舞剧《戏子情》 Dance Drama: Life's a stage (2016)

2016年7月15至16日, 星期五至六: 晚上8时 戏剧中心剧院 15 - 16 July 2016, FRI - SAT, 8PM Drama Centre Theatre

新 加 坡 福 建 会 馆 舞 蹈 剧 场 呈 献

Singapore Hokkien Huay Kuan Dance Theatre presents

艺树需要您来灌溉！ 艺树需要您来 THE TREE OF ARTS NEEDS

YOUR SUPPORT! THE TREE OF ARTS NEEDS Y

新加坡福建会馆舞蹈剧场有限公司已注册为公益机构 。近年来，除了继承华族文化之根，保留华族舞蹈的 传统特色，同时推陈出新，努力取得突破性的发展， 更重要的是让华族舞蹈贴近大众生活。 我们希望能得到各界仁人志士的认同支持及慷慨解囊 。您的捐款将能在文化捐献配对基金底下获得一对一 的增值。您捐给我们的每一块钱都意义重大！涓涓细 流，也能汇成江河湖海。

新加坡福建会馆舞蹈剧场有限公司已注册为公益机 。近年来，除了继承华族文化之根，保留华族舞蹈 传统特色，同时推陈出新，努力取得突破性的发展 更重要的是让华族舞蹈贴近大众生活。

您可通过以下渠道捐款 我们希望能得到各界仁人志士的认同支持及慷慨解

You may make your donation by: 。您的捐款将能在文化捐献配对基金底下获得一对

的增值。您捐给我们的每一块钱都意义重大！涓涓

1. 支票捐款 CHEQUE DONATION 流，也能汇成江河湖海。

支票受益人请填上 Cheque Made Payable To：

SHHK Dance 此外，所有捐款（附上个人身份证号码或公司注册 Theatre Ltd

此外，所有捐款（附上个人身份证号码或公司注册号 码）均可获得2.5倍所得税之豁免。

请在支票背后写下您的姓名和联络详情 码）均可获得2.5倍所得税之豁免。 Write your name, IC or UEN number and

contact number at the back of the cheque.

Singapore Hokkien Huay Kuan Dance Theatre Limited (SHHKDT) is registered as Charity as well as Institute of a Public Character. Apart from its continual effort to preserve and promote Chinese dance in Singapore, SHHKDT is also dedicated to further exploring and developing different expressions of Chinese dance, as well as integrating Chinese dance into the local community.

As such, SHHKDT would truly appreciate your support. Your donation sum would be matched dollar-for-dollar (1:1) as part of the Cultural Matching Fund, such that the impact of your contribution is doubled. Your generous contribution is deeply appreciated, as every small sum will have a significant impact on the growth of our company.

In addition, all donations will be entitled to 250% tax deduction and the deduction will be automatically included in your tax assessment should you provide us your tax reference number.

Singapore Hokkien Huay Kuan Dance Theat

把支票邮寄至 Limited Mail to: (SHHKDT) is registered as Charity well as Institute of a Public Character. Apa 新加坡福建会馆舞蹈剧场

from its continual effort to preserve an promote Chinese dance in Singapore, SHHK 5 Sennett Road, Singapore 466781 to further exploring an is also dedicated developing different expressions of Chine asCARD well asDONATION integrating Chinese danc 信用卡捐款dance, CREDIT into the local community.

Singapore Hokkien Huay Kuan Dance Theatre Limited

2.

登上 Give2Arts 在线捐款平台，按照页面指示捐款。

Visit Give2Arts follow the instructions Asportal, such,and SHHKDT would truly appreciate yo support.

Your donation provided on the page to make a donation. sum would b

matched dollar-for-dollar (1:1) as part of th Cultural Matching Fund, such that the impa 网址 Webpage: www.give2arts.sg of your contribution is doubled. Your genero contribution is deeply appreciated, as eve small sum will have a significant impact on th growth of our company.

In addition, all donations will be entitled to 250 tax deduction and the deduction will b automatically included in your tax assessme should you provide us your tax reference numb

主宾献词

MESSAGE FROM GUEST-OF-HONOUR 沈颖 女士

Ms Sim Ann (文化、社区及青年部、财政部高级政务部长) (Senior Minister of State, Ministry of Culture, Community and Youth & Ministry of Finance)

欣闻新加坡福建会馆舞蹈剧场发挥创新精神，向新加坡的观众呈现融合舞蹈和戏剧的原创大型舞剧《戏子情》， 让人期待！ 新加坡福建会馆舞团成立于1989年，为舞蹈爱好者们提供课程和演出机会。在创办人林美琴老师和专业舞蹈 导师的督导下，舞团稳步发展，为新加坡传统艺术的发展尽其所能。2013年，舞团在国家艺术理事会和福建 会馆的支持下转型为专业舞蹈团体，成立了新加坡福建会馆舞蹈剧场。 舞蹈剧场在促进华族传统文化传承和推广的同时，也与时俱进，勇于创新。舞蹈剧场在华族古典舞和民族舞的 基础上，吸取芭蕾舞、武术、现代舞及体操中的元素，为优美典雅、流光溢彩的传统舞蹈添加了朝气蓬勃的艺 术魅力。舞蹈剧场更是积极吸引年轻一代学习华族舞蹈，培养舞蹈新秀，推广传统文化。 今年，福建会馆舞蹈剧场大胆迈出创新的舞步，推出大型舞剧《戏子情》——一部将戏剧表演融入舞蹈，用舞 蹈演绎传统戏剧的作品。舞剧的内容围绕五十年代新加坡戏班的生活，剧情精彩动人、引人入胜。舞剧也展现 了新加坡建国初期的风貌人情，让人回味无穷。 在此，我预祝演出取得圆满成功，也期待福建会馆舞蹈剧场为我们带来更多更优秀的舞剧作品！

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新加坡福建会馆舞蹈剧场

“滋兰树蕙·创意无限” 新加坡福建会馆舞团隶属福建会馆文化艺术团，成立于1989年12月，其舞蹈培训侧重于中国古典舞、中国民族 民间舞蹈，并融合了许多芭蕾舞、中国武术、现代舞及体操中的动作和造型。在创办人兼现任艺术总监林美琴 老师和专业舞蹈导师的督导下，舞团已稳步发展，并茁壮成长。舞团以舞蹈作为媒介，为新加坡华族文化本土 化的积极发展克尽绵力。舞团自成立以来，累积了丰富的海内外舞台经验。舞团每两年举办一次公开演出《舞 之思忖》，在编舞方面力求创新颖异而博得多方赞赏。其丰富多彩的“吸睛”节目，标志了舞团逐渐发展为舞 蹈界活跃成员的成长历程。 除了积极参与本地各种艺术盛会之外，舞团也多次受邀参加海外团体所主办的舞蹈节。2002年，舞团前往加拿 大参加“利物浦国际戏剧节”，以自编自创的旗舰舞蹈《白娘子》获得“观众投选最佳团体”、“最佳视觉效 果”及“最佳女配角”三大奖。 2012年参加由中华民族文化艺术国际联合会（中国.香港）主办的“新加坡世界金狮奖”音乐舞蹈服饰艺术大 赛，舞蹈“两小无猜”获得金奖、“情逝”获得最高金奖。舞团也在2012年举行的“诗巫国际舞蹈节”中获得 好评。2014年舞剧《原野》参加第三届中国（潜江）曹禺文化周的惠民演出活动。2015年，舞蹈剧场受邀参 加在印尼日惹的亚太表演艺术联盟邀会议及交流表演呈献舞蹈《气韵生动》，备受称赞。 2006年，舞团引进了由舞蹈教育家、北京舞蹈学院学术委员会副主任潘志涛教授担任主编的《中国民族民间舞 蹈等级考试教材》。 2013年，舞团荣获国家艺术理事会建团基金的赞助，并得福建会馆鼎力支持，成立专业舞蹈团体，更名为“新 加坡福建会馆舞蹈剧场”，转型后的舞蹈剧场共呈献了三场主要演出如舞剧《游园惊梦》（2014）、《艺薪艺 意》（2015）及《艺薪艺意 —“滋兰树蕙 · 创意无限”》（2015），除了继续承接华族文化之根，保留华族 舞蹈的传统特色，同时推陈出新，努力取得突破性的发展，让有实力的舞者在广阔的舞台上一展实力风采，以 流光溢彩的美好艺术形象展现于舞蹈界。 这三年来，舞蹈剧场继承和发扬华族传统文化的同时，也随着时代的变迁注入新元素，以发挥传统艺术的倍数 效应。本着这个理念，舞团鞭策自己继续保持专业水准，努力攀登辉煌的艺术高峰。2016年，舞蹈剧场继续荣 获国家艺术理事会的主要赞助基金的赞助。 专业化了的舞蹈剧场也将竭尽全力，不断地创建平台以培育和熏陶年轻一代，提高他们对华族传统舞蹈艺术的 认识，比如剧场每年1月份《薪动时刻》、3月份《大树下》还有6月份《一起舞FUN天》和12月份《腾飞的弦 》，业内口碑不错。《薪动时刻》已逐渐成为福建会馆舞蹈剧场培养青年艺术才俊的代名词。《大树脚》户外 舞蹈嘉年华活动让公众在大树脚下这独特的自然环境观赏舞蹈。《一起舞FUN天》华族舞蹈双周，把华族舞蹈 带到社区，贴近市民生活。《腾飞的弦》汇报演出，提供一个平台让少年儿童与成人业余舞蹈班展示学习的成 果，这有助于激发他们学习的兴趣，鼓励他们提升舞蹈水平，并培养他们表演的自信心。 舞蹈剧场，就是这样通过理论和实践的结合，为新加坡华族舞蹈界培养出更高水平的优质演员，希望带给观众 更多惊喜，把华族舞蹈事业推向另一高峰！同时，我们也热切地期待广大市民朋友们惜花带盆，继续支持舞蹈 剧场的舞蹈艺术事业！在前进的道路上，我们一直在努力，一直不敢懈怠......

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新加坡福建会馆会长献词 MESSAGE FROM PRESIDENT, SINGAPORE HOKKIEN HUAY KUAN 蔡天宝 先生

Mr Chua Thian Poh

新加坡福建会馆舞蹈剧场自1989年成立以来，一直以弘扬和推广华族舞蹈文化艺术为己任。没有最好，只有 更好。这点值得让人深深地佩服和尊敬。 近几年来，科技的发展日新月异，文化艺术的呈现样式、普罗大众的审美情趣也更加多元化。而舞蹈剧场依然 不改初衷，孜孜不倦地继承和发扬华族舞蹈传统文化。除了不遗余力地为本土培养杰出的青年舞蹈人才，同时 也向多方取经、虚心学习，开展跨国合作，交流和借薪。 我们常说，“台上三分钟，台下十年功”。如果没有舞蹈剧场同仁们持之以恒的坚守和努力，就不可能有舞台 上精湛的表演。这是福建会馆舞蹈剧场之幸，也是新加坡本土华族舞蹈文化艺术之幸。 在此，我恭祝舞蹈剧场专场演出圆满成功！感谢舞蹈剧场全体老师和舞蹈员们的辛苦和付出！也在此，衷心祝 愿各位观众朋友们能度过一个温馨快乐收获满满的夜晚!

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Singapore Hokkien Huay Kuan Dance Theatre

“Preserving Traditions, Transcending Culture”

Founded in 1989 by Artistic Director Madam Lim Moi Kim, the Singapore Hokkien Huay Kuan Dance Troupe (the “Troupe”) began as an avocational troupe offering Chinese dance courses and performing opportunities for dance enthusiasts.

Over the years, the Troupe had made remarkable achievements and contributed significantly to the local performing arts scene. Its biennial dance performance “Wu Zhi Si Cun”, which features a repertoire of original works, was especially well-received by renowned industry practitioners and the general public. As the Troupe became more established, it was frequently invited to perform at prestigious local, as well as overseas events and dance festivals.

In 2002, the Troupe participated in the “Liverpool International Theatre Festival” held in Canada, performing its original dance drama “Madam White Snake”. The item clinched “The People’s Choice”, “Best Visual Performance” and “Outstanding Supporting Actress” awards, and was well-loved by the audience. In 2012, the Troupe competed at the Fifteenth Singapore World “Gold Lion Award” Competition and bagged a Top Gold Award and Gold Award for the dance pieces “Season of Sorrow” and “Fond-ling” respectively. In the same year, the Troupe was invited to perform at the “Sibu International Dance Festival” held in Sibu, Malaysia, where the presented items were highly commended and well-received by the locals.

In recognition of its enduring efforts to the local arts scene, in 2013, the Troupe was one of the recipients of the Seed Grant from the National Arts Council (NAC). In 2014, the Singapore Hokkien Huay Kuan Dance Theatre (SHHKDT) was officially incorporated under the support of the Singapore Hokkien Huay Kuan. With this affirmation by NAC, SHHKDT has stepped up its efforts in bringing its performances to a higher level, and nurturing more promising dancers. To date, SHHKDT has put up three core productions, including dance drama “A Startling Dream” in 2014, “ROOTED | A Triple Bill” and “Journey: Purpose in Motion” in 2015.

SHHKDT also tours annually to showcase its works and sought opportunities for exchange. In 2014, SHHKDT participated in the “Third China Cao Yu Culture Week” held in Qianjiang, China, featuring its original dance drama “In The Wilderness” based on this well-known play “The Wilderness”. In 2015, SHHKDT was invited to perform at the Asia Pacific Performing Arts Networks (APPAN) International Symposium “The Wisdom of Age in Performance: The Intangible Heritage of the Asia Pacific” held in Yogyakarta, Indonesia.

SHHKDT follows close to its mantra of keeping heritage, strengthening traditions and infusing new elements.

In its three years of establishment, SHHKDT has continually seeked to innovate new choreography concepts and styles while retaining traditional roots, so as to present more engaging performances to its audiences. In addition, as part of its preservation efforts, SHHKDT is also committed to developing Chinese dance as an accessible art form by delivering dance education and outreach programmes for the wider community.

Apart from its annual core production, SHHKDT's other flagship programmes include a showcase platform for budding choreographers "Emergence", two major outdoor community outreach events "Under the BIG Tree" and "Chinese Dance Fiesta", as well as its year-end dance showcase "Taking Flight".

This year, SHHKDT is honoured to be one of the recipients of the Major Grant from NAC, and this increased support will only motivate the Theatre to scale greater heights. The Theatre is also a registered charity as well as an Institution of a Public Character (IPC).

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新加坡福建会馆舞蹈剧场 主席献词

MESSAGE FROM SHHKDT CHAIRMAN 蔡成宗 先生

Mr Chua Seng Chong

在西风强劲的新加坡，福建会馆舞蹈剧场也不甘示弱，毫不松懈地以弘扬及推广华族舞蹈艺术为己任，自成立 以来，舞蹈剧场不遗余力地为新加坡华族舞蹈界培养杰出的舞蹈人才，提高新一代对传统舞蹈的认知。 然而这一次的作品《戏子情》除了注重华族舞蹈以外，还注入了戏曲的元素，目的是为了展现新加坡五十年代 的文化背景，让观众们感受这股新思的综合美。 在艺术总监林美琴女士的带领下，舞蹈剧场专业化，新芽萌发。从而成功地将一部把戏曲舞蹈化、舞蹈戏曲化 的表演艺术舞剧，完美呈现给大家，为本土的华族传统舞蹈又增添了一丝色彩。

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艺术顾问献词

MESSAGE FROM ARTISTIC ADVISOR 蔡曙鹏

博士

Dr Chua Soo Pong

新加坡各种方言戏曲戏班，有百多年的漫长历史。不论是已经走进历史或历经百多年依然屹立不倒的戏班，都 像其他国家与地区的传统戏剧伶人一样，有许多感人肺腑的故事。昔日，我国老赛桃源名优陈杨桃在回顾她的 往事时就说，戏班日子三日风四日雨，不容易。凭着同行情和义，才能渡过重重难关。 林美琴老师数十年业余参加潮剧演出，对戏曲艺术有深厚感情。她领导下的团队，今年选择了以舞剧来讲述伶 人的故事。 舞剧，是舞蹈艺术的最高形式。舞剧在艺术表现上要求叙事与抒情相结合，以舞蹈的手段来塑造形象、展现剧 情，表现戏剧冲突。编导要有较强的概括力，以独舞、双人舞、三人舞和群舞的舞蹈本体，描述故事中的人与 事。回顾东西方舞坛，从《天鹅湖》、《宝莲灯》到《马兰花》，舞剧艺术的综合性，造就了它以人体动态语 言，表现人在各种情境中强烈思想与感情的传达的经典作品。这些舞剧，有强烈的视听感官的剧场效应，让观 者久久难忘，回味无穷。正因为舞剧有高品位的审美价值和较高的编、导、演难度，深深吸引了愿意挑战自己 的福建会馆舞蹈剧场的团队，再次向舞剧创作的道路上前进。 新加坡戏曲历史故事多。此次抛砖引玉，期待更多舞蹈工作者潜心研究，翻阅史料，创作出更多反映现实、启 迪人生、宣扬真、善、美的精彩作品，为多元文化的社会，增添生活的光彩。

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艺术顾问兼编剧献词

MESSAGE FROM ARTISTIC ADVISOR CUM PLAYWRIGHT 庄耿精

先生

Mr Chong King Ching

作为福建会馆舞蹈剧场的艺术顾问，我在舞剧《戏子情》的筹划过程中，多了一项不寻常的任务，那就是负责 编剧工作；为《戏子情》编剧的动机来自剧场艺术总监林美琴老师。林老师多才多艺，涉足舞蹈、戏曲、武术 三大领域，而且难得在各个领域都取得令人注目的造诣。基于这个背景，她有一个心愿，那就是将戏曲艺术和 舞蹈艺术结合起来，呈献一出讲述早期新加坡戏班故事的舞剧。 林老师与我分享她的想法，我个人也觉得这是个可以发挥的题材，加上林老师在舞蹈和戏曲方面的认识和经验 ，让我们愿意负起这个演出的任务。我们开始讨论50年代新加坡的社会背景、当时戏班的特点、戏曲艺人的生 活状况、以及他们面对的问题和遭遇；然后选出一些适合通过舞剧来表现的内容，由我编成一个故事，再经 过多次的讨论和修改成为老师编排舞剧的蓝本。但我也强调编导老师在排练时不应受限于剧本的框架，而可 以在不影响主要情节和主题的前提下，尽量发挥他们的创作能力和想象空间，使舞剧更富有戏剧性，更加扣 人心弦。 至于舞剧定名为《戏子情》而不是较文雅的如《梨园情》等，林美琴老师也曾就此课题与我讨论过。可能由于 “戏子无情”这句话，令许多人认为“戏子”含有贬义，但我们最后还是决定选用《戏子情》这个剧名，因为 我们觉得它较能真实地反映出50年代新加坡的文化氛围，当时人们就称戏曲艺人为“戏子”，几乎没人用文雅 的“梨园”作为戏曲艺术的称谓。 《戏子情》的筹备过程中，制作组对新加坡50年代的景物、用具和服饰等进行了必要的考究，以期在演出时能 较真实的反映当时的社会风貌；对于教导舞蹈演员学习掌握戏曲的动作与韵味，编导老师也面对过一定的挑战 ，经过老师和演员们多时的努力，福建会馆舞蹈剧场这项新的尝试终于与观众见面了。希望通过这出舞剧的演 出，让观众感受到“戏子有情”，也唤醒各界人士对戏曲艺术发展的关注，并引起年轻一代对戏曲的兴趣、参 与及传承。

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艺术总监兼总导演献词

MESSAGE FROM ARTISTIC DIRECTOR CUM CHIEF CHOREOGRAPHER 林美琴

女士

Ms Lim Moi Kim

岁月静好，时光如梭。转眼间，新加坡福建会馆舞蹈剧场自2013年4月1日成立至今已迎来了第三个年头。三 年以来，我们积极进取，志存高远，始终如一往团结、务实、进取、包容的方向不断迈进。点点滴滴的成长轨 迹大家有目共睹。总结剧场成立三年来取得的成绩，我们有了自信，敢于创新突破，这与关心爱护我们的领导 和社会各界人士的肯定与支持是分不开的。 排练舞剧《戏子情》感触良多，回忆18岁在精武体育会向谢树辉老师学武术和戏曲把子功那段日子，每天拉顶 、前翻、后翻、軲轆毛…后来上北京、又南下汕头学戏曲身段，像海绵一样饥渴的吸收，优美的身段, 传统的 程式, 戏剧戏曲的美妙，深深地吸引了我。 没想到排练《戏子情》戏曲部分，能把我所学的戏曲把子功、身段全派上用场。我适当借鉴了戏曲舞蹈中的一 些程式和优美的身段，如戏曲表演中的开门、推窗、上马、登舟、上楼…舞台小天地，所谓“三五步行遍天下 ，六七人百万雄兵”、“顷刻间千秋事业，方丈地万里江山”，“眨眼间数年光阴，寸柱香千秋万代”这就突 破了西方戏剧的“三一律”与“第四堵墙”的局限。另外是在具体的舞台气氛调度和演员对某些生活动作的模 拟方面，诸如刮风下雨，船行马步，穿针引线等等，更集中、更鲜明地体现出戏曲虚拟性特色。 戏曲手眼身法步是那么细腻、柔美、规范，此中凝聚着古往今来艺术家们的心血，它又成为新一代演员进行艺术 再创造的起点，这是一种美的传承和创造。她极大地解放了作家、舞台艺术家的创造力和观众的艺术想象力，从 而使戏曲的审美价值获得了极大的提高。难怪俗话说：三年出状元，十年出戏子。编排一出好戏，真的不简单。 好戏离不开好技艺。而好技艺是不会自己附上身的，还必须勤学加苦练。“演一场，进一步”是演员敬业精神 的体现；“演一场，进一步”是提高表演水平的自觉要求；“演一场，进一步”是对观众负责的切实检验。

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因此年轻的演员们，除了勤学苦练外，还需要带着一颗虚心学习的心。每天演出完就主动去听取意见：今天表 演台下有哪些反映？有哪些不足？哪些改动得好、哪些处理得不好？这些意见都是改进和提高我的表演水平的 “动力”，要非常珍惜、要非常重视。这也表明我们剧场注重舞蹈表演的完美性，要让观众从里到外都是“美 ”的欣赏，“美”的享受。功夫是“练”出来的，水平是“演”出来的。只有多练多演、实打实地干事业才能 “化”平凡为出奇，从“勤奋”中锤炼成才。 福建会馆舞蹈剧场的精神：成绩永远只属于过去，舞蹈艺术探索的道路没有终点！作为剧场的一份子希望大家 能够以积极乐观的态度来面对剧场今后的发展，不断努力提升舞蹈的教育教学质量水平；加强团队意识和协作 精神，为剧场的平稳过渡和健康发展努力工作，做出巨大贡献。要有主动借鉴学习别人所长的意识，自觉调整 自己的知识结构和能力水平，以适应新角色的需要。 因此，为了呈现一出精美的舞剧，为了培养优秀的舞蹈演员的好苗子，舞蹈剧场的培训教学团队秉承一丝不苟 的严谨态度，虽是业余时间开班授课，却始终以专业标准来设置课程，丝毫不敢怠慢：比如根据学员的不同年 龄分班，每个年龄段中再根据不同的舞蹈基础划分，这样科学的设置和合理的划分，让4岁至18岁的学员都能 够学到适合自己年龄和舞蹈程度的课程，尽可能让孩子们尽显其才。课程内容，主打“华族舞蹈”特色，独创 了一套体系化的教学方案；在上课时间之外，老师们保证一定的练功时间和备课时间，不断总结教学过程中的 经验体会，及时调整教学方案，保证教材与时俱进，在专业水准和孩子的接受能力之间寻找平衡。 很显然，让舞蹈艺术浸润学生的成长人生，这是舞蹈剧场存在的价值，也是舞蹈剧场发展的基础，更是艺术教 育的宗旨。让飞扬奔放的舞蹈姿态，更具有教育的内涵、艺术的内秀、育人的内核，我们任重而道远。

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舞剧《戏子情》她是一部创新性地把舞蹈和戏曲有机结合的舞剧作品。作品展现了新加坡五十年代，一个戏 班的沧桑沉浮的故事。她以戏班里三个师兄妹波涛汹涌般的人生经历为主要内容：三人在生死爱恨中成长， 台上技艺超群，风华绝代，台下勤学苦练，有血有泪。在戏班穷途末路时，又是如何在时代浪潮的裹挟里不 改初心，坚守自我，勇于创新，独辟蹊径地闯出一片人生的新天地。 《戏子情》将戏剧表演融入舞蹈语汇中，是一部用舞蹈手段来表现戏曲人生的作品。戏曲舞蹈化、舞蹈戏曲 化，集形神兼备、戏舞交融之美，使生活元素、艺术元素、思想元素达到了完美的融合。

序幕: 回首往事

编导：梁杰妮、吴翔田（客卿编导） 戏曲老艺人赛玉回顾50年末的新加坡，她在大戏戏班 里担任旦角时，亲身经历过的一段充满辛酸苦辣的难 忘往事。

第一幕: 戏班生涯

编导: 林美琴 当年风华正茂的赛玉，是戏班的台柱，与班里的一个武 生阿华共事多年，两人互传情愫。而另一个生角阿福则 对阿华产生仰慕之情。一位当歌女的朋友朱红到戏班探 班，怂恿赛玉到夜总会唱歌，以享受奢华的生活。

第二幕: 误入歧途

编导：梁杰妮、刘怡湘（客卿编导）、蓝丽雅（客卿编导） 赛玉因虚荣心的驱使而弃戏从歌，跟随朱红到夜总会 当起歌女，不幸被黑帮老大看上而强行劫持，正巧阿 华与阿福来到，他俩上前抢救赛玉，却被黑帮爪牙毒 打一番。黑帮老大以阿华的性命威胁赛玉随其离去。

第三幕: 悲痛遭遇

编导：梁杰妮 因赛玉守身如玉，坚决不肯就范，黑帮老大便贿赂朱红 ，令她诱骗赛玉喝下含有迷药的饮料。赛玉在失去神智 后被黑帮老大强暴。另一方面，阿华在失去赛玉之后也 10

因无心唱戏而离开了戏班，靠吸食鸦片来麻醉自己。阿 福前来探望他，阿华在迷糊中误认阿福为赛玉。

第四幕: 破镜重原

编导：梁杰妮 赛玉被奸污后万念俱灰，欲跳海自尽，被阿华及时抢 救，赛玉见到阿华，心中充满歉悔，两人抱头痛哭。 阿华鼓励赛玉忘掉过去的不幸遭遇，振作起来，迎接 新生活。

第五幕: 薪火相传

编导：林美琴 在已经从商的阿福鼓励下，阿华与赛玉招募一群爱好 戏曲艺术的朋友，重新组织业余剧团。阿福生意做得 很成功而赚了很多钱，就热心赞助剧团，让戏戏曲艺 术得以继续生存并传承给下一代。老年的赛玉带领孙 子和小伙伴到剧团参观。

尾声: 寄望未来

编导：林美琴 在戏班渐趋没落的大环境下，阿华与赛玉逆流而上， 坚持努力维持戏班的运作，以一出又一出情真意美的 戏目传达了华族传统文化中忠孝仁爱礼义廉耻等美德 ，并希望以此教育年轻一代，并启发他们继续保存、 传承和发扬这项民族艺术瑰宝。

An original dance drama, “Life’s A Stage” is inspired by the story of a local Chinese street opera troupe in the mid-twentieth century. It talks of three talented Chinese opera artistes, their intertwined relationships and how their lives revolved about hardship, struggles and betrayal. Simultaneously, the dance drama also reflects the fate of the opera troupe over the years, and how it has revamped.

This is an exceptional attempt by the Singapore Hokkien Huay Kuan Dance Theatre to weave together the finest of Chinese dance and Chinese opera with other artistic elements to present the life story of these three opera artistes.

Prologue: Life’s A Stage

Choreographers：Neo Jenny, Goh Xiang Tian (Guest Choreographer) Looking at her grandson, Sai Yu, a veteran Chinese opera performer, looks back at the 1950s when she was a member of the professional opera troupe. Her past, filled with struggles, hardship and remorse, remains deeply etched in her mind…

Act 1: At the Opera Troupe

Choreographer: Lim Moi Kim Back then, Sai Yu was one of the star performers in the opera troupe. She was secretly in love with her troupe mate Ah Hua, and they often exchanged glances. On the other hand, Ah Fu, another member of the troupe, admired and had good feelings for Ah Hua. One day, a songstress from the night club, Zhu Hong, visits the troupe and persuades her to switch career, promising her a more luxurious future at the night club.

Act 2: Led Astray

Choreographers：Neo Jenny， Low Ee Chiang (Guest Choreographer)， Lydia Lam (Guest Choreographer) Unable to resist her desire for fame and luxury, Sai Yu makes up her mind and decides to leave the opera troupe to join Zhu Hong.

Unfortunately, at the night club, the triad leader had his eyes on Sai Yu the moment he saw her, and tries to possess her. Ah Hua and Ah Fu rushes to the night club and tries to save Sai Yu, but are badly beaten up by the triad leader’s men. The triad leader threatens to kill Ah Hua if Sai Yu does not leave with him.

Act 3: Torture and Grief

Choreographer: Neo Jenny Sai Yu struggles and refuses to let the triad leader get

close with her. In a fit of anger, the triad leader bribes Zhu Hong into spiking Sai Yu’s drink. Sai Yu unknowingly falls into their trap and after she loses her consciousness, the triad leader makes his move on her. Ah Hua is devastated that he has lost Sai Yu, and leaves the opera troupe in dejection. He turns to opium consumption in order to relief his immense pain. Ah Fu comes to visit Ah Hua, and in a state of deliria, Ah Hua mistakes Ah Fu for Sai Yu.

Act 4: Remorse and Reunion

Choreographer: Neo Jenny In despair, Sai Yu tries to end her life. However, she is saved by Ah Hua. Reunited, and filled with remorse, Sai Yu and Ah Hua hug tightly and cry.

Ah Hua consoles and encourages Sai Yu to forget her unfortunate experience, start afresh, and look forward to a fresh beginning.

Act 5: Imparting and Inheriting

Choreographer: Lim Moi Kim Ah Fu encourages Ah Hua and Sai Yu to start up an amateur opera troupe together with a group of opera enthusiasts, so as to pass down this Chinese traditional culture. Ah Fu had by now become a successful businessman and had the financial capability to support the amateur troupe. A now aged Sai Yu brings her grandsons and young students to visit the troupe.

Finale: Looking Forward

Choreographer: Lim Moi Kim As Chinese opera is gradually declining in popularity, Ah Hua and Sai Yu are even more determined to preserve and promote this art. By grooming the amateur troupe's members and putting up more exquisite opera performances, they hope to be able to pass down valuable Chinese ethics and virtues, as well as inculcate in the younger generation a need to preserve, promote and pass down this art and culture.

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主创组 艺术顾问 艺术总监 总导演 编剧 编导 客卿编导 作曲 灯光设计 舞美设计 服装设计 媒体设计

演员

赛玉 赛玉（戏曲扮演） 赛玉（老年） 阿华 阿华（戏曲扮演） 阿福 黑帮老大 跟班 朱红 孙子

群舞演员

：蔡曙鹏博士、庄耿精 ：林美琴 ：林美琴 ：庄耿精 ：梁杰妮 ：刘怡湘、吴翔田、蓝丽雅 ：高杨 ：郑惠明 ：叶旭文 ：叶旭文 ：赖丽婷

：李瑞敏 ：梁杰妮 ：江佩玲 ：郑龙 ：陈家锋 ：曾祥 ：苏健龙（客卿） ：张学泓（客卿） ：张晓琦（客卿） ：苏舜峰、李汶隆

赖纬璇、李诗慧、刘心宁、林俐仪、沈思、谭芷殷、 郑静汶、郑巧莉、张彤薇、王温满、叶锦雯、陈修齐

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儿童群舞演员

林巧、林心怡、周妍伶、王湘缘、商乐彤、商乐萱、 陈科憓、熊绘贻

客卿群舞演员（创意舞坊）

姜柳君、岳安真、陈嘉森、陈康、Ellen、张慧莹、 李雪菁、蓝丽雅、张予瑈、郭姜达、郭仲毅、沈岳丽、 孫佩瑄、郑琳雯、杨耀琮

制作人员

监制 制作经理兼舞台监督 舞台监督助理 调音师 戏曲导师 司鼓 领奏 打击乐员 化妆造型 媒体制作 晚会司仪 封面题字

：钟戍己 ：陈信妤 ：陈施伊、林宛霓 ：高杨 ：荣大钧、张莉 ：林顺兴 ：黄塑铭 ：林智明、蔡文杰、蔡文俊 冯家辉 ：洪茹望、黄松兴、陈碧君、 陈寿山、张莉 ：李耀强 ：林南燕 ：周树生

CREATIVE TEAM Artistic Advisors

: Dr Chua Soo Pong, Chong King Ching Artistic Director : Lim Moi Kim Chief Director : Lim Moi Kim Playwright : Chong King Ching Choreographer : Neo Jenny Guest Choreographers : Low Ee Chiang, Lydia Lam, Goh Xiang Tian Music Composer : Gao Yang Lighting Designer : Tay Hwee Meng Set Designer : Aaron Yap Costume Designer : Aaron Yap Media Director : Lai Lee Thin

DANCER

Sai Yu Sai Yu (Opera Play) Sai Yu (Senior) Ah Hua Ah Hua (Opera Play) Ah Fu Triad Leader Sidekick Zhu Hong Grandsons

: : : : : : :

Li Ruimin Neo Jenny Kong Pei Ling Zheng Long Chen Jiafeng Zeng Xiang Benedict Soh Kian Leng (Guest) : Ah Sen Hok Fen (Guest) : Zhang Xiaoqi (Guest) : Soh Shun Feng Kipp, Lee Wen Long

SUPPORTING DANCERS

Lai Wei Xuan Vivien, Lee Shi Hui, Lew Xinning, Ling Li Yi Adoncia, Sim See, Tam Chi Yan, Tay Chien Wen, Tee Qiao Li, Teo Tong Wei, Wang Wen Man, Yip Jin Wen, Zina Tan Xiu Qi

YOUNG SUPPORTING DANCERS

Chiara Lin Qiao, Lim Sing Yee Jamie, Natalie Chew Yan Ling, Rita Ong Siang Yuan, Siang Laura, Siang Sarah, Tan Ker Hwi Shanice, Yoong Hui Yi Jonelle

GUEST SUPPORTING DANCERS (DANCE INSPIRATION)

Adrienna Keon, Angela June Yue, Chen Jiasen, Chen Kang, Ellen Tan, Joanna Teo Hui Ying, Lee Xue Jing, Lydia Lam, Phoebe Teo, Quek Jiang Da, Quek Zhongyi, Shen Yueli, Sng Pei Xuan, Tay Lin Wen Belle, Yong Yu Zhong Jovan

PRODUCTION TEAM

Producer : Chong Shu Chi Production & Stage Manager : Chim Sin Yee Assistant Stage Managers : Sage Tan Shiyi, Nichola Lim Wan Ni Music Engineer : Gao Yang Opera Instructors : Rong Dajun, Zhang Li, Chief Percussionist : Lim Soon Heng Lead Musician : Ng Seok Meng Percussionists : Lim Peng Peng, Lim Tee Meng, Chua Wen Jie, Chua Wen Jun, Fong Kah Fai Make-up Artists : Hong Ru Wang, Ng Song Heng, Tan Pek Kuang, Tan Siew Sua, Zhang Li Media Production : Edwin Lee Emcee : Lim Nan Yen Calligraphy : Zhou Shu Sheng

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现任新加坡福建会馆舞蹈剧场艺术总监。曾担任新加 坡教育部课外活动中心属下多所学校的舞蹈老师，担 任过拉萨尔—新航艺术学院和南洋艺术学院讲师。

新加坡福建会馆 舞蹈剧场艺术总监/编导

ARTISTIC DIRECTOR CUM CHOREOGRAPHER 林美琴

Lim Moi Km

从小爱好表演艺术，对戏曲、舞蹈、武术、音乐等领 域均有广泛涉猎。1970年开始习舞，1976年加入新加 坡武装部队文工团，为全职舞蹈员。为了对舞蹈有更 深层的专业认识，曾追随多位名师学习中国古典舞、 中国民族民间舞、芭蕾舞、现代舞、爵士舞与现代舞 编导技法。随后远赴中国北京舞蹈学院、广东实验现 代舞团、黔南州歌舞团、昆明市民族歌舞团、云南省 歌舞团、北京中央民族学院等单位交流进修，并于 1993年在新加坡福建会馆基金的赞助下前往北京、上 海、广州及汕头等地的歌舞团和少年宫进行考察工作。 经过多年努力的学习钻研，考获南洋艺术学院高级舞 蹈教师文凭、北京舞蹈学院中国舞等级考试及中国民 族民间舞等级教师资格证书。 1992年第13届马来西亚华人舞蹈节大会 -《登峰》担 任评判之一。 1999年受邀参加中国广东省汕头市举办的“九九汕 头潮剧节”，编导舞剧《盗仙草》参演。 2002年五月远赴加拿大“利物浦国际戏剧节”演出，所 编导的舞剧《白娘子》得到观众投选的“最佳团体”、 “最佳视觉效果”、“最佳女配角”三大奖项。 2006年受邀为世界舞蹈联盟（新加坡）之“新加坡 制造”编导节目。 2005年、2006年、2007年连续三年担任南洋艺术学 院舞蹈系古典舞与民间民族舞考官。 2006年、2008年、2009年为多所学校华族舞负责老 师上华族舞蹈教育课。 2007年受邀参加教育部课外活动中心与世界舞蹈联 盟（新加坡）合作举办的第二届舞蹈教育论坛2007 讲座。 2009年、2010年、2011年受新加坡二十一世纪文化 艺术促进会之邀，担任“二十一世纪国际艺术节舞蹈 比赛”艺术总监并编导开幕节目。 2015年编导舞蹈剧场的《气韵生动》参加在印尼 日惹举办的“2015亚太表演艺术联盟邀会议及交 流表演”。

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2016年编导舞蹈剧场的《气韵生动》参加在韩国首 尔举办的“2016世界舞蹈联盟亚太地区交流活动” 并受邀担任大师班课程的讲师。

另外，自1991年至2015年，在福建会馆舞蹈团十届 “舞之思忖”舞蹈晚会中创作的舞蹈作品达55支，广 获好评。

大利物蒲以及西班牙等国家和地区演出，作品深受大 众喜爱。

在戏剧方面，林美琴女士同样表现出众，享誉海内外。

后来，又痴迷学武，博采众长。先后师从世界十大武 术家周树生先生、八卦掌大师戈春艳女士、世界武林 百杰少林二红拳代表人徐永庆先生、中国青岛市武术 协会副主席高兴亮先生、陈氏太极拳第二十代传人朱 向前等诸位前辈，虚心求教武术技巧，并于2012年 考获国际武术散手道联盟黑带七段证书。2012年6月 ，经“世界著名武术家评审委员会”资格鉴定，授于 “世界著名武术家”荣誉称号。

此外，林女士也曾到中国汕头市、广州市禅武中心、 广东江门市、云南省玉溪市、湖北省潜江市、马来西 亚砂劳越古晋市及槟城与云顶高原、印尼苏拉威西、 日惹、越南河内、土耳其西瓦斯市、泰国清莱、加拿

总之，林美琴女士是个少有的集舞蹈、戏剧、武术于 一身的艺术多栖人物，她以无比的热忱和勤勉精进， 行走在华族艺术道路上，虚怀若谷，求美若渴，不敢 懈怠……

Madam Lim Moi Kim is the Founder, Artistic Director and Choreographer of the Singapore Hokkien Huay Kuan Dance Theatre. She was formerly a lecturer at the LaSalle-SIA College of the Arts Dance Faculty and Nanyang Academy of Fine Arts (NAFA) Dance Department, as well as dance instructor at several schools under the Ministry of Education (MOE).

International Theatre Festival, her work “Madam White Snake” bagged the “People’s Choice”, “Best Visual Presentation” and “Outstanding Supporting Actress” awards. Her most recent work “Stillness in Motion” had been featured at the “APPAN Festival and Symposium 2015” held in Yogyakarta City, Indonesia, and will be showcased at the upcoming “World Dance Alliance Asia-Pacific 2016” held in Seoul, Korea.

2015年新作有：《秉拂无尘》、《满庭芳》、《情 至浓时情转薄》、《临风而舞》、《属于你和我编织 的梦》、《风华正茂》。 2016年担任新创舞剧《戏子情》总导演。

Madam Lim’s training in dance began in 1970 and her professional knowledge encompasses Chinese classical dance, Chinese ethnic folk dance, ballet, contemporary dance and jazz. In her never-ending pursuit for knowledge and excellence, she has come under the tutelage of many renowned dance practitioners, as well as trained at vocational institutions including the Guangdong Modern Dance Company, Beijing Dance Academy, Qian Nan Zhou Singing and Dancing Corporation, Song and Dance Ensemble of Yunnan Province and Kunming Singing and Dancing Troupe. In 1993, under the Singapore Hokkien Huay Kuan Arts Scholarship, she further widened her horizon through educational trips to various cultural organisations in Beijing, Shanghai, Guangzhou and Shantou. Madam Lim has since received her Diploma for Higher Teaching from NAFA, as well as teaching certificates for the Chinese Dance Graded Examination and Chinese Ethnic Folk Dance Graded Examination syllabus.

Throughout her career, Madam Lim has produced many commendable works that have left indelible impressions on critics and audiences alike. From 1989 to 2015, she had been actively choreographing for her troupe’s biennial dance production “Wu Zhi Si Cun”, and many of her pieces have been very well-received. Her works have been frequently showcased on both local and overseas platforms, and they have received recognition from local and overseas audiences alike. At the 2002 Liverpool

With years of hard work and perseverance, Madam Lim has earned a reputation for herself in the dance industry. She had many times been invited to choreograph for prestigious national events. Given her experience and professionalism, she has also frequently been invited as an external examiner or adjudicator for dance examinations and events held in Singapore and Malaysia. In addition, in 2006, 2008 and 2009, she had also worked closely with MOE to conduct educational courses and talks for Chinese dance teachers-in-charge.

Apart from dance, Madam Lim is also a veteran Chinese opera performer and instructor. She has played the lead role in many performances and performed locally as well as overseas, in China, Malaysia, Indonesia, Turkey, Thailand, Canada and Spain. She is highly regarded for her outstanding performances and is a respectable figure in the Chinese opera community.

Madam Lim is also a dedicated and highly knowledgeable martial arts practitioner. She had obtained the “International Wushu San Shou Dao 7th Degree Black Belt Title of Honor” in 2012, and in recognition of her determination and perseverance in promoting this branch of Chinese cultural arts, she also received the “World Famous Martial Arts Master Title of Honours” in the same year.

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首席编导

PRINCIPAL CHOREOGRAPHER

梁杰妮

Neo Jenny

现任新加坡福建会馆舞蹈剧场首席编导、拉萨尔艺术 学院和新加坡艺术学校讲师。 在母亲林美琴女士的熏陶和培育下，自幼学习华族舞 蹈到至今，曾考获英国皇家芭蕾学院高级芭蕾、爵士 舞、街舞、北京舞蹈学院舞蹈等级考试证书，毕业于 拉萨尔艺术学院，获学士学位。曾跟随北京舞蹈学院 陈玲、许文琦、王伟、陆峻、郭田、范东凯、蒋华轩 、孙光言、姚平和云南歌舞团高岚等诸位老师，学习 民间民族舞与古典舞技巧。 2004年到北京舞蹈学院继续进修中国舞编导，跟随 中国北京舞蹈学院编导系副教授肖燕英老师，民间舞 王斌老师和王一茹老师，芭蕾舞曲学智老师和现代舞 王佳诸位老师学习。考获北京舞蹈学院中国舞等级考 试、中国民族民间舞蹈等级考试（高级）与爵士舞教 师资格文凭。 近年来，在新加坡福建会馆文化艺术团属下的舞蹈团 、学校、选美会、舞蹈比赛，还有2004年、2006年 、2010年和2012年全国妆艺大游行以及2005年在 Padang广场举行的国庆日庆典上编排节目,屡获佳 绩，好评如潮。也多次在青年节舞蹈比赛中荣获金牌 和荣誉金牌奖项。 2011年参加由国家艺术理事会主办的“Sprouts – New Works Platform for Budding Choreographers”舞蹈比赛所编导的作品《哽咽》，获得“最 受欢迎作品”与“最佳舞者”两大奖项。2014年编 导的舞剧《原野》，参加第三届中国（潜江）曹禺文 化周的惠民演出活动，观众及方家赞不绝口。2015 年参与编导2015年新加坡国际艺术节《回归》华族 舞蹈部分。 曾多次在舞蹈晚会中担任独舞、双人舞与领舞， 2010年受邀担任由国家艺术理事会和华族文化节首 次联合举办，由华族舞蹈协会组合本地八个舞蹈团首

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次合作，联合呈现舞剧《白蛇情缘》中的女主角“白 蛇”、2014年新加坡福建会馆舞蹈剧场专业化首演 舞剧《游园•惊梦》中的女主角“丽娘”。 也在大型舞台潮剧表演中担任重要角色，塑造了一个 个栩栩如生的艺术形象。

Neo Jenny is currently the Principal Choreographer of the Singapore Hokkien Huay Kuan Dance Theatre, as well as guest instructor at the LaSalle-SIA College of the Arts and School of the Arts, Singapore.

Since a young age, Jenny had developed an interest for the arts under the influence of her mother, Madam Lim Moi Kim. She started her training in Chinese classical and Chinese ethnic folk dance at the age of ten. To enrich herself in this area, she later also pursued ballet, jazz and hip-hop. In 2004, she was awarded grants from the National Arts Council and Singapore Hokkien Huay Kuan to further widen her professional training at the Beijing Dance Academy. Jenny studied Choreography at the Beijing Dance Academy, and came under the tutelage of many renowned and experienced dance practitioners. During the course of her studies, she also obtained teaching certificates for the Chinese Dance Graded Examination and Chinese Ethnic Folk Dance Graded Examination syllabus. To develop her range, Jenny also enrolled in LaSalle-SIA College of the Arts, and graduated with a BA (Honours) in Dance in 2009.

Jenny has been actively choreographing for her dance troupe, schools, external events and competitions, and major events like the Chingay parade and National Day. She has produced many outstanding works, earning herself high recognition in the dance industry. In 2011, she participated in

此外，也曾到中国广东汕头市和江门市、湖北省潜江 市、马来西亚砂劳越古晋市、槟城、云顶高原、东马 诗巫、印尼苏拉威西、日惹、泰国清莱、曼谷、土耳 其西瓦斯市、加拿大以及西班牙等国家和地区演出， 都获得相当高的评价

the “Sprouts – New Works Platform for Budding Choreographers” event with “The Invisible Entity”.

This work received the “Most Popular Work” and “Best Dancer” awards. In 2014, Jenny took a bold leap to choreograph a full dance drama “The Wilderness”, which received overwhelming positive responses when it was performed at the “Third China Cao Yu Culture Week” held in Qianjiang, China. She was also one of the main choreographers for the production “Returning” performed at the Singapore International Festival of Arts 2015.

Having fully devoted her youth to dancing, Jenny has gained herself a wealth of experience and opportunities as a dancer. Over the years, she has performed many solos, duets and lead roles. In 2010, Jenny played Madam White Snake, the lead role in the dance drama “Romance of the White Snake”. In 2014, she played “Du Li Niang”, the female lead role in the Theatre’s inaugural core production “A Startling Dream”. Jenny’s grace and strong performing abilities has deemed her an undeniably popular performer on stage.

Besides her strong passion for dance, Jenny also participates actively in Chinese Opera and has played many important roles. She has had many performing opportunities both locally and abroad, to China, Malaysia, Indonesia, Thailand, Turkey, Canada and Spain. Her interest in this traditional art has helped further expose herself to the performing arts scene.

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客卿编导

GUEST CHOREOGRAPHER

创意舞坊创办人刘怡湘老师擅长编排大型舞蹈节目， 对营造气氛和掌握气势有着独特的处理手法。 他常常为国庆日以及妆艺大游行编排大型舞蹈。近年 来，其舞蹈作品融入了多门艺术类型之元素，并日趋 多元化。 2015年, 新加坡教育部与文化、社区及青年部共同举 办新加坡体育城开幕典礼演出, 刘怡湘老师的作品在 演出中大放异彩，也因此被刊登在多个媒体平台。 此外，刘怡湘老师在本地先驱舞蹈家 -- 吴丽娟老师于 2015年新加坡国际艺术节的作品 《回归》，担任该 作品的编导之一。

刘怡湘

Low Ee Chiang

刘怡湘老师现任多所学校之武术，体操教练和舞蹈老 师。其作品历年来于新加坡青年节艺术展演汇中大放 异彩，屡获“优异证书”。

Mr Low Ee Chiang, founder of Dance Inspiration, has developed his personal style of choreography that integrates martial arts and gymnastics into dance movements.

He has choreographed for numerous Chingay Parades and National Day Parades. His increasing involvement with Chinese opera and theatre drama has led him to introduce various forms of performing arts into his choreography.

In 2015, Mr Low had a number of major works. He choreographed for the Sports Hub Opening ceremony – Youth Celebrate! and his mass display item – “Electrolite” was highly commended and featured by mainstream and social media. He also choreographed the Closing Ceremony of the 8th ASEAN PARA Games held at Marina Bay Sands.

Mr Low Ee Chiang was also one of the key choreographers for the commissioned performance, “RETURNING” at the Singapore International Festival of Arts 2015.

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Mr Low currently teaches martial arts, gymnastics and dance at several schools and his works have won numerous medals at the Singapore Youth Festival Arts Presentation over the years.

客卿编导

客卿编导

吴翔田

蓝丽雅

2007年开始学习街舞，多次参加国内外舞蹈比赛。 近期到过日本（2014）、洛杉矶（2016）等国家进 修。

蓝丽雅就读克信女中时加入了学校的舞蹈团，在刘怡 湘老师的指导下，对舞蹈以及表演艺术产生了浓厚的 兴趣。之后，她亦代表学校多次参加舞蹈比赛以及公 共演出，藉此磨练自己的舞艺。她对舞蹈的热忱从没 间断。

GUEST CHOREOGRAPHER

Goh Xiang Tian

除了演出，吴翔田还为多名本地歌手及艺人如Taufik Batisah, Sheikh Haikel, 欧萱、瑞恩等编排舞蹈。 吴翔田乐于与晚辈分享他的舞蹈心得，并希望将新加 坡的街舞推向另一个高峰。

Goh Xiang Tian’s dance journey started in 2007 when he took up street dance. As a dancer, he has participated and won awards at many local and international competitions.

Besides performing and competing, Xiang Tian hones his craft by training internationally at countries such as Japan in 2014 and Los Angeles, California in 2016.

He has also choreographed for several local artistes including Taufik Batisah, Sheikh Haikel, Jeanette Aw and Rui En, to name a few.

He now shares his knowledge of dance with the younger and upcoming generations of dancers in Singapore and hopes to bring the local dance scene to new heights.

GUEST CHOREOGRAPHER

Lydia Lam

进入新加坡国立大学后，丽雅开始着手于编舞，希望 通过公演呈现的作品可以发人深省，让观众对生活周 遭发生的点点滴滴有更深一层的反思。她也希望通过 作品启发观众对舞蹈以及表演艺术的热爱。

Lydia’s dance journey started when she joined the Chinese and Modern Dance Society in her secondary school days under Mr Low Ee Chiang.

Since then, she has participated in many school performances and competitions all through junior college under ACJC’s Dance Society.

She started choreographing when she studied at the National University of Singapore, priding herself on her insistence in touching audiences with real and relatable societal issues so that every audience member can go home reflecting about their own lives.

Lydia hopes to continue to use dance to bring forth meaningful messages to her audiences and to inspire in them the love for dance.

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毕业于香港演艺学院，主修中国舞，辅修编舞，获荣 誉艺术学士学位。在校期间获得中国舞系奖学金和区 永熙艺术教育奖学金 ，同时也是新加坡艺术理事会 （海外）奖学金得主。

演员

曾与多名编导如，邢亮、刘琪、胡锦明、蔡莹等人皆 有合作，俊美形象和专业水平，深受观众的喜爱。她 还随CIE. Ismael Ivo (DE/BR) Biblioteca Do Corpo 到维也纳 及巴西演出。

李瑞敏 饰演 赛玉

至2012年，连续三年与舞蹈员身份代表新加坡出席 《亚洲舞蹈工作坊》与Idit及Kim Seol Jin两名编导 合作。

DANCER

Li Ruimin as Sai Yu

现为新加坡福建会馆舞蹈剧场专业演员，在2014年 新加坡福建会馆舞蹈剧场专业化首演舞剧《游园•惊 梦》中的女主角主角“杜丽娘”及2015年舞剧《原 野》的女主角主角“金子”。

Ruimin graduated from the Hong Kong Academy for Performing Arts (HKAPA) in 2013 with a Bachelor of Fine Arts (Honours) Degree in Dance. Majoring in Chinese Dance with a minor in Choreography, Ruimin was awarded the Chinese Dance Faculty Scholarship and William Au Arts Education Scholarship during her studies.

She is also the recipient of the Singapore National Arts Council Arts Scholarship (Overseas).

As a student, Ruimin had gained a wealth of experience participating in productions where she worked with renowned choreographers such as Xing Liang, Liu Qi, Wu Kam Ming and Cai Ying.

She had also performed with CIE. Ismael Ivo (DE/BR) Biblioteca Do Corpo "No Sacre" in Vienna and Brazil.

In 2012, Ruimin also represented Singapore as a participating artiste in the "Asia Dance Workshop" held for three consecutive years in Korea, where she got the opportunity to work with choreographers Idit and Kim Seol Jin. Ruimin joined SHHKDT in 2013. She has taken up several lead roles in the Theatre’s core productions, including “Du Li Niang” in dance drama “A Startling Dream” and “Jin Zi” in the dance drama “In the Wilderness”.

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演员

DANCER 郑龙 饰演 阿华

Zheng Long as Ah Hua 毕业于浙江艺术职业学院中国古典舞专业。在校领舞 的《黄河》、关一毅专场的《漠然的远离》曾获得各 方好评。 由其主演的《男儿》、《谷灵生息》和《光芒芒》在 浙江省比赛中多次获奖，其中《男儿》、《光芒芒》 荣获第八届音舞节一等奖。主演作品《东城决》在第 十届“桃李杯”群舞组荣获三等奖。毕业后跟随团体 在各地演出，有着丰富而扎实的演出经验。 现为新加坡福建会馆舞蹈剧场专业演员，在2015年 舞剧《原野》担任男主角“仇虎”。

Zheng Long graduated from the Zhejiang Vocational Academy of Art, majoring in Chinese dance.

He has played the lead roles in "Yellow River", "男 儿", "谷 生息" and " ", of which "男儿" and " " were awarded the first prize. He had also worked with Guan Yi Yi in "漠然的远离". At the tenth Tao Li Cup competition, Zheng Long performed the lead role in "东城决", which was awarded the third prize.

Upon graduation, Zheng Long had performed extensively in China before joining SHHKDT in 2014, where he took up one of the lead roles “Qiu Hu” in the Theatre’s original dance drama “In the Wilderness".

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演员

DANCER

曾祥 饰演 阿福

Zeng Xiang as Ah Fu 毕业于华侨大学音乐舞蹈学院舞蹈学（海外教育）专 业。在校期间多次参加中央电视台晚会担任领舞演员 如《天地记》、《最炫民族风》等。第九届桃李杯舞 蹈大赛《秀山花灯教学精品组合课》获得保护传统舞 蹈文化贡献奖。在重庆市各类比赛中多次获奖。毕业 后到过马来西亚及泰国教学，有着丰富而扎实的演出 及教学经验。 现为新加坡福建会馆舞蹈剧场专业演员。

Zeng Xiang graduated from the Hua Qiao University, School of Music and Dance (Education). During his academic years, he had participated in several China Central Television Night Gala performances, where he was one of the lead dancers in dance items including ”天 游记”, ”最炫民族风”, etc.

Zeng Xiang participated in the ninth Tao Li Cup competition, where his item was awarded the "Preserving Traditional Dance Culture" award.

He also received several awards in competitions held in Chongqing, China. Upon graduation, he went into teaching and taught at several schools in Malaysia and Thailand before joining SHHKDT in 2015.

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客卿演员

GUEST DANCER 苏健龙 饰演 黑社会老大

Benedict Soh as Triad Leader 舞蹈教育工作者、编导、学院讲师以及高校舞蹈老师 ，其舞蹈生涯缘起缘续跨越二十余年。苏健龙—毕业 于墨尔本大学（维多利亚艺术学院）一等荣誉硕士学 位，主修舞蹈编导。 自1987年，在新加坡著名资深舞蹈家及启蒙恩师— 黄捷宽老师的培育教导与熏陶下，健龙开始学习跟接 触了华族舞蹈和现代舞。从此舞蹈艺术就如同他生命 中仰赖的呼吸空气。近年来，在唐阿斯科博士和澳大 利亚舞蹈艺术家海伦赫伯森的指导下，让他更进一步 的开拓及探索当代舞和舞蹈创作的视野领域。

Benedict’s career as a performer, choreographer and educator spans more than twenty years. He holds a MFA with First Class Honours majoring in Choreography from the University of Melbourne (Victorian College of the Arts).

Benedict has had extensive training in both Chinese classical and contemporary dance since 1987, under the guidance of renowned Singapore dance educator and choreographer, Mr. Ng Chay Kuang. In recent years, being under the tutelage and mentorship of highly experienced dance and arts practitioner, Dr Don Asker (Australia) and Helen Herbertson has allowed him to further develop and explore his choreographic skills.

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演员

客卿演员

江佩玲 饰演 赛玉（老年）

张晓琦 饰演 朱红

自幼对舞蹈有极其浓厚的兴趣和天赋，四岁便跟随着 艺术总监林美琴老师习舞至今。也曾随中国北京舞蹈 学院陈玲、陆峻、郭田和云南歌舞团的高岚老师学习 中国民族民间舞蹈与中国古典舞技术技巧。

舞蹈学硕士，在2011年毕业于云南艺术学院舞蹈学 院，攻读舞蹈教育理论与实践方向，研究并学习了云 南少数民族舞蹈；本科就读于沈阳音乐学院，主修中 国古典舞专业，辅修中国民族民间舞，多次荣获国家 级奖学金，是全额奖学金的唯一获得者，毕业时被评 为“优秀毕业生”称号，发表学术论文数篇。

DANCER

Kong Pei Ling as Sai Yu (Senior)

佩玲曾多次在舞蹈晚会表演中担任领舞，积极参与国 际舞蹈文化节的交流活动。1996年参加印尼苏拉威西 岛锡江、2001年参加泰国清莱以及加拿大利物浦等地 区演出。在2002年加拿大利物浦国际戏剧节上以舞剧 《白娘子》中的青蛇一角荣获“最佳女配角奖”。在 2015年舞剧《原野》担任女主角“焦大妈”。

Since young, Kong Pei Ling has shown keen interest in dance. She took up ballet at the age of 4 and was trained in Chinese Classical dance and Chinese Ethnic Folk dance under Madam Lim Moi Kim. She had also come under the tutelage of several renowned dance practitioners during the years that she pursued dance.

Pei Ling has performed as the lead dancer in many of SHHKDT’s performances, as well as actively taken part in international dance festivals and exchanges. She had performed in Sulawesi, Indonesia in 1996, and in Chiang Rai, Thailand, and Canada in 2001. In 2002, she participated at the Liverpool International Theatre Festival held in Canada and won the “Outstanding Supporting Actress” award for her role as the “Green Snake” in the dance drama “Madam White Snake”. In 2015, Pei Ling took up the lead role as “Jiao Da Ma” in SHHKDT’s original dance drama “In the Wilderness”.

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GUEST DANCER

Zhang Xiaoqi as Zhu Hong

2012至今，带着教育部属下多所学校参加新加坡青 年节舞蹈比赛，并都荣获“优异证书”的好成绩。

Zhang Xiaoqi graduated in 2011 from the Yunnan Arts University Dance College with a Master degree in Dance Education. She had also obtained her Bachelor’s degree from the Shenyang Conservatory of Music, majoring in Chinese classical dance and minoring in Chinese ethnic folk dance. As a student, she had been a recipient of several prestigious national scholarships, including a full scholarship from the Shenyang Conservatory of Music. She was even given the title of “Outstanding Graduate” upon completing her studies.

Since 2012, Xiaoqi has been teaching dance as a co-curricular activity in several schools under the Ministry of Education. Under her tutelage, many of her schools have been awarded the “Certificate of Distinction” at the Singapore Youth Festival Central Judging for Dance.

演员

客卿演员

陈家锋 饰演 阿华（戏曲扮演）

张学泓 饰演 跟班

曾就读于南洋艺术学院，在艺术学院主攻舞蹈专业， 并主修芭蕾舞和现代舞。十四岁起接触舞蹈，之后为 了学习更多中国古典舞、中国民族民间舞及武术等， 便跟随启蒙恩师林美琴老师，加入了福建会馆舞蹈团 。曾多次在舞蹈晚会表演中担任领舞。2010年受邀 担任由国家艺术理事会和华族文化节首次联合举办， 由华族舞蹈协会组合本地八个舞蹈团首次合作，联合 呈现舞剧《白蛇情缘》中的“法海”。在2015年舞 剧《原野》担任男主角“焦大星”。

张学泓来至毛里求斯，毕业于新加坡国立大学。大 学期间多次参与舞蹈编排及演出。2007年起一直以 新颖的手法编排舞蹈，积极推广华族舞蹈。曾到毛 里求斯、香港、日本、韩国及马来西亚演出。身为 新艺舞团的创办人之一及驻团编导，他在2015年编 创的舞剧《和亲公主》在“新·东方舞集”演出中 获得好评。

DANCER

Chen Jiafeng as Ah Hua (Opera Play)

Chen Jiafeng has been learning Chinese Dance under Madam Lim Moi Kim since the age of 14.

He also continued to pursue dance at the Nanyang Academy of Fine Arts, majoring in Ballet and Contemporary dance. In 2010, Jiafeng played “Fa Hai”, one of the lead roles in the dance drama “Romance of the White Snake”, a production organised by the Chinese Dance Artistes’ Association. In 2015, Jiafeng also took up an important role as “Jiao Daxing” in SHHKDT’s original dance drama “In the Wilderness”.

GUEST DANCER

Ah Sen Hok Fen as Sidekick

Ah Sen Hok Fen started performing in Mauritius, before moving to Singapore to pursue his undergraduate studies.

Since 2007, Fen has devoted his youth to preserving and promoting Chinese dance. He has performed locally as well as abroad in countries including Mauritius, Hong Kong, Japan, Korea and Malaysia.

In 2015, as a Co-Founder and Resident Choreographer of Xin Yi Dance company, he presented his first dance drama “Princess of Peace” at “Dances of the Orient 2015”, which was well-received.

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演员

DANCERS

苏舜峰 饰演 孙子

Soh Shun Feng Kipp as Grandson

李汶隆 饰演 孙子 Lee Wen Long as Grandson

儿童群舞演员

YOUNG SUPPORTING DANCERS

林巧

周妍伶

王湘缘

Lim Sing Yee Jamie

Natalie Chew Yan Ling

Rita Ong Siang Yuan

商乐彤

商乐萱

陈科憓

熊绘贻

Siang Laura

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林心怡

Chiara Lin Qiao

Siang Sarah

Tan Ker Hwi Shanice

Yoong Hui Yi Jonelle

群舞演员

SUPPORTING DANCERS

赖纬璇

Lai Wei Xuan Vivien

沈思

李诗慧

Lee Shi Hui

谭芷殷

刘心宁

Lew Xinning

郑静汶

林俐仪

Ling Li Yi Adoncia

郑巧莉

Sim See

Tam Chi Yan

Tay Chien Wen

Tee Qiao Li

张彤薇

王温满

叶锦雯

陈修齐

Teo Tong Wei

Wang Wen Man

Yip Jin Wen

Zina Tan Xiu Qi

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客卿群舞演员

GUEST SUPPORTING DANCERS

姜柳君

岳安真

Angela June Yue

Belle Tay

陈康

Ellen Tan

张慧莹

Chen Kang

蓝丽雅

Joanna Teo Hui Ying

张予瑈

Lydia Lam

Phoebe Teo

沈岳丽

孫佩瑄

Shen Yueli

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郑琳雯

Adrienna Keon

Sng Pei Xuan

郭姜达

Quek Jiang Da

杨耀琮

Yong Jovan

陈嘉森

Chen Jiasen

李雪菁

Lee Xue Jing

郭仲毅

Quek Zhongyi

鸣谢

ACKNOWLEDGEMENT 舞剧《戏子情》演出能顺利成功举行，我们衷心感谢下列机构及社会人士给予我们大力支持: We would like to thank the following corporate and individuals for their support in making “Life’s A Stage” a success：

协助 Supported by

新加坡国家艺术理事会 National Arts Council 新加坡文物局 National Heritage Board 新加坡图书馆管理局 National Library Board 新加坡博彩公司 Singapore Pools 新加坡赛马公会 Singapore Turf Club 赛马博彩管理局艺术基金 Tote Board Arts Grant 新加坡福建会馆 Singapore Hokkien Huay Kuan 福建基金 The Hokkien Foundation 观音堂佛祖庙 Kwan Im Thong Hood Cho Temple 李氏基金 Lee Foundation 新加坡华族戏曲博物馆 Singapore Chinese Opera Museum 百盛卡 PAssion Card

宣传媒体 Media Support

958 城市频道 Capital 958 海峡时报 The Straits Times 早报副刊《现在》Zaobao NOW 今日报 TODAY

特别鸣谢 Special Thanks

创意舞坊 Dance Inspiration 豁然生舞蹈团 Dance Horizon Troupe 新艺舞团 Xinyi Dance Company 刘怡湘 Low Ee Chiang 苏健龙 Benedict Soh 张学弘 Ah Sen Hok Fen 高岚文化艺术中心 GL Culture & Arts Centre 张晓琦 Zhang Xiaoqi 郑惠明 Tay Hwee Meng 高杨伉俪 Mr & Mrs Gao Yang 李耀强伉俪 Mr & Mrs Edwin Lee 赖丽婷 Lai Lee Thin 张莉 Zhang Li 荣大鈞 Rong Da Jun 周树生 Zhou Shu Sheng 许作林 David Koh 蔡玉环 Cai Yu Huan 林顺兴 Lim Soon Heng 黃塑铭 Ng Seok Meng 林平平 Lim Peng Peng 林智明 Lim Tee Meng 蔡文杰 Chua Wen Jie 蔡文俊 Chua Wen Jun 冯家辉 Fong Kah Fai 更少不了关怀与支持舞蹈剧场的董事、执行委员、晚会演出全体工作委员、 协助台前幕后的工作人员及义工、全体演员及家长们以及观众。 We would also like to thank SHHKDT’s Board of Directors, Executive Committee, Working Committee, crews, volunteers, dancers and their family members, and audiences for your support.

支持 Supported by

指定电台 Official Radio Station

指定优惠卡 Official Privilege Card

指定电台 指定信用卡 Official Official Radio Credit Station Card

支持 Supported by

指定优惠卡 指定宣传制作 Official Official Privilege Media Card Production

指定信用卡 Official Cred

Singapore Hokkien Huay Kuan Dance Theatre Limited is a recipient of the National Arts Council’s Singapore Major Hokkien Grant Huay for the Kuan period Dance from Theatre April Limited 2016 to is 31aMarch recipient 2019. of the National Arts Counc