Brett Weston...” in pencil on the mount l.r. Gelatin silver print mounted to board, image/sheet size 13 1/2 x 10 1/2 in. (34.3 x 26.7 cm), matted, unframed.

Condition: Good.

Provenance: A private New York collection. $2,000-3,000 155 Berenice Abbott (American, 1898-1991) Rooster, 1930s, from the portfolio Berenice Abbott’s New York II, published 1979 by Parasol Press, Portland, Oregon. Signed “BERENICE ABBOTT” in pencil on the mount l.r., numbered “41/60” in pencil on the mount l.l. Gelatin silver print, image/sheet size 19 1/4 x 15 1/8 in. (48.9 x 38.5 cm), framed.

Condition: Good.

Provenance: A private Connecticut collection. $1,500-2,500 155

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93

156

156 Sherril Schell (American, 1877-1964) Window Reflection, Brick Presbyterian Church and Empire State Building, 193132. Titled and signed “...Photo by/Sherril Schell� in pencil on the verso. Gelatin silver print, image/sheet size 7 15/16 x 6 1/4 in.

(20.2 x 15.8 cm), matted, unframed.

Condition: Minor wear at l.r. corner.

94

Provenance: The Julien Levy Collection, purchased from Jean Farley Levy for the Philadelphia Museum of Art by Lynne and Harold Honickman, 2001; sold with the approval of the Trustees of the Philadelphia Museum of Art to benefit acquisition funds. $2,000-3,000

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157

157 Ilse Bing (German/American, 1889-1998) “It was so Windy on the Eiffel Tower,” Paris, 1931, printed c. 1979. Signed and dated “ILSE BING...” in white ink within the image l.l., signed, dated, and titled “ILSE/BING...” in pencil on the verso. Gelatin silver print, image size 10 3/8 x 12 3/4 in. (26.4 x 32.5 cm), matted, unframed.

Condition: Subtle spot toning l.r. corner.

Provenance: Edwynn Houk Gallery, New York; to a private New York collection.

N.B. This print and Lot 158 were made under Bing’s direct supervision as part of a set of master prints created to ensure the photographer’s legacy. A copy of a 2012 letter from the Edwynn Houk Gallery detailing this information accompanies the lots. $2,000-3,000 158 Ilse Bing (German/American, 1889-1998)

158

The Honorable Daisy Fellowes’ Gloves by Dent, London, for Harper’s Bazaar, 1933, printed c. 1979. Signed and dated “ILSE BING...” in white ink within the image l.r., signed, dated, and inscribed “ILSE/BING.../ PARIS” in pencil on the verso at center.

Gelatin silver print, image size 9 1/2 x 11 3/4 in. (24.2 x 29.8 cm), unmatted, unframed.

Condition: Subtle creases at l.l. and l.r. corners.

Provenance: Edwynn Houk Gallery, New York; to a private New York collection. $1,500-2,500

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159 Manuel Álvarez Bravo (Mexican, 19022002) El Ensueño (The Daydream), 1931. Signed and inscribed “M. Alvarez Bravo México” in ink on the verso l.r., titled in ink on the verso u.l.

Gelatin silver print, image/sheet size 8 3/4 x 5 3/8 in. (22.7 x 13.7 cm), framed.

Condition: Minor surface grime or similar l.l. and u.l., subtle silver mirroring at edges, discoloration on the verso suggests that the print was previously mounted.

159

Provenance: Acquired from Kiva Gallery, Boston, 1978; to a private Rhode Island collection.

N.B. The original 1978 receipt from Kiva Gallery accompanies the lot. $5,000-7,000 160 Manuel Álvarez Bravo (Mexican, 19022002) Sed Pública (Public Thirst), 1933, from the portfolio Fifteen Photographs, printed 1974, from an edition of 75, published by Double Elephant Press, New York. Signed “M. Alvarez Bravo...” in pencil on the mount l.r., numbered “46/75” in pencil on the mount l.l.

Gelatin silver print mounted to board, image/ sheet size 9 1/4 x 7 3/8 in. (23.5 x 18.8 cm), framed.

Condition: Faint spots of mold or similar on the print surface, mount subtly light-struck.

Provenance: Acquired from Kiva Gallery, Boston, 1978; to a private Rhode Island collection.

N.B. The original 1978 receipt from Kiva Gallery accompanies the lot. $1,500-2,500

160

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161 André Kertész (Hungarian/American, 18941985) Distortion 166, Paris, 1933, printed 1950s.

Titled, inscribed, dated, and signed “...Paris...A Kertész” in pencil on the verso.

Gelatin silver print, image size 9 5/8 x 6 3/4 in.

(24.5 x 17.2 cm), matted, unframed.

Condition: Good.

Provenance: A private New York collection.

161

N.B. After his move from Budapest to Paris in 1925, André Kertész spent a decade photographing unusual juxtapositions and scenes found wandering the city’s streets. He also experimented with optical distortions. In 1933 he was commissioned to create a series of nudes for the French satirical magazine Le Sourire. Using mirrors and a camera fitted with a special lens, he created some 200 images of female forms—some identifiable, others beyond recognition—that float between representation and abstraction. While not an active participant in the Surrealist movement, Kertész’s disquieting nude distortions are infused with its tenets. $5,000-7,000

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162

162 Alfred Stieglitz (American, 1864-1946) The Two Poplars, Lake George, with The Dying Chestnut Tree mounted on the reverse, 1934. Unsigned. Gelatin silver prints, image/ sheet sizes to 8 7/8 x 6 in. (22.5 x 15.3 cm), matted, unframed.

Condition: Poplars has two subtle chemical stains in u.l. quadrant, minor abrasion or similar l.l., Chestnut with minor silvering.

Provenance: Gift of Carl Zigrosser to the Philadelphia Museum of Art, 1975; sold with the approval of the Trustees of the Philadelphia Museum of Art to benefit acquisition funds.

N.B. As a founding member of the PhotoSecession and publisher of Camera Work, Alfred Stieglitz was a major force in the promotion and elevation of photography as a fine art in America at the turn of the 20th century.

98

While Stieglitz was based in New York City, he created some of his most exploratory photographs, including his celebrated Equivalents series of clouds, at his country estate in Lake George. Another subject to which he first turned his attention in 1932 was that of a stand of poplar trees, which he photographed from multiple angles and distances. These compositions reflect his shift from a Pictorialist to a modernist “straight� aesthetic, punctuated by the power lines that cross through the lower left corner, while also reflecting his embrace of the poplars and other trees on the property as a source of personal meditation.

This photograph was originally in the personal collection of Carl Zigrosser, who served as curator of prints, drawings, and rare books at the Philadelphia Museum of Art from 1941 to 1963. $8,000-12,000

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163

163 Edward Weston (American, 1886-1958) Dunes, Oceano, 1936, printed later by Cole Weston. Stamped “NEGATIVE/BY/EDWARD WESTON/PRINT/BY” in black ink and signed “Cole Weston” in pencil on the reverse of the mount at center, titled and dated in pencil on the reverse of the mount u.r. Gelatin silver print mounted to board, image/sheet size 7 3/8 x 9 1/4 in. (18.7 x 23.5 cm), framed.

Condition: Minor 1/4-inch crease c.l., faint scattered fox marks on the mount.

Provenance: Acquired from Kiva Gallery, Boston, 1977; to a private Rhode Island collection.

N.B. A photocopy of the original 1977 receipt from Kiva Gallery accompanies the lot. $3,000-5,000

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164 Dorothy Norman (American, 1905-1997) Two Photographs: Church Steeple III, Falmouth, Cape Cod and Gravestone (Mother) II, Chatham, Cape Cod, 1937. Steeple signed “Dorothy Norman” in blue ballpoint pen, titled, dated, and annotated in pencil, and stamped “ORIGINAL BY/DOROTHY NORMAN” in blue ink on the mount and on an additional support; Gravestone titled, dated, and annotated in pencil and stamped “ORIGINAL BY/ DOROTHY NORMAN” and “FOR PHILADELPHIA MUSEUM/ COLLECTION DOROTHY NORMAN” in red ink on the mount verso. Gelatin silver prints flush-mounted to board and then mounted again to board, image/sheet sizes to 3 5/8 x 2 1/2 in. (9.2 x 6.4 cm), matted, unframed.

Condition: Steeple with minor emulsion losses at lower edge, Gravestone with subtle crease at u.r. corner.

Provenance: Gift of the photographer to the Philadelphia Museum of Art, 1980 and 1984; sold with the approval of the Trustees of the Philadelphia Museum of Art to benefit acquisition funds. $800-1,200 165 Margaret Bourke-White (American, 1904-1971)

164 partial

Dry End of Paper Machine, Union Bag & Paper Co., Savannah, Georgia, 1937. Inscription describing subject in pencil on the verso u.c., stamped “PHOTO BY/MARGARET BOURKE-WHITE” in red ink on the verso at center, Life Picture Service reproduction permission stamp in black ink on the verso l.l. Gelatin silver print, image/sheet size 9 7/8 x 13 1/8 in. (25.0 x 33.5 cm), framed.

Condition: Cracks in the emulsion l.l. corner, minor loss in u.r. corner, scattered minor losses at edges, subtle crease l.l.

Provenance: A private New York collection. $800-1,200

165

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166 Lotte Jacobi (American, 1896-1990) Peter Lorre, Berlin, c. 1932, printed later.

Signed “Lotte Jacobi” in pencil within the image l.r., inscribed “LORRE” in the negative l.l. Gelatin silver print, sight size 9 x 6 3/8 in.

(22.8 x 16.2 cm), framed.

Condition: Hinged to overmat with yellowing tape, several areas of subtle foxing on the verso.

Provenance: Acquired from the artist through Kiva Gallery, Boston, 1977-80; to a private Rhode Island collection. $600-800 167 Lotte Jacobi (American, 1896-1990) Pauline Koner, Dancer, New York, c. 1937, printed later. Signed “Lotte Jacobi” in pencil on the recto l.l. Gelatin silver print, image/ sheet size 9 5/8 x 7 in. (24.5 x 17.8 cm), matted, framed.

Condition: Subtle fox marks on the verso.

Provenance: Acquired from the artist through Kiva Gallery, Boston, 1977-80; to a private Rhode Island collection. $800-1,200

166

167

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101

168 Lotte Jacobi (American, 1896-1990) Albert Einstein at His Home in Princeton, New Jersey, 1938, printed later. Signed “Lotte Jacobi” in pencil on the recto l.l. and on the mat l.r. Gelatin silver print mounted to board, image/sheet size 13 1/4 x 10 in. (33.7 x 25.5 cm), matted, framed.

Condition: Subtle silvering at edges where overmat comes into contact with the print, minor creasing u.r. corner.

Provenance: Acquired from the artist through Kiva Gallery, Boston, 1977; to a private Rhode Island collection.

N.B. After meeting Einstein at the family business—the fashionable Jacobi Studio in Berlin—Lotte Jacobi began a lifelong friendship with the celebrated physicist, photographing him on five separate occasions, including this sitting at his home in Princeton, New Jersey, while on assignment for LIFE magazine.

168

The original 1977 receipt from Kiva Gallery accompanies the lot. $1,500-2,500 169 Lotte Jacobi (American, 1896-1990) Albert Einstein at Home in Princeton, New Jersey, 1938, printed later. Signed “Lotte Jacobi” in pencil on the recto l.r. Gelatin silver print, image/sheet size 18 1/8 x 12 in. (46.0 x 30.5 cm), matted, framed.

Condition: Silver mirroring especially at bottom and l.l. edges, subtle chemical staining or similar u.l. quadrant.

Provenance: Acquired from the artist through Kiva Gallery, Boston, 1977-80; to a private Rhode Island collection. $3,000-5,000

169

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170

170 Barbara Morgan (American, 1900-1992) Martha Graham, American Document (Trio - Maslow, Flier, Mazia), 1938, printed c. 1980. Titled in ballpoint pen on the recto l.l., signed and dated “Barbara Morgan...” in ballpoint pen on the recto l.r., titled, dated, and signed “.../Barbara Morgan” in ballpoint pen on the verso u.c. Gelatin silver print, image size 13 1/8 x 17 7/8 in. (33.4 x 45.3 cm), matted, unframed.

Condition: Good.

Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art. $1,000-1,500

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171 Man Ray (American, 1890-1976) Monogram, 1944. Stamped “MAN RAY/ PARIS” in black ink on the reverse of the mount u.c. Gelatin silver print mounted to board, image/sheet size 4 3/4 x 5 1/2 in. (12.0 x 14.0 cm), framed.

Condition: Subtle staining on the mount verso l.l., minor wear to corners.

N.B. In 1944, Man Ray assembled photographs of a group of three-dimensional sculptures he made from found objects and prepared accompanying texts for a publication he called “Objects of My Affection.” He produced several maquettes for the book, including this one, although it was never published. The lot is accompanied by a 1987 certificate of authenticity signed by Lucien Treillard. $1,000-1,500

171

172 Manuel Álvarez Bravo (Mexican, 19022002) Retrato Ausente (Absent Portrait), Mexico, 1945, printed later. Signed and inscribed “M. Alvarez Bravo./Mexico.” in pencil on the mount l.r. Gelatin silver print mounted to board, image/sheet size 9 1/2 x 6 5/8 in. (24.1 x 16.8 cm), unmatted, unframed.

Condition: Good.

Provenance: A private New York collection. $1,000-2,000

104

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173 Andre de Dienes (Romanian/American, 1913-1985) Four Photographs of Marilyn Monroe, including a Portrait on Tobey Beach, 194649, printed later. Two signed by Shirley de Dienes in silver ink on the recto l.r. and in black ink, along with Shirley de Dienes Collection stamps, on the verso l.r., all with various Andre de Dienes’s Hollywood studio stamps on the versos. Gelatin silver prints, image sizes to 13 3/4 x 10 7/8 in. (35.0 x 25.6 cm), unmatted, unframed.

Condition: Scattered minor handling creases and rippling to sheets.

Provenance: A private New York collection.

N.B. Two of the photographs are accompanied by certificates of authenticity signed by Chuck Murphy, curator and manager of the Andre de Dienes archives.

An additional press print of Monroe with a bouquet of flowers by Attar Photographers, New York, accompanies the lot. $2,000-3,000 172

173 partial

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174

174 George Platt Lynes (American, 1907-1955) Two Nude Studies: Ted Starkowski and Nicholas Magallanes (as Orpheus) and Francisco Moncion (as Dark Angel) in George Balanchine’s Orpheus, c. 1951 and 1948, respectively. Both stamped “GEORGE PLATT LYNES/229 EAST 47 STREET NEW YORK” on the reverse in black ink at center.

Gelatin silver prints, image/sheet sizes to 7 x 8 7/8 in. (17.8 x 22.5 cm), matted, unframed.

Condition: Starkowski with minor creases at lower corners.

Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art. $1,500-2,500 175 Willy Ronis (French, 1910-2009) Sur le Vieux Port de Marseille, 1946, printed 1995. Signed “Willy Ronis” in ink on the recto l.r., identified on a label from The Witkin Gallery, New York, affixed to the backing.

Gelatin silver print, image size 12 5/8 x 10 1/8 in. (32.0 x 25.7 cm), framed.

Condition: Signature ink is faded, not examined out of frame.

Provenance: Estate of Richard E. Anderson, New York, New York/Redding, Connecticut. $800-1,200 175

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176

176 Todd Webb (American, 1905-2000) Looking Towards Pittsburgh, c. 1950.

Unsigned. Dye transfer print, sight size 9 1/8 x 12 3/4 in. (23.2 x 32.5 cm), matted, unframed.

Condition: Subtle adhesive residue or similar at l.r. edge, scattered minor abrasions.

Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art. $400-600 177 Various Photographers, including Arthur Fellig, called Weegee (Austrian/American, 1899-1968) Ten Press Pictures of Louis Armstrong, 1940s-50s. The Weegee print stamped “PLEASE CREDIT/WEEGEE/FROM/PHOTOREPRESENTATIVES� in black ink on the verso, the others with credit stamps or labels for European Picture Service, New York, on the versos, the majority with typed captions and descriptions affixed to the versos. Gelatin silver prints, image sizes to 9 3/8 x 7 7/8 in. (23.9 x 20.0 cm), unmatted, except for the Weegee, all unframed.

Condition: Scattered handling crimps, wear to corners.

177 partial

Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art. $800-1,200

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178

178 W. Eugene Smith (American, 1918-1978) Dr. Albert Schweitzer Playing an Organ, published in “A Man of Mercy” in LIFE magazine, 1954. “Photograph by W. Eugene Smith” stamped in black ink on the verso.

Gelatin silver print, image size 13 1/4 x 9 5/8 in. (33.8 x 24.5 cm), matted, unframed.

Condition: Slight rippling, minor crease in l.r. corner of sheet.

Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art. $2,000-3,000

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179

179 Albert Renger-Patzsch (German, 18971966) Grünkohl (Kale), c. 1955. Stamped “RENGER-PATZSCH WAMEL-DORF ÜBER SOEST I.W.” in blue ink and titled in pencil on the verso u.r. Gelatin silver print on AgfaBrovira paper, image/sheet size 8 7/8 x 6 1/2 in. (20.0 x 16.5 cm), matted, unframed.

Condition: Good.

Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art. $800-1,200 180 Ray K. Metzker (American, 1931-2014) Berghoff Annex, Chicago, c. 1958, printed later. Signed and numbered “Ray K. Metzker 2/25” in pencil on the verso l.r., additional pencil annotations in pencil on the verso u.r.

Gelatin silver print, image size 8 1/4 x 5 13/16 in. (21.0 x 14.8 cm), framed.

Condition: Good.

Provenance: Estate of Richard E. Anderson, New York, New York/Redding, Connecticut. $2,000-3,000

180

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181 Irving Penn (American, 1917-2009) Marcel Duchamp, New York, 1948, printed 1979. Signed and numbered “Irving Penn 4/20” in pencil on the backing with additional pencil annotations and copyright and edition stamps. Platinum/palladium print on Rives paper mounted to aluminum, image size 18 3/4 x 12 1/8 in. (47.8 x 30.8 cm), framed.

Condition: Good.

Provenance: Estate of Richard E. Anderson, New York, New York/Redding, Connecticut.

N.B. One of the most prolific and celebrated fashion photographers of the 20th century, Irving Penn created a series of minimalist studio portraits that were noted for capturing and isolating unique aspects of his subjects’ personalities. In 1948, Penn pushed together two studio flats to create a sharper than 90 degree corner into which he placed his sitters.

Some lean casually against the walls or take on interesting poses while sitting. Others, like Duchamp, appear wedged into the claustrophobic space, which Penn described as surprisingly comforting to his subjects. For his “corner” portraits, Penn photographed a wide range of artists, writers, dancers, socialites, musicians, and other celebrities, including Truman Capote, Joe Louis, and the Duchess of Windsor. $15,000-25,000

181

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182 André Kertész (Hungarian/American, 18941985) Vert Galant, Paris, 1963. Titled and signed “A Kertész” in pencil on the verso u.c., stamped “PHOTO BY/ANDRÉ KERTÉSZ” in black ink and dated “10-26-63” in ink on the verso l.c. Gelatin silver print on glossy paper, image size 9 5/8 x 7 3/8 in. (24.5 x 18.8 cm), matted, unframed.

Condition: Scattered subtle handling creases, minor wear at corners, hinge remnants on the verso at upper corners.

Provenance: A private New York collection. $1,000-2,000 183 André Kertész (Hungarian/American, 18941985) Snow-covered Graveyard with Pedestrians, New York, 1966. Stamped “PHOTO By/ ANDRÉ KERTÉSZ” in black ink on the verso l.c., dated and inscribed “2-4-66/#6” in ballpoint pen on the verso l.c. Gelatin silver print, image size 6 3/4 x 9 1/2 in. (17.2 x 24.2 cm), framed.

Condition: Several cracks in the emulsion in the lower half of the image, subtle chemical discoloration or similar in non-image areas of the sheet, hinge remnants on the verso u.l. and u.r. corners.

182

Provenance: A private Rhode Island collection. $2,000-3,000

183

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184

184 Walker Evans (American, 1903-1975) Emma, Colorado. Signed and dated “Walker Evans 1967” in pencil l.r., titled and dated in pencil and stamped “WALKER EVANS/BOX 310 RTE. 3/OLD LYME. CONN. 06371...” in ink on mount verso center, Lunn Gallery stamp inscribed “XXIII 102” in pencil on mount verso l.l. Gelatin silver print mounted to board, image/sheet size 9 1/4 x 9 1/2 in. (23.5 x 24.2 cm), matted, framed.

Condition: Good. $1,000-1,500

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185

185 Peter Fink (American, 1907-1984) Refractions, Philadelphia, 1960s. Stamped “PHOTOGRAPH BY PETER FINK” in red ink on the verso, titled on a fragment from an old housing affixed to the backing. Gelatin silver print, image/sheet size 19 1/2 x 10 5/8 in.

(49.5 x 27.0 cm), matted, unframed.

Condition: Good.

N.B. Peter Fink was a successful package designer and decorator for couturier Lucien Lelong when he was first introduced to photography. After WWII, he was rarely without a camera, photographing street life, landscapes, and architecture on his frequent travels abroad. His Refractions series was shown for the first time in a 1969 retrospective at the Gallery of Modern Art in New York. $1,000-1,500 186 Peter Fink (American, 1907-1984) Metropolitan Museum, Refractions, New York City, 1960s. Titled in red ink on the mount verso l.l., stamped “PHOTOGRAPH BY PETER FINK” in red ink on the mount verso l.r.

Gelatin silver print mounted to board, image/ sheet size 17 5/8 x 10 in. (44.8 x 25.4 cm), matted, unframed.

Condition: Good. $1,000-1,500

186

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187

187 Ernst Haas (Austrian/American, 1921-1986) Lights of New York City, 1970, printed 2016.

Titled, dated, numbered “8/50,” and signed by Alexander Haas in ink on a Haas Studio label.

Chromogenic print, image size 17 1/8 x 25 3/4 in. (43.5 x 65.5 cm), unmatted, unframed.

Condition: Good.

N.B. A passionate photojournalist and onetime member of the photography collective Magnum, Haas is perhaps best known as one of the pioneers of color photography. His 1962 retrospective at New York’s Museum of Modern Art was that institution’s first color photography exhibition. $3,000-5,000

114

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188

188 Paul Caponigro (American, b. 1932) Two Photographs of Stonehenge, c. 196772. Unsigned. Gelatin silver prints, image/ sheet sizes to 19 x 14 1/8 in. (48.3 x 35.8 cm), matted, unframed.

Condition: Both with drymount tissue on the verso, adhesive residue at u.r. corners, scattered minor handling crimps, subtle emulsion losses at the very edges, the vertical print with a 1/2 inch loss at l.c.

Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art. $1,000-1,500 189 Olivia Parker (American, b. 1941) Miss Appleton’s Shoes II, 1976, printed 1980, from the series Signs of Life. Titled, dated, signed, and numbered “...Olivia Parker ©...#18” below the image. Toned gelatin silver contact print on single weight paper, image size 4 3/4 x 3 7/8 in. (12.0 x 10.0 cm), framed.

Condition: Good. $1,000-1,500 189

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190 Walter Chapell (American, 1925-2000) Bleeding Heart. Titled in pencil on the mount l.l., signed and dated “WALTER CHAPELL 1977� in pencil on the mount l.r. Gelatin silver print mounted to board, image/sheet size 12 3/8 x 9 1/2 in. (31.5 x 24.2 cm), matted, unframed.

Condition: Good.

Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art. $400-600 191 Jan Henle (American, b. 1948) Untitled (Abbey Hill III), 1981. Unsigned on the recto, identified on a label from Xavier Fourcade, Inc., New York, affixed to the backing. Gelatin silver print mounted to linen, image/sheet size 41 1/4 x 44 1/2 in. (104.8 x 113.0 cm), framed.

Condition: Floated in the frame, minor rippling to the sheet, not examined out of frame.

Provenance: The estate of Joan Sonnabend, Boston, Massachusetts. $800-1,200 190

191

116

Additional information and photos at www.skinnerinc.com

192

192 Carl Chiarenza (American, b. 1935) Three Abstractions: Noumenon 16, Noumenon 180, and Noumenon 119, 1984, 1984-86, and 1987, respectively. All titled, dated, inscribed with copyright information, dedicated, and signed “...for Harvey + Randy/ Carl Chiarenza” in pencil on the versos at center. Gelatin silver prints, images sizes to 14 3/4 x 18 3/4 in. (37.5 x 47.7 cm), matted, unframed.

Condition: Good.

Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art. $500-700 193 Alfred Eisenstaedt (American, 1898-1995) A LIFE Portfolio, Alfred Eisenstaedt’s Brooklyn Bridge, Photographed for Its 100th Anniversary, 1983, number 6 from an edition of 100, published by LIFE, New York.

Signed “Eisenstaedt” in ink l.r. Twelve gelatin silver prints, image sizes 14 1/4 x 9 3/4 in.

(36.3 x 24.8 cm), unmatted, housed in lettered black cloth folio with a printed colophon.

Condition: Minor rippling to sheets, signatures slightly faded as is folio, minor staining or similar on the colophon.

Provenance: A private Florida collection. $3,000-5,000 193 partial

Online bidding at www.skinnerinc.com

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194 partial

194 Gus Kayafas (American, b. 1947) Miami: Photographs by Gus Kayafas, a portfolio of eighteen untitled photographs from an edition of 25 copies plus 8 artist’s proofs, published by Palm Press, Littleton, Massachusetts, in 1984. Each print signed “Gus Kayafas” in pencil on the mount l.r., numbered “AP 7/8” in pencil on the copyright page at back. Gelatin silver prints mounted on Rives BFK paper, image/sheet sizes to 6 3/4 x 10 in. (17.2 x 25.5 cm), housed in a linen-covered, boxed, bound portfolio.

Condition: Photographs good; portfolio box with minor wear. $500-700 195 Sally Mann (American, b. 1951) 195

Emmett, Jessie and Virginia, 1989, from the series Family Matters. Inscribed to “Will” with a birthday dedication, and signed “Sally + Larry” in brown ink on the verso. Gelatin silver print, image size 7 5/8 x 9 5/8 in. (19.4 x 24.5 cm), framed.

Condition: Handling creases, especially l.l. corner, the inscription on the verso has been partially obscured by water damage.

Provenance: Gift of the artist to a private Massachusetts collection. $800-1,200

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Additional information and photos at www.skinnerinc.com

196

196 Sally Mann (American, b. 1951) Untitled, 1993, printed 1997, from the series Mother Land. Signed, dated, and numbered “Sally Mann 1993 3/10� in pencil on the backing l.r., identified on a label from Edwynn Houk Gallery, New York, on the backing.

Gelatin silver enlargement print toned with tea, sight size 30 x 38 in. (76.3 x 96.6 cm), framed.

Condition: Not examined out of frame.

N.B. Sally Mann is perhaps best known for her Intimate Family series, which captures her young children and husband on their family farm and its surrounding landscape in Virginia.

This body of work has been both celebrated and criticized for the tension between innocence and sensuousness expressed in images of her often nude children swimming, sleeping, dressing up, or nursing cuts.

Mann’s landscape series Mother Land grew out of this project. Taken with a large format camera in rural Virginia and Georgia, the photographer views these images as portraits of sites intertwined with human history that convey the exquisite beauty of the natural environment. The antique lenses she employs create distortions and plays of light that evoke a sense of memory and time both past and passing. $8,000-12,000

Provenance: Edwynn Houk Gallery, New York, to a private Massachusetts collection.

Online bidding at www.skinnerinc.com

119

197

197 Nan Goldin (American, b. 1953) Trees by the River, Munich. Signed and numbered “Nan Goldin A.P./(206)” in black ink on the verso l.r., titled and dated “...1994” in black ink on the verso l.c. Dye destruction print, image size 25 3/4 x 38 1/2 in. (65.5 x 97.8 cm), unmatted, unframed.

Condition: Scattered small handling crimps, light fingerprints at edges, crimp in sheet at l.r. corner.

Provenance: Gift of the artist to her brother Jonathan Goldin, Amherst, Massachusetts. $6,000-8,000 198 Michael Kenna (British, b. 1953) The Rouge, Study 78, Dearborn, Michigan, 1995. Signed and dated “Michael Kenna...” in pencil on the mount l.r., numbered “17/45” in pencil on the mount l.l. Gelatin silver print mounted to board, image/sheet size 7 3/4 x 7 1/2 in. (19.8 x 19.0 cm), framed.

Condition: Not examined out of frame.

Provenance: Estate of Richard E. Anderson, New York, New York/Redding, Connecticut. $800-1,200 198

120

Additional information and photos at www.skinnerinc.com

199 detail

199 Gerhard Richter (German, b. 1932) 128 Details from a Picture (Halifax, 1978), II/A Portfolio of Eight Prints, 1998.

Unsigned, numbered “23� with corresponding sheet number in pencil on the verso l.l. Eight offset lithographs on Phoenix Imperial white paper, image size 24 3/8 x 38 3/4 in. (62.0 x 98.5 cm), each matted, framed.

Condition: Good, one of eight examined out of frame.

Provenance: Estate of Richard E. Anderson, New York, New York/Redding, Connecticut.

N.B. Not included are the cover sheet, the signed, dated, and numbered extra sheet, and portfolio folder. $8,000-12,000

End of Fine Prints & Photographs

Online bidding at www.skinnerinc.com

121

Artist Index Abbott, Berenice..............................................155

Gronk.................................................................72

Post, William B.................................................148

Abeghyan, Mher.................................................42

Grooms, Red......................................................73

Prout, Victor Albert...........................................139

Abel-Truchet, Louis..............................................1

Guston, Philip...............................................74–76 Rauschenberg, Robert.............................110–112

Albers, Josef................................................43, 44 American School, 19th Century........................136

Haas, Ernst......................................................187

Redon, Odilon....................................................12

Appel, Karel..................................................45–47

Haynes, Frank J. (Attributed to)........................142

Rejlander, Oscar Gustave.........................137, 138

Archipenko, Alexander.......................................48

Helleu, Paul César............................................7, 8

Rembrandt van Rijn............................................13

Avati, Mario........................................................49

Henle, Jan........................................................191

Renger-Patzsch, Albert....................................179

Hinman, Charles.................................................77

Richter, Gerhard...............................................199

Beato, Antonio.................................................134

Hockney, David............................................78–80

Rivers, Larry.....................................................113

Benson, Frank Weston................................. 18-25

Hodgkin, Howard...............................................81

Robertson and Beato.......................................130 Robertson, James............................................135

Benton, Thomas Hart.........................................26 Bing, Ilse..................................................157, 158

Jacobi, Lotte............................................166–169

Ronis, Willy.......................................................175 Rosenquist, James...................................114, 115

Borofsky, Jonathan............................................50

Rouault, Georges.............................................116

Bourke-White, Margaret...................................165

Kahn, Wolf.........................................................82

Braun, Adolphe (Attributed to)..........................128

Katz, Alex...........................................................83

Bravo, Manuel Álvarez..................... 159, 160, 172

Kayafas, Gus....................................................194

Salzmann, Auguste..........................................127

Bruguière, Francis............................................151

Kelly, Ellsworth...................................................84

Schell, Sherril...................................................156

Burnett, Calvin....................................................51

Kenna, Michael.................................................198

Schmidt-Rottluff, Karl.......................................117

Bush, Jack Hamilton..........................................52

Kertész, André........................ 152, 161, 182, 183

Scully, Sean.....................................................118

Klee, Paul...........................................................85

Serra, Richard..................................................119

Calder, Alexander.........................................53, 54

Laurens, Henri....................................................86

Smira, Shaoul...................................................120

Cameron, Julia Margaret..................................141

Lewis, Martin................................................29, 30

Smith, W. Eugene............................................178

Caponigro, Paul...............................................188

Lichtenstein, Roy..........................................87, 88

Stella, Frank.....................................................121

Chagall, Marc.....................................................55

Lynes, George Platt..........................................174

Stieglitz, Alfred..................................................162

Sloan, John French............................................33

Cadmus, Paul...............................................27, 28

Sultan, Donald..................................................122

Chapell, Walter.................................................190 Charnay, Claude-Joseph Désiré (Attributed to).... 131

Man Ray...........................................................171

Chiarenza, Carl.................................................192

Mann, Sally...............................................195, 196

Chu, Anne..........................................................56

Marini, Marino.....................................................89

Chéret, Jules....................................................2, 3

Marsh, Reginald.................................................31

Warhol, Andy............................................123, 124

de Chirico, Giorgio.......................................58, 59

Marville, Charles...............................................129

Watson-Schütze, Eva.......................................150

Colin, Paul............................................................4

McNulty, William C.............................................32

Webb, Todd.....................................................176

Corot, Jean-Baptiste-Camille................................5

Meryon, Charles...................................................9

Weegee............................................................177

Curtis, Edward Sheriff.......................................149

Metzker, Ray K.................................................180

Welliver, Neil.....................................................125

Miró, Joan..........................................................90

Weninger, Fritz...................................................14

Dalí, Salvador.....................................................57

Mitchell, Joan.....................................................63

Weston, Brett...................................................154

Delaunay-Terk, Sonia.........................................60

Morgan, Barbara..............................................170

Weston, Edward...............................................163

de Dienes, Andre..............................................173

Motherwell, Robert.......................................91, 92

Whistler, James Abbott McNeill....................34–41

Dürer, Albrecht.....................................................6

Murray, Elizabeth................................................93

Wiley, William T................................................126

Muybridge, Eadweard..............................143–147

Wynfield, David Wilkie.......................................140

Estes, Richard....................................................62

Nebel, Otto Wilhelm Ernst..................................94

Zorn, Anders................................................15–17

Evans, Walker..................................................184

Neiman, LeRoy...................................................95

Ting, Walasse.....................................................63

Eisenstaedt, Alfred...........................................193

Newman, John...................................................96 Fazzino, Charles.................................................61

Nicandro, Glugio Gronk......................................72

Fellig, Arthur.....................................................177

Norman, Dorothy..............................................164

Fink, Peter................................................185, 186 Francis, Sam......................................................63

Olitski, Jules.......................................................97

Frankenthaler, Helen.....................................64, 65 Fresh Air School.................................................63

Parker, Olivia....................................................189

Frith, Francis.............................................132, 133

Parry, Roger.....................................................153

Giacometti, Alberto.............................................66

Pasmore, Victor..................................................99

Goldin, Nan......................................................197

Penn, Irving......................................................181

Golub, Leon.......................................................67

Picasso, Pablo.........................................100–109

Gorman, R.C. (Rudolph Carl)........................68–70

Piranesi, Giovanni Battista............................10, 11

Gottlieb, Adolph.................................................71

Posada, José Guadalupe.............................. 109A

Paschke, Ed.......................................................98

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Conditions of Sale 1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot.

2. All property is sold “as is,� and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability.

3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale. The auctioneer shall have sole discretion to refuse any bid, or refuse to acknowledge any bidder. Any bidder that plans on spending in excess of $100,000 should make arrangements with the accounting department at least five (5) days in advance of the sale, as a deposit may be required to participate.

4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of the date of sale.

Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser.

5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank.

The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases.

6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b) offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale.

7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item.

8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots.

9. Sales in Massachusetts, Florida, and New York are subject to the respective current sales taxes. Dealers, museums, and other qualifying parties may be exempt from sales tax upon submission of proper documentation.

10. A premium equal to 23% of the final bid price up to and including $100,000, plus 20% of the final bid price from $100,001 up to and including $1,000,000, plus 12% of the final bid price from $1,000,001 and over will be applied to each lot sold, to be paid by the buyer as part of the purchase price.

11. Bidding on any item indicates your acceptance of these terms and all other terms printed within, posted, and announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid.

12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalog. The copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this catalog, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our prior written consent.

13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law).

The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents to the exclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit.

Revised January 21, 2015

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Board of Directors

Departments

Chairman of the Board

20th Century Design

Discovery Auctions

Jane D. Prentiss

Carly Babione

20thcentury@skinnerinc.com

Kyle Johnson

508.970.3253

Melanie Trottier-Mitcheson

Stephen L. Fletcher Richard Albright

discovery@skinnerinc.com

John Deighton

508.970.3202

Karen M. Keane

American & European Paintings & Prints

Andrew Payne

Robin S.R. Starr Elizabeth C. Haff Michelle Lamunière

Executive Management

Kathleen M. Leland paintings@skinnerinc.com 508.970.3206

Karen M. Keane

Stephen L. Fletcher Chris Barber Christopher D. Fox americana@skinnerinc.com

Chief Financial Officer Don Kelly

Executive Vice President

Stuart G. Slavid Stephanie Opolski Gwendolyn L. Smith european@skinnerinc.com 508.970.3203

American Furniture & Decorative Arts President/Chief Executive Officer

European Furniture & Decorative Arts

Historic Arms & Militaria Joel Bohy militaria@skinnerinc.com 508.970.3215

508.970.3200

Jewelry American Indian & Ethnographic Art

Victoria Bratberg

Douglas Deihl

John Colasacco

indian@skinnerinc.com

Kaitlin Shinnick

Stephen L. Fletcher

508.970.3254

jewelry@skinnerinc.com

Managing Director

Antique Motor Vehicles

Marie Keep

617.874.4313

Jane D. Prentiss antiquemotorvehicles@skinnerinc.com 508.970.3253

Kerry Shrives Stuart G. Slavid

Asian Works of Art Judith Dowling Helen Eagles Suhyung Kim

Vice Presidents

asian@skinnerinc.com

Gloria Lieberman

rugs@skinnerinc.com

508.970.3293

Photographs Michelle Lamunière

Stuart G. Slavid

photographs@skinnerinc.com

Silver Clocks, Watches & Scientific Instruments Robert C. Cheney Jonathan Dowling

Stuart G. Slavid silver@skinnerinc.com 508.970.3203

Paul Dumanowski clocks@skinnerinc.com

305.503.4423 florida@skinnerinc.com

508.970.3264

508.970.3203

George Thomas Lewis

Florida: April L. Matteini, G.G.

508.970.3247

Ceramics ceramics@skinnerinc.com

212.787.1114 kbanser-whittle@skinnerinc.com

508.970.3216

Devon Eastland

Robin S.R. Starr

New York: Katie Banser-Whittle

music@skinnerinc.com

Lawrence Kearney

Jane D. Prentiss

413.727.2721 glewis@skinnerinc.com

Adam Tober

Oriental Rugs & Carpets

books@skinnerinc.com

Western Massachusetts:

Musical Instruments

Books & Manuscripts

Carol McCaffrey

Regional Directors

judaica@skinnerinc.com

508.970.3263

Victoria Bratberg Eric Jones

Kerry Shrives 508.970.3256

Senior Vice Presidents Marie Keep

Judaica

508.970.3201

Wine, Whisky & Ale Marie Keep Joseph Hyman Anna Ward

Maine: Bruce Buxton

finewines@skinnerinc.com

207.772.6979 bbuxton@mainerr.com

508.970.3296

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Auction Services Consignments

Marketing, Media & Communications

Appraisal & Auction Services

Exhibitions & Property Boston:

LaGina Austin

Marketing

Christine E. Finn

Linsey MacDougall

Katie Fitzgerald

Jenna Nastri

Rachel Kingsley

Benjamin Evans

Jessica Pratas

Jessica R. Lincoln

Catalog Sales

Receptionist

Linsey MacDougall

Emily Gerling

508.970.3240

617.350.5400

Elizabeth Zwicker

Laura V. Sweeney Sarah L. Collins

508.970.3299

Consignment Services Patricia Walker King Rebecca Hamel Carol Zeigler

Advertising/Production

508.970.3204

Pamela Van de Houten Jeffrey R. Antkowiak

Marlborough:

Stanley P. Bystrowski

Warehouse

John Cornelius

Frederic Trottier

Kristina M. Harrison

508.970.3209

Carol McCaffrey

Kathleen Jones

Samatha Heighton

508.970.3252

Cheryl Richards Photography

Customer Relations/Human Resources

Skinner Online Kerry Shrives

Accounting

Receptionist Lindsay White 508.970.3000

Daniel Bar Judie Ochsner

Denise Johnson

Lizz Webber

Transportation

508.970.3269

online@skinnerinc.com

Eric Jones

508.970.3279

William Madden 508.970.3266

508.970.3229

Absentee & Telephone Bidding

Kevin Rota 508.970.3283

Boston: 617.874.4318 Marlborough: 508.970.3211

Auctioneers

Discovery: 508.970.3208 Chris Barber, John Colasacco, Stephen L. Fletcher, Karen M. Keane, Marie Keep, Jessica R. Lincoln, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr, Laura V. Sweeney

63 Park Plaza Boston, MA 02116 617.350.5400 Fax 617.350.5429

www.skinnerinc.com

274 Cedar Hill Street Marlborough, MA 01752 508.970.3000 Fax 508.970.3100

130 Miracle Mile, Suite 220 Coral Gables, FL 33134 305.503.4423 Fax 305.709.2143

415 Madison Avenue, #1418 New York, NY 10017 212.787.1113 Fax 646.893.0179

125

Directions to Skinner’s Boston Gallery/63 Park Plaza, Boston, MA 02116 617.350.5400 From the West: Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel. Once on the exit ramp, stay in the right hand lane and follow the signs for Copley. The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto Charles Street South. Take your first left off of Charles St. South onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the South: Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station. Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza.

Skinner is at 63 Park Plaza, one block up on the right.

From Logan Airport: Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the North: Take I-93 South towards Boston. Take exit 26 towards Storrow Drive.  Merge onto MA-28 South via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza.

126

Absentee Bid Form Sale Title

Absentee Bid

Sale Date

or

Phone Bid

Customer #

Name (Please Print)

Business Name

Address City

Phone #

Alternate #

check if change in address

State

Zip Code email

I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that my bids are executed and accepted as per Conditions of Sale as printed in the catalog of this sale.

Signature (Required)

Lot #

Date

Description

Bid confirmation via email?

YES

Bid Price

NO

FOR OFFICE USE Marlborough

Boston

Phone

63 Park Plaza Boston, MA 02116 617.350.5400 Fax 617.350.5429

Fax

Mail

Person

274 Cedar Hill Street Marlborough, MA 01752 508.970.3000 Fax 508.970.3100

Employee:

www.skinnerinc.com

128