Irish & International Art 14th May 2025

AUCTION: 14 MAY @ 6P.M.

PREVIEW: 10 – 13 MAY

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IRISH & INTERNATIONAL ART

14 MAY @ 6.00P.M.

PREVIEW

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DURROW, CO. LAOIS, R32 FN88, IRELAND 14 MAY 2025 18:00-20:00: LOTS 1 - 167

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CECIL MAGUIRE RHA RUA (1930 - 2020)

Title: Tom Steele’s Rock, Ennis (C. 1980)

Medium: Oil on Board

Signature: Signed Lower Right & Dated 1980

Provenance: Private Collection

Framed

Description

A contemplative riverside view rendered with atmospheric subtlety by Cecil Maguire, Tom Steele’s Rock, Ennis captures the quiet elegance of this historic Co. Clare setting. Executed in oil on board, the composition is anchored by the mellow tones of the cottage façades and the still reflections along the canal, drawing the eye inward toward a stone bridge beneath a softened sky. Maguire’s sensitivity to light and mood is evident in his restrained palette and fluid brushwork, reflecting the introspective quality that defines much of his oeuvre.

Biography

Cecil Maguire (1930–2020) was a distinguished Northern Irish artist renowned for his evocative portrayals of rural and coastal Ireland. Initially working as a teacher, he later devoted himself fully to painting, developing a style marked by textured brushwork and a gentle, observational quality. His subjects ranged from quiet harbours and farmyards to traditional fairs and village scenes, capturing the rhythms of Irish life with warmth and authenticity.

Maguire’s deep connection to regions like Connemara and the Claddagh is evident in the sensitivity of his work, which often reflects a lived familiarity with the landscapes and communities he painted. Recognised by leading artistic bodies, his paintings are widely represented in both public and private collections, appreciated for their timeless charm and understated beauty.

Image: 35 x 29 cm. Framed: 62 x 52 cm.

€1,500 - 2,500

2

MICHAEL HALES (B. 1971)

Title: Lost Cities Shaded Passage.

Medium: Encaustic and oil on board.

Signature: Monogrammed.

Provenance: Artist’s Studio, Tipperary. Signed and titled verso. Unframed.

Description

In Lost Cities Shaded Passage, Michael Hales constructs a layered abstract environment that invites contemplation and interpretation. Executed in encaustic and oil on board, the composition is defined by a grid of textured planes in muted greys, icy blues, deep charcoal, and a central burst of red, evoking both architectural structure and archaeological memory. The work’s encaustic surface reveals subtle topographies and embedded gestures, suggesting urban traces, eroded walls, or the vestiges of forgotten spaces. Monogrammed by the artist, the piece exemplifies Hales’ command of material and spatial tension, combining painterly nuance with a restrained modernist geometry.

Biography

Michael Hales is a contemporary Irish artist working at the boundary of abstraction and landscape. Trained at Limerick School of Art and Design, he is known for his use of encaustic—a wax-based technique that allows for rich surface layering and gestural excavation. Hales’ practice often engages with built and natural environments, drawing on memory, architecture, and mapped terrain. His works are characterised by a disciplined structure underpinned by expressive materiality. Based in Ireland, he continues to exhibit selectively and is represented in private and corporate collections across Europe. 100 x 150 cm.

€3,000 - 5,000

3

JOHN FAULKNER RHA (1835 - 1894)

Title: Off The Donegal Coast Medium: Watercolour

Signature: Signed with monogram lower left & titled on verso Provenance: Private Collection Framed.

Description

A masterful watercolour capturing the rugged coastline of Donegal, this painting by John Faulkner conveys both the beauty and drama of the Atlantic shore. Windswept cliffs rise against a stormy sky, while distant boats navigate churning waters below. The subtle handling of wash and light affirms Faulkner’s reputation as one of Ireland’s leading landscape artists.

Biography

John Faulkner RHA (1835–1894) was a distinguished Irish landscape painter, known for his evocative watercolours and coastal scenes. A native of Dublin, he demonstrated remarkable ability from a young age, exhibiting at national level by his late teens. Faulkner became particularly admired for his sensitive portrayal of Ireland’s soft, shifting light and mist-laden atmosphere.

His paintings often feature tranquil lakes, sweeping shorelines, and pastoral countryside—especially views from the Wicklow coast and the western reaches of Achill Island. With a subtle palette and careful handling of tone, he captured the quiet mood and poetic essence of the Irish landscape. Though also an accomplished oil painter and a full member of the Royal Hibernian Academy, it is his watercolours that remain most closely associated with his name.

While his career included periods abroad and personal setbacks, Faulkner’s deep affinity for the Irish environment shines through in his work. He is remembered as one of the 19th century’s most lyrical interpreters of Ireland’s natural beauty.

Image: 43 x 70 cm. Framed:60 x 47 cm.

€800 - 1,200

ERSKINE NICOL RSA ARA (1825 - 1904)

Title: The Seanchai (c.1848)

Medium: Oil on canvas

Signature: Unsigned

Provenance: Dillon Antiques (Dublin) – The painting was sold through Dillon Antiques in Dublin and acquired by the late Brian P. Burns in the mid-1980s. Brian P. Burns was a prominent American collector of Irish art, and The Seanchai became part of his renowned collection. Framed

Brian P. Burns Collection (1980s–2020s) –

The Seanchai remained in the Brian P. Burns Collection for several decades. It was frequently exhibited and published as part of this collection (see below), confirming that it indeed was a Burns holding. After Burns’s passing, the painting was consigned for sale from his estate

Description

This poignant genre scene by Erskine Nicol depicts a seanachai, or storyteller, entertaining a mother and child outside a traditional Irish cottage. Rich in narrative detail and human expression, the painting conveys both humour and cultural heritage. Nicol’s fine draughtsmanship and theatrical composition heighten the emotional resonance of the moment.

Literature References:

The Seanchai has been published in several books and articles on Irish art and the Burns Collection, indicating its noted provenance and significance:

Thomas J. O’Gorman, “For All the World to See: The Brian Burns Collection,” The World of Hibernia, Summer 1996 – discussed and illustrated (The Seanchai is featured as part of the Burns Collection)sothebys.com.

Susan Moore, “Land of Heart’s Desire,” Apollo, September 2009, p. 66 – mentions The Seanchai in the context of Brian P. Burns’s Irish art collectionsothebys.com. (Notably, Nicol painted two works in the Burns Collection, The Seanchai and The Tenantgo.gale.com.)

Roger Kohn (ed.), A Rising People: The Brian P. Burns Collection of Irish Art, Nicholas Bass Ltd., 2017 – The Seanchai is illustrated in this comprehensive catalogue of the Burns Collection (p. 73)sothebys.com.

Exhibition History:

While in the Burns Collection, The Seanchai was shown in multiple major exhibitions of Irish art:

1996 (Boston, Dublin, New Haven) – Exhibited as No. 10 in “America’s Eye: Irish Paintings from the Collection of Brian P. Burns,” Boston College Museum of Art (Jan–May 1996), and travelled to the Hugh Lane Gallery, Dublin,

and the Yale Centre for British Art, New Havensothebys.com. (It was illustrated in the accompanying catalogue on p. 85.) This confirms the painting was indeed shown at the Yale Centre for British Art in 1996 as part of that touring exhibition.

2000 (Washington, D.C.) – Shown at the John F. Kennedy Centre in “Irish Paintings from the Collection of Brian P. Burns,” May 13–28, 2000 (illustrated in exhibition catalogue p. 65) sothebys.com.

2007 (Phoenix, AZ) – Included in “A Century of Irish Painting: Selections from the Brian P. Burns Collection,” Phoenix Art Museum, Mar–Apr 2007 (illustrated in catalogue p. 83)sothebys. com.

These exhibitions underscore the painting’s prominence in the Burns Collection and its public display in both Ireland and the US (including Yale in 1996).

Biography

Erskine Nicol RSA ARA (1825–1904) was a Scottish painter best known for his genre scenes that captured the everyday lives of 19th-century Irish people with both humour and humanity. Born in Leith, near Edinburgh, Nicol moved to Dublin in the mid-1840s, where he taught art and developed a keen eye for the social and cultural life around him. It was during this time that his distinctive narrative style began to take shape—marked by anecdotal compositions, lively characters, and subtle wit.

Nicol’s paintings often depicted rural Irish communities, portraying peasants, tradespeople, and emigrants with warmth and finely observed detail. While many of his early works embraced lighthearted themes, his later pieces revealed a more reflective tone, particularly in his portrayals of emigration and hardship, underscoring his growing empathy for his subjects.

He gained recognition on both sides of the Irish Sea, becoming a member of the Royal Scottish Academy and an Associate of the Royal Academy in London. His finely executed oils and watercolours remain valued for their narrative richness and technical precision, offering a vivid glimpse into the social fabric of 19th-century Ireland. Nicol also left a lasting artistic legacy, influencing future genre painters, including his son, John Watson Nicol.

Image: 48 x 62 cm.

Framed: 65 x 76 cm.

€4,000 - 6,000

FR. JACK P. HANLON (1913 - 1968)

Title: Mother and Child

Medium: Oil on Canvas

Signature: Signed Lower Right

Provenance: Dawson Gallery (Framing Label Verso); Private Collection

Framed

Description

This stylised composition by Fr. Jack P. Hanlon shows a mother and child framed by simplified forms and flattened colour planes, resonating with mid-century liturgical and European modernist influences. Angular yet tender, the work reflects Hanlon’s distinct synthesis of sacred subject matter and a modern visual idiom—one that moved easily between public commissions and intimate easel paintings.

Biography

Ordained a Catholic priest, Jack P. Hanlon was also a painter of liturgical and secular subjects in a bold, modernist style. Educated in art in Ireland and further trained in Paris, Hanlon developed a distinctive aesthetic rooted in early European modernism while remaining anchored in Irish spiritual themes. His work ranged from church commissions to gallery exhibitions, blending flat perspective, stylised figures, and vivid colour. Though his dual vocation limited his output, Hanlon remains a singular figure in Irish 20th-century painting, balancing vocation and vision.

Image: 92 x 70.5 cm.

Framed: 105 x 86.5 cm.

€4,000 - 6,000

R.B. HIGGINS (B.1943)

Title: Connemara Landscape

Medium: Watercolour

Signature: Signed lower left

Provenance: Private Collection

Framed

Description

A luminous and expansive view of the Connemara coastline unfolds under a dramatic sky in this watercolour by R.B. Higgins. The scene is alive with the textures of seaweed-strewn shorelines, quiet inlets, and heathered hills. Higgins’s delicate washes and precise draughtsmanship capture both the rugged terrain and ethereal atmosphere of the West of Ireland.

Biography

R.B. Higgins was an Irish landscape painter active during the mid-to-late 20th century, known particularly for his atmospheric watercolours. His works often depict the coastal and mountainous regions of the west, capturing their poetic solitude and changeable light. Higgins exhibited with regional galleries and gained a following among collectors drawn to his restrained palette and skilled compositions.

Image: 53 x 73 cm.

Framed: 75 x 95 cm.

€500 - 800

TONY O’MALLEY HRHA (1913 - 2003)

Title: Untitled (Winter Window) Medium: Gouache.

Signature: Signed with initials lower left. Provenance: The Stour Gallery label verso. Framed.

Description

An introspective abstract composition rendered in subtle shades of blue and black, this gouache by O’Malley captures the tactile essence of light filtering through a window during winter. His brushwork radiates contemplative restraint and textured depth, evoking silence and shadow in equal measure.

Biography

Tony O’Malley was a leading Irish abstract painter whose career spanned over six decades. Born in Callan, County Kilkenny, O’Malley began painting while recovering from illness, later committing full-time to art in the 1960s. He spent years in Cornwall among the St Ives artists, drawing inspiration from nature and spirituality. Though abstract, his works were grounded in lived experience and emotional perception. Elected an honorary member of the Royal Hibernian Academy, O’Malley is now regarded as a pillar of modern Irish art. Image size: 19 x 22 cm.; framed: 44 x 47 cm.

€1,200 - 1,500

8

JACQUELINE STANLEY (1928-2022)

Title: Wild Lily Ponds.

Medium: Pastel on paper.

Signature: Signed lower right.

Provenance: Private Collection Framed.

Description

This enchanting pastel work by Jacqueline Stanley presents a serene Irish landscape with wild lily ponds glimmering at the foot of sweeping hills. Rendered in soft, expressive strokes, Stanley’s composition is at once vivid and meditative, marked by her sensitivity to seasonal light and the rhythms of rural topography.

Biography

Jacqueline Stanley was a prominent Irish artist and educator whose work spanned painting, printmaking, and drawing. She trained at the National College of Art and later became a significant figure in Irish art education. Her works, often inspired by nature, exhibit a bold yet nuanced use of colour and form. Stanley’s career included numerous solo exhibitions and public commissions, and her work is held in several Irish institutional collections.

Image: 37 x 55 cm. Framed: 52 x 68 cm.

€500 - 800

9

MARKEY ROBINSON (1918 - 1999)

Title: Watching the Boats

Medium: Gouache

Signature: Signed lower left

Provenance: Private Collection

Framed

Description

Watching the Boats is a delightful gouache painting by Markey Robinson that captures a simple coastal moment with the artist’s signature naivety and charm. In the scene, a few abstracted figures stand on a quay or shoreline at the water’s edge, their faces turned towards the sea as they watch a cluster of boats glide by. Robinson pares down the imagery to its essentials: the figures are depicted as stylized silhouettes – perhaps a family or fishermen, indicated by just a few strokes for body and head – and the boats are simplified shapes with bold outlines, topped with triangle sails. Despite this simplicity, there is a clear narrative: the quiet pastime of boat-watching, an activity resonant in many Irish harbours. The colour palette is muted yet effective. The sky might be a wash of grey or pale blue, the water a dark teal, and the land a flat plane of earthy brown or green. Robinson often used blocks of colour with minimal blending, and here the contrast between the dark figures and lighter background creates a striking, almost symbolic composition. A gentle sense of movement is given by the tilt of the sails and a few ripples suggested on the water’s surface. The mood is peaceful, even a bit wistful – one can imagine a cool breeze and the sound of lapping waves. Signed by the artist, Watching the Boats exemplifies Markey Robinson’s folk-modernist aesthetic: it’s straightforward and unpretentious, yet imbued with a quiet emotional depth that invites the viewer to share in a moment of simple observation and reflection.

Biography

Markey Robinson (1918–1999) was a distinctive figure in 20th-century Irish art, known for his expressive, pared-back style and the remarkable breadth of his work. Born in Belfast as Thomas Mark Robinson, he was largely self-taught, developing a unique visual language that combined elements of folk art with modernist simplicity.

His paintings often drew on scenes from everyday Irish life—harbours, fishermen, rural cottages—as well as figures from dance, circus, and mythology. Whether rendered in oil, gouache, or watercolour, his compositions featured bold outlines, simplified forms, and a restrained palette that gave his work a quiet, emotive power. Though Robinson worked outside the mainstream art world and lived modestly, his bohemian spirit and authentic voice earned him wide admiration.

He exhibited both in Ireland and abroad, and his work found a devoted following for its sincerity and timeless charm. There is a subtle melancholy and depth behind the apparent simplicity of his imagery, a sense that each painting holds a story. Today, Markey Robinson is remembered as an original and independent talent—an artist who captured the essence of Irish identity with humility, imagination, and enduring style. Image: 30 x 50 cm.

Framed: 60 x 70 cm.

€4,000 - 6,000

10

SIAN MAGUIRE (B.1965)

Title: Near Roundstone. Medium: Oil on canvas.

Signature: Signed lower right. Provenance: Artist’s Studio; Private Collection. Framed.

Description

This tranquil coastal composition depicts the shoreline near Roundstone, Connemara. The calm waters, reflected light, and gentle tonal harmonies showcase Maguire’s observational skill and affinity for the West of Ireland’s timeless beauty.

Biography

Sian Maguire is a contemporary Irish artist who specialises in landscape and seascape painting. Her work focuses on the quiet poetry of Ireland’s west coast, particularly the Connemara region. Working primarily in oil, she seeks to capture fleeting weather, light shifts, and contemplative moments. Maguire has exhibited widely in Ireland and continues to work from her studio along the Atlantic coast. Image: 30 x 39 cm. Framed: 59 x 73 cm.

€700 - 1,000

11

HECTOR MCDONNELL RUA (B. 1947)

Title: Cannstatter Wasen, Stuttgart

Medium: Oil on canvas

Signature: Signed, titled and dated 2005 verso

Provenance: Solomon Gallery, Dublin Solo Exhibition, 18th May – 20th June 2006

Unframed

Description:

A large-scale, vibrant oil on canvas by celebrated Irish artist Hector McDonnell, capturing the bustling atmosphere of the Cannstatter Wasen festival in Stuttgart, Germany. Painted in 2005, the composition immerses the viewer in the heart of a traditional beer hall, with its richly adorned interior, jubilant crowd, and rhythmic repetition of glasses and figures. McDonnell’s mastery of colour and movement is evident in the detailed renderings of the figures, their expressions, and the festive ceiling decorations. This work exemplifies McDonnell’s painterly fluency and observational wit, blending realism with a lively, almost theatrical energy. The verso bears the artist’s inscription and date. Exhibited as part of the artist’s solo exhibition at Solomon Gallery, Dublin, in 2006.

Biography

Hector McDonnell is one of Ireland’s most distinguished contemporary painters, known for his insightful figuration, architectural views, and satirical edge. Born in 1947 into the Antrim branch of the McDonnell family, Hector studied at Eton College and later at Oxford University before pursuing artistic training in Munich and Vienna. His work draws heavily on European traditions of realism and caricature, often focusing on social gatherings, cultural rituals, and the human condition. A member of the Royal Ulster Academy (RUA), McDonnell has exhibited widely across Ireland, the UK, and internationally, and his works are held in numerous public and private collections. His acute observational style and deft use of colour have made him a unique voice in Irish art. Image size: 92 x 61 cm.

€8,000 - 12,000

12

NORMAN J. MCCAIG (1929 - 2000)

Title: Children on the Shannon

Medium: Oil on canvas board

Signature: Signed lower right & inscribed on label verso

Provenance: Private Collection

Framed

Description

A serene and tender rural scene by Norman McCaig, this work captures a sunlit afternoon along the River Shannon. Two young girls, dressed in white, gather flowers in a meadow while a woman gazes on, set against a backdrop of rippling waters and golden hills. McCaig’s brushwork is light and expressive, capturing the innocence of childhood and the lyrical beauty of the Irish countryside.

Biography

Norman J. McCaig (1929–2001) was an accomplished Irish landscape painter whose work is celebrated for its sweeping vistas and romantic portrayal of the Irish countryside. Born in Bangor, County Down, McCaig grew up in a creative environment and pursued formal training at the Belfast College of Art, later refining his skills during a formative period in Paris. These experiences shaped his distinctive style—marked by graceful compositions, subtle colour palettes, and a luminous quality that lends his landscapes an almost dreamlike serenity.

McCaig specialised in broad, idyllic scenes of the Irish landscape, capturing everything from the rolling Mourne Mountains to the expansive bogs of Connemara and sunlit coastal views. His paintings are characterised by their sense of space and tranquility, often evoking a timeless vision of the land. Influences from 19th-century landscape traditions are evident in his work, and a friendship with a theatrical set designer may have contributed to the sense of atmosphere and composition that defines many of his canvases.

A regular exhibitor in Ireland and abroad, McCaig earned a loyal following for his evocative, story-like depictions of rural Ireland. He was also a gifted pianist, reflecting a broader artistic sensibility that infused his work with harmony and rhythm. Today, his paintings continue to be admired for their elegance and quiet beauty—lasting tributes to a deeply felt connection with the Irish landscape.

Image: 38 x 48 cm.

Framed: 65 x 75 cm.

€1,000 - 1,500

PABLO PICASSO (1881 - 1973) SPANISH

Title: Blue Dove with Flowers.

Medium: Limited edition lithograph on arches paper. Published circa 1983 by SPADEM. After original proof from 1961.

Signature: Signed lower right

Provenance: Private Collection

Framed

Description

A posthumous edition of Picasso’s iconic dove imagery, Blue Dove with Flowers unites two recurring motifs of peace and nature. The linework is fluid and joyous, while the composition holds symbolic weight. Printed on fine Arches paper and published by SPADEM with full estate authorization.

Pablo Picasso transformed the trajectory of modern art through innovation, prolific creativity, and unmatched vision. From Cubism to Surrealism, his contributions spanned painting, sculpture, ceramics, and printmaking. His symbols—like the dove—remain potent emblems of peace, freedom, and artistic expression.

Biography

Pablo Picasso, one of the most influential artists of the 20th century, revolutionised Western art through Cubism, Surrealism, and an ever-evolving visual vocabulary. From the Blue and Rose periods to his late explorations in graphic art and ceramics, Picasso’s legacy is unmatched in its innovation, range, and cultural impact.

€1,000 - 1,500

PERCY FRENCH

(1854 - 1920)

Title: West of Ireland Bogland

Medium: Watercolour

Signature: Signed Lower Right

Provenance: Private Collection Framed

Description

An atmospheric and contemplative landscape by Percy French, West of Ireland Bogland evokes the expansive solitude of Ireland’s rural west. Painted in delicate watercolour, the composition is a study in subtle tonal shifts, with dusky blues and earthy purples merging across the moorland under a fading sky. A narrow stream winds through the foreground, reflecting the last light of day, while distant haystacks and shadowed mountains frame the horizon with quiet drama. French’s mastery of light and mood is evident in the gentle handling of wash and form, capturing the poetic melancholy of the Irish countryside. Signed lower right.

Biography

Percy French was a celebrated Irish artist, songwriter, performer, and writer whose creative legacy bridges both the visual and performing arts. Born in County Roscommon in 1854, French trained as a civil engineer but soon found his talents flourishing across a variety of artistic disciplines. As a painter, he became especially known for his delicate watercolours, which often depicted the Irish landscape with lyrical softness and atmospheric subtlety. His works capture the fleeting effects of light and weather with a poetic sensibility, revealing a deep emotional connection to the rural Irish countryside.

In parallel with his painting, French gained national fame as a humourist, composer, and entertainer, penning enduring ballads such as The Mountains of Mourne and Phil the Fluter’s Ball. His wit, charm, and insight into Irish life endeared him to audiences across Ireland and abroad. Though often associated with his musical achievements, his visual art has received increasing recognition for its technical finesse and evocative style. Percy French remains a singular figure in Irish cultural history—an artist whose multifaceted creativity left a lasting imprint on both the visual and performing arts of his time.

Image: 17.5 x 23.5 cm.

Framed: 33.5 x 39.5 cm.

€4,000 - 6,000

MELANIE LE BROCQUY

HRHA (1919 - 2018)

Title: Spring & Summer

Medium: Bronze (Ltd Edition No. 2 of 6)

Signature: Signed with initials

Provenance: Private Collection

Exhibited: The RHA Annual Exhibition, 2001 (catalogue No. 11)

Description

This deeply intimate bronze sculpture by Melanie le Brocquy presents two seated female figures in quiet reflection—possibly mother and daughter—rendered with her hallmark sensitivity to human form. The textured modelling evokes emotional connection, while the composition radiates warmth and subtle power.

Biography

Melanie le Brocquy is an acclaimed Irish sculptor, born into a family of notable artistic legacy. She trained at the National College of Art and Design in Dublin and later in Paris. Known for her lyrical bronzes that often explore the female form, le Brocquy exhibited at major institutions including the Royal Hibernian Academy. Her work is noted for its intimate scale, quietude, and tactile surface. 29 cm. high (including base); 26 cm. high (without base)

€1,200 - 1,500

GRAHAM KNUTTEL (1954 - 2023)

Title: Still life Table Top.

Medium: Acrylic.

Signature: Signed lower right

Provenance: Purple Onion Gallery. Framed.

Description

This boldly stylized still life exhibits Knuttel’s trademark angular forms, rich hues, and theatrical composition. It transforms the everyday into something cinematic and deeply personal.

Biography

Graham Knuttel (1954–2023) was one of Ireland’s best-known contemporary artists. His instantly recognisable style—part Cubist, part noir—made him a favourite of international collectors, including Sylvester Stallone and Robert De Niro. His works span painting, sculpture, and print.

Image: 75 x 75 cm. Framed: 91 x 91 cm.

€6,000 - 9,000

17

BRIAN MACMAHON (B. 1955)

Title: An Tuíodóir (The Straw) (1990) Medium: Oil on Canvas

Signature: Signed and Dated ‘90 Lower Right and titled verso

Provenance: Taylor Galleries (Label Verso); The Collection of Tommy Smith, Grogan’s Pub, Dublin; Private Collection Framed

Description

An Tuíodóir offers a vibrant composition rendered in thick, expressive brushwork, emblematic of Brian MacMahon’s mature style. A thatched cottage or rural motif appears to emerge from the energetic impasto, suggesting a convergence of memory, place, and painterly abstraction. Painted in 1990, the work comes from the period when MacMahon’s expressive handling of the Irish landscape was gaining critical attention for its physicality and intensity.

Biography

Born in Tralee, Co. Kerry, Brian MacMahon is widely associated with a bold, impasto-driven approach to painting that draws heavily from the west of Ireland’s visual and emotional landscape. His subjects—often cottages, coastlines, and rural figures—are refracted through a visceral, intuitive style. Trained at the Limerick School of Art, MacMahon developed a distinctively Irish expressionist language over the decades. His work has been championed by collectors and institutions alike, and frequently appeared in Irish cultural venues such as Grogan’s in Dublin, a longstanding supporter of contemporary Irish painters.

Image: 59.5 x 74.5 cm.

Framed: 75 x 90 cm.

€500 - 800

18

EVE LYN HOPE (FL. 1938 - 1959)

Title: The Four Courts, Dublin

Medium: Watercolour

Signature: Signed lower right

Provenance: Private Collection

Framed

Description

E. Lynn Hope’s Four Courts, Dublin is a delicate watercolour capturing one of Dublin’s most iconic architectural landmarks with mid-century charm. The painting likely presents a panoramic view of the Four Courts – the city’s grand neoclassical courthouse – as seen from across the River Liffey. In Lynn Hope’s hands, the familiar domed silhouette and Corinthian columns of the Four Courts are drawn with an architect’s precision yet softened by the diffused light of watercolour. The building’s grey stone façade takes on subtle shades of lavender and blue in the reflected sky, while the great dome is tinged with hints of sea-green patina. Below, the quayside and the gently rippling waters of the Liffey are suggested with broad washes; dappled reflections of the Four Courts and surrounding buildings shimmer on the river’s surface. There is movement and life implied in the scene – perhaps a few tiny figures along the waterfront or a horsedrawn cart (or early motorcar, given the era) suggested with a mere stroke – but overall the painting remains tranquil, an ode to Dublin’s stately beauty. The sky overhead is rendered in wet-on-wet washes of pale grey, white, and a touch of apricot, indicating either an early morning or late afternoon glow. The composition is balanced and classical, much like the building it portrays. Signed “E. Lynn Hope” at the lower right, this work exemplifies the artist’s affection for Dublin’s cityscape and the proficiency with which he/she portrayed it in watercolour – with clarity, lightness, and an underlying affection for the historic urban scenery.

Biography

E. Lynn Hope (fl. 1940s–1950s) was an Irish artist who specialised in watercolour scenes of the nation’s landscapes and cityscapes. Active in the mid-20th century, Lynn Hope exhibited regularly with the Royal Hibernian Academy and the Watercolour Society of Ireland, contributing to the art life of Ireland during a period that celebrated both modern and traditional styles. The artist was also associated with Victor Waddington Galleries in Dublin, a prominent venue that showcased leading Irish artists of the 1940s and 1950s. Lynn Hope’s subject matter ranged from the wild coasts of Donegal to the elegant Georgian vistas of Dublin’s streets and landmarks. In style, these works were typically gentle and atmospheric, favouring exact but unfussy draughtsmanship and a muted, pleasing palette. There is little published biographical detail on Lynn Hope, suggesting the artist valued the work over personal fame; nonetheless, the paintings speak eloquently for themselves. They often capture a sense of place with remarkable authenticity – be it the play of light on a stone facade or the particular grey of an Irish sky. Four Courts, Dublin is a prime example of Lynn Hope’s oeuvre, marrying architectural detail with the fleeting effects of weather and time of day. For collectors and historians, Lynn Hope’s paintings offer a nostalgic window into Ireland midcentury, rendered with a deft hand and a quietly observant eye.

Image: 27 x 37 cm.

Framed: 43 x 53 cm.

€400 - 600

19

GRAHAM KNUTTEL (1954 - 2023)

Title: Still Life

Medium: Monogrammed sketch. Graphite on paper.

Signature: Signed with monogram lower right

Provenance: Private Collection Framed.

Description

A preparatory drawing revealing the structural bones of Graham Knuttel’s signature figurative style. The schematic composition—a table, plant, and symbolic elements—exemplifies the artist’s thematic focus on observation, control, and psychological narrative. Rendered with economic line, this piece offers insight into Knuttel’s creative process.

Biography

Graham Knuttel (1954–2023) was one of Ireland’s best-known contemporary artists. His instantly recognisable style—part Cubist, part noir—made him a favourite of international collectors, including Sylvester Stallone and Robert De Niro. His works span painting, sculpture, and print. Image size: 33 x 23 cm.; framed: 45 x 35 cm.

€300 - 500

20

FELIM

EGAN (1952 - 2020)

Title: Canary (2007)

Medium: Acrylic on Canvas

Signature: Unsigned and Dated ‘07 on Printed Label verso

Provenance: Private Collection Framed

Description

A meditative composition by Felim Egan, Canary is structured around fields of muted yellow with small rectangles of pale grey and warm brown. The surface is finely worked, suggesting multiple veils of pigment applied over time. The restrained geometry and tonal shifts create an atmosphere of stillness—typical of Egan’s singular contribution to Irish abstraction.

Biography

Felim Egan was born in County Donegal and trained at Belfast College of Art, Portsmouth, and the Slade School in London. His minimalist compositions, built up in semi-translucent layers, earned him international recognition from the 1980s onward. Representing Ireland at major biennales, he received the Gold Award at Cagnes-sur-Mer and his work is held in collections such as the Irish Museum of Modern Art and the European Parliament. Egan’s painting practice was deeply contemplative, marked by balance, repetition, and quiet presence.

Image: 46 x 46 cm.

Framed: 70 x 70 cm.

€3,000 - 5,000

21

PETER CURLING (B.1955)

Title: Heading to the Start

Medium: Watercolour

Signature: Signed lower left

Provenance: Private Collection

Framed

Description

This signed watercolour exemplifies Peter Curling’s mastery of the equestrian art genre, rendered with the fluidity and vigour characteristic of his work. The composition is alive with motion: loose yet confident brushstrokes capture the swift elegance of horse and rider against a softly abstracted landscape. Curling’s palette is vibrant and earthy, conveying the energy of the scene while maintaining an atmosphere of Irish rural charm. The sense of movement – thundering hooves or a cantering stride – is palpable, reflecting the artist’s hallmark ability to portray the grace and dynamism of horses in action. This refined piece not only highlights the subject’s vitality but also the artist’s meticulous attention to detail, from the musculature of the horse to the play of light across the terrain.

Biography

Peter Curling (born 1955) is one of Ireland’s most acclaimed contemporary artists, celebrated for his dynamic equestrian paintings and evocative rural scenes. Born in Waterford and trained at the National College of Art and Design in Dublin, Curling established his reputation early as a master of capturing the grace, strength, and movement of horses.

His work ranges from the high-paced energy of the racecourse to the quiet rhythms of country life, rendered with a keen eye for detail and a deep understanding of his subjects. Using rich colour and fluid composition, Curling brings vitality and atmosphere to each scene, whether portraying a galloping thoroughbred or a moment of calm in the Irish countryside.

A member of the Royal Hibernian Academy, he has exhibited widely and continues to attract a loyal international following. Today, Curling remains at the forefront of Irish sporting and landscape art, admired for both his technical skill and the enduring spirit of his work.

Image: 50 x 70 cm.

Framed: 100 x 80 cm.

€2,000 - 3,000

22

NIALL CAMPION (B.1956)

Title: Boats, Howth Harbour, Dublin 2023.

Medium: Oil on canvas.

Signature: Signed lower right.

Provenance: Private Collection Framed.

Description

A bustling harbour scene filled with colour and light. Campion’s lively brushstrokes animate the fishing boats, jetties, and shimmering waters of Howth. The scene brims with contemporary energy, framed by Dublin’s coastal charm.

Biography

Niall Campion is an Irish painter celebrated for his vibrant maritime and street scenes. His dynamic technique and vivid palette lend movement and life to familiar landscapes. Campion exhibits regularly in Ireland and is known for his ability to capture atmosphere with immediacy and flair.

Image: 58 x 49 cm. Framed: 84 x 74 cm.

€800 - 1,200

IVAN SUTTON (B.1944)

Title: Galway Hookers, Claddagh Basin, Galway City.

Medium: Oil on board

Signature: Signed lower right & titled verso

Provenance: Private Collection

Framed

Description

A vibrant harbour scene by Ivan Sutton, Galway Hookers, Claddagh Basin depicts traditional Irish sailing boats moored against the backdrop of Galway City. Painted in thick, expressive brushstrokes, the hulls and sails of the boats shimmer in sunlight, reflected across dappled blue water. The rich impasto and energetic palette of blues, rust reds, and whites lend the work movement and texture. Signed lower right, and titled verso, this is a quintessential Sutton composition celebrating Irish maritime heritage.

Biography

Dublin-born Ivan Sutton is one of Ireland’s most respected painters of coastal and maritime life. Known for his textured brushwork and affinity for traditional scenes, Sutton’s subjects often include currachs, fishing villages, and West of Ireland landscapes. He works primarily in oil, building his surfaces with a palette knife to evoke the raw elements of shoreline life. Over a career spanning several decades, his work has been acquired by collectors in Ireland and abroad. Sutton continues to paint from his studio in Wexford, drawing on direct observation and a deep engagement with coastal heritage.

Image: 50 x 75 cm.

€1,500 - 2,500

GEORGE CAMPBELL RHA RUA (19171979)

Title: West of Ireland Bogland

Medium: Oil on panel.

Signature: Signed lower right.

Provenance: Christie’s - Hamilton Osborne King, Dublin, 26th May, 1993, Lot 135; Private Collection; Christie’s - Hamilton Osborne King, Dublin, 28th June, 1995, Lot 223; Private Collection Framed.

Description

A brooding and powerful abstraction of the West of Ireland, this oil on board by George Campbell reveals his masterful command of form and texture. Earthy browns and rich blacks swirl in a composition suggestive of peat bogs and stone walls, evoking both place and emotion. Campbell’s gestural technique blurs landscape and mood in a dynamic and compelling vision.

Biography

George Campbell RHA (1917–1979) was a self-taught Irish artist whose vibrant work reflected a deep connection to both Irish and Spanish culture. Born in County Wicklow and raised in Belfast, he began painting during the Second World War, inspired in part by the dramatic scenes of the Belfast Blitz. This unconventional beginning marked the start of a prolific career that would span several decades and continents.

Emerging in the 1940s among a group of Northern artists later known as the “Belfast Boys,” Campbell quickly established a distinctive visual language. His early work depicted Irish subjects—Connemara landscapes, street scenes, and quiet interiors—with expressive colour and bold composition. From the early 1950s, regular visits to Spain introduced a new vibrancy to his palette and subject matter, leading to striking depictions of markets, musicians, and flamenco dancers that became a hallmark of his style.

His ability to fuse the atmospheres of Ireland and the Mediterranean earned him wide acclaim. Elected to the Royal Hibernian Academy in 1964, he also received recognition abroad, including an honour for his contribution to Spanish cultural life. Whether working in oil, watercolour, or rapid sketch, Campbell conveyed a love of life through colour, rhythm, and form.

A central figure in mid-20th century Irish painting, Campbell’s work continues to resonate for its energy, warmth, and unique cross-cultural perspective. He is also remembered as part of a remarkable artistic family—his mother, Gretta Bowen, was a painter in her own right—and for his significant role in shaping the modern Irish artistic identity.

Image: 51 x 77 cm.

Framed: 70 x 95 cm.

€3,000 - 5,000

25

FRANCIS WILLIAM TOPHAM (1808-1877)

Title: Winnowing (1858).

Medium: Heightened watercolour.

Signature: Signed and dated lower right.

Provenance: Private collection. Framed.

Description

This exquisitely rendered Victorian watercolour shows rural women engaged in the age-old activity of winnowing grain. Topham’s mastery of colour, texture, and ethnographic detail is evident in the treatment of costume, posture, and landscape, all painted with a romantic sensitivity characteristic of his work.

Biography

Francis William Topham was a prominent English genre and watercolour artist of the Victorian era. He travelled extensively in Ireland and Spain, recording the lives of rural communities with striking fidelity and sentiment. A member of the New Society of Painters in Water Colours, his works were highly regarded for their richness in colour and documentary realism. Topham’s Irish subjects remain among his most admired, offering valuable insight into 19th-century rural life. Image: 55 x 47 cm. Framed: 67 x 63 cm.

€1,500 - 2,500

BARBARA WARREN RHA (1925 - 2017)

Title: Artist and Easel

Medium: Charcoal on Paper

Signature: Unsigned

Provenance: Acquired from the Artist’s Daughter; Private Collection

Framed

Description

A striking study in line and form, Artist and Easel reveals Barbara Warren’s masterful command of draughtsmanship and spatial composition. Executed in charcoal on paper, the work captures a moment of artistic creation, where the figure of the painter is poised mid-motion in front of a canvas, tools in hand. The scene is constructed with rhythmic contours and dynamic structure, suggesting both physical energy and reflective stillness. The abstracted, modernist approach echoes Warren’s sensitivity to gesture and her focus on the artist’s world. Though unsigned, the drawing is an evocative example of Warren’s exploration of the creative process, presented here in a refined contemporary frame.

Biography

Barbara Warren was an influential Irish artist known for her thoughtful, often introspective works that explored the human figure, domestic interiors, and the practice of art itself. Born in Dublin in 1925, she studied at the National College of Art and Design before furthering her education in Florence and Paris. Warren’s work is marked by a quiet lyricism, whether rendered in oil, pastel, or charcoal. She exhibited widely throughout her career and was elected a member of the Royal Hibernian Academy in 1989. Deeply respected as both a painter and educator, Warren contributed significantly to the Irish art scene over several decades. Her work is held in public and private collections across Ireland, admired for its subtle strength and considered composition. Image: 54.5 x 37 cm. Framed: 72 x 54.5 cm.

€400 - 600

27

JOHN FAULKNER RHA (1835 - 1894)

Title: The Road Home (1876)

Medium: Watercolour

Signature: Signed & dated 1876

Provenance: Private Collection

Framed

Description

A tranquil Irish landscape unfolds in this signed John Faulkner watercolour, bathed in the gentle light and moist atmosphere of the Emerald Isle. The scene – perhaps a lakeshore at dawn or a soft coastal view – is rendered with delicate washes of blues, greys, and greens that capture the unique softness and dampness of the Irish climate. Faulkner’s brushwork is remarkably nuanced: transparent layers of pigment convey distant hills shrouded in mist, while finer touches suggest foliage and rustic dwellings along the water’s edge. The overall mood is serene and wistful, evoking the quiet majesty of nature as often seen in Ireland’s west. As one’s eye travels through the composition, the interplay of light and shadow on water and sky reveals Faulkner’s romantic vision and technical skill – an atmospheric mastery that made him a leading landscape watercolourist of his time.

Biography

John Faulkner RHA (1835–1894) was a distinguished Irish landscape painter, known for his evocative watercolours and coastal scenes. A native of Dublin, he demonstrated remarkable ability from a young age, exhibiting at national level by his late teens. Faulkner became particularly admired for his sensitive portrayal of Ireland’s soft, shifting light and mist-laden atmosphere.

His paintings often feature tranquil lakes, sweeping shorelines, and pastoral countryside—especially views from the Wicklow coast and the western reaches of Achill Island. With a subtle palette and careful handling of tone, he captured the quiet mood and poetic essence of the Irish landscape. Though also an accomplished oil painter and a full member of the Royal Hibernian Academy, it is his watercolours that remain most closely associated with his name.

While his career included periods abroad and personal setbacks, Faulkner’s deep affinity for the Irish environment shines through in his work. He is remembered as one of the 19th century’s most lyrical interpreters of Ireland’s natural beauty.

Image: 44 x 74 cm.

Framed: 73 x 100 cm.

€1,000 - 1,500

JOHN BUTLER YEATS RHA (1839 - 1922)

Title: Lily in the Garden.

Medium: Pencil sketch. Double sided.

Provenance: Yeats Family Collection, Artist’s sketchbook. Framed.

Description

A tender study of a reclining female figure, this delicate sketch reflects Yeats’ masterful draughtsmanship and psychological sensitivity. Likely created as an intimate exploration rather than a formal work, it captures a moment of repose with fluid lines and atmospheric restraint.

Biography

John Butler Yeats was an Irish portrait artist and patriarch of the illustrious Yeats family. Initially trained in law, he turned to art in his thirties, becoming a respected portraitist in Dublin and London. Father of poet W.B. Yeats and painter Jack B. Yeats, he maintained a lifelong fascination with character and likeness. His late years were spent in New York, where he was active in literary circles. Known for his reflective self-portraits and insightful studies, his drawings are cherished as vital records of Irish cultural Image size: 15 x 25 cm.; framed: 43 x 53 cm.

€800 - 1,200

EUGENIE KAMRATH MYGDAL

(AMERICAN, 20TH CENTURY)

Title: Untitled (Female Nude)

Medium: Patinated bronze, raised on a circular wooden socle.

Signature: Unsigned

Provenance: Private Collection

Framed

Description

A finely cast bronze sculpture of a standing female nude by American sculptor Eugenie Kamrath Mygdal. The figure adopts a graceful, introspective pose with one arm lifted to her head and the other drawn gently across her body. The simplified form and fluid contours lend the piece a quiet elegance, capturing both vulnerability and strength in a moment of stillness.

Raised on a circular wooden socle, the sculpture is unsigned but stylistically consistent with Mygdal’s known body of work. Her practice, rooted in 20th-century American modernism, often explored the emotive qualities of the human form through compact, expressive compositions in bronze.

Eugenie Kamrath Mygdal is recognized for her sensitive treatment of the female figure, blending classical influence with modernist restraint. Her works remain sought after for their serene presence and timeless appeal.

22.5 cm. high (including base); 17 cm. high (without base); x 5.5 cm. wide

€400 - 600

30

HARRY KERNOFF RHA (1900 - 1974)

Title: Attorney (T. O’Mahoney, Barrister) (1935)

Medium: Oil on board

Signature: Signed lower left & inscribed on verso

Provenance: Private Collection

Framed

Description

A captivating oil by Harry Kernoff, The Attorney presents a theatrical portrait of a barrister mid-oration, dramatically caught in the moment of delivery. The figure’s exaggerated facial features, animated hand gestures, and the pronounced tilt of the head bring a strong sense of personality and caricature to the work. Kernoff’s palette – rich in earthy browns, parchment whites, and a lilac backdrop – amplifies the visual drama. The subject is attired in full court dress, complete with white wig and bands, and clutching a document in one hand. The angular style and bold linear forms reflect Kernoff’s lifelong interest in social characters and Dublin’s theatrical and civic life. Signed lower right, this work stands as a humorous yet poignant portrayal of a public figure in performance.

Biography

Harry Kernoff RHA (1900–1974) was a celebrated Irish artist known for his vivid and compassionate portrayals of 20th-century Dublin life. Born in London to Russian-Jewish and Spanish parents, he relocated to Dublin as a teenager, where he pursued formal training in art. His work captured the spirit of the city through portraits, street scenes, and interiors, reflecting both prominent cultural figures and everyday citizens with equal care.

Kernoff was particularly admired for his direct, linear style—often bordering on caricature—balanced by a strong sense of empathy and social awareness. A skilled draughtsman and committed idealist, he brought his artistic voice to posters, illustrations, and theatrical works, playing a key role in shaping Ireland’s visual and cultural narrative in the mid-20th century.

Image: 40 x 30 cm.

Framed: 75 x 65 cm.

€2,500 - 3,500

RONALD KEEFER

Title: Still Life of Flowers. Medium: Oil on board.

Signature: Signed lower left.

Provenance: Artist’s Studio; Private Collection. Framed.

Description

A lively still life bursting with colour and movement, this piece showcases Keefer’s expressive brushwork and joyful palette. The composition is contemporary and exuberant, echoing Matissean influence with a modern edge. Image: 60 x 60 cm. Framed: 72 x 72 cm.

€400 - 600

32

PATRICK LEONARD HRHA (1918 - 2005)

Title: Susanna and the Elders. Medium: Oil on board.

Signature: Signed lower right. Provenance: Private Collection. Framed.

Description

This evocative painting reinterprets the biblical tale of Susanna and the Elders through a sensuous and impressionistic lens. Leonard’s brushwork is vigorous and fluid, capturing both the vulnerability and strength of the central figure amid a richly textured setting.

Biography

Patrick Leonard was an Irish painter known for his accomplished portraiture, nudes, and allegorical works. He studied at the National College of Art and was elected HRHA in 1980. Leonard’s works are noted for their expressive painterliness and nuanced treatment of the human figure. He exhibited widely in Ireland and was a regular contributor to the RHA Annual Exhibition. His works are held in numerous institutional and private collections. Image: 56 x 35 cm. Framed: 74 x 52 cm.

€800 - 1,200

JOHN BUTLER YEATS

RHA (1839 - 1922)

Title: Gentleman Seated

Medium: Pencil on Paper

Signature: Unsigned

Provenance: Yeats Family Collection; Private Collection

Framed

Description

This deft pencil drawing captures a distinguished gentleman seated in quiet contemplation. John Butler Yeats uses fluid, confident line work to outline the sitter’s form, lending the portrait an intimate and spontaneous character. Gentle shading accentuates the contours of the gentleman’s face and attire, conveying depth and a thoughtful expression with minimal strokes. The composition is balanced and focused on the subject’s upper body, evoking the immediacy of a live sketch. Though a relatively small work on paper, it exhibits Yeats’s hallmark sensitivity to personality and detail, bearing the subtle assurance of the artist’s hand.

Biography

John Butler Yeats RHA (1839–1922) was one of Ireland’s finest portrait artists, famed for capturing the intellectuals of the Irish Literary Revival. Originally trained as a barrister, he turned to art in his late twenties and studied in London, where he absorbed Pre-Raphaelite influences. Over a long career, Yeats became revered for his insightful oil portraits and lively sketches of prominent figures, including his son, the poet W.B. Yeats, and many leading cultural personalities of the day. His style is marked by a delicate realism and an ability to convey the character of his sitters with economical pencil and charcoal lines. Yeats’s contribution to Irish art is significant – he not only documented the faces of a generation but also inspired future portraitists through his blend of technical skill and empathetic observation. Image: 30 x 22 cm. Framed: 60 x 52 cm.

€800 - 1,200

34

MARIE CARROLL

Title: Beach Day.

Medium: Oil on board.

Signature: Signed lower right

Provenance: Private Collection. Framed.

Description

Radiant and nostalgic, Beach Day is a joyous scene rendered in Marie Carroll’s distinctive palette and loose brushwork. The composition balances spontaneity with keen observational detail, evoking the warmth and simplicity of summer leisure. Framed and signed, this work reflects the artist’s affection for coastal life and everyday moments.

Biography

Marie Carroll was a contemporary Irish artist celebrated for her vibrant depictions of urban and coastal life. Her work captures familiar scenes with an expressive immediacy, combining impressionistic strokes with a strong sense of place. With a career spanning several decades, Carroll’s paintings are included in numerous public and private collections in Ireland and beyond. Image size: 60 x 40 cm.; framed: 80 x 62 cm.

€400 - 600

35

JAMES

NOLAN RHA (1929-2015)

Title: Victoria Bridge, Co. Kildare.

Medium: Oil on canvas.

Signature: Signed lower right.

Provenance: David Hendricks (label verso); Private Collection. Framed.

Description

Rendered in vibrant green tones and dappled sunlight, Victoria Bridge is a masterful evocation of a wooded Irish pathway, bathed in summer light. Nolan’s refined colour palette and keen sense of place are hallmarks of his mature style.

Biography

James Nolan was a distinguished Irish painter and Royal Hibernian Academician, celebrated for his sensitive and observational approach to the Irish landscape. Educated at NCAD, Nolan’s oeuvre consists largely of oils and watercolours that capture the character of rural and urban Ireland with a refined realism. His works are represented in numerous collections including the Office of Public Works and the National Self-Portrait Collection. Image: 53 x 59 cm. Framed: 64 x 69 cm.

€800 - 1,200

LOUIS LE BROCQUY HRHA (1916 - 2012)

Title: Head of Beckett

Medium: Lithograph (Edition 88/100)

Signature: Signed in pencil lower right

Provenance: Private Collection

Framed

Description

Head of Beckett is an iconic lithograph by Louis le Brocquy, part of his renowned series of spectral “Heads” portraying literary legends. In this compelling image, le Brocquy offers not a traditional portrait of playwright Samuel Beckett, but an evocative study of presence – Beckett’s visage emerges in pale, fragmented brushstrokes against a white void, as if materializing from light and shadow. The features are distilled to their essence: hollowed eyes, gaunt cheeks, and wisps of hair appear and dissolve, capturing Beckett’s austere, enigmatic persona. There is a haunting quality to the print; le Brocquy’s minimalist yet fluid handling of line and tone gives the head a ghostly aura, inviting viewers to contemplate the inner life and legacy of the Nobel laureate. Printed on fine paper and signed in pencil by the artist, this work (from a limited edition run) exemplifies le Brocquy’s innovative approach to portraiture – seeking the spirit or “emanation” of the subject rather than a mere likeness. Both modern and timeless, Head of Beckett stands as a testament to the dialogue between two Irish artistic giants: painter and playwright.

Biography

Louis le Brocquy (1916–2012) was one of Ireland’s most influential modern artists, celebrated for his deeply expressive and inventive approach to painting. Though largely self-taught, he emerged as a major figure in Irish art by the mid-20th century, first gaining recognition for his early works exploring marginalized communities with empathy and psychological insight.

Le Brocquy’s most iconic body of work, the Portrait Heads series—developed over several decades—offered haunting and meditative interpretations of cultural icons such as W.B. Yeats, James Joyce, Seamus Heaney, Francis Bacon, and Samuel Beckett. These portraits are notable for their ethereal quality: painted with translucent layers and flickering light, they aim not to depict likeness but to evoke the inner presence of their subjects.

Over his lifetime, le Brocquy received numerous honours and represented Ireland on the international stage. His work has been celebrated in major retrospectives and now resides in prominent museum collections around the world. Through his singular visual language and profound engagement with identity, memory, and spirit, he remains a towering figure in the story of Irish art.

Image: 39 x 39 cm.

Framed: 89 x 63 cm.

€2,000 - 3,000

JOHN BUTLER YEATS RHA (1839

- 1922)

Title: Garden Pagoda.

Medium: Pencil sketch.

Signature: Unsigned.

Provenance: from the Yeat’s family collection. Framed.

Description

A finely drawn sketch demonstrating Yeats’ sensitivity to both structure and natural form. This drawing speaks to his lifelong interest in portraiture, environment, and intimacy with subject.

Biography

John Butler Yeats was an influential Irish portraitist and the patriarch of the Yeats family. Father of poet W.B. Yeats and artist Jack B. Yeats, he was a central figure in the Irish cultural revival. Known for his masterful draughtsmanship, he worked mainly in pencil and oil and exhibited regularly with the RHA. Image: 19 x 12 cm. Framed: 41 x 35 cm.

€800 - 1,200

38

PAUL NIETSCHE (1885 - 1950)

Title: Still Life with Oriental Plate and Fruit

Medium: Oil on board

Signature: Signed Lower Left

Provenance: Private Collection

Framed

Description

This refined still life presents a careful arrangement of fruit, fabric, and a decorative porcelain dish. Niestche’s attention to tone and subtle modulation of light gives the scene a quiet dignity. The blue-and-white oriental plate provides a cultural counterpoint to the natural simplicity of the apples and lemons, while the drapery serves to guide the eye and unify the composition.

Biography

Born in Austria and later active in Ireland, Paul Niestche brought a continental sensibility to the Irish art scene. He worked primarily in still life and portraiture, blending academic technique with a delicate sensitivity to light and surface. His paintings are often marked by their measured construction and tonal control. Though not a prolific exhibitor, his works found favour with discerning collectors for their restraint and classical balance. Niestche lived and worked quietly in Ireland for many years, contributing to a European dimension in 20th-century Irish painting.

Image: 47 x 57 cm.

Framed: 84.5 x 94.5 cm.

€2,000 - 3,000

TINA SPRATT (B. 1976)

Title: Reflection

Medium: Oil on linen

Signature: Signed with monogram lower right

Provenance: Acquired directly from the Artist; Private Collection

Framed

Description

This evocative oil on canvas by contemporary British artist Tina Spratt captures a solitary female figure seated in tranquil repose beneath a canopy of dappled light. Rendered in Spratt’s signature realist style, the subject – clothed in soft drapery and seated against a sunlit backdrop – is portrayed with masterful control of shadow and tone. The composition evokes both warmth and introspection, with the “shade” of the title conveyed through subtle gradations of light across skin, fabric, and ground. The artist’s treatment of form is intimate and painterly; delicate brushwork brings out the softness of the figure’s pose, while the surrounding environment is suggested with impressionistic restraint. Signed lower right.

Biography

Tina Spratt (b.1976) is a British figurative painter celebrated for her emotionally resonant and beautifully lit studies of the female form. Working primarily in oil and charcoal, Spratt explores themes of solitude, strength, and vulnerability, often portraying women in moments of quiet reflection. Her work is characterised by its warm tonal palette, mastery of chiaroscuro, and a sensitivity to texture and mood. A graduate of the University of Plymouth, she has exhibited widely in the UK, Europe, and the US, and is a member of the prestigious Pastel Society. Her paintings are held in private collections internationally and continue to draw acclaim for their technical finesse and intimate storytelling.

Image: 75 x 49 cm.

Framed: 89 x 63 cm.

€2,500 - 3,500

PABLO PICASSO (1881 - 1973) SPANISH

Title: Dance of Youth.

Medium: Lithograph on Arches vellum.

Publisher/Copyright: Mouvement de la Poir Succession Picasso, 1999.

Signature: Signed lower right Provenance: Private Collection. Framed.

Description

This lithograph, Dance of Youth, epitomises the exuberant spirit and rhythmic linework characteristic of Picasso’s late period. Produced posthumously under the auspices of the Picasso Estate, the work channels vitality and movement with the master’s signature fluency of form. Printed on fine Arches vellum, the piece is a celebration of human expression and timeless energy.

Biography

Pablo Picasso, one of the most influential artists of the 20th century, revolutionised Western art through Cubism, Surrealism, and an ever-evolving visual vocabulary. From the Blue and Rose periods to his late explorations in graphic art and ceramics, Picasso’s legacy is unmatched in its innovation, range, and cultural impact.

Image size: 65 x49.5 cm.; framed: 78 x 63 cm.

€600 - 900

PERCY FRENCH (1854 - 1920)

Title: Sheep Grazing on Achill Island, near Dooega Head

Medium: Watercolour

Signature: Signed Lower Left

Provenance: Private Collection Framed

Description

A finely rendered watercolour by Percy French, depicting a winding path across heathered moorland with sheep grazing on the slopes below the dramatic cliffs of Dooega Head, Achill Island. The soft tonal gradation and atmospheric light are characteristic of French’s romantic vision of the Irish landscape. The composition draws the eye from the foreground path to the distant sea cliffs, partially shrouded in mist. Signed lower left. Presented in a glazed frame.

Biography

Percy French was a celebrated Irish artist, songwriter, performer, and writer whose creative legacy bridges both the visual and performing arts. Born in County Roscommon in 1854, French trained as a civil engineer but soon found his talents flourishing across a variety of artistic disciplines. As a painter, he became especially known for his delicate watercolours, which often depicted the Irish landscape with lyrical softness and atmospheric subtlety. His works capture the fleeting effects of light and weather with a poetic sensibility, revealing a deep emotional connection to the rural Irish countryside.

In parallel with his painting, French gained national fame as a humourist, composer, and entertainer, penning enduring ballads such as The Mountains of Mourne and Phil the Fluter’s Ball. His wit, charm, and insight into Irish life endeared him to audiences across Ireland and abroad. Though often associated with his musical achievements, his visual art has received increasing recognition for its technical finesse and evocative style. Percy French remains a singular figure in Irish cultural history—an artist whose multifaceted creativity left a lasting imprint on both the visual and performing arts of his time. Image: 17 x 29 cm. Framed: 48 x 61 cm.

€3,000 - 5,000

DOUGLAS ALEXANDER RHA (18711945)

Title: Connemara Mountain & Riverscape

Medium: Oil on board

Signature: Signed lower right (label verso)

Provenance: Victor Waddington Galleries, Dublin; Private Collection

Framed

Description

This expressive landscape by Douglas Alexander offers a sweeping view of the Connemara terrain, capturing the moody elegance of Ireland’s west coast. A winding river carves through the foreground, its still waters mirroring a brooding sky, while the mountains rise in soft gradients beyond. Alexander’s brushwork is confident and instinctive – earthy tones of peat, moss, and shale are applied with broad, painterly gestures. The composition balances solidity and openness, drawing the viewer into a natural world that feels both timeless and vast. Signed lower right, this work exemplifies the artist’s connection to the Irish landscape and his ability to portray it with both weight and atmosphere.

Biography

Douglas Alexander was a 20th-century Irish landscape painter whose work reflected a strong connection to the dramatic vistas of Ireland’s west. Though information on his Biography is limited, Alexander’s paintings are frequently encountered in regional collections and auctions, often depicting Connemara, Kerry, and coastal Donegal with a blend of tonal realism and loose impressionist technique. His works favour atmospheric mood over fine detail, capturing the transient light and changing weather that define Irish topography. Active primarily in the mid-century, his landscapes continue to be appreciated for their sincerity and painterly approach.

Image: 50 x 60 cm.

Framed: 70 x 80 cm.

€1,000 - 1,500

43

MARTIN FINNIN

Title: Childhood Memories (1999) Medium: Oil on card. Signature: Signed. Provenance: Van Guard Gallery. Framed.

Description

Finnin’s bold and emotive composition offers a dreamlike recollection of youth, rendered in rich impasto and primal colour. The work evokes nostalgia while remaining abstract and timeless.

Biography

Martin Finnin (b. 1968) is an Irish painter whose work fuses memory and abstraction. Educated at LSAD and Crawford, his practice is informed by travel, poetry, and the play between image and language. His paintings are part of public and private collections across Europe and Asia. Image: 54 x 75 cm. Framed: 90 x 109 cm.

€1,000 - 1,500

44

MICHAEL MULCAHY

(B.1952)

Title: Abstract Composition.

Medium: Oil and watercolour on paper. Signature: Signed lower right. Provenance: Private Collection. Framed.

Description

A vigorous and expressive composition, this abstract work reveals Mulcahy’s instinctual approach to mark-making and colour. The dynamic brushstrokes and gestural energy create a sense of rhythm and emotional resonance.

Biography

Michael Mulcahy is a leading figure in contemporary Irish expressionism. Educated at the Crawford School of Art and the NCAD, Mulcahy has lived and worked extensively in North and West Africa, experiences which deeply inform his colour-rich and spiritually driven artworks. A member of Aosdána, he has exhibited at major institutions including the Irish Museum of Modern Art and the Royal Hibernian Academy, and his work is included in many national collections. Image: 57 x 76 cm. Framed: 70 x 90 cm.

€800 - 1,200

TOM CARR ARHA HRUA ARWS (19091999)

Title: Swans on a Lake Medium: Watercolour

Signature: Signed Lower Right

Provenance: Private Collection

Framed

Description

An elegant watercolour by Tom Carr, “Swans on a Lake” captures a quiet pastoral moment with a lightness of touch characteristic of the artist. In this scene, a pair of white swans glide gracefully across a placid lake set in the Irish countryside. Carr uses a soft, muted palette – gentle blues for the water and sky, hints of green and golden ochre for foliage on the banks – creating an atmosphere of early morning or late afternoon calm. The swans are centrally placed, their reflections softly mirrored in the lake’s surface. Carr’s brushwork in watercolour is controlled yet fluid: the broad washes convey the expanse of water and sky, while finer strokes delineate the swans’ forms and a fringe of reeds in the foreground. There is a masterful use of negative space; the white paper is left untouched to define the swans’ feathers and a streak of sunlight on the water, lending the composition a luminous quality. A tree line in the distance is rendered in a hazy silhouette, suggesting depth without overworking detail. The painting is signed “Tom Carr” in the lower left, confirming its authenticity (the signature in this position aligns with Carr’s habit for works on paper). Simple and poetic, “Swans on a Lake” exemplifies Tom Carr’s ability to find serenity in nature, presenting the viewer with a moment of stillness and natural beauty.

Biography

Tom Carr ARHA, HRUA, ARWS (1909–1999) was a prominent Northern Irish artist, widely admired for his serene landscapes and sensitive figure studies. Born in Belfast, he demonstrated artistic talent from an early age and went on to study at the Slade School of Art in London, where he trained under leading British painters of the time. This classical grounding in drawing and composition would shape a career rooted in quiet observation and lyrical realism.

Though briefly drawn to abstraction in the early 1930s, Carr ultimately found his voice in representational art, focusing on the places and scenes he knew best. His paintings frequently depict the rolling countryside of County Down, calm coastal views, and tender domestic moments—subjects rendered with soft colour, balanced compositions, and a gentle sense of stillness.

Returning to Northern Ireland on the eve of the Second World War, Carr later served as an official war artist, chronicling the home front with empathy and restraint. In the postwar years, he became a respected educator at the Belfast College of Art and continued to exhibit widely, earning a devoted following for the quiet beauty and subtlety of his work.

Honoured with several distinctions, including an MBE and OBE, and active in multiple artistic societies, Carr remains a beloved figure in Irish art. His paintings, marked by their clarity and calm, offer a timeless reflection on the everyday world, viewed with attentiveness and grace.

Image: 25 x 38 cm.

Framed: 50 x 60 cm.

€500 - 800

JOHN BUTLER YEATS RHA (1839 - 1922)

Title: The Yeats Sisters Lily and Lolly (Elizabeth).

Medium: Pencil on Paper

Signature: Unsigned

Provenance: Yeats Family Collection. Framed.

Description

A tender and expressive double portrait of Lily (Susan Mary) and Lolly (Elizabeth Corbet) Yeats, captured in light, searching pencil strokes by their father, John Butler Yeats. The composition radiates familial affection and psychological nuance, typical of Yeats’s intimate portraiture. This important work provides both artistic and historical insight into one of Ireland’s most culturally influential families.

Biography

John Butler Yeats, patriarch of the Yeats family, was a central figure in Irish portraiture and the cultural revival. Initially trained in law, he turned to art and became best known for his perceptive pencil portraits. He was the father of poet W.B. Yeats and artist Jack B. Yeats. His work is celebrated for its sensitive line and psychological depth, often portraying members of the Irish literary and artistic elite.

Image size: 15 x 23 cm.; framed: 39 x 47 cm.

€800 - 1,200

KATHLEEN ISABELLA MACKIE ARUA (1899 - 1996)

Title: The Grey Walls (Bloody Foreland), Co. Donegal (1959) Medium: Oil on board

Signature: Signed lower left

Provenance: By Descent of the artist; Castle Espie Gallery, Co. Down (Label Verso); Private Collection Exhibited: Royal Ulster Academy, 1959 (Catalogue No. 33); Retrospective Exhibition, Castle Espie, 1985 (Catalogue No. 52) Framed

Description

A beautifully atmospheric view of the Donegal coast, The Grey Walls depicts the stark rock formations and rolling fields near Bloody Foreland. Kathleen Mackie captures the sculptural quality of the stone walls set against a mountainous backdrop, softened by a luminous Donegal sky. The brushwork is fluid and expressive, with a restrained but rich palette of greys, greens, and pinkish light. Signed lower left, and with noted exhibition history, this is a rare and evocative painting from an important figure in Irish landscape art.

Biography

Kathleen Mackie was a prominent early 20th-century painter and a founding female member of the Ulster art world. Trained at Belfast College of Art and later at the Slade in London, she exhibited widely and became an associate of the Royal Ulster Academy. Her work focused on the Irish landscape, often painted en plein air, with a strong emphasis on tonal harmony and atmospheric conditions. Mackie’s career spanned nearly a century, and her art remains a significant contribution to Northern Irish painting, especially for its elegance and sense of place. Image: 35 x 50 cm. Framed: 55 x 70 cm.

€1,500 - 2,500

NORMAN J. MCCAIG (1929 - 2000)

Title: Connemara Cottages

Medium: Oil on board

Signature: Signed left

Provenance: Private Collection

Framed

Description

A panoramic oil on board landscape depicting a cluster of whitewashed cottages nestled in the rugged hills of Connemara. McCaig’s composition captures the idyllic Irish countryside with broad, scenic horizons and an atmospheric sky reflected in bog pools. The cottages are rendered in warm tones and the surrounding fields in soft greens and browns, conveying a tranquil, picturesque charm. The paint is applied with a slightly textured brushwork, enhancing the natural relief of the mountains and foreground. Signed by the artist, this work exemplifies McCaig’s romantic vision of rural Ireland, inviting the viewer into its serene, idealized vista.

Biography

Norman J. McCaig (1929–2001) was an accomplished Irish landscape painter whose work is celebrated for its sweeping vistas and romantic portrayal of the Irish countryside. Born in Bangor, County Down, McCaig grew up in a creative environment and pursued formal training at the Belfast College of Art, later refining his skills during a formative period in Paris. These experiences shaped his distinctive style—marked by graceful compositions, subtle colour palettes, and a luminous quality that lends his landscapes an almost dreamlike serenity.

McCaig specialised in broad, idyllic scenes of the Irish landscape, capturing everything from the rolling Mourne Mountains to the expansive bogs of Connemara and sunlit coastal views. His paintings are characterised by their sense of space and tranquility, often evoking a timeless vision of the land. Influences from 19th-century landscape traditions are evident in his work, and a friendship with a theatrical set designer may have contributed to the sense of atmosphere and composition that defines many of his canvases.

A regular exhibitor in Ireland and abroad, McCaig earned a loyal following for his evocative, story-like depictions of rural Ireland. He was also a gifted pianist, reflecting a broader artistic sensibility that infused his work with harmony and rhythm. Today, his paintings continue to be admired for their elegance and quiet beauty—lasting tributes to a deeply felt connection with the Irish landscape.

Image: 38 x 50 cm.

Framed: 62 x 72 cm.

€800 - 1,200

JOHN SKELTON (1925 - 2009)

Title: Reflects, Galway.

Medium: Oil on board.

Signed: Signed lower right.

Provenance: Private Collection Framed.

Description

A peaceful coastal study by John Skelton, where reflections ripple across quiet Galway waters. The work’s clean lines and precise detailing evoke the calm rhythm of harbour life. Skelton’s palette captures the clarity of Atlantic light and structure of built landscape.

Biography

John Skelton is an Irish painter known for his architectural precision and restrained palette. His work often centres on Irish townscapes, coastal scenes, and structural compositions. Skelton’s art bridges traditional draughtsmanship with a contemporary eye for space and form.

Image: 24 x 59 cm. Framed: 34 x 69 cm.

€400 - 600

RODERIC O’CONOR RHA (1860 - 1940)

Title: Portrait of a Young Child

Medium: Charcoal on Paper

Signature: Unsigned

Provenance: Private Collection

Framed

Description

This intimate charcoal drawing by Roderic O’Conor presents the likeness of a young child, sensitively rendered with soft, economical line. Though unsigned, the work exhibits hallmarks of O’Conor’s draughtsmanship—confident strokes, subtle tonal modulation, and a psychological presence that exceeds the simplicity of the medium. Likely completed during his time in France or early visits back to Ireland, the piece offers a quiet window into his more personal, less formal work.

Biography

Born in County Roscommon, Roderic O’Conor studied at the Royal Hibernian Academy and later in Antwerp and Paris, where he became closely associated with post-Impressionist circles. A contemporary of Gauguin and a member of the Pont-Aven school, O’Conor was known for his expressive use of colour and textural brushwork. While best remembered for his bold paintings, his drawings reveal a more introspective side—quiet studies of people, often rendered in charcoal or pencil, where economy of line meets emotional depth. These works provide insight into O’Conor’s process and the human attentiveness behind his larger canvases.

Image: 24 x 19 cm.

Framed: 40 x 35.5 cm.

€800 - 1,200

EVIE HONE HRHA (1894

- 1955)

Title: Cubist Composition Study for a Stained Glass Window (1933)

Medium: Watercolour on paper

Signature: Signed lower right

Provenance: The Dawson Gallery (Label Verso); Private Collection Framed

Description

This stained glass window design by Evie Hone is a stunning work on paper that illuminates the artist’s visionary approach to liturgical art. Composed in watercolour and gouache, the design is essentially a fullcolour cartoon (preparatory drawing) for a stained glass window, and it vibrates with jewel-like hues and spiritual symbolism. In the design, Hone arranges an intricate tapestry of geometric shapes and sacred figures within the tall, arched format of a church window. Rich blues, reds, and golds dominate the palette, separated by bold lead-line tracery drawn in pencil or ink, which divides the composition into panels and medallions in the Gothic manner. One can discern perhaps a central religious scene – for example, a saint or biblical tableau – rendered in a semi-abstract, cubist-influenced style that retains clarity of narrative. Surrounding this central image might be smaller decorative or figurative elements: angels, heraldic emblems, or floral motifs, each harmoniously integrated into the overall scheme. Although executed on paper, Hone’s brushstrokes mimic the glowing translucence of stained glass: areas of colour are layered and modulated to suggest how light would filter through glass of varying thickness and tint. As a signed piece, this design is not only a work of art in its own right but also an insight into Hone’s creative process – a rare and beautiful blueprint for the luminous spiritual works that would eventually grace architectural spaces.

Biography

Evie Hone (1894–1955) was a pioneering figure in Irish modernism and a leading force in the 20th-century revival of stained glass. Born into an Anglo-Irish family, she overcame the challenges of childhood illness to pursue an artistic path with great resolve. In the early part of her career, she studied in Paris, where she was influenced by modernist ideas and Cubist theories of form and colour.

Upon returning to Ireland, Hone brought these avant-garde influences to bear on religious and symbolic subjects, becoming one of the foremost stained glass artists of her generation. While her early contributions to painting and exhibition culture helped shape modern Irish art, it was through her stained glass windows—found in churches and public buildings both in Ireland and abroad—that she left her most enduring mark.

Her work is distinguished by vibrant, harmoniously balanced colour and bold, expressive linework. Designs such as Stained Glass Window Design (Cubitt) reflect her ability to unite spiritual themes with modern abstraction. Though most of her creative output was realized in glass, her preparatory drawings remain rare and highly regarded for the insight they offer into her working process. Hone’s legacy lies in her remarkable synthesis of tradition and innovation, and in the distinct visual language she brought to sacred art.

Image: 33 x 24 cm.

Framed: 50 x 39 cm.

€3,000 - 5,000

52

KEVIN SHARKEY (B.1961)

Title: Flowers.

Medium: Acrylic on board.

Signature: Unsigned Provenance: Private Collection. Framed.

Description

Rendered in electrifying hues and linear energy, Flowers by Kevin Sharkey is a vivid meditation on natural beauty through a contemporary lens. The bold outlines and almost neon palette imbue the floral subject with a raw emotional charge, emblematic of Sharkey’s confrontational yet joyful aesthetic.

Biography

Kevin Sharkey is an Irish contemporary artist, television personality, and social activist. His bold, graphic painting style challenges traditional boundaries and explores themes of identity, nature, and socio-political discourse. Sharkey’s work is held in collections across Europe and the United States and has featured in high-profile exhibitions.

Image size: 70 x 50 cm.; framed: 95 x 105 cm.

€800 - 1,200

EAMON COLMAN (B.1957)

Title: The Orchard. Medium: Oil on paper.

Signature: Signed lower right. Provenance: Private Collection. Framed.

Description

Bursting with saturated colour and dynamic form, The Orchard is a joyous and poetic abstraction of nature. Colman’s layered brushwork and chromatic harmony evoke a dreamlike landscape, inviting viewers into a sensory experience beyond the visible.

Biography

Eamon Colman is an acclaimed contemporary Irish artist whose work blends abstraction with environmental themes. A member of Aosdána, he studied at the National College of Art and Design and has had numerous solo exhibitions in Ireland and internationally. His paintings often explore themes of weather, land, and emotion, influenced by the Wicklow landscapes where he lives. Colman’s work is held in many public and private collections. Image: 19 x 34 cm. Framed: 46 x 58 cm.

€500 - 800

MAURICE C. WILKS ARHA RUA (19101984)

Title: Cottages at Glen District, Co. Donegal

Medium: Oil on canvas

Signature: Signed lower left & titled verso

Provenance: Combridge Fine Arts, Dublin (Label Verso); Private Collection Framed

Description

In Cottages, Glen District, Donegal, Maurice Wilks presents a picturesque vision of Ireland’s northwest, capturing the timeless charm of a rural Donegal hamlet. The scene likely features a cluster of whitewashed, thatched cottages nestled amid the rolling greenery of the Glen district, a locality renowned for its natural beauty. Wilks, a master of plein-air technique, bathes the composition in the clear, soft light unique to the Irish countryside. The cottage walls gleam in hues of sunlit ivory against a backdrop of emerald fields and distant blue hills. A narrow path, worn by footsteps and flanked by wildflowers, draws the eye into the village, where one can almost imagine turf smoke drifting from chimneys and the faint echo of country life. Wilks’s brushwork is confident and painterly: the foreground grasses and foliage are rendered with brisk, impressionistic dabs of green and ochre, while the sturdy forms of the cottages are delineated more solidly, anchoring the landscape. Above, the sky is an open expanse of high clouds and pale azure, completed in broad swathes of paint that convey a breezy day. The overall effect is one of serenity and nostalgia – a lovingly observed snapshot of Donegal in bygone days. Wilks’s signature in the lower corner confirms his authorship of this idyllic vista, a classic subject that speaks to the heart of Irish identity and the artist’s own fondness for the region he painted throughout his career.

Biography

Maurice Canning Wilks RUA ARHA (1910–1984) was a prominent Irish landscape artist celebrated for his idyllic and light-filled depictions of rural Ireland. Born in Belfast, Wilks trained at the Belfast College of Art and quickly gained recognition for his ability to render the atmospheric moods of the Irish countryside. He had a particular affinity for the west and north of Ireland – especially County Donegal and the Connemara region – whose cottages, coastlines, and peat bogs became recurring subjects in his work. Wilks’s style blended academic draughtsmanship with a gentle impressionistic flair: his paintings are richly textured and employ a vibrant palette that captures the transient effects of Irish weather and light. A member of the Royal Ulster Academy and an associate of the Royal Hibernian Academy, he exhibited widely from the 1930s onwards, including regular shows in Dublin and Belfast. Collectors of his era eagerly sought his canvases, which offered escapism into an Ireland of quaint villages and unspoiled landscapes. Even today, Wilks’s work is cherished for its romantic yet truthful portrayal of Irish rural life. Cottages, Glen District, Donegal is a quintessential example of his oeuvre – combining topographical charm with the artist’s evident affection for the simplicity and beauty of Ireland’s traditional way of life.

Image: 34 x 44 cm.

Framed: 47 x 57 cm.

€2,000 - 3,000

ANNIE ROBINSON (B.1961)

Title: Circus Clown.

Medium: Acrylic on canvas.

Signature: Signed.

Provenance: From the Artist’s Studio, Canada. Framed.

Description

A vibrant and emotionally evocative portrait of a circus clown, Robinson’s expressive palette and naïve style celebrate innocence tinged with melancholy. The composition features bold colour blocking, stylized features, and playful iconography like the daisy and heart motifs. Framed with a crisp white surround, this work encapsulates the theatrical and sentimental dualities of the clown persona.

Biography

Daughter of the celebrated Irish artist Markey Robinson, Annie Robinson was born into a world deeply rooted in artistic expression. Raised in an environment where creativity was both vocation and heritage, she developed a distinctive voice that both echoes and departs from her father’s iconic style.

Annie’s work is imbued with a deep sensitivity to colour, form, and the human condition, often drawing on themes of identity, memory, and Irish cultural life. While her father’s expressionist and primitive aesthetic remains a subtle influence, Annie has carved her own path—favouring a more introspective and contemporary approach to subject and technique.

Over the decades, Robinson has exhibited in both group and solo shows throughout Ireland and the UK, earning quiet acclaim for her evocative compositions and emotional depth. Though her works are less prolific than her father’s, they are sought after by discerning collectors who value her refined palette and contemplative tone.

Annie Robinson represents a poignant continuation of the Robinson artistic legacy—bridging tradition and modernity, inheritance and individuality.

Image size: 18 x 12.5 cm.; framed: 35 x 27 cm.

€500 - 800

DANIEL O’NEILL (1920 - 1974)

Title: In Memory (1949)

Medium: Oil on canvas

Signature: Signed Lower Left and Dated ‘49.

Provenance: Hendrick’s Gallery, Dublin (Framing Label Verso); Christie’s, The Irish Sale, 2007 (Label Verso); Private Collection

Framed

Description

A deeply emotive work by Daniel O’Neill, In Memory is set within a brooding, dreamlike graveyard where a solitary female figure stands among the tombstones. The muted palette, rich in greys, greens and pale blues, evokes a quiet, contemplative mood. Trees devoid of foliage reach skyward, silhouetted against a gentle light that breaks through a clouded sky, hinting at an inner stillness. The figure’s pose and downcast expression suggest mourning or introspection, while the ambiguous setting draws the viewer into a personal space of memory and loss. Painted in oil on canvas, the work displays O’Neill’s signature expressionist handling of paint—loose, textured, and full of emotional charge. A label from the Hendrick’s Gallery, Dublin, is affixed to the verso, linking this painting to one of the most important venues for modern Irish art in the mid-20th century.

In Memory resonates with themes that appear frequently in O’Neill’s work: solitude, romantic longing, and a subtle dialogue between life and death. Though the scene is clearly figurative, the absence of narrative detail lends it a timeless quality, inviting personal reflection. It is a striking example of O’Neill’s ability to blend symbolic content with an intuitive, atmospheric approach to painting.

Biography

Daniel O’Neill was born in Belfast in 1920 and became one of the most distinctive voices in post-war Irish painting. Largely self-taught, he worked initially as an electrician while developing his artistic practice. His early works gained attention during World War II and led to a breakthrough when he joined Victor Waddington’s gallery in Dublin in 1945. There, O’Neill quickly rose to prominence, celebrated for his emotive, romantic vision and richly atmospheric painting style.

O’Neill’s paintings are marked by a lyrical, often melancholic tone. He drew influence from European expressionism and symbolism, as seen during his time in Paris in 1948, where he absorbed the work of artists such as Rouault and Utrillo. His work in the late 1940s and 1950s is among his most sought-after, frequently depicting poetic or intimate subjects in loosely defined, almost ethereal settings.

Throughout his career, O’Neill exhibited extensively in Ireland and abroad, including in Britain, North America, and Europe. He was a central figure in the post-war movement of Northern Irish artists often associated with the “Belfast Boys” alongside Gerard Dillon and George Campbell. In 1952, he received a retrospective at the Belfast Museum and Art Gallery, a rare honour for a living artist at the time.

In the late 1950s, O’Neill moved to London and his work underwent a period of change, showing a brighter palette and more simplified forms, though retaining his introspective themes. He returned to Belfast in the early 1970s, encouraged by renewed interest in his work. A final solo exhibition at the Dawson Gallery in Dublin in 1971 reaffirmed his significance in Irish art. He died in Belfast in 1974.

Today, Daniel O’Neill is remembered as a leading figure of mid-20th century Irish painting. His works are held in the collections of major institutions including the Ulster Museum, the Hugh Lane Gallery, and the Irish Museum of Modern Art, as well as in numerous private collections. His art continues to captivate with its emotional depth, expressive brushwork, and quietly haunting imagery. Image size: 44 x 60 cm.; framed: 65 x 81 cm.

€20,000 - 30,000

FRANK MCKELVEY RHA RUA (1895 - 1974)

Title: Portrait of a Lady with Green Drop Earrings (1931)

Medium: Watercolour

Signature: Signed lower right & dated 1931

Provenance: Private Collection

Framed

Description

Frank McKelvey’s Lady Seated is a graceful watercolour study that exudes quiet elegance. The composition presents a seated woman in profile, composed with a delicate palette of translucent watercolour washes. McKelvey’s brushwork is light and fluent – soft blues, greens, and flesh tones blend seamlessly to suggest the folds of the lady’s dress and the gentle fall of light across her form. The subject’s pose is demure and poised, hands resting calmly on her lap, which along with the calm background gives the piece an intimate, reflective mood. The artist’s characteristic attention to light and atmosphere shines through in the subtle highlights and shadows. The painting is signed at the lower right, the artist’s signature in a neat hand, confirming both authorship and the personal touch McKelvey gave to this refined portrayal.

Biography

Frank McKelvey RHA RUA (1895–1974) was an accomplished Irish painter from Belfast, renowned for his luminous landscapes and sensitive portraits. Trained at the Belfast School of Art, he showed early promise by winning a national prize for figure drawing in 1912. McKelvey began exhibiting at the Royal Hibernian Academy in 1918 and became a full member in 1930, marking him as a leading artist of his generation. His style, often described as Irish Impressionism, combined traditional realism with a masterful handling of light and colour, whether he was depicting the rolling Irish countryside or the dignity of a seated figure. Over a five-decade career, he held successful solo exhibitions in Belfast and Dublin and received numerous portrait commissions. McKelvey’s works are held in major collections (from Dublin’s Crawford Gallery to Queen’s University Belfast) and his legacy endures as a painter who captured the serenity and character of Irish life with superb technical skill.

Image: 32 x 26 cm.

Framed: 49 x 40 cm.

€800 - 1,200

NORMAN J. MCCAIG (1929 - 2000)

Title: West of Ireland (pair). Medium: Oil on board.

Signature: Signed. Provenance: Private Collection Framed.

Description

These paired works evoke the raw terrain of the West of Ireland, capturing its sweeping contours and ever-changing skies. McCaig’s brushwork and earthy palette convey a profound connection to place.

Biography

Norman J. McCaig (b. 1940) is a respected Irish landscape painter known for his expressive renderings of the Irish countryside. His works, often rooted in Connacht and the western seaboard, are held in collections including the Office of Public Works and the Irish Contemporary Arts Society. Image one: 38 x 120 cm. Framed: 54 x 135 cm. Image two: 44 x 120 cm. Framed: 59 x 135 cm.

€1,500 - 2,500

GORDON KING (B. 1939)

Title: The Most Beautiful Flower of All Medium: Watercolour

Signature: Signed lower left

Provenance: Private Collection Framed.

Description

A delicate and romantic composition, The Most Beautiful Flower of All by Gordon King features a young woman in a pale dress surrounded by a cloud of floral blooms. Painted in King’s refined watercolour technique, the soft pastels and translucent layers give the work an ethereal atmosphere. Light plays gently across the woman’s face and shoulders, while the blossoms and foliage dissolve into airy abstraction. Signed lower left, the painting is an ode to youthful beauty and natural elegance, rendered with the artist’s characteristic grace and sentiment.

Biography

Gordon King is a British painter renowned for his figurative watercolours and gentle portraiture. Trained as a technical illustrator, he later pursued a successful fine art career, exhibiting in leading UK galleries. His work typically portrays women in tranquil or romantic settings, blending technical precision with softness of mood. King’s subjects — often dancers, models, or dreamlike figures — are painted with an emphasis on light, grace, and serenity. He is especially admired for his mastery of watercolour and his ability to capture subtle emotional nuance within refined compositions.

Image: 54 x 75 cm. Framed: 79 x 100 cm.

€400 - 600

JOSEPH WILLIAM CAREY ARUA (1859 - 1937)

Title: Boats on a Lake Medium: Watercolour

Signature: Signed

Provenance: Private Collection Framed

Description

A charming watercolour scene depicting a tranquil lake dotted with small rowing boats. In this composition, J. W. Carey presents a quiet moment in nature: the glass-like lake reflects the pale blue of the sky and the silhouettes of a distant tree-lined shore. Two wooden boats rest upon the water’s surface, one in the foreground with a lone figure handling oars and another further back, both gently drifting. The surrounding landscape is softly indicated – perhaps sloping banks with grass and wildflowers in the lower corners, and rolling hills faintly visible beyond the far shore. Carey’s handling of watercolour is deft and delicate: translucent washes convey the softness of evening light, while finer brushwork picks out details like the boat planks and the ripples around the hulls. The overall tone is peaceful and nostalgic, typical of Carey’s early 20th-century Irish lake scenes. The painting is signed “J. W. Carey” in the lower area, and might bear a date (Circa early 1900s) if inspectable. Housed in a mount that complements its subdued palette, “Boats on a Lake” exemplifies Carey’s ability to capture the serene beauty of Ireland’s waterways in watercolour.

Biography

Joseph William (J.W.) Carey ARUA (1859–1937) was a Belfast-born artist known for his atmospheric watercolours of the Irish landscape and coastline. Trained as an illustrator, his early work honed the fine detail and careful composition evident in his later paintings. In the early 1900s, he received a major commission to depict historic scenes of Belfast, firmly establishing his reputation. Carey favoured quiet harbours, rural cottages, and boats on still waters, often painted directly from life. He exhibited regularly in Ireland and was an Associate of the Royal Ulster Academy. His work, both nostalgic and finely executed, remains in public collections and is still admired by collectors today.

Image: 25 x 68 cm. Framed: 39 x 82 cm.

€500 - 800

61

NORMAN TEELING (B.1944)

Title: The Fountain, Stephen’s Green.

Medium: Oil on board.

Signature: Signed lower left.

Provenance: Private Collection. Framed.

Description

Rendered in Teeling’s signature expressive brushwork and vibrant palette, this lively urban scene captures a bustling moment at the fountain in Dublin’s historic St. Stephen’s Green. The figures, bathed in sunlight and framed by autumnal trees, evoke the charm and rhythm of city life through colour and motion.

Biography

Norman Teeling is a Dublin-born artist known for his Impressionist-inspired depictions of Irish landscapes, urban scenes, and historical subjects. A graduate of the National College of Art and Design, he worked as a commercial artist and educator before dedicating himself to painting full-time. Teeling’s distinctive style emphasizes movement, colour, and atmosphere, often portraying Ireland with poetic vitality. His work has been widely exhibited and is held in numerous private and public collections.

Image: 50 x 60 cm.; Framed: 73 x 83 cm.

€800 - 1,200

WILLIAM CROZIER HRHA (1930 - 2011)

Title: Still Life with Jug and Shapes Medium: Oil on Tin Metal Tray

Signature: Signed on back of Tray

Provenance: Private Collection

Framed

Description

A vibrant and unconventional work by William Crozier, Still Life with Jug and Shapes merges the artist’s expressive colour sensibility with his interest in form and abstraction. Painted in oil on a repurposed tin metal tray, this composition features a silhouetted jug alongside a vivid yellow-blue cube and a green pyramid-like form, all set against a fiery orange ground encased in a deep, painterly frame. The result is a dynamic exploration of volume, colour contrast, and surface texture, executed with Crozier’s characteristic boldness and clarity. Signed on the reverse of the tray, the work exemplifies Crozier’s adventurous approach to both material and subject.

Biography

William Crozier HRHA (1930–2011) was a celebrated Irish-Scottish artist whose career spanned over six decades and left a lasting imprint on post-war British and Irish art. Born in Glasgow to Irish parents, Crozier trained at the Glasgow School of Art before rising to prominence in the 1950s London art scene. His early works—dark, expressive, and existential in tone—aligned him with a generation of artists grappling with the aftermath of war and the complexities of the human condition.

As his career progressed, Crozier’s style underwent a striking transformation. Inspired by time spent in France, Ireland, and the Mediterranean, he embraced bold colour and semi-abstraction, producing radiant landscapes and still lifes that pulsed with energy and emotional depth. The rural beauty of West Cork, where he eventually made his home, became a recurring subject in his later work—interpreted through vivid hues and simplified forms that conveyed both joy and intensity.

In addition to his prolific studio practice, Crozier contributed to art education and was recognised with numerous honours, including membership in Aosdána and the Royal Hibernian Academy. His work was exhibited widely in Ireland, the UK, and abroad, and is represented in major public collections around the world.

Throughout his life, Crozier remained committed to painting as a way of engaging with nature, memory, and personal experience. Whether through his early introspective canvases or his later celebratory abstractions, he is remembered as a master colourist and a vital voice in modern Irish and British painting.

Image: 31.5 x 41.5 cm.

Framed: 47.5 x 57 cm.

€2,000 - 3,000

EDWIN HAYES RHA RI ROI (1819 - 1904)

Title: The Pilot Boat

Medium: Watercolour

Signature: Signed lower right

Provenance: Private Collection

Framed

Description

The Pilot Boat by Edwin Hayes is an atmospheric marine watercolour that vividly brings to life the drama of the sea. In this scene, a sturdy pilot boat rides the rolling waves under a windswept sky. Hayes’s mastery of the watercolour medium is evident in the way the translucent washes convey motion and mood: tumbling blue-grey waves are tipped with foam, and the cloudy sky is lit with patches of pale sunlight breaking through. The composition likely includes a larger ship in the distance, emphasizing the pilot boat’s crucial role in guiding vessels to harbour. Every element – from the billow of the boat’s sail to the glint of light on the water – is rendered with keen observational detail and a mariner’s understanding of the sea’s temperament.

Biography

Edwin Hayes RHA RI (1819–1904) was a masterful marine painter whose work vividly captured the power and poetry of the sea. Although born in Bristol, he was raised in Dublin near the city’s busy docks, where his lifelong fascination with ships and coastal life began. A largely self-taught artist in maritime subjects, Hayes deepened his understanding of the sea through firsthand experience, even undertaking a transatlantic voyage in his youth.

Working in both oil and watercolour, he became renowned for his seascapes—ranging from tempestuous shipwrecks and stormtossed vessels to serene harbours and calm coastal scenes. His paintings are admired for their atmospheric depth and realism, particularly his skill in rendering the movement of waves, changing skies, and the reflective quality of water. These elements reflect not only technical finesse but also a deep, personal connection to his subject matter.

Hayes exhibited widely throughout the 19th century and was elected to both the Royal Hibernian Academy and the Royal Institute of Painters in Watercolours. Today, he is regarded as one of the foremost marine artists of his time, with a legacy rooted in his ability to evoke the drama, beauty, and unpredictability of the sea.

Image: 20 x 27 cm.

Framed: 30 x 37 cm.

€800 - 1,200

64

SIMON COLEMAN RHA (1916 - 1995)

Title: Wild Horses (1937)

Medium: Watercolour

Signature: Signed and Dated 1937 Lower Right

Provenance: The Collection of Tommy Smith, Grogan’s Pub, Dublin; Private Collection

Framed

Description

Wild Horses captures Simon Coleman’s early talent in full motion, depicting a dynamic group of horses in a sunlit yellow field. The loose, expressive line work is paired with a fresh, lyrical use of colour. The composition suggests vitality and energy, characteristic of Coleman’s lifelong engagement with the Irish landscape and rural scenes. Painted in 1937, this early piece already shows the artist’s eye for movement and compositional rhythm.

Biography

Simon Coleman was a member of the Royal Hibernian Academy and a key figure in 20th-century Irish representational painting. Born in Dublin, he studied at the National College of Art and developed a fondness for Irish country life, horses, and rural labour, which remained central subjects throughout his career. His works blend observation with a subtle lyricism, particularly evident in his watercolours. Beyond the studio, Coleman was closely associated with literary and artistic circles in mid-century Dublin, including the clientele of Grogan’s Pub, where several of his works were acquired and displayed for decades.

Image: 29 x 39 cm.

Framed: 59 x 49 cm.

€300 - 500

FR. JACK P. HANLON (1913 - 1968)

Title: Summer Morning. Medium: Watercolour

Signature: Signed lower left. Dawson Gallery Label verso. Provenance: Private Collection. Framed.

Description

A vibrant composition by Jack P. Hanlon, Summer Morning captures the delicate radiance of a floral arrangement bathed in light, set against a stylized window view. Hanlon’s confident handling of watercolour and his use of luminous pastel tones evoke a sense of tranquillity and lyrical domestic charm.

Biography

Jack P. Hanlon was an Irish artist and Catholic priest whose work is celebrated for its gentle lyricism and refined draughtsmanship. A graduate of the Royal Hibernian Academy schools, Hanlon was a member of the Watercolour Society of Ireland and exhibited widely, including at the Dawson Gallery and the RHA. His subjects often explored intimate interiors, ecclesiastical themes, and Irish landscapes with a modernist touch. Image: 56 x 38 cm. Framed: 73 x 54 cm.

€1,500 - 2,500

NORMAN J. MCCAIG (1929 - 2000)

Title: Strangford Lough

Medium: Oil on Board

Signature: Signed Lower Right

Provenance: Private Collection

Framed

Description

A sweeping and luminous landscape by Norman J. McCaig, Strangford Lough captures the serene grandeur of this renowned Northern Irish inlet. Executed in oil on board, the composition reveals McCaig’s lyrical handling of light and form—where a veil of soft cloud drifts across a vivid blue sky, and a distant tower crowns a rolling hillside beyond the shimmering water. The foreground is alive with natural texture: rustling grasses, stony shoreline, and foliage rendered in expressive brushwork. The artist’s intuitive palette and panoramic framing evoke both immediacy and timelessness. Signed lower right and presented in an elegant cream-toned frame.

Biography

Norman J. McCaig (1929–2001) was an accomplished Irish landscape painter whose work is celebrated for its sweeping vistas and romantic portrayal of the Irish countryside. Born in Bangor, County Down, McCaig grew up in a creative environment and pursued formal training at the Belfast College of Art, later refining his skills during a formative period in Paris. These experiences shaped his distinctive style—marked by graceful compositions, subtle colour palettes, and a luminous quality that lends his landscapes an almost dreamlike serenity.

McCaig specialised in broad, idyllic scenes of the Irish landscape, capturing everything from the rolling Mourne Mountains to the expansive bogs of Connemara and sunlit coastal views. His paintings are characterised by their sense of space and tranquility, often evoking a timeless vision of the land. Influences from 19th-century landscape traditions are evident in his work, and a friendship with a theatrical set designer may have contributed to the sense of atmosphere and composition that defines many of his canvases.

A regular exhibitor in Ireland and abroad, McCaig earned a loyal following for his evocative, story-like depictions of rural Ireland. He was also a gifted pianist, reflecting a broader artistic sensibility that infused his work with harmony and rhythm. Today, his paintings continue to be admired for their elegance and quiet beauty—lasting tributes to a deeply felt connection with the Irish landscape. Image: 35 x 90 cm. Framed: 43 x 98 cm.

€400 - 600

67

MARKEY ROBINSON (1918 - 1999)

Title: Queen of Atlantis.

Medium: Limited edition bronze sculpture 1/5.

Signature: Signed.

Provenance: Oriel Gallery sticker underneath.

Description

A rare cast in Robinson’s sculptural oeuvre, Queen of Atlantis blends mythology with his trademark stylisation. The work exudes quiet regality and expressive form, honouring the artist’s continued fascination with feminine archetypes. With strong provenance from the Oriel Gallery, this limited-edition bronze is a significant collector’s piece.

Biography

Markey Robinson (1918–1999) was a distinctive figure in 20th-century Irish art, known for his expressive, pared-back style and the remarkable breadth of his work. Born in Belfast as Thomas Mark Robinson, he was largely self-taught, developing a unique visual language that combined elements of folk art with modernist simplicity.

His paintings often drew on scenes from everyday Irish life—harbours, fishermen, rural cottages—as well as figures from dance, circus, and mythology. Whether rendered in oil, gouache, or watercolour, his compositions featured bold outlines, simplified forms, and a restrained palette that gave his work a quiet, emotive power. Though Robinson worked outside the mainstream art world and lived modestly, his bohemian spirit and authentic voice earned him wide admiration.

He exhibited both in Ireland and abroad, and his work found a devoted following for its sincerity and timeless charm. There is a subtle melancholy and depth behind the apparent simplicity of his imagery, a sense that each painting holds a story. Today, Markey Robinson is remembered as an original and independent talent—an artist who captured the essence of Irish identity with humility, imagination, and enduring style.

150 cm. high; 20 cm. wide; 31 cm. deep.

€800 - 1,200

TREVOR GEOGHEGAN

(1946 - 2023)

Title: Bog Stream

Medium: Acrylic on board

Signature: Signed lower right & titled verso Provenance: Private Collection Framed.

Description

Bog Stream captures the essence of the Irish midlands through Trevor Geoghegan’s distinctive lens — a landscape rich in warm autumnal hues, punctuated by a reflective stream meandering through the foreground. Executed in acrylic on board, the composition is defined by Geoghegan’s signature textured brushwork and expressive palette. The wide horizon and glowing light evoke the timeless quality of the Irish boglands. Signed lower right and titled on verso, this is a contemplative and lyrical work from the artist’s later period.

Biography

Trevor Geoghegan was a highly regarded Irish painter known for his intimate depictions of rural Ireland, coastal towns, and everyday life. Born in Dublin, he trained at the National College of Art and later moved to the West, where his painting matured into a warm, painterly realism. His compositions often portray gentle, unspoiled scenes — fishermen at harbours, fields under soft skies — with a focus on tonal harmony and atmosphere. Geoghegan exhibited extensively with the RHA and across regional galleries, becoming a beloved chronicler of Irish serenity and place. Image: 39 x 52 cm. Framed: 60 x 73 cm.

€800 - 1,200

CECIL MAGUIRE RHA RUA (1930 - 2020)

Title: Fishing Trawlers, West of Ireland

Medium: Oil on board

Signature: Signed lower right with artist’s label verso

Provenance: Private Collection

Framed

Description

A charming and evocative harbour scene by renowned Irish artist Cecil Maguire, depicting brightly coloured fishing trawlers at rest against a rugged West of Ireland backdrop. The vessels, captured with Maguire’s characteristic lively brushwork and keen sense of composition, are moored alongside a stone quay, with weathered village buildings rising beyond the harbour wall. The artist’s masterful use of light and colour beautifully conveys the quiet atmosphere of a coastal village at low tide.

Biography

Cecil Maguire (1930–2020) was a distinguished Northern Irish artist renowned for his evocative portrayals of rural and coastal Ireland. Initially working as a teacher, he later devoted himself fully to painting, developing a style marked by textured brushwork and a gentle, observational quality. His subjects ranged from quiet harbours and farmyards to traditional fairs and village scenes, capturing the rhythms of Irish life with warmth and authenticity.

Maguire’s deep connection to regions like Connemara and the Claddagh is evident in the sensitivity of his work, which often reflects a lived familiarity with the landscapes and communities he painted. Recognised by leading artistic bodies, his paintings are widely represented in both public and private collections, appreciated for their timeless charm and understated beauty.

Image: 75 x 60 cm.

Framed: 97 x 80 cm.

€3,500 - 5,500

70

MARIE CARROLL

Title: Summer Sailing. Medium: Acrylic on board.

Signature: Unsigned

Provenance: Private Collection Framed.

Description

In Summer Sailing, Marie Carroll captures a vibrant scene of Galway hookers gliding across sunlit waters. The composition is built around rhythmic sails rendered in vivid pinks and reds, contrasted against a calm blue-green sea. Her brushwork is fluid and confident, conveying movement without losing structural harmony. Typical of Carroll’s coastal work, the painting conveys a sense of contentment and simplicity, reflecting her enduring interest in the beauty of everyday Irish life.

Biography

Marie Carroll was a Dublin-born artist celebrated for her distinctive depictions of cityscapes, seascapes, and scenes of daily Irish life. Trained at the National College of Art, she developed a painterly style marked by bright colour, fluid composition, and a deep affection for her surroundings— particularly Dun Laoghaire, Sandycove, and south Dublin Bay. Working primarily in acrylic, Carroll often painted en plein air, capturing the light and rhythm of a place with immediacy and warmth. Her work was exhibited widely throughout Ireland, and she was a regular feature in Dublin galleries for over four decades. Since her passing in 2019, her paintings have continued to resonate with collectors for their charm, clarity, and unpretentious elegance. Image size: 75 x 100 cm.; framed: 89 x 115 cm.

€800 - 1,200

DANIEL O’NEILL (1920 - 1974)

Title: Watching the Waves

Medium: Oil on Paper

Signature: Signed Lower Left

Provenance: Combridge Fine Arts Ltd (Label Verso); The Collection of Hugh Charlton, Apollo Gallery, Dublin; Private Collection

Framed

Description

In Watching the Waves, Daniel O’Neill presents a dramatic and textured seascape, capturing the elemental force of nature with intense emotional resonance. Executed in oil on paper, the composition is framed by towering, almost sculptural rock formations that part to reveal the deep, churning blues of the Atlantic. O’Neill’s bold use of impasto and dynamic palette knife work infuse the scene with both tension and movement, creating a visceral interplay between land and sea. The abstracted forms and rhythmic brushwork suggest a psychological landscape as much as a physical one. Signed lower left, the work is a striking testament to O’Neill’s uniquely expressive vision.

Biography

Daniel O’Neill was born in Belfast in 1920 and became one of the most distinctive voices in post-war Irish painting. Largely self-taught, he worked initially as an electrician while developing his artistic practice. His early works gained attention during World War II and led to a breakthrough when he joined Victor Waddington’s gallery in Dublin in 1945. There, O’Neill quickly rose to prominence, celebrated for his emotive, romantic vision and richly atmospheric painting style.

O’Neill’s paintings are marked by a lyrical, often melancholic tone. He drew influence from European expressionism and symbolism, as seen during his time in Paris in 1948, where he absorbed the work of artists such as Rouault and Utrillo. His work in the late 1940s and 1950s is among his most sought-after, frequently depicting poetic or intimate subjects in loosely defined, almost ethereal settings.

Throughout his career, O’Neill exhibited extensively in Ireland and abroad, including in Britain, North America, and Europe. He was a central figure in the post-war movement of Northern Irish artists often associated with the “Belfast Boys” alongside Gerard Dillon and George Campbell. In 1952, he received a retrospective at the Belfast Museum and Art Gallery, a rare honour for a living artist at the time.

In the late 1950s, O’Neill moved to London and his work underwent a period of change, showing a brighter palette and more simplified forms, though retaining his introspective themes. He returned to Belfast in the early 1970s, encouraged by renewed interest in his work. A final solo exhibition at the Dawson Gallery in Dublin in 1971 reaffirmed his significance in Irish art. He died in Belfast in 1974.

Today, Daniel O’Neill is remembered as a leading figure of mid20th century Irish painting. His works are held in the collections of major institutions including the Ulster Museum, the Hugh Lane Gallery, and the Irish Museum of Modern Art, as well as in numerous private collections. His art continues to captivate with its emotional depth, expressive brushwork, and quietly haunting imagery.

Image: 23 x 16 cm.

Framed: 47 x 39.5 cm.

€1,500 - 2,500

ARTHUR K. MADERSON (B. 1942)

Title: Evening at the Docks

Medium: Oil on Board

Signature: Signed ‘A.K. Maderson’ Lower Right

Provenance: Acquired directly from the artist, Circa 1987; Private Collection, UK, Private Collection, Ireland

Framed

Description

Arthur K. Maderson’s Evening at the Docks is a luminous and atmospheric interpretation of industrial life at twilight, rendered with his signature impressionistic brushwork. In this work, Maderson captures the vibrant interplay of light and colour as dusk descends over a bustling dockland scene. The cranes and smokestacks stand silhouetted against a glowing sky, their sharp industrial lines softened by the haze of evening and the artist’s expressive handling of paint. The composition pulses with energy, yet retains a dreamlike stillness, embodying a moment suspended between day and night, activity and rest.

Maderson’s use of colour is particularly striking in this piece. Purples, pinks, and oranges swirl together in a kaleidoscopic effect, lending warmth and lyricism to what could otherwise be a cold, mechanical subject. His treatment of light, diffused and ever-shifting, evokes a sense of both physical atmosphere and emotional tone. This painting reflects Maderson’s deep interest in capturing fleeting moments, a hallmark of his artistic philosophy influenced by both the French Impressionists and his own Irish surroundings. The docks, while functional and industrial, become almost poetic under his brush.

What makes Evening at the Docks especially powerful is the way it elevates an ordinary urban landscape into something profoundly beautiful and contemplative. The painting is not merely a depiction of a port, but a meditation on the harmony that can exist between man-made structures and natural light. The rising plumes of smoke, the layered textures of metal and water, and the hints of human presence in the machinery all suggest a narrative of labour and life — without ever directly showing it. It’s a masterclass in suggestion and subtlety, where meaning arises from mood and movement rather than explicit storytelling.

As with much of Maderson’s work, Evening at the Docks invites the viewer to look beyond the surface — to slow down and absorb the nuances of colour, the rhythm of brushstrokes, and the emotional resonance of the scene. This is not just a painting of docks at sunset; it’s an immersive experience that transforms a gritty, industrial subject into a glowing celebration of light, tone, and the human imprint on landscape. In this way, the work speaks to Maderson’s broader legacy as an artist who finds transcendence in the everyday, and who consistently challenges the boundaries between realism and abstraction.

Biography

Arthur K. Maderson (b. 1942) is a British-born painter who has become a celebrated figure in contemporary Irish art, known for his captivating Impressionist-inspired works. Born in London and trained at the Camberwell School of Art (1959–1963), Maderson was deeply influenced by the French Impressionists’ fascination with light. His paintings – whether beach scenes, bustling markets, or harbour views – are distinguished by vigorous, energetic brushstrokes and a vibrant, high-key palette. Maderson focuses on the play of light above all; he layers bright, contrasting colours to create shimmering effects and intense visual impressions of his subjects. After moving to Ireland, he regularly exhibited at prestigious venues like the Royal Hibernian Academy, winning awards that solidified his reputation. Today, Arthur Maderson’s works are highly sought for their ability to bridge tradition and modernity, marrying classical impressionist techniques with contemporary scenes that pulse with life and colour.

Image: 79 x 110 cm.

Framed: 103 x 133 cm.

€5,000 - 8,000

RONALD KEEFER

Title: Charlie

Medium: Oil on board.

Signature: Signed lower right.

Provenance: Artist’s Studio; Private Collection. Framed.

Description

Playful yet painterly, Charlie captures the spirited charm of its bovine subject. With a vibrant green backdrop and expressive brushwork, Keefer imbues the animal with both character and colour-field impact.

Biography

R. Keefer is a contemporary painter with a unique focus on animal portraiture, especially livestock subjects. Merging humour and affection with a bold colour palette, Keefer’s work often juxtaposes the everyday with stylised pop aesthetics. Working from a rural studio, the artist draws inspiration from local agricultural life, producing images that are as iconic as they are personable.

Image: 60 x 60 cm. Framed: 72 x 72 cm.

€400 - 600

MAURICE C. WILKS ARHA RUA (1910 - 1984)

Title: Gathering Turf by the Shore Medium: Oil on canvas

Signature: Signed Lower Right

Provenance: Private Collection

Framed

Description

This oil painting by Maurice Wilks captures a group harvesting turf along a shoreline, set against a luminous backdrop of mountain and water. Executed in Wilks’ well-known impressionist idiom, the scene is both pastoral and industrious. The brushwork is brisk, the palette earthy and gentle, evoking a landscape shaped as much by human labour as by natural rhythms.

Biography

Maurice Canning Wilks RUA ARHA (1910–1984) was a prominent Irish landscape artist celebrated for his idyllic and light-filled depictions of rural Ireland. Born in Belfast, Wilks trained at the Belfast College of Art and quickly gained recognition for his ability to render the atmospheric moods of the Irish countryside. He had a particular affinity for the west and north of Ireland – especially County Donegal and the Connemara region – whose cottages, coastlines, and peat bogs became recurring subjects in his work. Wilks’s style blended academic draughtsmanship with a gentle impressionistic flair: his paintings are richly textured and employ a vibrant palette that captures the transient effects of Irish weather and light. A member of the Royal Ulster Academy and an associate of the Royal Hibernian Academy, he exhibited widely from the 1930s onwards, including regular shows in Dublin and Belfast. Collectors of his era eagerly sought his canvases, which offered escapism into an Ireland of quaint villages and unspoiled landscapes. Even today, Wilks’s work is cherished for its romantic yet truthful portrayal of Irish rural life. Cottages, Glen District, Donegal is a quintessential example of his oeuvre – combining topographical charm with the artist’s evident affection for the simplicity and beauty of Ireland’s traditional way of life.

Image: 34 x 44 cm.

Framed: 49.5 x 59.5 cm.

€1,500 - 2,500

GEORGE CAMPBELL RHA RUA (1917 - 1979)

Title: Portrait of a Gentleman

Medium: Pencil sketch

Signature: Unsigned

Provenance: Private Collection

Framed

Description

George Campbell’s Sketch of a Man is a brisk, expressive pencil drawing that encapsulates the artist’s spontaneous style. The subject is a male figure – possibly a head-and-shoulders portrait – captured with just a few confident strokes. Campbell employs bold, sweeping pencil lines to define the contours of the man’s face and posture, imparting a sense of immediacy and movement to the sketch. There is an energetic, almost abstract quality to the way shading is indicated, suggesting the folds of clothing or the turn of a shoulder with minimal detail. Yet, amid this economy of means, the character of the man emerges: the tilt of the head and intensity of the gaze hint at an engaging personality or momentary pose. The drawing is signed by George Campbell, verifying it as an authentic work on paper by the artist. Though likely drawn as a preparatory study or a moment of inspiration, it stands on its own as a compelling example of Campbell’s draughtsmanship and creative vigour.

Biography

George Campbell RHA (1917–1979) was a self-taught Irish artist whose vibrant work reflected a deep connection to both Irish and Spanish culture. Born in County Wicklow and raised in Belfast, he began painting during the Second World War, inspired in part by the dramatic scenes of the Belfast Blitz. This unconventional beginning marked the start of a prolific career that would span several decades and continents.

Emerging in the 1940s among a group of Northern artists later known as the “Belfast Boys,” Campbell quickly established a distinctive visual language. His early work depicted Irish subjects—Connemara landscapes, street scenes, and quiet interiors—with expressive colour and bold composition. From the early 1950s, regular visits to Spain introduced a new vibrancy to his palette and subject matter, leading to striking depictions of markets, musicians, and flamenco dancers that became a hallmark of his style.

His ability to fuse the atmospheres of Ireland and the Mediterranean earned him wide acclaim. Elected to the Royal Hibernian Academy in 1964, he also received recognition abroad, including an honour for his contribution to Spanish cultural life. Whether working in oil, watercolour, or rapid sketch, Campbell conveyed a love of life through colour, rhythm, and form.

A central figure in mid-20th century Irish painting, Campbell’s work continues to resonate for its energy, warmth, and unique cross-cultural perspective. He is also remembered as part of a remarkable artistic family—his mother, Gretta Bowen, was a painter in her own right—and for his significant role in shaping the modern Irish artistic identity.

Image: 22 x 14 cm.

Framed: 32 x 34 cm.

€200 - 300

IRISH SCHOOL

Title: Horse with jockey. Medium: Bronze. A dynamic and expressive small bronze, capturing the tension and motion of horse and rider. With its vigorous form and spirited modelling, it exemplifies the proud equestrian tradition of Irish sporting art.

Signature: Unsigned Provenance: Private Collection

40 cm. high; 29 cm. wide

€2,000 - 3,000

DERMOD O’BRIEN PRHA (1865 -

1945)

Title: Blessington

Medium: Oil on canvas

Signature: Signed lower left.

Provenance: Private Collection.

Framed

Description

A serene rural landscape depicting the fields and hills around Blessington, Co. Wicklow. The composition is balanced by cloud-laden skies and haystacks scattered across the meadows, evoking a timeless pastoral calm. Presented in an ornate carved frame, this is a fine example of O’Brien’s accomplished handling of light and atmospheric effect.

Biography

Dermod O’Brien was a leading figure in early 20th-century Irish art, serving as President of the Royal Hibernian Academy. Educated in Paris and Antwerp, O’Brien was a gifted landscape and portrait painter known for his refined technique and academic discipline. He played a significant role in shaping the Irish artistic community, and his works are held in numerous public and private collections. Image size: 51.5 x 59.5 cm.; framed: 35 x 43 cm.

€1,500 - 2,500

78

EDWIN HAYES RHA RI ROI (1819 - 1904)

Title: Shipping off the Coast Medium: Oil on canvas

Signature: Signed lower left

Provenance: Private Collection Framed.

Description

This dramatic maritime scene by Edwin Hayes captures the fury and grandeur of the sea. Ships battle rolling waves under a vast, storm-darkened sky, rendered with the artist’s distinctive blend of precision and energy. Hayes’ love of nautical subjects is evident in every brushstroke of this powerful seascape.

Biography

Edwin Hayes RHA RI (1819–1904) was a masterful marine painter whose work vividly captured the power and poetry of the sea. Although born in Bristol, he was raised in Dublin near the city’s busy docks, where his lifelong fascination with ships and coastal life began. A largely self-taught artist in maritime subjects, Hayes deepened his understanding of the sea through firsthand experience, even undertaking a transatlantic voyage in his youth.

Working in both oil and watercolour, he became renowned for his seascapes—ranging from tempestuous shipwrecks and storm-tossed vessels to serene harbours and calm coastal scenes. His paintings are admired for their atmospheric depth and realism, particularly his skill in rendering the movement of waves, changing skies, and the reflective quality of water. These elements reflect not only technical finesse but also a deep, personal connection to his subject matter.

Hayes exhibited widely throughout the 19th century and was elected to both the Royal Hibernian Academy and the Royal Institute of Painters in Watercolours. Today, he is regarded as one of the foremost marine artists of his time, with a legacy rooted in his ability to evoke the drama, beauty, and unpredictability of the sea.

Image: 50 x 76 cm.

Framed: 62 x 90 cm.

€4,000 - 6,000

DECLAN O’CONNOR

Title: A Quiet Place.

Medium: Oil on canvas.

Signature: Signed left.

Provenance: Private Collection Framed.

Description

A serene depiction of solitude and light, this canvas reveals O’Connor’s contemplative approach to landscape. Subdued colour and gentle motion draw the viewer into a peaceful reverie.

Biography

Declan O’Connor is an Irish painter whose work is steeped in introspection and subtle atmosphere. Educated in Dublin, his paintings frequently explore memory, silence, and the emotional resonance of place. His works are held in both public and corporate collections in Ireland and abroad.

Image: 78 x 78 cm. Framed: 92 x 92 cm.

€2,000 - 3,000

80

ANTHONY SCOTT RUA (B. 1968)

Title: Bull (2010s)

Medium: Bronze, Edition 6/6

Signature: Signed

Provenance: The Artist’s Studio, Dublin; Private Collection

Description

This stylised bronze sculpture of a bull by Irish sculptor Anthony Scott conveys both physical weight and symbolic depth. Cast in recent years, the animal is presented in a solid, grounded stance with a deliberately rugged surface that invites comparison to early Celtic bronzes. Scott’s characteristic treatment of form—a blend of strength, stillness, and raw texture—captures the presence of the animal without striving for anatomical exactness. The result is a sculpture that sits comfortably between myth and memory.

Raised on a farm in County Fermanagh, Scott has long drawn on his surroundings for inspiration. The bull, a recurring figure in Irish mythology—most famously as Donn Cuailnge in The Táin Bó Cúailnge— has featured frequently in his work, interpreted through both personal and cultural lenses. The unpolished patina, tactile modelling, and sturdy proportions suggest an object of quiet power, grounded in place and time.

Biography

Anthony Scott (b. 1968) Born in rural County Fermanagh in 1968, Anthony Scott studied fine art in Belfast and later in Cardiff, where he trained in ceramics before turning fully to bronze. He has developed a distinctive practice centred on animal forms—bulls, horses, hounds— each carrying a sense of narrative, tradition, and lived experience. His bronzes are informed by both mythological references and his early life on a working farm, lending them a duality that appeals to collectors of both contemporary and culturally rooted sculpture.

In 2011, Scott received national attention when Queen Elizabeth II unveiled his life-sized bronze of Sea the Stars during her state visit to Ireland. The sculpture was commissioned for the Irish National Stud and now stands there as a permanent piece. Scott continues to live and work near the Fermanagh–Cavan border, casting his bronzes locally and exhibiting occasionally throughout Ireland and the UK. His works are held in private and public collections and remain closely associated with the land and heritage that shape his practice. 36 cm. high; 48 cm. wide; 19 cm. deep

€6,000 - 9,000

NORMAN J. MCCAIG (1929 - 2000)

Title: Cottages Near Sligo

Medium: Oil on board

Signature: Signed

Provenance: Private Collection

Framed

Description

Norman McCaig’s Cottages near Sligo offers an idyllic panorama of the Irish countryside, viewed through a romantic lens. In the painting, a handful of whitewashed cottages with thatched roofs dot the rolling green landscape, likely set against the dramatic backdrop of County Sligo’s hills or perhaps the silhouette of Benbulben mountain in the distance. McCaig presents the scene in a broad, sweeping composition – the foreground field gently slopes, leading our gaze toward the cluster of cottages at mid-ground, and further back the terrain rises into bluehued highlands under a spacious sky. The artist’s treatment of the sky and light is particularly lovely: billowing clouds catch the late sun, tinged with gold and pink, casting a soft radiant glow over the landscape. Each cottage, though small in the vastness of nature, is painted with quaint detail – one can imagine peat smoke curling from a chimney or stone fences bordering a pasture. McCaig’s colour palette is delicate and idealised. the greens of the grass are rich yet gentle, the white of the walls almost gleaming, and the overall tone is warm and inviting. There is a timeless quality here; aside from the hint of a narrow road, there are few signs of modernity, and one feels transported to a serene rural Ireland of yesteryear. Signed by the artist, Cottages near Sligo epitomizes McCaig’s picturesque style – a harmonious blend of reality and ideal, where the scenery is composed as much by the heart as by the eye.

Biography

Norman J. McCaig (1929–2001) was an accomplished Irish landscape painter whose work is celebrated for its sweeping vistas and romantic portrayal of the Irish countryside. Born in Bangor, County Down, McCaig grew up in a creative environment and pursued formal training at the Belfast College of Art, later refining his skills during a formative period in Paris. These experiences shaped his distinctive style—marked by graceful compositions, subtle colour palettes, and a luminous quality that lends his landscapes an almost dreamlike serenity.

McCaig specialised in broad, idyllic scenes of the Irish landscape, capturing everything from the rolling Mourne Mountains to the expansive bogs of Connemara and sunlit coastal views. His paintings are characterised by their sense of space and tranquility, often evoking a timeless vision of the land. Influences from 19th-century landscape traditions are evident in his work, and a friendship with a theatrical set designer may have contributed to the sense of atmosphere and composition that defines many of his canvases.

A regular exhibitor in Ireland and abroad, McCaig earned a loyal following for his evocative, story-like depictions of rural Ireland. He was also a gifted pianist, reflecting a broader artistic sensibility that infused his work with harmony and rhythm. Today, his paintings continue to be admired for their elegance and quiet beauty—lasting tributes to a deeply felt connection with the Irish landscape.

Image: 64 x 69 cm.

Framed: 73 x 83 cm.

€800 - 1,200

82

MARKEY ROBINSON (1918 - 1999)

Title: Still Life Table Top.

Medium: Gouache.

Signature: Signed.

Provenance: Apollo Gallery, Dublin (label verso) Framed.

Description

This beautifully balanced gouache still life exemplifies Markey Robinson’s distinctive style—linear elegance, bold simplification, and a rhythmic arrangement of forms. The scene is composed of fruit, vessels, and patterned fabric, rendered with his signature sense of colour harmony and naïve abstraction. The presence of a label from Dublin’s Apollo Gallery underscores its desirable provenance.

Biography

Markey Robinson (1918–1999) was a distinctive figure in 20th-century Irish art, known for his expressive, pared-back style and the remarkable breadth of his work. Born in Belfast as Thomas Mark Robinson, he was largely self-taught, developing a unique visual language that combined elements of folk art with modernist simplicity.

His paintings often drew on scenes from everyday Irish life—harbours, fishermen, rural cottages—as well as figures from dance, circus, and mythology. Whether rendered in oil, gouache, or watercolour, his compositions featured bold outlines, simplified forms, and a restrained palette that gave his work a quiet, emotive power. Though Robinson worked outside the mainstream art world and lived modestly, his bohemian spirit and authentic voice earned him wide admiration.

He exhibited both in Ireland and abroad, and his work found a devoted following for its sincerity and timeless charm. There is a subtle melancholy and depth behind the apparent simplicity of his imagery, a sense that each painting holds a story. Today, Markey Robinson is remembered as an original and independent talent—an artist who captured the essence of Irish identity with humility, imagination, and enduring style. Image size: 48 x 72 cm.; framed: 68 x 92 cm.

€3,000 - 5,000

NEVILLE JOHNSON (1911 - 1999)

Title: Ordained Enigma (c.1992)

Medium: Acrylic on Board.

Signature: Signed Lower Right and Dated 1992.

Provenance: Solomon Gallery, Dublin (label verso); Collection of Senator & Professor Trevor West of Trinity College & Charleston, Ballinacurra, Cork; by descent; Private Collection

Framed

Description

An evocative late-career work by Neville Johnson, Ordained Enigma presents an abstract composition rendered in a restrained monochromatic palette. Executed in acrylic, the surface carries a gestural energy—angular planes and interlocked structures suggest architectural references, yet resist fixed interpretation. The title hints at the artist’s long-standing interest in metaphysical themes, echoing a quiet, cerebral symbolism that pervades much of Johnson’s work from this period.

Provenance: Solomon Gallery, Dublin; The Collection of Senator and Professor Trevor West, Trinity College Dublin and Charleston, Ballinacurra, Cork; thence by descent; Private Collection.

Biography

Born in Dublin, Neville Johnson began his artistic career in the 1930s and later studied in London. He returned to Ireland after the war, where he established himself as both a painter and influential educator. Johnson’s work evolved from figurative realism to more abstracted and symbolic forms by the 1970s and ‘80s. Known for his subdued palettes and introspective compositions, he was a quiet force in Irish modernism. While rarely exhibiting widely abroad, his work was collected by notable academics and cultural figures, including Professor Trevor West. Johnson continued to paint well into his eighties, producing thoughtful, reflective works that reward close attention.

Image: 55 x 49 cm. Framed: 68 x 62 cm.

€800 - 1,200

84

JOHN LUKE RUA (1906 - 1975)

Title: Lady Standing

Medium: Pencil sketch

Signature: Signed

Provenance: Private Collection

Framed

Description

John Luke’s Lady Standing is an elegant pencil drawing that showcases the artist’s renowned sense of design and economy of line. The sketch depicts a poised woman in full figure, likely draped in a simple long dress or coat. Luke’s approach is highly stylized yet remarkably clear: the lady’s form is outlined with clean, flowing contours, and her posture – perhaps standing in profile or slight three-quarter view – exudes a quiet confidence. There is a sculptural quality to the way Luke draws the human figure; even in pencil, one can sense the volume and presence of the woman, standing as if she might step out of the paper. He pays attention to details such as the tilt of the head, the arrangement of arms (clasped hands or one hand resting at her side), and the fall of fabric, all rendered with minimal shading and maximum effect. The background is left blank, focusing our attention entirely on the figure. Lady Standing carries with it the sophistication of Luke’s mature style – reminiscent of Art Deco refinement and Renaissance draughtsmanship combined. As a work on paper by John Luke, it is a rare and valuable glimpse into his process, likely a preparatory study or standalone piece reflecting the grace and precision that hallmark his paintings.

Biography

John Luke was one of Northern Ireland’s foremost modernists, known for his stylised approach to figure, landscape, and still life. A graduate of the Belfast School of Art and later the Slade in London, he developed a unique painting technique characterised by flat planes, smooth textures, and subtle tonal transitions. Though associated with the conservative Northern Irish scene, his work reveals a visionary, modernist sensibility. A quiet and meticulous artist, Luke produced a relatively small body of work, all the more prized today for its rarity and harmony.

Image: 50 x 35 cm.

Framed: 73 x 55 cm.

€400 - 600

85

JOHN MORRIS

Title: Summer Days. Medium: Oil on board.

Signature: Signed lower left

Provenance: Private Collection. Framed.

Description

A luminous beachscape rendered in Morris’s characteristic impasto style, Summer Days invites the viewer into a shimmering coastal scene. The reflection of light on water and figures creates a moment of fleeting joy and tranquillity, capturing the warmth of Irish summer holidays.

Biography

John Morris is an acclaimed Irish realist and impressionist painter known for his coastal scenes, children at play, and evocative seascapes. His expressive brushwork and sensitivity to light have earned him a loyal following, and his work continues to appear in top galleries and exhibitions throughout Ireland and beyond.

Image size: 80 x 121 cm.; framed: 102 x 142 cm.

€3,000 - 5,000

JACK BUTLER YEATS RHA (1871-1957)

Title: Marionettes

Medium: Pen and Ink

Signature: Signed Lower Right & titled Lower Left

Provenance: Private Collection

Note: Featured in the writings of Hilary Pyle

Framed

Description

A compelling pen and ink drawing by Jack B. Yeats, Marionettes captures the theatrical imagination and narrative depth characteristic of the artist’s early illustrative works. Depicting a dramatic puppet performance on a stylised stage, the scene is rendered with wit and precision, emphasizing the delicate lines of the marionette strings and the ornamental architectural setting. Yeats conveys movement and character through expressive linework and a masterful use of negative space, inviting viewers into a miniature world charged with tension and symbolism. Signed lower right and titled lower left, the work is presented in a refined period frame that complements its theatrical subject.

Biography

Jack B. Yeats, Ireland’s most celebrated modernist painter, was known for his evocative depictions of Irish life, land, and legend. His early work in illustration evolved into a uniquely expressive painting style. A regular exhibitor at the RHA and Venice Biennale, he remains central to 20th-century Irish art history.

Image: 22.5 x 30 cm.

Framed: 50.5 x 55.5 cm.

€3,000 - 5,000

87

PAULINE BEWICK RHA (1935 - 2022)

Title: Taurus (1968)

Medium: Watercolour

Signature: Signed & dated lower right

Provenance: Dawson Gallery, Dublin (Label Verso); Private Collection

Framed

Description

Pauline Bewick’s watercolour presents a lyrical and whimsical scene, infused with the free-spirited creativity that defines her art. With flowing lines and delicate washes of colour, the composition likely depicts an imaginative interplay between figures and nature – perhaps women amid flora and fauna – rendered in Bewick’s distinctively stylised manner. The bucolic setting comes alive through rhythmic patterns and intricate linear details, yet retains a charming simplicity that feels almost dreamlike. Bewick’s palette is both vibrant and measured, balancing bold organic hues with the translucent lightness of watercolour. The overall effect is sensuous and spirited, inviting the viewer into a world where the ordinary is elevated to the magical – a hallmark of Bewick’s ability to blend everyday life with mythic beauty.

Biography

Pauline Bewick (1935–2022) was a celebrated Irish artist whose vibrant imagination and distinctive visual language earned her a cherished place in modern Irish art. Born in England and raised in County Kerry, she led an unconventional life that deeply influenced her artistic voice. Over a career spanning more than seventy years, Bewick worked in a wide range of media—including painting, sculpture, and textile—but her lyrical watercolours remain particularly iconic.

Her work is known for fluid lines, vivid colour, and whimsical narratives inspired by nature, mythology, and personal experience. A recurring motif in her later work was the “Yellow Man,” a symbolic figure exploring themes of innocence, freedom, and introspection. Bewick’s prolific output and unique vision captivated audiences, and her generous donation of hundreds of artworks to the Irish state reflected her commitment to making art accessible to all.

Remembered as an independent and fearless creative force, Bewick leaves behind a legacy of joy, beauty, and boundless storytelling.

Image: 51 x 77 cm.

Framed: 70 x 95 cm.

€2,000 - 3,000

MICHAEL FLATLEY (B. 1958)

Title: The Fantasy Medium: Acrylic on marley.

Signature: Signed lower right and titled on verso.

Provenance: The collection of Michael Flatley, Castlehyde House, Cork, 2015; Private Collection

Framed

Description

Michael Flatley’s The Fantasy is an electrifying burst of colour and motion, an abstract expressionist work that radiates with energy and emotion. The painting is composed of vigorous, sweeping brushstrokes in a dazzling array of colours—fiery reds, electric blues, vivid greens, and glowing yellows—all layered and interwoven with dynamic force. There is no discernible subject in the traditional sense, but rather a visceral sensation of movement and passion, as if the canvas itself is caught in a dance.

The texture of the paint is thick and expressive, with each stroke capturing a moment of intense energy. Flatley’s background in dance is clearly echoed in the rhythm and fluidity of his brushwork. Like choreography on canvas, the painting feels alive, pulsing with an almost musical cadence. The eye is led across the surface by the arcs and swirls, inviting the viewer into an emotional landscape rather than a physical space.

What makes The Fantasy compelling is its raw spontaneity. It seems to come straight from the subconscious, unfiltered and unrestrained. The combination of bold colour choices and kinetic brushwork suggests a powerful emotional release—a fusion of celebration, chaos, and joy. This work doesn’t ask the viewer to find a fixed narrative but to feel something immediate and instinctual, much like experiencing a powerful performance.

In this piece, Flatley reveals a different facet of his creativity, channelling his artistic spirit through paint instead of movement. The result is both surprising and authentic, revealing a deeply personal vision. The Fantasy lives up to its name—untethered, imaginative, and unafraid to take risks— offering a glimpse into the artist’s inner world.

Biography

Michael Flatley (B. 1958) is best known as a world-renowned dancer and choreographer, famously bringing Irish dance to global prominence with blockbuster stage shows like Riverdance, Lord of the Dance, and Feet of Flames. Born in Chicago to Irish immigrant parents, Flatley revolutionized traditional Irish dance with his charismatic stage presence and lightning-fast footwork. Later in his career, he turned to painting, developing a distinctive style he calls “art in motion,” where he applies paint to canvas using sweeping gestures inspired by his dance background—sometimes even painting with his feet. His artwork reflects the same passion, intensity, and theatricality that made his dance career legendary.

Image: 100 x 100 cm. Framed: 128 x 128 cm.

€10,000 - 15,000

89

BRIAN BALLARD RUA (B. 1943)

Title: Still Life - Teapot and Two Jugs

Medium: Oil on board

Signature: Signed Lower Left and titled verso

Provenance: From the Artist’s Studio, Belfast; Private Collection

Framed

Description

With bold brushwork and dynamic composition, this still life exemplifies Brian Ballard’s energetic approach to form and colour. The objects—a teapot flanked by two jugs—are arranged with a looseness that privileges painterly effect over strict realism. Thick application of oil gives weight to the vessels, while abstracted background elements emphasise structure and balance.

Biography

A key figure in contemporary Irish painting, Brian Ballard is known for his vigorous still lifes, portraits, and landscapes. Born in Belfast, he trained at the Belfast College of Art and later at the Slade in London. Ballard’s style is characterised by rich impasto, vibrant colour, and expressive construction. He is a long-standing member of the Royal Ulster Academy and has exhibited extensively throughout Ireland and the UK. His works reflect a tactile engagement with the act of painting itself, drawing on both observational and emotional insight.

Image: 59 x 74 cm.

Framed: 87.5 x 102.5 cm.

€4,000 - 6,000

RODERIC O’CONOR RHA (1860 - 1940)

Title: Seated Nude

Medium: Pencil on Paper

Signature: Unsigned

Provenance: Collection of Robert Brett; Dickon Hall Fine Art, Belfast (Label Verso); Private Collection

Framed

Description

A rare pencil drawing by Roderic O’Conor featuring seated nude figures, this work offers a glimpse into the private studio practice of one of Ireland’s most important Post-Impressionist artists. On a single sheet of paper, O’Conor sketches out two nude studies: one can see a primary figure – a woman seated with her back turned slightly, her form outlined in confident, continuous lines – and perhaps a second pose of the same model seated or reclining, rendered more faintly to the side. The drawing is executed in graphite with subtle shading used to suggest the volume of the torso and limbs, while leaving much of the paper untouched for contrast. O’Conor’s line is both assured and economical, capturing the essence of the human form with just a few strokes, reflecting the academic life-drawing training he underwent in the 1880s. There is a sense of immediacy, as if we are witnessing the artist observing and quickly recording the model’s posture from different angles. The title “Seated Nudes” implies multiple figures or studies on the page; these could represent O’Conor experimenting with compositional arrangements for a later painting or simply honing his drawing skill. The work is likely unsigned on the front (many such sketches were not signed), but it comes with a notable Provenance: a label on the reverse from Dickon Hall Fine Art, Belfast, indicating the piece was exhibited or handled by that gallery. This provenance (Dickon Hall was known for a 2010 exhibition of O’Conor’s works on paper) adds to the drawing’s credibility and history. Overall, this subtle artwork is an intimate piece that highlights O’Conor’s draughtsmanship and offers viewers an academic yet expressive representation of the nude form, a subject he approached throughout his career.

Biography

Roderic O’Conor (1860–1940) was an influential Irish painter closely associated with the Post-Impressionist movement. Originally from County Roscommon, he studied art in Dublin and Antwerp before settling in France, where he became part of the avant-garde circle at Pont-Aven. There, he developed friendships with leading artists of the time and absorbed the bold colour theories and expressive techniques that shaped his distinctive style.

O’Conor’s work is marked by rich, textured brushwork and daring use of colour, drawing inspiration from both Paul Gauguin and Vincent van Gogh. While best known for his vibrant landscapes and figurative oils, he was also a skilled draughtsman and printmaker, producing striking charcoal studies and a series of etchings and woodcuts.

He lived much of his life in France, exhibiting in progressive salons and maintaining connections within literary and artistic circles. Though his work was not widely known in Ireland during his lifetime, later retrospectives and critical reassessment brought him lasting recognition. Today, O’Conor is regarded as a major figure in Irish art history, with his works held in prominent international collections. Image: 31 x 21 cm.

Framed: 56 x 46 cm.

€1,000 - 1,500

JOHN BUTLER YEATS RHA (1839 - 1922)

Title: Yeats Sisters in the Garden. Medium: Pen and ink sketch. Double-sided. Signature: Unsigned.

Provenance: Yeats Family Collection, artist’s sketchbook; Private Collection. Framed.

Description

This intimate drawing captures Lily and Lolly Yeats in a moment of domestic ease, framed by foliage. Executed in Yeats’s distinctive hand, the sketch carries significant historic and familial value. Presented double-sided, it reflects the spontaneous creativity of his sketchbook practice.

Biography

John Butler Yeats was an Irish portraitist and father of poet W.B. Yeats and painter Jack B. Yeats. Known for his sensitive line and psychological insight, his pen and ink sketches provide an invaluable record of Ireland’s cultural elite. His legacy as both artist and patriarch is enduring in Irish art history. Image size: 11 x 18 cm.; framed: 39 x 46 cm.

€1,000 - 1,500

MATT LAMB (B.1932 - 2012) IRISH/AMERICAN

Title: IWC 120 (2003)

Medium: Mixed Media

Signature: Signed & Dated ‘03 Top - Centre Left

Provenance: Private Collection

Framed

Description

IWC 120 reflects Matt Lamb’s late career understanding of vivid colour, symbolic figures and layered pattern. The composition is full of serpentine lines, animated forms and joyous chromatic contrasts. Created during the artist’s “Umbrellas for Peace” period, the work radiates themes of renewal, faith and interconnectedness, rendered in an idiosyncratic, almost visionary style.

Biography

Matt Lamb was an American painter and peace activist whose second career in art followed his earlier success as a funeral director. In the 1980s, after a serious illness, he redirected his life toward painting as a form of healing and expression. He developed a bold and unclassifiable visual language, often spiritual and deeply personal, marked by vibrant colour and allegorical figures. Lamb’s works were exhibited across Europe and the US, and his public art projects—such as Umbrellas for Peace—brought his message to international audiences. Though unconventional, his practice earned considerable recognition for its sincerity and outreach.

Image: 26 x 34 cm.

Framed: 40 x 48 cm.

€500 - 800

GEORGE K. GILLESPIE RUA (1924 - 1995)

Title: Chickens in a Hay Barn

Medium: Oil on Canvas

Signature: Signed Lower Right

Provenance: Private Collection

Framed

Description

This charming rural composition by George Gillespie captures the quiet simplicity of farm life. A cluster of chickens pecks around a haystack in the shadow of a barn, rendered in earthy tones and confident brushwork. The rustic outbuilding and distant hills frame a tranquil agricultural setting filled with subtle movement and light.

Biography

George Gillespie was a Northern Irish painter known for his serene landscapes and rural scenes. Born in Belfast, he studied at the Belfast College of Art and went on to exhibit widely throughout Ireland. Gillespie’s works are celebrated for their atmospheric qualities, expressive skies, and evocative portrayals of Ulster’s countryside and coastal life.

Image: 45 x 55 cm.

Framed: 65 x 75 cm.

€2,000 - 3,000

GRAHAM KNUTTEL (1954 - 2023)

Title: Herself.

Medium: Oil on canvas.

Signature: Signed lower right.

Provenance: Artist’s Studio; Private Collection. Framed.

Description

A bold and instantly recognisable portrait by Graham Knuttel, Herself is rendered in his signature angular style with dramatic contrasts and expressive intensity. The subject exudes strength and mystery, underpinned by Knuttel’s psychological edge and vibrant palette.

Biography

Graham Knuttel (1954–2023) was one of Ireland’s best-known contemporary artists. His instantly recognisable style—part Cubist, part noir—made him a favourite of international collectors, including Sylvester Stallone and Robert De Niro. His works span painting, sculpture, and print.

Image: 35 x 30 cm. Framed; 63 x 58 cm.

€2,500 - 3,500

KENNETH MAHOOD (1930 - 2022)

Title: Trawler Submarine Day and Night

Medium: Mixed Media

Signature: Signed and titled verso

Provenance: J. McGuigan Fine Art, Belfast (Label Verso); CEMA Gallery, Belfast (Inscribed Verso); Private Collection

Framed

Description

An imaginative and surreal composition, Trawler Submarine Day and Night demonstrates Kenneth Mahood’s distinct blend of satire, architectural fantasy, and narrative layering. Executed in mixed media, the piece juxtaposes nocturnal and diurnal imagery within a shared marine setting, likely invoking broader reflections on duality, concealment, and the absurdities of modern life. The work is imbued with Mahood’s characteristic wit, where the marine becomes metaphor.

Biography

Belfast-born Kenneth Mahood trained at the Belfast College of Art before establishing himself as a cartoonist, illustrator, and fine artist. Best known to the public through his satirical work for Punch, The Times, and The Sunday Times, Mahood also maintained a parallel career in more experimental visual art. His gallery pieces often layered whimsy with unease, using collage, ink, and paint to create richly textured commentaries on modern society. Though his satirical illustrations brought him broad recognition, his gallery practice remained distinct and intellectually engaged, often quietly collected by admirers in the Irish art world and beyond.

Image: 26.5 x 47.5 cm.

Framed: 58 x 76 cm.

€800 - 1,200

96

JOHN SCHWATSCHKE (B.1943)

Title: Duet

Medium: Oil on Canvas

Signature: Signed with monogram top right & titled verso

Provenance: Private Collection

Framed

Description

A humorous and characterful portrayal of a couple at the piano, Duet by John Schwatschke bursts with theatrical flair. The figures, with exaggerated expressions and stylised features, are caught in a moment of musical tension and harmony. Schwatschke’s signature wit and bold palette lend the composition a sense of both performance and parody.

Biography

John Schwatschke is an Irish-born portrait painter of Austro-Irish parents, known for his caricature-like portraits and narrative scenes. His art blends satire and storytelling, often drawing on themes of politics, performance, and social theatre. His works are widely collected and instantly recognisable.

Image: 62 x 46 cm.

Framed: 72 x 56 cm.

€600 - 900

ANTHONY SCOTT RUA (B. 1968)

Title: Emer (2004)

Medium: Unique Life-size Bronze horse

Signature: Signed

Executed c.2004

Provenance: Private Collection

Description

Emer is a life-size bronze sculpture of a mare by Irish artist Anthony Scott, whose work is recognised for its expressive treatment of animal form and deep engagement with Irish mythology. Rendered in cast bronze using the lost-wax method, the sculpture conveys both dignity and subtle movement through its poised stance and refined surface texture.

With elongated limbs and a quietly alert posture, Emer reflects Scott’s characteristic ability to balance naturalism with stylised line. The surface is finished with a nuanced patina that enhances the sculpture’s presence and detail. The work’s title, drawn from Irish mythology, subtly alludes to the legendary wife of Cú Chulainn, adding a layer of narrative resonance typical of Scott’s wider practice.

Scott’s sculptures are included in numerous public and private collections, and his work has been exhibited widely in Ireland and abroad. His subjects—often horses, bulls, or birds—are not simply anatomical studies, but archetypal forms grounded in cultural memory.

Emer stands as a significant example of contemporary Irish bronze sculpture, combining traditional craft with a timeless visual language.

Biography

Born in rural County Fermanagh in 1968, Anthony Scott studied fine art in Belfast and later in Cardiff, where he trained in ceramics before turning fully to bronze. He has developed a distinctive practice centred on animal forms— bulls, horses, hounds—each carrying a sense of narrative, tradition, and lived experience. His bronzes are informed by both mythological references and his early life on a working farm, lending them a duality that appeals to collectors of both contemporary and culturally rooted sculpture.

In 2011, Scott received national attention when Queen Elizabeth II unveiled his life-sized bronze of Sea the Stars during her state visit to Ireland. The sculpture was commissioned for the Irish National Stud and now stands there as a permanent piece. Scott continues to live and work near the Fermanagh–Cavan border, casting his bronzes locally and exhibiting occasionally throughout Ireland and the UK. His works are held in private and public collections and remain closely associated with the land and heritage that shape his practice.

210 cm. high; 140 cm. wide; 80 cm. deep

€30,000 - 50,000

98

NORMAN GARSTIN (1847 - 1926)

Title: Summer Shade

Medium: Watercolour over Pencil

Signature: Signed Lower Left

Provenance: Walker’s Gallery, London, 1909 (7 guineas); Private Collection

Framed

Description

A delicately rendered watercolour over pencil, Summer Shade captures a peaceful rural moment in which a white horse rests under the shelter of sparse trees, bathed in the soft light of a summer’s day. Rolling hills in the background and filtered shadows across the foreground evoke an atmosphere of tranquillity and timelessness. The composition is notable for its balanced placement of natural elements, creating a gentle rhythm between the subject and its surroundings. The piece is signed by the artist to the lower left.

Biography

Norman Garstin was an influential Anglo-Irish painter, teacher, and art critic associated with the Newlyn School in Cornwall. Born in Ireland, he trained initially as an architect before turning to art under the mentorship of Carolus-Duran and subsequently studying with James McNeill Whistler in Paris. Garstin’s work is celebrated for its naturalistic approach and subtle use of colour and light, often depicting everyday scenes of rural or coastal life with sensitivity and restraint. In addition to his paintings, he was a noted writer and educator, helping to shape British art in the late Victorian and Edwardian periods. He exhibited widely, including at the Royal Academy, and is best remembered for his painterly observations of atmosphere and locale.

Image size: 24.5 x 30 cm.; framed: 62 x 64 cm.

€2,000 - 3,000

ERSKINE NICOL RSA ARA (1825 - 1904)

Title: The Drummer Boy (1861) Medium: Oil on canvas.

Signature: Signed and dated (1861) lower left.

Provenance: Whytes Auctioneers Lot 100, 16 September 2003. Framed.

Description

This captivating 19th-century oil depicts a group of children in theatrical dress, with the central figure – the drummer boy – rendered with endearing charm. Nicol’s ability to infuse genre painting with humanity and storytelling is fully on display, supported by a fine tonal range and precise figuration.

Biography

Erskine Nicol RSA ARA (1825–1904) was a Scottish painter best known for his genre scenes that captured the everyday lives of 19th-century Irish people with both humour and humanity. Born in Leith, near Edinburgh, Nicol moved to Dublin in the mid-1840s, where he taught art and developed a keen eye for the social and cultural life around him. It was during this time that his distinctive narrative style began to take shape—marked by anecdotal compositions, lively characters, and subtle wit.

Nicol’s paintings often depicted rural Irish communities, portraying peasants, tradespeople, and emigrants with warmth and finely observed detail. While many of his early works embraced lighthearted themes, his later pieces revealed a more reflective tone, particularly in his portrayals of emigration and hardship, underscoring his growing empathy for his subjects.

He gained recognition on both sides of the Irish Sea, becoming a member of the Royal Scottish Academy and an Associate of the Royal Academy in London. His finely executed oils and watercolours remain valued for their narrative richness and technical precision, offering a vivid glimpse into the social fabric of 19th-century Ireland. Nicol also left a lasting artistic legacy, influencing future genre painters, including his son, John Watson Nicol.

Image: 53 x 43 cm.

Framed: 73 x 63 cm.

€5,000 - 8,000

100

JACK BUTLER YEATS RHA (1871-1957)

Title: The Old Cart. Medium: Pencil sketch.

Signature: Signed lower right. Provenance: Private Collection Framed.

Description

This rustic study depicts a traditional wooden cart drawn with economical, confident lines. Yeats isolates the subject against a minimal background, highlighting its sculptural simplicity and poetic resonance with rural Irish life.

Biography

Jack B. Yeats, Ireland’s most celebrated modernist painter, was known for his evocative depictions of Irish life, land, and legend. His early work in illustration evolved into a uniquely expressive painting style. A regular exhibitor at the RHA and Venice Biennale, he remains central to 20th-century Irish art history.

Image: 8 x 12 cm. Framed: 36 x 44 cm.

€1,500 - 2,500

101

MARY LOHAN (B.1954)

Title: Dark Tree Trunk.

Medium: Oil on board.

Signature: Signed lower right.

Provenance: Taylor Gallery (label verso); Private Collection Framed.

Description

With its brooding palette and expressive brushwork, Dark Tree Trunk reflects Mary Lohan’s emotive engagement with landscape. The painting’s abstract energy captures the essence of nature’s raw, silent forms, blurring the boundary between representation and impression.

Biography

Mary Lohan is a contemporary Irish painter best known for her atmospheric landscapes and minimalist compositions. Educated at the National College of Art and Design, she has exhibited widely in Ireland and the UK, including with the Taylor Galleries. Lohan’s work often focuses on the subtleties of light and surface, inviting meditative contemplation. She is represented in several major Irish collections. Image: 45 x 39 cm. Framed: 70 x 64 cm.

€800 - 1,200

SEAN MCSWEENEY HRHA (1935 - 2018)

Title: Apple Trees

Medium: Watercolour

Signature: Signed & dated 1999 Lower left & titled verso Provenance: Taylor Galleries (label Verso); Private Collection Framed

Description

Seán McSweeney’s Apple Trees is a lyrical meditation on the Irish landscape, distilled into the translucent simplicity of watercolour. The painting likely depicts an orchard or a cluster of apple trees near McSweeney’s beloved Sligo home, presented not as literal botanical studies but as an atmospheric impression of place and season. In the composition, loose washes of green and gold suggest foliage and fruit dappled by sunlight, while firm, gestural strokes denote trunks and branches, their forms gently dissolving into the surrounding field and sky. McSweeney’s mastery of tone and texture in this medium is evident: he layers pigments deftly, allowing some areas to remain diaphanous and light, while others build into denser patches of colour that anchor the scene. The result is a harmonious abstraction that still evokes the essence of apple trees – their rooted presence and seasonal vitality – without the need for minute detail. There is a tranquil rhythm to the layout, as if the viewer can sense a soft breeze moving through the trees and the changing light of an Irish day. Apple Trees exemplifies McSweeney’s unique ability to capture the spirit of the western Irish landscape in an understated yet profoundly sensuous.

Biography

Seán McSweeney (1935–2018) was a major figure in Irish landscape painting, known for his abstracted interpretations of the western seaboard. Though born in Dublin, he spent much of his life in County Sligo, where the surrounding boglands, shorelines, and skies became the foundation of his artistic expression.

Largely self-taught, McSweeney developed a distinctive style marked by sweeping fields of colour, rhythmic brushwork, and a sensuous approach to paint. His compositions, often reduced to their essential forms, evoke the mood and texture of place with quiet intensity. Drawing from the legacy of modern Irish painters, he refined the landscape into something personal and elemental.

First exhibiting in the 1960s, McSweeney enjoyed a long and celebrated career, earning recognition both in Ireland and internationally. His election to Aosdána in 1984 affirmed his lasting impact on Irish visual culture. Today, his works continue to resonate for their contemplative beauty and deep connection to the Irish land.

Image: 32 x 23 cm.

Framed: 53 x 44 cm.

€700 - 1,000

103

ANNIE ROBINSON (B.1961)

Title: Still life of flowers.

Medium: Acrylic.

Signature: Signed lower right.

Provenance: The Artist’s Studio, Canada. Framed.

Description

Rendered in Robinson’s signature bold palette and stylized approach, this still life captures a vase bursting with daisies, animated with childlike clarity and vibrancy. The patterned red vessel and turquoise tablecloth contrast sharply with the neutral background, turning a traditional subject into a celebration of decorative form and colour.

Biography

Daughter of the celebrated Irish artist Markey Robinson, Annie Robinson was born into a world deeply rooted in artistic expression. Raised in an environment where creativity was both vocation and heritage, she developed a distinctive voice that both echoes and departs from her father’s iconic style.

Annie’s work is imbued with a deep sensitivity to colour, form, and the human condition, often drawing on themes of identity, memory, and Irish cultural life. While her father’s expressionist and primitive aesthetic remains a subtle influence, Annie has carved her own path—favouring a more introspective and contemporary approach to subject and technique.

Over the decades, Robinson has exhibited in both group and solo shows throughout Ireland and the UK, earning quiet acclaim for her evocative compositions and emotional depth. Though her works are less prolific than her father’s, they are sought after by discerning collectors who value her refined palette and contemplative tone.

Annie Robinson represents a poignant continuation of the Robinson artistic legacy— bridging tradition and modernity, inheritance and individuality.

Image size: 30 x 15 cm.; framed: 50 x 32.5 cm.

€500 - 800

104

GERARD BYRNE (B. 1958)

Title: Little Sandycove

Medium: Oil on Canvas

Signature: Signed Lower Left

Provenance: The Artist’s Studio, Dublin; Irish Fine Art (Label Verso); Private Collection Unframed

Description

In Little Sandycove, Gerard Byrne captures the distinct coastal character of the Dublin seaside suburb, with bold, spontaneous brushwork and a clear Mediterranean light. The composition includes terraced buildings, stone steps and a view to the sea beyond—a familiar motif in Byrne’s cityscape and harbour works. His signature painterly technique is evident in the confident layering of colour and light, giving the scene both movement and warmth.

Biography

Gerard Byrne is a contemporary Irish painter known for his expressive cityscapes, landscapes, and still lifes. A native Dubliner, he studied at NCAD and has since built a strong reputation for his evocative depictions of urban and coastal settings, particularly those around Dublin Bay and southern Europe. Byrne’s work is characterised by a fluid, gestural handling of paint and a luminous palette. His paintings have been exhibited in Ireland, the UK, and continental Europe and are widely collected both privately and institutionally.

30 x 30 cm.

€1,000 - 1,500

ERSKINE NICOL RSA ARA (1825 - 1904)

Title: An Irish Colleen

Medium: Watercolour

Signature: Signed with monogram lower centre left

Provenance: Private Collection

Framed

Description

Erskine Nicol’s An Irish Colleen offers a charming glimpse into 19th-century rural life, seen through the romantic lens of a Victorian genre painter. The watercolour portrays a young Irish woman (a “colleen”) in a moment of quiet repose. She is depicted seated or standing at ease – perhaps at a cottage doorway or along a country lane – her expression contemplative and her posture gracefully relaxed. Nicol pays careful attention to her attire: the girl wears simple peasant clothing, rendered in soft, earthy tones with delicate folds that speak to the artist’s academic training. The setting around her is suggested with light, sure strokes of the brush: a patch of green countryside, hints of wildflowers, and the gentle outline of a thatched cottage or stone wall in the background. Nicol’s use of watercolour is deft, combining fine, pencil-like drawing in certain details (the features of the face, the monogram signature tucked subtly in the corner) with fluid washes that imbue the scene with warmth and luminosity. The overall atmosphere is one of sentimental idealism – a hallmark of Nicol’s Irish pictures – inviting the viewer to admire the beauty and virtue he saw in the Irish people. Through An Irish Colleen, Nicol encapsulates a narrative: the dignity of a humble life, the youth and hope personified by the girl, and a nostalgic yearning for the simplicity of the Irish countryside as it was over a century ago.

Biography

Erskine Nicol RSA ARA (1825–1904) was a Scottish painter best known for his genre scenes that captured the everyday lives of 19th-century Irish people with both humour and humanity. Born in Leith, near Edinburgh, Nicol moved to Dublin in the mid-1840s, where he taught art and developed a keen eye for the social and cultural life around him. It was during this time that his distinctive narrative style began to take shape—marked by anecdotal compositions, lively characters, and subtle wit.

Nicol’s paintings often depicted rural Irish communities, portraying peasants, tradespeople, and emigrants with warmth and finely observed detail. While many of his early works embraced lighthearted themes, his later pieces revealed a more reflective tone, particularly in his portrayals of emigration and hardship, underscoring his growing empathy for his subjects.

He gained recognition on both sides of the Irish Sea, becoming a member of the Royal Scottish Academy and an Associate of the Royal Academy in London. His finely executed oils and watercolours remain valued for their narrative richness and technical precision, offering a vivid glimpse into the social fabric of 19th-century Ireland. Nicol also left a lasting artistic legacy, influencing future genre painters, including his son, John Watson Nicol.

Image: 40 x 29 cm.

Framed: 56 x 47 cm.

€400 - 600

106

SEAN MCSWEENEY HRHA (1935 - 2018)

Title: August Bogland.

Medium: Acrylic on paper.

Signature: Signed lower left

Provenance: Exhibited in the Taylor Gallery. Purchased by the current owner in the Oriel Gallery. Framed.

Description

In this atmospheric landscape, McSweeney captures the nuances of an Irish bog in late summer—muted tones, layered textures, and a contemplative stillness. His nuanced sense of light and horizon reflects decades of immersion in the Irish countryside.

Biography

Seán McSweeney (1935–2018) was a major figure in Irish landscape painting, known for his abstracted interpretations of the western seaboard. Though born in Dublin, he spent much of his life in County Sligo, where the surrounding boglands, shorelines, and skies became the foundation of his artistic expression.

Largely self-taught, McSweeney developed a distinctive style marked by sweeping fields of colour, rhythmic brushwork, and a sensuous approach to paint. His compositions, often reduced to their essential forms, evoke the mood and texture of place with quiet intensity. Drawing from the legacy of modern Irish painters, he refined the landscape into something personal and elemental.

First exhibiting in the 1960s, McSweeney enjoyed a long and celebrated career, earning recognition both in Ireland and internationally. His election to Aosdána in 1984 affirmed his lasting impact on Irish visual culture. Today, his works continue to resonate for their contemplative beauty and deep connection to the Irish land. Image: 87 x 74 cm. Framed: 84 x 101 cm.

€5,000 - 8,000

107

CECIL MAGUIRE RHA RUA (1930

- 2020)

Title: Late Night, Nostra Senora Da Rocha, Algarve, Portugal (1987)

Medium: Oil on Board

Signature: Signed and Dated ‘87 Lower Left Provenance: Private Collection

Framed

Description

A sweeping coastal landscape depicting the Algarve bathed in golden light. The sandy foreground rises to reveal whitewashed buildings nestled along the horizon, with the chapel of Nossa Senhora da Rocha catching the last of the day’s sun. Maguire’s broad strokes and glowing palette convey a vivid sense of time and place.

Biography

Cecil Maguire (1930–2020) was a distinguished Northern Irish artist renowned for his evocative portrayals of rural and coastal Ireland. Initially working as a teacher, he later devoted himself fully to painting, developing a style marked by textured brushwork and a gentle, observational quality. His subjects ranged from quiet harbours and farmyards to traditional fairs and village scenes, capturing the rhythms of Irish life with warmth and authenticity.

Maguire’s deep connection to regions like Connemara and the Claddagh is evident in the sensitivity of his work, which often reflects a lived familiarity with the landscapes and communities he painted. Recognised by leading artistic bodies, his paintings are widely represented in both public and private collections, appreciated for their timeless charm and understated beauty. Image size: 43.5 x 89.5 cm.; framed: 66 x 111 cm.

€3,500 - 4,500

108

WILLIAM CROZIER HRHA (1930 - 2011)

Title: Abstract Composition

Medium: Mixed Media on Card

Signature: Signed Lower Right

Provenance: Chichester Galleries, Belfast (Label Verso); Collection of the Late Dr. John Bannard; Private Collection

Framed

Description

A dynamic mixed media abstract by William Crozier, this piece is an exploration of colour, texture, and form. In lieu of a descriptive title, “Abstract” encapsulates Crozier’s expressive approach: the composition is dominated by bold fields of colour – one might see a surge of deep reds and oranges on one side balanced by cooler blues or greens on the other, with vigorous black linear elements traversing the canvas. Crozier, known for blending painting with other media, likely layered materials here: areas of paint could be thickly applied with a palette knife, creating tactile ridges, while other sections may include collaged paper or sand for additional texture (hints of the mixed media components). The result is a richly textured surface that engages both visually and tangibly. The energy of the work is palpable: sweeping brushstrokes and perhaps charcoal or oil pastel marks give a sense of spontaneous gesture. Despite its abstraction, the painting evokes natural forces –one could imagine an abstracted landscape or an emotional response to the wild West Cork environments Crozier loved. Hints of pattern or symbol might emerge upon closer inspection, as Crozier often included subtle references to organic shapes (flowers, sun, hills) in his abstracts. The piece is signed “Crozier” visibly, likely at a corner, affirming its authorship. Overall, this work exemplifies Crozier’s later-career abstract style, where he achieved a synthesis of vibrant colour and bold structure, creating images that are at once free-form and thoughtfully composed. It would be a striking centrepiece in a contemporary collection, demonstrating the international calibre of Crozier’s art.

Biography

William Crozier HRHA (1930–2011) was a celebrated Irish-Scottish artist whose career spanned over six decades and left a lasting imprint on post-war British and Irish art. Born in Glasgow to Irish parents, Crozier trained at the Glasgow School of Art before rising to prominence in the 1950s London art scene. His early works— dark, expressive, and existential in tone—aligned him with a generation of artists grappling with the aftermath of war and the complexities of the human condition.

As his career progressed, Crozier’s style underwent a striking transformation. Inspired by time spent in France, Ireland, and the Mediterranean, he embraced bold colour and semi-abstraction, producing radiant landscapes and still lifes that pulsed with energy and emotional depth. The rural beauty of West Cork, where he eventually made his home, became a recurring subject in his later work—interpreted through vivid hues and simplified forms that conveyed both joy and intensity.

In addition to his prolific studio practice, Crozier contributed to art education and was recognised with numerous honours, including membership in Aosdána and the Royal Hibernian Academy. His work was exhibited widely in Ireland, the UK, and abroad, and is represented in major public collections around the world.

Throughout his life, Crozier remained committed to painting as a way of engaging with nature, memory, and personal experience. Whether through his early introspective canvases or his later celebratory abstractions, he is remembered as a master colourist and a vital voice in modern Irish and British painting.

Image: 77 x 55 cm.

Framed: 97 x 75 cm.

€2,000 - 3,000

109

CHRISTY BROWN (1932-1981)

Title: Self Portrait.

Medium: Oil on canvas.

Signature: Signed verso.

Provenance: Purchased from People’s Gallery, Sheares Street, Cork in 2003. Framed.

Description

A rare and compelling self-portrait by Christy Brown, this intimate oil painting captures the artist’s expressive intensity and wry humour. The bold brushwork and vivid palette reflect Brown’s distinctive and defiant artistic voice, shaped by a life of extraordinary creativity and resilience.

Biography

Christy Brown was a Dublin-born writer and painter best known for his autoBiography My Left Foot, which chronicled his life with cerebral palsy and was later adapted into an Oscar-winning film. A self-taught artist, Brown painted using the toes of his left foot, developing a powerful and emotive style. His visual art, much like his writing, reveals deep introspection and raw emotional force. Though his paintings are relatively few, they are highly prized for their authenticity and biographical depth.

Image: 59 x 45 cm. Framed: 69 x 55 cm.

€400 - 600

110

ARTHUR K. MADERSON (B. 1942)

Title: St. Mark’s Square, Venice. Second painting verso of a carousel in the square Medium: Oil on Board.

Signature: Signed lower left.

Provenance: Private Collection Framed.

Description

In St. Mark’s Square, Venice, Arthur Maderson captures the majestic façade of the basilica and the surrounding piazza with his signature impressionistic touch. Expressive brushstrokes and luminous colours imbue the architecture with life and movement, while the blurred presence of figures evokes the bustle of Venetian crowds. The cool blue and lavender palette reflects the shifting Mediterranean light, creating a dreamlike quality that shimmers across the surface.

On the verso, a vibrant second painting depicts a carousel spinning with joyous energy. The bold palette and rapid brushwork evoke a fleeting moment of celebration, providing a striking contrast to the architectural grandeur of the primary composition. Together, the two works offer a poetic duality of permanence and play.

Biography

Arthur K. Maderson is a British-born Irish painter whose impressionist-inspired works are known for their rich textures and immersive colour. He trained at the Berkshire College of Art and gained widespread recognition for his depictions of rural Ireland and France. Working almost exclusively from life, Maderson paints with bold, expressive strokes and a strong focus on light and shadow. His work is held in numerous private and public collections and has been exhibited widely in the UK, Ireland, and France. Maderson’s paintings are prized for their emotional depth and visual vibrancy. Image: 76 x 113 cm. Framed: 98 x 138 cm.

€5,000 - 8,000

111

IRISH SCHOOL

Title: Head of a Lady Medium: Bronze on marble plinth.

Unsigned.

Provenance: Private Collection

Description

This sensitively modelled bust of a woman is imbued with a serene dignity. The figure’s downcast eyes and softly stylised features suggest quiet introspection. Cast in warm patinated bronze and mounted on a marble plinth, the piece evokes classical portraiture with a modern, textured aesthetic.

Attribution & Note:

Though unsigned, the sculpture is likely the work of a mid-20th century Irish artist working in the academic tradition. The handling of form and finish places it within a lineage of Irish bronze portraiture influenced by artists such as Seamus Murphy and Oisín Kelly.

€400 - 600

112

MATT LAMB (B.1932 - 2012) IRISH/AMERICAN

Title: Abstract Forms.

Medium: Oil on canvas.

Signature: Signed lower left.

Provenance: Warren Gallery. Framed.

Description

A vivid and emotionally charged composition by Matt Lamb, employing bold colour and gestural abstraction. The surface vibrates with layers of red, ochre, and black, suggestive of inner landscapes or symbolic narrative. Lamb’s distinctive approach merges expressionism with a deeply personal visual language.

Biography

Matt Lamb was a Chicago-born artist who dedicated his life to painting as a form of spiritual and social healing. Initially a successful businessman, Lamb turned to art fulltime in the 1980s, establishing studios in the U.S., France, Germany, and Ireland. His work, often abstract and symbolic, has been exhibited globally, reflecting his mission for peace and reconciliation.

Image size: 62 x 91.5 cm.; framed: 81 x 112 cm.

€500 - 800

113

JAMES HUMBERT CRAIG RHA RUA (1877

- 1944)

Title: The Farm in the Glens, Co. Antrim

Medium: Oil on canvas

Signature: Signed lower left

Provenance: John Magee, Belfast (Label Verso); The Gallery Dunfanaghy verso

Framed

Description

A robust and atmospheric depiction of the Donegal landscape, this painting captures the wild skies and windswept trees near Dunfanaghy, with cattle grazing in the foreground and cottages nestled under a brooding sky. Craig’s vigorous brushwork and subtle tonal range showcase his deep affinity with the Irish countryside.

Biography

James Humbert Craig was one of Ireland’s foremost landscape painters. Born in Belfast, he trained in Paris before settling in County Down. Craig is best known for his views of the rugged Ulster and western landscapes, painted with a rich impasto and lyrical realism. A frequent exhibitor at the RHA and RA, his works remain highly sought after.

Image size: 49 x 64.5 cm.; framed: 68 x 83.5 cm.

€4,000 - 6,000

JOSEPH WILLIAM CAREY ARUA (1859 -

1937)

Title: Lake at Dromara (1929)

Medium: Watercolour

Signature: Signed, dated 1929 & title inscribed lower Left

Provenance: Davis & Gray Fine Art Dealers, Belfast (label Verso); Private Collection Framed

Description

Dromara by J.W. Carey is a finely executed watercolour that offers a nostalgic window into the County Down countryside of the early 20th century. The painting likely depicts a view in or around the village of Dromara: perhaps its gentle hills or the winding River Lagan that flows nearby, all beneath the watchful silhouettes of the Dromara Hills or Mourne Mountains further in the distance. Carey’s style is detailed yet soft. In the foreground, one might see a rustic stone bridge or a path leading toward a cluster of cottages with thatched roofs, smoke curling from chimneys into the crisp air. Trees with autumn-touched leaves line the scene, their reflections dancing on the calm water of a river or lough rendered in translucent washes. The sky above is expansive and dynamic –characteristic of Carey’s works – with shifting clouds that he paints in grey, blue, and hints of sunset pink, capturing the transient light of an Irish day. There is a remarkable atmosphere of peace: a farmer tending to a field or a figure on the bridge could be present, drawn in small scale, giving life to the landscape without disturbing its tranquility. Carey’s mastery of watercolour technique is evident in the delicate gradation of colours and the way he achieves depth through overlapping washes: the nearest elements are more vividly defined, while the distant hills recede in misty blues, conveying aerial perspective. Signed “J.W. Carey” in neat script, Dromara is not only a topographical delight (likely accurate enough to recognize the locale), but also a poetic evocation of rural Ireland in bygone days. The work carries historical significance, as Joseph W. Carey was known for capturing scenes of Ulster’s towns and landscapes, preserving them in art for future generations. This watercolour, with its marriage of documentary detail and gentle artistry, would have been as prized in its time as it is now – a charming piece that radiates both the skill of the artist and the quiet beauty of County Down.

Biography

Joseph William (J.W.) Carey ARUA (1859–1937) was a Belfast-born artist known for his atmospheric watercolours of the Irish landscape and coastline. Trained as an illustrator, his early work honed the fine detail and careful composition evident in his later paintings. In the early 1900s, he received a major commission to depict historic scenes of Belfast, firmly establishing his reputation. Carey favoured quiet harbours, rural cottages, and boats on still waters, often painted directly from life. He exhibited regularly in Ireland and was an Associate of the Royal Ulster Academy. His work, both nostalgic and finely executed, remains in public collections and is still admired by collectors today. Image: 27 x 76 cm.

Framed: 58 x 107 cm.

€800 - 1,200

115

JACK BUTLER YEATS RHA (1871-1957)

Title: Greeting card to Anne Cullen. Sketch of a horse. Medium: Pen and ink.

Signature: Signed and inscribed Jack Butler Yeats. Provenance: Private Collection Framed.

Description

A delightful and whimsical illustration of a horse and plough, inscribed by Yeats to Anne Cullen with birthday wishes. This personal memento combines artistic spontaneity with warm sentiment, revealing Yeats’s charm and humour beyond the canvas.

Biography

Jack B. Yeats, Ireland’s most celebrated modernist painter, was known for his evocative depictions of Irish life, land, and legend. His early work in illustration evolved into a uniquely expressive painting style. A regular exhibitor at the RHA and Venice Biennale, he remains central to 20thcentury Irish art history.

Image: 8 x 12 cm. Framed: 37 x 39 cm.

€2,000 - 3,000

IVAN SUTTON (B.1944)

Title: Launching Currach, Killeany Reach, Aran Mor, Aran Islands, Co. Galway

Medium: Oil on board

Signature: Signed Lower Right & titled verso

Provenance: From the Artist’s Studio, Co. Wexford

Framed

Description

In this coastal scene, Ivan Sutton captures a moment of shared labour and tradition, as three figures push a currach into shallow waters. The palette is restrained, with the greys and blues of sea and sky offset by flashes of colour in the figures’ clothing. The composition is both observational and expressive—Sutton’s impasto technique giving movement to the tide and weight to the boat. A row of houses on the distant shore anchors the scene in a recognisable Atlantic village setting.

Biography

Dublin-born Ivan Sutton is one of Ireland’s most respected painters of coastal and maritime life. Known for his textured brushwork and affinity for traditional scenes, Sutton’s subjects often include currachs, fishing villages, and West of Ireland landscapes. He works primarily in oil, building his surfaces with a palette knife to evoke the raw elements of shoreline life. Over a career spanning several decades, his work has been acquired by collectors in Ireland and abroad. Sutton continues to paint from his studio in Wexford, drawing on direct observation and a deep engagement with coastal heritage.

Image: 50 x 75 cm.

Framed: 72 x 97.5 cm.

€1,500 - 2,500

117

JOHN KINGERLEE (B.1935)

Title: Beara Green

Medium: Oil on board

Signature: Signed lower left

Provenance: Private Collection

Framed

Description

A richly textured oil on board by the acclaimed Irish artist John Kingerlee, titled Beara in Green. Executed in his signature impasto style, the work offers an atmospheric impression of the Beara Peninsula, capturing the raw energy and elemental tones of the West Cork landscape. With thickly layered pigment and earthy greens, Kingerlee evokes the spirit of place through abstraction and intuition.

Biography

John Kingerlee is a contemporary Irish artist acclaimed for his richly layered abstract works that blend landscape, memory, and material in evocative harmony. Born in Birmingham in 1936, Kingerlee moved to rural West Cork in the 1980s, where the rugged coastal terrain and contemplative isolation deeply influenced his creative approach. Working primarily in oil and mixed media, his practice is defined by an instinctive, process-driven style, often involving the gradual buildup of pigment over time to create textured, tactile surfaces. Kingerlee’s art resists easy categorisation, drawing on a wide array of cultural and spiritual references, from ancient traditions to modernist experimentation. His work has been exhibited internationally and is held in numerous public and private collections, earning him recognition as one of Ireland’s most original and introspective painters.

Image: 20 x 15 cm.

Framed: 66 x 56 cm.

€1,200 - 1,500

LEO WHELAN RHA (1892 - 1956)

Title: Portrait of Minnie Finagan

Medium: Oil on Canvas

Signature: Unsigned

Provenance: Belfast City Hospital, Where Finagan was Matron; Private Collection

Framed

Description

A refined and poised portrait by Leo Whelan, Minnie Finnegan captures the sitter in a moment of quiet selfassurance. Painted in oil on canvas, the composition features a half-length depiction of a young woman seated against a cool, painterly backdrop. She wears a luxurious dark fur stole over an embroidered dress, her expression calm yet engaged, with eyes that meet the viewer’s gaze directly. The background—an abstracted curtain of blues and silvers— serves to highlight the sitter’s features and heighten the atmosphere of elegance and introspection.

Whelan’s brushwork is confident and precise, particularly in the modelling of the face and hands, which are rendered with care and lifelike subtlety. The handling of the fur is looser and more expressive, creating a pleasing textural contrast that speaks to the artist’s technical command. The colour palette is both restrained and sophisticated, focusing on muted tones that complement the sitter’s complexion and clothing. As with much of Whelan’s work, the portrait avoids overt symbolism or narrative, instead emphasising presence, personality, and poise.

Minnie Finnegan exemplifies Whelan’s gift for capturing both likeness and character, and stands as a distinguished example of Irish portraiture from the early to mid-20th century.

Biography

Leo Whelan was a prominent Irish portrait and genre painter known for his refined realist style and dedication to formal composition. Born in Dublin in 1892, he trained at the Dublin Metropolitan School of Art where his talent for draughtsmanship and his commitment to academic technique quickly became apparent. He began exhibiting at the Royal Hibernian Academy while still in his teens and continued to do so every year until his death, contributing nearly 250 works in total. Whelan made his name as a portraitist, producing dignified likenesses of political, cultural, and professional figures throughout Ireland’s formative years as a nation. His ability to combine strong naturalism with emotional nuance won him many high-profile commissions. In addition to public figures, Whelan also portrayed musicians, writers, and society sitters, always with an emphasis on clarity, poise, and elegance. His style remained rooted in academic realism, characterised by carefully balanced compositions, restrained colour palettes, and an unerring eye for detail. While his subject matter evolved over the decades, Whelan’s work retained a consistent sense of composure and respect for the sitter. He was elected a full member of the Royal Hibernian Academy and became a fixture of the Irish art scene for over four decades. Today, Leo Whelan is regarded as one of the foremost Irish portrait painters of the 20th century. His works are found in numerous public and private collections and continue to be admired for their craftsmanship, insight, and timeless elegance.

Image size: 53 x 43 cm.; framed: 69 x 59 cm.

€3,000 - 5,000

119

ALOYSIUS C. O’KELLY RHA (1853 - 1936)

Title: Royal Horse Artillery

Medium: Oil on Canvas

Signature: Signed lower right

Provenance: Private Collection

Framed

Description

An exceptional early work by Aloysius O’Kelly, Royal Horse Artillery portrays a dynamic military manoeuvre with rich historical context. A gun carriage team and mounted soldiers charge across a dusty field, the force of their movement partially obscured by a dramatic cloud of white smoke. In the background, the scarlet coats of British infantrymen provide a ceremonial counterpoint. While atmospheric and lively, the painting is deliberately loose in its detailing, reflecting the artist’s early search for stylistic confidence. Signed lower right, the painting captures a moment in history as much as a moment in the artist’s development. Authenticated by Professor Niamh O’Sullivan in 2021

Biography

Aloysius O’Kelly was an Irish painter whose work traversed genres including social realism, orientalism, and portraiture. A committed nationalist and brother to MP James J. O’Kelly, he studied in Paris under Léon Bonnat and Jean-Léon Gérôme. His early training endowed him with academic technique, while his political sympathies informed much of his subject matter. O’Kelly painted extensively in France, North Africa, England, and the U.S., contributing to both fine art and political illustration. His legacy is defined by both his artistic versatility and his subtle interweaving of politics and imagemaking.

Image: 53 x 88 cm. Framed: 66 x 104 cm.

€8,000 - 12,000

120

ANDREW NICHOLL RHA (1804 - 1886)

Title: The Mountains of Mourne

Medium: Watercolour

Signature: Signed

Provenance: Private Collection

Framed

Description

An exceptionally fine watercolour by Andrew Nicholl RHA, portraying a tranquil view of the Mountains of Mourne under a gently clouded sky. In the foreground, a solitary female figure in traditional dress walks along a winding path, dwarfed by the sweeping drama of the surrounding landscape. Nicholl’s masterful handling of watercolour captures the rugged beauty and atmospheric depth of the Mourne region, with exquisite attention to natural textures and delicate gradations of light. The muted, harmonious palette and refined composition are characteristic of Nicholl’s celebrated depictions of the Irish countryside. Signed lower right.

Biography

Andrew Nicholl (1804–1886) was a distinguished 19th-century Irish artist, celebrated for his finely observed landscapes and his sensitive rendering of the natural world. Known for his lyrical compositions, Nicholl frequently incorporated detailed studies of birds, animals, and plant life into his scenes, blending artistic vision with a deep appreciation for nature.

His landscapes often reflect a harmonious balance between expansive views and close-up elements of flora and fauna— revealing his twin interests in topography and natural history. A skilled watercolourist and accomplished draughtsman, Nicholl’s works range from serene rural vistas to richly detailed botanical studies. His travels and time spent teaching abroad introduced new influences to his palette and subject matter, including tropical themes that added variety to his repertoire.

Exhibiting regularly throughout his career, he maintained a presence in artistic circles in Belfast, Dublin, and London, and earned the admiration of both critics and collectors in his lifetime. Today, Nicholl is remembered as a key figure in 19thcentury Irish art, whose work continues to captivate through its union of scientific precision and poetic charm.

Image: 35 x 50 cm.

Framed: 55 x 70 cm.

€800 - 1,200

121

LOUIS LE BROCQUY HRHA (1916 - 2012)

Title: Playboy of the Western World.

Medium: Lithograph.

Signature: Signed lower centre.

Provenance: Private Collection. Framed.

Description

An arresting graphic work inspired by J.M. Synge’s seminal play, this lithograph exemplifies le Brocquy’s theatrical flair and sensitivity to Irish literary themes. The simplified yet potent facial studies embody the drama and psychological ambiguity of Synge’s characters.

Biography

Louis le Brocquy (1916–2012) was one of Ireland’s most influential modern artists, celebrated for his deeply expressive and inventive approach to painting. Though largely selftaught, he emerged as a major figure in Irish art by the mid-20th century, first gaining recognition for his early works exploring marginalized communities with empathy and psychological insight.

Le Brocquy’s most iconic body of work, the Portrait Heads series—developed over several decades—offered haunting and meditative interpretations of cultural icons such as W.B. Yeats, James Joyce, Seamus Heaney, Francis Bacon, and Samuel Beckett. These portraits are notable for their ethereal quality: painted with translucent layers and flickering light, they aim not to depict likeness but to evoke the inner presence of their subjects.

Over his lifetime, le Brocquy received numerous honours and represented Ireland on the international stage. His work has been celebrated in major retrospectives and now resides in prominent museum collections around the world. Through his singular visual language and profound engagement with identity, memory, and spirit, he remains a towering figure in the story of Irish art.

Each 25 x 16 cm.; together: 65 x 70 cm.; framed: 70 x 76 cm.

€1,200 - 1,500

122

HENRY HEALY RHA (1909-1982)

Title: Conemmara.

Medium: Oil on board.

Signature: Signed lower right.

Provenance: Private Collection. Framed.

Description

With bold brushwork and confident tonal contrasts, Connemara reflects Henry Healy’s direct and painterly style. The work conveys the wild rhythm of the western Irish coastline, with broad strokes and simplified forms that enhance the drama of sea and land.

Biography

Henry Healy was a prominent Irish landscape artist and member of the RHA. He trained at the Dublin Metropolitan School of Art and exhibited widely from the 1930s onward. Healy was known for his expressive yet structured landscapes of the Irish midlands and west. His legacy includes works in the collections of the Hugh Lane Gallery and the National Gallery of Ireland.

Image size: 39.5 x 49 cm.; framed: 60.5 x 71 cm.

€1,500 - 2,500

HARRY KERNOFF RHA

(1900 - 1974)

Title: Young Mexican Girl

Medium: Pastel

Signature: Signed lower left & dated ‘74

Provenance: Private Collection

Framed

Description

A tender portrait of a young girl is rendered in soft pastel tones on paper, exemplifying Harry Kernoff’s eye for everyday humanity. The pastel medium is applied in velvety layers and bold strokes, creating gentle transitions in the girl’s complexion and the folds of her simple clothing. She is depicted gazing slightly aside, her youthful features captured with warm, earthy colours and an understated background that focuses attention on her face.

Kernoff’s style infuses the scene with a sense of Dublin life; the informal pose and directness of the portrait suggest the artist’s connection to his sitter. The work is signed by Kernoff, the signature discreetly placed, confirming the authenticity of this charming and intimate piece.

Biography

Harry Kernoff RHA (1900–1974) was a celebrated Irish artist known for his vivid and compassionate portrayals of 20th-century Dublin life. Born in London to Russian-Jewish and Spanish parents, he relocated to Dublin as a teenager, where he pursued formal training in art. His work captured the spirit of the city through portraits, street scenes, and interiors, reflecting both prominent cultural figures and everyday citizens with equal care.

Kernoff was particularly admired for his direct, linear style—often bordering on caricature—balanced by a strong sense of empathy and social awareness. A skilled draughtsman and committed idealist, he brought his artistic voice to posters, illustrations, and theatrical works, playing a key role in shaping Ireland’s visual and cultural narrative in the mid-20th century.

Image: 43 x 33 cm.

Framed: 62 x 52 cm.

€800 - 1,200

124

JACK BUTLER YEATS RHA (1871-1957)

Title: West of Ireland.

Medium: Pencil sketch.

Signature: Signed lower right.

Provenance: from the Artist’s Studio, the Yeats family collection. Framed.

Description

A rapidly sketched but evocative view of the West of Ireland landscape. Loose clouds, rugged fields, and distant dwellings emerge from Yeats’s fluent pencil lines. The sketch captures the spontaneity and energy of his visual memory.

Biography

Jack B. Yeats, Ireland’s most celebrated modernist painter, was known for his evocative depictions of Irish life, land, and legend. His early work in illustration evolved into a uniquely expressive painting style. A regular exhibitor at the RHA and Venice Biennale, he remains central to 20th-century Irish art history.

Image: 8 x 12 cm. Framed: 31 x 34 cm.

€1,000 - 1,500

125

MICHAEL HALES (B. 1971)

Title: Untitled (Red, Yellow, Blue)

Medium: Encaustic and oil on board.

Signature: Monogrammed.

Provenance: Artist’s Studio.

Framed

Description

A vivid composition exploring the interaction of primary colour and surface texture, this untitled work by Michael Hales employs encaustic and oil in dense, luminous layers. Blocks of red, yellow, and pale blue are arranged with an architectonic clarity, yet the work’s gestural abrasions and layered surfaces suggest a dynamic, intuitive process beneath the formal order. The division of colour zones, interrupted by subtle incisions and tonal bleed, invites reflection on structure and improvisation in abstract painting.

Biography

Michael Hales is a contemporary Irish artist working at the boundary of abstraction and landscape. Trained at Limerick School of Art and Design, he is known for his use of encaustic—a wax-based technique that allows for rich surface layering and gestural excavation. Hales’ practice often engages with built and natural environments, drawing on memory, architecture, and mapped terrain. His works are characterised by a disciplined structure underpinned by expressive materiality. Based in Ireland, he continues to exhibit selectively and is represented in private and corporate collections across Europe.

Image: 39 x 59 cm. Framed: 49 x 69 cm.

€600 - 900

GEORGE CAMPBELL RHA RUA (19171979)

Title: Spanish Rooftops

Medium: Oil on board, titled verso

Signature: Unsigned

Provenance: Private Collection

Framed

Description

An expressive and textural view of clustered rooftops, rendered in a palette of soft whites, reds, and dusky hues. The energetic brushwork and semi-abstract structure are typical of Campbell’s work, particularly during his time in Spain, where he drew inspiration from Mediterranean architecture and light.

Biography

George Campbell was a prominent member of the Irish modernist movement and a key figure among the “Belfast Boys”. His career was defined by his travels in Spain and affinity with Spanish culture. Self-taught and prolific, Campbell worked in oil, watercolour, and stained glass, and was elected a member of the RHA in 1964. His works are held in major Irish and international collections, celebrated for their vitality and individuality.

Image size: 27 x 34 cm.; framed: 36.5 x 43.5 cm.

€1,400 - 1,800

127

WILLIAM CROZIER HRHA (1930 - 2011)

Title: Headland, West Cork V, 1999.

Medium: Watercolour.

Signature: Signed lower right.

Provenance: Private Collection Framed.

Description

In this loose and vibrant watercolour, Crozier captures the textured mass of a headland bursting with life. Gestural brushwork in black, grey, and green sweeps across the surface in rhythmic formations, echoing the natural vitality of West Cork’s wild terrain.

Biography

William Crozier HRHA (1930–2011) was a celebrated IrishScottish artist whose career spanned over six decades and left a lasting imprint on post-war British and Irish art. Born in Glasgow to Irish parents, Crozier trained at the Glasgow School of Art before rising to prominence in the 1950s London art scene. His early works—dark, expressive, and existential in tone—aligned him with a generation of artists grappling with the aftermath of war and the complexities of the human condition.

As his career progressed, Crozier’s style underwent a striking transformation. Inspired by time spent in France, Ireland, and the Mediterranean, he embraced bold colour and semiabstraction, producing radiant landscapes and still lifes that pulsed with energy and emotional depth. The rural beauty of West Cork, where he eventually made his home, became a recurring subject in his later work—interpreted through vivid hues and simplified forms that conveyed both joy and intensity.

In addition to his prolific studio practice, Crozier contributed to art education and was recognised with numerous honours, including membership in Aosdána and the Royal Hibernian Academy. His work was exhibited widely in Ireland, the UK, and abroad, and is represented in major public collections around the world.

Throughout his life, Crozier remained committed to painting as a way of engaging with nature, memory, and personal experience. Whether through his early introspective canvases or his later celebratory abstractions, he is remembered as a master colourist and a vital voice in modern Irish and British painting.

Image: 44 x 63 cm. Framed: 65 x 84 cm.

€2,000 - 3,000

LOUIS LE BROCQUY HRHA (1916 - 2012)

Title: Garlanded Goat (C. 1950)

Medium: Colour Inverted Aubusson Tapestry, Edition 1/9

Signature: Signed & dated 1950 in weave of tapestry & signed and numbered 1/9 on Rene Duche Label Verso

Provenance: Atelier Rene Duche, 1991 (Label Verso); Private Collection

Description

This rare tapestry, Garlanded Goat, is one of Louis le Brocquy’s most distinctive and historically significant textile works, woven in a colour-inverted edition of just nine. Designed in 1950 and executed at the renowned Tabard Frères et Soeurs atelier in Aubusson, the piece reimagines a motif from his earlier painting Goat in Snow (1949). Here, the animal stands in stylised profile, crowned with a floral garland, its head turned back toward the viewer with an almost mythic selfawareness.

In this inverted version, le Brocquy transforms the original warm palette into its chromatic opposite—a visual strategy he often employed to deepen psychological and symbolic resonance. The goat, a recurring figure in Irish folklore and seasonal rituals such as the Puck Fair, becomes an emblem of transformation and fertility. The flattened forms and fragmented contours draw on Cubist principles while preserving a rhythmic, almost Celtic decorative clarity. The artist’s woven signature and date affirm both authorship and the tapestry’s origin in the early phase of his exploration into textile as a modern expressive medium.

Le Brocquy’s approach to tapestry marked a pivotal moment in Irish modernism. At a time when few Irish artists engaged seriously with the medium, he brought a European avant-garde sensibility to bear on ancient craft traditions. Garlanded Goat stands as a synthesis of ritual, abstraction, and innovation—a vital link between Ireland’s visual heritage and the international modernist movement.

Biography

Louis le Brocquy is widely regarded as one of the most original and influential figures in 20th-century Irish art. Born in Dublin, he was largely self-taught, developing his early style through close study of European masters and exposure to modernist movements during his time abroad. In the 1940s, he co-founded the Irish Exhibition of Living Art and rapidly gained recognition for his bold, introspective works that sought to place Irish painting in dialogue with the wider European avant-garde.

Le Brocquy’s career evolved through distinct phases—from early social realism to the luminous fragmentation of his Traveller and Tinker series, and later to his celebrated Head series, in which he portrayed cultural giants like Yeats, Joyce, and Beckett in haunting, translucent forms. His achievements were recognised internationally, culminating in his representation of Ireland at the Venice Biennale in 1956 and, later, the acquisition of A Family by the National Gallery of Ireland— the first time a living Irish artist’s work entered the permanent collection.

Parallel to his painting practice, le Brocquy pursued tapestry as a serious art form. Collaborating with master weavers in Aubusson, he created designs that married modernist abstraction with symbolic imagery drawn from Irish myth and ritual. Garlanded Goat was among his earliest and most successful of these ventures— praised by critics and collectors alike for its inventive use of form and colour.

Le Brocquy’s work is held in major institutions worldwide, including the Tate, the Guggenheim, and the Irish Museum of Modern Art. He remains one of the few Irish artists to achieve sustained international acclaim while shaping a distinctly national visual language. His legacy endures not only in his paintings but also in the pioneering role he played in elevating Irish modernism onto the world stage. 58 x 128 cm.

€80,000 - 120,000

ANDREW NICHOLL RHA (1804 - 1886)

Title: Ducks in Flight over Wetlands

Medium: Watercolour

Signature: Signed Lower Right

Provenance: Private Collection (label verso)

Framed

Description

This watercolour, by Andrew Nicholl, portrays a lively nature scene: a small flock of wild ducks ascending from a lake or marsh. In the foreground, reeds and water plants are rendered with the careful botanical detail for which Nicholl is known. The ducks are captured mid-flight, wings outstretched, their reflections hinted upon the still water below. The composition balances the bustling energy of the wildlife with a tranquil landscape background – possibly a dusk sky with soft pastel hues or the outline of distant woodlands. Nicholl’s delicate layering of watercolour washes creates realistic textures in the birds’ plumage and the rippling water. A subtle use of sgraffito (scratching technique) might be observed in highlights on the water, a technique Nicholl occasionally employed. The piece is signed by the artist, and it radiates a serene, observational quality, blending Nicholl’s scientific attentiveness to nature with the aesthetic pleasure of a wellcomposed landscape.

Biography

Andrew Nicholl (1804–1886) was a distinguished 19th-century Irish artist, celebrated for his finely observed landscapes and his sensitive rendering of the natural world. Known for his lyrical compositions, Nicholl frequently incorporated detailed studies of birds, animals, and plant life into his scenes, blending artistic vision with a deep appreciation for nature.

His landscapes often reflect a harmonious balance between expansive views and close-up elements of flora and fauna— revealing his twin interests in topography and natural history. A skilled watercolourist and accomplished draughtsman, Nicholl’s works range from serene rural vistas to richly detailed botanical studies. His travels and time spent teaching abroad introduced new influences to his palette and subject matter, including tropical themes that added variety to his repertoire.

Exhibiting regularly throughout his career, he maintained a presence in artistic circles in Belfast, Dublin, and London, and earned the admiration of both critics and collectors in his lifetime. Today, Nicholl is remembered as a key figure in 19thcentury Irish art, whose work continues to captivate through its union of scientific precision and poetic charm.

Image: 33 x 50 cm.

Framed: 58 x 73 cm .

€1,200 - 1,500

130

JOHN FAULKNER RHA (1835 - 1894)

Title: Landscape.

Medium: Watercolour.

Signature: Signed

Provenance: Private Collection. Framed.

Description

This tranquil landscape by John Faulkner is rendered in delicate watercolour, capturing a sweeping view of trees and rolling hills under soft light. The atmospheric perspective and naturalistic palette highlight Faulkner’s sensitivity to the Irish countryside, a subject he frequently revisited throughout his career. Finely framed and signed, the work exemplifies the poetic realism of the artist’s oeuvre.

Biography

John Faulkner was an Irish landscape and portrait painter, trained at the Royal Hibernian Academy. Active during the mid to late 19th century, he was a central figure in Irish academic painting. His work is known for its refined handling of light and tone, often depicting serene natural scenes or classically styled portraiture. He exhibited extensively in Dublin and London and remains an admired name in Irish Victorian art.

Image size: 50 x 100 cm.; framed: 70 x 120 cm.

€700 - 1,000

131

EDWIN HAYES RHA RI ROI (1819 - 1904)

Title: Rough Seas

Medium: Oil on board

Signature: Signed lower right

Provenance: Private Collection Framed.

Description

A dramatic marine painting by Edwin Hayes, Rough Seas depicts a fleet of vessels navigating heavy waters under a wind-driven sky. The churning whitecaps and gust-filled sails are captured with vigorous brushwork and a strong sense of nautical realism. The atmospheric tension is heightened by the interplay of turbulent sea and silvery light breaking through clouds. Signed lower right, this is a powerful testament to Hayes’ mastery of maritime subjects and his ability to convey the energy and mood of the open sea.

Biography

Edwin Hayes RHA RI (1819–1904) was a masterful marine painter whose work vividly captured the power and poetry of the sea. Although born in Bristol, he was raised in Dublin near the city’s busy docks, where his lifelong fascination with ships and coastal life began. A largely self-taught artist in maritime subjects, Hayes deepened his understanding of the sea through firsthand experience, even undertaking a transatlantic voyage in his youth.

Working in both oil and watercolour, he became renowned for his seascapes—ranging from tempestuous shipwrecks and storm-tossed vessels to serene harbours and calm coastal scenes. His paintings are admired for their atmospheric depth and realism, particularly his skill in rendering the movement of waves, changing skies, and the reflective quality of water. These elements reflect not only technical finesse but also a deep, personal connection to his subject matter.

Hayes exhibited widely throughout the 19th century and was elected to both the Royal Hibernian Academy and the Royal Institute of Painters in Watercolours. Today, he is regarded as one of the foremost marine artists of his time, with a legacy rooted in his ability to evoke the drama, beauty, and unpredictability of the sea.

Image: 40 x 60 cm. Framed: 54 x 74 cm.

€1,200 - 1,500

ERSKINE NICOL RSA ARA (1825 - 1904)

Title: Man at Desk

Medium: Pen and Ink Sketch

Signature: Unsigned

Provenance: Private Collection

Framed

Description

Erskine Nicol’s Man at Desk is an intimate pen-and-ink sketch that offers a candid glimpse into 19th-century daily life. In this quick, deft drawing, a lone gentleman sits hunched at his desk – perhaps a scholar poring over a ledger or a clerk absorbed in correspondence. Nicol’s line work is lively and confident: with a few decisive strokes he delineates the man’s posture –head bowed, back slightly curved – and the simple furnishings of the room, from the wooden desk and chair to the outline of a window or bookshelf in the background. There’s a subtle narrative humour here; one can almost sense Nicol’s affection for the quirks of his subject, maybe an overworked Irish schoolmaster or bureaucrat lost in thought. Indeed, Nicol was known for such anecdotal genre scenes, often with a touch of wit. Despite the sketch’s monochrome simplicity, the character of the “man at desk” shines through – a testament to Nicol’s sharp observation and draughtsmanship. With its distinguished Whyte’s of Dublin provenance, this drawing not only charms as a piece of art but also carries the history of having passed through one of Ireland’s notable auction houses, underscoring its collectability and authenticity.

Biography

Erskine Nicol RSA ARA (1825–1904) was a Scottish painter best known for his genre scenes that captured the everyday lives of 19th-century Irish people with both humour and humanity. Born in Leith, near Edinburgh, Nicol moved to Dublin in the mid-1840s, where he taught art and developed a keen eye for the social and cultural life around him. It was during this time that his distinctive narrative style began to take shape—marked by anecdotal compositions, lively characters, and subtle wit.

Nicol’s paintings often depicted rural Irish communities, portraying peasants, tradespeople, and emigrants with warmth and finely observed detail. While many of his early works embraced lighthearted themes, his later pieces revealed a more reflective tone, particularly in his portrayals of emigration and hardship, underscoring his growing empathy for his subjects.

He gained recognition on both sides of the Irish Sea, becoming a member of the Royal Scottish Academy and an Associate of the Royal Academy in London. His finely executed oils and watercolours remain valued for their narrative richness and technical precision, offering a vivid glimpse into the social fabric of 19th-century Ireland. Nicol also left a lasting artistic legacy, influencing future genre painters, including his son, John Watson Nicol. Image: 9 x 9 cm.

Framed: 28 x 28 cm.

€150 - 250

GRAHAM KNUTTEL (1954 - 2023)

Title: The Living Room.

Medium: Oil on paper.

Signature: Signed.

Provenance: Private Collection Framed.

Description

With cinematic flair, Knuttel captures a moment of quiet tension. The interior space, stylised and angular, echoes themes of alienation and narrative suspense— hallmarks of the artist’s unique visual storytelling.

Biography

Graham Knuttel (1954–2023) was one of Ireland’s best-known contemporary artists. His instantly recognisable style—part Cubist, part noir—made him a favourite of international collectors, including Sylvester Stallone and Robert De Niro. His works span painting, sculpture, and print.

Image: 55 x 60 cm. Framed: 70 x 90 cm.

€3,000 - 5,000

134

ERSKINE NICOL RSA ARA (1825 - 1904)

Title: The Letter (C. 1880)

Medium: Oil on Canvas

Signature: Signed Bottom Right & titled on label verso

Provenance: William Rodman & Co, Belfast; Private Collection

Framed

Description

A superb genre painting by Erskine Nicol, The Letter exemplifies the artist’s finely honed ability to blend narrative charm with technical mastery. Executed in oil on canvas, the scene depicts a contented figure seated in a dimly lit interior, absorbed in reading a letter while smoking a pipe. The details — from the glint of light on the ink bottle to the casually strewn papers and books — reflect Nicol’s meticulous observation and warmth of characterisation. The setting is rendered with tonal richness and a subdued palette that enhances the atmosphere of quiet intimacy. Signed bottom right and titled on a label verso, the work is housed in an elaborate period-style carved frame.

Biography

Erskine Nicol RSA ARA (1825–1904) was a Scottish painter best known for his genre scenes that captured the everyday lives of 19th-century Irish people with both humour and humanity. Born in Leith, near Edinburgh, Nicol moved to Dublin in the mid1840s, where he taught art and developed a keen eye for the social and cultural life around him. It was during this time that his distinctive narrative style began to take shape—marked by anecdotal compositions, lively characters, and subtle wit.

Nicol’s paintings often depicted rural Irish communities, portraying peasants, tradespeople, and emigrants with warmth and finely observed detail. While many of his early works embraced lighthearted themes, his later pieces revealed a more reflective tone, particularly in his portrayals of emigration and hardship, underscoring his growing empathy for his subjects.

He gained recognition on both sides of the Irish Sea, becoming a member of the Royal Scottish Academy and an Associate of the Royal Academy in London. His finely executed oils and watercolours remain valued for their narrative richness and technical precision, offering a vivid glimpse into the social fabric of 19th-century Ireland. Nicol also left a lasting artistic legacy, influencing future genre painters, including his son, John Watson Nicol.

Image: 34 x 44 cm.

Framed: 58 x 66 cm.

€4,000 - 6,000

TERENCE P FLANAGAN PRHA RHA (1929-2011)

Title: Holy Well.

Medium: Mixed media on card.

Signature: Signed lower right. David Hendricks label verso.

Provenance: Private Collection. Framed.

Description

A sensitive and atmospheric composition, Holy Well reflects Terence Flanagan’s mastery of tone and texture. The sacred quality of the subject is evoked through a muted, spiritual palette and a delicate balance between abstraction and naturalism.

Biography

Terence Philip Flanagan was one of Northern Ireland’s most celebrated modern painters. Born in Enniskillen, he studied at Belfast College of Art and became renowned for his ethereal landscapes, often infused with spiritual or historical resonance. A member and later President of the Royal Hibernian Academy, Flanagan was a key figure in Irish visual culture, exhibiting internationally and represented in major public collections including the Ulster Museum and the Irish Museum of Modern Art. Image; 82 x 58 cm. Framed: 107 x 80 cm.

€800 - 1,200

MARK O’NEILL (B.1963)

Title: The Garden Arch 1991. Medium: Oil on board.

Signature: Signed lower left.

Provenance: Artist’s Studio; Private Collection. Framed.

Description

A richly detailed and romantic scene, The Garden Arch by Mark O’Neill invites the viewer through a stone threshold into a secluded, sun-dappled sanctuary. O’Neill’s luminous palette and layered brushwork bring a classical sensibility to this idyllic composition.

Biography

Mark O’Neill is a highly regarded Irish painter known for his realist interiors, still lifes, and landscapes. His work is celebrated for its masterful technique, lush surfaces, and intimate narratives. Trained at NCAD and self-taught in classical methods, O’Neill’s paintings evoke a sense of stillness and timeless beauty. He has received numerous awards and enjoys a strong following among private collectors in Ireland and abroad. Image: 26 x 40 cm. Framed: 48 x 61 cm.

€2,000 - 3,000

137

PAULINE BEWICK RHA (1935 - 2022)

Title: Illustration for the Cyril the Squirrel television show. Medium: Watercolour.

Signature: Signed mid-right and verso.

Provenance: Private Collection. Framed.

Description

This whimsical and charming illustration by Pauline Bewick was created for the children’s television show Cyril the Squirrel. Rendered in Bewick’s signature fluid style, the image is filled with playful detail and vibrant botanical motifs, a testament to the artist’s enduring love of storytelling and natural form.

Biography

Pauline Bewick (1935–2022) was a celebrated Irish artist whose vibrant imagination and distinctive visual language earned her a cherished place in modern Irish art. Born in England and raised in County Kerry, she led an unconventional life that deeply influenced her artistic voice. Over a career spanning more than seventy years, Bewick worked in a wide range of media—including painting, sculpture, and textile—but her lyrical watercolours remain particularly iconic.

Her work is known for fluid lines, vivid colour, and whimsical narratives inspired by nature, mythology, and personal experience. A recurring motif in her later work was the “Yellow Man,” a symbolic figure exploring themes of innocence, freedom, and introspection. Bewick’s prolific output and unique vision captivated audiences, and her generous donation of hundreds of artworks to the Irish state reflected her commitment to making art accessible to all.

Remembered as an independent and fearless creative force, Bewick leaves behind a legacy of joy, beauty, and boundless storytelling.

Image: 38 x 45 cm. Framed: 53 x 59 cm.

€400 - 600

138

JOHN DOHERTY (B.1949)

Title: Tuna Fishing, After Salvador Dali (c.1967/8)

Medium: Oil & mixed media on board

Signature: Signed on reverse & dated 67/8

Provenance: Private Collection

Framed

Description

In this dynamic homage to Salvador Dalí’s late masterpiece The Tuna Fishing, John Doherty revisits the famed surrealist scene through his own inventive lens. A tumult of fishermen and giant tuna fish dominates the composition, rendered in a blend of oil and mixed media that creates rich texture and depth. Swirling forms and vibrant hues convey the frenzy of the catch, echoing Dalí’s dramatic vision while infusing it with Doherty’s youthful energy and technical flair. The painting juxtaposes photorealistic details with abstract, gestural passages – a nod to Dalí’s surrealism – resulting in a visually arresting tableau that is at once a tribute and a bold, standalone work. Signed by the artist, Tuna Fishing After Dalí holds particular interest as an early piece by Doherty, capturing the moment a promising Irish artist engages bravely with the legacy of a modern master.

Biography

John Doherty (born 1949) is an Irish-born artist acclaimed for his precise, luminous paintings that bridge architecture, memory, and visual storytelling. Originally from County Kilkenny, he trained in architecture before turning to fine art, a foundation that informs the structural clarity and compositional balance of his work. Now based in Australia, Doherty developed a distinctive photorealist style, characterised by crisp detail, radiant light, and a quiet, contemplative atmosphere.

Best known for his depictions of rural townscapes and urban storefronts, Doherty’s paintings often feature empty buildings and deserted streets rendered with almost meditative care. These works resonate as visual records of places suspended in time—celebrating overlooked architectural forms while gently suggesting themes of change and disappearance.

Alongside his more realist pieces, Doherty’s body of work includes moments of homage and experimentation, showing a playful engagement with art history and form. Over the course of his career, he has exhibited widely and earned recognition for his ability to document and dignify the everyday with clarity and affection.

Image: 74 x 110 cm.

Framed: 90 x 125 cm.

€800 - 1,200

139

MICHAEL HALES (B. 1971)

Title: Yellowhead Highway Part VI.

Medium: Encaustic and oil on board.

Signature: Monogrammed.

Provenance: Artist’s Studio, Tipperary. Signed and titled verso. Framed.

Description

Yellowhead Highway Part VI forms part of Michael Hales’ ongoing body of work that examines the intersection of memory, geography, and surface. Built in encaustic and oil, the composition features layered horizontal bands—textured and occasionally scarred—evoking a panoramic impression of landscape, road, and movement. Beneath the structured facade, subtle tonal shifts and colour blocks hint at signage, weathered paint, and roadside industrial forms. The work’s title references the transcontinental highway in Canada, suggesting a narrative of journey and abstraction through a personal lens.

Biography

Michael Hales is a contemporary Irish artist working at the boundary of abstraction and landscape. Trained at Limerick School of Art and Design, he is known for his use of encaustic—a wax-based technique that allows for rich surface layering and gestural excavation. Hales’ practice often engages with built and natural environments, drawing on memory, architecture, and mapped terrain. His works are characterised by a disciplined structure underpinned by expressive materiality. Based in Ireland, he continues to exhibit selectively and is represented in private and corporate collections across Europe.

Image size: 39 x 59 cm.; framed: 59 x 79 cm.

€800 - 1,200

RONALD OSSORY DUNLOP RA RBA (1894 - 1975)

Title: A Castle in Limerick Medium: Oil on Board

Signature: Signed Lower Left

Provenance: Private Collection Framed

Description

This richly textured landscape by Ronald Ossory Dunlop presents a castle nestled among the rolling greenery of the Limerick countryside, rendered in his distinctive impasto technique. With expressive brushwork and a naturalistic yet romantic palette, Dunlop captures the harmony between the built and natural environment under a brooding Irish sky. The composition balances the structural solidity of the castle with the free, organic movement of the surrounding landscape, inviting the viewer into a deeply felt interpretation of place. Signed lower left. Presented in a classic, double-mounted frame.

Biography

Ronald Ossory Dunlop was an Anglo-Irish painter celebrated for his expressive and fluid technique across landscapes, still lifes, and portraits. Born in Dublin and educated in London and Paris, he became associated with the Emotionist Group and later held membership in both the Royal Academy and the Royal Society of British Artists. Dunlop’s distinctive style combined tonal sensitivity with dynamic brushwork, producing works that convey both structure and spontaneity. His work is held in numerous important public and private collections, and he remains a respected figure within 20th-century British and Irish art.

Image: 38 x 48 cm. Framed: 69 x 79 cm.

€800 - 1,200

FRANK J. EGGINTON RCA FIAL (19081990)

Title: Boat on a Lake, Connemara

Medium: Watercolour

Signature: Signed

Provenance: Private Collection

Framed

Description

Frank Egginton’s Boat on a Lake, Connemara is a serene vision of Ireland’s west, rendered in luminous watercolour. In this tranquil scene, a lone boat drifts upon the glassy surface of a Connemara lake, the still water reflecting a kaleidoscope of gentle sky tones and the rugged silhouettes of distant mountains. Egginton’s technique is deft and delicate: transparent washes of cool blues and soft greens evoke the clear Irish light, while finer touches pick out bogland grasses and rocky shorelines with crisp detail. The composition draws the viewer’s eye across the lake towards the majestic peaks of the Twelve Bens or Maamturks, hinted at under a high clouded sky – these are classic Connemara landmarks that Egginton often painted. There is a profound sense of peace and space; even with minimal human activity, the scene feels alive with nature’s quiet presence. Signed by the artist, this work captures Egginton’s gift for portraying the unspoilt beauty of Ireland’s landscapes, combining an artist’s skill with an obvious love for the wilds of Connemara.

Biography

Frank Egginton (1908–1990) was a British-born artist renowned for his luminous watercolours of the Irish landscape. Though raised in Devon, and the son of a painter, it was Ireland—particularly the rugged scenery of Donegal and Connemara—that captured his imagination and became the focus of his life’s work.

From the 1930s onward, Egginton spent considerable time in the west and northwest of Ireland, painting the ever-shifting light, sweeping coastlines, and serene inland scenes with clarity and restraint. His style combined technical precision with a sensitivity to atmosphere, using crisp lines and clean colour to convey the quiet stillness of remote places and the changing moods of Irish weather.

Egginton exhibited widely and was affiliated with several respected academies, yet his work always reflected a personal connection to the land rather than the art world’s trends. Today, his paintings are appreciated for their timeless elegance and continue to resonate with those drawn to the beauty and tranquillity of the Irish countryside.

Image: 52 x 73 cm.

Framed: 72 x 91 cm.

€800 - 1,200

142

MAJELLA O’NEILL COLLINS

Title: Toward the West of Sherkin.

Medium: Oil on canvas.

Signature: Signed. Titled verso.

Provenance: Private Collection Framed.

Description

A vibrant, textural interpretation of the dramatic West Cork landscape, this composition evokes the changing light and weather over Sherkin Island. Collins’ expressive use of colour and palette knife application invites the viewer into a deeply personal view of the Irish coastline.

Biography

Majella O’Neill Collins is an Irish contemporary artist based in West Cork. Her work explores the rugged coastal topography of Ireland through abstracted, energetic landscapes. A graduate of CIT Crawford College of Art & Design, she has exhibited widely in Ireland and the UK and her work is held in numerous public and private collections.

Image: 80 x 100 cm. Framed: 108 x 127 cm.

€2,000 - 3,000

WILLIAM CONOR RHA RUA ROI (1881 - 1968)

Title: The Farm gate

Medium: Wax crayon and charcoal

Signature: Signed lower left

Provenance: John Magee, Belfast (Label Verso); Private Collection Framed

Description

William Conor’s The Farm Gate is a quietly compelling depiction of rural Irish life, rendered with a tender eye for human connection. Two figures, likely a mother and daughter or two local women, lean casually on a wooden gate, absorbed in their surroundings or perhaps in shared thought. Behind them, a loosely sketched horse adds a subtle sense of motion and depth, while a soft row of distant houses recedes into the background. The composition is simple, yet layered with emotional texture, allowing viewers to read a lifetime of familiarity and unspoken stories in the women’s postures alone.

Executed in wax crayon and charcoal, the work is a beautiful example of Conor’s mastery of mixed media. The grainy, tactile texture of the charcoal provides a softened architectural frame to the piece, while the wax crayon brings selective warmth—most notably in the russet-red hair of the girl and the rich ochre of the older woman’s shawl. These flourishes of colour not only guide the eye but also add an emotional warmth, anchoring the figures in a stark, wintery landscape. Conor uses restraint wisely, letting the materials breathe and evoke rather than overwhelm.

There’s an intimacy in The Farm Gate that speaks to Conor’s deep empathy for his subjects. The casual lean of the women, their expressions halfway between curiosity and amusement, suggests a moment captured in passing—unposed, natural, and utterly real. The gate serves as a symbolic threshold: not just between the public and private worlds, but between generations, between the enduring traditions of rural life and the slow passage of time. It’s in these quiet, everyday moments that Conor found profound resonance, elevating the ordinary into something enduring.

Conor’s decision to focus on scenes like this—grounded in real people, real places, and daily experience—reflects his lifelong commitment to portraying the dignity and richness of working-class life. The Farm Gate is a snapshot of community and kinship, filtered through an artist’s gentle and observational eye. It captures not just a place or a moment, but a way of life—one lived close to the land, close to one another, and filled with quiet strength.

Biography

William Conor RHA RUA ROI (1881–1968) was a celebrated Irish artist renowned for his evocative use of wax crayon and charcoal to capture the rhythms of everyday life in Ulster. Born in Belfast, he trained at the Government School of Design and later spent time studying in Paris, where he developed a keen sense for expressive draughtsmanship. Conor’s chosen mediums—wax crayon and charcoal—gave his work a unique visual texture, combining rich, earthy tones with fluid, gestural lines. This blend allowed him to portray scenes of working-class life with immediacy and emotional depth, whether focusing on bustling street corners, quiet rural moments, or intimate domestic vignettes. A founding member of the Ulster Academy of Arts and a respected figure in the Royal Hibernian Academy, Conor remains a key figure in Irish art history, praised for his heartfelt commitment to documenting the spirit and dignity of his people.

Image: 45 x 35 cm. Framed: 70 x 60 cm.

€5,000 - 8,000

144

LIAM DELANEY (B. 1948)

Title: Glory Hole (1990)

Medium: Oil on Canvas

Signature: Signed and Dated 1990 Lower Left

Provenance: The Collection of Tommy Smith, Grogan’s Pub, Dublin; Private Collection Unframed

Description

Painted with a dreamlike stillness and meticulous control, Glory Hole by Liam Delaney presents a surreal interior or landscape, dominated by a prone figure framed between monumental stone structures. The painting reflects Delaney’s engagement with themes of isolation, memory, and ambiguity. The stark geometry and horizon line create a theatrical tension, with the human figure appearing as both subject and symbol.

Biography

Liam Delaney is an Irish painter known for his enigmatic, often symbolic oil paintings that blend realism with metaphysical overtones. Originally trained in Dublin, Delaney developed a quiet reputation through solo exhibitions and acquisitions by prominent private collectors. His work often centres on solitary figures within pared-back architectural spaces, invoking stillness, contemplation, and subtle narrative. Though less prolific than some of his peers, Delaney’s paintings are noted for their clarity of intention and poetic restraint. 76 x 91 cm.

€500 - 800

MARKEY ROBINSON (1918 - 1999)

Title: Galway Shawlie.

Medium: Bronze.

Provenance: The Oriel Gallery.

Description

This elegant bronze pays homage to one of Robinson’s most iconic subjects—the shawl-clad Galway woman. The simplified form, yet potent cultural resonance, exemplifies Robinson’s ability to capture spirit through economy of line.

Biography

Markey Robinson (1918–1999) was a distinctive figure in 20th-century Irish art, known for his expressive, paredback style and the remarkable breadth of his work. Born in Belfast as Thomas Mark Robinson, he was largely self-taught, developing a unique visual language that combined elements of folk art with modernist simplicity.

His paintings often drew on scenes from everyday Irish life—harbours, fishermen, rural cottages—as well as figures from dance, circus, and mythology. Whether rendered in oil, gouache, or watercolour, his compositions featured bold outlines, simplified forms, and a restrained palette that gave his work a quiet, emotive power. Though Robinson worked outside the mainstream art world and lived modestly, his bohemian spirit and authentic voice earned him wide admiration.

He exhibited both in Ireland and abroad, and his work found a devoted following for its sincerity and timeless charm. There is a subtle melancholy and depth behind the apparent simplicity of his imagery, a sense that each painting holds a story. Today, Markey Robinson is remembered as an original and independent talent—an artist who captured the essence of Irish identity with humility, imagination, and enduring style. 39 cm. high

€1,200 - 1,500

BASIL IVAN RÁKÓCZI (1908–1979)

Title: Adam and Eve

Medium: mixed media on board

Signature: Signed Lower Left

Provenance: Private Collection

Description

A vivid and dreamlike composition characteristic of Rákóczi’s psychologically charged and symbolic style, this work features a pair of stylised figures set against a richly textured background. Executed in layered media with expressive brushwork and intricate detailing, it reflects the artist’s exploration of human identity and the subconscious.

Biography

Basil Ivan Rákóczi was a pivotal figure in the Irish and British modernist movements and co-founder of the White Stag Group. Born in London to Hungarian and Irish parents, he championed personal expression through art. Deeply influenced by Jungian psychology, his work ranged from surrealist figuration to bold abstractions. Rákóczi exhibited widely during his lifetime, including at the Irish Museum of Modern Art and the Guggenheim, and his legacy continues to resonate in modern Irish art history. 55 x 46 cm.

€1,000 - 1,500

CHARLES J. MCAULEY RUA ARSA (1910 - 1999)

Title: Cattle Grazing

Medium: Oil on board

Signature: Signed lower right

Provenance: Private Collection (Label Verso)

Framed

Description

A peaceful agrarian world comes to life in Cattle Grazing, an oil painting that encapsulates Charles McCauley’s bucolic vision of the Irish countryside. In this charming scene, a small herd of cattle wanders leisurely through verdant fields. McCauley portrays the animals with affectionate realism –sturdy forms with dappled hides of russet and white – as they graze along a gentle slope. The landscape around them is lush and inviting: one can discern rolling green hills of the Glens of Antrim in the background and perhaps a glint of sun on a distant stream. The sky above is a soft blue-grey with wisps of cloud, illuminating the pasture with a diffuse, gentle light. McCauley’s brushwork is smooth and confident, capturing details like the flick of a cow’s tail or the wildflowers dotting the meadow, yet the overall feeling is one of simplicity and calm. There is no rush here – just the timeless routine of farm animals in late afternoon. The composition is balanced and picturesque, reflecting the artist’s deep familiarity with rural scenes. Signed by McCauley, Cattle Grazing is not just a depiction of livestock, but a loving homage to a way of life closely tied to the land, rendered with authenticity and warmth.

Biography

Charles McAuley (1910–1999) was an Irish painter known for his serene landscapes and depictions of rural life in Ulster. Born and raised in the Glens of Antrim, he remained deeply connected to the region throughout his life, drawing continual inspiration from its natural beauty and traditions. Though he received some formal training in Belfast and Glasgow, McAuley was primarily self-directed, developing a style rooted in close observation and heartfelt familiarity with his surroundings.

His paintings often portray the hills, rivers, and coastal scenes of County Antrim, populated with farmers, livestock, and village gatherings—images that reflect a peaceful and vanishing way of life. With a gentle realism, soft palette, and careful detail, his work captures the spirit and rhythms of the countryside. Though he exhibited with leading Irish institutions, McAuley remained modest in profile, valuing the quiet life of the glens above public acclaim.

Celebrated for their warmth and authenticity, his works continue to resonate with those who appreciate the quiet poetry of the Irish landscape and its people.

Image: 35 x 55 cm.

Framed: 60 x 80 cm.

€1,000 - 1,500

148

VALERIE GLEESON

Title: Pair of female heads.

Medium: Sculptures, mixed media with lead binding.

Signature: Signed verso.

Provenance: Exhibited in the Crawford Gallery.

Description

A compelling duo of figurative studies, this pair by Valerie Gleeson demonstrates her sensitivity to the female form and her distinctive handling of unconventional materials. The use of lead binding adds sculptural weight and contrast to the delicacy of the figures, underlining Gleeson’s experimental yet elegant approach to mixed media. Exhibited at the renowned Crawford Gallery, these works are notable both for their provenance and their artistic innovation.

Biography

Valerie Gleeson is an Irish contemporary artist known for her multidisciplinary practice that combines drawing, painting, and sculptural elements. Educated at prominent Irish institutions, Gleeson has exhibited widely in national galleries and public collections. Her work often explores the human figure with introspective depth and structural boldness, and she continues to be a respected voice in modern Irish art.

51 cm. high; 56 cm. wide

€800 - 1,200

149

JOHN LUKE RUA (19061975)

Title: Still life - Cognac and Vase

Medium: Oil on canvas laid on board

Signature: Signed lower left

Provenance: The Bell Gallery, Belfast (label verso); Private Collection Framed.

Description

In this elegant still life, John Luke presents a subtle and refined arrangement of objects: a dark bottle of cognac, a ceramic vase, and a carefully folded cloth, all rendered with a quiet formal balance. The composition is understated yet precise, with muted tones and a near-matte surface finish. Light and shadow are handled with great care, lending the objects a sculptural quality. Signed lower left, this rare oil demonstrates Luke’s deep commitment to clarity of form and calm contemplation.

Biography

John Luke was one of Northern Ireland’s foremost modernists, known for his stylised approach to figure, landscape, and still life. A graduate of the Belfast School of Art and later the Slade in London, he developed a unique painting technique characterised by flat planes, smooth textures, and subtle tonal transitions. Though associated with the conservative Northern Irish scene, his work reveals a visionary, modernist sensibility. A quiet and meticulous artist, Luke produced a relatively small body of work, all the more prized today for its rarity and harmony.

Image: 47 x 27 cm. Framed: 60 x 40 cm.

€2,000 - 3,000

150

HUGHIE O’DONOGHUE RA (B. 1953)

Title: Pharos (2009)

Medium: Oil and Mixed Media on Book (Edition of 100)

Signature: Signed on page 1 and titled Pharos

Provenance: James Hyman Gallery, Saville Row, London; Private Collection Exhibited: The Pharos Exhibition, James Hyman Gallery, Saville Row, London, 2009 Complete with Cover Framed

Description

A striking conceptual work by Hughie O’Donoghue, Pharos merges historical reference with contemporary painterly abstraction. Executed in oil directly on the page of a book, this mixedmedia piece is part of the artist’s ongoing exploration of memory, identity, and time. The word “PHAROS” – referencing the ancient lighthouse of Alexandria – is scratched or inscribed boldly across a layered surface of deep yellow and earthy green tones, partially obscuring photographic or printed imagery beneath. The juxtaposition of ancient symbolism and modern media gives the work a profound resonance: a beacon emerging from layers of history. Housed in a custom box or portfolio, this piece exemplifies O’Donoghue’s experimental methods and intellectual depth. Signed by the artist on the page.

Biography

Hughie O’Donoghue is a leading Irish contemporary artist known for blending figuration with abstraction to explore themes of history, personal legacy, and the layering of memory. Born in Manchester to Irish parents, O’Donoghue studied at Goldsmiths College, London, and rose to prominence in the 1990s. His work often incorporates photographic sources, historical references (especially from World War II and classical mythology), and unconventional supports, such as tarpaulin, maps, or books. His series-based practice lends his work a narrative depth, while his painterly surfaces remain expressive and visceral. O’Donoghue has exhibited widely, including at the Imperial War Museum, Dublin City Gallery The Hugh Lane, and internationally with Marlborough Fine Art. He is a member of Aosdána and is regarded as one of Ireland’s most intellectually rigorous and visually compelling painters. 6.5 x 25 cm.

€500 - 800

151

JOHN BEHAN (B.1938)

Title: Connemara Cottages, 1999.

Medium: Mixed media

Signature: Signed and dated lower right

Provenance: Kenny Gallery, Galway. Private Collection. Framed.

Description

In this vibrant and textured composition, Behan translates his sculptural sensibility to paper, portraying Connemara’s rural vernacular architecture. Bold colour contrasts and energetic linework lend the work a tactile immediacy, echoing the cultural resilience of the western landscape.

Biography

John Behan is a distinguished Irish sculptor and visual artist whose career spans over five decades. A founding member of the Project Arts Centre and the Dublin Art Foundry, Behan is renowned for his bronze sculptures and mixed media works that reflect Irish heritage, migration, and mythology. His public commissions include the National Famine Memorial in Co. Mayo. Behan’s work is widely collected and celebrated for its dynamic fusion of form, narrative, and national identity. Image: 40 x 50 cm. Framed: 58 x 68 cm.

€500 - 800

152

MATT LAMB (B.1932 - 2012) IRISH/AMERICAN

Title: Untitled

Medium: Oil on Canvas

Signature: Unsigned

Provenance: The Gate Gallery, Co. Cork; Private Collection

Framed

Description

This untitled oil painting showcases Matt Lamb’s textural, emotive approach to abstraction. Executed in layered oil with a dynamic surface, the composition hints at a central female figure rendered in a halo of red and violet, surrounded by gestural fields of colour. Though unsigned, the painting carries many of the hallmarks of Lamb’s mature style: expressive brushwork, saturated colour, and a deeply personal, almost intuitive symbolism.

Biography

Matt Lamb was an American painter and peace activist whose second career in art followed his earlier success as a funeral director. In the 1980s, after a serious illness, he redirected his life toward painting as a form of healing and expression. He developed a bold and unclassifiable visual language, often spiritual and deeply personal, marked by vibrant colour and allegorical figures. Lamb’s works were exhibited across Europe and the US, and his public art projects— such as Umbrellas for Peace—brought his message to international audiences. Though unconventional, his practice earned considerable recognition for its sincerity and outreach. Image: 39 x 29 cm.

Framed: 65.5 x 55.5 cm.

€1,000 - 1,500

GRACE CUNNINGHAM (B.1972)

Title: Dog with Teddy Bear

Medium: Oil on canvas

Signature: Signed

Provenance: Private Collection

Framed

Description

In “Dog with Teddy Bear,” Grace Cunningham captures a tender moment of companionship that resonates with pet lovers and art connoisseurs alike. The painting portrays a faithful dog curled up protectively with its beloved plush toy – a worn, well-loved teddy bear – creating a heartwarming vignette of loyalty and comfort. Cunningham’s technique in oil is finely attuned to detail: the dog’s fur is rendered with soft, textured brushstrokes that convey its warmth and gentle breathing, while the threadbare teddy bear is depicted with affectionate realism, from its button eyes to its frayed ears. The composition is straightforward yet profoundly charming: set against a muted, homely background that puts all focus on the subjects, the scene evokes the quiet contentment of a domestic life. With a naturalistic colour palette and skilful play of light and shadow, the artist imbues the work with a serene atmosphere. The result is an image that is both a delightful narrative – the canine and its toy seemingly inseparable – and a showcase of Cunningham’s ability to elevate everyday sights into art that stirs the emotions.

Biography

Grace Cunningham (born 1972) is an Irish contemporary artist celebrated for her charming animal portraits and the gentle stories they convey. A devoted animal lover, she focuses primarily on the emotional bond between pets and their human companions. Working in oil on canvas, her style blends careful realism with a light, whimsical touch—capturing dogs at rest or play with toys, treats, or fellow animals. Her work often supports animal welfare causes, with many pieces featured in fundraising events. Cunningham’s soft use of tone and attention to detail bring out the personality of each subject, making her paintings both technically refined and emotionally resonant. Pieces like Dog with Teddy Bear reflect her ability to depict simple, heartfelt moments with grace and affection.

Image: 30 x 40 cm.

Framed: 45 x 55 cm.

€1,200 - 1,500

154

LOUIS LE BROCQUY HRHA

(1916 - 2012)

Title: Face and Hand.

Medium: Limited edition lithograph no: 32/75.

Signature: Signed and numbered in pencil, lower left.

Provenance: The Oriel Gallery. Private Collection. Framed.

Description

This abstract yet humanistic lithograph is emblematic of le Brocquy’s celebrated exploration of the human form. The work is imbued with spiritual intensity and psychological depth, fusing colour and void with minimal gesture.

Biography

Louis le Brocquy (1916–2012) was one of Ireland’s most influential modern artists, celebrated for his deeply expressive and inventive approach to painting. Though largely self-taught, he emerged as a major figure in Irish art by the mid-20th century, first gaining recognition for his early works exploring marginalized communities with empathy and psychological insight.

Le Brocquy’s most iconic body of work, the Portrait Heads series—developed over several decades—offered haunting and meditative interpretations of cultural icons such as W.B. Yeats, James Joyce, Seamus Heaney, Francis Bacon, and Samuel Beckett. These portraits are notable for their ethereal quality: painted with translucent layers and flickering light, they aim not to depict likeness but to evoke the inner presence of their subjects.

Over his lifetime, le Brocquy received numerous honours and represented Ireland on the international stage. His work has been celebrated in major retrospectives and now resides in prominent museum collections around the world. Through his singular visual language and profound engagement with identity, memory, and spirit, he remains a towering figure in the story of Irish art.

Image; 61 x 47 cm. Framed: 85 x 72 cm.

€2,000 - 3,000

155

HARRY KERNOFF RHA (1900 - 1974)

Title: Autumn Day, Phoenix Park, Dublin Medium: Watercolour

Signature: Signed Lower Right

Provenance: Private Collection Framed

Description

In this evocative watercolour, Harry Kernoff captures the golden hush of an autumn afternoon in Dublin’s Phoenix Park. The composition is suffused with a warm, seasonal light as ochre and russet leaves rustle gently across a tree-lined path. Kernoff’s finely observed rendering of the landscape is complemented by his sensitive portrayal of a lone figure strolling beneath the trees, adding a lyrical human element to the scene. His use of transparent washes and subtle tonal variation imbues the work with a quiet elegance. Signed lower right and framed in a classic gilt frame that highlights its luminous quality.

Biography

Harry Kernoff RHA (1900–1974) was a celebrated Irish artist known for his vivid and compassionate portrayals of 20th-century Dublin life. Born in London to Russian-Jewish and Spanish parents, he relocated to Dublin as a teenager, where he pursued formal training in art. His work captured the spirit of the city through portraits, street scenes, and interiors, reflecting both prominent cultural figures and everyday citizens with equal care.

Kernoff was particularly admired for his direct, linear style—often bordering on caricature—balanced by a strong sense of empathy and social awareness. A skilled draughtsman and committed idealist, he brought his artistic voice to posters, illustrations, and theatrical works, playing a key role in shaping Ireland’s visual and cultural narrative in the mid-20th century. Image: 23 x 33 cm.

Framed: 48.5 x 23 cm.

€1,400 - 1,800

PAULINE BEWICK RHA (1935 - 2022)

Title: Yellow Man

Medium: Watercolour

Signature: Signed

Provenance: Private Collection

Framed

Description

A vibrant and imaginative watercolour by Pauline Bewick RHA, titled Yellow Man, presenting a playful yet symbolic composition. At the centre stands a stylised, golden-yellow figure framed by a laurel wreath, reclining above a fantastical creature in Bewick’s distinctive illustrative style. The work encapsulates the artist’s celebrated ability to merge the whimsical with the profound, rendered in bold, confident lines and luminous colour. Signed lower right.

Biography

Pauline Bewick (1935–2022) was a celebrated Irish artist whose vibrant imagination and distinctive visual language earned her a cherished place in modern Irish art. Born in England and raised in County Kerry, she led an unconventional life that deeply influenced her artistic voice. Over a career spanning more than seventy years, Bewick worked in a wide range of media—including painting, sculpture, and textile—but her lyrical watercolours remain particularly iconic.

Her work is known for fluid lines, vivid colour, and whimsical narratives inspired by nature, mythology, and personal experience. A recurring motif in her later work was the “Yellow Man,” a symbolic figure exploring themes of innocence, freedom, and introspection. Bewick’s prolific output and unique vision captivated audiences, and her generous donation of hundreds of artworks to the Irish state reflected her commitment to making art accessible to all.

Remembered as an independent and fearless creative force, Bewick leaves behind a legacy of joy, beauty, and boundless storytelling.

Image: 21 x 20 cm.

Framed: 40 x 39 cm

€1,000 - 1,500

158

PATRICK SCOTT HRHA

(1921 - 2014)

Title: Parade of the Guilds, 1750

Medium: Mixed Media

Signature: Unsigned Provenance

Part of a series of sketch designs for proposed mural paintings in the assembly hall of the Four Provinces House; Private Collection Framed

Description

This large-scale drawing, Parade of the Guilds, 1750, is believed to be part of a series of preparatory designs for a mural cycle by Patrick Scott. It depicts a whimsical historical procession set against a stylised coastal landscape. Rendered in flat areas of colour with simplified figures and heraldic motifs, the work bears all the hallmarks of Scott’s commitment to symbolism and structure.

Biography

Patrick Scott was one of Ireland’s foremost modernists, whose long career spanned painting, design, and architecture. Trained as an architect under Michael Scott, he later turned fully to art, gaining acclaim for his Gold Paintings and public works. His visual language, informed by spiritual and geometric motifs, ranged from pure abstraction to stylised figuration. A founding member of Aosdána, Scott’s work is represented in collections worldwide, and his designs for state and ecclesiastical buildings remain among the most recognisable in Irish public art.

Image: 25 x 42.5 cm.

Framed: 45 x 57.5 cm.

€600 - 900

159

NORAH MCGUINNESS HRHA (1901-1980)

Title: Corn Fields.

Medium: Mixed media on card.

Signature: Initialled lower right.

Provenance: The Artist, thence by family descent; Private Collection Framed.

Description

In Corn Fields, Norah McGuinness combines linear precision with rhythmic form to depict a stylised landscape. The bold outlines and interplay of pattern and texture are signature elements of McGuinness’s work, showcasing her modernist vision and deep appreciation for the Irish countryside.

Biography

Norah McGuinness was a key figure in Irish Modernism and a founding member of the Irish Exhibition of Living Art. Trained in Dublin and at the Chelsea School of Art, she later studied stage design in Paris. Her work reflects the influence of European modernist movements, with a focus on strong composition, flattened forms, and vibrant colour. She also worked as an illustrator and theatre designer, and her paintings are held in major collections, including the IMMA and the Hugh Lane Gallery.

Image: 21 x 30 cm. Framed: 43 x 52 cm.

€2,000 - 3,000

FERGHUS O’RYAN (1910

- 1989)

Title: Connemara.

Medium: Oil on board.

Signature: Signed lower right. Provenance: Private Collection. Framed.

Description

A tranquil depiction of the Connemara coastline, O’Ryan’s treatment of light and texture brings to life the rugged beauty of the Irish west. Fishing boats and figures gather quietly at the quay, set against a majestic mountainous backdrop, inviting contemplation of place and tradition.

Biography

Ferghus O’Ryan was an Irish painter celebrated for his landscapes, especially scenes of rural and coastal Ireland. He was a regular exhibitor at the Royal Hibernian Academy and a member of the Dublin Painters’ Gallery. Known for his delicate handling of tone and atmosphere, O’Ryan’s work captures the lyricism of the Irish countryside and its people. His paintings are held in both institutional and private collections throughout Ireland. Image: 45 x 60 cm. Framed: 59 x 74 cm.

€500 - 800

PATRICK LEONARD HRHA (1918 - 2005)

Title: Messonghi, Corfu (1986)

Medium: Oil on Panel

Signature: Signed Lower Right & inscribed 13 September ‘86, Messonghi, Corfu, 10 AM verso

Provenance: Family of the Artist; Private Collection

Framed

Description

A charming scene of daily life, depicting two women walking along a sunlit path, their colourful skirts catching the light, while a man stands contemplatively by the roadside. Leonard’s brushwork is loose and confident, capturing not only the figures but also the ambient Mediterranean warmth and dappled shadows with natural ease.

Biography

Patrick Leonard was an Irish painter celebrated for his relaxed, impressionistic scenes of coastal and rural life. A graduate of the National College of Art, he painted both Irish and southern European landscapes with an instinctive feel for colour and composition. His paintings exude a quiet energy and a keen sense of place.

Image size: 39 x 29 cm.; framed: 60.5 x 53.5 cm.

€2,500 - 3,500

162

CECIL MAGUIRE RHA RUA (1930 - 2020)

Title: Evening, Claddagh Quay, Galway (c.1976)

Medium: Oil on board

Signature: Signed & dated ‘76 lower right & titled on Verso Provenance: Private Collection

Framed

Description

In this richly composed harbour scene, Cecil Maguire captures a moment of quiet stillness at low tide, where a fleet of brightly painted fishing boats lies moored in the exposed basin of a coastal village. The composition is anchored by five vessels, their vibrant red masts and accents contrasting strikingly with the cool grey-brown of the harbour floor and the soft slate tones of the quay. Each boat is rendered with care and clarity, suggesting Maguire’s close observation of working harbours and his affinity for the rhythm of maritime life.

Above the boats, a steep harbour wall rises into a line of stone buildings, culminating in a striking green-roofed house perched confidently at the edge—its architecture imbued with the charm and history of the coastal town. The soft, diffused light and long shadows evoke the calm of early morning or late afternoon, while the compositional geometry—defined by the vertical masts, the diagonal placement of the boats, and the strong architectural lines—lends a quiet dynamism to the scene.

Maguire’s signature style is evident in the harmonious palette, crisp draughtsmanship, and subtle painterly textures. Balancing structure with atmosphere, he elevates the everyday into something contemplative and enduring. This work is a fine example of his ability to distil the character of place into images of serene beauty and timeless appeal.

Biography

Cecil Maguire (1930–2020) was a distinguished Northern Irish artist renowned for his evocative portrayals of rural and coastal Ireland. Initially working as a teacher, he later devoted himself fully to painting, developing a style marked by textured brushwork and a gentle, observational quality. His subjects ranged from quiet harbours and farmyards to traditional fairs and village scenes, capturing the rhythms of Irish life with warmth and authenticity.

Maguire’s deep connection to regions like Connemara and the Claddagh is evident in the sensitivity of his work, which often reflects a lived familiarity with the landscapes and communities he painted. Recognised by leading artistic bodies, his paintings are widely represented in both public and private collections, appreciated for their timeless charm and understated beauty.

Image: 45 x 60 cm.

Framed: 70 x 85 cm.

€4,000 - 6,000

163

MARY THERESA KEOWN (Contemporary - B. 1974)

Title: Mother (C. 2004)

Medium: Oil on canvas

Signature: Signed lower right, titled, dated & inscribed (In remembrance of my mother, died 28.12.03, I miss you very much) on reverse

Provenance: Private Collection Unframed.

Description

This deeply personal painting by Mary Theresa Keown is a poignant tribute titled Mother, created in remembrance of the artist’s own mother. The composition depicts an elderly woman reclining within a quiet domestic interior, surrounded by symbols of memory and comfort — notably a cabinet filled with pairs of shoes, each perhaps representing a different stage of life. The scene unfolds with a mixture of realism and gentle surrealism, rendered in cool, muted tones that underscore its emotional weight. Signed, titled, and inscribed verso, the painting is a powerful, autobiographical meditation on loss, memory, and love.

Biography

Mary Theresa Keown is a contemporary Irish artist whose work explores personal and collective memory through mixed media, painting, and installation. Educated at the University of Ulster and the National College of Art and Design, Keown has developed a distinctive visual language that blends narrative figuration with surreal and symbolic elements. Her practice often addresses themes of family, identity, and rural heritage. Exhibiting in both solo and group shows throughout Ireland, Keown’s work is recognised for its emotional depth, technical command, and storytelling power.

Image: 66 x 110 cm.

€1,200 - 1,500

164

MICHAEL DINKEL ARCA (1894-1983)

Title: The Last of the Old Theatre. Medium: Watercolour.

Provenance: Royal Academy Summer Exhibition 1976, Royal West Academy 1978. Framed

Description

In this poignant watercolour titled The Last of the Old Theatre, Michael Dinkel captures a moment of architectural and cultural transition with both precision and feeling. The painting presents a partly demolished theatre, its grand proscenium arch still intact amid the surrounding rubble. Behind the crumbling façade, traces of red velvet curtains and painted scenery speak to the vanished splendour of a once-vibrant performance space. Dinkel’s meticulous handling of form and muted colour palette imbues the work with quiet dignity, transforming a scene of destruction into a meditation on memory, history, and the passage of time. Framed and mounted to a high standard.

Biography

Michael Dinkel ARCA was a British artist known for his finely rendered architectural and landscape watercolours. Born in 1894, he trained at the Royal College of Art, where he developed a disciplined technique and a lifelong interest in the character and decay of built environments. His work often focuses on buildings at the edge of change — derelict theatres, disused churches, or industrial ruins — captured with a quiet clarity and historical sensitivity. Dinkel was an Associate of the Royal College of Art and exhibited in numerous public shows throughout the 20th century. His work is noted for its understated emotional resonance and subtle documentation of Britain’s shifting urban and rural landscapes. Image: 30 x 34 cm. Frame: 53 x 57 cm.

€400 - 600

MARY SWANZY HRHA (1882 - 1978)

Title: Two Artists in Life Class (c.1905)

Medium: Pencil & crayon on paper

Signature: Unsigned

Provenance: The Peppercanister Gallery, Dublin (Label Verso); Private Collection

Framed

Description

An early and insightful work on paper by Mary Swanzy, Two Artists in Life Class depicts a quiet moment in an art studio. In this delicate pencil and crayon drawing (Circa 1905), Swanzy sketches two fellow artists absorbed in a life-drawing session. They sit or stand at their easels with sketchpads in hand, their poses captured in swift, sure strokes. The economy of line and touches of crayon bring focus to the figures, while suggesting the outline of a model or studio setting in the background. There is a subtle interplay of observation and creativity here – Swanzy portrays the act of drawing itself as the subject. The informal composition and intimate scale offer a glimpse into the artist’s formative years, before she embarked on the modernist experiments that would later define her career. This rare piece comes with provenance from Pyms Gallery in London, a gallery noted for championing early 20thcentury Irish art, adding a layer of historical significance to its ownership.

Biography

Mary Swanzy HRHA (1882–1978) was a pioneering figure in Irish modernism and one of the first Irish artists to explore the language of Cubism and abstraction. Born in Dublin, she received a broad artistic education in both Ireland and Paris, where she was exposed to the leading movements of early 20th-century European art, including Post-Impressionism, Fauvism, and Cubism. Her fluency in multiple languages and her cosmopolitan outlook enabled her to engage deeply with the international avant-garde.

By the 1910s, Swanzy had begun to incorporate geometric forms, bold colours, and rhythmic compositions into her work, marking her as a singular and forward-thinking voice in Irish art. A passionate traveller, she journeyed widely—to Eastern Europe, the South Pacific, and beyond—bringing a global perspective and exotic imagery into her evolving style. Her paintings moved fluidly between symbolist landscapes, abstracted figures, and visionary scenes, making her body of work both diverse and consistently innovative.

Despite achieving early success abroad, Swanzy was long overlooked in her native country, a reflection of the challenges faced by women artists working outside the academic tradition. In more recent decades, however, she has been increasingly recognised as a foundational modernist whose originality and fearless experimentation influenced generations to come.

Swanzy’s legacy endures as that of a trailblazer—an artist who broke boundaries with imagination and independence, securing her place as one of the most important voices in 20th-century Irish art.

Image: 14 x 8 cm.

Framed: 34 x 28 cm.

€700 - 1,000

166

JAMES HUMBERT CRAIG RHA RUA

(1877 - 1944)

Title: Picnic at Belvoir Park

Medium: Oil on board

Signature: Signed Lower Left

Provenance: William Rodman and Sons, Belfast (Label Verso); Private Collection

Framed

Description

Rendered with delicate naturalism, this oil by James Humbert Craig captures a sylvan moment in Belvoir Park. The composition, dappled with soft sunlight filtering through woodland, draws the viewer into the calm of a secluded path. A small group can be seen resting in the distance, their presence understated yet humanising the wooded scene. It is a reflective landscape, imbued with Craig’s signature tonal restraint and lyrical handling of paint.

Biography

James Humbert Craig was born in Belfast and is best known for his romantic landscapes of Donegal, Antrim, and the Mourne Mountains. Though largely self-taught, Craig developed a refined, atmospheric style that earned him election to both the Royal Hibernian Academy and the Royal Ulster Academy. He avoided modernist trends, preferring to convey the enduring character of Ireland’s rural settings. His works were widely exhibited in Dublin and London during his lifetime and are now held in major Irish public collections.

Image: 39.5 x 29 cm.

Framed: 60.5 x 50.5 cm.

€5,000 - 8,000

167

JAMES NOLAN RHA (1929-2015)

Title: La Touche Bridge, Harristown, Co. Kildare.

Medium: Oil on board.

Signature: Signed lower right.

Provenance: Private Collection. Framed.

Description

An atmospheric plein air scene by James Nolan, this work captures the stillness of an early spring day beneath the sweeping arch of La Touche Bridge. Executed in subtle tones, the composition balances architectural form with the soft vitality of nature.

Biography

James Nolan was a distinguished Irish painter and Royal Hibernian Academician, celebrated for his sensitive and observational approach to the Irish landscape. Educated at NCAD, Nolan’s oeuvre consists largely of oils and watercolours that capture the character of rural and urban Ireland with a refined realism. His works are represented in numerous collections including the Office of Public Works and the National Self-Portrait Collection.

Image: 24 x 29 cm. Framed: 43 x 49 cm.

€600 - 900

CONDITIONS OF SALE

1. DEFINITIONS IN THESE CONDITIONS, SHEPPARD’S, WHO ACT ONLY AS AUCTIONEERS AND AGENTS FOR THE VENDOR, ARE CALLED ‘THE AUCTIONEERS’ AND THE REPRESENTATIVES OF SHEPPARD’S CONDUCTING THE AUCTION IS CALLED ‘THE AUCTIONEER’.

2. GENERAL: WHILST SHEPPARD’S MAKE EVERY EFFORT TO ENSURE THE ACCURACY OF THEIR CATALOGUE AND THE DESCRIPTION OF ANY LOT.

(A) EACH LOT AS SET OUT IN THE CATALOGUE OR AS DIVIDED OR COMBINED WITH ANY OTHER LOT OR LOTS IS SOLD BY THE VENDOR WITH ALL FAULTS, IMPERFECTIONS AND ERRORS OF DESCRIPTIONS.

(B) SHEPPARD’S DO NOT ACCEPT RESPONSIBILITY FOR THE AUTHENTICITY, ATTRIBUTION, GENUINENESS, ORIGIN, AUTHORSHIP, DATE, AGE, PERIOD, CONDITION OR QUALITY OF ANY LOT, UNLESS THEY HAVE BEEN INSTRUCTED IN WRITING BY THE VENDOR SO TO CERTIFY, AND IN SUCH CASE THE AUCTIONEERS DO SO AS AGENTS OF THE VENDOR ARE NOT THEMSELVES RESPONSIBLE FOR SUCH CLAIMS.

(C) ALL STATEMENTS, WHETHER PRINTED IN THE CATALOGUE OR MADE ORALLY, AS TO ANY OF THE MATTERS SET OUT IN (B) ABOVE ARE STATEMENTS OF OPINION ONLY AND ARE NOT TO BE TAKEN AS BEING OR IMPLYING ANY WARRANTIES OR REPRESENTATIONS OF FACT BY SHEPPARD’S, UNLESS THEY HAVE BEEN INSTRUCTED IN WRITING BY THE VENDOR SO TO CERTIFY AND IN SUCH CASE THE AUCTIONEERS DO SO AS AGENTS OF THE VENDOR AND ARE NOT THEMSELVES RESPONSIBLE FOR SUCH CLAIMS.

3. THE AUCTION:

(A) THE AUCTIONEER HAS ABSOLUTE DISCRETION TO DIVIDE ANY LOT, TO COMBINE ANY TWO OR MORE LOTS OR TO WITHDRAW ANY LOT OR LOTS FROM THE SALE, TO REFUSE BIDS, REGULAR BIDDING OR CANCEL THE SALE WITHOUT IN ANY CASE GIVING ANY REASON OR WITHOUT PREVIOUS NOTICE. HE MAY BID ON BEHALF OF THE VENDOR FOR ALL GOODS WHICH ARE BEING OFFERED SUBJECT TO RESERVE OR AT THE AUCTIONEER’S DISCRETION.

(B) THE HIGHEST BIDDER SHALL BE THE BUYER EXCEPT IN THE CASE OF A DISPUTE. IF DURING THE AUCTION THE AUCTIONEER CONSIDERS THAT A DISPUTE HAS ARISEN, HE HAS ABSOLUTE DISCRETION TO SETTLE IT OR RE-OFFER THE LOT. THE AUCTIONEER MAY AT HIS SOLE DISCRETION DETERMINE THE ADVANCE OF BIDDING OR REFUSE A BID.

(C) ALL CONDITIONS, NOTICES, DESCRIPTIONS, STATEMENTS AND OTHER MATTERS IN THE CATALOGUE AND ELSEWHERE CONCERNING ANY LOT ARE SUBJECT TO ANY STATEMENTS MODIFYING OR AFFECTING THE SAME MADE BY THE AUCTIONEER FROM THE ROSTRUM PRIOR TO ANY BID BEING ACCEPTED FOR THE LOT.

4. RECISSION: NOTWITHSTANDING ANY OTHER FORMS OF THESE CONDITIONS. IF WITHIN FOURTEEN DAYS AFTER THE SALE SHEPPARD’S HAVE RECEIVED FROM THE BUYER OF ANY LOT NOTICE IN WRITING THAT IN HIS VIEW THE LOT IS A DELIBERATE FORGERY AND WITHIN TWENTY-ONE DAYS AFTER SUCH NOTIFICATION THE BUYER RETURNS THE SAME TO SHEPPARD’S IN THE SAME CONDITION AS AT THE TIME OF SALE AND BY PRODUCING EVIDENCE, THE BURDEN OF PROOF TO BE UPON THE BUYER, SATISFIES SHEPPARD’S THAT CONSIDERED IN THE LIGHT OF THE ENTRY IN THE CATALOGUE THE LOT IS A DELIBERATE FORGERY THEN THE SALE OF THE LOT WILL BE RESCINDED AND THE PURCHASE PRICE OF THE SAME REFUNDED.

5. DEFAULT: SHEPPARD’S DISCLAIM RESPONSIBILITY FOR DEFAULT BY EITHER THE BUYER OR THE VENDOR BECAUSE THEY ACT AS AGENTS FOR THE VENDOR ONLY AND THEREFORE DO NOT PAY OUT TO THE VENDOR UNTIL PAYMENT IS RECEIVED FROM THE BUYER. INSTRUCTIONS GIVEN BY TELEPHONE ARE ACCEPTED AT THE SENDER’S RISK AND MUST BE CONFIRMED IN WRITING FORTHWITH.

6. IN THE EVENT OF A SALE BY PRIVATE TREATY BOTH THE VENDOR AND THE BUYER AGREE TO BE BOUND BY THE GENERAL AND ANY SPECIAL CONDITIONS OF SALE.

7. INSPECTION: EACH BUYER BY MAKING A BID FOR A LOT ACKNOWLEDGES THAT HE HAS SATISFIED HIMSELF FULLY BEFORE BIDDING BY INSPECTION OR OTHERWISE AS TO ALL THE SALE CONDITIONS THE PHYSICAL CONDITION OF AND DESCRIPTION OF THE LOT INCLUDING BUT NOT RESTRICTED TO WHETHER THE LOT IS DAMAGED OR HAS BEEN REPAIRED OR RESTORED.

8. PROPERTY AND RISK LEGAL TITLE WILL NOT PASS TO THE BUYER UNTIL THE LOT(S) HAS BEEN PAID FOR IN FULL AND THE AUCTIONEERS SHALL HE ENTITLED TO A LIEN ON ANY LOT SOLD UNTIL THE PURCHASE PRICE (AS DEFINED IN 11 BELOW) IS PAID IN FULL BUT EACH LOT IS AT THE SOLE RISK OF THE BUYER FROM THE FALL OF THE HAMMER. EACH BUYER SHALL FORTHWITH GIVE HIS FULL NAMES AND PERMANENT ADDRESS AND IF CALLED UPON TO DO SO BY THE AUCTIONEER SHALL FORTHWITH PAY TO SHEPPARD’S SUCH PROPORTION OF THE PURCHASE PRICE AS THE AUCTIONEER MAY REQUIRE. IF THE BUYER FAILS TO DO SO, THE LOT MAY AT THE AUCTIONEER'S SOLE DISCRETION BE PUT UP AGAIN AND RE-SOLD.

9. EVERY BIDDER SHALL BE DEEMED TO ACT AS PRINCIPAL UNLESS THERE IS IN FORCE A WRITTEN ACKNOWLEDGMENT BY SHEPPARD’S THAT HE ACTS AS AGENT ON BEHALF OF A NAMED PRINCIPAL.

10. REMOVAL OF GOODS.

(A) NO PURCHASE SHALL BE CLAIMED UNTIL IT HAS BEEN PAID FOR AND THE SALE HAS BEEN CONCLUDED. ALL PURCHASES SHALL BE PAID FOR AND REMOVED AT THE BUYER’S RISK AND EXPENSE, FAILING WHICH THE AUCTIONEER SHALL NOT BE RESPONSIBLE IF THE SAME ARE LOST, STOLEN, DAMAGED, OR DESTROYED AND ALL LOTS NOT SO REMOVED SHALL REMAIN AT THE RISK OF THE BUYER AND SUBJECT TO A MINIMUM WAREHOUSING CHARGE OF €5 PER ITEM PER DAY. IF THEY ARE NOT PAID FOR AND REMOVED WITHIN SEVEN DAYS OF THE SALE THE AUCTIONEER MAY RE-SELL THEM BY AUCTION OR PRIVATELY WITHOUT NOTICE TO THE BUYER. ANY LIABILITY WHICH THERE MAY BE ON THE PART OF THE AUCTIONEER IN RESPECT OF ANY LOSS SHALL BE RESTRICTED TO A MAXIMUM OF THE PRICE PAID BY THE BUYER OF THE LOT.

(B) IN THE EVENT OF ANY FAILURE OF THE BUYERS TO COMPLY WITH ANY OF THE CONDITIONS THE DAMAGES RECOVERABLE BY THE SELLER OR THE AUCTIONEERS FROM THE DEFAULTER SHALL INCLUDE ANY LOSS ARISING ON ANY RE-SALE OF THE LOT, TOGETHER WITH THE CHARGES AND EXPENSES IN RESPECT OF BOTH SALES, AND ANY MONEY DEPOSITED IN PART PAYMENT SHALL BE HELD BY THE AUCTIONEERS ON ACCOUNT OF ANY LIABILITY OF THE DEFAULTER TO THEM OR TO THE SELLER. THE AUCTIONEERS ARE UNABLE TO ACCEPT PAYMENT FROM SUCCESSFUL BIDDERS OTHER THAN IN CASH OR BY THE BIDDER’S OWN CHEQUE. CHEQUES DRAWN BY THIRD PARTIES WHETHER IN THE AUCTIONEER’S FAVOUR OR REQUIRING ENDORSEMENT, CANNOT BE ACCEPTED.

11. PURCHASE PRICE: THE PURCHASER SHALL PAY THE HAMMER PRICE TOGETHER WITH A PREMIUM OF 25% ( INCLUDING VAT). THE PREMIUM ATTRACTS VAT AT THE STANDARD RATE AND IS PAYABLE BY ALL PURCHASERS. THE VENDOR AUTHORISES THE AUCTIONEER TO DEDUCT COMMISSION AND EXPENSES AT THE STATED RATES FROM THE HAMMER PRICE AND ACKNOWLEDGES THE AUCTIONEER’S RIGHT TO RETAIN THE PREMIUM PAYABLE BY THE PURCHASER. PAYMENT BY CASH OR GUARANTEED CHEQUE.

ALTHOUGH EVERY EFFORT IS MADE TO REPORT DAMAGE AND RESTORATION TO LOTS IN THIS CATALOGUE, ABSENCE OF CONDITION DOES NOT IMPLY A LOT IS FREE FROM DAMAGE, AND PROSPECTIVE PURCHASERS MUST IN ALL CASES BE RESPONSIBLE FOR DETERMINING CONDITION THEMSELVES.

COMMISSION BIDS: IF INSTRUCTED WE WILL EXECUTE BIDS AND ADVISE INTENDING PURCHASERS. THE SERVICE IS FREE. LOTS WILL ALWAYS BE BOUGHT AS CHEAPLY AS IS ALLOWED BY OTHER BIDS AND RESERVES. BIDS, WHEN PLACED BY TELEPHONE, ARE ACCEPTED ONLY AT THE SENDER’S RISK, AND MUST BE CONFIRMED BY LETTER.

IMPERFECTIONS NOT STATED

SPECIAL CONDITION: ALL PURCHASES TO BE PAID FOR THE EVENING OF SALE.

EXPLANATION OF CATALOGUING PRACTICE: A WORK CATALOGUED WITH THE NAME(S) OR RECOGNISED DESIGNATION OF AN ARTIST, WITHOUT ANY QUALIFICATION, IS, IN OUR OPINION, A WORK BY THE ARTIST IN OTHER CASES.

THE FOLLOWING EXPRESSIONS, WITH THE FOLLOWING MEANINGS ARE USED:

“ATTRIBUTED TO . . .’’ IN OUR OPINION PROBABLY WORK BY THE ARTIST IN WHOLE OR IN PART.

“STUDIO OF . . .” IN OUR OPINION A WORK EXECUTED IN THE STUDIO OR WORKSHOP OF THE ARTIST, POSSIBLY UNDER HIS SUPERVISION.

“CIRCLE OF . . .’’ IN OUR OPINION A WORK OF THE PERIOD OF THE ARTIST AND SHOWING HIS INFLUENCE.

“FOLLOWER OF . . . ” IN OUR OPINION A WORK EXECUTED IN THE ARTIST’S STYLE BUT NOT NECESSARILY BY A PUPIL.

“MANNER OF . . . ’’ IN OUR OPINION A WORK EXECUTED IN THE ARTIST’S STYLE BUT OF A LATER DATE.

“AFTER . . .’’ IN OUR OPINION A COPY (OF ANY DATE) OF A WORK OF THE ARTIST.

“SIGNED . . .’’ IN OUR OPINION THE WORK HAS BEEN SIGNED/DATED/INSCRIBED BY THE ARTIST.

“WITH SIGNATURE . . ’’ IN OUR OPINION THE SIGNATURE/DATE/INSCRIPTION IS BY A HAND OTHER THAN THAT OF THE ARTIST.

“WITH DATE . . .’’

“WITH INSCRIPTION . . .’’

ABSENTEE BID FORM

Fax: 057 873 6546 ∙ Email: bids@sheppards.ie

Telephone Bids: +353 (0)57 874 0000

Please bid on my behalf for the undermentioned lots up to the prices shown which do not include the buyer’s premium. These bids are to be executed as cheaply as is permitted by other bids, or reserves, if any, and subject to the conditions of sale printed in the catalogue.

AUCTION: 14 MAY @ 6P.M.

PREVIEW: 10 – 13 MAY

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