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Fine Prints & Photography Sale 2673B

September 20, 2013

Boston


Fine Prints & Photography


Specialists

Robin S.R. Starr

Kathy Wong

Elizabeth C. Haff

Michelle Lamunière

Department Director 508.970.3259

508.970.3297

508.970.3258

508.970.3264

Department Inquiries: 508.970.3206

Auction Information Auction 2673B

Preview

Absentee Bidding

Friday, September 20 10AM followed by the Bunting Collection and Fine Paintings & Sculpture at 2PM

Wednesday, September 18 12 to 5PM

T: 617.874.4318 F: 617.350.5429

63 Park Plaza Boston, MA

Thursday, September 19 12 to 8PM There will be no preview day of sale

General Inquiries: 617.350.5400 SkinnerLive!: skinnerinc.com

View all lots online at www.skinnerinc.com cover : 194 ; frontispiece : 175 ; back cover : 37


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Table of Contents 1

Auction & Specialist Information

2

Web Site & Online Bidding

4

Glossary of Terms

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Lots 1–225

145

Artist Index

146

Conditions of Sale

147

Absentee Bid Form

148

Company Directors & Specialty Departments

149

Administrative Staff & Client Services

150

Map & Driving Directions

151

Catalog Subscription Form

Please Note: All lots sold subject to our Conditions of Sale. Please refer to page 146 of this catalog for the full terms and conditions governing your purchase.

Copyright © Skinner, Inc. 2013 All rights reserved MA/Lic. #2304


Glossary of Terms All items in this catalogue are described according to the following table of terminology. Please note that all statements in this catalogue as to Authorship, Period, and Origin, are qualified statements subject to the Conditions of Sale.

Authorship will be described in the following ways: John Joseph Enneking In our judgment, the work is by the artist. Attributed to John Joseph Enneking In our judgment, the work may be ascribed to the artist on the basis of style, but leaves some question as to actual authorship. School of John Joseph Enneking In our judgment, a work of an unknown follower executed in the style of the artist and contemporary in period. Manner of John Joseph Enneking In our judgment, a work executed in the style of the artist by an unknown hand and probably from a later period. After John Joseph Enneking In our judgment, an intended copy of the work of the artist. American School, 19th Century In our judgment, the work of an unknown hand that can only be identified as to period and culture.

Other terms: Bears signature In our judgment, the signature not of the artist. This term is generally used separately, or together with a description of the work as “attributed to,” “school of,” “manner of,” or “after” the artist.

Measurements are given as height x width and refer to the size of the support unless otherwise indicated.

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Fine Prints & Multiples Lots 1–182


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1 Josef Albers (German/American, 18881976) Intaglio Solo V, 1958, edition of 30 (Danilowitz, 140). Signed and dated “Albers 58” in pencil l.r., titled and numbered “...8/30” in pencil l.l. Intaglio without ink (embossing) on cream wove paper, plate size 6 7/16 x 8 7/16 in. (16.3 x 21.3 cm), unmatted, unframed. Condition: Margins over 3 1/2 inches, tear (approximately 5/8 inches) with creasing to corner l.r., pale foxing. $1,000-1,500

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2 Josef Albers (German/American, 18881976) Never Before f, from the NEVER BEFORE Portfolio, 1976, edition of 46 (Danilowitz, 231.6). Signed “Albers” in pencil l.r., titled and numbered “...17/46” in pencil l.l., identified on a label from the Horizon Gallery, Newton & Rockport, Massachusetts, affixed to the backing. Color screenprint on paper, image size 11 x 12 in. (27.8 x 30.4 cm), framed. Condition: Fading to colors, not examined out of frame. $600-800

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3 Ivan Le Lorraine Albright (American, 18971983) 3

Appears the Man, 1980. Titled, signed, and dated “...Ivan Albright 80” in pencil l.r., dedicated “To Matt/My old friend/Ivan” in pencil l.l. Lithograph on cream wove paper, image size 18 3/8 x 14 1/2 in. (46.5 x 36.7 cm), unmatted, unframed. Condition: Deckled edges, subtle toning, very minor handling creases. Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor and chairman of Dartmouth College’s visual studies department (19661989), to the present owner by family descent, Connecticut. $300-350 4 Ivan Le Lorraine Albright (American, 18971983) Two Works: A First State and a Later State of Woman in Fur Coat. Both signed “Ivan Albright” in pencil l.r. and dedicated “To Matt...” in pencil l.c. Etchings (the first state in dark burgundy on cream paper; the other in black on white paper), plate sizes 9 x 6 in. (22.7 x 15.2 cm), unmatted, unframed. Condition: Deckled edges, subtle toning, very minor handling creases.

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Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor and chairman of Dartmouth College’s visual studies department (19661989), to the present owner by family descent, Connecticut. $250-300


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5 Heinrich Aldegrever (German, 1502-c. 1561) Bathsheba at the Bath, 1535. Monogrammed and dated within the plate. Engraving on laid paper, plate size 5 3/4 x 3 15/16 in. (14.4 x 9.9 cm), unmatted, unframed. Condition: A good impression, trimmed to the plate mark, sheet backed with a fine Japan paper, the original sheet with minor losses along the left edge and thinned spots to verso. $300-500 6 Edmond François Aman-Jean (French, 1858-1936)

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La femme Ă la corbeille. Unsigned. Etching on paper, plate size 10 3/8 x 7 7/8 in. (26.3 x 19.8 cm), framed. Condition: Gentle rippling, not examined out of frame. $300-350

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7 Sybil Andrews (Canadian/British, 18981992) Haulers, 1929, edition of 50 (White, 4; Coppel, SA 4). Signed and numbered “Sybil Andrews/19/50.� in pencil l.l. Color linocut on Japan paper, image size 7 1/2 x 12 3/4 in. (18.9 x 32.3 cm), matted, unframed. Condition: All but the top edge deckled. $2,000-3,000

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8 John Taylor Arms (American, 1887-1953) Basilica of the Madeleine, Vézelay, 1929, third state of three (Fletcher, 223). Signed and dated “John Taylor Arms - 1929.” in pencil l.r., inscribed “Third State Personal collection ‘e’” in pencil l.l. Etching on paper, plate size 13 x 7 1/2 in. (32.8 x 18.9 cm), framed. Condition: Mat burn, subtle toning, not examined out of frame. $250-300 9 John Taylor Arms (American, 1887-1953) Two Architectural Views: La Colegiata, Toro, 1935, proof of the second state (Fletcher, 284); and Aspiration, La Madeleine, Verneuil-Sur-Avre, 1939, trial proof of the fifth state (Fletcher, 329). Both signed and dated “John Taylor Arms...” in pencil l.r. and annotated l.l. Etchings on paper, plate sizes to 9 3/4 x 12 3/4 in. (24.5 x 32.3 cm), matted, unframed. Condition: Deckled edges, pale staining, pencil annotations to lower margins. $500-700 8

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10 George Copeland Ault (American, 18911948)

11 Wolfgang Aurifaber (German, 15th/16th Century)

Came’s House, 1934, edition of 25. Signed and dated “G.C. Ault ‘34.” in pencil l.r., numbered “1/25” in pencil l.l. Lithograph on paper, image size 14 1/8 x 9 7/8 in. (35.7 x 25.0 cm), framed. Condition: Unobtrusive toning, not examined out of frame. $500-700

Two Prints: The Madonna and Child with the Abbot Ludwig von Churwalden; probably an 18th century impression, and a counter proof of the same image. Identified within the plate and on labels affixed to the backing. Engraving on paper, sheet/image sizes 12 x 8 1/4 in. (30.4 x 20.8 cm), framed. Condition: Both trimmed inside of the plate mark, counter proof with losses, repairs, and staining to left corners, not examined out of frames. $800-1,200

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12 Will Barnet (American, 1911-2012) Interlude, 1982. Signed and dated “© Will Barnet 1982” in pencil l.r., titled in pencil l.l., inscribed “artist’s proof” in pencil l.c. Color screenprint on paper, image size 20 1/8 x 38 in. (51.0 x 96.4 cm), framed. Condition: Not examined out of frame. N.B. This composition is based on Barnet’s painting of the same title, completed in 1980. $600-800 13 Leonard Baskin (American, 1922-2000) Short Bull Sioux, 1972-73, edition of 85 (Fern & O’Sullivan, 623). Signed “Baskin” in pencil l.r., signed, titled, and dated within the matrix, numbered “39/85” in pencil l.l., dry stamp l.l. Color lithograph on cream Arches paper with watermark, image size 23 x 21 in. (58.3 x 53.2 cm), unmatted, unframed. Condition: Minor handling creases. $400-600

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14 Frank Weston Benson (American, 18621951) High-Flying Ducks, 1917, edition of 150 from the published state (Paff, 128). Signed “FrankWBenson.” in pencil l.l., numbered “32” in pencil l.r. Etching on paper, plate size 7 15/16 x 5 7/8 in. (20.0 x 14.8 cm), framed. Condition: Not examined out of frame. $400-600 15 Thomas Hart Benton (American, 18891975) Planting, 1939, edition of 250, published by Associated American Artists, New York (Fath, 28). Signed “Benton” in the plate l.r., signed “Benton” in pencil below the image l.r., identified on a label from AAA affixed to the backing. Lithograph on paper, image size 9 7/8 x 12 5/8 in. (25.0 x 32.0 cm), framed. Condition: Margins 1 inch, light mat burn, taped to window mat on verso. $1,000-1,500 14

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16 Thomas Hart Benton (American, 18891975) The Race, alternatively titled Homeward Bound, 1942, edition of 250, published by Associated American Artists, New York (Fath, 56). Signed “Benton� in pencil l.r. and within the matrix, a label from AAA accompanies the lot. Lithograph on paper, image size 8 15/16 x 13 1/8 in. (22.5 x 33.3 cm), matted, unframed. Condition: Margins 1 inch or more with deckled edges. $4,000-6,000

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17 Paul-Albert Besnard (French, 1849-1934) Au bord du Gange a Benarès, 1912 (Delteil, 168). Monogrammed within the plate. Etching with plate tone on paper, plate size 6 1/4 x 4 1/2 in. (15.7 x 11.3 cm), framed. Condition: Not examined out of frame. $300-500 18 Max Bill (Swiss, 1908-1994) System of Four Equal Colour Groups, 1968, edition of 66. Signed and dated “Bill/1968” in pencil l.r., numbered “41/66” in pencil l.l., identified on a label from the William Weston Gallery, London, affixed to the backing. Color screenprint on paper, image size 7 7/8 x 7 7/8 in. (19.9 x 19.9 cm), framed. Condition: Not examined out of frame. $300-350

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19 William Blake (British, 1757-1827) Two Plates from The Book of Job, 1825: Frontispiece and The Upright Man is Laughed to Scorn, both published in 1874 by John Linnell. Both identified within the plate and on a label from the William Weston Gallery, London, affixed to the backing. Engraving on paper, plate sizes approximately 8 1/2 x 6 1/2 in. (21.4 x 16.4 cm), framed. Condition: Not examined out of frames. $1,200-1,800

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20 Mel Bochner (American, b. 1940) White Island, 1985, from a proof edition of 12. Signed and dated “Mel Bochner 1985” in pencil l.r., numbered and titled “W.P. 10/12...” in pencil l.l. Aquatint on paper, plate size 29 1/2 x 22 7/8 in. (74.8 x 58.0 cm), framed. Condition: Margins over 3 inches with deckled edges, gentle rippling, floated within the frame, pale soiling/staining to right margin, not examined out of frame. $700-900 21 Mel Bochner (American, b. 1940) Untitled (Cubes), 1989, from a proof edition of 9. Signed and dated “Mel Bochner 1989” in pencil l.r., inscribed “A.P. IX/IX” in pencil l.l. Aquatint on paper, plate size 27 x 41 3/4 in. (68.3 x 105.9 cm), unmatted, unframed. Condition: Margins over 2 inches with deckled edges. $700-900

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22 Angel Botello (Puerto Rican, 1913-1986) Apples, c. 1975, edition of 50. Signed “Botello” within the image l.r., numbered “10/50” in pencil within the image l.l. Color linocut on paper, image size 16 7/8 x 15 in. (42.7 x 38.0 cm), framed. Condition: Not examined out of frame. $300-500 23 After Georges Braque (French, 1882-1963) Poissons, edition of 300 (Maeght, no. 1001; Vallier, p. 292). Signed “G. Braque” in pencil l.r., numbered “159/300” in pencil l.l. Color etching and aquatint on paper, plate size 13 5/8 x 17 5/8 in. (34.4 x 44.6 cm), framed. Condition: Pale toning, not examined out of frame. $1,500-2,000

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24 After Georges Braque (French, 1882-1963) Verengeville, edition of 300 (Maeght, no. 1023; Vallier, p. 294). Signed “G. Braque” in pencil l.r., numbered “164/300” in pencil l.l., Atelier Crommelynck dry stamp l.l. Color etching and aquatint on Arches paper with watermark, plate size 10 1/8 x 25 3/8 in. (25.6 x 64.3 cm), unmatted, unframed. Condition: Pale toning and fox marks. $700-900

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25 Gerald Leslie Brockhurst (British, 18901978) Young Womanhood, 1931, edition of 111 (Brumbaugh et al., 62). Signed “G.L. Brockhurst.” in pencil l.r., signed and dated within the plate, identified on a label from Arthur H. Harlow & Co. Inc., New York, affixed to the backing. Etching and drypoint on paper, plate size 9 1/8 x 6 15/16 in. (23.2 x 17.5 cm), framed. Condition: Mat burn, not examined out of frame. $300-500 26 Richmond Burton (American, b. 1960) Untitled, 1996, edition of 40. Signed and dated “Richmond Burton 1996” in pencil l.r., numbered “12/40” in pencil l.l. Color lithograph on Somerset paper with watermark, image size 25 1/4 x 17 1/2 in. (64.0 x 44.4 cm), unmatted, unframed. Condition: Margins 2 inches or more with deckled edges, minor handling creases. $600-800

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27 Alexander Calder (American, 1898-1976) Plate from MAGIE EOLIENNE, 1972, outside of the edition of 75, published by Société Internationale d’Art XXe Siècle, Paris. Signed “Calder” in pencil within the image l.r., inscribed “HC” in pencil l.l. Color lithograph on paper, image/sheet size 25 1/2 x 19 13/16 in. (64.6 x 50.3 cm), framed. Condition: Deckled right edge, minor creasing at very corners, floated within the mat, not examined out of frame. Provenance: Purchased by the present owner from Galerie Lelong, Paris. $1,500-1,800

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28 Alexander Calder (American, 1898-1976) Plate from MAGIE EOLIENNE, 1972, outside of the edition of 75, published by Société Internationale d’Art XXe Siècle, Paris. Signed “Calder” in pencil within the image l.r., inscribed “E.A.” in pencil l.l. Color lithograph on paper, image/sheet size 25 1/2 x 19 5/8 in. (64.6 x 49.8 cm), framed. Condition: Deckled edges, subtle toning, floated within the mat, not examined out of frame. $1,000-1,500 29 Alexander Calder (American, 1898-1976) Beastie, 1974, from THE FLYING COLORS COLLECTION, published 1975. Monogrammed and dated within the matrix, Flying Colors dry stamp l.r. Color lithograph on cream paper, image size 16 3/4 x 22 5/8 in. (43.4 x 57.3 cm), framed. Condition: Pale staining and/or toning, not examined out of frame. Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $400-600 28

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30 Alexander Calder (American, 1898-1976) Un drôle de poisson, outside of the edition of 90. Signed “Calder” in pencil within the image l.r., inscribed “HC” in pencil l.l. Color lithograph on Rives paper with partial watermark, image/sheet size 19 3/4 x 25 5/8 in. (50.0 x 65.0 cm), framed. Condition: Deckled edges, floated within the mat, not examined out of frame. Provenance: Purchased by the present owner from Galerie Lelong, Paris. $1,500-2,000

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31 Agostino Carracci (Italian, 1557-1602)

32 Eugène Carrière (French, 1849-1906)

33 Eugène Carrière (French, 1849-1906)

Apollo and the Python, c. 1589-1592 (Bartsch, 107). Identified within the plate. Etching and engraving on paper, plate size 9 7/8 x 13 5/8 in. (25.0 x 34.5 cm), framed. Condition: Margins approximately 1/8 inches (to the plate mark on the left side), pale staining, foxing, tear into image u.c., floated within the mat, not examined out of frame. $300-500

Le nouveau-né au bonnet, 1890, second state of two (Delteil, 9). Signed “Eugène Carrière” in pencil l.l., signed and dated within the matrix. Lithograph on chine collé, image size 9 7/8 x 7 3/8 in. (25.1 x 18.6 cm), unmatted, unframed. Condition: Foxing to supporting sheet, pencil annotation to lower edge of same. $200-250

Two Portrait Heads of Women: Rêverie (2e planche), 1892, from the second state of two, published in VIE ARTISTIQUE (Delteil, 4), drypoint in sepia ink; and Madame Eugène Carrière (petite planche), 1893 (Delteil, 13), lithograph. Both identified within the matrix. Image sizes to 7 3/16 x 5 in. (18.0 x 12.6 cm), matted, former unframed. Condition: Minor toning and old hinges to right edge on verso to former, latter not examined out of frame. $300-350

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34 Edgar Chahine (French, 1874-1947)

35 Sandro Chia (Italian, b. 1946)

Nina, 1923. Signed “Edgar Chahine” in pencil l.l. Etching and drypoint on paper, plate size 12 5/8 x 8 5/8 in. (32.0 x 21.7 cm), framed. Condition: Not examined out of frame. $300-500

Two Works: Untitled (Figures) and Untitled (Two Bathers), published by Stamperia d’Arte Berardinelli, Verona. Both signed “S Chia” in pencil l.r. and numbered “A.P...” in pencil l.l., both with publisher’s dry stamp l.l. Color etchings with aquatint on paper, plate sizes 15 1/8 x 10 11/16 in. (38.2 x 27.0 cm), unmatted, unframed. Condition: Deckled right edge, minor soiling to margins. $700-900

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36 Christo and Jeanne-Claude (American, b. 1935) Wrapped Monument to Vittorio Emmanuele (Project for Piazza del Duomo, Milano), 1975, edition of 75, published by Editions Poligrafa, Barcelona. Numbered and signed “59/75 Christo� in pencil within the image l.r., identified within the matrix. Color lithograph with collage on paper, image/sheet size 28 x 22 in. (71.1 x 55.8 cm), framed. Condition: Floated within the mat with gentle rippling, not examined out of frame. $2,000-3,000

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37 Chuck Close (American, b. 1940) Phil I (White), 1982, edition of 15 plus proofs (Butler Institute/Zona, 23). Signed and dated “C Close 1982” in pencil l.r., numbered “13/15” in pencil l.l. Pressed paper pulp in white, grays, and black, image size 51 1/2 x 41 1/2 in. (130.6 x 105.4 cm), framed. Condition: Irregular deckled edges (a result of the process of creating the work), floated within the frame, not examined out of frame.

N.B. The subject of this work is the artist’s close friend, composer Philip Glass. $50,000-70,000

Provenance: A private Massachusetts collection.

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38 Corneille (Dutch, 1922-2010) The Green Sofa, 1979, printer’s proof, printed at Atelier Dumas, Inc., New York. Inscribed, signed, and dated “P/P Corneille ‘79” in pencil within the image u.l., printer’s dry stamp l.l. Color lithograph on paper, image sheet size 19 1/2 x 25 3/4 in. (49.4 x 65.1 cm), unmatted, unframed. Condition: Subtle soiling to verso. $400-600

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39 Robert Cottingham (American, b. 1935) For Jesse, from the ROLLING STOCK Series, 1992, edition of 60. Signed and dated “COTTINGHAM 1992” in pencil l.r., titled and numbered “...39/60” in pencil l.l. Color etching and aquatint on paper, plate size 14 x 8 7/8 in. (35.5 x 22.4 cm), framed. Condition: Margins over 6 inches with deckled edges, floated within the frame, not examined out of frame. $800-1,200 40 Robert Cottingham (American, b. 1935) For Mark, from the ROLLING STOCK Series, 1992, edition of 60. Signed and dated “COTTINGHAM 1992” in pencil l.r., titled and numbered “...39/60” in pencil l.l. Color etching and aquatint on paper, plate size 8 1/4 x 19 1/8 in. (20.9 x 48.4 cm), framed. Condition: Margins over 6 inches with deckled edges, floated within the frame, not examined out of frame. $800-1,200

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41 John Steuart Curry (American, 1897-1946) Stallion and Jack Fighting, 1943, edition of 250, published by Associated American Artists, New York (AAA/Czestochowski, 1943.012). Signed “John Steuart Curry� in pencil l.r., initialed and dated within the matrix, a label from AAA accompanies the lot. Lithograph on paper, image size 11 13/16 x 15 1/2 in. (30.0 x 39.3 cm), matted, unframed. Condition: Margins 1 inch or more with deckled upper and lower edges. $800-1,200

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42 Salvador Dalí (Spanish, 1904-1989) Flowers and Fruit, from the CURRIER & IVES Suite, 1971, from the edition of 250 (Michler & Löpsinger, 1350). Signed “Dalí” in pencil within the image l.r., numbered “218/250” in pencil l.l., identified on a label affixed to the backing. Color lithograph with collage on paper, image/sheet size 21 3/4 x 29 7/8 in. (55.4 x 75.8 cm), framed. Condition: Floated within the mat, not examined out of frame. $800-1,200

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43 Salvador Dalí (Spanish, 1904-1989) VISIONS OF CHICAGO/A Suite of Four Works, 1972, edition of 100, published by Merrill Chase, Chicago (Michler & Löpsinger, 529-532). Each signed “Dalí” in pencil l.r. and numbered “26/100” in pencil l.l. Color drypoints with stencil on paper, plate sizes 19 1/4 x 12 1/2 in. (48.8 x 31.7 cm), framed. Condition: Pale mat burn, not examined out of frames.

Provenance: Purchased by the family of the present owner from Merrill Chase Galleries, Chicago, 1972. $2,000-3,000

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44 Warren B. Davis (American, 1865-1928) Three Female Figures: Woodland Nymph, 1924; Naiad, edition of 150; and Leap. Two signed “Warren Davis” in pencil l.r., Naiad titled and numbered “...71/150” in pencil l.r. Etchings with drypoint on paper, plate sizes approximately 8 x 5 3/4 in. (20.3 x 14.5 cm), partially matted, unframed. Condition: Margins over 2 inches. $600-800

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45 Willem de Kooning (Dutch/American, 19041997) Reflections: To Kermit for our Trip to Japan, 1970-71, edition of 28 plus proofs, published by Knoedler, New York, printed by Hollanders Workshop, New York (Graham, 22). Dated and signed “’70 de Kooning” in pencil within the image l.r., numbered “19/28” in the image l.l., printer’s dry stamp l.l. Lithograph on paper, image size 45 7/8 x 33 1/4 in. (116.5 x 84.3 cm), framed. Condition: Floated within the frame, minor creasing (some possibly from the printing process), not examined out of frame. $3,000-5,000

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46 Sonia Delaunay-Terk (Ukrainian, 18851979) Untitled. Signed “Sonia Delaunay” in pencil l.r. Color aquatint on Arches paper with watermark, plate size 19 1/2 x 15 3/4 in. (49.4 x 39.8 cm), unmatted, unframed. Condition: Margins over 2 inches with deckled edges, minor toning and soiling, several unpressed creases to right margin. $600-800 47 Jim Dine (American, b. 1935) Art, 1968, edition of 144. Signed, numbered, and dated “Jim Dine 58/144 1968” in pencil within the image u.l. Color offset lithograph on paper, image/sheet size 35 x 24 3/4 in. (88.8 x 62.8 cm), unmatted, unframed. Condition: Minor handling creases. $800-1,200

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48 Jim Dine (American, b. 1935) Etching Lesson, from EIGHT SHEETS FROM AN UNIDENTIFIED NOVEL, STATE II, 1979, edition of 35 plus proofs (D’Oench & Feinberg, 39). Signed and dated “Jim Dine 1979” in pencil l.r., numbered “22/35” in pencil l.l. Etching with soft ground, aquatint and tooling on paper, plate size 29 7/9 x 22 1/4 in. (75.7 x 56.4 cm), unmatted, unframed. Condition: Margins over 1 inch with deckled edges.

N.B. The original version of the series was executed in 1976, and the images were based on drawings completed by the artist in the previous year. According to D’Oench & Feinberg, Dine wanted to express the fact that this second version was a revision to earlier versions of these images by exploiting slightly off-register impressions. $1,200-1,800

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49 Jean Dubuffet (French, 1901-1985) Immeuble, 1976, edition of 50 (Webel, 1181). Initialed and dated “J.D. 76” in pencil l.r., numbered “28/50” in pencil l.l. Color screenprint on paper, image size 23 1/2 x 26 1/2 in. (59.5 x 67.2 cm), unmatted, unframed. Condition: Minor handling creases. $4,000-6,000

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50 Albrecht Dürer (German, 1471-1528) The Whore of Babylon, from THE APOCALYPSE, with Latin text on the verso (Bartsch, 73; Meder/Hollstein, 177). Monogrammed in the block, collector’s dry stamp l.c. Woodcut on paper, image/sheet size 15 3/16 x 11 in. (38.5 x 27.8 cm), framed. Condition: Good impression, trimmed approximately 1 cm into the image along the upper edge, all other edges trimmed to the boardline, adhered to a supporting sheet along the left edge on verso.

Provenance: Ex-collection of AlexandrePierre-François Robert-Dumesnil (1778-1864), Paris (Lugt, 2200). $2,000-3,000

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51 Max Ernst (German, 1891-1976) La forèt bleue, 1962, edition of 75 (Spies & Leppien, 89). Signed “max ernst” in pencil l.r., numbered “6/75” in pencil l.l. Color lithograph on paper, image size 12 3/8 x 9 3/4 in. (31.3 x 24.6 cm), framed. Condition: Subtle toning, not examined out of frame. $250-300 52 Richard Estes (American, b. 1932) Manhattan, from URBAN LANDSCAPES III, 1981, edition of 250 plus proofs (Arthur, p. 121). Signed “RICHARD ESTES” in pencil l.r., numbered “239/250” in pencil l.l. Color screenprint on paper, image size 14 x 20 1/8 in. (35.5 x 51.2 cm), framed. Condition: Not examined out of frame. $1,200-1,500

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53 Henri Fantin-Latour (French, 1836-1904) Two Nudes: Sara la baigneuse, c. 1888 (Hédiard, 84); and Vérité (petite planche) (Hédiard, 156). Both unsigned, the latter identified in text on supporting sheet. Lithographs on chine collé, image sizes to 9 5/16 x 6 in. (23.5 x 15.2 cm), framed. Condition: Not examined out of frames. $300-350 54 Lyonel Feininger (German/American, 18711956) Buttelstedt, 1920 (Prasse, W208). Unsigned. Woodcut on paper, image size 8 x 6 1/8 in. (20.2 x 15.5 cm), framed. Condition: Not examined out of frame. $400-600 54

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55

56

55 Aaron Fink (American, b. 1955)

56 Aaron Fink (American, b. 1955)

Wave, 1981, edition of 50. Signed and dated “Aaron Fink ‘81” in pencil l.r., numbered “7/50” in pencil l.l. Lithograph on heavy cream paper, image size 26 x 40 1/2 in. (66.0 x 102.8 x 59.9 cm), unmatted, unframed. Condition: Margins over 2 1/2 inches with deckled edges, handling creases to margins.

Spoon, 1985, edition of 35. Signed and dated “Aaron Fink ‘85” in pencil l.r., numbered “15/35” in pencil l.l. Color etching and aquatint on Arches paper with watermark, plate size 17 7/8 x 35 1/2 in. (45.2 x 90.0 cm), unmatted, unframed. Condition: Margins over 2 inches with deckled edges, minor handling creases (primarily to lower margin).

Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $200-250

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Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $200-250

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57 Aaron Fink (American, b. 1955) Three Abstract Prints, 1998, printed at Segura Publishing Company, Arizona. Each signed and dated “Aaron Fink ‘98” in pencil or similar along the lower edge. Color monotypes on Arches paper with watermarks, image/sheet sizes 22 1/4 x 30 in. (56.4 x 76.2 cm), unmatted, unframed. Condition: Deckled edges. $1,200-1,800

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60

59

58 Léonard Tsuguharu Foujita (Japanese/ French, 1886-1968) Deux amies. Signed “Foujita” in pencil l.r. and within the matrix. Lithograph on Japan paper, image size 12 1/2 x 15 1/2 in. (31.5 x 39.3 cm), unmatted, unframed. Condition: Toning, handling creases, glue residue to verso. $250-300

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59 Jane Freilicher (American, b. 1924)

60 Buckminster Fuller (American, 1895-1983)

Bouquet, 1992, edition of 75. Signed “Jane Freilicher” in pencil l.r., numbered “37/75” in pencil l.l. Color aquatint on paper, plate size 25 1/4 x 23 3/16 in. (64.0 x 58.8 cm), framed. Condition: Not examined out of frame. $400-600

Geodesic Structures - Monohex, 1981, edition of 60. Dated, signed, and numbered “© 1981 Buckminster Fuller 27/60” in ink on the Mylar sheet l.r., identified within the matrix. Screenprint on paper overlaid with screenprint on Mylar (or similar), sheet sizes 30 x 40 in. (76.2 x 101.4 cm), unmatted, unframed. Condition: Good. $400-600

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61 Frank Gallo (American, b. 1933) Secrets, 1980, edition of 200. Signed “Frank Gallo” in pencil l.r., signed and dated within the matrix, numbered “197/200” in pencil l.l. Cast paper, sheet size 53 1/2 x 40 1/2 in. (135.5 x 102.7 cm), framed. Condition: Deckled edges, floated within the frame, not examined out of frame. N.B. Sold to benefit the Edward-Dean Museum, Beaumont, California. $1,000-1,500 62 Eliza Draper Gardiner (American, 18711955) Mait, edition of 50. Signed and numbered “Eliza D. Gardiner 2/50” in pencil l.l., titled in pencil l.c. Color woodcut on paper, image size 4 11/16 x 4 11/16 in. (11.7 x 11.7 cm), framed. Condition: Even toning, not examined out of frame. $500-700

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63

63 Albrecht Glockendon, the Elder (German, Late 15th/Early 16th Century) Crucifixion, an early impression. Monogrammed within the plate. Engraving on paper, image/sheet size 10 3/4 x 7 3/8 in. (27.3 x 18.6 cm), framed. Condition: Trimmed to or just into boardline, several creases and repaired tears (primarily within the sky), abrasions u.r., even toning, not examined out of frame. $400-600 64 Michiel Gloeckner (American, 1915-1989) Two Abstract Compositions: Untitled (Curves), 1974, edition of 100, published by Michel Cassé, Paris; and Untitled (Curves and Quadrilaterals), 1974, edition of 110. Both signed and dated “Michiel Gloeckner 1974” in pencil l.r. and numbered in pencil l.l. Color lithographs on paper, image sizes to 20 3/4 x 16 1/2 in. (52.5 x 41.8 cm), unmatted, unframed. Condition: Margins 1/2 inch or more. $400-600 64

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65 Hendrik Goudt (Dutch, 1583-1648), After Adam Elsheimer (German, 1578-1610) Jupiter in the House of Philemon and Baucis, 1612, a 17th century impression. Identified within the plate. Engraving on paper, sheet size 8 3/8 x 8 7/8 in. (21.3 x 22.4 cm), framed. Condition: 1 inch tear u.l., repair and/or creasing to corner l.l., not examined out of frame. $400-600 66 Hendrik Goudt (Dutch, 1583-1648), After Adam Elsheimer (German, 1578-1610) 66

The Flight into Egypt, 1613. Identified within the plate. Engraving on laid paper, sheet size (without additions at edges) 13 7/8 x 15 3/4 in. (35.2 x 39.8 cm), unmatted, unframed. Condition: Trimmed to or just within the plate mark, repairs along vertical crease, side and top edges augmented, minor nicks to lower edge, rubs and/or insect damage near lower corners. $500-700

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67 Philip Guston (American, 1913-1980) Sea, 1980, edition of 50 plus 11 proofs, published by Gemini G.E.L., Los Angeles (Gemini, 21.3). Signed and dated “Philip Guston ‘80” in pencil l.r., titled and numbered “...30/50” in pencil l.l., publisher’s and copyright dry stamps l.r. Lithograph on gray HMP Koller paper, image size 23 1/2 x 39 1/4 in. (59.5 x 99.5 cm), framed. Condition: Deckled edges, floated within the frame, not examined out of frame. $1,000-1,500

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69

68 Dimitri Hadzi (American, 1921-2006)

69 William Lee Hankey (British, 1869-1952)

Two Works: W12 (Concentric Triangles) and Untitled (Curves and Triangles), 1991, editions of 4, printed at the Garner Tullis Workshop, New York. Both signed and dated “Hadzi ‘91” in pencil l.r. and numbered “1/4” in pencil l.l. Relief prints on heavy handmade paper, image sizes approximately 10 x 10 in. (25.4 x 25.4 cm), presented together in a single frame. Condition: Floated within the mat, not examined out of frame. $400-600

Two Images of Reflection: The Trinket Box, 1919 (Hardie, 157); and Sewing, 1920 (Hardie, 183). Both signed “W. Lee-Hankey inv + imp” in pencil l.c., with artist’s dry stamp (Lugt 2637a), and monogrammed within the plate. Etchings on paper, plate sizes to 8 3/8 x 6 1/2 in. (21.2 x 16.4 cm), framed. Condition: Unobtrusive toning and mat burn, not examined out of frames. $200-250

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70

70 Keith Haring (American, 1958-1990) Silence Equals Death, 1989, edition of 200, published by the Outreach Fund for AIDS. Numbered, signed, and dated “38/200 K. Haring 89...� in pencil l.r., lizard dry stamp l.l. Color screenprint on paper, image size 33 x 33 in. (83.7 x 83.7 cm), framed. Condition: Floated within the frame, subtle surface inconsistencies u.c., not examined out of frame. $7,000-9,000

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71 Hans Hartung (German, 1904-1989) Untitled (Blue and Black), c. 1970. Signed “Hartung” in pencil l.r., numbered “95/200” in pencil l.l. Color lithograph on paper, image size 17 x 23 3/8 in. (43.2 x 59.3 cm), framed. Condition: Not examined out of frame. $300-500 72 Damien Hirst (British, b. 1965) Follow my Leader, from IN A SPIN/THE ACTION OF THE WORLD ON THINGS II, 2002, printer’s proof outside of the edition of 68, published by The Paragon Press, London. Signed “Damien Hirst” in pencil l.r. and within the plate, inscribed “PP” in pencil l.l., titled and dated within the plate. Color etching and engraving on paper, circular plate diameter 32 5/8 in. (82.7 cm), unmatted, unframed. Condition: Margins 2 inches or more with deckled edges, minute handling creases. $4,000-6,000 72

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73 Morris Henry Hobbs (American, 1892-1967) Two Views of the French Quarter: Old Madison St., 1939, edition of 300; and Pirate’s Alley, 1943, edition of 300. Both signed “Morris Henry Hobbs” in pencil l.r., titled in pencil l.l., numbered in pencil l.c., and titled and dated within the plate. Etchings on paper, plate sizes to 9 7/8 x 6 7/8 in. (24.8 x 17.4 cm), framed. Condition: Subtle toning, Madison with pale staining or foxing, not examined out of frames. $700-900 74 Morris Henry Hobbs (American, 1892-1967) Fan Window at 648 Toulouse St. Old New Orleans, edition of 200. Signed “Morris Henry Hobbs” in pencil l.r., titled in pencil l.l., numbered “29/200” in pencil l.c. Etching on paper, plate size 8 x 6 in. (20.3 x 15.2 cm), framed. Condition: Toning, not examined out of frame. $400-600

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75 Howard Hodgkin (British, b. 1932) Mango, 1990-1991, edition of 55, published by Waddington Graphics, London, printed by Jack Shirreff (Heenk, 83). Numbered, initialed, and dated “10/55 HH 91” in pencil within the image l.c. Color etching and carborundum with hand-coloring on paper, image/sheet size 29 1/2 x 43 1/2 in. (74.8 x 110.3 cm), framed. Condition: Deckled edges, floated within the frame, with gentle rippling, not examined out of frame. $4,000-6,000 76 Howard Hodgkin (British, b. 1932) In an Empty Room, 1990-1991, edition of 55, published by Waddington Graphics, London, printed by Jack Shirreff (Heenk, 84). Numbered, initialed, and dated “10/55 HH 91” in pencil within the image l.c. Color etching and carborundum with hand-coloring on paper, image/sheet size 47 1/2 x 59 in. (120.5 x 149.7 cm), framed. Condition: Deckled upper and lower edges, floated within the frame, with gentle rippling, not examined out of frame. $4,000-6,000

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77 Howard Hodgkin (British, b. 1932) Night Palm, 1990-1991, edition of 55, published by Waddington Graphics, London, printed by Jack Shirreff (Heenk, 86). Numbered, initialed, and dated “10/55 HH 91” in pencil within the image l.c. Color etching and carborundum with hand-coloring on paper, image/sheet size 58 1/2 x 47 1/2 in. (148.4 x 120.5 cm), framed. Condition: Deckled left and right edges, gentle rippling, floated within the frame, not examined out of frame. $5,000-7,000 78 Howard Hodgkin (British, b. 1932)

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Street Palm, 1990-1991, edition of 55, published by Waddington Graphics, London, printed by Jack Shirreff (Heenk, 87). Numbered, initialed, and dated “10/55 HH 51 [sic]” in pencil within the image l.c. Color etching and carborundum with hand-coloring on paper, image/sheet size 59 x 47 1/2 in. (149.7 x 120.5 cm), framed. Condition: Deckled left and right edges, gentle rippling, floated within the frame, not examined out of frame. $5,000-7,000


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79 Howard Hodgkin (British, b. 1932) Palm and Window, 1990-1991, edition of 55, published by Waddington Graphics, London, printed by Jack Shirreff (Heenk, 88). Numbered, initialed, and dated “10/55 HH 91” in pencil within the image l.c. Color etching and carborundum with hand-coloring on paper, image/sheet size 58 1/2 x 47 1/2 in. (148.4 x 120.5 cm), framed. Condition: Deckled left and right edges, gentle rippling, floated within the frame, not examined out of frame. $6,000-8,000 80 Howard Hodgkin (British, b. 1932)

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Flowering Palm, 1990-1991, edition of 55, published by Waddington Graphics, London, printed by Jack Shirreff (Heenk, 89). Numbered, initialed, and dated “10/55 HH 91” in pencil within the image l.c. Color etching and carborundum with hand-coloring on paper, image/sheet size 58 1/2 x 47 1/2 in. (148.4 x 120.5 cm), framed. Condition: Deckled left and right edges, gentle rippling, floated within the frame, not examined out of frame. $5,000-7,000

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81 Frances Mary Hodgkins (British, 18691947) Arrangement of Jugs, 1937, published by Contemporary Lithographs Ltd., London. Signed “Frances Hodgkins” in pencil within the image l.r., publisher identified in text l.l., identified on a label from the William Weston Gallery, London, affixed to the backing. Color lithograph on paper, image size 18 1/8 x 24 in. (46.0 x 60.8 cm), framed. Condition: Text partially trimmed along lower edge, floated within the mat, not examined out of frame. $600-800 82 Louis Icart (French, 1888-1950) Blancheurs, 1932 (Holland et al., 426). Signed “Louis Icart” in pencil l.r., identified in publication text u.l., artist’s dry stamp l.l. Etching with hand-coloring on chine collé, plate size 19 1/2 x 15 1/2 in. (49.4 x 39.3 cm), framed. Condition: Toning, mat burn, not examined out of frame. $600-800 82

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83 Marcel Janco (Israeli, 1895-1984) Three Artist’s Proofs: Mandolin au dé, 1930, color screenprint with embossing; Don Quichotte, 1940, lithograph in black and yellow; and Les speculants, 1960, color screenprint. Each signed and dated in pencil l.r., titled in pencil l.l., and inscribed and dedicated “Epreuve d’artiste...” l.c. Image sizes to 20 1/2 x 25 1/4 in. (52.0 x 64.1 cm), unmatted, unframed. Condition: Most edges deckled, some edges with minor nicks and tears, minor toning, minor ink losses to Mandolin, fine crease line to image of Speculants. $600-800 84 Wolf Kahn (German/American, b. 1927)

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Barn, 1969, edition of 40. Signed and dated “W Kahn 69” in pencil l.r., numbered “34/40” in pencil l.l., identified on a label affixed to the backing. Color lithograph on paper, image size 17 1/2 x 20 7/8 in. (44.4 x 52.8 cm), framed. Condition: Unobtrusive toning and mat burn, not examined out of frame. $500-700

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85 Wassily Kandinsky (Russian, 1866-1944) Kleine Welten IV, 1922, edition of 200 published by Propyläen Verlag, Berlin (Roethel, 167). Signed “Kandinsky” in pencil l.r., monogrammed within the matrix. Lithograph printed in yellow, green, lavender and black, on wove paper, image size 10 5/8 x 9 3/4 in. (27.0 x 24.6 cm), framed. Condition: Pale mat burn, fading to lavender, hinged at upper corners. $5,000-7,000 86 Wassily Kandinsky (Russian, 1866-1944) Untitled, from XXe SIÈCLE, 1939, edition of 1,200 (Roethel, 201). Monogrammed within the matrix. Woodcut in red and blue on paper, image size 8 3/4 x 11 in. (22.2 x 28.0 cm), framed. Condition: Subtle toning to sheet, floated within the mat, not examined out of frame. $500-700

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87 Alex Katz (American, b. 1927) Mac, Nabil, and Ron/Three Plates from GIVE ME TOMORROW, 1983, edition of 40, published by Atelier Aldo Crommelynck, Paris (Maravell, 140-142). Each signed and numbered “Alex Katz.../40� in pencil l.l. Aquatints on paper, plate sizes 12 1/8 x 10 1/2 in. (30.5 x 26.5 cm), unmatted, shrinkwrapped. Condition: Margins 2 1/2 inches or more with deckled edges, not examined out of wrap. $1,500-2,000

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88 Robert Ellis Kushner (American, b. 1949) Hiroko, 1986, edition of 170, published by Solo Press, New York. Signed “Robert Kushner” in pencil l.r., numbered “58/170” in pencil l.c., titled in pencil l.l. Color lithograph on Japan paper, image size 28 1/2 x 22 1/2 in. (72.2 x 57.1 cm), framed. Condition: Deckled edges, floated within the frame, not examined out of frame. $500-700

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89 Edward August Landon (American, 19111984) Gothic, 1954, edition of 35 (Mary Ryan Gallery, 92). Signed “E Landon” in pencil l.r., titled and numbered “...17/35” in pencil l.l. Screenprint in black and grays on paper, image size 18 x 6 5/8 in. (45.7 x 16.7 cm), framed. Condition: Light-struck, not examined out of frame. $600-800

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90

90 Marie Laurencin (French, 1885-1956) Suzanne, 1927, published in Le chien de Piqut (Marchesseau, 131). Signed “Laurencin” in pencil l.c., numbered “4/150” in pencil l.r., dry stamp l.r. Lithograph on heavy wove paper, image size 9 1/2 x 8 1/2 in. (24.0 x 21.5 cm), matted, unframed. Condition: Margins over 2 inches with deckled edges, light-struck, subtle toning to sheet. $700-900 91 Marie Laurencin (French, 1885-1956) Colombine, 1928 (Marchesseau, 136). Signed “Marie Laurencin” in pencil l.r., numbered “7/150” in pencil l.l. Lithograph on heavy wove paper, image size 14 7/8 x 11 1/8 in. (37.6 x 28.1 cm), matted, unframed. Condition: Margins over 2 inches with deckled edges, light-struck, subtle toning to sheet. $700-900 91

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92 Hans Sebald Lautensack (German, c. 1520c. 1560) Two Pines and a Church across from a Rivertown, 1553 (Bartsch, 42). Monogrammed within the plate, unidentified pictorial collector’s mark on the reverse. Etching on paper, sheet size 4 7/16 x 6 3/4 in. (11.2 x 17.0 cm), framed. Condition: Trimmed to the boardline on the upper and left edges, trimmed within the plate mark to the right and lower edges, subtle toning, not examined out of frame. $1,000-1,500

93 Auguste Louis Lepère (French, 1849-1918)

94 Sol LeWitt (American, 1928-2007)

Two French River Views: Nantes, 1900; and La Seine à l’embouchure du Canal SaintMartin, 1904, second state. Both signed “...ALepere...” in pencil l.r., the latter with an A. Sagot, Paris, dry stamp l.r., and “ECC” collector’s mark l.l. Etching (the former with aquatint) on paper, plate sizes to 6 1/2 x 10 5/8 in. (16.4 x 26.8 cm), matted, unframed. Condition: Most edges deckled. $300-500

Three Sets of Tumblers, 2002, sets number 82, 83, and 90 from the edition of 250, produced by ARTEL, Prague. One in each set signed and dated “Sol LeWitt 2002” on the underside, another in each set numbered “.../250” on the underside. Etched crystal tumblers, height 5 in. (12.5 cm), each set presented in its original box. Condition: Good. Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $800-1,200

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95 Lucas van Leyden (Dutch, 1494-1533) Faith, an early impression. Monogrammed and titled within the plate. Engraving on paper, image/sheet size 6 1/2 x 4 5/16 in. (16.4 x 10.9 cm), framed. Condition: Trimmed unevenly into image, several abrasions within the image, staining c.l., not examined out of frame. $300-500 96 After Roy Lichtenstein (American, 19231997) As I Opened Fire.../A Triptych, 1966 (Corlett, app. 5). Unsigned, identified in the matrix, each sheet stamped in the lower corners on the reverse. Offset color lithographs on paper, each sheet 25 1/8 x 20 7/8 in. (63.7 x 52.9 cm), unmatted, unframed. Condition: Subtle toning, very minor handling marks and creases. $500-700

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97 Bertha Boynton Lum (American, 18691954) Three Goddesses. Signed “Bertha Lum” in pencil within the image l.c. Raised line woodcut with hand-coloring on paper, image size 17 1/8 x 11 1/8 in. (43.3 x 28.2 cm), frame accompanies the lot. Condition: Pale foxing. $1,200-1,800 98 René Magritte (Belgian, 1898-1967) Les bijoux indiscrets, 1963, from the edition of 2,000 (Kaplan & Baum, 3). Signed and titled within the matrix. Color lithograph on paper, image size 9 1/4 x 12 in. (23.3 x 30.3 cm), framed. Condition: Not examined out of frame. $300-350

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99 Conrad Marca-Relli (American, 1913-2000) Untitled A, 1967, edition of 30. Signed and dated “MARCA-RELLI/67” l.r., numbered “17/30” l.l., identified on a label from the Marlborough Graphics Gallery, New York, affixed to the backing. Metal collage, 18 x 18 in. (45.7 x 45.7 cm), framed. Condition: Surface rubs. $700-900

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100 John Marin (American, 1870-1953) Downtown, the El, 1921, an impression from the 1924 edition made from the plate after steel-facing (Zigrosser, 134). Signed “John Marin” in pencil l.l., signed and dated within the plate. Etching on paper, plate size 6 3/4 x 8 3/4 in. (17.2 x 22.2 cm), framed. Condition: Unobtrusive toning, pale fox marks, not examined out of frame. $3,000-3,500 101 Reginald Marsh (American, 1898-1954) Girl Walking, 1945, edition of 250, published by Associated American Artists, New York (Sasowsky 28; AAA/Czestochowski, 1945.056). Signed “Reginald Marsh” in pencil l.r., signed and dated within the matrix. Lithograph on paper, image size 10 9/16 x 7 15/16 in. (27.0 x 20.0 cm), framed. Condition: Margins over 1 3/4 inches with deckled upper and right edges, pale staining and mat burn. $400-600

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103

102 Michael Mazur (American, 1935-2009)

103 Michael Mazur (American, 1935-2009)

Amaryllis/Calla II, 1982 (Hansen, 233). Signed and dated “Mazur ‘82” in pencil l.r., titled in pencil l.l., inscribed “a.p.” l.c. Color etching, aquatint and monotype on paper, plate size 35 1/2 x 24 in. (90.0 x 60.9 cm), framed. Condition: Margins over 2 inches with deckled edges, floated within frame, not examined out of frame. $800-1,200

Slide #6. Signed “Mazur” in pencil l.r., titled l.l., identified on a label from Robert Miller Gallery, New York, and with the artist’s stamp on the backing. Monotype with pastel, 36 x 32 in. (91.4 x 81.3 cm), framed. Condition: Foxing, rippling. $300-500

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104 John McCrady (American, 1911-1968) Swing Low, Sweet Chariot, 1941, edition of 250, published by Associated American Artists, New York (AAA/Czestochowski, 1941.048; Marshall, 64). Signed “John McCrady” in pencil l.r., titled in pencil l.l., a label from AAA accompanies the lot. Lithograph on paper, image size 10 15/16 x 14 13/16 in. (27.7 x 37.5 cm), matted, unframed. Condition: Margins 1/2 inch or more with deckled lower edge. $700-900

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105 John McCrady (American, 1911-1968) Wreck of the Old ‘97, 1942, edition of 250, published in 1943 by Associated American Artists, New York (AAA/Czestochowski, 1943.036; Marshall, 71). Signed “John McCrady” in pencil l.r., initialed within the matrix, titled in pencil l.l., a label from AAA accompanies the lot. Lithograph on paper, image size 10 5/8 x 14 3/4 in. (26.9 x 37.3 cm), matted, unframed. Condition: Margins 1/2 inch or more with deckled upper and lower edges. $1,200-1,800

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107 106

106 Charles Meryon (French, 1821-1868)

107 Sam Messer (American, b. 1955)

Rue des Chantres, 1862, final state of four (Delteil, 42). Identified within the plate. Etching on paper, plate size 11 7/8 x 5 7/8 in. (30.0 x 14.8 cm), framed. Condition: Toning, mat burn, not examined out of frame. $200-250

Untitled Diptych, 1988. The left panel signed and dated “Messer 88� in pencil within the image l.r., the right panel signed in pencil on verso. Color monotype on Somerset paper with watermark, image/sheet sizes each 30 x 22 1/4 in. (76.2 x 56.4 cm), unmatted, unframed. Condition: Deckled edges, minor handling marks/creases. $400-600

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108 Peter Milton (American, b. 1930) THE JOLLY CORNER, a suite of twenty-one images plus an original printing plate for the story by Henry James, 1971, published by Aquarius Press, Baltimore and New York, from the preferred edition of 21. Numbered and signed “XIVXXI/Peter Milton� on the colophon page, one etching signed and dated in pencil. Etchings with drypoint and aquatint on Rives paper, sheet sizes 19 x 15 in. (48.2 x 38.1 cm), presented in the original portfolio. Condition: Deckled edges; the set contains only one set of the etchings. $2,500-3,500

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109 Joan Miró (Spanish, 1893-1983) Galerie Maeght Miró Sculptures Art Graphique, 1950, edition of 500 (Picazo, 5; Mourlot, 92). Identified within the matrix, identified on a label from the William Weston Gallery, London, affixed to the backing. Color lithographic poster on paper, image size 22 3/4 x 16 1/4 in. (57.7 x 41.2 cm), framed. Condition: Centralized horizontal and vertical fold, rippling, not examined out of frame. $500-700 110 Joan Miró (Spanish, 1893-1983) Le chevelure de Bérénice I, 1963, edition of 75, printed and published by Maeght, Paris (Dupin, 354). Signed “Miró” l.r., numbered “41/75” in pencil l.l. Etching with color aquatint on paper, plate size 18 1/2 x 26 7/8 in. (46.8 x 68.2 cm), framed. Condition: Margins 1 1/2 inches or more, gentle rippling, not examined out of frame. $4,000-6,000

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111 Joan Miró (Spanish, 1893-1983) Escalade, 1969, edition of 75 (Dupin, 494). Signed “Miró” l.r., numbered “32/75” in pencil l.l. Color etching with aquatint and carborundum on paper, plate/sheet size 26 1/8 x 19 3/4 in. (66.3 x 50.2 cm), framed. Condition: Deckled edges, rippling, staining to edges, floated within mat, not examined out of frame. $3,000-5,000 112 Joan Miró (Spanish, 1893-1983) Ceramiques, 1974, published by Maeght Éditeur, Paris (Maeght, 928). Signed within the matrix. Color lithograph on cream paper, image size 16 1/2 x 24 1/4 in. (41.8 x 61.5 cm), framed. Condition: Not examined out of frame. $800-1,200

111

112

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113

113 Joan Mitchell (American, 1925-1992) Sunflower VI, 1972, edition of 75 plus proofs, published by Maeght Éditeur, Paris. Signed “Joan Mitchell” in pencil l.r., inscribed “EA” in pencil l.l. Color etching with aquatint on paper, plate size 23 3/8 x 19 1/2 in. (59.3 x 49.4 cm), framed. Condition: Margins 1 inch or more, not examined out of frame. $3,000-4,000

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114

114 Thomas Moran (American, 1837-1926) Sunrise - The Pond, Easthampton, L.I., alternatively titled Morning: Hook Pond and Old Bridge, 1883 (Klackner, 39; Morand & Friese, 47). Monogrammed within the plate. Etching and drypoint on paper, plate size 4 1/2 x 7 1/8 in. (11.4 x 18.0 cm), framed. Condition: Margins 1/2 inch or more, not examined out of frame. $400-600 115 Thomas Moran (American, 1837-1926) Half Dome: View from Moran Point, 1887. Signed “T.Moran� in pencil l.l., signed and dated within the plate. Etching in dark brown ink on paper, plate size 12 3/4 x 9 in. (32.3 x 22.8 cm), unmatted, unframed. Condition: Unobtrusive toning, soiling to margins, crease to margin at corner l.l. $400-600

115

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116

116 Berthe Morisot (French, 1841-1895) Jeune fille au repos, 1889, impression from the canceled plate. Unsigned. Drypoint on wove paper, plate size 3 1/4 x 4 3/4 in. (8.2 x 13.0 cm), matted, unframed. Condition: Mild soiling to margins. $300-350

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117

117 Robert Motherwell (American, 1915-1991) Three Figures, 1989, edition of 80 plus proofs published by Tyler Graphics Ltd., Mount Kisco, New York (Walker Art Center, 489). Signed and numbered “RMotherwell/22/80” in pencil within the image l.r., publisher’s dry stamp l.r. Color lithograph on paper, image/sheet size 56 x 40 in. (142.2 x 101.4 cm), framed. Condition: Deckled edges, floated within the mat, not examined out of frame. $7,000-9,000 118 Robert Motherwell (American, 1915-1991) Untitled (A), an uneditioned print. Inscribed and signed “Bon à tirer R Motherwell” in pencil l.r., inscribed “bon à tirer R Motherwell PKXTT” on verso. Lithograph on BFK Rives paper with watermark, plate size 37 5/8 x 29 1/2 in. (95.4 x 74.8 cm), unmatted, unframed. Condition: Deckled edges (deckles with some mild staining), handling marks and creases. $1,000-1,500

118

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119 Thomas Willoughby Nason (American, 1889-1971) Old Boston Houses, 1925, edition of 40 (Comstock & Fletcher, 52). Signed and dated “T W Nason 1925” in pencil l.r. Wood engraving on paper, 4 x 3 3/4 in. (10.4 x 9.4 cm), framed. Condition: Margins 5/8 inch or more, small, soft smudge in u.l. margin. $150-250 120 John Newman (American, b. 1952) Auto-de-fé, 1990, edition of 43, published by Tyler Graphics Ltd., Mount Kisco, New York. Numbered, signed, and dated “13/42 John Newman 1990” in pencil within the image l.r., publisher’s dry stamp l.r. Color lithograph with etching and aquatint on paper, image size 56 x 56 in. (142.1 x 142.1 cm), framed. Condition: Deckled edges, floated within frame, not examined out of frame. $400-600

119

120

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121

121 Dale William Nichols (American, 1904-1995) Partners, 1950, edition of 250, published by Associated American Artists, New York (AAA/ Czestochowski, 1950.049). Signed “+Dale Nichols” in pencil l.r., identified on a label from AAA affixed to the backing. Lithograph on paper, image size 9 1/2 x 13 1/4 in. (24.1 x 33.4 cm), framed. Condition: Not examined out of frame. $800-1,200 122 Denji Noma (Japanese, b. 1935) Hyotoko - Mask, edition of 20. Signed “Denji Noma” in pencil l.r., titled in pencil l.l., numbered “5/20” in pencil l.c. Color aquatint on paper, plate size 20 1/2 x 16 1/2 in. (52.0 x 41.8 cm), framed. Condition: Subtle toning, not examined out of frame. $600-800

122

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124

123

123 Claes Oldenburg (American, b. 1929)

124 Claes Oldenburg (American, b. 1929)

Double Punching Bag, 1967, edition of 80, published by HKL Ltd., Boston & New York (Axson & Platzker, 48). Signed “Oldenburg” in pencil l.r., numbered “55/80” in pencil l.l. Color lithograph on cream paper, image size 36 x 19 7/8 in. (91.0 x 50.3 cm), framed. Condition: Deckled right and lower edges, several pale fox marks, gentle rippling, not examined out of frame. $300-500

Miniature Soft Drum Set, 1969, edition of 200. Initialed and numbered “CO 21/200” in marker on the bass drum, stamped and numbered on the underside of the stand. Mixed media multiple with screenprinted canvas, rope, and wood, stand measures 2 x 14 x 18 in. (5.0 x 35.4 x 48.2 cm). Condition: Minor soiling to some elements, losses to paper on stand. $3,000-5,000

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125

126

125 Ray Parker (American, 1922-1990)

126 Philip Pearlstein (American, b. 1924)

Untitled, edition of 90. Numbered and signed “24/90 R. Parker” in pencil l.l. Color screenprint on paper, image size 33 1/2 x 44 1/4 in. (85.0 x 112.3 cm), framed. Condition: Subtle rippling near edges, water stain u.r., not examined out of frame. $500-700

Temple at Paestum, 1983, edition of 50. Titled, numbered, signed, and dated “...32/50 Philip Pearlstein ‘83” in pencil within the image l.r. Color aquatint on paper, image/sheet size 28 5/8 x 40 1/4 in. (72.5 x 102.0 cm), framed. Condition: Deckled edges, floated in frame, not examined out of frame. $800-1,200

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127 Gabor F. Peterdi (American, 1915-2001) Vertical Rocks, 1959, edition of 45 (Peterdi & Johnson, 166). Signed and dated “G Peterdi 59” in pencil l.r., titled in pencil l.c., numbered “22-45” in pencil l.l. Etching with engraving and aquatint on paper, plate size 32 1/2 x 22 3/4 in. (82.5 x 57.7 cm), framed. Condition: Not examined out of frame. $300-350 128 Pablo Picasso (Spanish, 1881-1973) Figures, 1927, edition of 50, printed in 1960 (Bloch, 81; Geiser, 122). Signed “Picasso” in pencil l.r., numbered “20/50” in pencil l.l. Etching on paper, plate size 7 5/8 x 11 in. (19.3 x 27.9 cm), framed. Condition: Margins 1/2 inch or more, mat burn, not examined out of frame. $4,000-6,000

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128

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129

129 Pablo Picasso (Spanish, 1881-1973) Peintre entre deux modèles regardant une toile, from LE CHEF-D’OEUVRE INCONNU, 1927, edition of 99 (Bloch, 83; Geiser, 124). Signed “Picasso” in brown ink l.r., numbered “89/99” in brown ink l.l. Etching on paper, plate size 7 5/8 x 11 in. (19.3 x 27.9 cm), framed. Condition: Margins over 1 1/4 inches, not examined out of frame. $4,000-6,000 130 Pablo Picasso (Spanish, 1881-1973) Dessins d’un demi-siècle, 1956, edition for the cover of the catalogue for L’exposition 1956 de Berggruen & Cie (Bloch, 792). Signed within the matrix. Color lithograph on paper, image/sheet size 8 5/8 x 9 1/4 in. (21.8 x 23.5 cm), framed. Condition: Two vertical central creases (corresponding to the bound edge of the cover), very subtle toning, floated within the frame, not examined out of frame. $500-700

130

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131

131 After Pablo Picasso (Spanish, 1881-1973) Les Menines, 1959, edition of 1,500, printed by Mourlot, Paris (Czwiklitzer, 141). Signed and identified within the matrix. Color lithograph on paper, image size 24 3/4 x 17 1/2 in. (62.7 x 44.4 cm), framed. Condition: Not examined out of frame. $1,500-2,000

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132

132 Rona Pondick (American, b. 1952) Sweet Tooth, 1998, edition of 35, published by the New Museum, New York. Unsigned. Mixed media with linen, acid-free binder board, basswood, rubber, and plastic, 12 1/8 x 12 1/2 in. (30.6 x 31.5 cm). Condition: Good. Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $800-1,200

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132A

132A JosĂŠ Guadalupe Posada (Mexican, 18511913) Five Double-sided Pages: Despues del Balle, 1902; Tiernas Suplicas, 1903; La Noche Serena, 1904; De los Prontosticos Va, and Los Cocineros. Each titled within the matrix. Zincographs on paper (two on green sheets), sheet sizes approximately 11 1/2 x 7 1/2 in. (29.2 x 19.0 cm), unmatted, unframed. Condition: Minor nicks to edges, unobtrusive toning, Balle with tear u.c. $800-1,200 132B JosĂŠ Guadalupe Posada (Mexican, 18511913) Five Double-sided Pages: Una Triste Despedida, 1903; Corrido de Acelgas, 1908; Senor de Chalmita, 1912; El Jesus!; and Ni un Cigaro que Fumar. Each titled within the matrix. Zincographs on paper, sheet sizes approximately 11 1/2 x 7 1/2 in. (29.2 x 19.0 cm), unmatted, unframed. Condition: Minor nicks to edges, unobtrusive toning. $1,000-1,500

132B

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133

133 Robert Rauschenberg (American, 19252008) Twelve Works from XXXIV DRAWINGS FOR DANTE’S INFERNO: Plank, plus eleven of the thirty-four reproductions, 1964, total edition of 300. Plank titled, numbered, signed, and dated “...34/43 RAUSCHENBERG 1964” in pencil within the image l.r. and with ULAE dry stamp, the set signed “RAUSCHENBERG” and numbered “34” on the colophon. Plank an original lithograph, the rest color offsets, sheet sizes to 17 x 17 in. (43.2 x 43.2 cm), presented in the original clamshell box (wear). Condition: Good. Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $500-700

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134 Rembrandt van Rijn (Dutch, 1606-1669) Beggar in a High Cap, Standing and Leaning on a Stick, c. 1630, only state, probably a lifetime impression (Hind, 15; White & Boon/Hollstein, 162), collector’s stamp to verso (see below). Etching on laid paper, plate size 6 3/16 x 4 3/4 in. (15.6 x 11.9 cm), framed. Condition: Margins approximately 1/8 inch, a good impression, pencil annotations to verso, brown paper tape hinges to upper corners on verso. Provenance: Ex-collection of Friedrich Kalle (1804-1875), Cologne and Bonn (Lugt, 2021). $800-1,200 135 Rembrandt van Rijn (Dutch, 1606-1669) The Strolling Musicians, c. 1635, probably a 17th century impression (Hind, 142; White & Boon/Hollstein, 119 I/II). Etching on laid paper, plate size 5 9/16 x 4 1/2 in. (14.0 x 11.4 cm), framed. Condition: Margins approximately 1/8 inch, a good impression, pencil and ink annotations to verso, rub to corner of image u.r., brown paper tape hinges to upper corners on verso. $1,000-1,500 134

135

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136

136 Rembrandt van Rijn (Dutch, 1606-1669) Jan Uytenbogaert, Preacher of the Remonstrants, 1635, final state of six, a posthumous impression (White & Boon/ Hollstein, 279). Signed, dated, and identified within the plate. Etching and drypoint on paper, sheet size 9 x 7 3/8 in. (22.8 x 18.6 cm), framed. Condition: Trimmed at or within the plate mark (sheet in the form of an octagon), small tears into image along the right sides, pale toning and foxing, not examined out of frame. $2,000-2,500

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137 Rembrandt van Rijn (Dutch, 1606-1669) Three Heads of Women, One Asleep, 1637, only state, an 18th century impression (White & Boon/Hollstein, 368). Signed and dated within the plate, identified on a label from Bellette Hofmann Fine Art Inc., New York, affixed to the backing. Etching on laid paper, sheet size 5 5/8 x 3 7/8 in. (14.2 x 9.6 cm), framed. Condition: Pale staining and/or fox marks, not examined out of frame. $800-1,200 137A Rembrandt van Rijn (Dutch, 1606-1669) Old Man with Divided Fur Cap, 1640, probably a late 17th century impression (Bartsch, 265). Signed and dated within the plate. Etching on laid paper with figural watermark, plate size 6 1/16 x 5 7/16 in. (15.3 x 13.7 cm), framed. Condition: Margins approximately 1/8 in., pale toning and foxing, pencil annotation to verso. $6,000-8,000 137

137A

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138 Robert Riggs (American, 1896-1970) Casualty Award, 1942-45 (Bassham, 83). Signed within the matrix. Lithograph on paper, image size 15 1/2 x 12 3/8 in. (39.3 x 31.5 cm), unmatted, unframed. Condition: Margins over 1 1/2 inches with deckled edges to two sides, gently lightstruck, old hinges to verso along upper edge. $250-300 139 George Rodrigue (American, b. 1944) Blue Dog (AH10), 2008. Signed “Rodrigue� in silver marker within the image l.r. Acrylic over color screenprint on foiled paper, sight size 17 x 17 in. (43.2 x 43.2 cm), framed. Condition: Not examined out of frame. $3,000-5,000

138

139

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140

141

140 James Rosenquist (American, b. 1933)

141 Ed Ruscha (American, b. 1937)

Terrarium, 1978, edition of 100 (Glenn, 154). Signed and dated “James Rosenquist 1978” in pencil l.r., numbered and titled “8/100...” in pencil l.l., identified on a label from the Obelisk Gallery, Boston, affixed to the backing. Color lithograph on cream paper, image size 22 x 40 in. (55.8 x 101.5 cm), framed. Condition: Deckled edges, floated in frame, extremely gentle rippling, not examined out of frame.

Every Building on the Sunset Strip/A Book, 1966, edition of 1,000. Identified on the title page. Offset lithographs on attached and accordioned sheets, book size 7 1/8 x 5 5/8 in. (17.9 x 14.3 cm), presented in the original Mylar-covered slipcase. Condition: Minor wear (primarily to case). $1,000-1,500

Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $800-1,200

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142

143

142 Kiyoshi Saito (Japanese, 1907-1997)

143 Birger Sandzen (American, 1871-1954)

Winter in Aizu. Signed “Kiyoshi Saito” in ink within the image and with chop c.r. Woodcut on paper, image size 10 5/8 x 15 1/2 in. (26.8 x 39.3 cm), framed. Condition: Floated in frame, not examined out of frame. $300-500

Riverbank with Cedars, 1927. Signed “Birger Sandzen” in pencil l.l., signed and dated within the matrix, titled in pencil l.r. Lithograph on paper, image size 10 x 13 7/8 in. (25.4 x 35.2 cm), framed. Condition: Toning, not examined out of frame. $300-500

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145

144 Mike Schacht (American, 1936-2001) Three Impressions: Running Batter, 1993, one in red, one in yellow, one in green, editions of 125. Each signed and dated “M. Schacht 93” in pencil l.r., and numbered in pencil l.l. Color screenprints on paper, image sizes 10 1/2 x 13 in. (26.5 x 33.0 cm), framed. Condition: Not examined out of frames. $600-800 145 Fritz Scholder (Native American, 19372005) American Family, 1974, edition of 115, published by Tamarind, New Mexico (Adams, 92; Tamarind, 74-728). Signed “Scholder” in pencil l.r., numbered “39.115” in pencil l.l., publisher’s dry stamp l.l., unidentified dry stamp l.r. Lithograph on cream paper, image size 26 1/8 x 19 1/4 in. (66.2 x 48.8 cm), framed. Condition: Deckled edges, floated within the frame, not examined out of frame. $1,000-1,500

144

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146 Fritz Scholder (Native American, 19372005) War Cry, edition of 100. Signed “Scholder” in pencil within the image l.r., numbered “53.100” in pencil within the image l.l. Color lithograph on paper, sight size 33 x 22 in. (83.7 x 55.7 cm), framed. Condition: Gentle rippling, not examined out of frame. Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor and chairman of Dartmouth College’s visual studies department (19661989), to the present owner by family descent, Connecticut. $300-500 147 Peter Schuyff (Dutch, b. 1958) THE NETHERLANDS/Portfolio of Five Works, 1993, edition of 25, published by Pace Editions, Inc., New York. Each numbered, signed, and dated “4/25 Schuyff XCIII” in pencil along the lower edge. Letterpress on paper, sheet sizes 26 x 19 3/4 in. (65.9 x 50.0 cm), framed. Condition: Deckled edges, floated within the frames, not examined out of frames. $600-800 146

147

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148

149

148 Junichiro Sekino (Japanese, 1914-1988) Boy and Rooster, c. 1955. Signed “Jun Sekino” in ink and with chop within the image l.r. Color woodcut on paper, sight size 23 3/4 x 17 3/4 in. (60.2 x 45.0 cm), framed. Condition: Possible subtle toning, gentle rippling, not examined out of frame. $700-900 149 David Alfaro Siqueiros (Mexican, 18961974) Mexico, 1947, proof impression. Signed “DASiqueiros” in pencil l.r., inscribed “E/E” in pencil l.l. Lithograph on paper, image size 11 3/4 x 8 7/8 in. (29.6 x 22.4 cm), framed. Condition: Unobtrusive toning, mat burn, not examined out of frame. $300-500 150 Tom Slaughter (American, b. 1955)

150

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Construction, 1989, edition of 75. Numbered, signed, and dated “27/75 T. Slaughter 1989” in pencil within the image l.c., lizard dry stamp l.l. Color screenprint on paper, sight size 43 1/2 x 29 1/2 in. (110.5 x 74.8 cm), framed. Condition: Not examined out of frame. $400-600


151 Tom Slaughter (American, b. 1955) Hats, 1989, edition of 75. Numbered, signed, and dated “27/75 T. Slaughter 1989” in pencil within the image l.c., lizard dry stamp l.l. Color screenprint on paper, image/sheet size 44 x 30 in. (111.6 x 76.2 cm), framed. Condition: Floated within the mat (but slipping), not examined out of frame. $300-350 152 Kiki Smith (American, b. 1954) Moment (T), 2006, published by Universal Limited Art Editions, West Islip, New York. Signed and dated “Kiki Smith T 2006” in pencil l.r., publisher’s dry stamp l.l. Monotype with lithograph, pencil, watercolor, gouache, and stencil on paper, image/sheet size 22 1/2 x 31 in. (57.0 x 78.5 cm), unmatted, shrinkwrapped. Condition: Deckled edges, not examined out of wrap. $2,000-3,000

151

152

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153

153 Joan Snyder (American, b. 1940) Two Compositions: Red/Yellow, 1977, edition of 20, etching and aquatint; and Our Foremothers, 1995, edition of 90 plus proofs, color etching, lithograph and woodcut. Signed and dated “...Snyder...” in pencil l.l. and l.r., respectively, both numbered in pencil l.l. Plate/image sizes 24 x 34 in. (60.9 x 86.3 cm), the former matted, both unframed and shrink-wrapped. Condition: Not examined out of wrap. $800-1,200 154 Théophile Alexandre Steinlen (French/ Swiss, 1859-1923)

154

Exposition à la bodinière, 1894, published by Charles Verneau, Paris (Bargiel & Zagrodzki, 14B1). Monogrammed and identified within the matrix. Color lithographic poster on paper, sight size 23 1/2 x 31 1/2 in. (59.6 x 79.9 cm), framed. Condition: Toned, water staining, mounted onto linen, two indentations into the sheet u.r., not examined out of frame. $1,200-1,800

100

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155 Pat Steir (American, b. 1938) Wish #1, 1974, edition of 50, published by Landfall Press, Inc., Santa Fe, New Mexico (Broun & Howard, 3.1). Numbered, titled, signed, and dated “43/50...Pat Steir ‘74” in pencil within the image l.l., publisher’s and copyright dry stamps l.l. Color lithograph on cream paper, image/sheet size 31 3/4 x 32 1/2 in. (80.5 x 82.4 cm), framed. Condition: Deckled edges, floated in frame, not examined out of frame. $500-700 156 Antoni Tàpies (Spanish, 1923-2012) Untitled, 1966, total edition of 125, published for the book 50 Jahre Kestner-Gesellschaft by Fackelträger-Verlag, Hanover (Galfetti, 135). Signed “tàpies” in pencil within the image l.r. Color lithograph on paper, image size 17 1/2 x 25 1/2 in. (44.4 x 64.4 cm), framed. Condition: Not examined out of frame. $500-700

155

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157 Walasse Ting (Chinese/American, 19292010) Two Untitled Compositions, 1964, edition of 30. Both numbered, signed, and dated “30/30 Ting...64” in pencil within the image, both identified on a label from Harcus Krakow, Boston, affixed to the backing. Color lithographs on paper, image/sheet sizes 16 x 11 5/8 in. (40.5 x 29.3 cm), framed. Condition: Minor wear to corners, not examined out of frames. $300-500 158 Walasse Ting (Chinese/American, 19292010) Reclining Nude, 1977, edition of 100. Signed and dated “Ting 77” in pencil l.r., numbered “54/100” in pencil l.l. Color lithograph on heavy wove paper, image size 24 x 35 3/4 in. (60.8 x 90.5 cm), unmatted, unframed. Condition: Toning, crease to margin at corner l.l., bleed-through to verso. $500-700

157

158

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159 Mark Tobey (American, 1890-1976) Untitled, 1961. Signed and dated “Tobey 61” in pencil l.r., identified in information affixed to the backing. Color monotype on paper, image size 4 7/8 x 3 5/8 in. (12.3 x 9.0 cm), framed. Condition: Rippling with minor creasing, not examined out of frame. Provenance: Purchased from the artist by his student Helen Boyd Keen, New York; through to Jeffrey R. Brown Fine Arts, Longmeadow, Massachusetts; through to the present owner. $500-700 160 Mark Tobey (American, 1890-1976) Four Figures, 1967, proof impression. Signed and dated “Tobey ‘67” in pencil l.r., inscribed “artist’s proof” in pencil l.l. Lithograph with watercolor on paper, image size 5 x 7 1/4 in. (12.6 x 18.3 cm), framed. Condition: Not examined out of frame. $300-500

159

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161

161 Henri de Toulouse-Lautrec (French, 18641901) Divan Japonais, 1892-93, edition size uncertain but probably 1,000-3,000 (Adriani, 8; Wittrock, P11). Signed and identified within the matrix. Color lithograph in black, olive, yellow, and red-orange on thin paper, image size 32 1/16 x 23 3/4 in. (81.3 x 60.4 cm), framed. Condition: Mounted onto stretched linen with margins wrapping around to the sides at all but the lower edge, minor wear/losses at folds in sheet, toning and staining. $10,000-15,000

104

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162

162 Henri de Toulouse-Lautrec (French, 18641901) Cycle Michael, 1896, edition of 200, printed by Chaix, Paris (Adriani, 188; Wittrock, P25). Monogrammed and identified within the matrix, numbered “69” l.l. Lithographic poster printed in olive on paper, sight size 32 1/4 x 47 in. (81.9 x 119.3 cm), framed. Condition: Losses, repaired, staining, toning, numerous small creases, not examined out of frame. $2,500-3,000 163 Jack Tworkov (American, 1900-1982) The Dartmouth Print, 1973. Signed and dated “Tworkov/73” in pencil l.r. Screenprint in grays on paper, image size 24 x 17 in. (60.8 x 43.0 cm), unmatted, frame accompanies the lot. Condition: Margins over 3 inches. Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor and chairman of Dartmouth College’s visual studies department (19661989), to the present owner by family descent, Connecticut. $400-600

163

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164 Victor Vasarely (Hungarian/French, 19061997) Untitled (Hexagon), proof edition of 25. Signed “Vasarely-” in pencil l.c., numbered “VII/XXV” in pencil l.r. Color screenprint on paper, image size 18 3/4 x 16 1/2 in. (47.5 x 41.7 cm), framed. Condition: Small (1/2 in.) break to ink in green area, not examined out of frame. $300-500 165 Jacques Villon (French, 1875-1963) Femme se coiffant, 1899 (Ginestet & Pouillon, E28). Signed and dated “Jacques Villon/1899” in pencil l.r. Etching in blue with hand-coloring on paper, image size 13 1/2 x 10 in. (34.0 x 25.5 cm), framed. Condition: Old crease from upper edge extending into image, some other subtle handling marks, lightly toned, gentle rippling, not examined out of frame. $1,000-1,500

164

165

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166

166 Jacques Villon (French, 1875-1963) La Normande, 1905, edition of 50 (Ginestet & Pouillon, E141). Signed “Jacques Villon” in pencil l.r. and within the plate, numbered “4/50” l.l. Color aquatint on paper, plate size 6 5/8 x 9 3/4 in. (17.0 x 25.0 cm), framed. Condition: Subtle foxing, not examined out of frame. $600-800 167 Jacques Villon (French, 1875-1963) Jeune fille vue de dos, 1906, edition of 50 (Ginestet & Pouillon, E155). Signed “Jacques Villon” in pencil l.r. and within the plate, dated “06” within the plate, Sagot dry stamp l.r. Etching and aquatint on paper, plate size 5 7/8 x 3 5/8 in. (15.0 x 9.3 cm), framed. Condition: Not examined out of frame. $400-600

167

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168 Jacques Villon (French, 1875-1963) Le pédicure, 1907, a trial proof impression (Ginestet & Pouillon, E195). Signed “Jacques Villon” in pencil l.r., inscribed “Essai” in pencil l.l., signed within the plate. Etching and aquatint on paper, plate size 9 5/16 x 6 9/16 in. (23.5 x 16.5 cm), framed. Condition: Unobtrusive toning, foxing, not examined out of frame. $400-600 169 Jacques Villon (French, 1875-1963) L’Épingle à chapeau, 1909, edition of 20 (Ginestet & Pouillon, E242). Signed “Jacques Villon” in pencil l.r., numbered “12/20” in pencil l.l. Drypoint on paper, plate size 15 5/8 x 12 3/8 in. (31.0 x 39.6 cm), framed. Condition: Foxing, toning, not examined out of frame. $800-1,200 170 Jacques Villon (French, 1875-1963)

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Dans la forêt, alternatively titled La belle et la bête, 1909 (Ginestet & Pouillon, E244). Signed “Jacques Villon” in pencil l.r. Etching and drypoint on Arches laid paper with watermark, plate size 15 3/4 x 12 1/2 in. (39.9 x 31.6 cm), matted, unframed. Condition: Margins 2 1/2 inches or more with deckled edges, soiling to margins, pencil annotations to lower edge. $500-700


170

171

171 Jacques Villon (French, 1875-1963) Les Haleurs, 1930, edition of 50 (Ginestet & Pouillon, E332). Signed “Jacques Villon” in pencil l.r., numbered “31/50” in pencil l.l., signed and dated within the plate. Etching and aquatint on paper, plate size 7 1/8 x 8 3/4 in. (18.0 x 22.0 cm), framed. Condition: Subtle foxing in margins, not examined out of frame. $500-700 172 Jacques Villon (French, 1875-1963) L’Aventure, 1935, final state of four, edition of 108 (Ginestet & Pouillon, E387). Signed “Jacques Villon” in pencil l.r., numbered “16/108” in pencil l.l. Etching with drypoint on paper, plate size 12 1/2 x 8 1/4 in. (32.0 x 21.0 cm), framed. Condition: Gentle rippling, not examined out of frame. $300-500

172

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173 Jacques Villon (French, 1875-1963) Magi, from POÈMES DE BRANDEBOURG, 1947, total edition of 190 (Ginestet & Pouillon, E506). Signed “Jacques Villon” in pencil l.r. Etching in color on paper, image size 10 x 8 in. (25.6 x 21.0 cm), framed. Condition: Subtly toned, scattered light foxing at edges of image, not examined out of frame. $300-500 174 Jacques Villon (French, 1875-1963) Paysage, from LA MAGIE QUOTIDIENNE, c. 1960 (Ginestet & Pouillon, App. 113). Signed “Jacques Villon” in pencil l.r., numbered “20/70” in pencil l.l. Color lithograph on paper, image size 11 7/8 x 15 1/4 in. (30.0 x 39.0 cm), framed. Condition: Subtle toning, not examined out of frame. $400-600

173

174

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175

175 Andy Warhol (American, 1928-1987) After the Party, 1979, edition of 1,000 plus proofs, published by Grosset and Dunlap, Inc., New York (Feldman & Schellmann, II.183). Signed and numbered “Andy Warhol 626/1000� in pencil l.r., dry stamp l.l. Color screenprint on paperboard, image/sheet size 21 1/2 x 30 1/2 in. (54.5 x 77.4 cm), framed. Condition: Deckled edges to all but the upper edge, gentle rippling, foxing or similar to verso along left side. $8,000-12,000

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176

176 After Andy Warhol (American, 1928-1987) Marilyn (Announcement), 1981, published by Castelli Graphics, New York, printed by Colour Editions, Inc. Signed “Andy Warhols� in marker or similar within image along the right edge, identified in publication text to verso. Color screenprint on smooth paperboard, image/sheet size 12 1/8 x 12 in. (30.6 x 30.4 cm), framed. Condition: Possible extremely subtle fading, bleed-through from signature to verso. $8,000-12,000

112

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177

177 Neil Welliver (American, 1929-2005) Ducktrap, 1973, edition of 144 (Welliver, 31). Signed “Welliver” in pencil l.r., numbered “3/144” in pencil l.l. Color screenprint on paper, image size 35 1/2 x 36 in. (90.0 x 91.4 cm), framed. Condition: Not examined out of frame. $1,500-2,500

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178

178 James Abbott McNeill Whistler (American, 1834-1903) Billingsgate, 1859, edition of 100, sixth state or later (Kennedy 47). Signed and dated “Whistler 1859� within the plate l.r. Etching with drypoint on paper, image size 5 7/8 x 8 3/4 in. (14.9 x 22.0 cm), framed. Condition: Margins 3/4 inch or more, softly light-struck, scattered faint foxing in sky. $800-1,200

114

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179

179 James Abbott McNeill Whistler (American, 1834-1903) The Smith’s Yard, 1895, from the edition of 3,000 published by The International Studio, 1897 (Spink, Stratis & Tedeschi, 124). Unsigned, publisher’s dry stamp l.c. Lithograph on smooth paper, image size 7 1/2 x 6 1/4 in. (18.9 x 15.6 cm), matted, unframed. Condition: Toning, light-struck, pale foxing. $400-600 180 Erich Wolfsfeld (German, 1884-1956) The Bound Man, c. 1907-09 (Furness, 24). Signed “Erich Wolfsfeld” in pencil l.r. Etching on paper, plate size 25 1/2 x 19 3/4 in. (64.6 x 50.1 cm), framed. Condition: Subtle toning, not examined out of frame. $300-500

180

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181

181 Zao Wou-Ki (Chinese/French, 1921-2013) Les poissons, 1952, edition of 55 plus proofs (Ågerup, 79). Signed (in Chinese characters) and dated “...52” in pencil l.r., numbered “14/55” in pencil l.l., identified on a label from Galerie Chalette, New York, affixed to the backing. Color lithograph on BFK Rives with watermark, image size 17 x 23 in. (43.2 x 58.5 cm), framed. Condition: Deckled edges, toning to area of mat opening, handling creases, several minute nicks to deckles, foxing (primarily visible on verso), cloth tape to edges. $3,000-5,000

116

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Fine Photography Lots 182–225


182

182 Berenice Abbott (American, 1898-1991) Pingpank Barber Shop, 413 Bleecker Street, 1935, probably printed c. 1980. Signed “BERENICE ABBOTT” in pencil on the mount l.r., stamped “PHOTOGRAPH BERENICE ABBOTT ABBOTT, MAINE 04406” on the reverse of the mount. Gelatin silver print, sheet size 12 1/8 x 9 3/4 in. (30.6 x 24.6 cm), matted, unframed. Condition: Good. Provenance: Purchased by the present owner from Christie’s New York, February 17, 2004, Sale 1345, Lot 43. $1,200-1,800

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183

183 Berenice Abbott (American, 1898-1991) Hardware Store, 316-318 Bowery at Bleecker Street, 1938, probably printed c. 1980. Signed “BERENICE ABBOTT” in pencil on the mount l.r., stamped “PHOTOGRAPH BERENICE ABBOTT ABBOTT, MAINE 04406” on the reverse of the mount. Gelatin silver print, sheet size 10 3/4 x 13 3/8 in. (27.3 x 33.8 cm), matted, unframed. Condition: Minute wear at corners of sheet. Provenance: Purchased by the present owner from Christie’s New York, February 17, 2004, Sale 1345, Lot 44. $1,200-1,800

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184

184 Ansel Adams (American, 1902-1984) Winnowing Grain Taos Pueblo, New Mexico, c. 1929, a later printing. Signed “Ansel Adams” in pencil on the mount l.r., identified with the artist’s stamp “Photograph by Ansel Adams, Route 1, Box 181, Carmel, California 93921” and inscription on the reverse of the mount. Gelatin silver print, image/sheet size 13 1/2 x 10 1/4 in. (34.3 x 26.0 cm), matted, unframed. Condition: Good. $5,000-7,000

120

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185

185 Ansel Adams (American, 1902-1984) Petroglyphs, Monument Valley, Utah, 1958, from ANSEL ADAMS PORTFOLIO V, published by Parasol Press, Ltd., New York, 1970. Signed “Ansel Adams” in pencil on the mount l.r., numbered “V-6 24/110” in pencil on the mount l.l., identified with stamp and inscription on the reverse of the mount. Gelatin silver print, image/sheet size 15 1/4 x 19 3/4 in. (38.6 x 50.1 cm), matted, unframed. Condition: Minor soiling to mount (primarily to verso). $4,000-6,000

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186

186 American School, 20th Century Plantings of The Sea/A Diptych. Titled and signed “...K...S...” on the reverse. Dye destruction prints, image/sheet sizes 20 x 16 in., matted, framed. Condition: Tape-hinged to the backing mat. $100-150 187 Manuel Alvarez Bravo (Mexican, 19022002) Retrato Postumo, Guanajuato, 1939. Signed and titled “M. Alvarez Bravo...” in pencil on the reverse. Gelatin silver print, sheet size 11 x 13 7/8 in. (27.8 x 35.3 cm), matted, unframed. Condition: Possible subtle toning, unmounted. $1,200-1,800

187

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188 Manuel Alvarez Bravo (Mexican, 19022002) Cruce de Chalma, 1942. Signed and titled “M. Alvarez Bravo...” in pencil on the reverse. Gelatin silver print, sheet size 15 7/8 x 12 in. (40.3 x 30.4 cm), matted, unframed. Condition: Subtle handling creases, wear at very corners, unmounted. $2,000-3,000 189 Manuel Alvarez Bravo (Mexican, 19022002) Casa de Lava. Signed and titled “M. Alvarez Bravo...” in pencil on the reverse. Gelatin silver print, sheet size 11 x 14 in. (27.7 x 35.5 cm), matted, unframed. Condition: Possible subtle toning, unmounted. $1,500-2,500

188

189

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190

190 Josef Breitenbach (German/American, 1896-1984) Angkor Cambodia, 1962. Identified on a label from the photographer affixed to the mount. Gelatin silver print, image/sheet size 13 7/8 x 11 in. (35.0 x 28.0 cm), unmatted, unframed. Condition: Minor wear to edges of image, silvering out. Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor and chairman of Dartmouth College’s visual studies department (19661989), to the present owner by family descent, Connecticut. $200-250 191 Imogen Cunningham (American, 18831976) Merrie [sic] Renk, 1953. Signed and dated “Imogen Cunningham 1953” in pencil on the mount, identified on the artist’s label “PHOTOGRAPH BY Imogen Cunningham...1331 GREEN STREET, SAN FRANCISCO 9” on the reverse. Gelatin silver print, image/sheet size 9 3/4 x 7 1/4 in. (23.8 x 18.4 cm), unframed, matted. Condition: Very subtle wear to right edge, extremely pale foxing to mount. $1,000-1,500 191

124

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192 Edward Sheriff Curtis (American, 18681952) Three Works: Kutenai Girls, 1910; FishWeir Across the Trinity River - Hupa, 1923; and Hupa Jumping Dance Costume, 1923. Each identified within the plate, both Hupa images stamped “University of SOUTHERN CALIFORNIA LIBRARY” on verso, Kutenai Girls with embossed stamp “LIBRARY OF THE PEABODY INSTITUTE” on recto. Photogravures, plate sizes 13 3/4 x 16 1/2 in. (34.8 x 41.8 cm), unmatted, unframed. Condition: Deckled edges (with minor wear), several pale fox marks. $500-700 193 Cy DeCosse (American, b. 1929)

192

Wild Violet, c. 1998, edition of 30. Signed and dated “Cy DeCosse 1998” in pencil in the margin l.r., identified, dated, and numbered “(1999)...#3...” on a label affixed to the reverse. Platinum print, image size approximately 19 x 19 in. (48.3 x 48.3 cm), matted, framed. Condition: Not examined out of frame. $600-800

193

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194

194 Lalla Essaydi (Moroccan, b. 1956) Converging Territories #30, from the CONVERGING TERRITORIES Series, 2004, edition of 40. Signed, numbered, and dated “...20/40 2004� in felt-tip pen or similar on the reverse, identified on a label from the Aperture Foundation, New York, affixed to the backing. C-print, sheet size 20 x 24 in. (50.7 x 60.9 cm), framed. Condition: Good. $10,000-15,000

126

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195

196

195 Walker Evans (American, 1903-1975)

196 Walker Evans (American, 1903-1975)

Two Different Views: Abandoned AntiBellum Plantation House, Vicksburg, Mississippi, 1936, both later printings. Both stamped “Walker Evans” and inscribed in pencil on the reverse. Gelatin silver prints, image/sheet sizes 8 x 10 in. (20.3 x 25.4 cm), matted, unframed. Condition: Unmounted, minor wear to edges of sheets (more so to corners), one with rippling or handling creases. $2,500-3,500

Two Text Views: Lower Manhattan, Painted Sign (WORK-PRAY), 1963; and Example of Sign Painting, East Side Water Front, New York City, 1963. Both signed and dated “Walker Evans 1963” in pencil on the mount l.r. and stamped “Walker Evans” and inscribed in pencil on the reverse of the mount. Gelatin silver prints, image/sheet sizes to 8 x 12 5/8 in. (20.5 x 30.4 cm), matted, unframed. Condition: Minute nicks to left edge of East Side, minor wear to lower corners of Manhattan. $2,500-3,500

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196A Walker Evans (American, 1903-1975) Clapboard Church. Unsigned. Gelatin silver print, image size 11 5/8 x 10 1/4 in. (29.4 x 26.0 cm), unmatted, unframed. Condition: Unmounted, indentations to sheet at corners outside of the image. Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor and chairman of Dartmouth College’s visual studies department (19661989), to the present owner by family descent, Connecticut. $500-700 197 Walker Evans (American, 1903-1975) Two Text Views: Lower Manhattan, Painted Sign (Italian Whale), 1963; and Emma, Colorado, 1967. Both signed and dated “Walker Evans...” in pencil on the mount l.r. and stamped “Walker Evans” and inscribed in pencil on the reverse of the mount, Emma stamped “WALKER EVANS/BOX 310 RTE. 3/ OLD LYME. CONN. 06371...” on the reverse of the mount. Gelatin silver prints, image/ sheet sizes to 8 1/8 x 12 in. (20.5 x 30.4 cm), Manhattan matted, both unframed. Condition: Good. $2,500-3,500 196A

197

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198 Walker Evans (American, 1903-1975) Two New Hampshire Interiors: Living Room, Enfield, New Hampshire, 1972; and Kitchen Detail, Enfield, New Hampshire, 1972. Both signed and dated “Walker Evans 1972” in pencil on the facing mat l.r. and stamped “Walker Evans” and inscribed in pencil on the reverse of the mount or backing mat. Gelatin silver prints, image sizes 7 x 7 in. (17.7 x 17.7 cm), matted, unframed. Condition: Kitchen unmounted and with wear and creasing at the corners (outside of the image). $2,000-3,000 199 Walker Evans (American, 1903-1975) Workmen. Stamped “Walker Evans” on the reverse. Gelatin silver print, image 6 3/8 x 9 3/8 in. (15.0 x 23.5 cm), matted, unframed. Condition: Unmounted, minor wear to corners. $2,000-3,000

198

199

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200

200 Louis Faurer (American, 1916-2001) Two Images of Children: Paris, 1973, and NYC, 1975. Both titled, dated, and signed “...Louis Faurer...” on the verso. Gelatin silver prints, image sizes approximately 4 1/2 x 6 7/8 in. (11.4 x 17.3 cm), matted, unframed. Condition: Unmounted, wear to corners, handling crease to image of NYC. $800-1,200 201 Robert Frank (American, b. 1924) Frogs on Log, 1962, printed in 1978. Signed and inscribed “Robert Frank 1962” in black ink l.r., signed and dated “Robert Frank 1978” in blue ink on the reverse, stamped and dated “ROBERT FRANK ARCHIVE...” and annotated “Yukon, Fla.” on the reverse. Gelatin silver print, image size 11 1/2 x 7 1/2 in. (29.2 x 18.9 cm), unmatted, unframed. Condition: Unmounted, gentle rippling, wear to corners, crease near corner (outside of the image) l.r. $600-800

201

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202 Gisèle Freund (French, 1912-2000) Virginia Woolf, c. 1938, probably a later printing. Signed “Gisèle Freund” in ink l.r., dry stamp l.r., identified on a label from Harcus Krakow Gallery, Boston, affixed to the backing. Dye transfer print, image size 11 3/4 x 7 7/8 in. (29.7 x 20.0 cm), framed. Condition: Possible fading, not examined out of frame. $600-800 203 Huang Yan (Chinese, b. 1966) Venus - Landscape, 2004, edition of 12. Signed, numbered, dated, and inscribed (in characters) “...5/12 2004...” in silver ink within the image l.r. Chromogenic print, image/sheet size 23 3/4 x 19 3/4 in. (60.3 x 50.0 cm), unmatted, unframed. Condition: Good. $2,500-3,500

202

203

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204

204 Huang Yan (Chinese, b. 1966) Venus - Landscape No. 1.2, 2004, edition of 12. Signed, numbered, dated, and inscribed (in characters) “...5/12 2004...� in silver ink within the image l.r. Chromogenic print, image/sheet size 19 x 3/4 23 3/4 in. (50.0 x 60.3 cm), unmatted, unframed. Condition: Good. N.B. The lot is accompanied by the volume by Karen Smith et al., Huang Yan 1990-2006 (Xin Dong Cheng Publishing House; Bejing), 2006. $2,500-3,500

132

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205

205 Peter Hutchinson (British, b. 1930) Alternate Citrus Freeze, 1981-90, signed and dated “Peter Hutchinson 1981/1990” in ink l.r., titled u.c., inscribed “That year the sea froze on the beach at Provincetown” l.c., identified on a label from Obelisk Gallery, Boston, affixed to the backing. Photo-collage (chromogenic prints) with mixed media, sheet size 40 x 32 in. (101.6 x 81.3 cm), framed. Condition: Not examined out of frame. Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $2,000-3,000

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206

207

206 William Henry Jackson (American, 18431942) Cypress Drive near Monterey. Identified within the matrix l.r. Albumen print, 16 3/8 x 21 3/16 in. (41.6 x 53.8 cm), matted, unframed. Condition: Mounted to matboard, trimmed backing mat, minor acid burn, toning. $800-1,200

134

207 Lotte Jacobi (American, 1896-1990) Out for a Walk, printed 1976. Signed “LotteJacobi” in pencil l.r., inscribed “printed by Carlos Richardson 7-76” in pencil l.l., identified on labels affixed to the backing. Palladium print, sheet size 10 3/4 x 14 in. (27.2 x 35.5 cm), framed. Condition: Unmounted, hinges affixed to the face of the upper margin. $1,500-2,000

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208

209

208 Lotte Jacobi (American, 1896-1990) Girl from Peru. Signed “LotteJacobi” in pencil within the image l.l., titled in pencil on the reverse. Platinum print, sheet size 11 x 14 1/8 in. (27.8 x 35.8 cm), framed. Condition: Unmounted. $800-1,500 209 Lotte Jacobi (American, 1896-1990) Untitled (Photogenic), c. 1950. Signed “LotteJacobi” in pencil within the image l.r. Gelatin silver print, image/sheet size 19 7/8 x 16 in. (50.4 x 40.5 cm), framed. Condition: Mounted but partially disadhered. $700-900 210

210 Lotte Jacobi (American, 1896-1990) George Wald, 1979. Signed “LotteJacobi” in pencil l.r. Polaroid, sheet size 29 x 21 3/4 in. (73.5 x 55.1 cm), framed. Condition: Unmounted, rippling. N.B. George Wald (1906-1997) was a scientist and professor at Harvard University and Noble Prize winner. $700-1,200

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211

211 Yousuf Karsh (Canadian, 1908-2002) Jacques Cousteau, 1974. Signed “Y Karsh� in ink on the mount l.l. Gelatin silver print, sheet size 23 5/8 x 19 15/16 in. (59.8 x 50.5 cm), unmatted, unframed. Condition: Minute nick to left edge, several miniscule surface indentations l.c. $2,500-3,500

136

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212

212 Mona Kuhn (Brazilian/German, b. 1969) Merle, 2003, probably from the edition of 8. No signature visible. Color coupler print, image size 19 7/8 x 19 7/8 in. (50.4 x 50.4 cm), matted, framed. Condition: Mounted and then affixed to the backing mat. $4,000-6,000

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213

213 Koichiro Kurita (Japanese/American, b. 1943) In a Meadow, 1990, edition of 10. Numbered and signed “6/10 K. Kurita” in pencil in the margins. Platinum print on Japan paper, sheet size 19 1/2 x 23 1/2 in. (49.5 x 59.7 cm), matted, framed. Condition: Deckled top, bottom, and right edges. N.B. The image was shot in Wales. $800-1,200 214 Dolores Marat (French, b. 1944) La Gare de Savingy-sur-Orge, France, 1985, edition of 10. Identified on a label from The Witkin Gallery, New York, affixed to the frame backing, inscribed and numbered “II 6/10” on the reverse. Fresson carbon color print, sight size 15 1/2 x 10 1/2 in. (26.7 x 39.4 cm), matted, framed. Condition: Sandwiched between mat window and paper. $250-350

214

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215

215 Joel Meyerowitz (American, b. 1938) House in the Dune Grass, 1998, edition of 100. Signed and dated “Joel Meyerowitz 1998” in pencil on the mat face l.r., numbered “41/100” in pencil on the mat face l.l. Chromogenic print, sight size 21 7/8 x 27 1/4 in. (55.3 x 69.0 cm), matted, unframed. Condition: Front and back mat adhered together along edges, gentle rippling to sheet. $1,200-1,800 216 Eliot Porter (American, 1901-1990) Sculptured Rock, Marble Canyon, Arizona, 1967, printed in an edition of 300 in 1981 for the portfolio ELIOT PORTER IN WILDERNESS. Signed “Eliot Porter” in pencil on the mount l.r., stamped on the reverse of the mount. Dye-transfer print, image/sheet size 16 x 12 1/8 in. (40.5 x 30.5 cm), matted, unframed, presented with the original folder from the portfolio. Condition: Good. $300-500

216

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217

217 Karin Rosenthal (American, b. 1945) Image from the NUDES IN WATER Series, 1997. Signed and dated “Karin Rosenthal 1997” in pencil on the facing mat l.r. Gelatin silver print, image size 9 1/2 x 12 1/4 in. (24.1 x 31.0 cm), framed. Condition: Not examined out of frame. $300-500 218

218 Karin Rosenthal (American, b. 1945) Image from the NUDES IN WATER Series, 1997. Signed and dated “Karin Rosenthal 1997” in pencil on the facing mat l.r. Gelatin silver print, image size 9 7/8 x 10 in. (24.9 x 25.4 cm), framed. Condition: Not examined out of frame. $300-500 219 Karin Rosenthal (American, b. 1945) Image from the NUDES IN WATER Series, 1997. Signed and dated “Karin Rosenthal 1997” in pencil on the facing mat l.r. Gelatin silver print, image size 9 7/8 x 11 1/2 in. (24.9 x 29.0 cm), framed. Condition: Not examined out of frame. $300-500

219


220

220 Cindy Sherman (American, b. 1954) In My Garden, 1987, edition of 125. Signed, numbered, and dated “Cindy Sherman/69/125 1987� in black ink on the reverse. Chromogenic print, image size 11 7/8 x 8 1/8 in. (30.0 x 20.5 cm), framed. Condition: Unmounted, pinhole to image near lower edge l.r. $1,500-2,000

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221

221 Aaron Siskind (American, 1903-1991) Morelia 8, 1955. Signed “Aaron Siskind” in felt-tip pen on the mat l.r., titled, dated, and signed “...Aaron Siskind” in felt-tip pen on the reverse of the backing mat. Gelatin silver print, sheet/image size 19 x 14 5/8 in. (48.2 x 37.2 cm), matted, framed. Condition: Mounted to board. $1,500-2,000 222 Aaron Siskind (American, 1903-1991) Four Photographs from the HARLEM DOCUMENT, c. 1936-40, including: Amateur Performer, Apollo Theater, c. 19371940, Lafayette Theatre Soldier, c. 1938, Lafayette Theater (Breathing Fire), c. 1937, and Condemned House, c. 1936. Performer and Soldier signed “Aaron Siskind” in felt-tip pen in the margins l.r., Fire and House titled, dated, and signed “Harlem.../Aaron Siskind...” with annotations in pencil on the reverse. Gelatin silver prints, sheet sizes to 14 x 11 in. (35.6 x 27.9 cm), unmatted, unframed. Condition: Unmounted. $2,000-2,500 222

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223

223 Aaron Siskind (American, 1903-1991) Four Photographs from THE HARLEM DOCUMENT, c. 1939-40, including Woman’s Back, c. 1940-41, Grocery, 1940, and Furnished Room to Let, 1940, each from Most Crowded Block in the World, and Harlem Market, 1939. Back signed in felt-tip pen in the margin l.r.; Grocery and Room titled, dated, and signed “Harlem (Most Crowded Block)...Aaron Siskind” in pencil on the reverse; Market titled, dated, and signed “Harlem.../Aaron Siskind” in pencil on the reverse, stamped “PRINTED FROM THE ORIGINAL NEGATIVE/AT GEORGE EASTMAN HOUSE” on the reverse, dated “1981” in pencil on the reverse. Gelatin silver prints, sheet sizes to 14 x 11 in. (35.6 x 27.9 cm), unmatted, unframed. Condition: Unmounted. $2,000-2,500

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224

224 Bradford Washburn (American, 1910-2007) Mt. McKinley, 1977. Signed and dated “Bradford Washburn 1977� in ballpoint pen or similar on inner mat l.r., titled in ballpoint pen or similar on inner mat l.l. Gelatin silver print, image/sheet size 15 3/4 x 19 3/4 in. (39.8 x 50.1 cm), matted, unframed. Condition: Mounted, facing mat glued to mount (outside of the photograph). $800-1,200

144

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225

225 Edward Weston (American, 1886-1958) “Excusado” from Above, 1925. Initialed and dated “EW 1926” in felt-tip pen in the margin l.r., identified on label affixed to the reverse, with annotations in pencil on the reverse. Gelatin silver print, sheet size 7 5/16 x 4 3/4 in. (18.5 x 12.0 cm), unmatted, unframed. Condition: Unmounted. $3,000-5,000

End of Prints & Photography

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Artist Index Abbott, Berenice.............................. 182, 183 Adams, Ansel................................... 184, 185 Albers, Josef ........................................... 1, 2 Albright, Ivan Le Lorraine.......................... 3, 4 Aldegrever, Heinrich..................................... 5 Aman-Jean, Edmond François..................... 6 American School, 20th Century ............... 186 Andrews, Sybil............................................. 7 Arms, John Taylor ................................... 8, 9 Ault, George Copeland .............................. 10 Aurifaber, Wolfgang ................................... 11 Barnet, Will................................................. 12 Baskin, Leonard ........................................ 13 Benson, Frank Weston............................... 14 Benton, Thomas Hart .......................... 15, 16 Besnard, Paul-Albert.................................. 17 Bill, Max .................................................... 18 Blake, William............................................. 19 Bochner, Mel........................................ 20, 21 Botello, Angel............................................. 22 Braque, Georges (After) ....................... 23, 24 Bravo, Manuel Alvarez ......................187-189 Breitenbach, Josef................................... 190 Brockhurst, Gerald Leslie .......................... 25 Burton, Richmond...................................... 26 Calder, Alexander .................................27-30 Carracci, Agostino...................................... 31 Carrière, Eugène.................................. 32, 33 Chahine, Edgar.......................................... 34 Chia, Sandro.............................................. 35 Christo ...................................................... 36 Close, Chuck.............................................. 37 Corneille .................................................... 38 Cottingham, Robert.............................. 39, 40 Cunningham, Imogen............................... 191 Curry, John Steuart ................................... 41 Curtis, Edward Sheriff............................... 192 Dalí, Salvador....................................... 42, 43 Davis, Warren B......................................... 44 DeCosse, Cy ........................................... 193 Delaunay-Terk, Sonia................................. 46 Denat, Jeanne-Claude Marie...................... 36 Dine, Jim ............................................. 47, 48 Dubuffet, Jean............................................ 49 Dürer, Albrecht .......................................... 50 Ernst, Max.................................................. 51 Essaydi, Lalla............................................ 194 Estes, Richard............................................ 52 Evans, Walker ..................................195-199 Fantin-Latour, Henri.................................... 53 Faurer, Louis ........................................... 200 Feininger, Lyonel ....................................... 54 Fink, Aaron ...........................................55-57 Foujita, Léonard Tsuguharu........................ 58 Frank, Robert .......................................... 201 Freilicher, Jane........................................... 59 Freund, Gisèle.......................................... 202 Fuller, Buckminster .................................... 60

Glockendon, the Elder, Albrecht ................ 63 Gloeckner, Michiel...................................... 64 Goudt, Hendrik..................................... 65, 66 Guston, Philip............................................. 67 Hadzi, Dimitri.............................................. 68 Hankey, William Lee .................................. 69 Haring, Keith ............................................. 70 Hartung, Hans ........................................... 71 Hirst, Damien ............................................ 72 Hobbs, Morris Henry ........................... 73, 74 Hodgkin, Howard .................................75-80 Hodgkins, Frances Mary............................. 81 Huang Yan ...................................... 203, 204 Hutchinson, Peter .................................... 205 Icart, Louis................................................. 82 Jackson, William Henry............................ 206 Jacobi, Lotte ....................................207-210 Janco, Marcel ........................................... 83 Jeanne-Claude .......................................... 36 Kahn, Wolf................................................. 84 Kandinsky, Wassily............................... 85, 86 Karsh, Yousuf .......................................... 211 Katz, Alex................................................... 87 de Kooning, Willem.................................... 45 Kuhn, Mona............................................. 212 Kurita, Koichiro......................................... 213 Kushner, Robert Ellis ................................. 88 Landon, Edward August ............................ 89 Laurencin, Marie................................... 90, 91 Lautensack, Hans Sebald ......................... 92 Lepère, Auguste Louis .............................. 93 LeWitt, Sol ................................................. 94 van Leyden, Lucas .................................... 95 Lichtenstein, Roy (After) ............................. 96 Lum, Bertha Boynton ................................ 97 Magritte, René............................................ 98 Marat, Dolores.......................................... 214 Marca-Relli, Conrad .................................. 99 Marin, John ............................................. 100 Marsh, Reginald ...................................... 101 Mazur, Michael................................. 102, 103 McCrady, John ................................ 104, 105 Meryon, Charles ...................................... 106 Messer, Sam ........................................... 107 Meyerowitz, Joel...................................... 215 Milton, Peter ............................................ 108 Miró, Joan.........................................109-112 Mitchell, Joan........................................... 113 Moran, Thomas ............................... 114, 115 Morisot, Berthe ....................................... 116 Motherwell, Robert........................... 117, 118

Pearlstein, Philip....................................... 126 Peterdi, Gabor F. ..................................... 127 Picasso, Pablo..................................128-130 Picasso, Pablo (After)............................... 131 Pondick, Rona ......................................... 132 Porter, Eliot ............................................. 216 Posada, José Guadalupe............ 132A, 132B Rauschenberg, Robert............................. 133 Riggs, Robert .......................................... 138 van Rijn, Rembrandt ...................... 134-137A Rodrigue, George..................................... 139 Rosenquist, James .................................. 140 Rosenthal, Karin................................217-219 Ruscha, Ed.............................................. 141 Saito, Kiyoshi............................................ 142 Sandzen, Birger ....................................... 143 Schacht, Mike ......................................... 144 Scholder, Fritz ................................. 145, 146 Schuyff, Peter........................................... 147 Sekino, Junichiro ..................................... 148 Sherman, Cindy........................................ 220 Siqueiros, David Alfaro ............................ 149 Siskind, Aaron...................................221-223 Slaughter, Tom................................. 150, 151 Smith, Kiki ............................................... 152 Snyder, Joan............................................ 153 Steinlen, Théophile Alexandre .................. 154 Steir, Pat.................................................. 155 Ting, Walasse .................................. 157, 158 Tobey, Mark .................................... 159, 160 Toulouse-Lautrec, Henri de.............. 161, 162 Tworkov, Jack ......................................... 163 Tàpies, Antoni.......................................... 156 Vasarely, Victor......................................... 164 Villon, Jacques .................................165-174 Warhol, Andy............................................ 175 Warhol, Andy (After).................................. 176 Washburn, Bradford................................. 224 Welliver, Neil............................................. 177 Weston, Edward....................................... 225 Whistler, James Abbott McNeill........ 178, 179 Wolfsfeld, Erich......................................... 180 Zao, Wou-Ki............................................. 181

Nason, Thomas Willoughby...................... 119 Newman, John......................................... 120 Nichols, Dale William ............................... 121 Noma, Denji ............................................ 122 Oldenburg, Claes............................. 123, 124

Gallo, Frank................................................ 61 Gardiner, Eliza Draper................................ 62

Parker, Ray ............................................. 125

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Conditions of Sale 1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot. 2. All property is sold “as is,” and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability. 3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale. The auctioneer shall have sole discretion to refuse any bid, or refuse to acknowledge any bidder. Any bidder that plans on spending in excess of $100,000 should make arrangements with the accounting department at least five (5) days in advance of the sale, as a deposit may be required to participate. 4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of the date of sale. Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser. 5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases. 6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b) offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale. 7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item. 8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots. 9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number. Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and other qualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation at 100 Cambridge Street in Boston. 10. Except for property purchased via On-line Auctions, a premium equal to 20% of the final bid price up to and including $500,000, plus 12% of the final bid over $500,000, will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. The buyer’s premium on property purchased via On-line Auctions will be in an amount up to 23% of the final bid price. 11. Bidding on any item indicates your acceptance of these terms and all other terms printed within, posted, and announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid. 12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalog. The copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this catalog, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our prior written consent. 13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents to the nonexclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit.

146

Revised December 17, 2012


Absentee Bid Form Sale Title

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check if change in address

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I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that my bids are executed and accepted as per Conditions of Sale as printed in the catalog of this sale. Signature (Required)

Lot #

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FOR OFFICE USE Marlborough

Boston

Phone

63 Park Plaza Boston, MA 02116 617.350.5400 Fax 617.350.5429

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274 Cedar Hill Street Marlborough, MA 01752 508.970.3000 Fax 508.970.3100

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Board of Directors

Administration

Chairman of the Board - Nancy R. Skinner Richard Albright John Deighton Barnet Fain Stephen L. Fletcher Karen M. Keane Andrew Payne President/Chief Executive Officer - Karen M. Keane Chief Financial Officer - Don Kelly Executive Vice President - Stephen L. Fletcher Vice Presidents - Eric Jones, Marie Keep, Gloria Lieberman, Carol McCaffrey, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr

Expert Departments

20th Century Design - Jane D. Prentiss Assistant: Shannon M. Ames American & European Paintings & Prints - Robin S.R. Starr Assistants: Kathy Wong, Elizabeth C. Haff, Michelle Lamunière American Furniture & Decorative Arts - Stephen L. Fletcher Deputy Director: Chris Barber; Assistants: Karen Langberg, Kelli Lucas Stewart American Indian & Ethnographic Art - Douglas Deihl Antique Motor Vehicles - Jane D. Prentiss Asian Works of Art - Judith Dowling Assistants: Karen Mak, Suhyung Kim Books & Manuscripts - Devon Gray Bottles, Flasks & Early Glass - Stephen L. Fletcher Ceramics - Stuart G. Slavid Clocks, Watches & Scientific Instruments - Robert C. Cheney Assistant: Jonathan Dowling Couture - Anne Fallon Discovery Auctions - Anne Fallon Assistants: Melissa Riebe, Kyle Johnson European Furniture & Decorative Arts - Stuart G. Slavid Assistants: Leah Kingman, Stephanie Opolski Fine Wines - Marie Keep Assistant: Michael J. Moser Historic Arms & Militaria - Joel Bohy Jewelry - Victoria Bratberg Assistant: John Colasacco

63 Park Plaza Boston, MA 02116 617.350.5400 Fax 617.350.5429

Judaica - Kerry Shrives Musical Instruments - Director Pro Tem: Jill Arbetter Assistant: Horst Kloss Oriental Rugs & Carpets - Director Pro Tem: Erika Jorjorian Silver - Stuart G. Slavid

274 Cedar Hill Street Marlborough, MA 01752 508.970.3000 Fax 508.970.3100 www.skinnerinc.com

150

Toys & Dolls - Anne Fallon Auctioneers - LaGina Austin, Chris Barber, Robert C. Cheney, John Colasacco, Stephen L. Fletcher, Karen M. Keane, Marie C. Keep, Gloria Lieberman, Jessica R. Lincoln, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr, Laura V. Sweeney


Exhibitions & Property Distribution

Marlborough:

Warehouse Manager - Fred Trottier, 508.970.3261

Boston:

Property Distribution Manager - Jessica R. Lincoln, 617.874.4308

Auction Coordinator - Benjamin Evans, 617.874.4329

Marlborough:

Accounts Receivable - Denise Johnson, 508.970.3269

Accounts Payable, Consignment - Kathleen Hayes, 508.970.3268

Accounts Payable, Trade - Kevin Rota, 508.970.3283

Subscriptions

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Jessica Turner, 508.970.3240

Service Departments

Appraisal & Auction Services - LaGina Austin, Christine E. Finn, Rachel Kingsley, Ava Pandiani

Finance Department

Advertising Production - Pamela Van de Houten Boston Gallery Director - Laura V. Sweeney Assistant Gallery Director: Paige Lewellyn Catalog Production - Pamela Van de Houten, Kristina Harrison Consignment Services - Patricia Walker King, Carol Zeigler, Kealyn Garner Customer Relations - Carol McCaffrey Institutional Relations - L. Emerson Tuttle Human Resources - Carol McCaffrey Information Technology & Internet Auctions - Kerry Shrives Assistants: Timothy Shaughnessey, Melissa Riebe Managing Director - Marie C. Keep Marketing & Public Relations - Kate de Bethune, Kathryn Gargolinski, Jessica Turner Photographers - Stanley P. Bystrowski, Jeffrey R. Antkowiak, John Cornelius Receptionists - Marlborough: Katie Fitzgerald Boston: Sarah L. Collins Staff Portraits - Cheryl Richards Photography Transportation - Eric Jones

151


Directions to Skinner’s Boston Gallery/63 Park Plaza, Boston, MA 02116 617.350.5400 From the West: Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel. Once on the exit ramp, stay in the right hand lane and follow the signs for Copley. The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto Charles Street South. Take your first left off of Charles St. South onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the South: Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station. Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From Logan Airport: Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the North: Take I-93 South towards Boston. Take exit 26 towards Storrow Drive.  Merge onto MA-28 South via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza.

152


Catalog Subscription Form Prices effective July 1, 2010. Catalog subscription price includes quarterly brochure. Subscription effective one year from date processed. No refunds for previous subscriptions. Renewal notice will be sent one month prior to expiration. Subscriptions do not include Discovery, Estates, and other special sales. Post-auction prices are available online at www.skinnerinc.com

Please check the appropriate boxes:

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(Included with catalog subscription) American Furniture & Decorative Arts

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$143

European Furniture & Decorative Arts

$120

$143

American & European Works of Art

$120

$143

Fine Jewelry

$120

$143

20th Century Design

$60

$73

Asian Works of Art

$60

$73

Fine Oriental Rugs & Carpets

$18

$25

American Indian & Ethnographic Art

$60

$73

Fine Books & Manuscripts

$30

$36

Fine Ceramics

$60

Fine Musical Instruments

$60

$73

Science, Technology & Clocks

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Fine Wines

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All Above Departments

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$915

Subtotal

MA residents 6.25% sales tax

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Please enclose payment with subscription form and mail or fax to: Skinner, Inc., Subscription Department, 274 Cedar Hill Street, Marlborough, MA 01752 508.970.3100


Upcoming Auction American & European Works of Art

Xue Song (Chinese, b. 1965), Numbers 0-9, 2002/A Nine-Part Composition Oil on canvas, each 16 1/8 x 12 1/8 in. (41.0 x 30.8 cm), in a common frame.

February 7, 2014, Boston, MA Consignment Deadline: November 15th, 2013 For more information, please contact the American & European Works of Art department at 508.970.3206, or email paintings@skinnerinc.com or prints@skinnerinc.com


Fine Prints & Photography | Skinner Auction 2673B  

The September 20, 2013 Fine Prints and Photography auction at Skinner features 229 lots ranging from the 16th through 21st Centuries, with a...

Fine Prints & Photography | Skinner Auction 2673B  

The September 20, 2013 Fine Prints and Photography auction at Skinner features 229 lots ranging from the 16th through 21st Centuries, with a...