Shafia's Portfolio 2023_Architecture and Interior

PORT FOLIO

C bubur, Depok, West Java Adress

Email

shaf afad la@gmail com

Nuvosis Architecture and Interior

Architect and Interior Designer Intern (Feb 2022 - May 2023)

Number

081210950255

shafiafadi a shafadi arch shafiafadila

www.linkedin.com/ n/shafia-fadila

Recent graduate in architecture from Parahyangan Cathol c Un versity Bandung w th a GPA of 3 42 Experience as an architect and nterior designer intern in Budi Pradono Architect and Nuvosis Studio Skil s in communication and technical knowledge in design, capable to integrate bui dings with various aspects and scales, made des gn concepts, work ng drawing, 3D models, and render visua ization Highly passionate in interior des gn and architecture and seek ng new opportun ties in Sinar Mas Land Company

EDUCATION

Parahyangan Catholic University

Architecture (Aug 2018 - Sept 2022)

GPA 3.42 out of 4

Member of UNPAR Architecture Student’s Association Community Service Division (2019-2020)

TRAINING AND CERTIFICATION

Klasse Bootcamp: Design, Compete, and Conquer Architecture competition training: Design ng senior housing (Jul 2023)

Revit

Klass Academy Revit Min Workshop (Jun 2023)

Enscape

Kunkun Academy: Exterior Render with SketchUp and Enscape (Feb 2023)

SketchUp Optimation Class

Zurnalis Architect Academy (Sep 2022)

SketchUp and AutoCAD Training

Sagara Course (Aug 2021 - Dec 2021)

ArchiCAD Training

YF Academy Course (Nov 2018 - Dec 2018)

Independent Private Course (Jun 2019 - Jul 2019)

LANGUAGE

Bahasa Indonesia: Active and Passive

English: Active and pass ve Writing 6 0, Speak ng 6 0 (May 2023)

TOEFL PBT (UNPAR): Score 618 (Feb 2022)

IELTS (IDP): Overall Band 7: Reading 8 0, Listening 8 0,

SOFTWARE SKILLS

ArchiCAD SketchUp

AutoCAD Enscape

PUBLICATION

Lumion

Adobe Photoshop Microsoft Office

In Memoriam of Nakagin (Oct 2022)

Publication about the h story, construction, material, and context of Nakag n Capsu e Tower, Japan to accompany “In Memoriam of Nakagin” installation by BPA at the Bintaro Design D str ct 2020

Final Thesis: The Role of Building Attributes as Determining Factors of Contextuality between NonCultural Heritage Building and Cultural Heritage Building. Case Study: Cultural Reservation Area in The Corridor of L L R E Martadinata Street Bandung (Oct 2022)

Minikomm 08 - Wabah Tenda Makan (Nov 2019)

Magazine about the issue of street stalls and the impact related to architecture

VOLUNTEER

Public Relations - Edukarya 2023

Creating

Teacher - Edukarya 2023

Teaching kindergarten, elementary, and junior high school students in Pengg lingan Village, North Bekasi English, Indonesian, mathematics, art, and soft skills sub ects

Responsible for redesigning building facades and site of A3000 creative compound space, designed commercial booth for DBL Basketba l Academy, and designed an nterior space for Supper Restaurant

Made the concept of the design projects, made work ng drawings (Plan layout, Mechanical and Electrical, and Detail) using AutoCAD, made 3D models using SketchUp, and made 3d render visualization using Enscape and Lum on Create des gn proposals to communicate designs with clients

Budi Pradono Architect Institute

Training and WFH Internship (Aug 2022 - Feb 2023)

Participated in a pre-professional training program classes that learned about all of the stages in the architecture des gn includ ng schematic design stage, preliminary stage, design development, and construction

Created and presented presentations of design projects and research related to arch tecture

Made mock-ups and research regarding modern architecture building

Des gned and made 3D digital models of pedestrian br dges in Fatmawati Street, Jakarta using parametric software (Rhinoceros and Grasshopper) which was then exh bited at the Bintaro Design Distr ct 2020

Jo ned the nternational skyscraper competition (Evo o 2023) by creating a skyscraper concept design that nitiates new innovat ons by applying new techno og cal advances, with a focus on sustainability

Made an architectura research regarding the history and structure of the Nakagin Capsule Tower for “In Memoriam of Nakagin” Research book that accompany “In Memoriam of Nakagin” Installation by BPA at the Bintaro Design District 2020

ARCHITECTURE COMPETITION

Sukamara Public Service Mall Competition: DPMPTSP Sukamara, Central Kalimantan 2nd Winner (Dec 2022)

Designed a public service mall in Sukamara, Ka imantan wh ch prov des public service space, local businesses area, lodging, and recreational areas that use green bu lding concepts and highlighting the ocals characters and cu tures Runner up participated as presenter at pub ic service mal public consu tation forum n Sukamara, Kalimantan

Parahyangan University Architecture Skripsi Awards

Nominated (Oct 2022)

Nominated and became a presenter at the Parahyangan Architecture Skrips Awards XVII 2022-1 (Arch tectural Research for an Adaptive Built Env ronment) with thesis title

"The Ro e of Build ng Attributes as Determin ng Factors of Contextuality between Non-Cultural Heritage Build ng and Cultural Heritage Bui ding Case Study: Cu tural Reservation Area in The Corridor of L.L.R.E.Martadinata Street Bandung".

Naung: Community Service Program through Online by UNPAR Architecture Student’s Association Content Writer (Jun 2020 - Sept 2020)

Wrote educational content regarding the spatial arrangement of each room inside the house and ts organization with other dist nct spaces to support the user s health This research was published in social media (instagram)

Bhakti Ganva: Community Service Program by UNPAR Architecture Student’s Association Surveyor (Feb 2020)

Responsible for surveying and analyzing fac lities needs and ex sting site cond tion of villages in Bandung to be the bas s consideration in the selection of villages and the type of facil ty to be constructed by Bhakti Ganva Program

Staff of Logistic (Sept 2019 - Nov 2019)

Responsible for searching and make a price l st of materials for the construction of mult purpose building in Cimenyan Village, Bandung

Kommunars: Architectural Journalism Community Decoration Staf (Nov 2019)

Contr buted in making an installation in Kommunsession event (launching event for Kommunars magazine)

Editorial Staff (Sept 2019 - Oct 2019)

Wrote articles regarding street stalls as a pub ic space and the role of the d ning tent in en ivening the space that interviewed the chairman of the West Java Indonesian Architect Assoc ation (IAI), Georg us Bud Yulianto These articles were published in Kommunars Magazine (Minikomm 08) which is the Arch tectural Journalism Community in UNPAR

Gaung Bandung: Architecture Competition by IMA GITB

Competition Entry (Sep 2021)

Designed a food hub n Bandung that can accommodate the collecting and storing process, production process, and distribution of food with adaptat on to pandemics and health protocols

IDEA Competition: PERUMNAS

Competition Entry (Jul 2021)

Designed two types of houses (type 35 and 45) for housing that suit the character and needs of the millennial generation in Indonesia and app y the growing house pr nciples

Naung: Competition by UNPAR Architecture Student’s Association

Competition Entry (Mar 2021)

Designed a post-pandemic house in densely popu ated urban vil age settlements with affordable costs and uses a modular design concept.

educational content on soc al media

Col aborate with other communities

OTHERS

Project

Typology Location

Site Area Building Area Storey

Final Architecture Design Studio

Marine Recreation and Education Facilities (Oceanarium)

Tambak Wedi Road, Kenjeran, Surabaya, East Java

5848 m2

8382 m2

4 Floors + 1 Mezanine 2021

SURABAYA OCENARIUM 1

SOFTWARE USED

ArchiCAD Enscape

Lumion Photoshop

SCANTOSEE THEVISUALIZATION

https://www youtube com/w atch?v=vUgc9U2Zo8w&t=1s

BACKGROUND

The project is located in Indonesia which is the largest archipelagic country in the world and have a high level of biodiversity and endemism However, in reality the existence of various marine biota in Indonesia is now threatened by irresponsible behavior and the lack of marine education and awareness in Indonesia. Therefore, this oceanarium facility is designed to accommodate and provide education in an entertaining (recreational) way so that it can be accepted and understood easily by the visitors.

Introduceand EducateVisitors Createawareness ofEnviromental Issues

“Sensuousexperienceof lifejourney underthewater”

CONCEPT

Create perspectivein ordertoraise awarenessof environmental issues

Simulation conceptasif visitorsdive intothesea

Classification ofbiota spacebased onthedepth ofitshabitat

MetaphoricalApproach Water

PHYSIQUE

Charactersinthe formofcircleson water/undulation.

Recreation area circulation starts fromthehighest floorlevelofthe buildingtothe lowest

NONPHYSICAL

Recreationalcirculationwhich twistsandturnsalso connectedinaloopcreating thesensationofdivingintoa vortex.

RECREATIONAL CIRCULATION FLOW

Recreational circulation starts from the 1st floor using a ramp with a digital gallery that goes directly to the top floor (4th floor) which is rainforest area/ 4th floor Mezzanine (View Deck)

The circulation then continues to the aquarium area with aquarium zoning based on the hierarchy of sea depths to create the impression as if diving into the sea

2ND FLOOR TOUCH SCREEN GALLERY AND VR AREA 3RD FLOOR TOUCH SCREEN GALLERY W TH CAVE CONCEPT 4TH FLOOR RAINFOREST CIRCULATION

TICKETING LOBBY AND DIGITAL AREA

COASTAL AREA

WALL AQUARIUM AREA

INDIVIDUAL AQUARIUM AND TUNNEL AQUARIUM AREA

RESTAURANT AND SOUVENIR SHOP AREA

FOUNTAIN SHOW AMPHITEATER, GROUND WATER FOUNTAIN AREA AND VIEW DECK

THE TREE OF LIFE 2

Project Typology

Location

Site Area

Year

Team

: : : : : :

Evolo Competition - BPA Institute

Skyscrapper

Mogadishu, Somalia

71

2023

Shafia Fadila Nrsyabaniyah, Fiorino Piscal Akbar, Tasya Nur Musiyah Putri, Vania Arlene

BACKGROUND

SOFTWARE USED

ArchiCAD

SketchUp

Enscape

Photoshop

The site is in the City of Mogadishu, Somalia on the edge of the island facing the Indian Ocean. Mogadishu is the capital city of Somalia with the largest city and the largest population in Somalia. The city is also the financial and commercial center of Somalia and have a role as an important port connecting traders across the Indian Ocean for thousands of years.

PHASE1"TRUNK" PHASE2"CANOPY"

STRUCTURE

Trusses are used to imitate the way branches spread from the bark to the twigs, wh le g v ng support to t mass from the core streng h

RESIDENCE MODULE ON CANOPY STRUCTURE RESIDENCE MODULE

RESIDENTIAL

Res dentia modu ar units are accomodated with void for terraces and proper vent lat on and l ghting from the sing e oaded mass

POND RESERVOIR PLATFORM RESIDENCE

The pond reservo r platform, which is located n the m ddle of the bu ld ng around the vertical farming area s a p atform to s ore clean water that s produced from the desa inat on process at he bottom of the bui ding The wa er on this platform s used or rr gation needs of the p ants wh ch are distr buted to each vertical farm ng module This water is also distributed to each res dence module at the top of the bui ding to fulfi l the da ly needs of the users

VERTICAL FARMING

CANOPY STRUCTURE

POND RESERVOIR PLATFORM

VERTICAL FARMING

water and sunl ght

AQUACULTURE

The aquaculture hexagon shaped module cons sts of 2 horizontal layers The nner module layer s the ma n aquacu ture module that consists of float ng net cages w th a container underneath that can rise to the surface wi h a p pe that pul s t up during fish harvest Th s modu e is a so equ pped with a propel er to move the nner modu e from these to the main mass and v ce versa

The outermost layer cons sts of a circulation area for serv ce with a solar panel roof n the middle On this outermost ayer there is also a bar that can open and close horizontal y as access for the inner aquaculture module

PROPELLER AND NET CAGE FOLDED PROPELLER NET CAGE OPEN

The propeller at the bottom opens for mobil zat on in water

Propel ers and net cages are enclosed in storage areas and for mob l zat on inside the bu ld ng

The net cage is opened to co lect ish ivestock

AQUACULTURE

SUKAMARA PUBLIC SERVICE MALL 3

BACKGROUND

The main function of the building is to provide public service facilities Issues with this function relate to efficiency, speed, and clarity Therefore the design aims to answer this issue through circulation, room layout, and the facilities provided The building is also planned with several supporting functions including cafes, lodging, and facilities for MSMEs. This function is dominated by public functions, so the design is designed with various facilities that can attract the public and can introduce local values to visiting people because the site is located in Sukamara Regency, Central Kalimantan which has a variety of cultures

FACADE

Batang Garing Symbol

The carving of Batang Gar ng symbo is app ied as an ornamental e ement in the center of the mass

Kalimantan Tradiional Pattern

Alum num panels are used with a aser cut of trad tiona Kal mantan pattern

Local Material (Ironwood)

Ironwood as oca mater al are used as the second sk n latt ce

INTERIOR

Ins de the bu ld ng, severa Kal mantan patterns are appl ed as par ition panels and ornaments The local concept is also supported by educat onal faci it es n the form of dig tal panels at the ramp circu ation area

CONCEPT

to 4 masses The division provide an innercourt for ight ng throughout the

ses a second skin to fi ter ligh not carrying heat and to d spe

enve ope is equipped w th a ns heat rad ation from entering t can be reflected first into the

facade there is a green roof egetat on that is able to protect on and lower the temperature

so makes it have a th n he room can have a direct area d ng s

ddle of

the site with an or entation towards the south and north, so that t is not perpend cu ar to the sun direct on wh ch has the potential to bring heat However, natural sunlight can st l enter from the side and inner court of the bu ld ng so it does not cause glare and excessive heat

In the midd e of the bui ding there is a pond wh ch can reflect natural ligh into the room to support l ghting energy savings

LANDSCAPE

RECEPTIONISTAREA

RAMPCIRCULATIONWITHDIGITALEDUCATIONPANEL

PUBLICSERVICEAREA

CINEMACORRIDOR

FOODCOURTAREA

FOODCOURTAREA

LOCALBUSINESSSTANDANDWATERFOUNTANAMPHITETER

LOCALBUSNESSSTANDANDWATERFOUNTANAMPHITETER

INNERCOURTAREA

REGULARHOTELROOM

INDOORHOTELRESTAURANT

OUTDOORHOTELRESTAURANT

Project

MOSAIC POLYTECHNIC 4

Typology

Location

Site Area

Total Building Area

Total Basement Area

Storey

Year

: : : : : : : :

Architecture Design Studio 6

Polytechnic

Cihampelas – Wastu Kencana Road, Bandung City, West Java

5550 m2

10590 82 m2

3376 614 m2

10 Floors+ 2 Basement

2021

SOFTWARE USED

ArchiCAD

Enscape

Photoshop

BACKGROUND

The background concept is based on the user that consist of 3 major which are architecture, interior design, and VCD (Visual Communication Design) Among the diversity between the communities and activities in the three departments, there is a common thread that connects them. The common thread is the interest and sector that the all three departments learn, which are related to creating works based on design and related to creativity

SCANTOSEE

THEVISUALIZATION

https://www.youtube com/wat ch?v= 4F6sq2fgs&t=6s

MASS ZONING

The three majors in polytechnics are related to designing activities, so the polytechnic is divided into 3 buildings based on the design stage, which are:

INSPIRATION

observing and st a mass with are spaces for

esting ideas.

reet, it consists n, development

dback

Gallery which ks to showcase on as the final ge outside the

BLOCKPLAN

RUANG TUANG

BACKGROUND

The existence of street vendors often stigmatize as destroyer of the city aesthetic. Recently, street vendors have also been faced with the COVID-19 pandemic issue, which requires social restrictions Street vendors whose income based on a daily basis certainly affected, this creates a dilemma for street vendors between selling during a pandemic or self-quarantine Therefore, it is necessary to design a facility that can accommodate street vendors properly, aesthetically, comfortably, and physically safe especially during this pandemic era by implementing health protocols standard and adaptation.

SHAPE TRANSFORMATION

The basic form of the building consists of 2 circles to create a circular and continuous circulation

Mass undergoes addition in the form of vertical and horizontal circulation around it

The masses undergoes additions in the form of vertical urban farming and a funnel-shaped canopy to collect rainwater

The mass undergoes addition and subtraction of enclosing element and opening

FOOD CHAIN

The theme interpreting the food cycle (Nature - Distribution - Consumer [Processing and Consumption])

This cycle implemented in the food hub facility with attention to local values and the issue of the covid-19 pandemic

STREET FOOD EXPERIENCE

The food hub provides a facility for buying-selling street food with a design that pay attention to the culture and experience of traditional street food in Indonesia.

FLOATING STREET

The street food experience applied in the design by a vertical road circulation using a ramp. This design give the impression as if walking on the street while looking at food stalls.

FOOD STAND ICON DECONSTRUCTION

Carts glass with logo stickers/meals that the vendor selling are identic to Indonesian street food. In this design, it is deconstructed into a radial-shaped stand consist of several tenants covered by acrylic glass with stickers on it.

TRADITIONAL ASPECT

The site location is in Bandung, West Java. In the design, regional culture are presented with the application of traditional bamboo materials and a dining area with the concept of a "lesehan" shaded with a membrane canopy. FOODSTAND

DRIVE THRU

Responding to the issue of covid-19, on the ground floor there is a drive thru facility to limit social contact.

LESEHAN

The dining area have a "lesehan" concept with radial orientation. This concept applied so that the visitors does not facing each other because one of the transmission media of the virus is through droplets.

CIRCULATION DESIGN

Circulation design per floor is radial which unidirectional so the visitors does not facing each other.

OPTIMAL OPENING

The design is a semi-open building, especially in public areas so that natural sunlight and air can enter the building. With this optimal natural lighting and good air circulation, it can help to prevent the Covid-19 virus.

STACK HOUSE

BACKGROUND

Every year the population of Indonesia continues to increase. From this phenomenon, the issue of land availability is decreasing and it causing higher land prices. Indonesia also predicted to experience a demographic bonus in the near future where the population is dominated by the working age group (17-64 years), this group is now dominated by the millennial generation, who were born around 1980-1995. Based on the two phenomenon, relevant housing must be able to utilize limited land, sustainable and comfortable, also needs to be related to the millennial generation as the largest target user in the demographic bonus era.

Stack House designed based on the issues. The design aims to create effective space on limited land with a compact design. The design layout applies an open plan arrangement so that the space feels wider on a small area and can save energy use because air circulation and lighting can be evenly distributed throughout the space. The application of the open plan concept is supported by a split level between space modules to emphasize space boundaries, this is reflected in the terraced mass form. Stack House is also designed to adapt the character of the millennial generation as the target user who has 3 main personality characters, which are creative, connected, and confidence. The design of the Stack House is also influenced by the tropical climate of Indonesia by manage comfort through passive designs.

BEDROOM

BEDROOMAND SEATINGAREA

MODULAR

SEATINGAREA

The design with module 60 cm structures efficient. in the design sustainable and thriving.

KITCHENAND DININGAREA

DININGAREA INNERCOURT

BOX HOUSE

BACKGROUND

Every year the population of Indonesia continues to increase. From this phenomenon, the issue of land availability is decreasing and it causing higher land prices. Indonesia also predicted to experience a demographic bonus in the near future where the population is dominated by the working age group (17-64 years), this group is now dominated by the millennial generation, who were born around 1980-1995. Based on the two phenomenon, relevant housing must be able to utilize limited land, sustainable and comfortable, also needs to be related to the millennial generation as the largest target user in the demographic bonus era.

ArchiCAD Enscape Photoshop

Box House aims to create an effective house and give a spacious impression on limited land with the concept of dividing space through separate masses (boxes) so that the open space between the modules mass can also becomes a part of the activity space in the house. Box House is also designed with an orientation towards the millennial generation as the largest population group in Indonesia today, the house design to be able to accommodate the millennial personality characters who are creative, connected, and confident. The design is also contextual to Indonesia's tropical climate by regulating passive comfort in the house.

MODULAR GROWTH SCENARIO

INTERIOR

SUPPER BURGER RESTAURANT

Project

Typology

Location

Year Status

: : : : :

Supper Burger

Interior

Row 9, Jl. Bulungan No.9, Jakarta

2023

Design Process

SOFTWARE USED

SketchUp

AutoCAD

Lumion

Photoshop

9 ANATA SALON INTERIOR REDESIGN

Project Typology

Location Year

: : : :

Introduction to Interior Design - Academic Work

Salon Interior

Surya Sumantri Road Number 32, Sukagalih, Sukajadi, Bandung City, West Java

2021

SOFTWARE USED

ArchiCAD

Enscape

Photoshop

BACKGROUND

The design of the salon redesign is based on the issue of interior space at Anata Salon, these issues include the absence of a brand identity in the space and the incompatibility of the character of the space with the potential market consumers around the salon; the circulation layouts that have the potential to cause cross circulation, ineffective, and difficult access; undefined layout zoning existing and space boundaries; empty spaces that are not functioned so it is not effective; the principles of sustainable interiors in terms of materials, furniture, and energy that have not been implemented; and the spatial adaptation to the pandemic issue that have not yet been implemented

REBRANDING

RELAYOUT

The purpose of the relayout is to create efficient circulation and maximize space utilization by considering spatial, ergonomics, and zoning.

CIRCULATION

Based on 3 values of Anata Salon

Up to Date

ZONATION

The space zoning divided into the public zone, semi-public zone that consists of a styling and beauty treatment area in the middle, and the private zone (relaxation and massage treatment area) in the back area so that it is more private and the circulation is limited to the user only.

The redesign circulation and layout of furniture is linear, to apply one-way circulation as an adaptation to pandemic. This one-way circulation is prioritized in the area that has the potential to be passed by many user.

EFICIENCY

Space efficiency applied

SCANTOSEE THEVISUALIZATION

https://www youtube com/w atch?v=J OWJcJpj1k

ELEGANZA TILES SHOWROOM

Project

Typology

Site Area

Year

: : : :

SOFTWARE USED

ArchiCAD

Lumion

Photoshop

Eleganza Design Competition

Tiles Showroom

36m2

2022

BACKGROUND

The concept of the showroom tiles designed based on the purpose of visitors and company of the showroom. The purpose of the visitors visiting the showroom are to see the various types and their implementation, while the purpose of the company/seller are to showcase an appealing products display with all of the variety that can changed periodically so that it will always up to date to the latest design. Based on these objectives, there are several concepts which are Interactive Displays, Implementation Displays, and Flexible.

VISITORS SELLER

Seethevarioustypeso t esandtherapp caton

Showcasevarietyof productsthatcanchange regulary up odate)

Showcaseproductsso hattheycanattract buyers

INTERACTIVEDSPLAY

Sothatvstorsare interestedinseeng productdsplaysand are nterested nbuyng

IMPLEMENTATION

DISPLAY

Showsandprovdesan overvewo the mpementatonoftles

FLEXIBLE

Sothattheproductson dspaycanaways be relevant digta technoogy andfexb ity sustainable nterior)areappledsothat dispayscaneaslydevelop

The tile products type used in the showroom design are Mosaic (Glass & Porcelain) and Wall Tile products with pool mosaic tiles as the main focus. Pool mosaic tiles display is supported by the use of water elements as a support for the real application of the tiles. The display are also supported by metaphor of a shape resembling water.

PHYSICALLY

METAPHOR

Applicationofcurved andwavyelements resemblingwater CONCEPT CONCEPT

INTERACTIVE

Waterasa medium

Display tiles that are movable so that it can attract visitors and also make it possible to display various type of tiles.

Slider Display

This tile display consists of several panels that can be shifted horizontally to the right and left to see various types of tiles.

Rotating Display

This display tiles are in the form of iron pipes with several small tile panels that can be rotated 360 degrees.

Digital Panel Display

This tile display is in the form of a touchscreen panel consisting of various catalogs of tiles and tile precedents that have been used. The application of this digital display is efficient and can be easily replaced and changed so that it can stays relevant/up to date to the latest tiles design.

IMPLEMENTATION DISPLAY

This display shows an example of the tiles application in real life, in the following ways:

Underwater Floor with Transparent Acrylic Panel

These display tiles are located on the floor area which is placed under water to provide an overview of the pool mosaic tiles (showroom main focus tiles) when applied in the swimming pool.

Underwater Acrylic Interactive Rotating Panel with Indoor Waterfall

This display tiles is in the form of transparent acrylic steps with water passes through at the top and a rotate tiles display at the bottom to view various types of tiles and give an overview of the tiles under water.

FLEXIBLE

The displays are flexible and can be changed with new models/other tiles easily. These display are also an element that does not attach directly to the wall and floor of the space so that it can be moved easily and create a sustainable space.

UnderwaterFloor

SECTION-ELEVATION A - A

UNDERWATERTRANSAPARENTACRYLIC DISPLAYWITHROTATINGPANEL

SECTION-ELEVATION B - B

SECTION-ELEVATION C - C

SECTION-ELEVATIOND-D

A3000 FACADE AND SITE REDESIGN

Project

Typology Location

Year Status

: : : : :

A3000 Facade and site Facade

A300, Kemang, Jakarta 2023

Desgn Process

SOFTWARE USED

SketchUp

Enscape Photoshop

The facade redesign visualizes A3000 compound space which contains tenants as a place of activity for young people, so the facade is designed with dynamic shapes and bright colors depicting the character of the youth

FACADE SITE

In the site area there are additions of entrance stairs from the pedestrian road to make it easier for pedestrians to enter the building, there is also a booth area and an amphitheater seating area at the front of the building to facilitate the users activity and for commercial use.

FATMAWATI PEDESTRIAN BRIDGE

Project

Typology

Location

Year

: : : :

Fatmawati Pedestrian Bridge - Bintao Design District

2022

Pedestrian Bridge

2022

SOFTWARE USED

Rhino

Grasshopper

SketchUp

BACKGROUND

The site is located at Fatmawati which is a street that tends to be crowded because it connects several areas, this area also has the potential to become a new Central Business District due to the rapid growth of office buildings The development of this area is not supported by good connectivity between roads and buildings, so it is important to create a good connection to provide an easy access and pedestrians friendly area that is also able to provide a value to the Fatmawati area

DESIGN IDEA

Unite the difference s into one

UNITY IN DIVERSITY "Bhinneka Tunggal Ika"

HISTORY

FATMAWATI

Fromthestreet name,Fatmawati whoistheFirst IndonesianFlag Tailor

REDAND WHITE FLAG

FORM CONCEPT PHILOSOPHY

BANYAN TREE

Symbol of Unity in Pancasila

The Red and White Flag before being hoisted in Indonesia's independence has been used during the war by:

Sisingamangaraja IX

The war in Aceh Prince Diponegoro

Unity for the same vision and mission

BANYAN TREE

Symbol of Unity in Pancasila

MASSTRANSFORMATION

The banyan tree is used as a symbol of unity. The philosophy behind it is based of its big canopy that can be used as a shelter for many people, it is likened to the Republic of Indonesia where all Indonesian people can "take shelter" under the state of Indonesia. The banyan tree which has tendrils and roots that spread in all directions also symbolize the diversity of ethnic groups united under the name of Indonesia.

Thecenterpointofthepedestrianbridgearea sundergo amassadditionforrecreationandcreationarea

Massesandroadsisconnectedwthacircular horizontalcirculatonnthemiddle

ROOTS

Roots symbolize diversity and difference. In the design, roots depicted as a vertical circulation of pedestrian bridges from various roads.

FACADE FORM PHILOSOPHY

CANOPY

Tree canopy have a meaning of unifying. In the design, tree canopy symbolize as a meeting point between circulations from different roads which located in the middle

The hoisting of the Indonesian flag is usually accompanied by the singing of the national anthem, Indonesia Raya. In this pedestrian bridge, the song Indonesia Raya is applied to the facade in the form of musical notes. The facade has a form that follows the line of the connected musical notes in Indonesia Raya chorus.

Thepedestrianbrdgeundergoanadditonofa vertica circulationfrom4sidesoftheroadsinthe formoframpandlift

Pedestrianbridgeundergoanaddtionofaviewdeck areathatfacesbothsidesofFatmawat road

BRAVE HOLY HUMANBODY SOUL MAN WOMAN SKY EARTH

AUSTRONESIA ANCIENTJAVA

THANKYOU