American & European Works of Art | Skinner Auction 2750B

Fine Paintings & Sculpture Sale 2750B

September 19, 2014

Boston

Specialists

Fine Paintings & Sculpture

Robin S.R. Starr

Elizabeth C. Haff

Michelle Lamunière

Department Director 508.970.3259

508.970.3258

508.970.3264

Department Inquiries: 508.970.3206

Auction Information Auction 2750B

Preview

Absentee Bidding

Friday, September 19 4PM preceeded by Fine Prints & Photography at 12PM

Wednesday, September 17 12 to 5PM

T: 617.874.4318 F: 617.350.5429

63 Park Plaza Boston, MA

Thursday, September 18 12 to 8PM Friday, September 19 9 to 10AM

General Inquiries: 617.350.5400 SkinnerLive!: skinnerinc.com

View all lots online at www.skinnerinc.com cover : 589 ; frontispiece : 610 ; interior back cover : 416; back cover : 614

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Follow the auction in real time See full catalog descriptions and condition reports

1

Auction & Specialist Information

2

Web Site & Online Bidding

4

Glossary of Terms

5

Lots 300–669

212

Artist Index

215

Conditions of Sale

217

Absentee Bid Form

218

Company Directors & Specialty Departments

219

Administrative Staff & Client Services

220

Map & Driving Directions

221

Subscription Form

Please Note: All lots sold subject to our Conditions of Sale.

Please refer to page 215 of this catalog for the full terms and conditions governing your purchase.

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Glossary of Terms All items in this catalogue are described according to the following table of terminology.

Please note that all statements in this catalogue as to Authorship, Period, and Origin, are qualified statements subject to the Conditions of Sale.

Authorship will be described in the following ways: John Joseph Enneking In our judgment, the work is by the artist.

Attributed to John Joseph Enneking In our judgment, the work may be ascribed to the artist on the basis of style, but leaves some question as to actual authorship.

School of John Joseph Enneking In our judgment, a work of an unknown follower executed in the style of the artist and contemporary in period.

Manner of John Joseph Enneking In our judgment, a work executed in the style of the artist by an unknown hand and probably from a later period.

After John Joseph Enneking In our judgment, an intended copy of the work of the artist.

American School, 19th Century In our judgment, the work of an unknown hand that can only be identified as to period and culture.

Other terms: Bears signature In our judgment, the signature not of the artist. This term is generally used separately, or together with a description of the work as “attributed to,” “school of,” “manner of,” or “after” the artist.

Measurements are given as height x width and refer to the size of the support unless otherwise indicated.

300

300 After Guido Reni (Italian, 1575-1642) Angel Appearing to St. Jerome Inscribed indistinctly “Guido Ren.../...” l.l.

Oil on canvas, 81 x 59 1/4 in. (206.0 x 150.5 cm), framed.

Condition: Lined, retouch, restored tears, craquelure, skinning, surface grime.

Provenance: Ex collection Birmingham Museum of Art, Birmingham, Alabama, gift of Andrew L. Lynn in 1971; purchased by the current owner from C.G. Sloan & Co., February 6, 1987, Lot 1851.

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N.B. The painting at hand is a copy after an original by Guido Reni now in the collection of the Detroit Institute of Arts, Detroit, Michigan.

The authorship of the copy is not known. Dr. Arnauld Brejon of the Louvre viewed this copy in the collection of the Birmingham Museum in 1977 and remarked that the inscription probably once read “Guido Reni fec [name illegible] Inv.” This inscription would likely have listed the copyist’s name. It has been suggested that the copyist was Italian, from the second half of the 17th century. $4,000-6,000

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301 Flemish School, 17th Century Style Floral Still Life with a Foreground Bird Unsigned.

Oil on canvas, 24 1/2 x 16 5/8 in. (62.0 x 42.0 cm), framed.

Condition: Lined, skinning, retouch, craquelure, losses, surface grime. $1,200-1,800 302 Italian School, 17th Century Two Works: Lions in Profile, One After the Medici Lions Unsigned.

Graphite and white crayon on paper, sheet sizes to 8 1/4 x 9 3/4 in. (21.0 x 24.8 cm), both framed.

Condition: Foxing, toning, not examined out of frames. $300-500

303

301

303 Continental School, 17th Century Style Still Life with Fruit, Parrot, and Game Birds Unsigned.

Oil on canvas, 24 1/8 x 32 3/4 in. (61.5 x 83.0 cm), framed.

Condition: Lined, retouch, craquelure, surface grime. $1,000-1,500 304 Continental School, 17th Century Three-quarter Length Portrait of a Young Dutch Girl Inscribed, dated, and signed indistinctly “Ætatis.../...16/...Cuyp F...” u.l.

Oil on canvas, 34 1/4 x 22 3/4 in. (87.0 x 57.8 cm), framed.

Condition: Lined, losses/flaking, craquelure, skinning, surface grime.

Provenance: Purchased over thirty years ago on Shelter Island, Long Island, New York, from a private collector. $1,500-2,500 302 304

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305

305 School of Francis Cotes (British, 17261770) Rose and Ermine, Portrait of a Woman Unsigned.

Oil on canvas, 30 x 25 in. (76.2 x 63.5 cm), framed.

Condition: Lined, retouch, craquelure.

Provenance: Acquired by George Hewitt Myers (1875-1957) and Louise Stoddard (née Chase) Myers (1879–1960), Washington, D.C., founder of The Textile Museum, Washington, D.C.; by family descent to the present owner. $2,000-3,000

307

306 Charles Sillem Lidderdale (British, 18311895) The Sunday Tryst Monogrammed and dated CLS/75” l.l., titled on a presentation plaque.

Oil on canvas, 31 x 21 1/2 in. (78.8 x 54.5 cm), framed.

Condition: Lined, scattered retouch, varnish inconsistencies, craquelure, surface grime. $2,500-3,500

307 Francis Cotes (British, 1726-1770) Emma Vernon, 1st Marchioness of Exeter Unsigned, identified on a presentation plaque.

Oil on canvas, 30 x 25 in. (76.2 x 63.5 cm), framed.

Condition: Lined, minor retouch, craquelure, surface grime.

Provenance: Purchased c. 1920 by patent attorney Mr. Drury Walls Cooper (1872-1957), Montclair, New Jersey; by family descent to Esther Nicholas (née Cooper) Poneck, Putney, Vermont; private New England collection. $8,000-12,000

306

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308 310

310 Andries Vermeulen (Dutch, 1763-1814) Winter Landscape with Peasants Conversing in Front of a Cottage Signed “A. Vermeulen fecit” l.l.

Ink and wash on paper, sight size 13 1/2 x 17 1/2 in. (34.3 x 44.4 cm), framed.

Condition: Toning, minor foxing, subtle rippling.

Provenance: Sotheby’s Amsterdam, Old Master Drawings, Sale AM0824, November 6, 2001, Lot 234. $3,000-5,000 309

308 Attributed to Andries Vermeulen (Dutch, 1763-1814) Winter Landscape with Figures and Horsedrawn Sledge Before a Thatched Cottage Unsigned.

Watercolor on paper, 11 1/2 x 13 3/4 in. (29.3 x 35.2 cm), framed.

Condition: Acid burn to edges of the sheet, gentle toning overall, hinged to the back mat at the top edge of the reverse. $2,000-3,000

311 Hendrick van der Straaten (Dutch, c. 16651722)

309 Andries Vermeulen (Dutch, 1763-1814) A Forest Landscape with Travelers Resting by a House with a Pond Signed “A.A.Vermeulen fec.” l.l.

Ink and wash with chalk on paper, 11 x 16 in.

(27.9 x 41.9 cm), framed.

Condition: Not examined out of frame.

Pastoral Landscape with Peasants by a Doorway Signed “V Straate...” l.c.

Black crayon on paper, 8 x 5 5/8 in. (20.0 x 14.1 cm), framed.

Condition: Subtle rippling and handling creases, sheet affixed along edges to mat board support but not fully laid down.

Provenance: Christie’s Amsterdam, Old Master Pictures and Drawings, November 16, 2005, Lot 299. $1,000-1,500

Provenance: Sotheby’s Amsterdam, Old Master Drawings, November 15, 1995, Sale AM0631, Lot 87. $1,000-1,500

311

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312

314

313

312 Dutch School, 18th/19th Century

313 Jan Evert Morel II (Dutch, 1835-1905)

Travelers on a Road Unsigned.

Oil on copper, 5 x 7 in. (12.7 x 17.8 cm), framed.

Condition: Minor skinning, subtle varnish inconsistencies, surface grime. $800-1,200

Broad Landscape with Church Spire Signed “JEMorel...” l.r., identified on a presentation plaque.

Oil on panel, 6 x 8 in. (15.0 x 20.5 cm), framed.

Condition: Minor surface grime. $1,000-1,500

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314 School of Gillis Claesz. de Hondecouter (Belgian, c. 1575-1638) Road to the River Initialed and inscribed “G D H...” l.r., with a label from Stern Pissarro Gallery, London, affixed to the reverse.

Oil on panel, 7 1/8 x 12 1/4 in. (18.1 x 31.1 cm), framed.

Condition: Surface abrasions, metallic gold paint transferred from frame liner, varnish inconsistencies, fine craquelure. $1,500-2,500

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315

317

316

317 Attributed to Jacobus van der Stok (Dutch, 1794-1864) 315 Edmund C. Coates (American, 1816-1871)

316 Franz Doll (German, 1899-1982)

Winter Landscape with Figures, Brick Cottages, and an Arched Bridge Signed and inscribed “E.C. Coates ft 1854 SNY.LI. US. o N.A.” l.r., identified on a presentation plaque.

Oil on canvas, 24 x 36 in. (61.0 x 91.0 cm), framed.

Condition: Repair u.r., retouch, craquelure, surface grime. $1,200-1,800

...am Waginger See/A Winter View with Figures Signed and inscribed “FDoll.München.” l.l., titled indistinctly in ink on the reverse.

Oil on panel, 7 1/8 x 11 13/16 in. (18.0 x 30.0 cm), framed.

Condition: Surface grime. $1,000-1,500

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Winter Landscape with Thatched Cottages by a River Unsigned.

Oil on panel, 12 x 15 1/8 in. (30.5 x 38.5 cm), framed.

Condition: Scattered retouch, craquelure, surface grime. $2,000-3,000

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318

320

320 Attributed to John Crome, called Old Crome (British, 1768-1821) The Ringland Hills, Norwich Unsigned, identified on a presentation plaque and a label affixed to the backing.

Oil on canvas, 18 x 26 in. (45.7 x 66.0 cm), framed within a liner.

Condition: Lined, retouch, craquelure, losses at edges, minor surface grime.

Provenance: Currier Museum of Art, Manchester, New Hampshire, sold to benefit the acquisitions fund. $1,000-1,500 321 Hendrik Willem Mesdag (Dutch, 1831-1915)

319

318 Attributed to John Crome, called Old Crome (British, 1768-1821)

319 Willem van de Velde the Younger (Dutch, 1633-1707)

Fishermen Pulling Nets by Moonlight Signed indistinctly l.r., identified on a presentation plaque.

Oil on canvas, 13 x 17 3/4 in. (33.0 x 45.1 cm), framed.

Condition: Lined, retouch, skinning to signature, craquelure, subtle varnish inconsistencies. $2,000-3,000

Shipping on a Calm Sea, Watched by a Group of Figures on a Beach Unsigned.

Black chalk counterproof, sheet size 8 5/8 x 16 5/8 in. (21.9 x 42.2 cm), framed.

Condition: Reinforced in gray wash by a later hand, restored tears, mat burn, foxing, tape hinged to backing mat.

Provenance: Sotheby’s Olympia, Old Master Drawings, December 13, 2001, Sale W01407, Lot 308. $1,000-1,500

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321

The Harbor of Ijmuiden, c. 1884 Signed “HW Mesdag” l.r.

Watercolor on paper, 18 1/16 x 23 1/4 in.

(46.1 x 59.2 cm), framed.

Condition: Sheet laid down onto paperboard, small abrasion (1/4 in.) or repaired tear in u.l. quadrant, scattered minor foxing, subtle glue stains to edges.

N.B. This work has been reviewed by Jeroen Kapelle at the Netherlands Institute for Art History (RKD), who identified the location from a Mesdag sketchbook with annotated drawings of the harbor of Ijmuiden and with similar works dated June 1884. $2,000-2,500

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322

322 William Andrews Nesfield (British, 17931881)

324

Ben Huish Identified on a presentation plaque and labels including one from the Museum of Fine Arts, Boston, affixed to the backing.

Watercolor on paper, sight size 27 1/2 x 38 1/2 in. (69.9 x 97.8 cm), framed.

Condition: Toning, not examined out of frame.

324 Attributed to John Frederick Herring, the Younger (British, c. 1820-1907) Farmyard Scene with Horses Signed or inscribed “J.F. Herring” l.r.

Oil on panel, sight size 15 1/2 x 19 3/8 in.

(39.2 x 49.3 cm), framed (under glass).

Condition: Surface grime, not examined out of frame. $3,000-5,000

Provenance: Charles Callahan Perkins (1823-1886), Boston; by family descent to son Charles Bruen Perkins (1860-1929), Boston; acquired by William Crowninshield Endicott (1826-1900), Boston; gifted on January 20, 1936 to Dr. John W. Bartal (b. 1864), Milton, Massachusetts; by descent in the Cabot family. $800-1,200

325 Richard Zimmermann (German, 1820-1875)

323 Karl Heffner (German, 1849-1925)

323

At the River Signed “K. Heffner” l.l., identified on a presentation plaque.

Oil on canvas, 19 x 21 3/4 in. (48.0 x 55.0 cm), framed.

Condition: Small puncture to l.l. corner, scattered retouch, surface grime.

Provenance: Currier Museum of Art, Manchester, New Hampshire, sold to benefit the acquisitions fund. $600-800

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325

The Old Bridge/A Mountain Torrent Scene with Livestock Signed, inscribed, and dated “Richard Zimmermann München 185...” l.l.

Oil on canvas, 43 1/2 x 67 3/4 in. (110.5 x 172.0 cm), framed.

Condition: Patch reinforcement, repaired tear l.l., paint losses, scattered minor retouch, craquelure, surface grime.

Provenance: A Massachusetts estate. $1,500-2,000

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326

328

326 Giuseppe Laezza (Italian, 1835-1905)

327 Dutch School, 18th/19th Century

328 Giuseppe Laezza (Italian, 1835-1905)

Fishermen’s Boats on the Sand, Naples Signed “Gius. Laezza” l.l.

Oil on canvas, 7 5/8 x 15 3/8 in. (19.5 x 39.0 cm), framed.

Condition: Fine craquelure, mild surface grime. $4,000-6,000

View of Venice with Piazza San Marco Unsigned, identified on an exhibition label from the Museum of Fine Arts, Boston, affixed to the reverse.

Oil on canvas, 31 x 49 1/2 in. (78.7 x 125.7 cm), framed.

Condition: Lined, craquelure.

Neapolitan Fishermen with Nets at the Shore Signed “G. Laezza” l.r.

Oil on canvas, 23 1/2 x 49 in. (59.7 x 124.5 cm), framed.

Condition: Minor retouch, craquelure, surface grime. $10,000-15,000

Provenance: Mrs. J.N. O’Donohue [Margaret O’Donohue], Arlington, Massachusetts gift to the present owner.

Exhibitions: Scenic Painters and Draughtsmen of 18th Century Venice, January 17 to March 3, 1958, Museum of Fine Arts, Boston. $4,000-6,000

327

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331 German School, 19th Century Der Antiquitätenhändler Signed indistinctly within the composition c.l., titled on a handwritten label affixed to the stretcher.

Oil on canvas, 11 3/8 x 9 3/4 in. (29.0 x 24.5 cm), framed.

Condition: Lined, retouch, craquelure, surface grime. $1,000-1,500 332 Josef Lauer (Austrian, 1818-1881) Still Life with Hat en Plein Air Signed “Josef Lauer.” l.l., identified on the artist’s label affixed to the reverse.

Oil on panel, 8 1/4 x 10 1/2 in. (21.0 x 26.7 cm), framed.

Condition: Minor indentations with paint losses, fine craquelure, subtle varnish inconsistencies. $1,000-1,500

329

331

329 Attributed to Petrus Renier Hubertus Knarren (Belgian, 1826-1869) A Lady’s Toilette Unsigned.

Oil on canvas, 19 3/8 x 16 5/8 in. (49.0 x 42.0 cm), framed.

Condition: Patch/repair to the reverse corresponding to old tear or puncture, retouch, small area of skinning, craquelure, surface grime, heavily varnished. $1,200-1,800 330 Jehan Georges Vibert (French, 1840-1902) First Communion Signed “J.G. Vibert.” l.r., inscribed “Vibert” in pencil on the reverse.

Oil on canvas, 14 x 10 1/4 in. (35.6 x 26.0 cm), framed.

Condition: Retouch, craquelure and shrinking craquelure, surface grime.

Provenance: Acquired by Thomas C. Byrne, former director of the Federal Reserve Bank of Kansas City; by family descent to the present owner. $2,000-3,000 330

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332

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333 Frank Babbage (British, 1855-1898) Childwick Victoria Signed and dated “FBABBAGE 1898” l.l., titled l.c., with a label from Iona Antiques, London, affixed to the reverse.

Oil on canvas, 12 x 16 in. (30.5 x 40.6 cm), framed.

Condition: Minor retouch. $1,000-1,500 334 Thomas Sidney Cooper (British, 1803-1902)

333

Sheep at Rest Signed and dated “T Sidney Cooper RA 1871” l.l., identified on a presentation plaque.

Oil on canvas, 20 x 30 in. (50.8 x 76.2 cm), framed.

Condition: Lined, retouch, craquelure, varnish inconsistencies. $3,000-5,000

335

335 Alfred Morris (British, ac. 1853-1873) Flock and Sheepdog Signed and dated indistinctly “AMorris...” l.l.

Oil on canvas, 33 3/4 x 44 in. (86.0 x 101.8 cm), framed.

Condition: Lined, retouch, craquelure, surface grime. $3,500-5,500 336 Anglo-American School, 19th Century Portrait of a Prize Ox Signed and dated “Joe Jones 18...” on the reverse.

Oil on canvas, 16 x 20 in. (40.6 x 50.8 cm), framed.

Condition: Patch reinforcement, craquelure, surface grime. $1,500-2,500

334

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336

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337

337 August Laux (German, 1847-1921) Sheep, Chickens, and Rooster in a Manger Signed “A. Laux” l.l.

Oil on canvas, 12 x 16 in. (30.5 x 40.6 cm), framed.

Condition: Craquelure, surface grime. $800-1,200 338 Attributed to William Shayer I (British, 1787-1879) A Surrey Farmstead Bears signature “W. Shayer Sr.” l.l., identified on a presentation plaque.

Oil on canvas, 18 7/8 x 24 in. (47.9 x 61.0 cm), framed.

Condition: Lined, retouch, craquelure.

Provenance: Private Framingham, Massachusetts, collection; Skinner Inc., Fine Paintings, May 12, 1989, Sale 1256, Lot 9; Private Boston collection. $2,500-3,500

338

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339

339 Alexander Max Koester (German, 18641932) Ducklings with a Mother Hen Signed “A KOESTER” l.l.

Oil on canvas, 21 7/8 x 29 1/2 in. (55.5 x 75.0 cm), framed.

Condition: Mild surface grime. $10,000-15,000

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340

342

340 Russell Smith (American, 1812-1896)

342 Dutch School, 19th Century

Romantic Classical Landscape II Signed “Russell Smith” l.r., identified and dated “1860” on a label from the Vose Galleries of Boston on the reverse.

Oil on canvas, 11 3/4 x 18 in. (29.8 x 45.7 cm), framed.

Condition: Lined, craquelure, minor retouch.

Shepherdess with Livestock at Sundown Unsigned.

Oil on canvas, 14 1/2 x 18 3/4 in. (36.8 x 47.6 cm), framed.

Condition: Lined, retouch, craquelure. $2,000-3,000

Provenance: Currier Museum of Art, Manchester, New Hampshire, sold to benefit the acquisitions fund. $800-1,200

343 Evert Pieters (Dutch, 1856-1932) The Family Repast Signed “E. Pieters” l.r., inscribed, dated and signed “I declare to have painted/this picture myself at Laren Holland/July 1931/Evert Pieters.” on the reverse.

Oil on panel, 10 1/2 x 18 in. (26.5 x 45.7 cm), framed.

Condition: Craquelure. $1,200-1,800

341 Hermanus Johannes van der Weele (Dutch, 1852-1930) Shepherd with a Flock of Sheep Signed “HJvdWeele” l.r.

Oil on canvas, 37 x 30 in. (93.9 x 76.2 cm), unframed.

Condition: Lined (with mounting bubbles and disadhesion), trimmed canvas. $1,000-1,500

343

341

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344

346

344 Karl Raupp (German, 1837-1918)

346 Marcus Pernhart (Austrian, 1824-1871)

A Family Rowing on Lake Chiemsee Signed and inscribed “Karl Raupp/Munich” l.r.

Oil on canvas, 16 x 31 1/2 in. (40.6 x 80.0 cm), framed.

Condition: Craquelure, minor surface grime.

Mountain Valley with Church, River, and Distant Village Signed “M Pernhart” l.l.

Oil on canvas, 27 1/4 x 35 in. (69.0 x 89.0 cm), framed.

Condition: Patch reinforcements, retouch, scattered old paint losses, areas of skinning, craquelure. $8,000-12,000

Provenance: Acquired in the late 1960s through a Milwaukee, Wisconsin, estate sale. $7,000-9,000 345 Alfred Augustus Glendening, Jr. (British, 1861-1907)

347 Attributed to Carl Spitzweg (German, 18081885)

Summertime Monogram signature and date “AG 1896” l.r., inscribed “August...” in pencil on the reverse.

Oil on canvas, 30 1/4 x 20 in. (76.8 x 50.8 cm), framed.

Condition: Restored tear with resulting minor retouch and patch reinforcement. $4,000-6,000

In der Sommerfrische Stamped with artist cipher l.r., titled and identified “Carl Spitzweg...Munchen...” with a heraldic lion red wax seal on the reverse.

Oil on panel, 6 3/8 x 5 in. (16.2 x 12.7 cm), unframed.

Condition: Minor retouch, craquelure. $3,000-5,000

345

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347

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348

350

351

351 Alberto Pasini (Italian, 1826-1899) 349

348 School of Adolf Schreyer (German, 18281899)

349 Christian Sell, the Elder (German, 18311883)

Arab Horsemen Surveying a Distant Camel Caravan Unsigned.

Oil on canvas, 16 1/4 x 20 in. (41.0 x 51.0 cm), framed.

Condition: Scattered retouch, surface grime $2,000-3,000

Two Works: Hussar and French Chasseur Battle Scenes Both signed “Chr. Sell 1877.” l.r., one with a label from Doll & Richards, Boston, affixed to the frame.

Oil on panel, 8 x 10 1/2 in. (20.3 x 26.7 cm), both framed.

Condition: Minor paint losses, surface grime.

Provenance: Doll & Richards, Boston; by family descent to the present owner. $2,000-3,000

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350 Anglo-Indian School, 19th Century View of a Procession with Rider in a Howdah Signed indistinctly l.l.

Watercolor and graphite on paper, sheet size 11 1/8 x 8 1/4 in. (28.2 x 21.0 cm), framed.

Condition: Partial skinning to signature l.l., tack holes to corners, toning, glued to backing mat.

Provenance: Private New England collection. $2,500-3,000

Le Soir sous la Tente [Evening Under the Tent] Signed and dated “A. Pasini 1857” l.l., identified on a label from Ehrich-Newhouse Inc., New York, affixed to the backing, with a collector’s label (see below) affixed to the stretcher.

Oil on canvas, 9 x 15 1/2 in. (22.9 x 39.4 cm), framed.

Condition: Craquelure, subtle varnish inconsistencies.

Provenance: Collection A. Donatis, c. 1897.

Literature: Donatis, A., Catalogue des tableaux, aquarelles, pastels et dessins modernes formant la collection de M. A. Donatis (Paris: Imprimerie de l’art, E. Moreau & Cie, 1897), no. 185, p. 100. $25,000-35,000

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352

352 Charles Caryl Coleman (American, 18401928) Roman Street Scene, Figures Outside the City Wall Signed “CC. COLEMAN.” l.c.

Oil on panel, 5 7/8 x 15 7/8 in. (15.0 x 40.2 cm), framed.

Condition: Frame abrasions with paint losses, hairline horizontal surface cracks, surface grime. $1,000-1,500 354

353 Jean François Millet (French, 1814-1875) Two Figural Drawings: Study for La Fileuse Auvergnate (Seated Woman with a Distaff) and Study for L’Amour Transi Both with the artist’s studio stamp “J.F.M.” (Lugt, 1460b) in ink l.r.

Fileuse chalk with applied grid, the verso blackened for transfer, on watermarked paper with a collector’s stamp on the reverse , 13 5/16 x 9 3/16 in. (35.0 x 23.5 cm); L’Amour chalk on paper, 12 1/4 x 8 in. (31.0 x 20.3 cm).

Condition: Fileuse with staining, rippling, toning, creases, nicks and wear to edges of sheet, hinged to back mat; Amour with toning, handling creases, hinged to window mat with cellophane tape in two places.

354 François Verheyden (Belgian, 1806-1890) Trouble at the Back of the Queue Signed and dated “F. Verheyden 1878” l.l.

Oil on panel, 3 1/2 x 9 5/8 in. (8.8 x 24.4 cm), framed.

Condition: Minor retouch, fine craquelure, surface grime. $1,500-2,000

Provenance: Purchased from Ernest Brown & Phillips, Ltd., London, 1961. $1,200-1,800

353

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356

356 Belisario Gioja (Italian, 1829-1906) The Scribe Signed “B. Gioja” l.r.

Watercolor on paper, 20 x 14 in. (51.0 x 35.5 cm), framed.

Condition: Laid down on paperboard, tack hole to corners, toning to the support. $1,000-1,500 355

357 Clelia Bompiani Battaglia (Italian, 18471927) Flower Sellers on the Spanish Steps Signed “C. Bompiani Battaglia” l.l., with a label from Haley & Steele, Boston, affixed to the backing.

Watercolor on paper, sight size 20 3/4 x 14 in.

(50.8 x 35.5 cm), framed.

Condition: Toning, mat burn, not examined out of frame. $1,500-2,500

355 Heinrich Wilhelm (German, 1816-1902) Portrait of a Young Boy with a Monkey Signed “Heinr. Wilhelm...” l.r.

Oil on canvas, 26 x 18 in. (66.0 x 45.7 cm), framed.

Condition: Craquelure, surface grime. $3,000-5,000

357

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358 Jules Dupré (French, 1811-1889) The Haywagon Signed “...upré” l.l., identified on a presentation plaque.

Oil on canvas, 12 x 16 1/4 in. (30.5 x 41.0 cm), framed.

Condition: Lined, skinning, retouch, surface grime.

N.B. We would like to thank Cabinet Michel Rodrigue for their assistance cataloging this work based on their review of digital photographs. The work at hand is one of several studies for the painting La petite charrette of 1860 shown at the Louvre. $1,500-2,000 359 French School, 19th Century 358

360 Barbizon School, 19th Century

360

Barbizon Landscape with Fagot Gatherers Unsigned.

Oil on panel, 12 3/8 x 15 3/4 in. (31.4 x 40.0 cm), framed.

Condition: Minor paint loss, hairline split to panel l.l., fine craquelure, surface grime. $1,500-2,000

Landscape with Wood Gatherer, c. 1868-72 Unsigned, stenciled “VIEILLE. MD DE COULEURS. Rentoile et. Restaure les Tableaux. Rue Bréda, 30, PARIS” on the reverse.

Oil on panel, 12 x 16 1/8 in. (30.5 x 41.0 cm), framed.

Condition: Fine craquelure, surface grime.

Provenance: From a North Shore estate.

According to the family, likely purchased at Doll & Richards, Boston.

N.B. The Parisian art materials supplier Vieille operated between 1865 to 1872, and at its Rue Bréda, 30 location between 1868 to 1872.1 Vieille was one of several known suppliers favored by French Barbizon School painters.2 1. http://www.npg.org.uk/research/programmes/directoryof-suppliers/v.php 2. Stéphanie Constantin, The Barbizon Painters: A Guide to Their Suppliers, Studies in Conservation, Vol. 46, No. 1 (2001), pp. 49-67.

$1,000-1,500 361 Charles Francois Daubigny (French, 18171878)

361

359

38

Landscape and Pond Signed “Daubigny” l.l. identified on two labels from Newman Galleries, Philadelphia, on the reverse, and with a label from Newman Galleries affixed to the back of the frame.

Oil on panel, 9 3/16 x 14 in. (23.3 x 35.0 cm), framed.

Condition: Scattered retouch, surface grime.

N.B. The Newman Galleries labels record the following provenance: From the Collection of Mrs. Rovena Gangewer, Allentown, Pennsylvania, to Walter Drew Newman, to Newman Galleries in 1971. $1,500-2,000

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362 Louis Victor Watelin (French, 1838-1907) Cows in a Stream Signed “L. Watelin” l.l.

Oil on canvas, 18 1/4 x 15 1/4 in. (46.4 x 38.7 cm), framed.

Condition: Retouch, patch reinforcements, craquelure. $1,000-1,500 363 Semyon Sergeievich Platonov (Russian, 1860-1925) Forest Landscape with Afterglow Signed “Platonov” in Cyrillic l.l.

Oil on canvas, 27 x 40 in. (68.8 x 101.8 cm), framed.

Condition: Scattered abrasions and paint losses, thin areas to canvas, craquelure, surface grime.

364

Provenance: Through a Lake Placid, New York, antique store over twenty years ago; private Cornwall, Connecticut, collection. $600-800

364 Jules Dupré (French, 1811-1889) The Fishing Hole Signed “Jules Dupré” l.l.

Oil on canvas, 16 x 20 1/4 in. (40.5 x 51.3 cm), framed.

Condition: Lined, skinning, retouch, fine craquelure, surface grime.

362

N.B. We wish to thank Cabinet Michel Rodrigue for their assistance cataloging this lot based on their review of digital images. $2,500-3,500 365 Jules Dupré (French, 1811-1889)

365

Landscape and Cattle Signed “J. DUPRE” l.r., titled on a presentation plaque, with a label from John Levy Galleries, New York, on the back of the frame.

Oil on panel, 6 1/4 x 8 5/8 in. (16.0 x 22.0 cm), framed.

Condition: Retouch, surface grime.

N.B. We wish to thank Cabinet Michel Rodrigue for their assistance cataloging this lot based on their review of digital images. $1,200-1,800

363

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366

366 Attributed to Victor De Grailly (French, 1804-1889) Hudson River Valley Farm (Haying at Garrison) Unsigned.

Oil on canvas, 22 7/8 x 36 1/2 in. (58.2 x 92.9 cm), framed.

Condition: Lined, scattered retouch, craquelure, surface grime.

Provenance: Ralph Brill Collection, Cold Spring, New York.

368

N.B. The farm depicted is thought to be that of Thomas Rossiter, a site that was visited by the artist’s Hudson River School friends. $1,000-1,500 367

367 John Joseph Enneking (American, 18411916) Gorham, Near Mt. Washington Initialed and dated “E 73” l.r., with overlapping pencil inscriptions “No. 49.../Gorham, N.H.” and “Gorham near Mt. Washington/Painted by Enekin [sic]” on the reverse.

Oil on panel, 6 3/8 x 9 5/16 in. (16.2 x 23.5 cm), framed.

Condition: Retouch, craquelure with shrinking, surface grime.

368 Levi Wells Prentice (American, 1851-1935) Cows Watering at a Stream Signed and dated “L.W. Prentice 1883” l.l.

Oil on canvas, 26 x 48 in. (66.1 x 121.9 cm), framed.

Condition: Lined, minor retouch. $8,000-12,000

Provenance: Skinner Fine American & European Paintings, Sale 1158, May 21, 1987, Lot 52. $1,000-1,500

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369

369 Joseph Morviller (American, 1800-1870) From Nature, Wachusett, Mass.

Signed indistinctly l.r., inscribed “...Wachusett/

By J. Morvillier [sic]” on the stretcher, inscribed “587.” and stamped or inscribed “THOMPSON COLLECTION/NEW YORK, ...P. ROWELL” on the reverse.

Oil on canvas, 24 1/4 x 36 1/4 in. (61.5 x 91.5 cm), framed.

Condition: Strip lined, retouch, craquelure.

370

N.B. The consignor has provided the following provenance: Collection of Thomas Thompson, Boston, Massachusetts, and New York, c. 1860s; Leeds and Miner, New York, February 7, 1870, Executrix’s Sale of Mr. Thomas Thompson’s Extensive and Valuable Collection..., Lot 587; Private collection, Buffalo, New York. Inscriptions on the stretcher are partially obscured by the strip lining. $5,000-7,000 370 American School, 19th Century Hudson River School Vista Unsigned, inscribed indistinctly on the stretcher.

Oil on canvas, 6 x 10 in. (15.2 x 25.7 cm), framed.

Condition: Scattered minor losses, minor retouch, fine craquelure. $1,000-1,500

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371

371 George Henry Smillie (American, 18401921) Golden Hour in the Mountains Monogram signature “GSmillie” l.l.

Oil on canvas, 44 1/4 x 33 in. (112.4 x 83.8 cm), framed.

Condition: Lined, retouch, craquelure. $15,000-20,000

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374

372

372 George William Whitaker (American, 18411916)

373

Mt. Hope Farm, Bristol, R.I. Signed “G.W. WHITAKER” l.r., titled on the reverse, with a label from Tilden-Thurber Co. Art Gallery, Providence, affixed to the reverse of the frame.

Oil on canvas, 12 x 18 in. (30.5 x 45.7 cm), framed.

Condition: Varnish inconsistencies, craquelure, surface grime, minor abrasions. $800-1,200

375

373 John Appleton Brown (American, 18441902) Marshes at Newbury Signed “J. Appleton Brown” l.r., identified on a presentation plaque, with a label from Alfred J. Walker Paintings & Prints, Boston, affixed to the backing.

Oil on canvas, 16 1/4 x 24 1/4 in. (41.3 x 61.6 cm), framed.

Condition: Lined, retouch, craquelure. $800-1,200

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374 John Bunyan Bristol (American, 1826-1909) River Landscape Signed “J.B. Bristol” l.r.

Oil on artist board, 8 1/2 x 14 1/2 in. (21.6 x 36.8 cm), framed.

Condition: Pigment fluorescence, craquelure, surface grime. $1,200-1,800

375 John Joseph Enneking (American, 18411916) At the Fence Signed and dated “Enneking 74” l.r.

Oil on panel, 9 3/4 x 14 in. (24.8 x 35.6 cm), framed.

Condition: Retouch to craquelure. $2,500-3,500

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378 Frederick Dickinson Williams (American, 1829-1915) Autumn Landscape with Fisherman Signed and dated “-FDW-’74-” l.l., identified on a presentation plaque.

Oil on paperboard, 9 1/4 x 6 5/8 in. (23.4 x 16.8 cm), framed.

Condition: Fine, stable craquelure. $800-1,200 379 John Appleton Brown (American, 18441902) Landscape with Orchard Signed “J. Appleton Brown.” l.r., with a label from A.A. Walker & Co., Boston, affixed to the stretcher.

Oil on canvas, 24 x 20 3/4 in. (61.0 x 55.2 cm), stretched with Boston tabs, framed within a liner.

Condition: Restored tear with patch reinforcement, retouch, surface grime, craquelure. $2,500-3,500

376

378

376 George Curtis (American, 1816-1881)

377

Landscape with a Mill Signed and dated “G. CURTIS 1838” l.r.

Oil on artist board, 13 x 18 in. (33.0 x 45.7 cm), framed.

Condition: Minor losses to support, craquelure, surface grime. $2,500-3,500 377 Frank Henry Shapleigh (American, 18421906) Bridge at Jackson, N.H. Signed “F.H. Shapleigh” l.r., titled on the reverse.

Oil on academy board, 7 1/2 x 12 3/8 in. (19.0 x 31.5 cm), framed.

Condition: Losses from frame abrasions particularly along lower edge, varnish inconsistencies, surface grime. $1,200-1,800

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379

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380

382

381

382 Samuel W. Griggs (American, 1827-1898) 380 Frank Henry Shapleigh (American, 18421906)

381 Attributed to William Guy Wall (American/ Irish, 1792-1864)

On Ashuelot Meadows, Keene, N.H. Signed and dated “Shapleigh. 1866.” l.l., titled on the reverse.

Oil on artist board, 6 x 10 in. (15.2 x 25.4 cm), framed.

Condition: Very minor retouch, surface grime. $800-1,200

On The Hudson River Unsigned, titled and signed or inscribed “...W.G. Wall” in pencil on the reverse, identified on a presentation plaque.

Oil on metal panel, 4 5/8 x 7 1/4 in. (11.7 x 18.3 cm), framed.

Condition: Retouch, varnish inconsistencies, fine, stable craquelure. $1,000-1,500

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Autumn Scene Signed “S.W. Griggs” l.l., with a label from Frost & Adams, Boston, on the stretcher.

Oil on canvas, 18 x 30 in. (45.7 x 76.2 cm), stretched with Boston tabs, framed.

Condition: Surface grime, varnish inconsistencies.

Provenance: Through a Hingham, Massachusetts, estate. $2,500-3,500

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383

384

386

386 John Joseph Enneking (American, 18411916) Trout Brook/A North Newry, Maine, Landscape Signed “Enneking” l.r., identified on a label from the Boston Art Club on the reverse of the frame.

Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), in a period Foster Brothers frame.

Condition: Surface grime. $7,000-9,000

385

383 James McDougal Hart (American, 18281901)

384 Régis François Gignoux (French, 18161882)

385 Frank Henry Shapleigh (American, 18421906)

Cows Watering Signed and dated “James M. Hart 75” l.r.

Oil on canvas, 16 x 26 1/2 in. (40.6 x 67.3 cm), framed.

Condition: Lined, retouch, craquelure, surface grime. $2,000-3,000

Hudson River Scene in Autumn Signed “RFGignoux” l.r., artist identified on a presentation plaque.

Oil on panel, 12 3/8 x 8 3/8 in. (31.5 x 21.5 cm), framed.

Condition: Scattered minor paint losses, fine craquelure, areas of possible overcleaning, surface grime. $600-800

Roadside at Jackson, N.H. Signed and dated “F.H. Shapleigh 1882.” l.r., titled and signed “...by F.H. Shapleigh.” on the reverse.

Oil on artist board, 7 1/2 x 12 1/2 in. (19.1 x 31.8 cm), framed.

Condition: Pigment fluorescence, minor surface grime. $1,000-1,500

387 John Appleton Brown (American, 18441902) River Landscape Signed “J. Appleton Brown.” l.r., with a label from A.A. Walker & Co., Boston, affixed to the stretcher.

Oil on canvas, 24 x 20 3/4 in. (61.0 x 55.2 cm), stretched with Boston tabs, framed in a liner.

Condition: Retouch, surface grime, craquelure. $2,500-3,500

387

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388

390

389

388 Robert Ward van Boskerck (American, 1855-1932)

389 George Henry Smillie (American, 18401921)

Hillside Pasture Signed and dated “RW VanBoskerck/1880” l.l., identified on fragmentary label dated “1880” affixed to the back of the frame.

Oil on canvas, 18 x 30 in. (45.8 x 76.0 cm), framed.

Condition: Lined, scattered retouch, craquelure, surface grime. $2,500-3,000

Stone Wall, Autumn Signed and dated “Geo. H. Smillie-1879.” l.l.

Oil on canvas, 9 1/4 x 15 1/8 in. (23.5 x 38.5 cm), framed in a period liner.

Condition: Paint loss, surface grime. $1,000-1,500

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390 Joseph Rodefer DeCamp (American, 18581923) Spring Landscape Signed “JOSEPH-DE-CAMP.-” l.r.

Oil on board, 12 x 16 in. (30.5 x 40.6 cm), framed.

Condition: Bowing, craquelure, surface grime. $6,000-8,000

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391

394

391 Edward B. Gay (American, 1837-1928)

394 William C. Craig (American, 1829-1875)

Coastal Scene, c. 1880 Signed “EDWARD GAY” l.r., identified on a label from Berry-Hill Galleries, New York, affixed to the backing.

Oil on canvas, 28 x 40 in. (71.1 x 101.6 cm), framed.

Condition: Lined, retouch, craquelure.

Boat House at Fort Lee/A New Jersey Landscape Signed and dated “W. Craig 1863.” l.c., also titled and signed or inscribed “...by Wm. Craig” on the reverse.

Oil on canvas, 10 x 14 in. (25.4 x 35.6 cm), framed.

Condition: Tack hole to l.l., minor retouch, scattered losses including along frame liner, craquelure, surface grime. $3,000-5,000

Provenance: Sotheby’s Arcade, American 19th and 20th Century Paintings, Drawings and Sculpture, September 22, 1987, Sale 1214, Lot 92. $2,500-3,500

394A

394A Alfred Thompson Bricher (American, 18371908)

392

392 George William Whitaker (American, 18411916)

Coastal Landscape, Probably Maine Monogram signature “ATBRICHER” l.l.

Watercolor on paper, 9 3/4 x 21 3/4 in. (25.0 x 55.5 cm), framed.

Condition: Not examined out of frame. $1,000-2,000

Sand Dunes with Rising Winds Signed “G.W. WHITAKER” l.l.

Oil on canvas, 8 1/4 x 12 1/4 in. (21.0 x 31.1 cm), framed.

Condition: Lined, subtle varnish inconsistencies. $800-1,200

395 E. Ambrose Webster (American, 1869-1935) Provincetown Coast Signed “A. WEBSTER” l.l.

Oil on canvasboard, 11 7/8 x 16 in. (30.0 x 40.3 cm), framed.

Condition: Minor retouch, surface imperfections, fine craquelure, mild surface grime.

393 American School, 19th Century Grand Manan Island Unsigned, titled on the stretcher.

Oil on canvas, 18 3/4 x 26 in. (45.7 x 66.0 cm), framed.

Condition: Retouch, patch reinforcement, craquelure, surface grime. $1,000-1,500

Provenance: Christie’s New York, Fine American Paintings, Drawings and Sculpture, March 7, 2008, Lot 132. $1,200-1,800

393 395

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398 396

396 Harry Herman Roseland (American, 18661950)

398 Eastman Johnson (American, 1824-1906)

On the Plantation Signed “HARRY ROSELAND” l.l., titled, signed, and inscribed “...BY HARRY ROSELAND/191 CLINTON ST. BKLYN.” on the reverse.

Oil on canvas, 14 x 20 in. (35.6 x 50.8 cm), in a Frederick Harer Arts & Crafts frame (under glass).

Condition: Craquelure, minor surface grime. $6,000-8,000

Old Man Reading Monogrammed “E.J.” l.l., identified on two labels affixed to the reverse.

Oil on academy board, 15 1/4 x 21 3/8 in.

(39.0 x 54.3 cm), framed.

Condition: Retouch, craquelure, surface grime.

N.B. The painting will be included in the forthcoming catalogue raisonné by Patricia Hills. A letter from Dr. Hills accompanies the lot. $8,000-12,000

397 Arthur Hoeber (American, 1854-1915) Portrait of a Man, Possibly Amish or Mennonite, with Sharpening Stone Signed “ARTHUR HOEBER” l.l.

Oil on canvas, 21 1/4 x 25 1/2 in. (54.0 x 64.8 cm), framed.

Condition: Mounted to Masonite, retouch, craquelure, surface grime. $800-1,200

399 Charles Chaplin (French, 1825-1891) Elegant Young Woman Reading a Letter Signed and dated indistinctly “Ch. Chaplin...6” l.r.

Oil on canvas, 8 1/2 x 6 3/8 in. (21.5 x 16.2 cm), framed.

Condition: Stable craquelure. $2,000-3,000

397

399

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400

400 Sidney Lawrence Brackett (American, 1852-1910) Three Little Kittens Signed “Sid L Brackett.” l.l., label from T.W. Norman & Co., Boston, affixed to the frame reverse.

Oil on canvas, 10 x 12 in. (25.4 x 30.5 cm), framed.

Condition: Craquelure, surface grime. $800-1,200

401

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402

401 Howard Hill (American, ac. 1860-77)

402 Scott Leighton (American, 1849-1898)

Bay Horse in a Stable Signed or inscribed “Howard Hill” l.l.

Oil on paper mounted to canvas, 12 3/4 x 15 1/2 in. (32.5 x 39.8 cm), framed.

Condition: Retouch, craquelure, with a seam or stretcher bar mark along top edge, minor abrasions, tack holes, surface grime. $1,500-2,000

Two Horses at a Trough Signed “Scott Leighton” l.r.

Oil on canvas, 16 x 24 in. (40.7 x 61.0 cm), framed.

Condition: Paint loss at lower edge, scattered abrasions, surface grime. $2,000-3,000

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405 American School, 19th Century Two Portraits of Native Americans: Woman in Profile and Woman in a Red Neckerchief Unsigned.

Watercolor on paper, sizes to 10 x 7 7/8 in.

(25.2 x 20.0 cm), framed.

Condition: Both with toning, Neckerchief mounted to paperboard support with toning and staining to the reverse. $1,000-1,500 406 Frederic Remington (American, 1861-1909)

403

The Sergeant/ A Posthumous Cast c. 1914 Signed “Frederic Remington” in the bronze at the top edge of the proper right side of the base, inscribed “Copyright by/Frederic Remington” at the top edge of the left side of the base and continuing onto the back, stamped “ROMAN BRONZE WORKS” at the bottom edge of the back of the base, stamped “N-42-” on the underside of the base.

Bronze with dark brown patina, height 10 1/4 in. (26.0 cm), base approximately 2 5/8 x 2 5/8 x 3 1/2 in. (6.7 x 6.7 x 9.0 cm).

Condition: Mild wear to patina, dust and dirt to interstices.

405

403 School of George Catlin (American, 17961872) Portrait of a Chief, Possibly Matatope Unsigned.

Oil on panel, 20 3/4 x 14 1/4 in. (52.8 x 36.2 cm), framed.

Condition: Craquelure, surface grime.

Provenance: Purchased from a Kennebunkport, Maine, collection, over 30 years ago. $3,500-5,500

406

404 Cyrus Edwin Dallin (American, 1861-1944) Appeal to the Great Spirit Signed and dated “© C.E. Dallin 1913” on the top of the bronze base, stamped “GORHAM CO” “FOUNDERS” “QXC” and incised #202” on the back edge of the base.

Bronze with dark brown patina, approximately 8 3/4 x 9 x 5 3/4 in. (22.2 x 22.9 x 14.5 cm).

Condition: Minor abrasion and wear to the patina, dust and dirt to interstices, small hole beneath the horse’s chin (as originally cast), reins missing.

N.B. The Gorham Foundry cast 283 examples of this sculpture in the 9-inch size, each identified by their numbering system. $2,000-3,000

404

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Literature: Greenbaum, Michael D., Icons of the West, Frederic Remington’s Sculpture (Ogdensburg, New York: Frederic Remington Art Museum, 1996), pp. 113-15, 203; Hassrick, Peter H., Frederic Remington, Paintings, Drawings, and Sculpture in the Amon Carter Museum and the Sid Richardson Foundation Collections (New York: Harry N. Abrams, Inc., 1973), p. 200. $15,000-20,000 407 After Carl Kauba (Austrian/American, 18651922) Reclining Indian Smoking a Pipe Signed “© Kauba” in the bronze in the blanket behind the figure’s knees.

Cold painted bronze, 10 3/8 x 4 1/8 x 3 in.

(26.5 x 10.0 x 7.8 cm).

Condition: Missing and bent pieces, wear and losses to paint surfaces, dirt and grime. $1,000-1,500

407

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408

408 School of Gilbert Stuart (American, 17551828) Portrait of a Gentleman Unsigned.

Oil on panel, 20 x 16 in. (51.0 x 41.0 cm), framed.

Condition: Craquelure, paint loss at l.c. edge, scattered minor paint losses, varnish inconsistencies, surface grime. $4,000-6,000 409 William Henry Lippincott (American, 18491920) Portrait of a Seated Woman in Pink Signed and dated “Wm. H. Lippincott” u.l.

Oil on canvas, 16 x 12 in. (40.6 x 30.5 cm), framed.

Condition: Lined, reinforced signature, retouch, craquelure. $3,000-5,000

409

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410

410 Thomas Sully (American, 1783-1872) William Platt and Maria Taylor Platt: A Pair of Portraits Both monogrammed and dated “TS/1841” l.r. and l.l., respectively.

Oil on canvas, 20 1/4 x 17 1/4 in. (51.3 x 43.5 cm), framed.

Condition: Lined.

Provenance: By descent within the Platt family to the current owner.

Literature: Biddle, Edward and Mantle Fielding, The Life and Works of Thomas Sully (Philadelphia: Wickersham Press, 1921), entries 1386 and 1387, pp. 248-49.

N.B. Maria Platt (née Taylor) married William Platt of Philadelphia. According to Sully’s records, her portrait head, painted for her daughter Mrs. David Pepper, was begun May 4 and finished May 25, 1841. Her husband, William Platt, was an East Indian merchant of Philadelphia and father of Charles Platt, President of the Insurance Company of North America. Sully’s notes indicate that his portrait was begun June 4 and finished June 14, 1841. $12,000-18,000

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411 School of Severin Roesen (American, 18151872) Fruit Composition with a Tazza of Strawberries Unsigned.

Oil on canvas laid on board, 30 x 23 1/2 in.

(76.2 x 59.6 cm), framed.

Condition: Retouch, craquelure, surface imperfections, surface grime.

414 James Farrington Gookins (American, 1840-1904) The Flower Fairies Unsigned.

Oil on canvas, 36 1/2 x 29 1/2 in. (92.7 x 74.9 cm), framed in a liner.

Condition: Patch reinforcements, retouch, minor losses to tacking edges, craquelure, surface grime. $800-1,200

Provenance: Gertrude Brownlee, Missouri, by descent in the family to Garrett Lind, Palm Beach, Florida, until 2003; Menconi & Schoelkopf Fine Art, New York; Private Collection, Washington, D.C., in 2003.

N.B. In a letter from Judith Hansen O’Toole, dated December 4, 2003, the scholar noted that this particular composition was a favored one for Roesen for teaching and even training his students. Nearly two dozen examples of varying quality exist. In her opinion, the painting at hand, while attributed to Roesen’s studio, exhibits some combination of work by Roesen and some by another hand. A copy of the letter accompanies the lot. $2,000-3,000

415 Bryant Chapin (American, 1859-1927) Still Life with Fruit Signed and dated “BRYANT CHAPIN 1904.” l.l.

Oil on canvas, 13 x 17 in. (33.0 x 43.2 cm), framed.

Condition: Subtle varnish inconsistencies, surface grime. $2,000-3,000

411

412 George William Whitaker (American, 18411916) Still Life with Fruit Signed and dated “G.W. WHITAKER 84” l.l.

Oil on canvas, 9 x 15 in. (22.9 x 38.1 cm), framed.

Condition: Lined, retouch, craquelure. $800-1,200

414

413 Morston Constantine Ream (American, 1840-1898)

412

413

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Tabletop Still Life with Fruit and Wine Signed “Morston Ream.” l.c.

Oil on canvas, 16 x 24 in. (40.6 x 61.0 cm), framed in a liner.

Condition: Surface grime, fine craquelure. $3,000-5,000

415

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416 John Singer Sargent (American, 1856-1925) Study of a Man’s Head, c. 1878 Unsigned, inscribed “182” and “4242,” with red wax seal remnants on the stretcher.

Oil on canvas, 22 x 17 1/4 in. (55.9 x 43.8 cm), framed.

Condition: Lined, retouch above and below the varnish layer, surface grime.

Provenance: Auguste Alexandre Hirsch; Mme. Hirsch, 1912; M. Knoedler & Co., London, January 7, 1914 (stock no. 5782); presented

by Charles S. Carstairs of Knoedler, London, to Mrs. Reginald Nicholson (née Pearson), November 1915 (stock nos. WC 965 and 13621); private Rhode Island collection.

Literature: Probably the work listed in Mount 1955, p. 428 (806), dated 1880, as “Gondolier (study of a man). 17 1/4 x 22, formerly Knoedler”; 1957 ed., p. 336 (806); 1969 ed., p. 463 (806); Elaine Kilmurray and Richard Ormond, John Singer Sargent, Figures and Landscapes, 1874-1882, Complete Paintings, Volume IV (New Haven: Yale University Press, 1998), pp. 40, 389, no. 624.

N.B. The present work is recently rediscovered, and had been untraced since its acquisition in 1915 by Mrs. Reginald Nicholson [née Natalie Pearson] (d. 1956).

Ms. Pearson was the daughter of Dr. and Mrs. Frederick Stark Pearson of Great Barrington, Massachusetts.1 She married Reginald Nicholson MBE (1869-1946), manager of the London Times, on February 15, 1915.

Prior to the London Times, Mr. Nicholson was a manager at the Somerville Electric Light Company (created by Natalie’s father), and later became chief engineer for the Metropolitan Street Railway in New York.2 Like Natalie’s father, Mr. Nicholson was an alumnus of Tufts University, and he also owned a residence in Great Barrington.

According to the authors of the catalogue raisonné, the model appears to be the same person as depicted in several other early Sargent studies, and the present work was one of eleven acquired by Knoedler from the collection of Sargent’s studio mate, Auguste Alexandre Hirsch (1833-1912).3 1. Oscar McMurtrie Voorhees, ed., The Phi Beta Kappa Key, Volume 2, No. 9, October 1915, p. 448.

2. “Natalie Pearson Engaged. American Engineer’s Daughter to Wed Reginald Nicholson,” New York Times, January 9, 1915, p. 11.

3. Elaine Kilmurray and Richard Ormond, John Singer Sargent, Figures and Landscapes, 1874-1882, Complete Paintings, Volume IV (New Haven: Yale University Press, 1998), p. 40.

$200,000-300,000

416

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69

417 John Joseph Enneking (American, 18411916) Pond at Sundown Signed “Enneking” l.r.

Oil on artist board, 12 x 13 7/8 in. (30.2 x 35.2 cm), in a Foster Brothers frame.

Condition: Craquelure with a small paint loss to l.c. $3,000-5,000 418 Charles Harold Davis (American, 18561933) Little Homes Twilight Signed “C.H. Davis-” l.l., identified on a presentation plaque, titled on a typed label affixed to the frame, inscribed “C.H.D./1259” in ink and monogram stamped “CHD” within a circle, both on the stretcher.

Oil on canvas, 17 x 21 1/8 in. (43.0 x 53.5 cm), framed.

Condition: Craquelure, surface grime. $3,000-5,000 417

419

419 John Joseph Enneking (American, 18411916) Woodland Sunset in Autumn Signed “Enneking” l.l.

Oil on academy board, 11 3/4 x 15 3/4 in.

(30.0 x 40.3 cm), framed.

Condition: Fine craquelure. $3,000-5,000 418

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71

422

420

420 Aldro Thompson Hibbard (American, 18861972)

422 Bernard Corey (American, 1916-2000) Winter Landscape Signed “BERNARD COREY” l.r.

Oil on Masonite, 10 x 13 7/8 in. (25.2 x 35.2 cm), in a Paul Goodnow frame.

Condition: Mild surface grime.

West River at Jamaica, Vermont Signed “A.T. Hibbard” l.r., titled and signed “...by A.T. Hibbard N.A.” on the paper backing.

Oil on artist board, 18 x 25 1/2 in. (45.7 x 64.8 cm), framed.

Condition: Craquelure, subtle varnish inconsistencies, minor surface grime. $5,000-7,000 421 Walter Koeniger (American, 1881-1943) Stream in Winter Signed and dated “W. KOENIGER 31” l.l.

Oil on canvas, 32 x 32 1/4 in. (81.5 x 82.0 cm), framed.

Condition: Retouch, craquelure, scattered minor paint losses, mild canvas deformation, surface accretions and grime. $4,000-6,000

Provenance: Skinner, Inc., American and European Paintings, May 19, 2006, Sale 2320, Lot 215. $1,000-1,500

423

423 Aldro Thompson Hibbard (American, 18861972) Frozen River Signed “A.T. Hibbard” l.r.

Oil on canvas, 16 x 20 in. (40.6 x 50.8 cm), framed.

Condition: Mounted to paperboard. $5,000-7,000

421

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73

426 Frank Knox Morton Rehn (American, 18481914) Spring Landscape Signed “F.K.M. Rehn” l.l.

Oil on canvas, 16 x 24 in. (40.5 x 61.0 cm), framed.

Condition: Surface grime. $1,000-1,500 427 Edward Herbert Barnard (American, 18551909)

426

424

Cow Pasture, Early Autumn Signed “EH Barnard” l.r.

Oil on canvas, 20 x 27 in. (50.8 x 68.4 cm), unframed.

Condition: Restored tear to center, scattered glue spots to stabilize areas on the reverse, retouch, surface grime. $1,000-1,500 428 John Joseph Enneking (American, 18411916) Spring Study Signed and dated “Enneking/1912” l.r., titled and signed “.../JJ Enneking” on the reverse, identified on a Pierce Catalogue Raisonné label as “V-C-108.2” affixed to the reverse.

Oil on academy board, 4 7/8 x 7 1/8 in. (12.5 x 18.0 cm), framed.

Condition: Surface grime. $800-1,200

424 John Joseph Enneking (American, 18411916) Early Fall Landscape Signed “Enneking” l.r., identified and numbered “III-A-315.1” on a John J. Enneking Pierce Catalogue Raisonné label affixed to the reverse.

Oil on paperboard, 10 x 14 in. (25.3 x 35.5 cm), framed.

Condition: Wear to edges of the support, minor surface grime. $1,200-1,800

425

427

425 William Lester Stevens (American, 18881969) The Winding River Signed “W. LESTER STEVENS” in pencil l.r.

Watercolor and graphite on paper, sight size 14 1/2 x 19 1/2 in. (36.8 x 49.5 cm), framed.

Condition: Toning, not examined out of frame. $1,000-1,500

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428

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75

431

429

431 Gilbert Gaul (American, 1855-1919) 429 Bruce Crane (American, 1857-1937)

430

Winter Moonlight Signed “BRUCE CRANE” l.l.

Oil on canvas, 12 x 16 in. (30.5 x 40.6 cm), framed.

Condition: Lined, retouch. $3,000-5,000

A Fisherman’s Home Signed “Gilbert Gaul.” l.l., titled in pencil on the reverse.

Oil on artist board, 18 x 24 in. (45.8 x 61.0 cm), framed.

Condition: Drill hole to l.l. edge, paint losses and wear to edges of the board, craquelure, discolored varnish, surface grime. $5,000-7,000

430 Roswell Stone Hill (American, 1861-1907)

432 William Jurian Kaula (American, 1871-1953)

Quiet Harbor Signed “Rosewell S. Hill.” l.r.

Oil on canvas, 18 x 22 in. (45.8 x 56.2 cm), framed.

Condition: Patch reinforcements, retouch.

Provenance: Purchased by the current owner at Young Fine Arts Gallery, Inc., North Berwick, Maine, in 1992. $1,000-1,500

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432

Sunshine and Cloud Shadows, alternatively titled Watatic Mountain, New Hampshire Signed “WILLIAM J. KAULA” l.r., identified on the artist’s label on the stretcher.

Oil on canvas, 24 x 29 1/4 in. (61.0 x 74.3 cm), framed.

Condition: Minor surface grime. $3,000-5,000

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77

433

433 Emile Albert Gruppe (American, 1896-1978) Landscape with River Bank and Birches Signed “Emile A. Gruppe” l.r.

Oil on canvasboard, 16 x 20 in. (40.6 x 50.7 cm), framed.

Condition: Good. $4,000-6,000 434

434 Chauncey Foster Ryder (American, 18681949) View from a Ridge Signed “Chauncey F. Ryder” l.r.

Oil on board, 12 x 16 in. (30.5 x 40.6 cm), framed.

Condition: Surface grime. $1,000-1,500

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435

435 Jane Peterson (American, 1876-1965) Flowering Trees in Bright Sunshine Signed “JANE PETERSON” l.r.

Oil on canvas, 24 x 30 in. (61.0 x 76.3 cm), framed.

Condition: Lined, minor retouch, fine craquelure.

N.B. We would like to thank J. Jonathan Joseph for his kind assistance cataloging this lot. $8,000-12,000

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79

438 George Loftus Noyes (American, 18641954) Mountain of Como Signed “G.L. Noyes” l.l., titled on the reverse.

Oil on canvas, 16 1/4 x 15 in. (41.3 x 38.1 cm), in a period frame (under glass).

Condition: Mounted to artist board, minor mounting bubbles to edges. $2,000-3,000 439 William Worcester Churchill (American, 1858-1926) Mountains in Mist Signed “Churchill” l.r.

Oil on canvas, 28 1/8 x 36 in. (71.4 x 91.3 cm), in a Foster Brothers frame.

Condition: Paint losses, craquelure with areas of lifting, surface accretions and grime, discolored varnish. $2,000-3,000

436 438

436 John Joseph Enneking (American, 18411916) Mount Washington in Snow Signed “Enneking” l.r., identified on a label from Driscoll & Walsh Fine Art, Boston, affixed to the frame backing.

Oil on canvas, 22 x 30 in. (55.7 x 76.0 cm), framed.

Condition: Lined, retouch, scattered old paint losses, craquelure. $5,000-7,000 437 Arthur Gibbes Burton (American, 18831969) Landscape with Butte Signed “Arthur Gibbes Burton” l.r.

Oil on canvas, 30 x 36 in. (76.2 x 91.4 cm), framed.

Condition: Losses, craquelure. $800-1,200

439 437

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81

442 440

442 Stanley Bate (American, 1903-1972) Pair of New England Summer Landscapes Signed “Stanley Bate” l.l. and l.r., respectively.

Oil on canvas board, 12 x 16 in. (30.5 x 40.6 cm), framed.

Condition: Surface grime.

440 Frank H. Johnston (Canadian, 1888-1949) Pines by a Mountain Lake Signed “Frank H. Johnston” l.l., with a label from Adam Tamsky Fine Arts, Providence, affixed to the frame.

Oil on canvasboard, 12 x 15 3/4 in. (30.2 x 40.2 cm), framed.

Condition: Mild surface grime. $4,000-6,000

Provenance: Acquired directly from the artist, by family descent to the present owner. $800-1,200 443 Samuel Thal (American, 1903-1964)

441 Stanley Bate (American, 1903-1972) Autumn Landscape Signed “Stanley Bate” l.r.

Oil on Masonite, 26 1/2 x 31 5/8 in. (67.3 x 80.3 cm), framed.

Condition: Craquelure, surface grime.

441

443

Fishing by the Bridge Signed “SAM THAL” l.l.

Oil on Masonite, 19 1/2 x 24 in. (49.5 x 61.0 cm), framed.

Condition: Retouch, surface grime. $800-1,200

Provenance: Acquired directly from the artist, by family descent to the present owner. $800-1,200

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83

444

445

444 Stanley Bate (American, 1903-1972) Milkweed Pods & Sumach Signed “Stanley Bate” l.l., identified on a Connecticut Academy of Fine Arts label affixed to the frame.

Oil on Masonite, 18 x 24 in. (45.7 x 61.0 cm), framed.

Condition: Minor surface grime.

Provenance: Acquired directly from the artist, by family descent to the present owner.

Exhibitions: Connecticut Academy of Fine Arts, Forty-first Annual Exhibition, January 20 to February 11, 1951 (Awarded The Margaret Cooper Prize). $1,000-1,500

84

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445 Eric Sloane (American, 1905-1985) Vermont Autumn Signed “Eric/Sloane-” and titled l.l., identified on a label from Abercrombie & Fitch, New York, affixed to the reverse.

Oil on Masonite, 23 3/16 x 35 in. (59.3 x 88.8 cm), framed.

Condition: Minor frame abrasions, surface grime. $5,000-7,000

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85

447 446

446 Sir Alfred James Munnings (British, 18781959) At a Horse Show Signed “A.J. Munnings” l.l.

Watercolor on paper, 11 1/8 x 15 3/16 in.

(28.3 x 38.6 cm), framed.

Condition: Gentle toning, tack holes at corners, hinged to the backing mat in three places along the top edge of the reverse. $10,000-15,000

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447 John La Farge (American, 1835-1910) Summer Entrance to a Shrine, Possibly the Zeniarai Benzaiten Ugafuku Shrine Unsigned, inscribed “Summer (Entrance of a small town/...or Temple” in the artist’s hand, in pencil and with two label fragments from Foster Brothers (3 Park Square), Boston, on the reverse.

Watercolor and graphite on paper, sheet size 13 1/8 x 19 1/2 in. (33.3 x 49.5 cm), framed.

Condition: Foxing, acid burn, toning.

Provenance: According to the inscription on the reverse, believed to be John Lowell (19192011) to his brother James Hale Lowell 2d (b. 1938) [sons of Ralph Lowell (1890-1978), descended from Mary Emlen Hale (1863-?) and John Lowell (1856-1922) of Boston]. $4,000-6,000

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87

448

451

448 Domingo F. Periconi (American, 1883-1940) Cowboy Confrontation on the Range Monogrammed “D.F.P.” l.r., inscribed, signed, and dated “Painted by/Domingo F. Periconi/1931” on the reverse.

Oil on canvas mounted to board, 25 1/4 x 27 1/2 in. (64.3 x 69.8 cm), framed.

Condition: Tack holes to edges, surface grime. $1,000-1,500 449

449 Andre Pater (Polish/American, b. 1953) Cows Watering Signed “A. Pater” l.l.

Oil on Masonite, 11 1/4 x 15 1/4 in. (28.6 x 38.7 cm), framed.

Condition: Good. $3,000-5,000

450

88

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452

450 Marjorie Jane Reed (American, 1915-1996)

451 J. Clinton Shepherd (American, 1888-1975)

452 Gary Kapp (American, b. 1942)

Tug O’ War Signed “Marjorie Reed” l.r., identified on a label affixed to the stretcher.

Oil on canvas, 18 1/4 x 24 in. (46.3 x 61.0 cm), framed.

Condition: Good. $1,500-2,000

Wyoming Signed “SHEPHERD...” l.l., identified on a label from the Vose Galleries of Boston affixed to the frame backing.

Oil on canvas, 28 1/4 x 31 in. (61.5 x 78.8 cm), framed.

Condition: Lined, retouch, craquelure. $2,000-3,000

Ready to Hunt Signed “GARY KAPP” l.l., identified on a label from Alterman Galleries, Santa Fe, affixed to the reverse.

Oil on Masonite, 12 x 16 in. (30.3 x 40.8 cm), framed.

Condition: Good. $1,500-2,500

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89

453

457

456

453 Reveau Mott Bassett (American, 18971981)

Irish Setter Signed “LYNN BOGUE HUNT” l.l.

Oil on canvas, 20 x 15 in. (50.8 x 38.1 cm), framed.

Condition: Surface abrasions/grime. $2,000-3,000

Ducks in Flight Signed and dated “Reveau Bassett ‘29” l.l.

Oil on Masonite, 16 x 20 in. (40.6 x 50.8 cm), framed.

Condition: Pigment fluorescence, surface grime. $1,000-1,500

454

457 Aiden Lassell Ripley (American, 1896-1969) Grouse in Winter Stamped “FROM THE ESTATE OF/A. LASSELL RIPLEY” l.r.

Watercolor and graphite on paper/board, sight size 9 x 13 in. (22.9 x 33.0 cm), framed.

Condition: Not examined out of frame. $1,800-2,200

454 Alexander Pope, Jr. (American, 1849-1924) Three Images of Game Birds: Ringneck Pheasant, Silver Pheasant, and Golden Pheasant Ringneck signed “A. Pope Jr.” l.l.

Watercolors on paper, sight sizes to 4 5/8 x 6 in. (10.2 x 15.3 cm), framed.

Condition: Not examined out of frames. $2,500-3,000

458 Frank Weston Benson (American, 18621951) Two Works: Overhead [Canadian Geese] and Geese Flying Over Overhead titled l.l., initialed “F.W.B.” twice in pencil l.r., Flying unsigned, dated “1924” in pencil l.r., with a study of two widgeons on the reverse.

Both graphite on paper, sheet sizes to 9 3/8 x 12 1/4 in. (23.8 x 31.1 cm), both unframed.

Condition: Foxing, minor smudges.

455 James A. Camlin (American, 1918-1982) Autumn Marsh View Signed “James A. Camlin” l.l.

Watercolor on paper, sight size 21 x 28 in.

(53.3 x 71.1 cm), framed.

Condition: Good. $800-1,200 458 455

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456 Lynn Bogue Hunt (American, 1878-1960)

Provenance: Descended within the family of the artist. $1,500-2,500

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91

459 461

461 Milton Avery (American, 1885-1965)

459 Helen Mary Knowlton (American, 18321913)

Rock Bound Coast Signed or inscribed “by Milton Avery” in ballpoint pen on the reverse u.l.

Oil on artist board, 12 1/2 x 16 in. (31.8 x 40.6 cm), framed (under Plexiglas).

Condition: Minor losses/paint adherence to Plexiglas.

Rockbound Coast Initialed “H.M.K.” l.l., identified on a label from the Vose Galleries of Boston on the frame backing.

Oil on canvas, 12 x 20 in. (30.5 x 51.0 cm), framed.

Condition: Scattered retouch, strip lined, minor surface grime.

N.B. The scene is thought to be Manchesterby-the-Sea, Massachusetts. $1,500-2,000

Provenance: Through the family of the artist; Skinner Inc., Fine Paintings, May 12, 1983, Sale 898, Lot 112; private Wakefield, Massachusetts collector; by family descent to the present owners. $1,000-1,500

460 Attributed to William (Wilhelm) Frederick Ritschel (American, 1864-1949)

462 Frank Knox Morton Rehn (American, 18481914)

California Coast Signed indistinctly l.r., identified on a label (possibly later) affixed to the backing, label from Haley & Steele, Boston, affixed to the backing.

Oil on paperboard, 5 7/8 x 8 1/2 in. (14.9 x 21.6 cm), framed.

Condition: Mounted to foamcore. $800-1,200

Rocky Coast Signed “F.K.M. Rehn” l.l.

Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), unframed.

Condition: Tear u.r., retouch, craquelure. $1,000-1,500

460

92

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462

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93

465 463

464

463 Frederick Mortimer Lamb (American, 18611936)

465 Bertram George Bruestle (American, 19061968)

Landscape at Sunset Signed “F.M. Lamb” l.l.

Oil on panel, 22 x 28 in. (55.7 x 71.0 cm), framed.

Condition: Craquelure, frame abrasions, surface grime. $1,000-1,500

Barn and Rocky Field in Summer Monogram signature “BGBRUESTLE” l.l.

Oil on paperboard, 12 x 16 in. (30.5 x 40.7 cm), framed (under glass).

Condition: Minor surface grime. $1,000-1,500

464 Edward Gregory Smith (American, 18801961) View of a Barn in Summer Signed “GREGORY SMITH” l.r.

Oil on Masonite, 12 x 16 in. (30.5 x 40.6 cm), framed.

Condition: Minor surface grime. $1,200-1,800

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466

466 Wayne Beam Morrell (American, 19232013) Marsh Pond in Ipswich, Massachusetts Signed “Wayne Morrell” l.r., inscribed, dated, and signed “To the collection/of/Mr. and Mrs. Fred & Mary Marmo/.../Spring 1972/by/Wayne Morrell” on the reverse.

Oil on Masonite, 24 x 30 in. (61.0 x 76.2 cm), framed.

Condition: Good. $1,200-1,800

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95

469

467

467 John Charles Terelak (American, b. 1942) Gloucester Fishermen Return Signed and dated “J. C. Terelak © 77” l.l., identified on a hang tag.

Oil on Masonite, 24 x 36 in. (61.0 x 91.4 cm), framed.

Condition: Good.

469 Wayne Beam Morrell (American, 19232013) Fishing Boats at a Pier Signed and dated “Wayne Morrell/-AUG 19, 1984” l.r., dedicated and signed “to my good friend/PAUL FAMOLARI/by Wayne Morrell/ April 1985” on the reverse.

Oil on canvas, 24 x 36 in. (61.0 x 91.0 cm), framed.

Condition: Surface grime. $1,200-1,800

Provenance: Purchased from the artist. $2,000-4,000 468 Robert Charles Gruppé (American, b. 1944) Mackerel Seiners Signed “Robert C. Gruppé” l.r., with a North Shore Art Association label affixed to the frame, titled and signed “...Robert C. Gruppé” on the stretcher.

Oil on canvas, 30 x 40 in. (76.2 x 101.6 cm), framed.

Condition: Craquelure.

468

N.B. The North Shore Art Association label indicates that this painting received the C. Richard Clark Memorial Award/Scene of Gloucester. $2,000-3,000

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470 Paul Strisik (American, 1918-1998) 470

In for Repairs Signed “P. Strisik” l.l., with a fragmentary label from Paul Strisik Gallery, Rockport, on the stretcher, with the artist’s address stamp on the reverse and on the stretcher.

Oil on canvas, 20 1/4 x 30 1/4 in. (51.3 x 76.7 cm), framed.

Condition: Minor surface grime. $1,200-1,800

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97

471

474

471 Raymond Hendry Williams (American, 1900-1977) York Harbor Signed “RAY WILLIAMS” l.r., numbered, titled, and signed “#8322.../R. Williams” in pencil on the stretcher.

Oil on canvas, 28 x 38 in. (71.2 x 96.6 cm), framed.

Condition: Craquelure. $2,500-3,000

472

472 Paul Strisik (American, 1918-1998)

474 Paul Strisik (American, 1918-1998)

Winter Inlet Signed “P. Strisik/©” l.l., identified and numbered “W-1958” on a label from Paul Strisik, Rockport, Massachusetts, on the frame backing.

Watercolor on paper, sight size 13 3/4 x 21 in.

(35.5 x 53.4 cm), framed.

Condition: Not examined out of frame. $1,500-2,500

St. Ives, Cornwall Signed and dated “P. Strisik/©82” l.l., identified and numbered “W-1459” on the artist’s label affixed to the frame backing.

Watercolor on paper/board, sight size 10 7/8 x 16 7/8 in. (27.5 x 43.0 cm), framed.

Condition: Not examined out of frame. $1,500-2,500

473 Sydney Dale Shaw (American, 1879-1946) Fishing Shacks and Seated Woman by the Shore/A Double-sided Composition Shacks signed “Sydney d. Shaw” l.l., Woman signed and dated “S. D. Shaw-19-” l.r.

Oil on paperboard, 12 x 14 in. (30.5 x 35.6 cm), framed.

Condition: Surface grime, tack holes to board. $800-1,200

475 Wayne Beam Morrell (American, 19232013)

475

Sailing Vessel at a Dock Signed “WAYNE MORRELL” l.r.

Oil on Masonite, 20 x 24 in. (51.0 x 61.0 cm), framed.

Condition: Good. $1,000-1,500

473

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99

479 Antonio Cirino (American, 1889-1983) Hill from Pigeon Cove Signed “Cirino” l.r., titled on a typed label affixed to the stretcher.

Oil on canvas, 36 x 40 in. (91.4 x 101.6 cm), framed.

Condition: Minor surface grime. $4,000-6,000

476

480 Frank Knox Morton Rehn (American, 18481914) Harbor View with Schooner Signed “F.K.M. Rehn” l.l.

Oil on canvas, 16 x 28 in. (40.8 x 71.2 cm), framed.

Condition: Scattered minor abrasions with paint losses, surface grime. $1,200-1,800

476 Paul Strisik (American, 1918-1998) North East Cove, alternately titled Cranberry Cove, Beals Island, Maine Signed “P. Strisik” l.l., titled and numbered “#0-291” on a label from Paul Strisik, Rockport, Massachusetts, affixed to the stretcher, the alternate title inscribed on the stretcher.

Oil on canvas, 16 x 24 in. (40.5 x 61.0 cm), framed.

Condition: Very minor paint losses u.c., mild surface grime. $2,000-3,000 477

479

477 John McGhie (British, 1867-1952) Seascape Signed “J. McGhie” l.l., identified on the artist’s label affixed to the stretcher, with two canvas stencils from Winsor & Newton, London, and Robert Miller, Glasgow, on the reverse.

Oil on canvas, 28 x 36 in. (71.1 x 91.4 cm), framed.

Condition: Surface grime. $2,000-2,500 478 Francis Orville Libby (American, 1883-1961) Gaspésie Signed “Libby” l.l., titled and signed “...Francis Orville Libby” in pencil and with a label from John F. Gould, Portland, Maine, on the stretcher.

Oil on canvas, 14 x 16 in. (35.5 x 40.6 cm), framed (under glass).

Condition: Good. $1,000-1,500

480

478

100

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101

481 Walter Farndon (American, 1876-1964) Coastal Scene with Sailboats Signed or inscribed “WALTER FARNDON/ N.A.” l.l.

Oil on board, 16 x 12 in. (40.6 x 30.5 cm), framed.

Condition: Small hanging hole at u.c. edge, fine craquelure, surface grime. $1,500-2,500 482 Francis Orville Libby (American, 1883-1961) Cliff House Beach, Cape Elizabeth, Maine Signed “Libby” l.r., titled in pencil on the stretcher and on a partial exhibition label on the stretcher, also signed or inscribed with the artist’s name and with alternate title “Maine Coast Sum...” on the stretcher.

Oil on canvas, 14 1/4 x 16 in. (36.0 x 40.7 cm), framed (under glass).

Condition: Very minor canvas deformation. $1,000-1,500

483

481

483 Charles Herbert Woodbury (American, 1864-1940) Off Bermuda Signed “Charles H Woodbury” l.r., titled on the reverse.

Oil on canvas mounted to paperboard, 8 1/4 x 10 5/16 in. (20.9 x 26.2 cm), framed.

Condition: Surface grime. $1,000-1,500 484 Charles Hovey Pepper (American, 18641950) The Inner Harbor Signed “Charles Hovey Pepper” l.r., identified on labels from Doll & Richards, Inc., Boston, and Martha Richardson Fine Art, Boston, affixed to the backing.

Gouache on paper, sheet size 21 x 14 1/2 in.

(53.3 x 36.8 cm), framed.

Condition: Not examined out of frame. $1,000-1,500

482 484

102

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103

487 485

487 Mabel May Woodward (American, 18771945)

485 Gertrude Fiske (American, 1879-1961)

At the Beach Signed “Mabel M. Woodward” on a gummed label affixed to the reverse.

Oil on canvasboard, 9 x 12 in. (22.7 x 30.2 cm), framed.

Condition: Surface grime.

Ogunquit Signed “Gertrude Fiske” l.l., titled in pencil on the reverse, identified on a label from the Vose Galleries of Boston affixed to the reverse.

Oil on canvasboard, 11 3/4 x 15 3/4 in. (30.0 x 40.0 cm), framed.

Condition: Surface grime. $2,000-3,000

Provenance: Shannon’s Fine Art Auctioneers, April 29, 2010, Lot 188. $5,000-7,000

486 Jane Peterson (American, 1876-1965) 488 Gertrude Fiske (American, 1879-1961)

Sunset--Gloucester, Mass.

Signed or inscribed “JANE PETERSON.” l.l., identified on a presentation plaque l.c., titled and inscribed “C-46” on the reverse.

Oil on canvasboard, 11 x 13 7/8 in. (27.9 x 35.2 cm), framed.

Condition: Surface grime. $800-1,200

486

488

104

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Wells Beach, Maine Estate stamped, titled in pencil, and identified on a label from the Vose Galleries of Boston on the reverse.

Oil on canvasboard, 12 x 16 in. (30.5 x 40.5 cm), framed.

Condition: Surface grime. $2,000-3,000

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105

490

490 James A. Camlin (American, 1918-1982) Crashing Surf/A Bar Harbor, Maine Landscape Signed “James A. Camlin” l.r., identified on a label from The Banks Gallery, Monhegan Island, Maine, on the reverse.

Watercolor on paper, 20 x 30 in. (50.8 x 76.2 cm), framed.

Condition: Good. $800-1,200

489

489 Charles Herbert Woodbury (American, 1864-1940) Narrow Cove - 5 Figures Titled in pencil, estate stamped, and inscribed “CMU/CCH/GR” in watercolor on the reverse.

Watercolor on Whatman watercolor board, 17 1/2 x 21 7/8 in. (44.4 x 55.5 cm), framed.

Condition: Toning, wear to edges of paperboard. $1,500-2,500

106

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491

491 Amy Jones (American, 1899-1992) Afternoon Boating Signed and dated “Amy Jones 1969” l.r.

Gouache on paper, sight size 21 x 27 1/2 in.

(53.3 x 69.9 cm), framed.

Condition: Not examined out of frame.

N.B. We wish to thank the artist’s daughter, Lucy Jones Berk, for her assistance with cataloging the lot. $800-1,200

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107

494 Ross E. Moffett (American, 1888-1971)

494 492

Portuguese Women/A Provincetown Winter Scene Signed “MOFFETT” l.l., titled in pencil and with a label from the Fogg Art Museum affixed to the reverse.

Oil on canvas, 10 x 12 in. (25.4 x 30.5 cm), framed.

Condition: Mounted to paperboard.

Provenance: Purchased by Mrs. Charlotte H. Jordan, New York City, August 22, 1924. $6,000-8,000 495 Allen Tucker (American, 1866-1939) Signals Signed and dated “Allen Tucker 1931” l.c., identified on a label affixed to the stretcher.

Oil on canvas, 30 1/4 x 36 in. (76.8 x 91.4 cm), framed.

Condition: Surface grime.

492 Leighton R. Cram (American, 1895-1981)

Provenance: Currier Museum of Art, Manchester, New Hampshire, sold to benefit the acquisitions fund.

493 Ross E. Moffett (American, 1888-1971)

Exhibitions: The Allen Tucker Memorial Exhibition, Whitney Museum of Art, New York, December 6, 1939 to January 3, 1940.

Gathering at the Farm Fields Signed “MOFFETT” l.r., inscribed “Conversation...” in pencil on the reverse.

Oil on canvas, 16 x 20 in. (40.6 x 50.8 cm), framed.

Condition: Craquelure, surface grime. $3,000-5,000

493

108

Cape Ann Buildings Signed “L.R. CRAM.” l.l., identified in an inscription and on a handwritten gummed label, both on the reverse.

Oil on artist board, 20 x 24 in. (50.8 x 61.0 cm), framed.

Condition: Minor surface grime. $1,000-1,500

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Literature: The Allen Tucker Memorial Exhibition, Whitney Museum of American Art, December 6, 1939 to January 3, 1940 (New York: Whitney Museum of American Art), 1939, no. 16.

495

N.B. A photocopy of the exhibition catalog accompanies the lot. $800-1,200

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109

496

496 Franco-American School, 19th/20th Century Mosque, Tunis Unsigned, titled in pencil on the reverse, inscribed indistinctly in pencil on the stretcher.

Oil on canvas, 16 1/8 x 18 3/16 in. (41.0 x 46.2 cm), framed.

Condition: Rippling, craquelure, surface grime. $1,200-1,600 497 Aldro Thompson Hibbard (American, 18861972) Venetian Canal Scene, c. 1914 Signed or inscribed “AT Hibbard” l.r., inscribed “X-20 V-31” on the reverse, also inscribed “V-31...Painted in 1913 while studying in Europe...” on the backing.

Oil on artist board, 10 x 8 in. (25.4 x 20.3 cm), framed.

Condition: Signature partially reinforced, minor surface grime. $800-1,200

497

110

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498

498 Jane Peterson (American, 1876-1965) Ablution Fountain, Hagia Sophia Bears signature “JANE PETERSON” l.r.

Oil on canvas, 24 1/8 x 30 in. (61.3 x 76.0 cm), in a Vandeuren Galleries frame.

Condition: Signature added later, retouch, craquelure.

N.B. In the summer of 1924, Jane Peterson traveled to Constantinople and spent six months in Turkey. Twenty-nine of her paintings from this sojourn were exhibited at the Ehrich Gallery in New York in January 1925.

We would like to thank J. Jonathan Joseph for his kind assistance cataloging this lot. $30,000-50,000

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111

500 Attributed to André Derain (French, 18801954) Paysage Unsigned, identified on a presentation plaque, inscribed “No. 23458/Derain/Paysage/RE000” in ink on a label affixed to the stretcher.

Oil on canvas, 20 1/8 x 17 3/4 in, (51.5 x 45.0 cm), framed.

Condition: Surface grime.

Provenance: Gift to the Currier Museum of Art, 1951, from Alexander Bing (through Nicholas M. Acquavella Galleries, New York); 1930 Bernheim-Jeune, Paris.

N.B. Sold to benefit the acquisitions fund, Currier Museum of Art, Manchester, New Hampshire. $3,000-5,000 501 Arthur Clifton Goodwin (American, 18641929) Gunboats on the Hudson Signed “A.C. GOODWIN” l.l., titled on a label from Alfred J. Walker Fine Art, Boston, affixed to the backing.

Pastel on paperboard, sight size 16 1/4 x 20 1/4 in. (41.3 x 51.4 cm), framed.

Condition: Not examined out of frame. $800-1,200

500

502 No lot.

499

499 Arthur Clifton Goodwin (American, 18661929) Fountain Below the State House, Boston Common Unsigned, identified on a label from Addison Gallery, Phillips Academy, Andover, Massachusetts, affixed to the back of the frame.

Pastel on paperboard, 16 7/8 x 21 in. (42.8 x 53.4 cm), framed.

Condition: Loss to l.l. corner, toning, laid down on paperboard support.

Exhibitions: Arthur Clifton Goodwin, A Selective Exhibition, Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, April 13–May 13, 1946, lent

by Wildenstein and Company, New York. $3,000-5,000

501

112

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113

503 Harold W. Cheney (American, 1889-1946) View of the Boston Common Signed “HW CHENEY” l.l.

Oil on artist board, 25 1/2 x 28 in. (64.8 x 71.1 cm), framed.

Condition: Minor retouch, subtle bowing, craquelure. $800-1,200 504 Tosca Olinsky (American, 1909-1984) Girl at the Window Signed “Tosca” l.r., identified on a detached label from the Lyme Art Association, Old Lyme, Connecticut.

Gouache on paper, 19 7/8 x 16 in. (50.5 x 40.5 cm), framed.

Condition: Minor glue residue from old mounting in two places along top edge, tack holes to u.l. corner. $3,000-5,000

503

505 Rudolf Plessner (German, b. 1889) Oxford Street, London Signed “R PLESSNER” l.r.

Oil on canvas, 25 1/2 x 36 1/4 in. (64.5 x 92.0 cm), framed.

Condition: Lined, scattered retouch, surface grime. $2,500-3,500 506

507

506 Félicie Waldo Howell (American, 18971968)

507 George Benjamin Luks (American, 18671933)

Restaurant Interior Signed and dated “Félicie Waldo Howell-1926” l.r.

Watercolor on paper, 11 3/4 x 9 5/8 in. (29.8 x 24.4 cm), framed.

Condition: Minor rippling, affixed to back mat with masking tape at intervals along the front edges of the sheet and with glue along the u.l. edge of the reverse. $4,000-6,000

Café Scene Unsigned, stamped “EX. COLL. CAROLINE LUKS” and inscribed “In McSorley’s Bar by G. Luks” in pencil, probably in a later hand, on the backing.

Conté crayon on paper, sight size 6 1/2 x 4 in.

(16.5 x 10.2 cm), framed.

Condition: Toning, minor handling creases, not examined out of frame.

N.B. Mrs. Caroline Luks was the wife of the artist’s brother and executor, Dr. Will Luks. $1,000-1,500

504

114

505

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115

509

509 Ludwig Bemelmans (American, 1898-1962) Boxers in a Ring Signed “Bemelmans” l.r., inscribed “for ...ew York” in blue on the reverse.

Watercolor and graphite on paper, 8 1/4 x 10 7/8 in. (21.0 x 27.5 cm), framed.

Condition: Repairs to u.c., staining, fine rippling, original paper (probably tracing paper) has been lined with a thin support sheet, affixed to the back mat along the top edge of the reverse. $1,500-2,000 508

508 Gladys Rockmore Davis (American, 19011967) Now It Feels Better!

Initialed “GRD” l.r.

Oil on canvas, 27 x 30 in. (68.6 x 76.2 cm), framed.

Condition: Minor surface grime, minor abrasions.

Literature: Johnson & Johnson Advertisement, LIFE magazine, February 6, 1950, p. 21.

116

510 Al Hirschfeld (American, 1903-2003) N.B. The present work is one of a series of advertising illustrations created by Davis for Johnson & Johnson surgical dressings, which debuted in March 1949.

A copy of LIFE magazine illustrating the present work, a photocopy of a Johnson & Johnson advertising memo describing the ad campaign, and a photocopy of a biography on Davis by Johnson & Johnson accompany the lot. $2,000-3,000

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510

Angels in America, 1993 Signed “HIRSCHFELD 8” l.r., inscribed with the names of the cast along the bottom l.c.

Ink and graphite on paper, sight size 20 1/6 x 26 in. (51.4 x 66.0 cm), framed.

Condition: Not examined out of frame.

Provenance: Purchased from Margo Feiden Galleries, New York, c. 1990s.

N.B. We wish to thank the Al Hirschfeld Foundation for their kind assistance with cataloging the lot. $4,000-6,000

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117

511

511 Wladyslaw T. Chemielinski (Polish, b. 1895) Snowy City Square with Horse-drawn Sleigh Signed “WT. Chemielinski” l.r.

Oil on paperboard, 9 3/4 x 13 3/4 in. (24.9 x 34.8 cm), framed.

Condition: Possible old retouch, surface grime. $800-1,200 512 Wladyslaw T. Chemielinski (Polish, b. 1895)

512

Winter City View Signed “WT. Chemielinski” l.r.

Oil on artist board, 10 x 13 3/4 in. (25.4 x 35.0 cm), framed.

Condition: Minor surface grime. $800-1,200

118

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513

513 Wladyslaw T. Chemielinski (Polish, b. 1895) Horse-drawn Sleighs in a Winter Village Landscape Signed “WT. Chemielinski” l.r.

Oil on paperboard, 13 3/4 x 19 3/4 in. (35.0 x 50.5 cm), framed.

Condition: Mild surface grime. $1,000-1,500

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119

514

516

514 William S. Robinson (American, 1861-1945) Little Place in France, alternatively titled Le Fontain Signed “WM S. ROBINSON” l.r., inscribed and titled “D 238 1900...” on the reverse.

Oil on canvas, 12 x 16 in. (30.5 x 40.6 cm), framed.

Condition: Mounted to Masonite, surface grime. $1,000-1,500

516 Abel George (Buck) Warshawsky (American, 1883-1962) View of Maline with Houses on a Waterway Signed and dated “A.G. Warshawsky/19...” l.l.

Oil on canvas, 18 3/16 x 21 1/2 in. (46.0 x 54.8 cm), in a cassetta-style frame.

Condition: Craquelure, surface grime. $3,000-5,000

515 Francis (Frank) Henry Richardson (American, 1859-1934)

517 William Henry Clapp (American, 1879-1954)

Hamlet of Douric Signed, inscribed, and dated “F.H. Richardson/Concarneau/1888” l.r., titled on a presentation plaque.

Oil on canvas, 13 x 16 in. (33.0 x 40.5 cm), framed.

Condition: Patch reinforcement, scattered retouch, subtle canvas rippling. $1,000-1,500

515

Landscape with Houses Unsigned, inscribed “...LAKY GALLERIES 1973 CL-57” in a later hand on the reverse.

Oil on artist board, 15 1/4 x 18 1/4 in. (38.7 x 46.4 cm), framed.

Condition: Minor losses to edges. $4,000-6,000 517

120

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121

518 American School, 19th/20th Century Peasants by a Thatched Cottage, Probably Brittany Unsigned.

Oil on canvas, 28 3/16 x 22 1/8 in. (71.5 x 56.0 cm), framed.

Condition: Patch reinforcement, retouch, minor paint losses, craquelure, surface grime. $2,000-3,000 519 German School, 20th Century Expressionist Landscape Signed “M...u...� l.r.

Oil on panel, 8 5/8 x 12 5/8 in. (21.9 x 32.1 cm), framed (under glass).

Condition: Minor surface grime. $2,000-4,000

518

520

520 Continental School, 19th Century Breton Washerwomen at the River Unsigned.

Oil on canvas, 17 1/4 x 21 1/4 in. (43.8 x 54.0 cm), framed.

Condition: Lined, retouch, craquelure. $1,500-2,000

519

122

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123

521 Aristide Maillol (French, 1861-1944) Femme de Profil Monogrammed “M” l.r.

Crayon and graphite on laid paper, sheet size 11 3/8 x 7 3/8 in. (29.8 x 18.7 cm), unframed.

Condition: Scattered fox marks, gentle toning, subtle rippling and handling creases.

521

Provenance: Purchased by Mrs. Charlotte H. Jordan from E. Weyhe Booksellers, New York, December 1926. $1,500-2,500 522 Madeleine Fish Park (American, 1891-1960) Two Animal Sculptures: Bronze Cocoa and Plaster Giraffes’ Heads Cocoa signed and titled “Madeleine Park” and “Cocoa” in the bronze and stamped “Cire/C. Valsuani/Perdue” all in the base, bronze with dark brown patina, 8 1/4 x 11 x 4 7/8 in. (21.0 x 28.0 x 12.5 cm), mounted on a wooden base; Heads signed “MADELEINE PARK” within the plaster, 17 1/2 x 16 x 7 in. (44.5 x 40.6 x 17.8 cm).

Condition: Cocoa with abrasions to the base, dust and dirt to the interstices; Heads with losses to the ears, scattered small losses and abrasions, surface grime. $1,000-1,500

523

523 William Henry Clapp (American, 1879-1954) Nude Seated by a Forest Pool Unsigned, identified on a label from Don Hartman Framing, Carmel, California, and with a label from The Laky Galleries, Carmel-bythe-Sea, California, both on the frame backing paper.

Oil on artist board, 20 x 24 in. (50.5 x 60.8 cm), framed.

Condition: Minor losses along the edges of the board, tack holes spaced along the perimeter, fine craquelure, surface grime. $3,000-5,000

522

124

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125

524

526

526 Continental School, 20th Century Summer Field in Late Afternoon Sun Signed “LAMBERT” l.r.

Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed.

Condition: Good. $1,000-1,500

525

524 William Henry Clapp (American, 1879-1954)

525 André Gisson (American, 1921-2003)

California Landscape Signed and dated “Clapp/46” l.l., identified on labels including one from Laky Gallery, Carmel, California, on the reverse.

Oil on Masonite, 20 x 24 in. (50.8 x 61.0 cm), framed.

Condition: Pigment fluorescence. $800-1,200

Figures in a Lakeside Clearing Signed “A Gisson” l.l.

Oil on canvas, 24 x 36 in. (60.5 x 91.5 cm), framed.

Condition: Stable craquelure, faint stretcher bar mark at top edge. $1,000-1,500

126

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527 William Henry Clapp (American, 1879-1954)

527

Spring Landscape Signed and dated “Clapp/July 16/38” l.l., inscribed “EL 58.63.367” in ink on the reverse, identified “Guaranteed Authentic/WILLIAM H. CLAPP” and numbered “C 6911 210” on a gummed label from Laky Gallery, Carmel, California, affixed to the reverse.

Oil on Masonite, 14 7/8 x 17 7/8 in. (37.8 x 45.3 cm), framed.

Condition: Surface grime. $3,000-5,000

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127

529

529 Oskar Kokoschka (German, 1886-1980) Temptation for Mary, Jim, Susan and Tom to come to Italy?

Titled, initialed, dated, and inscribed “...OK, 25.1.49, Boston” in pencil l.c., annotations to verso, identified on a label and inscription on the paper backing.

Colored pencil on spiral-bound paper, sight size 8 1/2 x 11 3/8 in. (21.6 x 28.9 cm), framed.

Condition: Toning, paper and transparent adhesive tape hinged to window mat, trimmed spiral-bound edge.

528

531

Provenance: Property from the Collection of James Sachs Plaut (1912-1996), founder and first director of the Institute of Contemporary Art, Boston. During World War II, Plaut directed the Art Looting Investigation Unit for the United States Government, the group known as the “Monuments Men.”

531 Andre Hambourg (French, 1909-1999) Le bateau en fete Signed “a. hambourg” l.r., signed, titled, inscribed, and dated “a. hambourg...Trouville 1981” on the reverse, with a label from Wally Findlay Galleries on the backing.

Oil on canvas, 10 3/4 x 18 1/4 in. (27.3 x 46.4 cm), framed.

Condition: Good.

N.B. According to Plaut’s daughter Susan (see lot 591), the present work was intended to “lure” the family to Italy, but they never ended up visiting. The work was lent for exhibition, but the venue and dates are unknown at this time.

The work will be included in the third edition of the forthcoming Kokoschka catalogue raisonné of drawings and watercolors; we wish to thank Dr. Alfred Weidinger for his kind assistance with cataloging the lot. $2,500-3,500

N.B. A dossier from Wally Findlay Galleries accompanies the lot. $8,000-12,000

528 Harry B. Lachman (American, 1886-1975)

530 Burr H. Nicholls (American, 1848-1915)

Courtyard Signed “HARRY B. LACHMAN” l.r.

Oil on canvas, 23 3/4 x 20 in. (60.3 x 50.8 cm), framed.

Condition: Lined, retouch, craquelure, lifting. $1,200-1,800

Venice Doorway Signed “Burr H Nicholls” l.r., incised “Burr H Nicholls 1848” on the back of the frame.

Oil on canvas, 24 x 16 in. (61.0 x 40.8 cm), framed.

Condition: Fine stable craquelure. $1,500-2,500

Venetian Lagoon Signed indistinctly l.r.

Oil on canvas, 30 x 36 in. (76.2 x 91.4 cm), in a Newcomb-Macklin frame.

Condition: Retouch, surface grime. $1,500-2,500

530

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532 American School, 20th Century

532

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129

533 French School, 20th Century Notre Dame in Fog Signed and dated indistinctly “192.../...” l.r.

Oil on canvas, 21 1/4 x 25 3/4 in. (54.0 x 65.0 cm), framed.

Condition: Patch reinforcement, retouch, fine craquelure. $1,000-1,500 534 Irma René Koen (American, 1884-1975) An Evening Constitutional Signed “Irma René Koen.” l.l.

Oil on artist board, 11 3/4 x 11 3/4 in. (29.8 x 29.8 cm), in a period frame.

Condition: Surface grime. $1,000-1,500

533

535

535 Theodore Earl Butler (American, 1861-1936) Train at Giverny Signed and dated “T.E. Butler ‘04” l.l.

Oil on paperboard, 10 1/2 x 14 3/4 in. (26.8 x 37.7 cm), framed.

Condition: Minor frame abrasion with losses at top edge on left.

N.B. We would like to that Patrick Bertrand for his assistance cataloging this lot. The painting will be included in the Theodore Butler catalogue raisonné.

According to Bertrand, Theodore Butler created a series of Impressionist paintings of the train en route from Vernon to Giverny. In a 1904 letter to his friend and fellow artist Philip Leslie Hale, Butler wrote, “I am now painting the eight o’clock train, likewise the ten o’clock train as well as the trains at three and four o’clock in the afternoon - in fact am quite a rail-road King.” $8,000-12,000

534

130

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536

538

538 Edward Francis Rook (American, 18701960) Brittany Signed “Edward F. Rook” l.l., stenciled “E:F. ROOK” on the reverse, identified on a label tacked to the reverse.

Oil on canvas, 30 x 30 in. (76.2 x 76.2 cm), framed.

Condition: Areas of craquelure. $2,500-3,500

536 Julian Grau Santos (Spanish, b. 1937) Rooftops Signed “Grau Santos” l.r.

Oil on canvas, 21 1/4 x 25 3/4 in. (54.0 x 65.4 cm), framed.

Condition: Subtle rippling. $1,200-1,800 537 Jacques Zucker (American, 1900-1981)

537

Landscape with Houses Signed “J. Zucker” l.r.

Oil on canvas, 23 1/2 x 28 3/4 in. (59.7 x 73.0 cm), framed.

Condition: Craquelure. $2,500-3,500

132

539 Armando Pizzinato (Italian, 1910-2004)

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539

View of a Quiet Village Street Signed “A Pizzinato” l.l., inscribed “PIZZINATO/SALUTE 33/VENEZIA” on the stretcher.

Oil on canvas, 14 3/8 x 20 1/4 in. (36.5 x 51.5 cm), framed.

Condition: Rippling to canvas, varnish inconsistencies and discoloration, surface grime. $400-600

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133

542 Thomas Adrian Fransioli (American, 19061997) Edam, Holland Initialed and dated “T.F./1955” l.r., titled, signed, and dated “.../Fransioli - 55” on the reverse.

Gouache on paperboard, 17 1/8 x 11 1/8 in.

(43.4 x 28.2 cm), framed.

Condition: Minor soiling to sky u.l., possible fading or slight discoloration to the edges. $1,000-1,500 543 Hiro Yamagata (Japanese, b. 1948) Modern Cinema Signed and dated “YAMAGATA ‘76” l.l., with a stamp from Société des Artistes Français on the strainer.

Acrylic on canvas, 21 3/4 x 18 in. (55.3 x 45.7 cm), framed.

Condition: Fine craquelure. $8,000-12,000

540 Thomas Adrian Fransioli (American, 19061997) Jackson Square, New Orleans Initialed and dated “T.F./1949” l.l., titled and inscribed “...By Thomas Fransioli, Jr./...” on the reverse, identified on a typed gummed label from Margaret Brown Gallery, Boston, affixed to the reverse.

Oil on canvas stretched over board, 17 x 17 7/8 in. (43.2 x 45.4 cm), framed.

Condition: Varnish discoloration, mild surface grime. $2,000-3,000

540

542

541 Harry Lane (American, 1891-1973) Death and Transfiguration/A Scene in Brooklyn Heights, New York Signed “H. Lane” l.r., identified on a label from Ferargil, New York, and with a label from the Cleveland Museum of Art (see below) affixed to the reverse.

Oil on panel, 20 x 16 in. (50.8 x 40.6 cm), framed.

Condition: Retouch, craquelure, surface grime.

Provenance: Through the family of the artist to a private Chester, Vermont collection; Skinner Inc., American & European Paintings, May 8, 1998, Sale 1843, Lot 214; private Massachusetts collection.

Literature: “Another Interpreter of the ‘American Scene,’” THE ART DIGEST, January 1, 1932, p. 8.

Exhibitions: The Cleveland Museum of Art, Twelfth Annual Exhibition of Contemporary American Oil Painting, June 10 to July 10, 1932. $2,000-3,000

541

543

134

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135

544 British School, 19th/20th Century The Maiden’s Blush Rose Unsigned, titled and with a stamp from Lechertier Barbe Ltd., 95 Jermyn Street, London, on the stretcher, a label from The Rowley Gallery, London, affixed to the frame verso, and with a conservator’s label from Gilman Studios, Inc., Amesbury, Massachusetts, on the frame backing.

Oil on canvas, 20 1/8 x 18 1/8 in. (51.3 x 46.0 cm), framed.

Condition: Fine craquelure, varnish inconsistencies.

N.B. According to the National Portrait Gallery British Artists’ Suppliers index, Lechertier Barbe Ltd. remained in business at 95 Jermyn Street from 1898 until 1970. $3,000-4,000 545 Attributed to William Morris Hunt (American, 1824-1879)

544

Portrait of a Woman Monogrammed and dated “WMH 1866” c.r.

Oil on canvas, 27 1/4 x 22 1/4 in. (69.2 x 56.5 cm), framed.

Condition: Skinning, retouch, craquelure, varnish inconsistencies. $1,000-1,500

546

546 George Leslie Hunter (Scottish/American, 1877-1931)

545

136

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Still Life with Japanese Porcelain Figure and Canton Vase Signed “Hunter” u.r., identified on a label from Cyril Gerber Fine Art, Glasgow, Scotland, on the reverse.

Oil on canvas, 24 x 20 in. (61.0 x 50.8 cm), framed.

Condition: Lined, minor retouch, craquelure, minor surface grime.

Provenance: Purchased from Cyril Gerber Fine Art, Glasgow, June 20, 1986; private Dundee, Scotland, collection; by family descent to the present owner.

N.B. A copy of the original invoice accompanies the lot. $25,000-35,000

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137

549 Daniel Chester French (American, 18501931) Plaster Bas Relief of Muses, c. 1910 Inscribed “To/Mrs. Henry Warwick/ Compliments of/Daniel C. French/Jan. 22./1910.” in ink l.r.

Plaster bas-relief, maximum dimensions 12 1/4 x 15 1/4 x 3/4 in. (31.0 x 38.5 x 2.0 cm), with a wire for hanging embedded in the reverse.

Condition: Chip/notch at top center edge, surface grime and accretions.

N.B. This plaster of two classical female figures with stringed instruments led by a cherub conductor came from the collection of art and furnishings of Arden Cottage, a summer home built in the late 19th century in Fortune, Prince Edward Island, Canada.

Known colloquially as “The Three Graces,” the relief was dedicated as a gift from the artist to Elsa Warwick, said to have been the model for this piece and several of French’s other sculptures, as well as for the illustrator Charles Dana Gibson. The inscription on the plaster appears to be in French’s own hand.

New Yorkers, Elsa and her husband, the actor Harry Warwick, were residents of the artists’ colony established in Fortune at the turn of the century. Arden Cottage and its contents, including memorabilia from the original owners (Charles Kent and Betty Barry), were purchased in 1971 from Margaret MacMillan Pratt by the current owners. A letter and a photocopy of a brief printed reminiscence about Arden Cottage accompany the lot.

549

There is a plaster relief of the same image and of similar dimensions in the casting room at Chesterwood, the home of Daniel Chester French in Stockbridge, Massachusetts.

547 Edwin Howland Blashfield (American, 1848-1936) Allegorical Figures Unsigned.

Oil and graphite on canvas, 22 x 12 in. (55.9 x 30.5 cm), framed.

Condition: Lined, retouch, craquelure. $4,000-6,000

We would like to thank the staff at Chesterwood for their kind assistance cataloging this lot. $3,000-5,000

548

547

550 Attributed to William Perkins Babcock (American, 1826-1899)

548 Philip Leslie Hale (American, 1865-1931)

Mother and Child Holding a Parrot Unsigned.

Oil on panel, 19 7/8 x 14 13/16 in. (50.6 x 37.6 cm), framed.

Condition: Scattered paint losses, craquelure with areas of lifting, surface imperfections and grime. $1,200-1,800

Portrait of a Female Nude with Drape Unsigned, identified on a presentation plaque.

Pastel on paper, sheet size 25 1/8 x 12 in.

(63.8 x 30.5 cm), framed.

Condition: Tape hinged to backing mat, losses/staining to edges of sheet, minor tear, trimmed sheet, foxing. $1,200-1,800

550

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139

551 William Frederick Foster (American, 18831953) Portrait of a Seated Woman in a Silk Robe Signed “Will Foster” u.l.

Oil on canvas, 23 1/4 x 15 in. (59.1 x 38.1 cm), framed.

Condition: Craquelure. $2,000-3,000 552 Dines Carlsen (American, 1901-1966) Still Life with Green Peppers Unsigned, inscribed “DINES CARLSEN” on the stretcher.

Oil on canvas, 24 x 20 in. (61.0 x 50.8 cm), framed.

Condition: Minor retouch, craquelure, surface grime.

Provenance: A private New Hampshire collection. $2,000-2,500

553

553 Elizabeth Vaughan Okie Paxton (American, 1877-1971)

551

Magnolias in a White Vase with Ginger Jar Signed “Elizabeth Paxton” l.r.

Oil on canvas board, 22 x 18 in. (55.9 x 45.7 cm), framed.

Condition: Surface grime. $1,200-1,800 554 Charles Herbert Woodbury (American, 1864-1940) Portrait of a Young Woman Reading, Possibly Isabel Weld Perkins Signed “Charles H. Woodbury” l.l., inscribed and dated “Charles H. Woodbury/1922” on a cradle bar on the reverse.

Oil on canvas, 30 x 24 in. (76.2 x 61.0 cm), framed.

Condition: Canvas trimmed and laid down onto cradled Masonite, surface grime.

Provenance: Gifted to Thomas McLaughlin, Brookline, Massachusetts, in 1948 from the home of a Mrs. Perkins, Perkins Street, Brookline, Massachusetts, then by family descent to the current owner. $4,000-6,000

552 554

140

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141

556 Walter Otto Beck (American, 1864-1954) Girl in a Garden Signed “W. Beck” in pencil l.r., inscribed “Painted by Walter Beck” on the reverse.

Pastel on paper, sight size 23 3/4 x 18 3/4 in.

(60.3 x 47.7 cm), framed.

Condition: Not examined out of frame. $700-900 557 Eric L. (Frederic) Pape (American, 18701938) Scene from The Scarlet Letter Signed and dated “Eric Pape/1900” l.r., estate stamped on the frame backing paper.

Oil (en grisaille) on canvas, 28 3/4 x 19 1/2 in.

(73.0 x 49.5 cm), framed.

Condition: Canvas trimmed and mounted to mat board, retouch and craquelure to u.r. corner.

Literature: Nathaniel Hawthorne, The Scarlet Letter (Boston and New York: Houghton, Mifflin and Company, 1900), p. 370. $1,000-1,500 556

555

555 John Sharman (American, 1879-1971) At the End of the Porch, A Double-sided Work Signed “John Sharman” on the landscape composition on the reverse l.r.

Oil on canvas, 36 x 34 in. (91.2 x 86.5 cm), framed.

Condition: Subtle rippling, mild surface grime, canvas partially detached from the stretcher along the tacking edges, reverse with a landscape painting of trees in summer. $10,000-15,000

557

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143

558 Charles Courtney Curran (American, 18611942) Apple Perfume Signed and dated “CHARLES C. CURRAN·/1911” l.r., titled, signed, and inscribed in pencil on the stretcher.

Oil on canvas, 22 x 18 in. (56.0 x 46.0 cm), framed.

Condition: Patch reinforcement, retouch, abrasions, mild canvas deformation, minor paint losses, surface grime.

Provenance: Through the collection of William Knickerbocker Wallbridge (1882-1979) of Connecticut, to the current owner by family descent.

558

144

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N.B. Born in Kentucky, Charles Courtney Curran received art training in New York City at the National Academy of Design and the Art Students League, where he was active in the 1880s. He then journeyed to Paris to study at the Académie Julian from 1889 to 1891. In 1903, at the invitation of fellow artist Frederick Dellenbaugh, Curran visited the hamlet of Cragsmoor, an art colony along the Hudson River north of Poughkeepsie that had been founded in the early 1870s and was home to E. L. Henry, J.G. Brown, and other notable painters and illustrators. Curran acquired a studio there in 1910 and divided his time between Cragsmoor and New York City for the rest of his career. It was in Cragsmoor that he developed his hallmark style of figures of young women set in light-filled garden views or against sweeping hilltop vistas. The painting at hand, Apple Perfume, is dated 1911, after his move to Cragsmoor, and captures the delight and simple beauty of a child savoring the scent of a newly picked apple. $50,000-70,000

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145

559 Charles Courtney Curran (American, 18611942) The Water Gate, World’s Columbian Exposition, Chicago, 1893 Signed and dated “CHAS· C· CURRAN· 93” l.r., inscribed “No. XV” in two places on the stretcher.

Oil on canvas, 17 1/2 x 12 in. (44.3 x 30.5 cm), framed.

Condition: Small puncture to l.l. quadrant, scattered small paint losses, craquelure, stretcher bar marks, surface grime.

Provenance: Through the collection of William Knickerbocker Wallbridge (1882-1979) of Connecticut, to the current owner by family descent.

N.B. The painting at hand shows elegant strollers at the World’s Fair held in Chicago in 1893. Known to many as the World’s Columbian Exposition, the fair, which celebrated the 400th anniversary of Christopher Columbus’s arrival in the New World, showcased achievements in science, art, and industry from 46 countries around the world. Its location in Chicago was very significant. The city, which had been devastated by the Great Fire of 1871, had to compete with urban rivals such as New York, Washington, and St. Louis for the honor of hosting the fair. The magnificent and successful presentation was visited by over 20 million people and proved to be of lasting social and cultural impact, a defining moment for the host city and for America’s optimistic self-image.

The overall design of the Chicago Columbian Exposition was championed by Daniel Burnham, as Director of Works, and Frederick Law Olmsted, who laid out the grounds. The fair was intended as a prototype of what a modern city should be, helping to inspire the City Beautiful movement. The Beaux Arts style buildings were splendid and impressive.

The Court of Honor structures, most of which were designed to be temporary, were clad in white stucco, and these luminous facades, along with the glow provided by the new and extensive use of street lights, earned the fair the sobriquet “The White City.” The design also included a large water pool, symbolizing the long voyage Columbus took to the New World.

For Burnham, architecture and sculpture were paramount, and the arts were amply represented throughout the fair. Paintings were housed in the Art Palace. Among the hundreds of works exhibited by artists from American and abroad, Charles Courtney Curran was represented with eleven oils and one pastel drawing, and he was awarded a prize.

This composition, which presents the Grand Arch of the Peristyle and Watergate, was made into a chromolithograph, copyright 1894, by The Columbian Memorial Publication Society, published by The Winters Art Litho Co. in the Supplement to the Columbian Series, Vol. 1, No. 2, April 21, 1894. $30,000-50,000

559

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147

560

560 Leon Kroll (American, 1884-1975) Jamaican Woman Signed “Leon Kroll” l.r., identified on a presentation plaque.

Oil on canvas, 19 1/2 x 15 in. (49.5 x 38.0 cm), framed.

Condition: Lined, surface grime.

N.B. An accompanying letter from Mrs. David B. Lawall, dated December 14, 1979, describes the work at hand as number 612 in the Kroll inventory. Mrs. Lawall gives the inventory title as “Girl with Flowers (Oranges),” although she goes on to state that this may not have been the original title. She also suggests that the work was done between 1917 and 1922, the dates of a similar Kroll work titled The Lemon Tree. $5,000-7,000 561 German School, 20th Century

561

148

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Portrait of the Virgin and Child with Saints, Possibly a Black Madonna Monogrammed “ES” l.r.

Oil and gold leaf on panel, 16 x 12 in. (40.6 x 30.5 cm), framed.

Condition: Minor surface grime. $800-1,200

562

562 Leopoldo Romañach (Cuban, 1862-1951) Portrait of a Bearded Man Signed “L. Romanach” l.r.

Oil on canvas, 24 x 19 in. (61.0 x 48.3 cm), framed.

Condition: Lined, retouch. $6,000-8,000

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149

563 Ida Pulis Lathrop (American, 1859-1937) Portrait of Barbara N. Follette Unsigned.

Oil on paperboard, 10 1/2 x 9 in. (26.9 x 22.7 cm), framed.

Condition: Surface grime.

Provenance: James R. Bakker Antiques, Inc., American and European Paintings, Drawings and Watercolors at Public Auction, November 21, 1986, Lot 92. $700-900 564 Sandi Lebrón (American, 20th/21st Century) Manet’s Olympia Signed “Sandi Lebrón” l.l.

Oil on canvas, 16 x 20 in. (40.6 x 50.8 cm), framed.

Condition: Good. $1,000-1,500

563

565

565 Pierre-Auguste Renoir (French, 1841-1919) and Richard Guino (Spanish, 1890-1973) Le petit Forgeron, alternatively titled Le feu/A Posthumous Cast Signed “Renoir” on side of base, numbered, inscribed, and foundry stamped “1/M © CIRE C. VALSUANI PERDUE” on base behind the figure.

Bronze with dark brown patina, 11 x 10 3/4 x 7 in. (27.9 x 27.3 x 17.8 cm), mounted to a black wooden plinth.

Condition: Dust to interstices.

Provenance: Purchased from the International Art Exhibition to benefit UNESCO and Brandeis University, Washington, D.C., March 1966.

Literature: “Boredom Goes on the Block,” The Evening Star, March 21, 1966, p. B8.

N.B. The original plaster version was executed in 1916, and the present version in bronze was cast at a later date. $30,000-40,000

564

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151

566

566 Jean-Gabriel Domergue (French, 18891962) Portät einer Jungen Frau Signed “Jean/Gabriel/Domergue” l.l., titled and inscribed on the reverse.

Oil on canvas, 25 1/2 x 21 3/4 in. (65.0 x 55.1 cm), framed.

Condition: Good. $4,000-6,000 567 Leopold Schmutzler (German, 1864-1941) Young Beauty in a Hat Signed “L. Schmutzler” l.l.

Oil on artist board, 23 3/8 x 17 3/4 in. (59.2 x 45.0 cm), framed.

Condition: Retouch, frame abrasions, with a pencil and broadly brushed watercolor portrait sketch on the reverse. $1,500-2,500

568

568 William Henry Clapp (American, 1879-1954) Nude Signed and dated “W.H. Clapp. 1929.” l.l., inscribed “...William H. Clapp/Oakland Art Gallery...CL#97” on the reverse.

Oil on artist board, 15 x 18 in. (38.1 x 45.7 cm), framed.

Condition: Retouch, varnish inconsistencies. $5,000-7,000

567

152

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153

572 Stokely Webster (American, 1912-2001) Portrait of the Dancer, La Meri Unsigned.

Oil on canvas, 40 x 30 in. (102.0 x 76.5 cm), framed.

Condition: Retouch primarily to the background.

N.B. The lot is accompanied by a letter from Stokely Webster confirming that he painted the portrait of Madame La Meri, c. 1950, and a brief conservation report. The lot also includes a copy of an undated brochure from The Academy of Ethnic Dance, founded by La Meri, in which the portrait at hand appears in the background of a photograph of dancers in a studio. The lot contains a copy of La Meri’s autobiography, a typed copy of La Meri’s reminiscences, as well as other ephemera. $1,000-1,500

569

573 Robert Scott Jackson (American, b. 1946)

570

572

Still Life with Cloisonné Vase and Fruit Signed “Robert S. Jackson” l.l.

Oil on canvas, 18 x 28 in. (45.7 x 71.1 cm), framed.

Condition: Good. $1,200-1,800

571

569 Robert Douglas Hunter (American, b. 1928) Pewter, Crockery & Sand Signed “ROBERT DOUGLAS HUNTER” l.l., identified on a handwritten label affixed to the back of the frame.

Oil on canvas, 21 x 32 in. (53.5 x 81.5 cm), framed.

Condition: Varnish inconsistencies, fine craquelure, scattered minor surface accretions. $1,000-1,500

570 Gerald Leslie Brockhurst (Anglo-American, 1890-1978) Jeannette Horlick-Bowles, Wife of John Bowles, Greenwich, Connecticut, 1954 Signed and dated “G.L. BROCKHURST -1954-” l.l., titled on the reverse.

Oil on canvas, 36 x 30 1/4 in. (91.4 x 76.8 cm), in an M. Grieve Co., Inc. frame.

Condition: Surface grime. $2,000-3,000

571 Robert Douglas Hunter (American, b. 1928) Still Life with a Copper Pitcher Signed “ROBERT DOUGLAS HUNTER” l.r.

Oil on canvas, 14 x 20 in. (35.5 x 50.8 cm), framed.

Condition: Good.

Provenance: Skinner Inc., American & European Paintings, September 10, 2004, Sale 2249, Lot 669. $1,000-1,500

573

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155

574 David Burliuk (Ukrainian, 1882-1967) Portrait of Marusha Burliuk (Little Mary) Signed “BURLiUK” l.l., inscribed “Painted by Papa Burliuk. February 1966” on the reverse.

Oil on Masonite, 18 1/4 x 15 in. (46.4 x 38.1 cm), framed.

Condition: Surface grime.

Provenance: Sotheby’s Arcade, American Furniture, Decorations and Paintings; Oriental Rugs and Carpets; Collectibles and Musical Instruments, June 26, 1984, Sale 1095, Lot 1178 (as “Portrait of Mrs. Burliuk”). $2,000-2,500 575 Bernard Karfiol (American, 1886-1952)

574

Girl at Tree Signed and dated “B. Karfiol 191...” l.r.

Oil on canvas, 20 3/4 x 10 3/4 in. (52.7 x 27.3 cm), framed (under glass).

Condition: Minor surface grime.

Provenance: Purchased by Mrs. Charlotte H. Jordan from Our Gallery, Inc., March 20, 1927.

576

N.B. A photocopy of the original purchase invoice accompanies the lot.

577

Our Gallery, Inc. was co-founded by Edith Halpert and Berthe (Bea) Kroll Goldsmith in November 1926 “for the purpose of promoting a group of progressive American artists, many of whom were friends of Edith and Samuel Halpert.”1 Later in 1927, the gallery changed its name to the Downtown Gallery to emphasize its Greenwich Village location.2

577 Gerrit Hondius (American, 1891-1970) Girl with a Vase Signed “HONDIUS” l.r.

Oil on Masonite, 30 x 24 in. (76.2 x 61.0 cm), framed.

Condition: Good.

1. http://www.aaa.si.edu/collections/downtown-galleryrecords-6293/more 2. Ibid.

$2,000-3,000

Provenance: Private Massachusetts collection, Skinner Inc., American & European Paintings, May 16, 2003, Sale 2194, Lot 197 (1 of 2). $800-1,200

576 Simka Simkhovitch (Russian/American, 1893-1949) Portrait of the Artist’s Wife, Elsa Signed “S. SIMKHOVITCH” in ink and identified on a label affixed to the stretcher.

Oil on canvas, 20 1/4 x 16 in. (51.4 x 40.6 cm), framed.

Condition: Craquelure, minor surface grime. $800-1,200

578 David Burliuk (Ukrainian, 1882-1967) Portrait of a Woman Signed, dated, and inscribed “BURLiUK. 1919. Vladivostock.” l.l.

Oil on cardstock, 12 5/8 x 9 in. (32.1 x 22.9 cm), framed.

Condition: Minor surface grime. $1,500-2,000

575

578

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157

579 Yaacov Eisenscher (Israeli, 1896-1980) Village View Signed in Hebrew and English “.../Eisenscher” l.r.

Oil on linen stretched over panel, 14 x 10 in.

(35.0 x 25.0 cm), framed.

Condition: Good. $1,000-1,500 580 Norman Carton (American, 1908-1980) Sierra Signed “CARTON” l.l., inscribed and signed “775/Carton” and identified on the artist’s label affixed to the reverse.

Oil on canvas, 8 x 10 in. (20.3 x 25.4 cm), framed.

Condition: Craquelure. $800-1,200

581

581 Vlastimil Hofmann (Czechoslovakian, 18811970) Girl in a Landscape Signed “Vlastimil/Hofmann” l.r., inscribed and dated “...44” in Czech on the reverse.

Oil on artist board, 8 3/4 x 13 1/8 in. (22.0 x 33.2 cm), framed.

Condition: Surface grime. $3,000-5,000

579

582 Walter Parsons Shaw Griffin (American, 1861-1935)

582

South Waterford, Mill Pond, Maine, 1917 Signed “GRIFFIN” l.r., inscribed and titled “No. 30...” in pencil on the reverse and identified on a label from Signature Galleries, Chicago, affixed to the backing.

Oil on artist board, 13 x 15 3/4 in. (33.0 x 40.0 cm), framed.

Condition: Minor surface grime.

Exhibitions: Works by Walter Griffin (18611935), Chicago, Signature Galleries, 1975, no. 9. $1,500-2,000 583 Yaacov Eisenscher (Israeli, 1896-1980) Village on a Hill Signed in Hebrew and English “.../Eisenscher” l.r.

Oil on linen stretched over panel, 10 x 14 in.

(25.0 x 35.0 cm), framed.

Condition: Good. $800-1,200

580

583

158

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159

586 Joseph Hirsch (American, 1910-1981) Nudes Paper Signed “Hirsch” l.r., identified on a label from Schramm Galleries, Fort Lauderdale, Florida, on the stretcher.

Oil on canvas, 10 x 8 in. (25.4 x 20.3 cm), framed.

Condition: Retouch, craquelure, surface grime. $1,000-1,500 587 Gerrit Hondius (Dutch/American, 18911970) Two Ladies of the Circus, 1962 Signed “HONDIUS” u.l., identified on a label affixed to the reverse.

Oil on Masonite, 29 7/8 x 24 in. (76.0 x 61.0 cm), framed.

Condition: Craquelure, surface accretions and grime.

Provenance: Private Massachusetts collection, Skinner Inc., American & European Paintings, May 16, 2003, Sale 2194, Lot 197 (1 of 2). $1,000-1,500

584

586

584 Gerrit Hondius (Dutch/American, 18911970) Punch and Judy Signed “G HONDIUS” u.l., identified on labels from the Smith College Museum of Art, Northampton, Massachusetts, affixed to the reverse (one beneath the backing).

Oil on canvas, 30 x 22 in. (76.2 x 55.9 cm), framed.

Condition: Good.

Provenance: Mr. and Mrs. Lionel Bauman (Sylvia Dlugasch), sold for the benefit of the collections of the Smith College Museum of Art; Skinner Inc., American & European Paintings, May 18, 2007, Sale 2366, Lot 363. $800-1,200 585 Moses Soyer (American, 1899-1974) Standing Dancer Signed “MSOYER” l.l.

Oil on Masonite, 24 x 13 7/8 in. (61.0 x 35.0 cm), framed.

Condition: Scattered retouch. $1,800-2,200

585 587

160

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161

589

588

588 Raoul Dufy (French, 1877-1953) Pâturage à Gretz au bord de la rivière, 1925 Dedicated, signed, and dated “à Catherine Barjanski/Raoul Dufy/Gretz 8-9-25” l.l.

Watercolor on paper, sight size 18 1/2 x 24 1/4 in. (47.0 x 61.6 cm), framed.

Condition: Staining, pitting.

N.B. We wish to thank Mme. Fanny Guillon-Laffaille for her assistance with cataloging the lot. The work will be included in her forthcoming supplement to Catalogue Raisonné des Aquarelles, Gouaches et Pastels de Raoul Dufy, and her photo-certificate no.

N° A14 - 9038 accompanies the lot. $8,000-12,000

Provenance: Purchased in 1948 by publisher James H. Heineman, New York; wedding gift to his sister Marian Heineman, New York; by family descent to the present owner.

162

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589 Emil Nolde (German, 1867-1956) Tulpen und Kakteen Signed “Nolde” l.l., identified on a label from M. Knoedler & Co., Inc., New York, affixed to the backing.

Gouache on wove paper, sheet size 10 3/8 x 18 in. (25.4 x 45.7 cm), framed.

Condition: Foxing, minor acid burn, subtle handling creases, tape hinged to backing mat.

Literature: M. Knoedler & Co. records, approximately 1848-1971, The Getty Research Institute, Los Angeles, Accession no. 2012.M.54, Series III. Commission Books, 1879-1973, Box 99, Commission Book No. 6, CA 7492. $100,000-150,000

Provenance: Nolde Foundation (on consignment through M. Knoedler & Co., Inc., New York, February 16, 1967); to a private collection, purchased April 11, 1967; […]; private Massachusetts collection.

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163

590 Francisco Zúñiga (Mexican, 1912-1998) Seated Woman Signed and dated “Zga 1969” l.r.

Gouache and charcoal on paper, sheet size 10 5/8 x 13 3/4 in. (27.0 x 34.9 cm), framed.

Condition: Minor skinning verso, toning, cloth tape hinged to window mat.

Provenance: From the artist through the collection of author Ina R. Friedman.

N.B. We wish to thank Ariel Zúñiga of the Fundación Zúñiga Laborde A.C. for his kind assistance with cataloging the lot. The work will be included in Francisco Zúñiga: Catálogo Razonado, Volume V. $4,000-6,000 591 Oskar Kokoschka (German, 1886-1980)

592 Diego Rivera (Mexican, 1886-1957)

How Tired my Horse Must Feel After All the Work To-day!

Dedicated, titled, and initialed “For my kind Susan...OK” in pencil u.c.

Graphite on paper, sheet size 8 3/4 x 11 3/4 in. (22.2 x 29.9 cm), framed.

Condition: Paper tape hinged to backing mat, mat burn, toning.

590

Portrait of a Woman Holding a Child, Possibly The Mexican Mart Signed and dated “Diego Rivera 1934” l.r.

Watercolor and conté crayon on Japan paper, sheet size approx. 15 x 11 in. (38.1 x 27.9 cm), framed.

Condition: Subtle rippling/paper irregularities, sandwiched between window mat and backing sheet.

Provenance: Property from the Collection of James Sachs Plaut (1912-1996), founder and first director of the Institute of Contemporary Art, Boston. During World War II, Plaut directed the Art Looting Investigation Unit for the United States Government, the group known as the “Monuments Men.” N.B. The present work was dedicated to Plaut’s daughter Susan (called Sukie), during a weeklong stay by Kokoschka at the Plaut home on Brattle Street in Cambridge, circa 1949. During this time, Kokoschka was on an intensive lecture and meeting circuit, and for Sukie, the horse was directly expressive. She recalls Kokoschka returning home one evening after giving a lecture at the ICA Boston: “…Being a little kid, I didn’t know how tired he was…and I said, ‘Draw me a horse!’…and he drew this horse looking like it was about to die... And he said ‘That’s how I feel.’ And I said, ‘Really?’ And it is exactly how he felt…it’s a very tired horse.”

591

Plaut had connections to many European artists in the 1950s resulting from his work as one of the Monuments Men, and invited many of them to exhibit at the ICA Boston under his directorship.

The work will be included in the third edition of the forthcoming Kokoschka catalogue raisonné of drawings and watercolors; we wish to thank Dr. Alfred Weidinger for his kind assistance with cataloging the lot. $2,500-3,500

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592

Provenance: Collection of David L. Neumann (b. 1902), long-time Santa Fe dealer and scholar on Navajo turquoise, Navajo silversmithing, and American Spanish Colonial crafts. Following his graduation from the University of Michigan in 1925, Neumann attended the Académie Julian and resided in Paris’s Montparnasse. Around 1928, Neumann returned to the United States, where he traveled extensively through the American Southwest, trading on reservations and in Mexico in the 1930s and 1940s.

From 1932 to 1954, Neumann contributed a series of articles to the venerable El Palacio magazine on the status of Navajo Indian silverwork.

Photographer Manuel Álvarez Bravo documented the work of Mexican mural painters including Diego Rivera. While the subject of the present work is unknown, based on the inscription on the Bravo photograph of the work, it may depict a patron at Neumann’s retail shop in Miami, Florida, called “The Mexican Mart,” which he operated from the early to mid-1930s.

N.B. Eight gelatin silver prints (seven by Bravo, two stamped and five unstamped) including one depicting the present work inscribed “Mr. David Newman [sic]--/‘The Mexican Mart’ Oct-9-34.” on the reverse, accompany the lot. $10,000-15,000

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165

595 Orville Bulman (American, 1904-1978) Preacher and Woman Beside a Seaside Chapel Signed “Bulman” l.l.

Oil on panel, 10 x 8 in. (25.0 x 20.0 cm), framed.

Condition: Retouch, surface grime. $3,500-5,500 596 Charles Levier (French/ American, 19202003) Fleurs sur la plage Signed “Levier” l.l., titled and signed “Ch. Levier” and identified on a label from Galerie Juarez, Inc., Palm Beach and Los Angeles, on the reverse.

Oil on canvas, 30 x 40 in. (76.2 x 101.6 cm), framed.

Condition: Craquelure, surface grime. $800-1,200

593

595

593 Charles Levier (French, 1920-2004) Saltimbanque assis Signed “Levier” l.l., titled and signed “Ch. Levier” on the reverse, with a label from Wally Findlay Galleries, Palm Beach and Chicago, affixed to the backing.

Oil on canvas, 30 x 24 in. (76.2 x 61.0 cm), framed.

Condition: Good. $800-1,200 594 Orville Bulman (American, 1904-1978) Woman Walking Beside a Tiger Signed “Bulman” l.l., with a stamp from Hammer Galleries, New York, on the reverse.

Oil on panel, 10 x 8 in. (25.5 x 20.7 cm), framed.

Condition: Varnish inconsistencies, minor surface grime. $3,500-5,500

594 596

166

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167

597

597 Martha Farham Cahoon (American, 19051999) A Family of Three Signed and dated “Martha Cahoon 76” l.r.

Oil on Masonite, 17 3/4 x 24 in. (45.2 x 61.0 cm), framed.

Condition: Retouch to l.l. corner, discolored varnish, surface grime. $1,000-1,500 598 Jonathan Bruce (African American, b. 1948) Self-Portrait with Melons Signed and dated “J. Bruce ‘79” within the composition on table.

Acrylic on canvas, 36 x 48 in. (91.4 x 121.9 cm), unframed.

Condition: Minor losses along l.r. edge. $1,200-1,800

598

168

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599

599 Fernand Renard (French, b. 1912) Still Life with Fruit, Flowers, and Butterflies Signed “Renard” l.r., inscribed “No. 4” on the stretcher.

Oil on canvas, 19 5/8 x 24 in. (50.0 x 61.0 cm), framed.

Condition: Craquelure, surface grime. $3,000-4,000

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169

600 Stefan A. Hirsch (American, 1899-1964) Factory at Night Signed and dated “Stefan Hirsch ‘44” l.l.

Oil on canvas, 24 x 18 in. (61.0 x 45.7 cm), framed.

Condition: Minor losses, surface grime. $3,000-5,000 601 Boris Dmitrievich Grigoriev (Russian, 18861939) Russian Peasants, c. 1930 Signed “Boris Grigoriev” in pencil l.l., identified on the mat.

Gouache and graphite on paper, 11 3/8 x 17 in. (28.9 x 43.2 cm), framed.

Condition: Mounted to backing sheet.

Provenance: Estate of Mischa Richter (19102001), Provincetown, Massachusetts.

N.B. We wish to thank Dr. Tamara Galeeva, author of the 2007 monograph on the artist, for her kind assistance with cataloging the lot. $500-700

600

602

602 Nanno de Groot (Dutch, 1913-1963)

601

170

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Standing Woman Signed and dated “Nanno/...13-53” u.r., with a label from Acme Fine Art and Design, Boston, on the paper backing.

Oil on paper, 38 x 24 in. (96.5 x 61.0 cm), framed.

Condition: Loss to upper center edge, small tears and creasing to upper corners, not examined out of frame. $1,500-2,500

Online bidding at www.skinnerinc.com

171

603 Armando Pizzinato (Italian, 1910-2004) Three Figures at Work on a Boat Deck Signed and dated “Pizzinato/60” l.r.

Oil on canvas, 28 3/4 x 24 1/2 in. (73.0 x 62.3 cm), framed.

Condition: Mild canvas rippling, surface grime. $1,000-1,500 604 Lucio Ranucci (Italian, b. 1924) Singing for Mother Earth Signed and dated “Ranucci 1977” l.l., also signed, dated, and titled “LUCIO RANUCCI 1977...” on the reverse.

Oil on canvas, 36 x 50 in. (90.0 x 125.0 cm), framed.

Condition: Good. $2,000-3,000 605

605 Daniel Putnam Brinley (American, 18791963)

603

The Italian Quarter Signed and dated within a banner “19/D. Putnam Brinley/25” l.r., identified and numbered “324” on an exhibition label from The Carnegie Institute, Pittsburgh, Pennsylvania, affixed to the reverse.

Oil on board, 48 x 60 in. (122.0 x 152.4 cm), framed.

Condition: Loss to support and retouch to u.r. corner, surface grime.

Exhibitions: The Carnegie International, Pittsburgh, Pennsylvania, 1925. (Peter Falk, Record of the Carnegie Institute’s International Exhibitions, 1896-1996, Sound View Press, 1998, p. 49). $2,500-3,500

606

604

172

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606 Pavel Tchelitchew (Russian/ American, 1898-1957) The Artist’s Studio with Classical Models Signed and dated “Tchelitchew ‘37” l.r.

Ink on paper, sheet size 17 1/2 x 22 in. (44.4 x 55.9 cm), framed.

Condition: Tears to folding creases, handling creases, acid burn, toning. $700-900

Online bidding at www.skinnerinc.com

173

607 Thurloe Conolly (Irish, b. 1918) Plant Forms Titled, signed, and dated “THURLOE CONOLLY/JUNE-JULY 1948” on the reverse.

Oil on Masonite, 25 x 30 in. (63.5 x 76.2 cm), framed.

Condition: Minor losses along frame liner.

Provenance: Property from the Collection of James Sachs Plaut (1912-1996), founder and first director of the Institute of Contemporary Art, Boston. $3,000-5,000 608 Leonard Baskin (American, 1922-2000)

607

Dead Crow (Horizontal Bird) Monogram signature and date “LB/1961” in the cast with a stamp from Bedi-Makky Art Foundry, Brooklyn, New York, l.r.

Bronze bas-relief with brown patina, 19 x 40 in. (48.3 x 101.6 cm).

Condition: Minor surface grime.

Literature: Jaffe, Irma B., The Sculptures of Leonard Baskin (New York: The Viking Press, 1980), pp. 132-33, (Fig. 84). $3,000-5,000

610

609 José Salazar Ruiz Esparza (Mexican, 19262006)

608

610 Choo Keng Kwang (Singaporean, b. 1931)

Felicidad, 1968 Signed and dated “J SalazaR E 68” l.r., artist identified on a presentation plaque.

Oil on canvas, 19 1/2 x 31 3/8 in. (49.7 x 79.8 cm), framed.

Condition: Surface grime. $1,000-1,500

Houseboats Along the River Signed “K. KWANG” l.r., identified and inscribed “CHOO KENG KWANG...,” with a label from Shanpy Co., Singapore, affixed to the stretcher.

Oil on canvas, 24 x 40 in. (61.0 x 101.6 cm), framed.

Condition: Minor abrasions, minor surface grime.

Provenance: Collection of Robert Bradford Newman (1917-1983), professor of architectural acoustics at Massachusetts Institute of Technology School of Architecture and the Harvard Graduate School of Design, and co-founder of Bolt, Beranek and Newman Inc., Cambridge, Massachusetts. $8,000-10,000 611

611 Yihang Pan (Chinese, b. 1957)

609

174

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Two Women at Tea Sealed, signed, and dated “...2000 Yihang Pan” in Chinese and English l.l.

Ink and gouache on paper, sight size 25 1/2 x 35 1/2 in. (64.8 x 90.2 cm), framed.

Condition: Not examined out of frame. $6,000-8,000

Online bidding at www.skinnerinc.com

175

612

613

614

612 Luis Carlos (Guatemalan, 1952-2011) La Pareja Unsigned.

Bronze with green patina, 18 x 48 1/2 x 16 in.

(45.7 x 123.2 x 40.6 cm), mounted to a steel frame.

Condition: Dust to the interstices.

N.B. The lot is accompanied by an export certificate from Plastica Contemporanea Galeria de Arte, Guatemala City, and other ephemera relating to the artist. $1,000-1,500

176

613 Fernando Zóbel (Filipino/Spanish, 19241987) Dibuja, Cuenca, July 1970 Titled, dated, and signed “...Zóbel” in pencil l.l.

Ink on paper, sheet size 28 5/8 x 36 1/4 in.

(72.8 x 92.0 cm), unmatted, framed.

Condition: Slight rippling to paper, pinpricks in three of four corners, minor handling crimp l.c. $3,000-5,000

Additional information and photos at www.skinnerinc.com

614 Carlos Merida (Guatemalan, 1891-1984) El Agorero [The Soothsayer] Signed and dated “CARLOS MERIDA 1973” in pencil l.l., titled, signed, and dated “...

CARLOS MERIDA 1973” on the reverse.

Oil, graphite, and incised gesso (or similar) on Arches paper, sheet size 30 x 22 in. (76.2 x 55.9 cm), framed.

Condition: Tape hinged to backing mat.

Provenance: Acquired from the artist’s studio in Mexico City c. late 1970s to early 1980s; by family descent to a private Michigan collection. $20,000-30,000

Online bidding at www.skinnerinc.com

177

615

615 Xavier Bueno (Italian, 1915-1979) Portrait of a Girl in Blue Signed “Xavier Bueno.” u.l., with two stamps and inventory numbers from Florence Art Gallery and Fratelli Rigacci, both of Florence, Italy, on the reverse.

Oil on canvasboard, 15 3/4 x 11 3/4 in.

(40.0 x 30.0 cm), framed.

Condition: Good. $7,000-9,000 616 Attributed to Lino Enea Spilimbergo (Argentine, 18961964) Portrait of a Woman Unsigned.

Oil on burlap, 29 x 22 1/2 in. (73.7 x 57.2 cm), 616 unframed.

Condition: Wear along tacking margins, craquelure, burlap deformations.

178

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Provenance: Through the collection of Leon and Josefina (née Rubinstein) Tieffenberg, Buenos Aires, Argentina, probably acquired from Leon’s sister Sara (née Tieffenberg) Hurvitz or her daughter, ceramicist Hilda Hurvitz. $4,000-6,000

617

617 Alexis Miguel-Pantoja Pérez (Cuban, b.

1969) Gemelos Monogram signed and dated “A/ pantoja/2012” l.r., titled and inscribed on the reverse.

Oil on canvas, 47 5/8 x 59 3/8 in. (121.0 x 151.0 cm), unframed.

Condition: Good.

N.B. A Certificate of Authentication from Alexis Miguel-Pantoja dated 2012 accompanies the lot. $8,000-10,000

Online bidding at www.skinnerinc.com

179

618

619

618 Yohanan Simon (Israeli, 1905-1976) Congenial Souls Signed “Yohanan Simon” l.l., also signed and dated “...69” in Hebrew l.r., signed, identified, titled, and dated “Yohanan Simon...1969” on the reverse.

Oil with tooling on canvas mounted to panel, 6 1/2 x 8 3/4 in. (16.5 x 22.2 cm), framed.

Condition: Good. $5,000-7,000

180

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619 Yohanan Simon (Israeli, 1905-1976) Interior Still Life with Table Top Signed “Yohanan Simon” l.l. and in Hebrew l.r.

Oil on canvas, 8 3/4 x 10 3/4 in. (22.2 x 27.3 cm), framed.

Condition: Good. $8,000-10,000

Online bidding at www.skinnerinc.com

181

622 Hunt Slonem (American, b. 1951) Tropical Birds Signed and dated “Hunt Slonem 1988” in pencil l.r.

Watercolor on paper, sight size 48 x 45 in.

(121.9 x 114.3 cm), framed.

Condition: Not examined out of frame. $1,000-2,000 623 Hunt Slonem (American, b. 1951) Hanging Conures Signed and dated “Hunt Slonem ‘87” on the reverse and stretcher, also titled on the reverse.

Oil on canvas, 47 1/2 x 48 in. (120.7 x 121.9 cm), unframed.

Condition: Good. $2,000-3,000

620

622

620 Hunt Slonem (American, b. 1951) Rino-hornbills [sic]/A Diptych Both signed and dated “Hunt Slonem 1988” on the reverse and stretchers, one panel titled on the reverse.

Oil on canvas, each panel 66 x 44 in. (167.6 x 111.8 cm), both unframed.

Condition: Alligatoring. $3,500-7,000 621 Tom Christopher (American, b. 1952) Still Life with Shaving Cream Signed and dated “T Christopher ‘90” on the reverse.

Acrylic and graphite on canvas, 42 x 36 in.

(106.7 x 91.4 cm), unframed.

Condition: Good. $1,500-2,500

621 623

182

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183

624 Mihail Chemiakine (Russian/American, b.

1943) Metaphysical Head XXI Signed and dated “M. Chemiakine 197889...” u.r., signed, dated, and titled “M. Chemiakine 1978-89...” on the reverse, with a framing label from China Basin Designs, San Francisco, affixed to the frame.

Oil on canvas, 42 x 42 in. (106.7 x 106.7 cm), framed.

Condition: Good.

624

Provenance: The sale of this work will benefit Brigham and Women’s Hospital, Boston, Massachusetts.

N.B. We wish to thank the artist’s wife, Sarah de Kay, for her kind assistance with cataloging the lot. $15,000-20,000 625 Mihail Chemiakine (Russian/American, b.

1943) Metaphysical Head XX, c. 1978 Signed and dated “M. Chemiakine 19791989...” in Cyrillic l.l., signed, dated, and titled “M. Chemiakine. 1978-1989...” in Cyrillic on the reverse, identified on a framing label from China Basin Designs, San Francisco, affixed to the frame.

Oil on canvas, 42 x 42 in. (106.7 x 106.7 cm), framed.

Condition: Good.

Provenance: The sale of this work will benefit Brigham and Women’s Hospital, Boston, Massachusetts.

N.B. We wish to thank the artist’s wife, Sarah de Kay, for her kind assistance with cataloging the lot. $15,000-20,000 625

184

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626

626 Mihail Chemiakine (Russian/American, b.

1943) Artist and His Client Signed and dated “M. Chemiakine 1988.” l.r., signed, dated, titled, and inscribed “M. Chemiakine 1988...” in Cyrillic on the reverse, identified on a framing label from China Basin Designs, San Francisco, on the frame reverse.

Oil on canvas, 42 x 42 in. (106.7 x 106.7 cm), framed.

Condition: Good.

Provenance: The sale of this work will benefit Brigham and Women’s Hospital, Boston, Massachusetts.

N.B. We wish to thank the artist’s wife, Sarah de Kay, for her kind assistance with cataloging the lot. $20,000-25,000

Online bidding at www.skinnerinc.com

185

627

627 Loren MacIver (American, 1909-1998) Off a Tent Olive Shell Signed “MacIver” l.r., identified on two partial labels, including one from the Whitney Museum of American Art, New York, affixed to the stretcher.

Oil on canvas, 14 x 20 in. (35.5 x 50.7 cm), framed.

Condition: Scattered paint losses and abrasions, surface grime.

Provenance: Currier Museum of Art, Manchester, New Hampshire, sold to benefit the acquisitions fund. $800-1,200

628

628 John Raimondi (American, b. 1948) Aquila, 1981 Signed and numbered “Raimondi © 2/10” l.r.

Bronze with dark brown patina, 18 1/2 x 36 x 18 in. (47.0 x 91.4 x 45.7 cm).

Condition: Surface dust, one element partially detached from the base. $2,000-3,000

186

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629

629 Ernst Wilhelm Nay (German, 1902-1968) Komposition Signed and dated “Nay 66” in pencil l.r., dedicated and signed “for Harry-Ernst” on the reverse, with a label from Knoedler Galleries, New York, affixed to the paper backing.

Gouache on paperboard, 15 x 13 in. (38.1 x 33.0 cm), framed.

Condition: Cloth taped to window mat. $7,000-9,000

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187

632 Raymond (Carl Raymond) Jonson (American, 1891-1982) Composition Signed and dated “Jonson 65” l.c., identified on labels, including one from Acme Fine Art and Design, Boston, affixed to the reverse.

Oil on canvasboard, 17 1/2 x 22 in. (44.4 x 55.9 cm), framed.

Condition: Very minor retouch, minor surface grime. $1,000-1,500 633 Pierre Clerk (Canadian, b. 1928) Painting, July 1955 Unsigned, identified on a label from Margaret Brown Gallery, Boston, affixed to the stretcher.

Oil on canvas, 23 x 28 in. (58.4 x 71.1 cm), framed.

Condition: Dust and minor surface grime.

630 632

Provenance: Skinner Inc., American & European Paintings & Prints, September 11, 2009, Sale 2470, Lot 831. $1,000-1,500

630 Esphyr Slobodkina (Russian/American, 1908-2002) Untitled Signed and dated “Esphyr Slobodkina 1988” in pencil l.l.

Gouache and graphite on paper, 16 x 14 1/2 in. (40.6 x 36.8 cm), unframed.

Condition: Good.

Provenance: Private collection, Hove, East Sussex, United Kingdom. $1,500-2,000 631 Cary Smith (American, b. 1955) Can you Hear Me, 1988-93 Signed, dated, and titled “CARY SMITH. 1988-93...” l.r.

Oil, wax, and graphite on paper, 29 x 23 in.

(73.7 x 58.4 cm), framed.

Condition: Tack holes to corners. $800-1,200 633

631

188

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189

636 634

636 Toni Onley (Canadian, 1928-2004)

634 Jun Dobashi (Japanese, 1910-1978)

Tormenta Verde Signed and dated “Onley 58” l.r., identified on two labels, including one from Galeria Antonio Souza, Mexico, D.F., affixed to the reverse.

Pastel on paper, sheet size 22 1/4 x 34 1/2 in.

(57.0 x 78.0 cm), framed.

Condition: Rippling, pigment displacement. $1,000-1,500

Souvenir d’Espagne Signed “Jun. Dobashi” l.r., titled, inscribed, and signed in black on the reverse, also inscribed “DOBASHI” in white chalk on the reverse.

Oil on canvas, 28 7/8 x 36 1/2 in. (73.3 x 92.0 cm), framed.

Condition: Scattered paint losses, craquelure, subtle rippling, surface grime. $2,500-3,500

637 Carl Palazzolo (American, b. 1945) One Night Affair, 1975 Signed, titled, and dated “Carl Palazzolo...

October 1975” on the reverse, identified on a label from Harcus Krakow Rosen Sonnabend Gallery, Boston, affixed to the stretcher.

Acrylic on canvas, 33 x 63 in. (83.8 x 160.0 cm), framed.

Condition: Minor surface grime.

635 Shanti Dave (Indian, b. 1931) Untitled Signed and dated “Shanti Dave 67” l.l., dedicated and signed “...Shanti” in pencil on the stretcher.

Oil on canvas, 16 x 20 in. (40.6 x 50.8 cm), framed.

Condition: Surface grime. $800-1,200

N.B. A copy of the artist’s curriculum vitae accompanies the lot. $1,000-1,500

635

637

190

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191

638

641

641 Shanti Dave (Indian, b. 1931)

638 Shanti Dave (Indian, b. 1931)

639

Untitled Signed, dated, and inscribed “Shanti Dave 63/ New York” within the composition u.r.

Oil and gouache on paper, sight size 21 x 28 in. (53.3 x 71.1 cm), framed (under glass).

Condition: Rippling, craquelure. $800-1,200

The Wrong Side of the Tracks Signed and dated “Shanti Dave. 63.” c.r., titled, signed, inscribed, and dated “...Roma63.” on the reverse.

Oil on canvas, 23 x 35 1/2 in. (58.4 x 90.2 cm), framed.

Condition: Minor losses, particularly to edges. $2,000-3,000

639 José Salazar Ruiz Esparza (Mexican, 19262006)

642 Shanti Dave (Indian, b. 1931) Hear to Their Signed and dated “Shanti Dave 63” u.r., titled and signed “...Shanti Dave” on the reverse.

Oil on canvas, 36 x 24 in. (91.4 x 61.0 cm), framed.

Condition: Minor craquelure, surface grime. $2,000-3,000

The Struggle Signed and dated “J SalazaR E/-70-” l.r., titled on a label on the reverse.

Oil on canvas, 23 x 47 in. (58.5 x 199.3 cm), framed.

Condition: Surface grime. $1,000-1,500 640 Shanti Dave (Indian, b. 1931) Spot of Goval (Cowboy) Signed and dated “Shanti Dave 63” u.r., titled and signed “...Shanti Dave” on the reverse.

Oil on canvas, 22 x 22 in. (55.9 x 55.9 cm), framed.

Condition: Minor craquelure, surface grime. $1,000-2,000 640

192

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642

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193

645 Gregory Joseph Gillespie (American, 19362000)

643 Leonard M. Nierman (Mexican, b. 1932) Flight to the Sun Signed “nierman” l.l., titled on the reverse.

Oil on Masonite, 30 1/2 x 22 1/2 in. (77.5 x 57.2 cm), framed.

Condition: Minor surface grime. $800-1,200

Split Image Swamp, 1999 Unsigned, identified on a label from Salander O’Reilly Galleries, New York, affixed to the reverse.

Oil on Masonite, 16 1/2 x 14 1/2 in. (41.9 x 36.8 cm), framed.

Condition: Minor surface dust. $1,500-2,000

644 Leonardo M. Nierman (Mexican, b. 1932)

646 Yutaka Ohashi (Japanese, b. 1923)

Bird of Paradise Signed “nierman” l.r., titled on the reverse.

Oil on Masonite, 15 3/4 x 23 1/2 in. (40.0 x 59.7 cm), framed.

Condition: Minor abrasions to edges. $1,000-1,500

Pulsar #2 Signed “ohashi” u.l., also signed, dated, and titled “YUTAKA OHASHI 1976...” on the reverse.

Oil and gold leaf on canvas, 30 x 38 in. (76.2 x 96.5 cm), framed.

Condition: Minor surface grime. $1,500-2,500

645 643

644 646

194

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195

647

647 Michael Lucero (American, b. 1953) Seated Figure, from the Pre-Columbus Series Signed and dated “Michael Lucero 1990” on the underside, inscribed “ML51290” on the reverse.

Glazed earthenware, approximately 18 x 10 x 8 in. (45.7 x 25.4 x 20.3 cm).

Condition: Dust to interstices, minor firing cracks. $3,000-5,000

649

648 Virgilio Guidi (Italian, 1892-1984) Head Inscribed, signed, and dated “Autentico/ Guidi/1965” in ballpoint pen and dedicated “Guidi/To Martin Kahn/Cordialmente/Virgilio Guidi” in red on the reverse.

Oil on canvas, 13 3/4 x 9 3/4 in. (35.0 x 24.8 cm), framed (under glass).

Condition: Not examined out of frame. $1,500-2,000

649 Gabriel Glikman (Russian, 1913-2003) Portraits of Mr. and Mrs. David and Klara (nee Awinowick-Schpirt) Sklar of Nashua, New Hampshire Both initialed and dated “...81” l.r. and identified on the paper backing.

Oil and graphite on paper/board, 40 x 32 in.

(101.6 x 81.3 cm), framed.

Condition: Surface grime, not examined out of frames. $5,000-7,000

648

196

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197

650

652

650 John Way [Wei Letang] (Chinese/American, 1921-2012)

652 Chen Chi (Chinese/American, 1912-2005)

Untitled Signed and dated “John Way 1-1-71” l.r.

Oil on paper, sheet size 19 x 24 in. (48.3 x 61.0 cm), framed.

Condition: Good.

Golden Autumn Landscape Signed and dated “CHEN CHI 1976” l.l. and stamped with the artist’s seal in red l.r.

Watercolor on paper mounted to silk, image size 17 5/8 x 26 3/4 in. (44.8 x 68.0 cm), framed.

Condition: Silk support mounted to Masonite. $4,000-6,000

Provenance: Through the family of the artist. $2,000-3,000 651 Thomas Yeo (Singaporean, b. 1936)

653 Romeo Villalva Tabuena (Filipino, b. 1921)

Two Works: Lost Village and Magic Trees Each signed “tyeó” l.r., both identified on the paper backing.

Mixed media on paper, sight sizes to 30 1/2 x 17 in., both framed.

Condition: Not examined out of frames.

Provenance: Collection of Robert Bradford Newman (1917-1983), professor of architectural acoustics at Massachusetts Institute of Technology School of Architecture and the Harvard Graduate School of Design, and co-founder of Bolt, Beranek and Newman Inc., Cambridge, Massachusetts. $1,800-2,200

Pilgrims Signed and dated “TABUENA 1966” l.l., identified on the artist’s label affixed to the reverse.

Acrylic on Masonite, 12 3/8 x 16 3/8 in. (31.4 x 41.6 cm), framed.

Condition: Minor losses to edges, craquelure, surface grime. $1,500-2,000 653

651

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199

654

655

654 Michael Ayrton (British, 1921-1975) Hammock Unsigned, numbered “1/9� along the side of base.

Bronze and wire with brown patina, 31 x 10 3/4 x 8 1/2 in. (78.7 x 27.3 x 21.6 cm).

Condition: Surface dust to interstices.

Provenance: Probably through Alwin Gallery, London, March 18, 1976 (the invoice refers to an edition number of 5/9 instead of 1/9); by family descent to the present owner.

N.B. A copy of an invoice from Alwin Gallery accompanies the lot. $3,000-5,000

200

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655 Pavel Tchelitchew (Russian/American, 1898-1957) Study for Green Venus, 1928 Unsigned, identified on a label from Richard Nathanson, London, affixed to the backing.

Gouache on paper, sheet size 19 11/16 x 25 3/4 in. (50.0 x 65.4 cm), framed.

Condition: Minor acid burn, paper taped to backing mat, tack holes to corners, minor creases to corners.

N.B. The present work relates to an oil of the same title and year in the Metropolitan Museum of Art collection. $4,000-6,000

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201

656 Jiri Kolar (Czechoslovakian, 1914-2002) Two Works: Ernst et Fragonard and Lammens et Manet Ernst initialed and dated “JK 76” in ballpoint pen l.r., Lammens initialed and dated “JK 73” l.r.

Collage, sight sizes to 8 1/2 x 20 in. (21.6 x 50.8 cm), both framed.

Condition: Not examined out of frames. $1,500-2,500 657 Susana Jaime-Mena (Argentine American, 20th/21st Century)

656

Two Works: Inner Green and Glass Patina Both signed and dated “SUSANA JAIMEMENA/2000” and identified on labels from Nohra Haime Gallery, New York, on the reverse.

Inner Green copper on cardboard, beeswax with copper pigment; Glass Patina copper, glass, and patina on cardboard; each 5 1/2 x 5 1/2 x 1 18 in. (14.0 x 14.0 x 2.8 cm), with mounting holes on the reverse.

Condition: Good. $1,000-1,500

658

658 Gene Davis (American, 1920-1985) Yo Yo Titled, signed, and dated “...Gene Davis (1968)” in pencil l.r.

Acrylic on canvas, 10 x 12 in. (25.4 x 30.5 cm), framed.

Condition: Good.

Provenance: Acquired in 2001 by family descent from the estate of Georg Maisel, Washington, D.C. $4,000-6,000 658A Irene Valincius (German/American, b. 1948) Abstract (Red and Black) Signed and dated “VALINCIUS 1984” on the reverse.

Oil, beeswax, and dry pigment on canvas, 58 x 66 1/4 in. (147.3 x 168.3 cm), unframed.

Condition: Good. $800-1,200

658A 657

202

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203

659 Humberto Calzada (Cuban, b. 1944) Soñando con la Habana Signed “Calzada” l.r., titled, signed, and dated “.../Calzada 2000” on the reverse.

Oil on canvas, 72 x 72 in. (183.0 x 183.0 cm), framed.

Condition: Good. $5,000-7,000 660 Clarence Holbrook Carter (American, 19042000)

659

The Guardian Angel, No. 4 Signed and dated “Clarence H. Carter 63” l.r., identified on labels from the American Watercolor Society and Phillips Mill, Community Association, New Hope, Pennsylvania, affixed to the backing.

Gouache on paper, sheet size 24 x 30 1/4 in.

(61.0 x 76.8 cm), framed.

Condition: Masking taped to window mat, masking tape residue to the reverse. $800-1,200

661

661 Allan Capron Houser (American, 19141994) Serene Moments Signed, dated, numbered, and inscribed “ALLAN HOUSER © 84 6/8 SF” on the back near the lower edge.

Bronze with dark brown patina, 25 1/2 x 15 x 17 1/2 in. (64.8 x 38.1 x 44.4 cm).

Condition: Good. $25,000-30,000 660

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205

662 Keith Haring (American, 1954-1990) Figure Dedicated and signed “FOR DOUG-/K. Haring ‘87” on the title page l.r.

Black marker on offset print, sheet size 9 x 9 in. (22.9 x 22.9 cm), bound within the book.

Condition: Good.

N.B. A signed, dated, and inscribed printed Keith Haring calendar page accompanies the lot. $1,500-2,000 663 John Bisbee (American, b. 1965)

662

Untitled, 2000 No visible signature.

Welded nail sphere, diameter approximately 6 in. (15.2 cm).

Condition: Intentional oxidation.

Provenance: Gift of the artist, sold to benefit Prize4Life, Cambridge, Massachusetts.

N.B. On May 13, 2008, NPR broadcast a segment about Brisbee’s work saying, “It all started when Bisbee was a student in college.

He was raiding abandoned houses for found objects to use in his art when he came upon an old bucket of nails. “I kicked the bucket and it flipped over,” Bisbee recalls, “and the nails had cohered, oxidized—they’d rusted into the bucket shape. And it was just such an obvious thing of beauty—it was so clearly above anything I had ever envisioned making myself. And I sat down on the bed, and I knew that I needed to get some nails.” Bisbee went to the hardware store and bought $30 worth of brads. He would later move to 1-inch nails, then 2-inch nails, ten-penny nails and 5-inch nails. Over the years, Bisbee has created a surprisingly diverse array of sculptures with the nails—everything from tightly wadded balls of welded brads, to undulating waves of bent nails, to towering brambles of 12-inch spikes.” $1,000-1,500 663

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664

664 John Wesley (American, b. 1928) Landscape with Bathroom, 1978 Signed and dated “John Wesley 1978” l.r., titled above the signature.

Ink and gouache on paper, 25 1/2 x 19 5/8 in.

(65.0 x 49.8 cm), unframed.

Condition: Abrasions to center, tack holes to corners, sheet affixed to backing mat in several places on the reverse.

Provenance: Through the family of the artist.

N.B. John Wesley’s Pop artistry illustrates the American psyche through comic-book style imagery that often depicts intimate moments.

Wesley’s unique approach to creation was shaped by his early draftsman work interpreting blueprints for the Northrop aircraft company. Filled with whimsy, Wesley’s works combine existing imagery from magazines and books that he traces and transforms into flat representations of a reality imparted with his fantastical vision.

Contemporaries Donald Judd and Dan Flavin were close friends of Wesley’s and proponents of his work. Judd played an integral role in creating the John Wesley Gallery housed in a former horse stable near the last of the six Dan Flavin buildings at the Chinati Foundation in Marfa, Texas. $7,000-9,000

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207

665 David Hare (American, 1917-1992) Mountain, Sky No. 1 Signed and dated “Hare 23/1/77” in pencil l.c., titled, inscribed, and dated “...1977” and with an effaced inscription on the reverse.

Mixed media (oil and collage) on paper, sheet size 39 1/2 x 30 1/2 in. (100.3 x 77.5 cm), framed.

Condition: Water staining, toning, not examined out of frame. $1,500-2,000 666 Cary Smith (American, b. 1955) Untitled (Birthday Cake) Signed and dated “C. SMITH- ‘09” l.r., stamped “CARY SMITH” on the backing.

Graphite on paper, sheet size 16 x 13 1/4 in.

(40.6 x 33.7 cm), framed.

Condition: Not examined out of frame. $500-700

665

667

667 David Hare (American, 1917-1992) Mountain, Sky No. 3 Signed and dated “Hare 21/1/77” in pencil l.c., titled, inscribed, and dated “...1977” on the reverse.

Mixed media (oil and collage) on paper, sheet size 39 1/2 x 30 1/2 in. (100.3 x 77.5 cm), framed.

Condition: Toning, not examined out of frame. $1,500-2,000

666

208

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209

668

669

668 Tom Christopher (American, b. 1952) Lexington Avenue Signed and dated “T. Christopher ‘93” in graphite on the reverse, identified on a label from Galerie Tamenaga, New York, on the backing.

Acrylic and graphite on canvas, 30 x 40 in.

(76.2 x 101.6 cm), framed.

Condition: Good. $7,000-9,000

669 Tom Christopher (American, b. 1952) Crossing the Avenue Signed and dated “T Christopher ‘93” on the reverse.

Acrylic and graphite on canvas, 62 x 46 in.

(157.5 x 116.8 cm), unframed.

Condition: Good. $7,000-9,000

End of Sale 2750B

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Artist Index American School, 19th Century....... 370, 393, 405 American School, 19th/20th Century............... 518 American School, 20th Century....................... 532 Anglo-Indian School, 19th Century.................. 350 Anglo-American School, 19th Century............. 336 Avery, Milton................................................... 461 Ayrton, Michael............................................... 654 Babbage, Frank............................................... 333 Babcock, William Perkins (Attributed to).......... 550 Barbizon School, 19th Century........................ 360 Barnard, Edward Herbert................................ 427 Baskin, Leonard.............................................. 608 Bassett, Reveau Mott...................................... 453 Bate, Stanley................................... 441, 442, 444 Battaglia, Clelia Bompiani................................ 357 Beck, Walter Otto............................................ 556 Bemelmans, Ludwig........................................ 509 Benson, Frank Weston.................................... 458 Bisbee, John................................................... 663 Blashfield, Edwin Howland.............................. 547 van Boskerck, Robert Ward............................ 388 Bricher, Alfred Thompson..............................394A Brinley, Daniel Putnam.................................... 605 Bristol, John Bunyan....................................... 374 British School, 19th/20th Century.................... 544 Brockhurst, Gerald Leslie................................ 570 Brown, John Appleton..................... 373, 379, 387 Bruce, Jonathan.............................................. 598 Bruestle, Bertram George................................ 465 Bueno, Xavier.................................................. 615 Bulman, Orville........................................ 594, 595 Burliuk, David.......................................... 574, 578 Burton, Arthur Gibbes..................................... 437 Butler, Theodore Earl....................................... 535 Cahoon, Martha Farham................................. 597 Calzada, Humberto......................................... 659 Camlin, James A..................................... 455, 490 Carlos, Luis..................................................... 612 Carlsen, Dines................................................. 552 Carter, Clarence Holbrook............................... 660 Carton, Norman.............................................. 580 Catlin, George (School of)................................ 403 Chapin, Bryant................................................ 415 Chaplin, Charles.............................................. 399 Chemiakin, Mihail.....................................624-626 Chemielinski, Wladyslaw T. .....................511-513 Chen, Chi........................................................ 652 Cheney, Harold W. ......................................... 503 Christopher, Tom............................ 621, 668, 669 Churchill, William Worcester............................ 439 Cirino, Antonio................................................. 479 Clapp, William Henry.......517, 523, 524, 527, 568 Clerk, Pierre.................................................... 633 Coates, Edmund C.......................................... 315 Coleman, Charles Caryl................................... 352 Conolly, Thurloe.............................................. 607 Continental School, 17th Century Style........... 303 Continental School, 17th Century.................... 304 Continental School, 19th Century.................... 520 Continental School, 20th Century.................... 526 Cooper, Thomas Sidney.................................. 334 Corey, Bernard................................................ 422 Cotes, Francis................................................. 307 Cotes, Francis (School of)............................... 305 Craig, William C............................................... 394 Cram, Leighton R............................................ 492 Crane, Bruce................................................... 429 Crome, John (Attributed to)..................... 318, 320 Curran, Charles Courtney........................ 558, 559 Curtis, George................................................. 376

212

Dallin, Cyrus Edwin.......................................... 404 Daubigny, Charles François............................. 361 Dave, Shanti.............................635, 638, 640-642 Davis, Charles Harold...................................... 418 Davis, Gene..................................................... 658 Davis, Gladys Rockmore................................. 508 DeCamp, Joseph Rodefer............................... 390 De Grailly, Victor (Attributed)............................ 366 de Groot, Nanno............................................. 602 Derain, André (Attributed to)............................ 500 Dobashi, Jun................................................... 634 Doll, Franz....................................................... 316 Domergue, Jean-Gabriel................................. 566 Dufy, Raoul...................................................... 588 Dupré, Jules.................................... 358, 364, 365 Dutch School, 18th/19th Century............ 312, 327 Dutch School, 19th Century............................ 342 Eisenscher, Yaacov.................................. 579,583 Enneking, John Joseph........................... 367, 375 ...............................386, 417, 419, 424, 428, 436 Farndon, Walter............................................... 481 Fiske, Gertrude........................................ 485, 488 Flemish School, 17th Century Style................. 301 Foster, William Frederick................................. 551 Franco-American School, 19th/20th Century.. 496 Fransioli, Thomas Adrian......................... 540, 542 French School, 19th Century........................... 359 French School, 20th Century........................... 533 French, Daniel Chester.................................... 549 Gaul, Gilbert.................................................... 431 Gay, Edward B................................................ 391 German School, 19th Century......................... 331 German School, 20th Century................. 519, 561 Gignoux, Régis François.................................. 384 Gillespie, Gregory............................................ 645 Gioja, Belisario................................................. 356 Gisson, André................................................. 525 Glendening, Jr., Alfred Augustus..................... 345 Glikman, Gabriel.............................................. 649 Goodwin, Arthur Clifton........................... 499, 501 Gookins, James Farrington.............................. 414 Griffin, Walter Parsons Shaw........................... 582 Griggs, Samuel W........................................... 382 Grigoriev, Boris Dmitrievich.............................. 601 Gruppe, Emile Albert....................................... 433 Gruppé, Robert Charles.................................. 468 Guidi, Virgilio................................................... 648 Hale, Philip Leslie............................................ 548 Hambourg, Andre............................................ 531 Hare, David............................................. 665, 667 Haring, Keith................................................... 662 Hart, James McDougal.................................... 383 Heffner, Karl.................................................... 323 Herring the Younger, John Frederick (Attributed to).................................................. 324 Hibbard, Aldro Thompson............... 420, 423, 497 Hill, Howard..................................................... 401 Hill, Roswell Stone........................................... 430 Hirsch, Joseph................................................ 586 Hirsch, Stefan A.............................................. 600 Hirschfeld, Al................................................... 510 Hoeber, Arthur................................................ 397 Hofmann, Vlastimil........................................... 581 Hondecouter, Gillis Claesz de (School of)........ 314 Hondius, Gerrit................................ 577, 584, 587 Houser, Allan Capron...................................... 661 Howell, Félicie Waldo....................................... 506

Hunt, Lynn Bogue........................................... 456 Hunt, William Morris (Attributed to).................. 545 Hunter, George Leslie...................................... 546 Hunter, Robert Douglas........................... 569, 571 Italian School, 17th Century............................ 302 Jackson, Robert Scott..................................... 573 Jaime-Mena, Susana....................................... 657 Johnson, Eastman.......................................... 398 Johnston, Frank H........................................... 440 Jones, Amy..................................................... 491 Jonson, Raymond (Carl Raymond).................. 632 Kapp, Gary...................................................... 452 Karfiol, Bernard............................................... 575 Kauba, Carl (After)........................................... 407 Kaula, William Jurian........................................ 432 Knarren, Petrus Renier Hubertus (Attributed to).................................................. 329 Knowlton, Helen Mary..................................... 459 Koen, Irma René............................................. 534 Koeniger, Walter.............................................. 421 Koester, Alexander Max.................................. 339 Kokoschka, Oskar................................... 529, 591 Kolar, Jiri......................................................... 656 Kroll, Leon....................................................... 560 Kwang, Choo Keng......................................... 610 La Farge, John................................................ 447 Lachman, Harry B........................................... 528 Laezza, Giuseppe.................................... 326, 328 Lamb, Frederick Mortimer............................... 463 Lane, Harry..................................................... 541 Lathrop, Ida Pulis............................................ 563 Lauer, Josef.................................................... 332 Laux, August................................................... 337 Lebron, Sandi.................................................. 564 Leighton, Scott................................................ 402 Levier, Charles......................................... 593, 596 Libby, Francis Orville............................... 478, 482 Lidderdale, Charles Sillem............................... 306 Lippincott, William Henry................................. 409 Lucero, Michael............................................... 647 Luks, George Benjamin................................... 507 MacIver, Loren................................................ 627 Maillol, Aristide................................................ 521 McGhie, John.................................................. 477 Merida, Carlos................................................. 614 Mesdag, Hendrik Willem.................................. 321 Millet, Jean François........................................ 353 Moffett, Ross E. ..................................... 493, 494 Morel II, Jan Evert........................................... 313 Morrell, Wayne Beam...................... 466, 469, 475 Morris, Alfred................................................... 335 Morviller, Joseph............................................. 369 Munnings, Sir Alfred James............................. 446 Nay, Ernst Wilhelm.......................................... 629 Nesfield, William Andrews................................ 322 Nicholls, Burr H............................................... 530 Nierman, Leonardo M.............................. 643, 644 Nolde, Emil...................................................... 589 Noyes, George Loftus..................................... 438 Ohashi, Yutaka................................................ 646 Old Crome (Attributed to)........................ 318, 320 Olinsky, Tosca................................................. 504 Onley, Toni...................................................... 636

Pantoja Pérez, Alexis Miguel............................ 617 Pape, Eric L. (Frederic).................................... 557 Park, Madeleine Fish....................................... 522 Pasini, Alberto................................................. 351 Pater, Andre.................................................... 449 Paxton, Elizabeth Vaughan Okie...................... 553 Pepper, Charles Hovey.................................... 484 Periconi, Domingo F........................................ 448 Pernhart, Marcus............................................. 346 Peterson, Jane................................ 435, 486, 498 Pieter, Evert..................................................... 343 Pizzinato, Armando................................. 539, 603 Platonov, Semyon Sergeievich........................ 363 Plessner, Rudolf.............................................. 505 Pope, Jr., Alexander........................................ 454 Prentice, Levi Wells......................................... 368 Raimondi, John............................................... 628 Ranucci, Lucio................................................ 604 Raupp, Karl..................................................... 344 Ream, Morston Constantine............................ 413 Reed, Marjorie Jane........................................ 450 Rehn, Frank Knox Morton............... 426, 462, 480 Remington, Frederic........................................ 406 Renard, Fernand............................................. 599 Reni, Guido (After)........................................... 300 Renoir, Pierre-Auguste.................................... 565 Richardson, Francis (Frank) Henry................... 515 Ripley, Aiden Lassell........................................ 457 Ritschel, William (Wilhelm) (Attributed to)......... 460 Rivera, Diego................................................... 592 Robinson, William S. ...................................... 514 Roesen, Severin (School of)............................. 411 Romañach, Leopoldo...................................... 562 Rook, Edward Francis..................................... 538 Roseland, Harry Herman................................. 396 Ryder, Chauncey Foster.................................. 434

van de Velde the Younger, Willem................... 319 van der Stok, Jacobus (Attributed to).............. 317 van der Straaten, Hendrick.............................. 311 van der Weele, Hermanus Johannes............... 341 Verheyden, François........................................ 354 Vermeulen, Andries................................. 309, 310 Vermeulen, Andries (Attributed to)................... 308 Wall, William Guy (Attributed to)....................... 381 Warshawsky, Abel George.............................. 516 Watelin, Louis Victor........................................ 362 Way, John....................................................... 650 Webster, E. Ambrose...................................... 395 Webster, Stokely............................................. 572 Wei, Letang..................................................... 650 Wesley, John................................................... 664 Whitaker, George William................ 372, 392, 412 Wilhelm, Heinrich............................................. 355 Williams, Frederick Dickinson.......................... 378 Williams, Raymond Hendry.............................. 471 Woodbury, Charles Herbert............. 483, 489, 554 Woodward, Mabel May................................... 487 Yamagata, Hiro............................................... 543 Yeo, Thomas................................................... 651 Zimmermann, Richard..................................... 325 Zucker, Jacques.............................................. 537 Zóbel, Fernando.............................................. 613 Zúñiga, Francisco............................................ 590

Salazar Ruiz Esparza, José..................... 609, 639 Santos, Julian Grau......................................... 536 Sargent, John Singer....................................... 416 Schmutzler, Leopold....................................... 567 Schreyer, Adolf (School of).............................. 348 Sell the Elder, Christian................................... 349 Shapleigh, Frank Henry................... 377, 380, 385 Sharman, John................................................ 555 Shaw, Sydney Dale......................................... 473 Shayer I, William (Attributed to)........................ 338 Shepherd, J. Clinton........................................ 451 Simkhovitch, Simka......................................... 576 Simon, Yohanan...................................... 618, 619 Sloane, Eric..................................................... 445 Slobodkina, Esphyr......................................... 630 Slonem, Hunt.................................. 620, 622, 623 Smillie, George Henry.............................. 371, 389 Smith, Cary............................................. 631, 666 Smith, Edward Gregory................................... 464 Smith, Russell................................................. 340 Soyer, Moses.................................................. 585 Spilimbergo, Lino Enea (Attributed to)............. 616 Spitzweg, Carl (Attributed to)........................... 347 Stevens, William Lester.................................... 425 Strisik, Paul.............................470, 472, 474, 476 Stuart, Gilbert (School of)................................ 408 Sully, Thomas.................................................. 410 Tabuena, Romeo............................................. 653 Tchelitchew, Pavel................................... 606, 655 Terelak, John Charles...................................... 467 Thal, Samuel................................................... 443 Tucker, Allen................................................... 495

Palazzolo, Carl................................................. 637

213

Conditions of Sale 1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot.

2. All property is sold “as is,� and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability.

3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale. The auctioneer shall have sole discretion to refuse any bid, or refuse to acknowledge any bidder. Any bidder that plans on spending in excess of $100,000 should make arrangements with the accounting department at least five (5) days in advance of the sale, as a deposit may be required to participate.

4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of the date of sale.

Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser.

5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank.

The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases.

6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b) offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale.

7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item.

8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots.

9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number. Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and other qualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation at 100 Cambridge Street in Boston.

10. A premium equal to 23% of the final bid price up to and including $100,000, plus 20% of the final bid price from $100,001 up to and including $1,000,000, plus 12% of the final bid price from $1,000,001 and over will be applied to each lot sold, to be paid by the buyer as part of the purchase price.

11. Bidding on any item indicates your acceptance of these terms and all other terms printed within, posted, and announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid.

12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalog. The copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this catalog, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our prior written consent.

13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law).

The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents to the exclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit.

Revised January 8, 2014

214

215

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I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that my bids are executed and accepted as per Conditions of Sale as printed in the catalog of this sale.

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FOR OFFICE USE Marlborough

Boston

Phone

63 Park Plaza Boston, MA 02116 617.350.5400 Fax 617.350.5429

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274 Cedar Hill Street Marlborough, MA 01752 508.970.3000 Fax 508.970.3100

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Board of Directors

Chairman of the Board - Stephen L. Fletcher Richard Albright John Deighton Barnet Fain Karen M. Keane Andrew Payne

Exhibitions & Property Distribution

Marlborough:

Warehouse Manager - Fred Trottier, 508.970.3261

Auction Coordinator - Melanie Trottier-Mitcheson, 508.970.3103

Boston:

Auction Coordinators - Jessica R. Lincoln, 617.874.4308,

Benjamin Evans, 617.874.4329

Marlborough:

Accounts Receivable - Denise Johnson, 508.970.3269

Accounts Payable, Consignment - Kathleen Hayes, 508.970.3268

Accounts Payable, Trade - Kevin Rota, 508.970.3283

Credit Supervisor - William Madden, 508.970.3266

Marlborough:

508.970.3240

Chairman Emerita - Nancy R. Skinner

Administration

President/Chief Executive Officer - Karen M. Keane Chief Financial Officer - Don Kelly Executive Vice President - Stephen L. Fletcher Vice Presidents - Eric Jones, Marie Keep, Gloria Lieberman, Carol McCaffrey, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr

Expert Departments

Finance Department

20th Century Design - Jane D. Prentiss American & European Paintings & Prints - Robin S.R. Starr Assistants: Kathy Wong, Elizabeth C. Haff, Michelle Lamunière American Furniture & Decorative Arts - Stephen L. Fletcher Deputy Director: Chris Barber

Subscriptions

American Indian & Ethnographic Art - Douglas Deihl Antique Motor Vehicles - Jane D. Prentiss Asian Works of Art - Judith Dowling Assistants: Helen Eagles, Suhyung Kim Books & Manuscripts - Devon Gray Bottles, Flasks & Early Glass - Stephen L. Fletcher Ceramics - Stuart G. Slavid

2332 Galiano Street Coral Gables, FL 33134 305.503.4423

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218

Appraisal & Auction Services - LaGina Austin, Christine E. Finn, Rachel Kingsley, Ava Pandiani

Couture - Melissa Riebe, Kyle Johnson Discovery Auctions - Melissa Riebe, Kyle Johnson

Consignment Services - Patricia Walker King, Carol Zeigler, Kealyn Garner

European Furniture & Decorative Arts - Stuart G. Slavid Assistants: Leah Kingman, Stephanie Opolski

Customer Relations - Carol McCaffrey

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274 Cedar Hill Street Marlborough, MA 01752 508.970.3000 Fax 508.970.3100

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63 Park Plaza Boston, MA 02116 617.350.5400 Fax 617.350.5429

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Institutional Relations - L. Emerson Tuttle

Judaica - Kerry Shrives

Managing Director - Marie C. Keep

Musical Instruments - Director Pro Tem: Jill Arbetter Oriental Rugs & Carpets - Lawrence Kearney Assistant: Erika Jorjorian Silver - Stuart G. Slavid Toys & Dolls - Melissa Riebe, Kyle Johnson

Lead Designer - Kristina Harrison Marketing & Public Relations - L. Emerson Tuttle, Kathryn Gargolinski Photographers - Stanley P. Bystrowski, Jeffrey R. Antkowiak Receptionists - Marlborough: Katie Fitzgerald Boston: Bridget Spears Regional Director—Florida - April L. Matteini, G.G. Staff Portraits - Cheryl Richards Photography

Auctioneers - LaGina Austin, Chris Barber, Robert C. Cheney, John Colasacco, Stephen L. Fletcher, Karen M. Keane, Marie C. Keep, Gloria Lieberman, Jessica R. Lincoln, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr, Laura V. Sweeney

Transportation - Eric Jones

219

Catalog Subscription Form Prices effective January 17, 2014. Catalog subscription price includes quarterly brochure.

Subscription effective one year from date processed. No refunds for previous subscriptions. Renewal notice will be sent one month prior to expiration.

Subscriptions do not include Discovery, Estates, and other special sales. Post-auction prices are available online at www.skinnerinc.com

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Directions to Skinner’s Boston Gallery/63 Park Plaza, Boston, MA 02116 617.350.5400 From the West:

No charge

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American Furniture & Decorative Arts

$120

$143

European Furniture & Decorative Arts

$120

$143

American & European Paintings & Prints (two books)

$135

$158

American & European Fine Prints & Photogrpahy

$60

$73

American & European Fine Paintings & Sculpture

$110

$133

Fine Jewelry

$120

$143

20th Century Design

$60

$73

Asian Works of Art

$60

$73

Fine Oriental Rugs & Carpets

$18

$25

American Indian & Ethnographic Art

$60

$73

Fine Books & Manuscripts

$30

$36

Fine Ceramics

$60

Fine Musical Instruments

$60

$73

Science, Technology & Clocks

$60

$73

Fine Wines

$60

$73

All Above Departments

$750

$915

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Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel. Once on the exit ramp, stay in the right hand lane and follow the signs for Copley. The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto Charles Street South. Take your first left off of Charles St. South onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

Subtotal

MA residents 6.25% sales tax

From the South:

Total

Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station. Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza.

Skinner is at 63 Park Plaza, one block up on the right.

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From Logan Airport: Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the North: Take I-93 South towards Boston. Take exit 26 towards Storrow Drive. Merge onto MA-28 South via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza.

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Skinner, Inc., Subscription Department, 274 Cedar Hill Street, Marlborough, MA 01752 508.970.3100

Upcoming Auctions Fine Prints & Paintings

Mabel May Woodward (American, 1877-1945), A Colorful Group, oil on paperboard

January 23, 2015, Boston, MA Consignment Deadline: November 7, 2014 For more information, please contact the American & European Works of Art department at 508.970.3206, or email prints@skinnerinc.com/paintings@skinnerinc.com 222