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SKINNER American & European Works of Art Fine Prints & Photography Sale 2581B

February 3, 2012

Boston


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American & European Works of Art Fine Prints & Photography specialists in charge

Robin S. R. Starr Department Director 508.970.3259

Kathy Wong 508.970.3297

Elizabeth C. Haff 508.970.3258

American & European Works of Art Department - 508.970.3206 General Inquiries: prints@skinnerinc.com

auction 2581B Friday, February 3, 2012 at 12 noon Lots 1–241, followed by Fine Paintings & Sculpture at 4 p.m. 63 Park Plaza Boston, Massachusetts preview

Wednesday, February 1, 2012 Thursday, February 2, 2012 Friday, February 3, 2012

12 to 5 p.m. 12 to 8 p.m. 9 to 10:30 a.m.

absentee bidding Tel: 617.874.4318 Fax: 617.350.5429 Online: www.skinnerinc.com

general inquiries View all lots online at www.skinnerinc.com

617.350.5400 cover : 75 ( detail ) ; frontispiece : 91 ; inside back cover : 137-141 ; back cover : 227, 241


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table of contents 1

Auction & Specialist Information

2

Web Site & Online Bidding

4-5 7

Event Announcements Lots 1–241

145

Glossary of Terms

146

Artist Index

152

Conditions of Sale

153

Absentee Bid Form

154

Company Directors & Specialty Departments

155

Administrative Staff & Client Services

156

Map & Driving Directions

157

Parking & Accommodations

158 Dining 159

Catalogue Subscription Form

Please Note: All lots sold subject to our Conditions of Sale. Please refer to page 152 of this catalogue for the full terms and conditions governing your purchase.

Copyright © Skinner, Inc. 2012 All rights reserved MA/Lic. #2304


SKINNER presents a Fine Art Gallery Walk Presented by Robin Starr, Director of Skinner’s American & European Works of Art Department

Thursday, February 2, 2012 5:30 p.m. Reception/6:00 p.m. Gallery Walk

63 Park Plaza Boston, MA R.S.V.P. 617.350.5400 Reservations are Limited Gallery Walk held in conjunction with a preview of Skinner’s February 3rd auctions of Fine Prints & Photography and Fine Paintings & Sculpture

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Upcoming Auction Fine Prints & Photography May 18, 2012

Boston, MA

Roy Lichtenstein (American, 1923-1997) Imperfect Diptych, 1988.

Consignment Deadline: February 24, 2012 For more information please contact our American & European Works of Art department at 508.970.3206 or e-mail prints@skinnerinc.com

www.skinnerinc.com 5


1. Karel Appel (Dutch, 1921-2006) Image for ONE CENT LIFE, 1964, edition of 2000, published by E.W. Kornfeld. Signed within the matrix. Color lithograph on paper, image/sheet size 15 1/4 x 10 3/4 in. (38.5 x 27.2 cm), framed. Condition: Unobtrusive soiling, not examined out of frame. N.B. Sold to benefit the AIDS Action Committee, Boston, Massachusetts. $300-500

2. Ernst Barlach (German, 1870-1938) Gestörter Aufbruch, 1917-19 (Schult, 126). Signed “EBarlach” in pencil l.r. Lithograph with hand-coloring on paper, image size 10 7/8 x 13 1/2 in. (27.5 x 34.3 cm), framed. Condition: Toning, not examined out of frame. Provenance: Through a New England estate.

$800-1,200

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3. Jennifer Bartlett (American, b. 1941) American Dance Festival, 1978, edition of 175. Signed “J. Bartlett” in pencil l.r., identified within the matrix. Color lithograph on paper, image size 28 3/8 x 20 1/4 in. (72.0 x 51.4 cm), framed. Condition: Not examined out of frame. $300-500 4. Leonard Baskin (American, 1922-2000) Five Animal Subjects: Armadillo, 1951, edition of 50 plus proofs, linocut (Fern & O’Sullivan, 96); Dragon Fly, 1951, edition of 50 plus proofs, linocut (Fern & O’Sullivan, 104); Still Life - New Years Greeting, 1953, wood engraving (Fern & O’Sullivan, 227); Boar, 1957, wood engraving (Fern & O’Sullivan, 304); and Stag, 1957, wood engraving (Fern & O’Sullivan, 306). Each signed “Baskin” in pencil l.r. Sheet sizes to 10 5/8 x 14 in. (26.8 x 35.5 cm), unmatted, unframed. Condition: Some with deckled edges, some with creases near edges. $500-700

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5. Leonard Baskin (American, 1922-2000)

6. Leonard Baskin (American, 1922-2000)

Man of Peace, 1952 (Fern & O’Sullivan, 180). Signed “Baskin” in pencil l.r., titled in pencil l.l. Woodcut on paper, image size 60 x 30 3/4 in. (152.4 x 78.1 cm), framed. Condition: Cockling, staining near upper edge, not examined out of frame. $500-600

Leonard Baskin Aet 42, 1962, edition of 100 (Fern & O’Sullivan, 420). Signed “Baskin” in pencil l.r., numbered “80/100” in pencil l.l., identified on a label from Graphics Gallery, Philadelphia, affixed to the backing. Woodcut in black and chartreuse on paper, image size 32 x 23 1/4 in. (81.2 x 59.0 cm), framed. Condition: Subtle toning, not examined out of frame. $200-300

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7. Leonard Baskin (American, 1922-2000) Three Artist Portraits: Hercules Seghers, Dutch 1585-1645, 1962, edition of 50, color etching and aquatint (Fern & O’Sullivan, 432); Jacques Callot, French, 1592-1635, 1964, edition of 50, etching (Fern & O’Sullivan, 470); and D., H., and J. Hopfer, About 1530, 1964, edition of 50, etching (Fern & O’Sullivan, 473). Each signed “Baskin” in pencil l.r. and titled and inscribed or numbered in pencil l.l. Plate sizes approximately 17 1/2 x 14 1/2 in. (44.4 x 36.7 cm), matted, unframed. Condition: Deckled edges, subtle toning, Hopfer with gentle staining to image. $500-700 8. Leonard Baskin (American, 1922-2000) Two Images: Chief Wets It - Assinnboine [sic], 1972, edition of 160 (Fern & O’Sullivan, 609); and White Horse, 1972, edition of 160 (Fern & O’Sullivan, 616). Both signed “Baskin” in pencil l.r., signed, titled, and dated within the matrix, and numbered in pencil l.l. Lithographs on paper, sheet sizes 35 x 25 in. (88.8 x 63.4 cm), unmatted, unframed. Condition: Minor handling creases, 1/4-inch tear to lower edge of Wets It. $500-700 9. Leonard Baskin (American, 1922-2000) Hidatsa Medicine Man, 1972, edition of 160 (Fern & O’Sullivan, 610). Signed “Baskin” in pencil l.r., inscribed “AP” in pencil l.l., signed, dated, and titled within the matrix, dry stamp l.l. Lithograph on cream paper, image size 32 1/2 x 22 in. (82.5 x 55.8 cm), unmatted, unframed. Condition: Wide margins, subtle handling marks/creases. $300-500

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10. Leonard Baskin (American, 1922-2000)

11. Leonard Baskin (American, 1922-2000)

Pea-Tuy Tuck - Sac and Fox, 1973, edition of 100 (Fern & O’Sullivan, 634). Signed “Baskin” in pencil l.r., signed, titled, and dated within the matrix, inscribed “Artist’s Proof” in pencil l.l. Color lithograph on paper, image size 34 1/4 x 23 3/4 in. (86.9 x 60.3 cm), unmatted, unframed. Condition: Deckled edges, gentle toning, handling creases (primarily to upper and lower margins). $500-700

Quanah Parker Comanche, 1974, edition of 100 (Fern & O’Sullivan, 643). Signed “Baskin” in pencil l.r., signed, titled, and dated within the matrix, numbered “34/100” in pencil l.l. Lithograph in black and red on cream paper, image size 35 x 22 in. (88.8 x 55.8 cm), unmatted, unframed. Condition: Minor handling creases. $400-600

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12. Leonard Baskin (American, 1922-2000)

13. Leonard Baskin (American, 1922-2000)

Scout - Man on Horse, 1975, edition of 100 (Fern & O’Sullivan, 654). Signed “Baskin” in pencil l.r., numbered “97/100” in pencil l.l. Color lithograph on paper, image size 28 1/2 x 35 in. (72.3 x 89.1 cm), unmatted, unframed. Condition: Deckled edges, gentle toning, handling creases (primarily to margins). $500-700

Fast Bear - Sioux, 1993, edition of 50. Signed “Baskin” in pencil l.r., numbered “7/50” in pencil l.l., titled, signed, and dated within the matrix. Color lithograph on paper, image size 15 3/8 x 6 in. (39.0 x 15.0 cm), framed. Condition: Not examined out of frame. $800-1,200

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14. After Jean-Michel Basquiat (American, 1960-1988) The Offs/A Record Album Cover, 1984, edition of 2,500. Identified on the cover. Offset lithograph on folded paperboard, 12 1/4 x 12 1/4 in. (31.0 x 31.0 cm), unframed. Condition: Minor soiling and handling creases, wear to spine. N.B. The record has not been played to confirm there are no skips. $500-700

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15. Gustave Baumann (American/German, 1881-1971) The Ridge Road, edition of 100. Signed “Gustave Baumann” in pencil and with hand-in-heart chop l.r., numbered “NO 96/100” in pencil l.c., titled in pencil l.l. Color woodcut on laid oatmeal paper with partial figural watermark, image size 11 x 9 7/8 in. (27.9 x 25.0 cm), framed. Condition: Margins approximately 1/2 inch with staining to edges. N.B. The view depicts one of the byways of Brown County, Indiana. Baumann moved here in 1910, and remained for the next eight years. This is also when he began using the hand-in-heart chop mark. $3,000-5,000

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16. Romare Bearden (American, 1911-1988) Conjunction, 1979, edition of 300. Signed “RomareBearden” in pencil l.r., numbered “293/300” in pencil l.l., identified on a label from the Jo Aarons Gallery, Rhinebeck, New York, on the reverse. Color lithograph on paper, image size 18 3/4 x 15 1/8 in. (47.5 x 38.5 cm), framed. Condition: Not examined out of frame. Provenance: The estate of Jonas Aarons, New York.

$1,500-2,000

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17. Frank Weston Benson (American, 1862-1951) Pair of Ducks, 1916, total edition of 277 (Paff, 102). Signed “FrankWBenson.” in pencil l.l. Etching on Shogun paper with partial watermark, plate size 4 7/8 x 3 7/8 in. (12.3 x 9.9 cm), unmatted, unframed. Condition: Deckled edges to two sides, affixed to the page from the book along the right edge. N.B. This plate was steel faced after two impressions, and printed as the frontispiece for volume one of Adam E. M. Paff and Arthur W. Heintzelman’s Etchings and Drypoints by Frank W. Benson. $400-600

18. Frank Weston Benson (American, 1862-1951) Bunch of Bluebills, 1931, published state, edition of 300 (Paff, 312). Signed “FrankWBenson.” in pencil l.l. Drypoint on paper, plate size 3 3/4 x 4 7/8 in. (9.4 x 12.3 cm), framed. Condition: Several pale fox marks, not examined out of frame. $300-500

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19. Richard Evett Bishop (American, 1887-1975) Two Waterfowl Subjects: Geese, 1938; and Twilight, 1939. Both signed “RichardEBishop� in ink and pencil, respectively, both titled l.l., and signed and dated within the plate. Etchings (the latter with aquatint) on paper, plate sizes approximately 7 5/8 x 5 3/8 in. (19.3 x 13.5 cm), framed. Condition: Unobtrusive toning, staining to Geese, not examined out of frames. $500-700

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20. William Blake (British, 1757-1827) There were not found Women fair as the Daughters of Job..., plate XX from THE BOOK OF JOB, 1825, final state of four (Binyon, 125). Identified within the plate and on a label from Harlow, Keppel & Co., Inc., New York, affixed to the backing. Etching on paper, sight size 8 1/4 x 6 1/8 in. (20.8 x 15.5 cm), framed. Condition: Not examined out of frame. Provenance: A Massachusetts collecting institution. $1,200-1,800

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21. Edward Borein (American, 1872-1945) Two Bronco Busting Scenes: Who Wins? (Galvin, 63) and Little Bucking Horse (Galvin, 64). Both signed “Edward Borein” in pencil l.r., with pencil remarque of a horseman l.l., and signed within the plate. Etchings on paper, plate sizes 4 7/8 x 4 in. (12.4 x 9.9 cm), framed. Condition: Margins 1 inch or more, foxing (prevalent to Wins), creasing to Horse, not examined out of frames. $800-1,200

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22. After Georges Braque (French, 1882-1963) Bouquet fleurs à l’aquarelle (Maeght, 1025). Signed “G Braque” in pencil l.r. and within the matrix, numbered “276/300” in pencil l.l. Color lithograph on Arches paper with watermark, image size 15 7/8 x 12 1/4 in. (40.0 x 31.0 cm), matted, unframed. Condition: Deckled edges to two sides, toning, light struck, corrugation staining to verso. $800-1,200

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23. Félix Hilaire Buhot (French, 1847-1898) Nine Diminutive Images: Ma petite village, 1er planche (Après la pluie), 1872 (Bourcard & Goodfriend, 27); Le Puits de la Butteaux-Cailles (B&G, 41); L’Étang de la Bièvre, an impression from the cancelled plate (B&G, 43); La Promenade (B&G, 44); Montmartre, 1874-1875 (B&G, 47); Le Réveillon, an impression from a cancelled plate, (B&G, 67); Pluie et parapluie (B&G, 68); Les Noctanbales (B&G, 69); and L’Angélus, an impression from the fourth (cancelled) state (B&G, 72). One signed in pencil, five with the artist’s red owl stamp, most monogrammed and/or inscribed within the plate, many annotated in the lower margin. Etchings on paper, plate sizes to 6 x 4 1/4 in. (15.2 x 10.9 cm), unmatted, unframed. Condition: Most gently toned and with hinges to verso, several are light-struck. $1,500-2,000 24. Félix Hilaire Buhot (French, 1847-1898) Le Curé de Cucugnan, fourth state of six (Bourcard & Goodfriend, 112). Monogrammed and identified within the plate, artist’s stamp l.c. Etching and aquatint on paper, plate size 6 7/8 x 4 1/2 in. (17.3 x 11.3 cm), framed. Condition: Not examined out of frame. $600-800 25. Harrison Cady (American, 1877-1970) 23

Two Views: Sailing the Lagoon and The Mule on the Bridge, both editions of 100. Both signed “Harrison Cady” in pencil l.r. and numbered “imp/100” in pencil l.l. Etchings on paper, plate sizes to 8 3/4 x 13 3/8 in. (22.2 x 34.0 cm), framed. Condition: Mat burn to Lagoon, toning to Mule, not examined out of frames. $400-600

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26. Alexander Calder (American, 1898-1976) Untitled (Elephant and Big Cats). Signed “Calder” in pencil l.r., inscribed “E.A.” in pencil l.l. Color lithograph on Arches paper with watermark, image size 21 1/4 x 28 1/8 in. (54.0 x 71.3 cm), unmatted, unframed. Condition: Deckled edges to two sides, unobtrusive toning, staining to edges, hinged to the backing. $400-600

27. Leonetto Cappiello (French, 1875-1942) Le thermogène engendre la chaler..., published by Dehon & Cie., Paris. Signed and identified within the matrix. Color lithographic poster on paper, image size 45 x 29 3/8 in. (114.2 x 74.5 cm), framed. Condition: Subtle toning, gentle rippling, not examined out of frame. $600-800

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28. Antoine (Anto) Carte (Belgian, 1886-1954) Organ Grinder. Signed “Anto. Carte” in pencil l.r. Lithograph on laid paper with partial watermark, image size 17 x 12 1/4 in. (43.0 x 31.0 cm), framed. Condition: Toning, mat burn, staining, rippling, and creases (most of the pressed creases to the margins). $150-200

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29. Jean-Pierre Cassigneul (French, b. 1935) Le Manteau de fourrure, 1967, edition of 150. Signed “Cassigneul” in pencil l.r., numbered “134/150” in pencil l.l. Color lithograph on paper, image size 21 1/2 x 16 1/2 in. (54.5 x 41.8 cm), framed. Condition: Subtle rippling, not examined out of frame. $250-300

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30. Marc Chagall (French/Russian, 1887-1985) La grenouille qui veut fair aussi grosse que le boeuf, plate 2 from FABLES by La Fontaine, published 1952, edition of 100 (Cramer, 22). Signed within the plate. Etching with handcoloring on BFK Rives paper with watermark, plate size 11 5/8 x 9 1/4 in. (29.3 x 23.4 cm), unmatted, unframed. Condition: Margins over 1 inch with two deckled edges, subtle toning, annotations to lower margin, hinges to upper edge on verso. $500-700

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31. Marc Chagall (French/Russian, 1887-1985) Two Images from the DESSINS POUR LA BIBLE Series, text by Gaston Bachelard: Adam et Eve chassés du Paradis terrestre and Rachel dérobe les Idoles de son Père, 1960, published by Verve, volume X, numbers 37-38 (Mourlot, 237 & 242; Cramer 42). Unsigned, both with lithographs on verso. Color lithographs on paper, sight sizes 13 1/2 x 10 in. (34.2 x 25.4 cm), framed. Condition: Possible subtle toning, not examined out of frames. $500-700

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32. Christo (American, b. 1935) and Jeanne-Claude (American, 1935-2009) Two Images: Plates 1 and 7 from WRAPPED MONUMENT TO VITTORIO EMANUELE, 1975, edition of 75 (Hovdenakk, 43). The former numbered and signed “59/75 Christo” in pencil within the image c.r., both identified on labels from the Obelisk Gallery, Boston, affixed to the backing. Offset lithographs on paper, sheet sizes 28 x 21 3/8 in. (71.1 x 54.4 cm), framed. Condition: Not examined out of frames. $600-800

33. Roland Clark (American, 1874-1957) Two Scenes with Waterfowl: After the Blow, 1922, edition of 75; and Ragged Island, 1923, edition of 80. Both signed “Roland Clark” in pencil l.r. and identified on labels on the reverse. Etchings on paper, plate sizes to 9 x 14 3/8 in. (22.8 x 36.4 cm), framed. Condition: Unobtrusive toning, minor scattered fox marks, not examined out of frames. $300-500

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34. Charles Nicolas Cochin the Younger (French, 1715-1790) and Jacques Philippe Le Bas (French, 1707-1783), After Claude Joseph Vernet (French, 1714-1789) Vue de la Ville et du Port de Bayonne, 1764. Identified within the plate. Engraving on paper, plate size 20 7/8 x 29 1/4 in. (53.0 x 74.0 cm), framed. Condition: Minor soiling, gentle rippling, not examined out of frame. $250-300

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35. Arthur Morris Cohen (American, b. 1928) Brooklyn Bridge, 1982, proof impression. Signed “ArthurCohen” in pencil l.r., titled in pencil l.c., inscribed and dated “7 4 state 2 prints Mar 17 82” in pencil l.l. Etching and aquatint with hand-coloring on paper, plate size 7 3/4 x 10 in. (19.7 x 25.4 cm), framed. Condition: Pale staining, not examined out of frame. $200-250

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36. Lovis Corinth (German, 1858-1925) Dame im Gartenstuhl, 1911 (Schwarz, 76). Signed “Lovis Corinth” in red crayon l.r., inscribed “probedruck” in red crayon l.l., annotated beneath the plate mark l.l. Etching and drypoint on paper, plate size 7 7/8 x 12 in. (20.0 x 30.4 cm), matted, unframed. Condition: Margins over 3 inches with deckled edges, subtle toning, breaks to paper surface along plate mark, minor staining to margins. $400-600

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37. Lovis Corinth (German, 1858-1925) Baumlandschaft, c. 1920. Signed “Lovis Corinth” in pencil l.r., inscribed “pr” in pencil l.l. Lithograph on paper, image size 12 3/8 x 9 7/8 in. (31.3 x 25.0 cm), matted, unframed. Condition: Margins approximately 1 inch, subtle toning and staining. $300-500

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38. Allan D’Arcangelo (American, 1930-1998) Landscape, 1969, edition of 120. Signed and dated “D’Arcangelo 1969” in pencil (within the image) l.r., identified on a label from the Albright-Knox Art Gallery, Buffalo, New York, on the backing. Screenprint on paper, image/sheet size 25 1/2 x 25 1/2 in. (64.7 x 64.7 cm), framed. Condition: Not examined out of frame. $250-300

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39. Morgan Dennis (American, 1892-1960) Rapt Attention. Signed “Morgan Dennis” in pencil l.r., signed within the plate. Etching on paper, plate size approximately 3 5/8 x 4 7/8 in. (9.2 x 12.4 cm), framed. Condition: Subtle toning, pale stain to image u.r., not examined out of frame. $300-500

40. César Domela (Dutch, 1900-1992) Composition, 1950, edition of 175. Signed “Domela” in pencil (within the image) l.r., numbered “130/175” in pencil (within the image) l.l. Color lithograph on paper, image/ sheet size 24 5/8 x 18 1/2 in. (62.5 x 46.8 cm), unmatted, unframed. Condition: Minor wear and soiling to corners, subtle handling creases, foxing to verso. $200-250

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41. Kees van Dongen (Dutch, 1877-1968) Young Girl, from FEMMES, 1927, edition of 100 plus 20 proofs (Juffermans, 12). Signed within the matrix, numbered “66/120” in pencil l.r. Color lithograph on paper, image size 14 x 9 in. (35.5 x 22.7 cm), framed. Condition: Pale mat burn, not examined out of frame. $500-700

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42. Jimmy Ernst (American/German, 1920-1984) Untitled, 1971. Inscribed, dedicated, signed, and dated “Artist’s Proof For Rufus and Al...Happy Anniversary...1971 Jimmy and Dallin Jimmy Ernst 71” in pencil beneath the image. Color screenprint on paper, image size 34 x 24 1/4 in. (86.2 x 61.5 cm), framed. Condition: Minor soiling to margins, subtle rippling, not examined out of frame. $200-300

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43. M.C. Escher (Dutch, 1898-1972) Encounter, 1944, edition of 50 (Bool et al., 331). Signed and numbered “MCEscher No 14/50 IV” in pencil l.l., initialed and dated within the matrix. Lithograph on paper with partial “Holland” and figural watermarks, image size 13 3/8 x 18 1/4 in. (33.8 x 46.3 cm), framed. Condition: Margins over 1 1/2 inches, gently light struck, minor creasing near corner u.l., four 1-inch pieces of Scotch or similar tape to edges, white cloth hinges near upper corners on the reverse. $15,000-20,000

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44. M.C. Escher (Dutch, 1898-1972) Two Impressions: The Two Blocks for Circle Limit IV (Heaven and Hell), 1960 (see Bool et al., 436). Both monogrammed and dated within the block. Woodcuts, one in ochre, the other in black, image sizes approximately 8 1/2 x 13 in. (21.5 x 33.0 cm), presented in a single frame. Condition: Not examined out of frame. N.B. The two images, laid black over ochre, and aligned and printed three times each would create the circular composition with a diameter of 16 3/8 inches. $1,500-2,500

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45. Richard Estes (American, b. 1932) Movies, from URBAN LANDSCAPES NO. 3, 1981, edition of 250 plus proofs (Arthur, page 123). Signed “Richard Estes” in pencil l.r., numbered “16/250” in pencil l.l. Color screenprint on paper, image size 14 x 20 in. (35.5 x 50.6 cm), framed. Condition: Not examined out of frame. N.B. The mural visible through the window is by Alex Katz. $1,000-1,500

46. Philip Evergood (American, 1901-1973) Artist’s Wife, 1965. Signed “Philip Evergood” in pencil l.r., initialed and dated within the matrix, inscribed “Artist’s Proof 5” in pencil l.l., identified on a label from the Jo Aarons Gallery, Rhinebeck, New York, affixed to the backing. Color lithograph on paper, image size 20 1/4 x 17 1/2 in. (51.4 x 44.4 cm), framed (without glass). Condition: Creases (including some to image), tears to left margin (one just into image), minor staining. Provenance: Estate of Jonas Aarons, New York. $300-500

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47. Shepard Fairey (American, b. 1970)

48. Henri Fantin-Latour (French, 1836-1904)

Three Posters: OBEY: Never Trust Your Own Eyes..., OBEY (Andre the Giant), and Mayday, 2010. Each signed and dated in pencil l.r. Offset lithographic posters, sheet sizes to 36 x 24 in. (91.4 x 60.9 cm), unmatted, unframed. Condition: Very minor handling creases. $400-600

PrĂŠlude de Lohengrin (second plate), 1898 (HĂŠdiard, 146). Signed and dated within the matrix. Lithograph on paper, image size 20 x 14 in. (50.8 x 35.3 cm), framed Condition: Gentle rippling, not examined out of frame. $250-300

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49. Sam Francis (American, 1923-1994) Untitled, 1988, edition of 50 plus proofs, published by The Litho Shop, Inc., Santa Monica (Lembark, L280). Signed “Sam Francis” in pencil (within the image) l.l., numbered “AP 2/11” in pencil (within the image) l.r. Color lithograph on paper, image/sheet size 45 x 29 in. (114.2 x 73.5 cm), framed. Condition: Minor handling crease to edge near corner u.r. and l.r., not examined out of frame. $2,000-3,000

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50. Hans Frank (Austrian, 1884-1948)

51. Antonio Frasconi (Argentine, b. 1919)

Plowing, 1934. Signed and dated “Hans Frank 34” in pencil l.r. Color woodcut on paper, 13 1/8 x 12 1/2 in. (33.3 x 31.5 cm), framed. Condition: Margins over 1/2 inch, subtle toning, pale fox marks, staining to margins, cockling, not examined out of frame. $300-500

Portrait of Dylan Thomas, 1958, edition of 50. Signed and dated “frasconi 58” in pencil l.r., numbered and titled “TD 30/50...” in pencil l.l. Woodcut on paper, image size 30 x 14 3/4 in. (76.2 x 37.4 cm), framed. Condition: Rippling, handling creases, not examined out of frame. $300-500

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52. Sears Gallagher (American, 1869-1955) Two Images: The Putt and Hauling Traps. Both signed “Sears Gallagher� in pencil l.l. and monogrammed within the plate. Etchings on paper, plate sizes to 8 3/4 x 12 3/4 in. (22.2 x 32.3 cm), matted, unframed. Condition: Subtle toning. $350-550

53. Hendrik Goltzius (Dutch, 1558-1617) PietĂ , 1596. Monogrammed and dated within the plate. Engraving on paper, image size 6 7/8 x 4 7/8 in. (17.5 x 12.4 cm), framed. Condition: Trimmed just outside of the border (missing the blank space beneath the image), fox mark or stain to image u.r., gentle rippling, not examined out of frame. Provenance: A Massachusetts collecting institution. $800-1,200

53

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54. R.C. (Rudolph Carl) Gorman (American, 1932-2005)

55. R.C. (Rudolph Carl) Gorman (American, 1932-2005)

Hana, 1982, edition of 250. Signed and dated “R.C. Gorman 1982” in pencil (within the image) l.l., numbered “148/250” in pencil (within the image) l.r., dry stamped with cowboy boot l.l. and “HOUSTON” l.r. Color lithograph on paper, image/sheet size 22 x 30 in. (56.0 x 76.0 cm), framed. Condition: Not examined out of frame. $700-900

Wild Flowers, 1990, edition of 224. Signed and dated “R.C. Gorman 1990” in pencil within the image l.l., numbered “99/224” in pencil within the image l.r. Color lithograph on paper, sight size 27 1/4 x 35 1/2 in. (69.0 x 90.0 cm), framed. Condition: Not examined out of frame. $1,000-1,500

55

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56

56. R.C. (Rudolph Carl) Gorman (American, 1932-2005) Saguaro, 1990, edition of 224. Signed and dated “R.C. Gorman 1990” in pencil within the image l.l., numbered “67/224” in pencil within the image l.r. Color lithograph on paper, sight size 29 1/2 x 37 1/4 in. (74.8 x 94.5 cm), framed. Condition: Not examined out of frame. $1,000-1,500

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57

57. R.C. (Rudolph Carl) Gorman (American, 1932-2005) Atole, 1990, edition of 225. Signed and dated “R.C. Gorman 1990” in pencil within the image l.l., numbered “52/225” in pencil within the image l.r. Color lithograph on paper, image/sheet size 36 x 29 1/2 in. (91.4 x 74.8 cm), framed. Condition: Deckled edges, not examined out of frame. $1,000-1,500

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58

59

58. Francisco José De Goya y Lucientes (Spanish, 1746-1828)

59. Francisco José De Goya y Lucientes (Spanish, 1746-1828)

Los Moros Establecidos en España, plate three from LA TAUROMAQUIA, from the first edition, published 1816 (Harris, 206.III). Plate number within the plate u.r. Etching with aquatint on laid paper with “MORANO” watermark, plate size 9 5/8 x 14 in. (24.3 x 35.3 cm), matted, unframed. Condition: Creasing to margins, gentle cockling, pale staining to verso. $700-900

El Mismo Ceballos Montado Sobre Otro Toro, plate twenty-four from LA TAUROMAQUIA, from the first edition, published 1816 (Harris, 227. III). Plate number within the plate u.r. Etching with aquatint on laid paper, plate size 9 5/8 x 14 in. (24.3 x 35.3 cm), matted, unframed. Condition: Gentle cockling, pale staining. $700-900

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60

60. Red Grooms (American, b. 1937) Franklin’s Reception at the Court of France, 1982, edition of 125 (Knestrick, 93). Signed and dated “Red Grooms ‘82” in pencil l.r., numbered “114/125” in pencil l.l., dry stamp l.r. Color screenprint on paper, image size 42 x 29 1/4 in. (106.5 x 74.2 cm), framed. Condition: Not examined out of frame. Provenance: Estate of Jonas Aarons, New York.

$1,000-1,500

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61

61. Laura Grosch (American, b. 1945)

62. Sir Francis Seymour Haden (British, 1818-1910)

Iris on Bokhara, 1975. Signed and dated “Grosch 1975” in pencil (within the image) l.r., inscribed “Impressions Workshop Proof I” in pencil (within the image) l.l. Color lithograph on paper, image/sheet size 22 1/4 x 30 1/4 in. (56.4 x 76.7 cm), matted, unframed. Condition: Margins 1 inch or more with deckled edges, subtle toning to edges.

Breaking up of the Agamemnon, 1870, state ix or later of xi (Schneiderman, 133). Signed and dated within the plate. Etching with drypoint on paper, plate size 7 1/2 x 16 1/4 in. (19.0 x 41.2 cm), framed. Condition: Not examined out of frame. $250-350

N.B. Property sold for the benefit of the Brooklyn Museum.

$200-250

62

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63

63. Richard C. Harden (American, b. 1956) Brooklyn Bridge, 1984, edition of 35. Signed “Richard C. Harden” in pencil l.r., numbered “17/35” in pencil l.l. Mezzotint with drypoint on paper, plate size 35 1/8 x 23 3/4 in. (89.2 x 60.3 cm), framed. Condition: Not examined out of frame. $2,500-3,000

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64

64. Keith Haring (American, 1958-1990) Chocolate Buddha 2, 1989, edition of 90 plus proofs, published by F.B. Editions, Paris. Numbered, signed, and dated “40/90 K. Haring ‘89...” in pencil l.r. Lithograph in orange and brown on paper, image size 19 3/8 x 25 1/8 in. (49.2 x 63.8 cm), framed. Condition: Gentle rippling, not examined out of frame. $2,000-3,000

65. Hans Hartung (German, 1904-1989) L 120, 1963, edition of 75, published by Erker-Presse, St. Gallen (Schmücking, 183). Signed “Hartung” in pencil l.r., numbered “26/75” in pencil l.l., titled on the reverse, publisher’s dry stamp l.l. Lithograph on BFK Rives paper with watermark, image size 24 1/4 x 17 1/2 in. (61.5 x 44.5 cm), matted, unframed. Condition: Deckled edges, gently light struck, water or similar staining to lower and right edges. $300-500

65

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66

66. Paul César Helleu (French, 1859-1927) Two Portraits: Femme au chapeau and Buste de jeune femme. Signed “Helleu” in pencil l.l. and l.r., respectively. Etchings with drypoint on paper, plate sizes to 22 1/4 x 13 3/4 in. (56.4 x 34.8 cm), framed. Condition: Toning, pale staining to Chapeau, water or similar staining and surface rubs and abrasions into the paper within the image of Buste, not examined out of frames. $800-1,200

67. Paul César Helleu (French, 1859-1927) The Fur Collar. Signed and inscribed “Helleu 6” in pencil l.l. Etching with drypoint on paper, plate sizes 23 3/8 x 13 3/4 in. (59.3 x 34.8 cm), framed. Condition: Pale foxing, creasing to image u.r. (into the figure’s forehead), not examined out of frame. $800-1,200

67

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69

68

68. Dame Barbara Hepworth (British, 1903-1975)

69. Ferdinand Hodler (Swiss, 1853-1918)

Fragment, from the AEGEAN Suite, 1971, proof edition of 30, published by Marlborough Fine Art, London, printed by Curwen Press and Studios, London/Cambridgeshire. Signed “Barbara Hepworth” in pencil l.l., numbered “x3/30” in pencil l.l., printer’s dry stamp l.l. Color lithograph with embossing on paper, image size 30 1/2 x 20 in. (77.4 x 50.7 cm), framed. Condition: Margins 3/4 inches or more with deckled edges, not examined out of frame. $700-900

Rückzug von Marignano, 1897-98. Signed within the plate. Soft ground etching on Van Gelder Zonen laid paper with watermark, plate size 11 3/8 x 7 3/8 in. (29.0 x 18.5 cm), unmatted, unframed. Condition: Margins over 2 1/2 inches with deckled edges, staining (primarily to lower margin), annotations to lower edge. $300-500

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70. Marion Huse (American, 1896-1967) In Taos Pueblo, 1937. Signed and dated “Marion Huse ‘37” in pencil l.r., titled in pencil l.l. Lithograph on paper, image size 6 1/8 x 7 7/8 in. (15.4 x 20.0 cm), matted, unframed. Condition: Margins approximately 1 inch with deckled edges (except near u.l. corner), subtly light struck, several pale fox marks, brown paper tape/reside to edges on the reverse. Provenance: By descent in the artist’s family to the Fuller Museum of Art (Gift of the artist’s husband, Dr. Robert Barstow), Brockton, Massachusetts, to the New Britain Museum of American Art. Exhibitions: Marion Huse: An Artist’s Evolution, Brockton Art Museum/Fuller Memorial, Brockton, Massachusetts, June 2–August 25, 1985, number 34 (illustrated in the catalogue for the exhibition, p. 50). $200-300 70

71. Alfred Heber Hutty (American, 1877-1954) Deep South, c. 1934. Signed “Alfred Hutty...” in pencil l.r. Etching and drypoint on paper, plate size 8 7/8 x 10 1/8 in. (22.5 x 25.6 cm), framed. Condition: Not examined out of frame. $1,000-1,500

71

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72. Louis Icart (French, 1888-1950) Des Grieux, 1930 (Holland et al., 393). Signed “Louis Icart” in pencil l.r., inscribed “Epr d’etat” in pencil l.r. Color etching with stencil and hand-coloring on paper, plate size 21 1/4 x 14 1/4 in. (53.8 x 36.0 cm), framed. Condition: Subtle toning, pale foxing, not examined out of frame. $600-800

72

73. Paul Jacoulet (French, 1902-1960) Two Images from the RAINBOW SERIES (SEVEN CHAMORRO WOMEN OF GUAM): Green and Violet. Both signed and dated within the block, the latter with a Baren seal. Color woodcuts on paper, sight sizes 13 3/4 x 10 1/2 in. (34.8 x 26.5 cm), framed. Condition: Fading, not examined out of frames. $600-800

73

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74. Jasper Johns (American, b. 1930) Untitled, 1977, edition of 130 plus proofs, published by Simka Print Artists, Tokyo (ULAE, 186; Field, 260). Numbered, signed, and dated “21/130 J Johns ‘77” in pencil l.r., dry stamp l.r. Color screenprint on cream paper, image size 10 x 9 1/2 in. (25.4 x 24.0 cm), framed. Condition: Margins over 4 1/2 inches with deckled edges, gentle rippling, subtle stains just visible near edges in the lower margin, not examined out of frame. $8,000-12,000

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75

75. Jasper Johns (American, b. 1930) Target with Plaster Casts, 1980, edition of 88 plus proofs, published by Petersburg Press, New York and London (ULAE, 208). Signed and dated “J Johns ‘80” in pencil l.r., numbered “73/88” in pencil l.l. Etching with aquatint in colors on paper, plate size 23 1/2 x 17 3/4 in. (59.5 x 45.0 cm), framed. Condition: Margins 2 1/4 inches or more with deckled edges, gentle rippling, minor handling crease to upper margin, not examined out of frame. $20,000-25,000

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78

77

76. Lester F. Johnson (American, 1919-2010)

77. Lester F. Johnson (American, 1919-2010)

Men in Street #2, 1973, edition of 35 plus proofs. Signed “Lester Johnson” in pencil l.r., titled in pencil l.c., inscribed “Artist’s proof” in pencil l.l. Color aquatint on BFK Rives paper with watermark, plate size 19 1/2 x 25 1/8 in. (49.4 x 63.5 cm), unmatted, unframed. Condition: Margins over 2 inches with deckled edges, minor handling creases.

Bathers with Columns, 1980, edition of 40. Signed “Lester Johnson” in pencil l.r., titled and numbered “...28/40” in pencil l.l. Lithograph on paper, image size 19 3/4 x 23 in. (50.0 x 58.4 cm), framed. Condition: Deckled edges, not examined out of frame. $300-500

N.B. The lot is accompanied by the original mailing tube used by the artist to ship the work to the buyer. $300-500

78. Joe Jones (American, 1909-1963) Missouri Wheat Farmers, 1938, edition of 250, published by Associated American Artists (AAA/Czestochowski, 1938.039). Signed “Joe Jones” in pencil l.r. Lithograph on paper, image size 10 x 8 in. (25.4 x 20.3 cm), framed. Condition: Toning, not examined out of frame. $300-500

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80

79

81

79. Robert Kipniss (American, b. 1931)

80. Marguerite Kirmse (American, 1885-1954)

Weather Moving Through. Signed “Kipniss” in pencil l.r., dedicated “for Beverly” in pencil l.l. Color lithograph on paper, image size 13 x 10 in. (33.0 x 25.4 cm), framed. Condition: Margins 1 inch or more, not examined out of frame. $200-250

Him and Me. Signed “Marguerite Kirmse” in pencil l.r., titled in pencil l.l. Etching on paper, plate size 8 7/8 x 11 1/2 in. (22.4 x 29.0 cm), framed. Condition: Unobtrusive toning, not examined out of frame. $300-500 81. Fumio Kitaoka (Japanese, b. 1918) Village by the Shore. Signed “Fumio Kitaoka” in pencil l.r. Color woodcut on paper, image size 10 7/8 x 14 3/4 in. (27.4 x 37.4 cm), framed. Condition: Minor rippling and soiling to margins, not examined out of frame. $200-250

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82. Hans Kleiber (American/German, 1887-1967) A Flock of Honkers, 1931. Signed “Hans Kleiber” in pencil l.r., titled in pencil l.l., titled and dated within the plate, and identified on a label from Goodspeed’s Book Shop, Boston, affixed to the backing. Etching with drypoint on paper, plate size 7 3/4 x 9 7/8 in. (19.5 x 25.0 cm), framed. Condition: Unobtrusive mat burn, subtle toning, not examined out of frame. $200-250

82

83. After Gustav Klimt (Austrian, 1862-1918) Portrait of Baroness Wittgenstein, plate 4 from EINE NACHLESE (AN AFTERMATH), 1931, Max Eisler, editor, printed by the Austrian State Printing Office, edition of 500. Plate number on the supporting sheet. Collotype on chine collé, image size 12 3/8 x 6 1/8 in. (31.5 x 15.5 cm), in a period-style frame. Condition: Gentle rippling to supporting sheet, not examined out of frame. $800-1,200

83

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85

84

84. After Gustav Klimt (Austrian, 1862-1918)

85. After Gustav Klimt (Austrian, 1862-1918)

Portrait of Frau Serena Lederer, plate 6 from EINE NACHLESE (AN AFTERMATH), 1931, Max Eisler, editor, printed by the Austrian State Printing Office, edition of 500. Plate number on the supporting sheet. Collotype on chine collĂŠ, image size 12 1/2 x 5 5/8 in. (31.6 x 14.2 cm), in a period-style frame. Condition: Gentle rippling to supporting sheet, not examined out of frame. $800-1,200

Unterach on Lake Atter, plate 8 from EINE NACHLESE (AN AFTERMATH), 1931, Max Eisler, editor, printed by the Austrian State Printing Office, edition of 500. Plate number on the supporting sheet. Collotype on chine collĂŠ, image size 11 7/8 x 12 in. (30.0 x 30.4 cm), in a period-style frame. Condition: Gentle rippling to supporting sheet, not examined out of frame. $800-1,200

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86. After Gustav Klimt (Austrian, 1862-1918) Gastein, plate 21 from EINE NACHLESE (AN AFTERMATH), 1931, Max Eisler, editor, printed by the Austrian State Printing Office, edition of 500. Plate number on the supporting sheet. Collotype on chine collĂŠ, image size 11 3/4 x 11 7/8 in. (29.7 x 30.0 cm), in a period-style frame. Condition: Gentle rippling to supporting sheet, not examined out of frame. $800-1,200

86

87. After Gustav Klimt (Austrian, 1862-1918) Italian Landscape, plate 23 from EINE NACHLESE (AN AFTERMATH), 1931, Max Eisler, editor, printed by the Austrian State Printing Office, edition of 500. Plate number on the supporting sheet. Collotype on chine collĂŠ, image size 12 1/4 x 12 1/8 in. (31.0 x 30.6 cm), in a period-style frame. Condition: Gentle rippling to supporting sheet, not examined out of frame. $800-1,200

87

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88

89

88. Seiichiro Konishi (Japanese, b. 1919) Sleep. Signed within the matrix and on the reverse. Color woodcut on paper, image size 13 7/8 x 18 3/4 in. (35.2 x 47.5 cm), framed. Condition: Narrow margins, not examined out of frame. $200-250

89. Walt Kuhn (American, 1877-1949) Cornelia, 1929, edition of 50. Signed “WaltKuhn” in pencil l.r. Lithograph on paper, image size 12 x 9 1/4 in. (30.5 x 23.4 cm), framed. Condition: Pale fox marks, not examined out of frame. $300-500

90. Dorothy Pulis Lathrop (American, b. 1891) Two Animal Subjects: Treed and Top o’ the Morning, both editions of 50. Both signed “Dorothy P. Lathrop-” in pencil l.r., numbered “Ed. 50” in pencil l.c., and titled in pencil l.l. Wood engravings on fine paper, image sizes to 7 7/8 x 5 in. (20.0 x 12.5 cm), matted, unframed. Condition: Foxing, latter with minor creasing. $300-350 90

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91

91. Blanche Lazzell (American, 1878-1956) Amaryllis, 1931. Signed and dated “Blanche Lazzell-1931” in pencil l.r. Color monotype on paper, image size 13 3/4 x 9 7/8 in. (34.9 x 25.0 cm), framed. Condition: Not examined out of frame. Provenance: Purchased through a member of the artist’s family in the Midwest, c. 1990. $3,000-5,000

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92

92. Blanche Lazzell (American, 1878-1956) White Petunias. Signed “Blanche Lazzell-” in ink (within the image) l.r., inscribed and titled “M94...” in ink (within the image) l.l., inscribed on a former backing accompanying the lot. Color monotype on paper, image size 6 1/2 x 8 3/8 in. (16.4 x 21.3 cm), framed. Condition: Unobtrusive stain to upper margin, not examined out of frame. Provenance: Purchased through a member of the artist’s family in the Midwest, c. 1990. $3,000-5,000

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93

93. Clare Veronica Hope Leighton (Anglo/American, 1901-1989) Two Cape Cod Views: Clam Diggers, Cape Cod, 1946, proof outside of the edition of 250 (BPL, 599); and Oyster Houses, Wellfleet, 1948-53, edition of 200 (BPL, 710). Both signed “Clare Leighton” in pencil l.r. and numbered and titled in pencil l.l. Wood engravings on paper, image sizes to 8 1/8 x 9 7/8 in. (20.5 x 25.0 cm), matted, the latter framed. Condition: Unobtrusive toning, foxing to Diggers, Wellfleet not examined out of frame. $800-1,200

94. William Auerbach Levy (Russian/American, 18891964) Torah, alternatively titled The Law, 1915. Signed “William A. Levy” in pencil l.r., signed and dated within the plate, and identified on a label from Arthur Ackermann & Son, Inc., Chicago, affixed to the backing. Etching on paper, plate size 8 x 6 in. (20.3 x 15.2 cm), framed. Condition: Subtle toning, not examined out of frame. $300-500

94

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95

95. Roy Lichtenstein (American, 1923-1997) As I Opened Fire.../A Triptych, 1966 (Corlett, app. 5). Unsigned, identified in the matrix, each sheet stamped in the lower corners on the reverse. Offset color lithographs on paper, each sheet 25 1/8 x 20 7/8 in. (63.7 x 52.9 cm), unmatted, unframed. Condition: Subtle toning, very minor handling marks and creases. $700-900

96. Richard Lindner (American/German, 1901-1978) The Mask, 1971, edition of 100. Signed “R. Lindner” in pencil l.r., numbered and dated “71/100 1971” in pencil l.l. Color lithograph on paper, image size 38 1/2 x 27 1/4 in. (97.7 x 69.1 cm), framed. Condition: Subtle toning, not examined out of frame. $600-800

96

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97

97. Liuba, also known as Liuba Boyadjeva (Bulgarian/Brazilian, 19232005) Relevos, edition of 50, featuring six bas-reliefs and a pamphlet with a poem by Lelia Coelho Frota, all mounted to linen-covered panels, published by Julio Pacello, Sao Paulo, Brazil. Relief panels signed and numbered “LIUBA 41/50� on the reverse. Cast metal alloy, sizes to 9 3/8 x 8 5/8 x 3/8 in. (24.0 x 22.0 x 1.0 cm), panel size 12 1/4 in. square (31.0 cm square), presented in the original slipcase. Condition: Slipcase with soiling and fading and with areas of fraying and wear to fabric; pamphlet with handling creases to the cover. Provenance: A New York estate. N.B. The lot is accompanied by two exhibition catalogues and other ephemera related to the artist. $1,000-1,500

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98. After René Magritte (Belgian, 1898-1967) L’oeil, 1968, edition of 150 (Kaplan-Baum, 17). Stamped signature l.r., numbered “130/150” in pencil l.l. Color aquatint on Japan paper, plate size 7 x 5 3/4 in. (17.7 x 14.5 cm), framed. Condition: Margins 1/2 inch or more, not examined out of frame. $400-600

98

99. Gerhard Marcks (German, 1889-1981) Die Eule, 1921 (Lammek, H 28). Signed and dated “Gerhard Marcks 1921” in pencil l.r. Woodcut on fine paper, image size 11 x 9 3/8 in. (27.8 x 23.7 cm), unmatted, unframed. Condition: Margins 1 inch or more with deckled edges, creasing to margins. Provenance: Through the collection of Ati Gropius Johansen, Massachusetts. $2,000-3,000

99

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101

100

100. Gerhard Marcks (German, 1889-1981)

101. John Marin (American, 1870-1953)

Man with Shovel, 1975. Signed and dated “Prosit 1975: Gerhard und Maria Marcks” in blue pencil l.r. Woodcut on laid paper, image size 6 1/8 x 2 3/8 in. (15.4 x 5.8 cm), unmatted, unframed. Condition: Margins 1 inch or more with two deckled edges, subtle toning.

Sailboat, 1932, edition of 200 printed for the American Artist’s Group, 1936 (Zigrosser, 155). Signed and dated within the plate, stamp from AAG on the reverse. Etching on paper, plate size 7 x 9 1/4 in. (17.7 x 23.4 cm), matted, unframed. Condition: Margins 2 3/4 inches or more, toning, staining, masking tape to upper corners. $300-500

Provenance: Through the collection of Ati Gropius Johansen, Massachusetts. $400-600

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102 103

102. Marino Marini (Italian, 1901-1980) Il Sogno del Cavaliere, plate XI from L’ALBUM No I, 1960, edition of 50 (Guastalla A61). Signed “MARINO” in pencil l.r., numbered “34/50” in pencil l.l. Etching on paper, plate size 13 7/8 x 11 5/8 in. (35.1 x 29.5 cm), framed. Condition: Margins over 1/2 inch, not examined out of frame. $200-250 103. Reginald Marsh (American, 1898-1954) Drum Majorette, 1940, published state, edition of 300, 1947 (Sasowsky, 204). Initialed and dated within the plate. Etching and engraving on paper, plate size 11 3/4 x 5 7/8 in. (29.8 x 14.8 cm), framed. Condition: Margins over 1 inch, subtle rippling, not examined out of frame. $300-350 104. André Masson (French, 1896-1987) Man and Woman, c. 1969, edition of 125. Signed “André Masson” in pencil l.r., numbered “18/125” in pencil l.l. Color lithograph on paper, image size 19 5/8 x 13 5/8 in. (49.7 x 34.5 cm), framed. Condition: Margins over 2 inches with two deckled edges, subtle toning, not examined out of frame.

104

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N.B. Sold to benefit the AIDS Action Committee, Boston, Massachusetts.

$300-500


105

105. Henri Matisse (French, 1869-1954) F7 (Femme reposante), 1941, from THEMES ET VARIATIONS, published 1943, edition of 950 (Duthuit books, 9). Stamped with title, signature, and date l.r., identified on a label affixed to the reverse. Lithograph on paper, image size 7 1/2 x 11 1/2 in. (18.9 x 29.0 cm), framed. Condition: Not examined out of frame. $400-600

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106

106. Michael Mazur (American, 1935-2009)

107. Michael Mazur (American, 1935-2009)

THE ARTIST AND THE MODEL/A Portfolio of Twelve Works, 1968, edition of 50 (Hansen, 157-168). Each signed “Mazur” in pencil l.r., numbered “6/50” in pencil l.c., titled in pencil l.l., and identified on the colophon page. Etchings on heavy paper, sheet sizes 25 x 38 in. (63.4 x 96.3 cm), presented in the original clamshell portfolio box. Condition: Minor soiling (primarily to edges of sheets).

The Dragon’s Rockery I, 1997-98, edition of 10 plus proofs (Hansen, 320). Signed “Mazur” in pencil l.r., titled in pencil l.l., numbered “9/10” in pencil l.c. Etching and aquatint on paper, plate size 24 x 29 3/4 in. (60.9 x 75.5 cm), framed. Condition: Not examined out of frame. $500-700

Provenance: Estate of Jonas Aarons, New York.

$800-1,200

107

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108. No lot.


109

109. Joan Miró (Spanish, 1893-1983) Tête étoile, from DERRIERE LE MIROIR, 1961 (Mourlot, 235). Unsigned. Color lithograph on paper, sight size 14 3/8 x 32 1/2 in. (36.5 x 82.5 cm), framed. Condition: Two vertical folds to image, subtle toning, not examined out of frame. $500-700

110. Joan Miró (Spanish, 1893-1983) La Chouette et l’escargot/The Face of a Greeting Card from Aimé Maeght, 1964 (Dupin, 388). Unsigned, identified in text on the reverse. Drypoint with color aquatint on BFK Rives paper with partial watermark, plate size 6 5/8 x 4 1/2 in. (16.7 x 11.3 cm), unmatted, unframed. Condition: Toning, unobtrusive soiling. Provenance: Through the collection of Ati Gropius Johansen, Massachusetts. $500-700

110

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111. Joan Miró (Spanish, 1893-1983) Image from Miró Lithographe I, 1972 (Mourlot, 857). Signed “Miró” in pencil l.r., inscribed “HC” in pencil l.l. Color lithograph on Arches paper with watermark, image size 12 3/4 x 10 in. (32.3 x 25.4 cm), framed. Condition: Pale staining, not examined out of frame. $1,000-1,500

112. Joan Miró (Spanish, 1893-1983) Two Images from MIRÓ SCULPTURES, 1974, from the edition of 100 outside of the book edition (Mourlot, 948 & 949). Both signed “Miró” in pencil l.r., and numbered “7/100” in pencil l.l. Color lithographs on paper, image sizes 11 1/4 x 22 1/2 in. (28.5 x 57.0 cm), framed. Condition: Possible subtle fading, not examined out of frames. $1,500-2,500

111

112

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113

113. Joan Miró (Spanish, 1893-1983)

114. Joan Miró (Spanish, 1893-1983)

Sculptures, 1974, edition size unknown (Mourlot, 950). Signed within the matrix. Color lithograph on paper, image size 16 1/2 x 23 1/2 in. (41.8 x 59.5 cm), framed. Condition: Toning, pale foxing, gentle rippling, not examined out of frame. $400-600

Gaudí XIII, 1979, edition of 50 plus proofs, published by Maeght, Barcelona (Dupin, 1072). Signed “Miró” in pencil (within the image) l.r., numbered “39/50” in pencil (within the image) l.l. Color etching and aquatint on paper, image/sheet size 9 5/8 x 14 1/8 in. (24.3 x 35.9 cm), framed. Condition: Deckled edges, rippling, not examined out of frame. $2,500-3,500 115. No lot.

114

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67


116. Philippe Mohlitz (American, b. 1941) Le grand désordre, 1974-75, edition of 100. Signed “Mohlitz” in pencil l.r., signed within the plate, numbered “50/100” in pencil l.l. Engraving on paper, plate size 13 3/4 x 11 5/8 in. (34.8 x 29.3 cm), framed. Condition: Not examined out of frame. $600-800

117. Henry Moore (British, 1898-1986) Reclining Figure II, 1970-72, edition of 50 plus proofs (Cramer et al., 193). Signed “Moore” in pencil l.r., numbered “28/50” in pencil l.l., identified on a label from Graphics 1 and Graphics 2, Boston, on the backing. Etching with aquatint on paper with a Henry Moore figure watermark, plate size 4 1/4 x 9 3/4 in. (10.6 x 24.8 cm), framed. Condition: Margins 3 inches or more with deckled right and lower edges, not examined out of frame. $600-800

116

117

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118

118. Henry Moore (British, 1898-1986) HELMET HEAD LITHOGRAPHS/A Suite of Five Images, 1974-75, edition of 50 plus proofs (Cramer et al., 356-360). Each signed “Moore” in pencil l.r. and numbered “PL...27/50” in pencil l.l. Color lithographs on paper, image sizes approximately 13 x 13 5/8 in. (33.0 x 34.5 cm), framed. Condition: Margins over 2 1/2 inches, most with deckled edges, not examined out of frames. $5,000-7,000

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119

119. Henry Moore (British, 1898-1986) Figures in Snow, 1976, edition of 75 plus proofs (Cramer et al., 428). Signed “Moore” in pencil l.r., numbered “20/75” in pencil l.l. Lithograph in black and grays on paper, image size 13 1/2 x 10 in. (34.3 x 25.4 cm), framed. Condition: Not examined out of frame. $1,200-1,800

70

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120. Henry Moore (British, 1898-1986) Mary and Martha, 1981, edition of 50 plus proofs (Cramer et al., 622). Signed “Moore” in pencil l.r., numbered “46/50” in pencil l.l. Color lithograph on paper, image size 8 7/8 x 10 in. (22.5 x 25.3 cm), framed. Condition: Margins 2 inches or more, not examined out of frame. $800-1,200

120

121. Henry Moore (British, 1898-1986) Two Heads, 1981, edition of 50 plus proofs (Cramer et al., 628). Signed “Moore” in pencil l.r., numbered “46/50” in pencil l.l. Color lithograph on paper, image size 8 7/8 x 10 in. (22.5 x 25.3 cm), framed. Condition: Margins 2 inches or more, not examined out of frame. $800-1,200

122. No lot.

121

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123

123. Louise Nevelson (American, 1899-1988) Nightscape, 1975, edition of 75 published by Pace Editions, New York. Signed and dated “Louise Nevelson - 75” in pencil l.r., numbered “41/75” in pencil l.r., identified on a label from Pace Editions on the backing. Cast paper relief, sheet size 28 x 31 in. (71.0 x 78.7 cm), framed. Condition: Deckled edges, not examined out of frame. $1,500-2,500

72

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124

124. Joseph Pennell (American, 1860-1926)

124A. Joseph Pennell (American, 1860-1926)

St. John’s Gate, Clerkenwell, 1903, edition probably of 75 (Wuerth, 273). Signed “Jos Pennell imp” in pencil l.c., signed within the plate, annotated along the lower edge. Etching on paper, plate size 8 1/4 x 11 1/8 in. (20.8 x 28.2 cm), unmatted, unframed. Condition: Deckled edges, pale mat burn, soiling to margins, crease to left margin and just into image (possibly from printing). $200-250

The Choir (Washington Cathedral), 1923, original edition of 30 (Wuerth, 821). Signed and dedicated “Jos Pennell imp To Ralph Nicholson” in pencil l.r., signed and dated within the plate, and identified on a label from Wunderly Brothers, Pittsburgh, accompanying the lot. Etching on laid paper, plate size 11 7/8 x 9 3/4 in. (30.0 x 24.6 cm), matted, unframed. Condition: Margins 1/4 inch or more with two deckled edges. $300-500 125. Joseph Pennell (American, 1860-1926) Two Brooklyn Views: Perrepont Place (Montague Terrace), 1924, original edition of 75 (Wuerth, 839); and Grace Church and Court, 1924, original edition of 75 (Wuerth, 843). Both signed “Jos Pennell imp” in pencil l.c. and annotated along the lower edge. Etchings on paper, plate sizes to 6 7/8 x 9 7/8 in. (17.4 x 25.0 cm), unmatted, unframed. Condition: Some edges deckled, toning, mat burn. $250-300

124A

125

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126. Joseph Pennell (American, 1860-1926) Orange St. (Brooklyn), 1924 (Wuerth, 847). Signed “Jos Pennell imp” in pencil l.c., signed and dated within the plate, annotated along the lower edge. Etching on laid paper, plate size 9 7/8 x 6 7/8 in. (25.1 x 17.5 cm), unmatted, unframed. Condition: Deckled left edge, nicks to top of sheet (outside of the plate mark), mat burn, foxing. $150-200

126

127. Beverly Pepper (American, b. 1922) Untitled, 1987, edition of 175. Signed and dated “Beverly Pepper 87” in pencil l.r., numbered “125/175” in pencil l.l. Color etching with carborundum on paper, plate size 22 x 16 1/4 in. (55.8 x 41.2 cm), framed. Condition: Margins over 1 1/4 inches, subtle rippling, not examined out of frame. $300-350

127

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128. Gabor F. Peterdi (American, 1915-2001) Andes III, 1966. Signed and dated “Peterdi 1966” in pencil l.r., titled in pencil l.l., identified on a label from the Kanegis Gallery, Boston, affixed to the backing. Color multi-plate intaglio with monotype on paper, plate size 29 5/8 x 21 3/4 in. (75.2 x 55.0 cm), framed. Condition: Margins over 1 1/2 inches with several pinpoint fox marks, not examined out of frame. $250-300

128

129. Walter Joseph Phillips (Canadian, 1884-1963) Moonlight, Lake of the Woods, 1927, edition of 250. Signed “W Phillips” in pencil l.r., numbered “182” in pencil l.l., monogrammed within the block. Color woodcut on paper, image size 7 3/8 x 6 in. (18.5 x 15.2 cm), in a Foster Brothers frame. Condition: Not examined out of frame. $300-500

129

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130

130. Pablo Picasso (Spanish, 1881-1973) Sculpteur, modéle couché et sculpture, 1933, plate 37 from LA SUITE VOLLARD, published 1939, edition of 260 plus proofs (Bloch, 147). Signed “Picasso” in pencil l.r., identified on a label from the FAR Gallery, New York, affixed to the backing. Etching on paper, plate size 10 1/2 x 7 5/8 in. (26.5 x 19.3 cm), framed. Condition: Margins 2 inches or more, subtle rippling, not examined out of frame. $8,000-12,000

76

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131

131. Pablo Picasso (Spanish, 1881-1973) Famille de saltimbanques, 1933, from LA SUITE VOLLARD, published 1939, edition of 250 (Bloch, 163). Signed “Picasso” in pencil l.r., signed and dated within the plate, stamped “PARIS/EXPOSITIONS/ DOUANES” on verso. Etching on laid paper with “Vollard” watermark, plate size 7 5/8 x 10 1/2 in. (19.4 x 26.5 cm), framed. Condition: Margins 2 1/4 inches or more with deckled edges, unobtrusive mat burn and light staining, minor soiling and annotations to margins, hinged near upper corners with white cloth tape. $10,000-15,000

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77


132

133

132. Pablo Picasso (Spanish, 1881-1973)

133. Pablo Picasso (Spanish, 1881-1973)

L’age de soleil (pour Roby), 1950 (Bloch, 680). Signed and inscribed in the plate. Etching on paper, plate size 9 1/8 x 7 in. (23.2 x 17.7 cm), framed. Condition: Margins 2 inches or more with deckled edges, pale foxing, not examined out of frame. $300-500

Danseuse, from LE BALLET, 1954, edition of 10,000 (Bloch, 767). Signed within the matrix, identified on a label affixed to the backing. Color lithograph on paper, image size 11 x 7 1/4 in. (27.8 x 18.3 cm), framed. Condition: Not examined out of frame. $600-800

78

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134

134. Pablo Picasso (Spanish, 1881-1973) Fleur, 1961, edition of 150. Signed “Picasso” in pencil l.r., signed and dated within the matrix, numbered “87/150” in pencil l.l. Color lithograph on cream paper, image size 15 1/2 x 11 3/4 in. (41.7 x 29.8 cm), framed. Condition: Minor handling creases, not examined out of frame. $1,000-1,500

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79


135

135. Pablo Picasso (Spanish, 1881-1973) Petit buste de femme, 1962, edition of 50 (Bloch, 1082). Signed “Picasso” in pencil l.r., numbered “12/50” in pencil l.l. Color linocut on paper, image size 13 3/4 x 10 5/8 in. (34.8 x 26.9 cm), framed. Condition: Margins 1/2 inch or more, unobtrusive toning, not examined out of frame. $8,000-12,000

80

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136

136. After Pablo Picasso (Spanish, 1881-1973) Compotier, partition, bouteille et guitare devant une fenêtre, 1919, edition probably of 100. Signed “Picasso” in pencil l.r. Color pochoir on paper, image size 10 1/2 x 8 5/8 in. (26.5 x 21.7 cm), framed. Condition: Not examined out of frame. $3,000-5,000

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137

137. Pablo Picasso (Spanish, 1881-1973) Flower Women, 1948, edition of 175 (Ramie, 50). Inscribed and numbered “R-152 EDITION PICASSO 89/175 MADOURA” on the underside, stamped “EDITION PICASSO” and “MADOURA” on the underside. Glazed turned white earthenware pitcher, height 13 1/4 in. (33.5 cm). Condition: Subtle soiling. Provenance: A gift from Georges Ramie to the artist Jack Amoroso; purchased from Amoroso by a family member of the present owner in the early 1980s. $4,000-6,000

82

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138. Pablo Picasso (Spanish, 1881-1973) Bull, 1957, edition of 250 (Ramie, 392). Inscribed and numbered “N 107 EDITION PICASSO 120/250 MADOURA” on the underside, stamped “EDITION PICASSO” and “MADOURA” on the underside. Partially painted and glazed turned earthenware dish, diameter 14 1/2 in. (36.8 cm). Condition: Small (5 mm) chip near rim, subtle soiling. Provenance: A gift from Georges Ramie to the artist Jack Amoroso; purchased from Amoroso by a family member of the present owner in the early 1980s. $3,000-5,000

138

139. Pablo Picasso (Spanish, 1881-1973) Face no. 202, 1963, edition of 500 (Ramie, 495). Inscribed and numbered “No 202 EDITION PICASSO 328/500 MADOURA” on the underside. Glazed turned white earthenware dish, diameter 10 in. (25.2 cm). Condition: Small glazing imperfection to underside. Provenance: A gift from Georges Ramie to the artist Jack Amoroso; purchased from Amoroso by a family member of the present owner in the early 1980s. $3,000-5,000

139

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140

140. Pablo Picasso (Spanish, 1881-1973) Laughing-eyed Face, 1969, edition of 350 (Ramie, 608). Inscribed and numbered “R. 137 EDITION PICASSO 260/350 MADOURA” on the underside, stamped “EDITION PICASSO” and “MADOURA” on the underside. Partially glazed turned white earthenware pitcher, height 12 3/4 in. (32.4 cm). Condition: Subtle soiling. Provenance: A gift from Georges Ramie to the artist Jack Amoroso; purchased from Amoroso by a family member of the present owner in the early 1980s. $10,000-15,000

84

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141

141. Pablo Picasso (Spanish, 1881-1973) Face with Points, 1969, edition of 350 (Ramie, 610). Dated “9.1.69” near the handle, inscribed and numbered “R. 139 EDITION PICASSO 246/350 MADOURA” on the underside, stamped “EDITION PICASSO” and “MADOURA” on the underside. Partially glazed turned white earthenware pitcher, height 10 3/4 in. (27.5 cm). Condition: Subtle soiling. Provenance: A gift from Georges Ramie to the artist Jack Amoroso; purchased from Amoroso by a family member of the present owner in the early 1980s. $4,000-6,000

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142

142. Giovanni Battista Piranesi (Italian, 1720-1778) Veduta del Tempio di Giove Tonante, 1756 (Focillon, 819; Hind, 44 II/VI). Identified within the plate. Etching and engraving on paper, plate size 15 3/4 x 23 5/8 in. (39.9 x 59.9 cm), framed. Condition: Pale foxing and staining within the image, gentle rippling, not examined out of frame. $300-500

143. Enrico Prampolini (Italian, 1894-1956) Figürliches Motiv, plate 10 from BAUHAUS DRUCKE, NEUE EUROPÄISCHE GRAPHIK, 4TE MAPPE, ITALIENISCHE UND RUSSICHE KÜNSTLER, published 1921, edition of 110 (Peters & Wingler, IV/10). Inscribed and signed “123/Enrico Prampolini” in blue ink l.r., signed, inscribed, and dated within the matrix, Bauhaus dry stamp l.l. Lithograph on paper, image size 9 5/8 x 5 in. (24.4 x 12.5 cm), unmatted, unframed. Condition: Staining near upper edge, creasing to margins near corners. Provenance: Through the collection of Ati Gropius Johansen, Massachusetts. $400-600

143

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144

144. Jean François RaffaÍlli (French, 1850-1924) La gare du Champ-de-Mars, 1911, final state of three, edition of about 1,500, published in the Gazette des Beaux-Arts (Delteil v16, 90). Signed and identified within the plate. Etching and aquatint on paper, plate size 8 x 5 1/2 in. (20.3 x 13.9 cm), matted, unframed. Condition: Margins 1/2 inch or more, minor soiling to margins. $300-500

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87


145. Robert Rauschenberg (American, 1925-2008) Artist’s Rights Today, 1981, edition of 200, published by Styria Studios. Signed, numbered, and dated “RAUSCHENBERG 3/200 81” in pencil (within the image) l.c., titled within the matrix, publisher’s dry stamp l.l. Color offset lithograph with collage on paper, sight size 39 1/4 x 26 3/4 in. (99.5 x 67.8 cm), framed. Condition: Possible subtle fading, not examined out of frame. $600-800

146. Robert Rauschenberg (American, 1925-2008) Gluts, 1986. Signed and identified within the matrix. Color offset lithographic poster on translucent paper, image/ sheet size 22 5/8 x 28 1/2 in. (57.3 x 72.3 cm), unmatted, unframed. Condition: Minor handling creases. $400-600

145

146

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147

147. Odilon Redon (French, 1840-1916) Il y eut peut-être une vision première essayée dans la fleur, from LES ORIGINES, 1883, edition of 25, printed by Lemercier & Cie., Paris (Mellerio, 46). Signed within the matrix, identified in text printed on the supporting sheet. Lithograph on chine collé, image size 8 7/8 x 7 1/8 in. (22.4 x 17.9 cm), framed. Condition: Not examined out of frame. $6,000-8,000

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89


148. Odilon Redon (French, 1840-1916) La Chimère regarda avec effroi toutes choses, from LA NUIT, 1886, edition of 50 (Mellerio, 65). Signed within the matrix, identified in text printed on the supporting sheet. Lithograph on chine collé, image size 9 3/4 x 7 1/4 in. (24.6 x 18.3 cm), framed. Condition: Unobtrusive toning, not examined out of frame. $2,000-3,000

148

149. Odilon Redon (French, 1840-1916) Les Débacles (Frontispice), 1889, edition of 52 (Mellerio, 101). Signed within the matrix. Lithograph on paper, image size 5 1/2 x 3 3/4 in. (14.0 x 9.5 cm), framed. Condition: Unobtrusive toning, not examined out of frame. $800-1,200

149

90

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150. Frederick Charles Richards (British, 1878-1932) Two Italian Views: Siena (Small Plate), 1912, and The City of Dreams, c. 1927. Signed “F...Richards...” in pencil l.l. and l.r., respectively, and titled in pencil in the lower margin, the former inscribed “First proof pulled by Sir Frank Short” in pencil l.r. Etchings on paper, plate sizes to 7 1/2 x 9 3/4 in. (19.0 x 24.6 cm), framed. Condition: Minor creases, not examined out of frames. $300-500

151. Manuel Robbe (French, 1872-1936) Les Coups de mer. Signed “Manuel Robbe” in pencil l.r., numbered and titled “No. 97...” in pencil l.l. Color etching with aquatint on paper with “TOUCHON - LEPAGE & CIE PARIS SPF” watermark, plate size 17 7/8 x 25 in. (45.3 x 63.5 cm), unmatted, unframed. Condition: Margins approximately 2 inches, toning, scattered staining, several minor nicks/tears to edges, unobtrusive handling creases to sheet. $500-700 150

151

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152

152. Susan Rothenberg (American, b. 1945) Untitled (May #2), 1979, edition of 45. Signed, numbered, and dated “S. Rothenberg 36/45 May #2,1979� in pencil u.l. Etching with soft ground and aquatint on paper, plate size 11 3/4 x 13 3/4 in. (29.8 x 34.8 cm), matted, unframed. Condition: Wide margins with deckled edges, staining to left margin. N.B. Sold for the benefit of the collections of the Smith College Museum of Art. $1,000-1,500

92

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153. Georges Rouault (French, 1871-1958) Se rĂŠfugie en ton coeur, va-nu-pieds de malheur, 1922 from MISERERE, published 1948, edition of 425 plus proofs (Wofsy, 111). Monogrammed and dated within the plate. Etching with aquatint on paper, plate size 19 1/8 x 14 5/8 in. (48.4 x 37.0 cm), framed. Condition: Gentle soiling to margins, rippling, not examined out of frame. $300-500

153

154. Georges Rouault (French, 1871-1958) Clown assis, 1930 from CIRQUE, unpublished, edition of 270 (Wofsy, 208). Dated and monogrammed within the plate. Color aquatint on heavy laid paper, plate size 12 7/8 x 9 in. (32.5 x 22.7 cm), matted, unframed. Condition: Deckled edges, mat burn, toning and soiling to margins, registration pinhole to image near left side. $800-1,200

154

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155

155. Theodore Roussel (French, 1914-1989) Three States of The Snow, My Front Garden, March 2nd, 1909, probably the first, second, and fourth (final) states (Hansberg, 85). The final state signed “Theodore Roussel...� in pencil l.c. and signed in the plate. Soft ground etchings with aquatint, plate sizes 9 x 7 in. (22.8 x 17.7 cm), one matted, all unframed. Condition: Soiling and annotations to margins, pale staining to final state. $1,000-1,500

94

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156. Ludwig Sander (American, 1906-1975) Arapahoe, 1969, edition of 100, published by Pace Editions, Inc., New York. Signed and dated “Sander ‘69” in pencil l.r., titled in pencil l.c., and numbered “2/100” in pencil l.l. Color screenprint on paper, image size 15 1/4 x 17 1/4 in. (38.6 x 43.7 cm), framed. Condition: Not examined out of frame. $400-600

156

157. Fritz Scholder (American, 1937-2005) Red Indian, edition of 100. Signed “Scholder” in pencil within the image l.r., numbered “71-100” in pencil within the image l.l. Lithograph on paper, image/sheet size 34 x 22 1/4 in. (86.2 x 56.5 cm), unmatted, unframed (shrink-wrapped). Condition: Not examined out of wrap. $300-400

157

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158

158. Joan Snyder (American, b. 1940) Field of Moons, 1993. Signed “Joan Snyder” in pencil within the image l.r., numbered “II/V” in pencil within the image l.l. Color monoprint with additional coloring on paper, image/sheet size 22 5/8 x 29 1/2 in. (57.4 x 74.8 cm), framed. Condition: Deckled edges, gentle rippling, not examined out of frame. N.B. This work was made for the Fine Arts Work Center, Provincetown, Massachusetts. We wish to thank the artist for her assistance cataloguing this lot. $400-600

159. Raphael Soyer (American, 1899-1987) Two Young Women, edition of 95, published by Associated American Artists. Signed “Raphael Soyer” in pencil l.r. and within the matrix, numbered “87/95” in pencil l.l., identified on labels from AAA that accompany the lot. Lithograph on Rives paper with watermark, image size 18 x 13 1/2 in. (45.7 x 34.3 cm), matted, unframed. Condition: Deckled edges, toning, thin spots and hinging residue to verso. $300-500

159

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160

161

160. Jacob Steinhardt (German, 1887-1968)

161. Jacob Steinhardt (German, 1887-1968)

Cain, 1950, edition of 30 (Kolb, 305). Signed and dated “Jacob Steinhardt 1950” in pencil l.r., numbered “13/30” in pencil l.l. Color woodcut with additional coloring on gray paper, image size 9 3/8 x 13 3/4 in. (23.7 x 34.8 cm), framed. Condition: Gentle rippling, not examined out of frame. $500-700

Two Old Testament Subjects: Job, 1957, edition of 15 (Kolb, 432); and Isaiah, 1957, edition of 15 (Kolb, 440). Both signed and dated “Jacob Steinhardt 1957” in pencil l.r., and numbered in pencil l.c. Color woodcuts on paper, image sizes to 27 3/4 x 19 1/2 in. (70.4 x 49.4 cm), framed. Condition: Gentle rippling, not examined out of frames. $400-600

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162

162. Pat Steir (American, b. 1938) Self as Madame Matisse #2, 1985, published by Crown Point Press, Oakland. Titled, dated, and initialed “...12/85 PS” in pencil beneath the image, publisher’s dry stamp l.r., annotated “#33” in corner l.l., and identified on labels from Crown Point Press, New York, and The Harcus Gallery, Boston, affixed to the backing. Color monoprint on cream Rives paper with watermark, image size 9 7/8 x 10 in. (25.0 x 25.2 cm), framed. Condition: Margins 5 inches or more with deckled edges, not examined out of frame. $1,200-1,800

98

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163. Franz von Stuck (German, 1863-1928) Forellenweiher, 1890. Signed “Franz v Stuck” in pencil l.r., signed and titled within the plate, identified in text affixed to the backing. Etching on paper, plate size 10 1/2 x 8 7/8 in. (26.5 x 22.5 cm), framed. Condition: Pale toning and mat burn, not examined out of frame. $250-350

164. Carol Summers (American, b. 1925) Shrines, 1981, edition of 150 (Summers, 171). Numbered, titled, and signed “37/150...Carol Summers” in pencil within the image l.c. Color woodcut on paper, image/sheet size 22 1/4 x 29 5/8 in. (56.4 x 75.0 cm), framed. Condition: Not examined out of frame. Provenance: From the artist to the Merryman Collection, Stanford, California, to the family of the present owner. $300-500

163

164

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165

165. Antoni Tàpies (Spanish, b. 1923) Pied et collage, 1976, edition of 50 plus proofs (Galfetti, 567). Signed and inscribed “...Tàpies” in pencil l.r., numbered “30/50” in pencil l.l., identified on a label from Galerie Adrien Maeght, Paris, on the backing. Etching with aquatint and collage on paper, image size 5 x 7 1/2 in. (12.5 x 19.0 cm), framed. Condition: Rippling, not examined out of frame. $2,000-3,000

100

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166

166. Antoni Tàpies (Spanish, b. 1923) Double croix, 1976, edition of 50 plus proofs (Galfetti, 569). Signed and inscribed “...Tàpies” in pencil l.r., numbered “8/50” in pencil l.l., identified on a label from Galerie Adrien Maeght, Paris, on the backing. Color etching with aquatint on paper, plate size 6 x 15 3/8 in. (15.2 x 41.5 cm), framed. Condition: Gentle rippling, not examined out of frame. $2,000-3,000

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101


167

167. Dr. Robert John Thornton, publisher (British, c. 1768-1837), After Philipp Reinagle (British, 1749-1833) Frontispiece, from the TEMPLE OF FLORA, 1805. Identified within the plate. Color etching with stippling on paper, 19 7/8 x 16 3/4 in. (50.4 x 42.5 cm), framed. Condition: Minor soiling, gentle rippling, not examined out of frame. $1,500-2,500

102

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168

168. Henri de Toulouse-Lautrec (French, 1864-1901) Yvette Guilbert, a Ménilmontant, de Bruant, 1898, published 1964 by La Société des Amis du Musée Toulouse-Lautrec, edition of 250 (Adriani, 254). Monogrammed within the matrix. Lithograph on paper, image size 11 1/2 x 9 5/8 in. (29.0 x 24.4 cm), framed. Condition: Not examined out of frame. $500-700

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103


169. Victor Vasarely (French/Hungarian, 1908-1997) Untitled (Sphere in Purple and Gold), edition of 250. Signed “Vasarely-” in pencil l.r., numbered “1/250” in pencil l.l. Color screenprint on paper, image size 19 5/8 x 19 5/8 in. (49.8 x 49.8 cm), framed. Condition: Not examined out of frame. Provenance: Estate of an arts benefactor, New York. $300-500

169

170. Victor Vasarely (French/Hungarian, 1908-1997) Untitled (Two Spheres in Green and Rose), edition of 250. Signed “Vasarely-” in pencil l.r., numbered “1/250” in pencil l.l. Color screenprint on paper, image size 19 7/8 x 19 in. (50.4 x 48.1 cm), framed. Condition: Not examined out of frame. Provenance: Estate of an arts benefactor, New York. $300-500

170

104

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171. Victor Vasarely (French/Hungarian, 1908-1997) Untitled (Multicolored Sphere with Polka Dots), edition of 250. Signed “Vasarely-” in pencil l.r., numbered “1/250” in pencil l.l. Color screenprint on paper, image size 19 5/8 x 19 5/8 in. (49.8 x 49.8 cm), framed. Condition: Foxing, not examined out of frame. Provenance: Estate of an arts benefactor, New York. $300-500

171

172. Victor Vasarely (French/Hungarian, 1908-1997) Untitled (Spheres in Blue-gray and Maroon), edition of 250. Signed “Vasarely-” in pencil l.r., numbered “1/250” in pencil l.l. Color screenprint on paper, image size 19 5/8 x 19 5/8 in. (49.8 x 49.8 cm), framed. Condition: Mat burn, not examined out of frame. Provenance: Estate of an arts benefactor, New York. $300-500

172

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105


173. Jacques Villon (French, 1875-1963) Adresse Sagot, alternatively titled La Dame au Chien, 1906, published state (Ginestet & Pouillon, E156). Signed, dated, and identified within the matrix. Etching in sepia on paper, oval plate size 9 3/8 x 8 3/8 in. (23.7 x 21.2 cm), framed. Condition: Margins 1/2 inch or more with deckled edges, subtle soiling to margins, not examined out of frame. N.B. Edmund Sagot was an influential Parisian print dealer. $500-700

174. Jacques Villon (French, 1875-1963) Minne étendue dans un rocking-chair, le repos, 1907 (Ginestet & Pouillon, E186). Signed “Jacques Villon” in pencil l.r., inscribed “epreuve d’artiste” in pencil l.l., annotations to lower margin and verso. Etching with aquatint on fine paper, plate size 6 5/8 x 9 5/8 in. (16.7 x 24.3 cm), matted, unframed. Condition: Subtle toning and soiling. $700-900

173

174

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175. Jacques Villon (French, 1875-1963) Nu a genoux (Ginestet & Pouillon, E328). Signed “Jacques Villon” in pencil l.r., numbered “17/50” in pencil l.l., annotations to lower margin. Etching with drypoint on laid paper, plate size 8 7/8 x 6 1/2 in. (22.4 x 16.4 cm), matted, unframed. Condition: Margins over 2 inches with deckled edges, subtle soiling. $400-600

175

176. Jacques Villon (French, 1875-1963) Le peintre, 1931, final state of three, edition of 50 (Ginestet & Pouillon, E343). Signed “Jacques Villon” in pencil l.r., annotations to margin. Etching with aquatint on paper, plate size 7 1/4 x 5 5/8 in. (18.3 x 14.2 cm), matted, unframed. Condition: Margins 2 inches or more with two deckled edges, subtle soiling. $400-600

176

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177

177. Jacques Villon (French, 1875-1963), After Henri Matisse (French, 1869-1954) L’Espagnole, c. 1925, edition of 200, published by Bernheim-Jeune, Paris (Ginestet & Pouillon, E645). Signed “Henri - Matisse” in pencil l.r., numbered “89/200” in pencil l.l., identified and with date and publisher within the plate. Color aquatint on paper, plate size 15 5/8 x 11 in. (39.5 x 27.6 cm), framed. Condition: Margins 2 1/4 inches or more, laid down, glue/residue to margins, mat burn, toning, scattered fox marks, two losses to edges. N.B. Although Villon had his own very distinct style as a printmaker, essentially being one of the first graphic artists to use a Cubist vocabulary, he was also skilled at capturing the styles of other artists’ work as intaglio prints. He copied compositions not only by Matisse, but Signac, Renoir, Duchamp, Utrillo, and Cezanne, among others. $6,000-8,000

108

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179

178

178. Jacques Villon (French, 1875-1963), After Marcel Duchamp (French, 1887-1968) La Mariée, 1934, edition of 200 plus proofs, published by GalerieBernheim Jeune, Paris (Ginestet & Pouillon, E672). Signed Jacques Villon” in pencil l.l. and “Marcel Duchamp” in pencil l.r., numbered “39/200” in pencil l.c. Color aquatint on cream Arches paper with watermark, plate size 19 5/8 x 12 3/8 in. (49.7 x 31.3 cm), matted, unframed. Condition: Margins 2 3/4 inches or more with deckled upper edge, even toning indentation to margin surface u.r., two registration pinholes within image.

179. Jacques Villon (French, 1875-1963) Untitled. Signed “Jacques Villon” in pencil l.l., numbered “1/50” in pencil l.r., dry stamp from Pierre de Tartas, Paris, l.r. Etching on paper, plate size 10 1/8 x 7 5/8 in. (25.5 x 19.3 cm), framed. Condition: Subtle toning and rippling, not examined out of frame. $200-250

N.B. Sold for the benefit of the collections of the Smith College Museum of Art. $1,500-2,000

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180

180. Maurice de Vlaminck (French, 1876-1958) La Mairie, plate iii from VISAGE DES MAISONS, 1927 (Walterskirchen, 125). Signed “Vlaminck” in pencil l.r., inscribed “57.” in pencil l.l. Etching and drypoint on paper, plate size 4 x 6 1/2 in. (10.0 x 16.4 cm), framed. Condition: Not examined out of frame. $200-300

181. Maurice de Vlaminck (French, 1876-1958) La Rue de la Glacière, from TABLEAUX DE PARIS, 1937, from the published edition of 500 (Walterskirchen, 146b). Signed within the plate. Etching on paper, plate size 13 1/8 x 10 in. (33.5 x 25.5 cm), framed. Condition: Pale mat burn, not examined out of frame. $400-600

182. No lot.

181

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183

184

183. Andy Warhol (American, 1928-1987)

184. After Andy Warhol (American, 1928-1987)

Cow, 1966 (Feldman & Schellmann, II.11). Signed in the matrix. Color screenprint on wallpaper, image size 46 x 28 1/8 in. (116.5 x 71.3 cm), unmatted, unframed. Condition: Minor handling marks and creases, tear to upper edge. $1,500-2,000

Three Skate Decks from the Alien Workshop. Identified within the matrix, and authorized by The Andy Warhol Foundation for the Visual Arts, Inc. Color screenprints on curved laminated boards, length 32 in. (81.2 cm), in original shrink wrap, containing original stickers. Condition: Not examined out of wrap. $1,000-1,500

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111


185

185. Geoffrey Heath Wedgwood (British, 1900-1977)

186. Neil Welliver (American, 1929-2005)

Two Views: Old Aldgate, 1926, and Roman Festa, 1927. Both signed and dated “Geoffrey H Wedgwood/...” in pencil l.r., the latter titled l.l. Etchings on paper, plate sizes to 6 1/4 x 8 5/8 in. (15.8 x 21.8 cm), presented in a single frame. Condition: Not examined out of frame. $200-250

Brigg’s Meadow, 1973-74, edition of 144 plus proofs. Signed “Welliver” in pencil l.r., numbered “136/144” in pencil l.l., identified on a label from the Harcus Krakow Gallery, Boston, accompanying the lot. Color screenprint on paper, image size 35 3/4 x 35 3/4 in. (90.8 x 90.8 cm), framed. Condition: Rippling, not examined out of frame. $2,500-3,500

186

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187

188

187. Stow Wengenroth (American, 1906-1978)

188. Stow Wengenroth (American, 1906-1978)

Milliken’s House (Eastport, Maine), 1931, edition of 50 (Stuckey, 23). Signed “Stow Wengenroth” in pencil l.r. Lithograph on paper, image size 10 1/2 x 15 1/8 in. (26.6 x 38.3 cm), framed. Condition: Subtle staining, not examined out of frame. $700-900

Foundry Interior (Rockport, Massachusetts), 1934, edition of 15 (Stuckey, 47). Signed “Stow Wengenroth” in pencil l.r., inscribed “Geo. C. Miller (Printed) S.W. del. ed.15” in pencil l.l., Edith Wengenroth’s stamp l.l. Lithograph on paper, image size 10 1/4 x 13 1/4 in. (26.0 x 33.5 cm), matted, unframed. Condition: Margins over 1 inch with deckled edges and annotation to lower margin. $800-1,200

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189

189. Stow Wengenroth (American, 1906-1978)

190. Stow Wengenroth (American, 1906-1978)

Hudson River (Nyack), 1939, edition of 20 (Stuckey, 90). Signed “Stow Wengenroth” in pencil l.r. Lithograph on paper, image size 10 1/4 x 13 3/4 in. (26.1 x 34.8 cm), matted, unframed. Condition: Margins over 1/2 inch with deckled edges and annotations along lower edge. $500-700

From the Weather Bureau (New York, New York), 1940, edition of 40 (Stuckey, 106). Signed “Stow Wengenroth” in pencil l.r., inscribed “Ed/40” in pencil l.l. Lithograph on paper, image size 10 1/4 x 17 in. (26.0 x 43.1 cm), framed. Condition: Not examined out of frame. $1,500-2,500

190

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192

191

193

191. Stow Wengenroth (American, 1906-1978)

192. Stow Wengenroth (American, 1906-1978)

The Church (Wiscasset, Maine), 1947, edition of 60 (Stuckey, 170). Signed “Stow Wengenroth” in pencil l.r., inscribed “Ed/60” in pencil l.l. Lithograph on paper, image size 15 1/2 x 11 1/4 in. (39.3 x 28.5 cm), framed. Condition: Subtle staining, unobtrusive toning, not examined out of frame. $400-600

December Snow (Greenport, New York), 1951, edition of 50 (Stuckey, 198). Signed “Stow Wengenroth” in pencil l.r., inscribed “Ed/50” in pencil l.l. Lithograph on paper, image size 10 1/4 x 15 7/8 in. (26.0 x 40.3 cm), framed. Condition: Unobtrusive toning, not examined out of frame. $300-500 193. Stow Wengenroth (American, 1906-1978) Three of a Kind, 1967, edition of 75 (Stuckey, 310). Signed “Stow Wengenroth” in pencil l.r., inscribed “Ed/75” in pencil l.l., annotated along the lower margin. Lithograph on paper, image size 8 7/8 x 14 7/8 in. (22.5 x 37.7 cm), matted, unframed. Condition: Margins over 1 inch with deckled edges, gently light-struck, pale fox marks and soiling to margins. $300-500

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194

194. James Abbott McNeill Whistler (American, 1834-1903) Eagle Wharf, 1859 (Kennedy, 41). Signed and dated within the plate, identified on a label from Frederick Keppel & Co., New York, on the backing. Etching on paper, plate size 5 3/8 x 8 1/2 in. (13.5 x 21.5 cm), framed. Condition: Subtle toning, gently light-struck, minute stain to image u.r., not examined out of frame. $1,000-1,500

195. James Abbott McNeill Whistler (American, 1834-1903) Stéphane Mallarmé, 1892-93, edition of 2,450 (Spink, Stratis, & Tedeschi, 60). Monogrammed within the matrix. Transfer lithograph on chine collé, image size 3 7/8 x 2 3/4 in. (9.8 x 6.9 cm), framed. Condition: Not examined out of frame. $600-800

195

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196

196. Andrew Wyeth (American, 1917-2009) The Reefer. Signed and numbered “Andrew Wyeth AP 19/20� in pencil l.r. Color collotype on paper, image size 25 3/4 x 25 3/4 in. (65.3 x 65.3 cm), framed. Condition: Not examined out of frame. $1,000-1,500

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197. Jack Youngerman (American, b. 1926) Changes #8, 1970, edition of 175. Initialed and dated “JY 70” in pencil l.r., numbered “46/175” in pencil l.l. Color screenprint on paper, image size 35 x 26 in. (88.8 x 66.0 cm), framed. Condition: Margins over 1 1/2 inches, toning to margins, not examined out of frame. $300-500

197

198. Zao Wou-Ki (Chinese, b. 1921) Untitled, 1960, edition of 95 plus proofs (Ågerup, 124). Signed and dated “...60” (in Chinese characters) in pencil l.r., inscribed “epreuve d’artiste” in pencil l.l. Color lithograph on paper, image size 22 3/4 x 14 1/8 in. (57.6 x 35.8 cm), framed. Condition: Subtle toning, not examined out of frame. $800-1,200

198

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199. Henry Ziegler (American, b. 1889) Bronco Busting, edition of 30. Signed “Henry Ziegler” in pencil l.r., numbered “#8” in pencil l.l., stamped and inscribed “30 impressions” in pencil l.l. Etching on paper, plate size 8 3/4 x 7 3/4 in. (22.2 x 19.5 cm), framed. Condition: Margins 1 1/4 inches or more with very minor soiling, not examined out of frame. $200-250

199

200. Marguerite Thompson Zorach (American, 18871968) Autumn Still Life. Signed within the matrix. Color screenprint on paper, image size 16 1/2 x 12 1/2 in. (41.8 x 31.7 cm), framed. Condition: Margins approximately 3/8 inches, unobtrusive toning, not examined out of frame. $250-350

200

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119


201. Francisco Zúñiga (Mexican, 1912-1998) Ritual, 1984, edition of 250 plus proofs, published by Brewster Editions, New York (Brewster, 97). Signed and dated “Zga 84” in pencil l.r., numbered “125/250” in pencil l.l. Lithograph in blacks on paper, image size 11 1/4 x 10 1/8 in. (28.5 x 25.5 cm), framed. Condition: Not examined out of frame. $500-700

202. Francisco Zúñiga (Mexican, 1912-1998) Hombres con Barca I, 1984, second state of two, edition of 50 plus proofs, published by Brewster Editions, New York (Brewster, 99). Signed and dated “Zga 84” in pencil l.r., numbered “8/50” in pencil l.l., dry stamp l.l. Lithograph in blacks on gray paper, image size 17 5/8 x 30 1/2 in. (44.7 x 77.4 cm), framed. Condition: Deckled edges, released from hinges, not examined out of frame. $600-800 201

202

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Photography 202A. Three Polaroid Proof Portraits: American School, 20th Century, The Brunette; Attributed to Wingate Paine (American, 1915-1987), The V-Neck Sweater; and Peter Whyte (American, 20th Century), Clown. Each inscribed on the reverse. Blackand-white Polaroids, image sizes 4 1/2 x 3 1/2 in. (11.4 x 8.8 cm), unmatted, unframed. Condition: Very subtle soiling to margins and versos. Provenance: Collection of a former Polaroid Corporation photographer and technical film specialist. $300-500

203. Peter Beard (American, b. 1938) Truman Capote at San Quentin Prison, 1971. Unsigned. Gelatin silver print, sight size 11 x 14 in. (27.9 x 35.6 cm), framed. Condition: Good, not examined out of frame. Provenance: Joseph E. Seagram & Sons, Inc., New York. $500-700

202A

203

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204. Mathew B. Brady (American, 1823-1896) Portrait of William Pitt Fessenden, 1868. Signed or inscribed “W.P. Fessenden” in ink on the mount, identified in text published on the mount. Albumen print, 7 7/8 x 6 in. (20.0 x 15.2 cm), unmatted, unframed. Condition: Unobtrusive toning and fading, minor soiling, staining to the reverse of the mount. N.B. William Pitt Fessenden (1806-1869) was the 26th United States Secretary of the Treasury, under Abraham Lincoln. $800-1,200

205. Will Connell (American, 1898-1961) Golden Gate Bridge, 1937. Signed and dated “Will Connell 37” in pencil (on the mount) l.r., titled in pencil (on the mount) l.l., identified in an inscription on the reverse, and with nine various camera club exhibition labels on the reverse. Gelatin silver print, image/sheet size 10 3/8 x 13 3/8 in. (26.3 x 33.8 cm), unmatted, unframed. Condition: Minor surface rubs and abrasions, soiling to mount. $300-500

204

205

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206. Linda Connor (American, b. 1944) Two Images of Geological Formations: Seven Sacred Pools, Maui, Hawaii, 1978; and Rock Believed to Hold All Evil, Cochiti, New Mexico, 1990. Both titled, dated, and signed “...Linda S. Connor” in pencil on the reverse. Gelatin silver prints, sheet/image sizes 8 x 10 in. (20.3 x 25.4 cm), unmatted, unframed. Condition: Good. Provenance: From the collection of Austin Lamont, by family descent. $200-250

206

207. John W. Doscher (American, fl. circa 1940-1955) Evening Mist - 5th Avenue, c. 1943. Signed “JohnDoscher” in pencil (on the mount) l.r., titled in pencil (on the mount) l.l. Gelatin silver print, image/sheet size 19 1/2 x 15 5/8 in. (49.4 x 39.5 cm), unmatted, unframed. Condition: Unobtrusive toning, bloom/clouding to image along edges. $300-500

207

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208

208. Charles and Ray Eames (American, 20th Century) Seventeen Polaroid Images: Various Subjects, c. 1972. Each inscribed or stamped “EAMES� on the reverse. Polaroid SX-70 prints, image sizes 3 1/8 x 3 1/8 in. (7.8 x 7.8 cm), unmatted, unframed. Condition: Subtle toning. Provenance: Collection of a former Polaroid Corporation photographer and technical film specialist. N.B. These images were shot and some were used in the 11-minute Eames SX-70 film produced in 1972 by Charles and Ray Eames. $1,200-1,800

124

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209. Harold Eugene Edgerton (American, 1903-1990) Watertap. Signed “HAROLD EDGERTON” in pencil on the reverse. Gelatin silver print, image size 18 5/8 x 12 3/8 in. (47.4 x 31.3 cm), unmatted, unframed. Condition: Unmounted. $1,000-1,500

209

210. Harold Eugene Edgerton (American, 1903-1990) Football Kick, 1938, possibly a later printing. Signed “Harold Edgerton” in pencil on the reverse. Chromogenic print, image size 16 3/4 x 14 1/8 in. (42.4 x 35.7 cm), unmatted, unframed. Condition: Unmounted. N.B. This is one of the earliest color strobe images ever shot. $600-800

210

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211. Harold Eugene Edgerton (American, 1903-1990) Bullet Through Plexiglas, 1962. Signed “HAROLD EDGERTON” in pencil on the reverse. Gelatin silver print, image size 21 1/4 x 17 7/8 in. (53.8 x 45.4 cm), unmatted, unframed. Condition: Very minor wear to edges. $1,500-2,000

212. Harold Eugene Edgerton (American, 1903-1990) Pigeon in Flight, 1965. Signed “HAROLD EDGERTON” in pencil on the reverse. Chromogenic print, image size 14 1/2 x 17 7/8 in. (36.7 x 45.3 cm), unmatted, unframed. Condition: Unmounted, soiling to right margin. $1,200-1,800

211

212

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213. Harold Eugene Edgerton (American, 1903-1990) Milk-drop. Signed “HAROLD EDGERTON” in pencil on the reverse. Gelatin silver print, image size 18 1/8 x 14 3/8 in. (45.9 x 36.4 cm), unmatted, unframed. Condition: Unmounted, lint on negative visible within the print. $800-1,200

214. Walker Evans (American, 1903-1975) Stamped Tin Relic, New York City, 1930, from WALKER EVANS: SELECTED IMAGES, printed 1974, edition of 75 plus proofs. Signed “Walker Evans” in pencil on the mount l.r., inscribed “P” in pencil on the mount l.l. Gelatin silver print, image/sheet size 8 x 10 1/4 in. (20.3 x 26.0 cm), unmatted, unframed. Condition: Good. $800-1,200

213

214

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215

216

215. Walker Evans (American, 1903-1975)

216. Albert Fenn (American, b. 1912)

Maine Pump (Kennebunk, Maine), 1933, from WALKER EVANS: SELECTED IMAGES, printed 1974, edition of 75 plus proofs. Signed “Walker Evans” in pencil on the mount l.r., numbered “5/75” in pencil on the mount l.l. Gelatin silver print, image/sheet size 11 1/8 x 8 1/2 in. (28.2 x 21.4 cm), unmatted, unframed. Condition: Good. $800-1,200

JFK Announcing Birth of JFK Jr., 1960, published in LIFE Magazine, December 5, 1960. Stamped on the reverse, identified on a label from Holden Luntz Gallery, Palm Beach, affixed to the backing. Gelatin silver print, sight size 12 3/4 x 8 3/4 in. (32.3 x 22.2 cm), framed. Condition: Surface creases to image, not examined out of frame.

128

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Provenance: From the Time Life Archives through to the present owner, 2005. $800-1,200


217

218

217. Grancel Fitz (American, 1894-1963) Model and Apple Blossoms, c. 1938. Stamped on the reverse. Dye transfer print, image size 15 7/8 x 12 1/4 in. (40.2 x 31.0 cm), unmatted, unframed. Condition: Unmounted, creases to image, crazing to surface, rub to image u.l. $300-500 218. Rowena Fruth (American, 1896-1983) Iris III, c. 1940. Signed, inscribed, and titled “Rowena Fruth...” on the reverse of the mount, 1943 exhibition label from the Camera Club of Fitchburg, Massachusetts, on the reverse. Gelatin silver print, image/sheet size 19 3/8 x 15 5/8 in. (49.1 x 39.6 cm), unmatted, unframed. Condition: Minute surface losses (primarily u.l.), bloom/clouding to image near edges, wear and losses to mount. $300-500 219. Peter Gowland (American, b. 1920) Two Images of Models and Chairs. Both with artist’s stamp beneath image. Black and white Polaroid proofs, image sizes 4 1/2 x 3 1/2 in. (11.4 x 8.8 cm), unmatted, unframed. Condition: Minor soiling. Provenance: Collection of a former Polaroid Corporation photographer and technical film specialist. 219

N.B. The lot is accompanied by the negatives for both images. $500-700

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220

220. Milton H. Greene (American, 1922-1985) Marilyn Monroe, from the BLACK SITTING, 1956, published 1978. Signed and dated “Milton H. Greene...6-23-78” in ballpoint pen on the reverse, artist’s stamps on the reverse. Gelatin silver print, image/sheet size 16 x 19 7/8 in. (40.5 x 50.4 cm), unmatted, unframed. Condition: Unmounted, with handling ripples, nicks, creases, and rubs along edges. $2,500-3,500

221. Milton H. Greene (American, 1922-1985) Marilyn Monroe, from THE BLACK SITTING, 1956, later edition of 300. Signed “Milton H. Greene” in pencil l.r., numbered “112/300” in pencil l.l. Photo-lithograph on paper, image size 40 x 30 in. (101.4 x 76.2 cm), framed. Condition: Mat burn, not examined out of frame. $250-350

221

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222

222. Philippe Halsman (American, 1906-1979) Three Polaroid Portraits: Ursula Andress, Rosanna Schiaffino, and Robert Stack. Each with artist’s stamp and titled on the reverse. Black-and-white Polaroid proofs, images sizes 4 1/2 x 3 1/2 in. (11.4 x 8.8 cm), unmatted, unframed. Condition: Minor soiling. Provenance: Collection of a former Polaroid Corporation photographer and technical film specialist. $1,000-1,500

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223. William Henry Jackson (American, 1843-1942) Two Images: Pike’s Peak from the Garden of the Gods and Castle Gate Price Canon, Utah. Both identified within the negative. Albumen prints (the former hand-tinted), sheet sizes to 20 5/8 x 17 1/4 in. (52.3 x 43.7 cm), unmatted, unframed. Condition: Mounted, staining, toning, surface grime, minute losses to images. $800-1,200

223

224. Wes Kemp (American, 20th Century) Ernest Hemingway. Inscribed on the reverse. Black-andwhite Polaroid proof, images size 4 1/2 x 3 1/2 in. (11.4 x 8.8 cm), unmatted, unframed. Condition: Minor soiling. Provenance: Collection of a former Polaroid Corporation photographer and technical film specialist. N.B. The lot is accompanied by the negative for the image. $500-700

224

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225. Rodger Paul Kingston (American, b. 1941) Ranchos de Taos, NM, 1983. Signed “RP Kingston� in ink on the reverse, titled in ink on the reverse. Color photograph on paper, sheet size 19 7/8 x 15 3/4 in. (50.4 x 40.0 cm), framed. Condition: Scattered craquelure, staining to the reverse. Provenance: From the collection of Austin Lamont, by family descent. $200-250

226. Mark Markov-Grinberg (Russian, 1907-2003) Public Letter to a Slacker from a Record-Breaking Collective Farm, Stalingrad Region, 1933, a later printing. Titled, signed (in Cyrillic), and dated in pencil on the reverse. Gelatin silver print, image size 15 x 22 in. (38.0 x 55.8 cm), matted, unframed. Condition: Minor handling rippling and creases, subtle surface abrasions. N.B. Sold for the benefit of the collections of the Smith College Museum of Art. $800-1,200 225

226

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227

228

227. Jim Marshall (American, 1936-2010)

228. Jim Marshall (American, 1936-2010)

Dylan - Seventh Ave. N.Y.C., 1963. Signed and dated “Jim Marshall -63-” in felt tip pen or similar l.r., titled in felt-tip pen or similar l.l. Gelatin silver print, image size 8 3/8 x 12 1/4 in. (21.2 x 31.0 cm), framed. Condition: Subtle toning, not examined out of frame. $1,800-2,200

Rolling Stones Tour, 1972, 1972. Signed and dated “Jim Marshall -72-” in felt tip pen or similar l.r., titled in felt-tip pen or similar l.l. Gelatin silver print, image size 8 3/8 x 12 5/8 in. (21.2 x 32.0 cm), framed. Condition: Subtle toning, not examined out of frame. $1,200-1,800

134

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229

229. Jim Marshall (American, 1936-2010)

230. Georg Muche (German, 1895-1987)

Waylon Jennings, 1978. Signed and dated “Jim Marshall -78-” in felttip pen or similar on the mount l.r., dated and stamped on the reverse. Gelatin silver print, image/sheet size 6 3/8 x 9 5/8 in. (16.2 x 24.2 cm), framed. Condition: Not examined out of frame. $1,200-1,800

Stilleben aus Glas, 1921-22, a later printing. Stamped “Original im Bauhaus-Archiv, Berlin...” on the reverse. Gelatin silver print, image size 6 5/8 x 9 in. (16.7 x 22.7 cm), matted, unframed. Condition: Extremely subtle rubs to surface, unmounted. Provenance: Through the collection of Ati Gropius Johansen, Massachusetts. $800-1,200

230

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231

231. Eliot Porter (American, 1901-1990) White Flowers in Black Ash Cliff Breidhidalur, 1972, from PORTFOLIO II - ICELAND, 1975. Stamped on the reverse of the mount, identified on a label from the Harcus Krakow Rosen Sonnabend Gallery, Boston, accompanying the lot. Dye transfer print, sheet size 10 3/8 x 8 1/8 in. (27.0 x 20.5 cm), matted, frame accompanies the lot. Condition: Good. $600-800

232. Herbert Schürmann (German, 1908-1982) Compositionsstudic aus den Unterricht Peterhans, Dessau, 1932, printed in 1997. Stamped “Original im Bauhaus-Archiv, Berlin...” on the reverse. Gelatin silver print, image size 8 1/2 x 6 1/4 in. (21.5 x 15.7 cm), matted, unframed. Condition: Gentle rippling, unmounted. Provenance: Through the collection of Ati Gropius Johansen, Massachusetts. $500-700

232

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233. Aaron Siskind (American, 1903-1991) Seaweed 2, 1943. Titled, dated, and signed “...Aaron Siskind” in pencil on the reverse. Gelatin silver print, image size 16 x 12 in. (40.5 x 30.4 cm), unmatted, unframed. Condition: Unmounted, minute wear to corners, very subtle handling creases. $600-800

234. Aaron Siskind (American, 1903-1991) Chicago, 1952. Titled, dated, and signed “...Aaron Siskind” in pencil on the reverse. Gelatin silver print, image size 17 3/8 x 22 1/2 in. (44.0 x 57.0 cm), unmatted, unframed. Condition: Unmounted, minute wear to corners, subtle handling creases. $2,000-3,000

233

234

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235

235. Aaron Siskind (American, 1903-1991)

236. Aaron Siskind (American, 1903-1991)

Morocco 328, 1982. Titled, dated, and signed “...Aaron Siskind” in pencil on the reverse. Gelatin silver print, image size 13 7/8 x 14 in. (35.0 x 35.5 cm), unmatted, unframed. Condition: Unmounted, minute wear to corners, very subtle handling creases. $1,200-1,800

Shutters. Signed “Aaron Siskind” in pencil on the reverse. Gelatin silver print, image size 14 x 18 in. (35.5 x 45.7 cm), unmatted, unframed. Condition: Unmounted, minute wear to corners. $1,200-1,800

236

138

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236A

236A. Jack Smith (American, 1932-1989) The Beautiful Book, containing 17 of the 19 original images, 1962. Identified on cover. Gelatin silver prints mounted to book pages, 9 x 7 1/2 in. (22.7 x 19.0 cm). Condition: Staining to cover and interior. $15,000-20,000

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237

237. Bert Stern (American, b. 1929) Two Portraits: Louis Armstrong, c. 1958, and Grandma Moses. Both inscribed on the reverse. Black-and-white Polaroid proofs, images sizes 4 1/2 x 3 1/2 in. (11.4 x 8.8 cm), unmatted, unframed. Condition: Minor soiling, imperfection (possibly a fingerprint) to Armstrong. Provenance: Collection of a former Polaroid Corporation photographer and technical film specialist. $1,000-1,500

140

additional information and photos at www.skinnerinc.com


238

239

238. Jane Tuckerman (American, 20th/21st Century)

239. Pete Turner (American, b. 1934)

Difunta Correa Shrine, Argentina. Signed “Jane Tuckerman” in pencil l.r., titled in pencil l.l. Photogravure with hand-coloring on paper, image size 18 1/2 x 25 3/4 in. (46.9 x 65.4 cm), framed. Condition: Deckled edges, pinholes to corners, gentle rippling, not examined out of frame.

Three Images: Swamp, Blue Nudes, and Lena Bunina Moscow. Each signed “Pete Turner” in felt-tip pen or similar on the reverse. SX70 Polaroids, image sizes 3 1/8 x 3 1/8 in. (7.8 x 7.8 cm), unmatted, unframed. Condition: Subtle toning.

N.B. Tuckerman is a professor of photography at the Art Institute of Boston. $250-300

Provenance: Collection of a former Polaroid Corporation photographer and technical film specialist. $250-350

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240

240. Bradford Washburn (American, 1910-2007) Three Mountain Views Including: Mounts Foraker and Crosson and Kahiltna Dome Over Kahiltna Peaks on the South Buttress of Mt. McKinley, Alaska, 1977. Each signed “Bradford Washburn� in pencil on the reverse. Gelatin silver prints, sheet sizes 16 x 20 in. (40.6 x 50.8 cm), unmatted, unframed. Condition: Unmounted, each with printing flaws (white spots and visible abrasions in the negatives). $800-1,200

142

additional information and photos at www.skinnerinc.com


241

241. Minor White (American, 1908-1976) Side Gate Taos Church, N.M. July 1973. Inscribed and signed “...Minor White� on the reverse. Black-and-white Polaroid, image size 4 1/2 x 3 1/2 in. (11.4 x 8.8 cm), unmatted, unframed. Condition: Minor soiling. Provenance: Collection of a former Polaroid Corporation photographer and technical film specialist. $400-600

END OF FINE PRINTS & PHOTOGRAPHY

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144


Glossary of Terms

All items in this catalogue are described according to the following table of terminology. Please note that all statements in this catalogue as to Authorship, Period, and Origin, are qualified statements subject to the Conditions of Sale.

Authorship will be described in the following ways: John Joseph Enneking. - In our judgment, the work is by the artist. Attributed to John Joseph Enneking. - In our judgment, the work may be ascribed to the artist on the basis of style, but leaves some question as to actual authorship. School of John Joseph Enneking. - In our judgment, a work of an unknown follower executed in the style of the artist and contemporary in period. Manner of John Joseph Enneking. - In our judgment, a work executed in the style of the artist by an unknown hand and probably from a later period. After John Joseph Enneking. - In our judgment, an intended copy of the work of the artist. American School, 19th Century. - In our judgment, the work of an unknown hand that can only be identified as to period and culture.

Other terms: Bears signature. - In our judgment, the signature not of the artist. This term is generally used separately, or together with a description of the work as “attributed to,” “school of,” “manner of,” or “after” the artist.

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Artist Index Appel, Karel...........................................................................................1 Barlach, Ernst .......................................................................................2 Bartlett, Jennifer ...................................................................................3 Baskin, Leonard............................................................................... 4-13 Basquiat, Jean-Michel (After) ..........................................................14 Baumann, Gustave .............................................................................15 Beard, Peter........................................................................................203 Bearden, Romare.................................................................................16 Benson, Frank Weston ................................................................17, 18 Bishop, Richard Evett.........................................................................19 Blake, William ....................................................................................20 Borein, Edward ...................................................................................21 Boyadjeva, Liuba ................................................................................97 Brady, Mathew B. .............................................................................204 Braque, After Georges........................................................................22 Buhot, Félix Hilaire ......................................................................23, 24 Cady, Harrison ...................................................................................25 Calder, Alexander...............................................................................26 Cappiello, Leonetto.............................................................................27 Carte, Antoine (Anto)........................................................................28 Cassigneul, Jean-Pierre .....................................................................29 Chagall, Marc.................................................................................30, 31 Christo..................................................................................................32 Clark, Roland.......................................................................................33 Cochin, Charles Nicolas, the Younger ............................................34 Cohen, Arthur Morris .......................................................................35 Connell, Will......................................................................................205 Connor, Linda...................................................................................206 Corinth, Lovis ...............................................................................36, 37 D’Arcangelo, Allan ............................................................................38 Dennis, Morgan .................................................................................39 Domela, César......................................................................................40 van Dongen, Kees ..............................................................................41 Doscher, John W. .............................................................................207 Eames, Charles .................................................................................208 Eames, Ray.........................................................................................208 Edgerton, Harold Eugene .......................................................209-213 Ernst, Jimmy........................................................................................42 Escher, M.C....................................................................................43, 44 Estes, Richard .....................................................................................45 Evans, Walker........................................................................... 214, 215 Evergood, Philip .................................................................................46 Fairey, Shepard....................................................................................47 Fantin-Latour, Henri .........................................................................48 Fenn, Albert.......................................................................................216 Fitz, Grancel.......................................................................................217 Francis, Sam.........................................................................................49 Frank, Hans .........................................................................................50 Frasconi, Antonio...............................................................................51 Fruth, Rowena...................................................................................218 Gallagher, Sears ..................................................................................52 Goltzius, Hendrik................................................................................53 Gorman, R.C. (Rudolph Carl) .................................................... 54-57

146

Gowland, Peter .................................................................................219 De Goya y Lucientes, Francisco José..........................................58, 59 Greene, Milton H..................................................................... 220, 221 Grooms, Red .......................................................................................60 Grosch, Laura......................................................................................61 Haden, Sir Francis Seymour..............................................................62 Halsman, Philippe.............................................................................222 Harden, Richard C. ............................................................................63 Haring, Keith.......................................................................................64 Hartung, Hans.....................................................................................65 Helleu, Paul César ........................................................................66, 67 Hepworth, Dame Barbara..................................................................68 Hodler, Ferdinand...............................................................................69 Huse, Marion.......................................................................................70 Hutty, Alfred Heber............................................................................71 Icart, Louis...........................................................................................72 Jackson, William Henry...................................................................223 Jacoulet, Paul ......................................................................................73 Jeanne-Claude......................................................................................32 Johns, Jasper...................................................................................74, 75 Johnson, Lester F. .........................................................................76, 77 Jones, Joe..............................................................................................78 Kemp, Wes ........................................................................................224 Kingston, Rodger Paul.....................................................................225 Kipniss, Robert....................................................................................79 Kirmse, Marguerite ............................................................................80 Kitaoka, Fumio ...................................................................................81 Kleiber, Hans.......................................................................................82 Klimt, Gustav (After).................................................................... 83-87 Konishi, Seiichiro ...............................................................................88 Kuhn, Walt...........................................................................................89 Lathrop, Dorothy Pulis......................................................................90 Lazzell, Blanche ............................................................................91, 92 Le Bas, Jacques Philippe.....................................................................34 Leighton, Clare Veronica Hope .......................................................93 Levy, William Auerbach....................................................................94 Lichtenstein, Roy.................................................................................95 Lindner, Richard ................................................................................96 Liuba, also known as Liuba Boyadjeva ...........................................97 Magritte, René (After)........................................................................98 Marcks, Gerhard........................................................................ 99, 100 Marin, John .......................................................................................101 Marini, Marino .................................................................................102 Markov-Grinberg, Mark..................................................................226 Marsh, Reginald................................................................................103 Marshall, Jim..............................................................................227-229 Masson, André..................................................................................104 Matisse, Henri ..................................................................................105 Mazur, Michael ....................................................................... 106, 107 Miró, Joan..................................................................................109-114 Mohlitz, Philippe...............................................................................116 Moore, Henry............................................................................117-121 Muche, Georg....................................................................................230


Nevelson, Louise ..............................................................................123 Pennell, Joseph..........................................................................124-126 Pepper, Beverly..................................................................................127 Peterdi, Gabor F................................................................................128 Phillips, Walter Joseph ....................................................................129 Picasso, Pablo ...........................................................................130-141 Piranesi, Giovanni Battista .............................................................142 Polaroid ..........................................................................................202A Porter, Eliot........................................................................................231 Prampolini, Enrico ...........................................................................143

Zorach, Marguerite Thompson .....................................................200 Zúñiga, Francisco..................................................................... 201, 202

Raffaëlli, Jean François.....................................................................144 Rauschenberg, Robert ............................................................ 145, 146 Redon, Odilon...........................................................................147-149 Reinagle, Philipp...............................................................................167 Richards, Frederick Charles ...........................................................150 Robbe, Manuel...................................................................................151 Rothenberg, Susan............................................................................152 Rouault, Georges ..................................................................... 153, 154 Roussel, Theodore.............................................................................155 Sander, Ludwig .................................................................................156 Scholder, Fritz....................................................................................157 Schürmann, Herbert ........................................................................232 Siskind, Aaron ..........................................................................233-236 Smith, Jack .....................................................................................236A Snyder, Joan.......................................................................................158 Soyer, Raphael ..................................................................................159 Steinhardt, Jacob...................................................................... 160, 161 Steir, Pat..............................................................................................162 Stern, Bert ..........................................................................................237 von Stuck, Franz ...............................................................................163 Summers, Carol ................................................................................164 Tápies, Antoni.......................................................................... 165, 166 Thornton, Dr. Robert John (publisher) (After) ...........................167 de Toulouse-Lautrec, Henri............................................................168 Tuckerman, Jane...............................................................................238 Turner, Pete.......................................................................................239 Vasarely, Victor ........................................................................169-172 Vernet, Claude Joseph (After) .........................................................34 Villon, Jacques...........................................................................173-179 de Vlaminck, Maurice............................................................. 180, 181 Warhol, Andy........................................................................... 183, 184 Washburn, Bradford ........................................................................240 Wedgwood, Geoffrey Heath............................................................185 Welliver, Neil ....................................................................................186 Wengenroth, Stow ...................................................................187-193 Whistler, James Abbott McNeill............................................ 194, 195 White, Minor.....................................................................................241 Wou-Ki, Zao .....................................................................................198 Wyeth, Andrew.................................................................................196 Youngerman, Jack ............................................................................197 Ziegler, Henry ...................................................................................199

147


148


Upcoming Auction Fine Paintings & Sculpture May 18, 2012

Boston, MA

Norman Rockwell (American, 1894-1978), The Gossips/A Study

Consignment Deadline: February 24, 2012 For more information please contact our American & European Works of Art department at 508.970.3206 or e-mail paintings@skinnerinc.com

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149


Skinner, Inc. - Conditions of Sale 1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot. 2. All property is sold “as is,� and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability. 3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale. The auctioneer shall have sole discretion to refuse any bid, or refuse to acknowledge any bidder. Any bidder that plans on spending in excess of $100,000 should make arrangements with the accounting department at least five (5) days in advance of the sale, as a deposit may be required to participate. 4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of the date of sale. Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser. 5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases. 6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b) offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale. 7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item. 8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots. 9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number. Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and other qualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation at 100 Cambridge Street in Boston. 10. Except for property purchased via on-line Live Auctions, a premium equal to 18.5% of the final bid price up to and including $200,000, plus 10% of the final bid over $200,000, will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. The buyers premium on property purchased via on-line Live Auctions will be in the amount equal to 22.5% of the final bid price up to and including $200,000, plus 15% of the final bid over $200,000. 11. Bidding on any item indicates your acceptance of these terms and all other terms announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid. 12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalogue. The copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our prior written consent. 13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents to the nonexclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit. Revised September 6, 2011

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Absentee Bid Form Sale Title

Sale Date

First Time Bidder?

YES

NO

Customer #

Name (Please Print)

Business Name

Address City

Phone #

Alternate #

check if change in address

State

Zip Code e-mail

I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that my bids are executed and accepted as per Conditions of Sale as printed in the catalogue of this sale. Signature (Required)

Lot #

Date

Description

Bid Price

FOR OFFICE USE Marlborough

Boston

Phone

Fax

Mail

Person

Employee:

SKINNER Auctioneers and Appraisers of Antiques and Fine Art

6 3 P a r k P l a z a , B o s t o n , M A 0 2 1 1 6 Te l : 6 1 7 . 3 5 0 . 5 4 0 0 F a x : 6 1 7 . 3 5 0 . 5 4 2 9 2 7 4 C e d a r H i l l S t r e e t , M a r l b o r o u g h , M A 0 1 7 5 2 Te l : 5 0 8 . 9 7 0 . 3 0 0 0 F a x : 5 0 8 . 9 7 0 . 3 1 0 0 w w w. s k i n n e r i n c . c o m


Board of Directors

Chairman of the Board - Nancy R. Skinner Richard Albright John Deighton Barnet Fain Stephen L. Fletcher Karen M. Keane

Administration

President/Chief Executive Officer - Karen M. Keane Chief Financial Officer - Don Kelly Executive Vice President - Stephen L. Fletcher Vice Presidents - Eric Jones, Marie Keep, Gloria Lieberman, Carol McCaffrey, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr

Expert Departments

20th Century Design - Jane D. Prentiss American & European Paintings & Prints - Robin S.R. Starr Assistants: Kathy Wong, Elizabeth C. Haff American Furniture & Decorative Arts - Stephen L. Fletcher Deputy Director: Chris Barber; Assistant: Karen Langberg American Indian & Ethnographic Art - Douglas Deihl Asian Works of Art - Interim Director - Stuart G. Slavid Assistants: Biying Zhang, Carol Tran Books & Manuscripts - Kerry Shrives Bottles, Flasks & Early Glass - Stephen L. Fletcher Ceramics - Stuart G. Slavid Classic Automobiles & Motorcycles - Jane D. Prentiss Couture - Cara Elmslie Discovery Auctions - Cara Elmslie Assistants: Garrett J. Sheahan, Melissa Riebe European Furniture & Decorative Arts - Stuart G. Slavid Assistant: Leah Kingman Fine Wines - Marie Keep Assistant: Laura V. Sweeney Jewelry - Victoria Bratberg Assistants: John Colasacco, Julie Khouri Judaica - Kerry Shrives Musical Instruments - David Bonsey Oriental Rugs & Carpets - Gary Richards Science, Technology & Clocks - Robert C. Cheney Assistant: Jonathan Dowling Silver - Stuart G. Slavid Toys & Dolls - Kerry Shrives Auctioneers - LaGina Austin, Chris Barber, Robert C. Cheney, John Colasacco, Stephen L. Fletcher, Karen M. Keane, Marie C. Keep, Gloria Lieberman, Jessica R. Lincoln, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr, Laura V. Sweeney

SKINNER, INC. Auctioneers and Appraisers of Antiques and Fine Art 63 Park Plaza Boston, MA 02116 617.350.5400 Fax 617.350.5429 274 Cedar Hill Street Marlborough, MA 01752 508.970.3000 Fax 508.970.3100 www.skinnerinc.com

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Exhibitions & Property Distribution

Finance Department

Subscriptions

Service Departments

Marlborough: Warehouse Manager - Fred Trottier; 508.970.3280 Property Manager - Samuel Combs, 508.970.3262 Boston:

Benjamin Evans, 617.874.4329

Property Distribution Manager - Jessica R. Lincoln, 617.874.4308

Marlborough: Accounts Receivable - Denise Johnson, 508.970.3269 Accounts Payable - Kathleen Hayes, 508.970.3268 Credit Supervisor - Joe Monteyro, 508.970.3266

Marlborough: Heather Retzke, 508.970.3240

Appraisal & Auction Services - LaGina Austin, Christine E. Finn, Shannon M. Ames, Hadley Bridgman Advertising Production - Pamela Van de Houten Boston Gallery Director - Laura V. Sweeney Assistant Gallery Director: Paige Lewellyn Gallery Assistant: Jessica Turner Catalogue Production - Pamela Van de Houten, Kristina Harrison Consignment Services - Patricia Walker King, Megan J. Blomgren, Carol Zeigler Customer Relations - Carol McCaffrey Institutional Relations - L. Emerson Tuttle Human Resources - Carol McCaffrey Information Technology & Internet Auctions - Kerry Shrives Assistants: Timothy Shaughnessey, Melissa Riebe Managing Director - Marie C. Keep Marketing & Public Relations - Kate de Bethune, Kathryn Gargolinski, Heather Retzke Photographers - Stanley P. Bystrowski, Jeffrey R. Antkowiak, John Cornelius Receptionists - Marlborough: Jessica Bedenbaugh Boston: Sarah L. Collins Staff Portraits - Cheryl Richards Photography Transportation - Eric Jones Assistant: Mark McCaffrey

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Directions to Skinner’s Boston Gallery/63 Park Plaza, Boston, MA Telephone: 617-350-5400 From the West:

Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel. Once on the exit ramp, stay in the right hand lane and follow the signs for Copley. The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto Charles Street South. Take your first left off of Charles St. South onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the South:

Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station. Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From Logan Airport:

Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the North:

Take I-93 South towards Boston. Take exit 26 towards Storrow Drive.  Merge onto MA-28 South via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza. 156


PARKING INDOOR PARKING GARAGES City Place Parking Garage Transportation Building 12 Charles Street Located at the end of Park Plaza Underground multi-level garage All day–closes at 2:30am First hr/$5, after 2 hrs/$14 AllRight Parking Boston Common Garage Located on Charles Street, on the Common, two blocks from Skinner 1 hr/$6, up to 24 hrs/$25, Evenings (4pm-10am)/$10 The Four Seaons Hotel Parking Garage 200 Boylston Street Adjacent to Skinner, valet drop-off and pick-up, up to 24 hrs/$30

The Taj Hotel Parking Garage 2 Newbury Street Located three blocks from Skinner, valet drop-off and pick-up Up to 24 hrs/$42 Back Bay Garage 222 Berkeley Street (entrance off St. James) One block from Skinner All day/$35, evening (5pm-7am)/$10 Radisson Hotel Parking Garage Stuart Street (near intersection of Charles) Two blocks from Skinner 1-2 hrs/$12, 2-3 hrs/$16, 3-12 hrs/$18, 12-24 hrs/$31

Motor Mart Garage 26 Park Plaza (Same building as Legal Sea Food) Up to 1 hr/$8, 1 to 2 hrs/$12, 2-3 hrs/$16, 3-12 hrs/$20, 12-24 hrs/$31, weekends up to 3 hrs/$8 OUTDOOR PARKING LOTS (recommended for trucks) Pin Stripe Parking Arlington Street 617-338-7984 All day/$14, after 6pm and weekends/$10, overnight/$15 Billy’s Parking 222 Stuart Street 617-423-7781 8am-5pm/$18, after 5pm/$20

BOSTON HOTELS

BOSTON HOTELS WITH SKINNER CORPORATE RATES

Boston Harbor Hotel 70 Rowe’s Wharf Boston, MA 02110 Tel: 800-654-2000 Fax: 617-345-6799

The Back Bay Hotel (formerly Jurys) 350 Stuart Street Boston, MA 02116 Tel: 617-532-3800

Eliot Hotel 370 Commonwealth Ave. Boston, MA 02215 Tel: 617-267-1607

Radisson Hotel 200 Stuart Street Boston, MA 01740 Tel: 617-482-1800 Fax: 617-451-2750

Beacon Hill Hotel & Bistro 25 Charles Street Boston, MA 02114 Tel: 617-723-1133

The Park Plaza 64 Arlington Street Boston, MA 02116 Tel: 617-457-7488 Fax: 617-426-2000

Four Seasons 200 Boylston Street Boston, MA 02116 Tel: 617-351-2036

The Ritz-Carlton, Boston Common 10 Avery Street Boston, MA 02111 Tel: 617-912-3315 Fax: 617-912-3375

The Colonnade 120 Huntington Avenue Boston, MA 02116 Tel: 617-424-7000 Fax: 617-424-0968

The Liberty Hotel 215 Charles St. Boston, MA 02114 617-224-4000

Taj Boston 15 Arlington St. Boston, MA 02116 617-536-5700

Marriott Copley Place 110 Huntington Avenue Boston, MA 02116 Tel: 800-228-9290 Fax: 617-236-5885

Westin-Copley Plaza 10 Huntington Avenue Boston, MA 02116 Tel: 800-228-3000 Fax: 617-424-7483

Fairmont Copley Plaza 138 St. James Avenue Boston, MA 02116 Tel: 617-267-5300 Fax: 617-375-9648

Nine Zero Hotel 90 Tremont St. Boston, MA 02108 617-772-5800

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RESTAURANTS

FINE DINING Aujourd’hui Four Seasons Hotel, 200 Boylston Street (between Arlington & Charles Streets) 617-351-2071 New American.

Dante Royal Sonesta Hotel 5 Cambridge Parkway 617-806-4200 Mediterranean restaurant with great views of the Charles River and Boston skyline.

Davio’s 75 Arlington St. 617-357-4810 Northern Italian steak house.

Grill 23 & Bar 161 Berkley Street (Stuart Street) 617-542-2255 Great steak, seafood, wine list, and service.

L’Espalier 774 Boylston St. 617-262-3023 French dining in an elegant townhouse with a wonderful prix-fixe menu.

No. 9 Park 9 Park St. 617-742-9991 Barbara Lynch’s bistro showcases inspired French and Italian influenced food and wine on Beacon Hill.

Radius 85 High St. 617-426-1234 Features a modern French menu focusing on seasonal ingredients accompanied by a thoughtful wine list.

158

Scampo The Liberty Hotel 215 Charles St. 617-536-2100 Lydia Shire’s latest restaurant, featuring Italian fare produced in an open kitchen upstairs at the Liberty Hotel. Troquet 140 Boylston St. 617-695-9463 French restaurant and wine bar perched at the edge of the Boston Common and the theatre district. Via Matta 79 Park Plaza 617-422-0008 Elegant Italian fare and beautiful wines in a vibrant dining room - the best of Italy in Boston’s Back Bay creates an unforgettable experience.

MODERATE Aquitaine 569 Tremont Street 617-424-8577 Parisian bistro style fare. The Bristol Lounge at Four Seasons Hotel 200 Boylston St. 617-338-4400 Breakfast, lunch, and dinner served in an elegant yet comfortable lounge setting with views of the Boston Public Garden. East Ocean City 25-29 Beach St. 617-542-2504 Outstanding Chinese food restaurant highlighting seafood dishes with a fullservice bar. Lala Rokh on Beacon Hill 97 Mt. Vernon Street 617-720-5511 Authentic regional Persian cuisine, hand-selected wine list, knowledgeable waitstaff.

McCormick and Schmick’s Seafood Restaurant 36 Columbus Ave 617-482-3999 Fresh seafood offerings that change daily. Summer Shack 50 Dalton St. 617-867-9955 Jasper White serves well-executed seaside favorites in a casual Back Bay setting.

INEXPENSIVE Au Bon Pain 26 Park Plaza (across the street from Skinner) or 431 Boylston Street (at Berkeley Street) 617-338-8948 Casual café offers quick service. Davio’s To Go 10 St. James Galleria Atrium 617-357-4810 Casual Italian take-out lunch spot with daily special pastas, soups, and salads. Flash’s 310 Stuart St. 617-574-8888 American comfort food served with classic cocktails in a casual setting. Parish Café 361 Boylston St. 617-247-4777 American restaurant with seasonal outdoor seating features sandwiches created by renowned local chefs. Piattini 226 Newbury Street 617-536-2020 Italian wine bar with an eclectic menu; specializes in Italian-style tapas.

The Upper Crust 20 Charles Street 617-723-9600 Gourmet thin crust pizza.


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Auctioneers and Appraisers of Antiques and Fine Art

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Fine Prints & Photography | Skinner Auction 2581B