Shafia's Architecture Portfolio (English)

PORT FOLIO

SHAFIA FADILA NURSYABANIYAH

/

Hello!

Shafia Fadila Nursyabaniyah

Adress

Email Phone Number

: : :

Cibubur,Depok,WestJava

shafiafadila@gmail.com

081210950255

www.linkedin.com/in/shafia-fadila

My name is Shafia Fadila Nursyabaniyah, I am a fresh graduate in architecture from Parahyangan Catholic University. I am a highly motivated person, detailed-oriented, creative, willing to learn and a fast learner. I am currently seeking opportunities to get the chance to learn something new.

Education

BachelorofArchitecture(Aug2018-Sept2022)

GPA3.42

Member of UNPAR Architecture Student’s Association Community Service Division (20192020)

ScienceProgram(Aug2015-Aug2018)

Rank 5th place parallel in academic and nonacademicsubjectand6thplaceparallelinmath andsciencesubject from345students

Adiapta Award: Award for excellent and intelligent students in language subject by represent Labschool Cibubur Senior High School and win best tech award in Asia Pacific StudentExchangeProgram(ASEP2015)

Adibakti Award: Award for one of the most disciplineandobedientstudent

Software Skills

AdobePhotoshop

Rhinoand

Grasshopper

MicrosoftOffice

Language

BahasaIndonesia:

English: ActiveandPassive Activeandpassive[TOEFLPBT (UNPAR)-score618(Feb2022)]

Publication

MINIKOMM08-WabahTendaMakan

Magazine about the issue of street stalls andtheimpactrelatedtoarchitecture

InMemoriamofNakagin

Publication to accompany In Memoriam of NakagininstallationbyBPAtheBintaro DesignDistrict2020

ParahyanganCatholicUniversity

LabschoolCibuburHighschool

shafiafadila shafadil.arch shafiafadila

Work Experience

Architecture competition

Sukamara,BorneoPublicServiceMallCompetition

TrainingandWFHInternship

BudiPradonoArchitectInstitute (Aug2022-Dec2022)

Participateinpre-professionaltrainingprogram Doing architectural research for Bintaro Design District2020

Make a pedestrian bridge design concept in FatmawatiwhichisexhibitedattheBintaro DesignDistrict2020

Make3Dmodelstudyofmodernarchitecture Design concept in an international architecture competition

Organizational Experience

Naung: Community Service Program through Online by UNPAR Architecture Student’sAssociation

ContentWriter(Jun2020-Sept2020)

Wrote content about healthy space arrangementforhousingtobepublishedon socialmedia.

Bhakti Ganva: Community Service Program by UNPAR Architecture Student’s Association

Surveyor(Feb2020)

Contributed in survey and analyze villages facilityneedsandexistingsitecondition.

StaffofLogistic(Sept2019-Nov2019)

-Contributedinsupplyconstructionneeds. -Responsibleforfindingpricesandshopsfor constructionneeds.

Kommunars: Architectural Journalism Community

DecorationStaff(Nov2019)

Contributed in making an installation in kommunsessionevent (launching event for kommunarsmagazine).

EditorialStaff(Sept2019-Oct2019)

Wrote for magazine about the issue of street stalls and the impact related to architecture.

ParahyanganArchitectureFestival (Jun2019)

Contributed in designing and making installation(DengungJemariKecil).

2ndWinner

Designing a public service mall in Sukamara, Borneo which provides public service space, local businesses area, lodging, and recreational areas that use green buildingconcept.

Participate as a presenter at public service mall public consultationforuminSukamara,Borneo

Parahyangan University Architecture Skripsi Awards(Oct2022)

Nominated

Nominated with thesis title "The Role of Building Attributes as Determining Factors of Contextuality between Non-Cultural Heritage Building and Cultural Heritage Building. Case Study: Cultural Reservation Area in The Corridor of L.L.R.E.Martadinata Street Bandung".

InspireliAwards7thAnnual(Jul2022)

CompetitionEntry

Submit architecture design studio project (Surabaya Oceanarium)

Gaung Bandung: Competition by IMA G-ITB (Sept 2021)

CompetitionEntry

Designing a food hub in Bandung that can accommodate the collecting and storing process, production process, and distribution of food with adaptationtopandemicsandhealthprotocols.

IdeaCompetition:Perumnas(Jul2021)

CompetitionEntry

Designing two type of house (type 35 and 45) for housing that suit the character and needs of the millennials.

Naung: Competition by UNPAR Architecture Student’sAssociation(Mar2021)

CompetitionEntry

Designing post-pandemic house in densely populated urban village settlements with affordable costs and useamodulardesign.

Training and Certification

ArchicadTraining:

YF Academy Course (Nov 2018 - Dec 2018)

Independent Private Course (Jun 2019 - Jul 2019)

SketchUpandAutoCadTraining:

Sagara Course (Aug 2021 - Dec 2021)

SketchUpOptimationClass:

Zurnalis Architect Academy (Sep 2022)

CONTENTS

ARCHITECTURE

BACKGROUND

The project is located in Indonesia which is the largest archipelagic country in the world and have a high level of biodiversity and endemism. However, in reality the existence of various marine biota in Indonesia is now threatened by irresponsible behavior and the lack of marine education and awareness in Indonesia. Therefore, this oceanarium facility is designed to accommodate and provide education in an entertaining (recreational) way so that it can be accepted and understood easily by the visitors.

GROUND FLOOR AMPHITHEATERFLOOR

4TH FLOOR RAINFORESTCIRCULATION

BLOCK PLAN

BLOCK PLAN

3RD FLOOR

2ND FLOOR

1ST FLOOR

4TH FLOOR

4TH FLOOR MEZANINE

ROOF FLOOR

TICKETINGLOBBYANDDIGITALAREA

COASTALAREA

WALLAQUARIUMAREA

INDIVIDUALAQUARIUMANDTUNNELAQUARIUMAREA

THE TREE OF LIFE

Evolo Competition - BPA Institute Skyscrapper

Shafia Fadila Nrsyabaniyah, Fiorino Piscal Akbar, Tasya Nur Musiyah Putri, Vania Arlene

BACKGROUND

The site is in the City of Mogadishu, Somalia on the edge of the island facing the Indian Ocean. Mogadishu is the capital city of Somalia with the largest city and the largest population in Somalia. The city is also the financial and commercial center of Somalia and have a role as an important port connecting traders across the Indian Ocean for thousands of years.

FARM RESIDENCE

VERTICAL FARMING AND POND

PLATFORM

AQUACULTURE

DESALINATION

POPULATION DENSITY

The large population in Somalia which causes the problem of depleting land availability is addressed in building designs by providingmodularandurbanhousingfacilitiesthatissustainable.

CLEAN WATER SCARCITY

The scarcity of clean water in Somalia is addressed in the design byasystemtoconvertseawateronthesiteintocleanusable.

FOOD CRISIS

Thefoodcrisiscausedbydroughtanddwindlinglandavailability in the design was addressed by providing facility to grow food that is not affected by climate and does not require large areas oflandtoproducelargeamountsoffood.

DESALINATION

VERTICAL FARMING

AQUACULTURE

Thefoodcrisiscausedbythelackofutilizationoftheseafoodin Somalia was overcome by the implementation of facilities supportedbytechnologytobreedseafoodsothatthebreeding processcouldbecarriedoutquicklyandefficiently.

POPULATION DENSITY GROWTH SCENARIO

The mass offers functions for food and water demand, commercial areas, as well as aquaculture for fishcultivation.Desalinationareais placed underground, commercial at mid-level, and vertical farming forcropsproductionattop-level

The basic mass form of the buildinghasa circularverticalshape

The mass is designed as a canopy that offers additional programs such as residential area in the formofmodularunitsonbranches and more area for farming at the topofthecanopy.

The lower part of the mass undergoes addition that gets wider as it goes down, resembling a tree root that widensatthebottom

Redefiningland:themassissetup on various terrains, such as on marineresourcesanddesertlands

The upper part of the mass undergoes addition which gets wider as it goes up, resembling a tree branch that widensatthetop

The mass undergoes subtraction at each floor that formed vertical and horizontal elements

Future Urban-Vertical Living: the mass is stacked and organized adjacently to form a shelter in larger scale vertically and horizontally

The mass undergoes additions of aquaculture modules along with rails to the sea at the bottom, vertical farming modules and pond reservoir platform in the middle, also residencemodulesatthetop

PHASE 1 "TRUNK"

PHASE 2 "CANOPY"

PHASE 3 "ENTEN"

STRUCTURE

Trusses are used to imitate the way branches spread from the bark to the twigs, while giving support to t mass from the core strength

RESIDENTIAL

Residential modular units are accomodated with void for terraces and proper ventilation and lighting from the single loaded mass

CANOPY STRUCTURE

POND RESERVOIR PLATFORM RESIDENCE

The pond reservoir platform, which is located in the middle of the building around the vertical farming area is a platform to store clean water that is produced from the desalination process at the bottom of the building. The water on this platform is used for irrigation needs of the plants which are distributed to each vertical farming module. This water is also distributed to each residence module at the top of the building to fulfill the daily needs of the users.

VERTICAL FARMING

VERTICAL FARMING

AQUACULTURE

The aquaculture hexagon shaped module consists of 2 horizontal layers. The inner module layer is the main aquaculture module that consists of floating net cages with a container underneath that can rise to the surface with a pipe that pulls it up during fish harvest. This module is also equipped with a propeller to move the inner module from these to the main mass and vice versa.

The outermost layer consists of a circulation area for service with a solar panel roof in the middle. On this outermost layer there is also a bar that can open and close horizontally as access for the inner aquaculture module

The propeller at the bottom opens for mobilization in water

DESALINATION

PROPELLER AND NET CAGE FOLDED

Propellers and net cages are enclosed in storage areas and for mobilization inside the building.

Seawater intake undergo pre-treatment of filtering debris and micro-particles from the sea, reverse osmosis to take out the salt concentration, and treatment for remineralizing ions into the water to meet the standards.

BACKGROUND

The main function of the building is to provide public service facilities. Issues with this function relate to efficiency, speed, and clarity. Therefore the design aims to answer this issue through circulation, room layout, and the facilities provided. The building is also planned with several supporting functions including cafes, lodging, and facilities for MSMEs. This function is dominated by public functions, so the design is designed with various facilities that can attract the public and can introduce local values to visiting people because the site is located in Sukamara Regency, Central Kalimantan which has a variety of cultures.

GOALS

EaseandFastnessinGettingPublicService

Implemented with effective and centralized circulation. This is also supportedbytheapplicationofadigitalpaneltospeeduptheprocedure.

ProvideaPublicAreathatcanbecomeaVisitorMagnet

Implemented with public entertainment recreation with a fountain show areasurroundedbyanamphitheaterstaircaseandalocalbusinessshop.

Icon

implemented by applying cultural elements and characteristics of Sukamara,CentralKalimantan.

MASS TRANSFORMATION

Thesiteisdividedalongtheaxistothe nodesandtheJelaiRiverwithelongated pondelements

The design applies the green building concept by optimizing natural ventilationandlighting.

FACADE CONCEPT

The facade concept design depicting regional characteristicswithlasercutaluminumpanels withtraditionalKalimantanpatterns.

The facade also uses local materials, ironwood which is also the main material for the traditional Kalimantan house, Rumah Betang.

Massesarearrangedontheedgeofthe pondtoprovideinnercourtspacefor naturallightingandventilation

Circularcirculationadditionintheinthe middleofthebuildingfortheeffectiveness ofaccesstotheentirebuilding

Themassthatisnearthenodeistilted towardsthenode

Themassofthegroundfloorisraised (pilotis)toprovidenaturalventilationand lightingaswellastheapplicationofthe traditionalBetanghouseprinciple

AMPHITEATERAREAAND FOUNTAINSHOW

The landscape is designed to accommodate public activities based on the characteristics of Sukamara which has many rivers and the characteristics of the placement of Central Kalimantan Traditional Houses which are oriented towards rivers.

Based on this, in the central part of the landscape a long pond is designed to resemble a river with a mass of buildings in between. The pool is surrounded by an amphitheaterstaircaseandisequippedwithafountainshow

Buildingscopeadditionand landscapefinalization

Themassperfloorisshiftedandtiltedto allownaturallightandventilationtoeach

LOCAL CONCEPT CONCEPT

MASSORIENTATION

Rumah Betang

Philosophy

Pond in he landscape resemble a river. The orientation of the building follows the philosophy of Rumah Betang which is paralleltotheriver.

GREEN BUILDING CONCEPT

The building is divided into 4 masses. The division of this mass aims to provide an innercourt for natural ventilationandlightingthroughoutthespace.

The building division also makes it have a thin dimensions, so all of of the room can have a direct contactwiththeoutsidearea.

BUILDING ENVELOPE

SECOND SKIN

Batang Garing Symbol

FORM

Sukamara's Livelihood (Blue Diamond)

Blue diamond form implementedintheformofa building form from the side that resembles a diamond shapewithaconicalbottom.

Rumah Betang

Thelowerpartofthebuilding is pilotis inspired by the Betang House with a ground floorthat has columns withoutwalls.

Dayak Shield

The Dayak shield form is implemented in the design with a conical roof on each sideformingashield.

Thebuildingenvelopeusesasecondskintofilterlight into the space so it is not carrying heat and to dispel glare.

On the hotel floor, the envelope is equipped with a balcony to prevent the sun's heat radiation from entering directly because the light can be reflected firstintothebalcony.

On several sides of the facade there is a green roof which is equipped with vegetation that is able to protect the envelope from radiation and lower the temperature.

ORIENTATION

FACADE

Batang Garing Symbol

ThecarvingofBatangGaringsymbolisapplied asanornamentalelementinthecenterofthe mass.

Kalimantan Tradiional Pattern

Aluminum panels are used with a laser cut of traditionalKalimantanpattern.

Local Material (Ironwood)

Ironwood as local material are used as the secondskinlattice.

INTERIOR

Inside the building, several Kalimantan patterns are applied as partition panels and ornaments. The local conceptisalsosupportedby educational facilities in the form of digital panels at the rampcirculationarea.

The mass of the building is placed linearly in the middle ofthesitewithanorientation towardsthesouthandnorth, sothatitisnotperpendicular to the sun direction which has the potential to bring heat. However, natural sunlight can still enter from the side and inner court of the building so it does not cause glare and excessive heat.

LANDSCAPE

In the middle of the building there is a pond which can reflect natural light into the room to support lighting energysavings.

GREENFAC A ED 34 SUKAMARA PUBLIC SERVICE MALL 2022

MASS FORM

BLOCKPLAN

SITE PLAN

1ST FLOOR PLAN

ELEVATION - A

ELEVATION - B

SECTION B-B

ELEVATION - C

SECTION A-A

ELEVATION - D

RECEPTIONISTAREA

RAMPCIRCULATIONWITHDIGITALEDUCATIONPANEL

FOODCOURTAREA

FOODCOURTAREA

INNERCOURTAREA

REGULARHOTELROOM

Project

Typology

Location

Site Area

Total Building Area

Total Basement Area

Storey

Year

Architecture Design Studio 6

Architecture, Interior Design, and VCD Polytechnic

Cihampelas – Wastu Kencana Road, Bandung City, West Java

5550 m2

10590.82 m2

3376.614 m2

10 Floors+ 2 Basement

2021

SOFTWARE USED

Archicad

Enscape

Photoshop

BACKROUND

The background concept is based on the user that consist of 3 major which are architecture, interior design, and VCD (Visual Communication Design). Among the diversity between the communities and activities in the three departments, there is a common thread that connects them. The common thread is the interest and sector that the all three departments learn, which are related to creating works based on design and related to creativity.

Theme:UnityinDiversity

Based on the theme, the design inspired by mosaic form. Mosaic is an art that consist of small pieces with different colors and shapes that are combined and arranged to form a beautiful art. This principle depict the purpose of the design theme, which is to accommodate the activities of students from different backgrounds to collaborate and connect to create creative innovations.

The three majors in polytechnics are related to designing activities, so the polytechnic is divided into 3 buildings based on the design stage, which are:

Consistofclassrooms,libraries,labs,andlecturer rooms which are spaces for finding resources andlearningtheoretically.

Consists of studio and workshop space as a space for exploration, development in the studio, and design testing in the workshop space.

Consist of Wastu Gallery which functions as a gallery and sales area for students' works to showcase their designs and auditorium for graduationasthefinalstageineducation.

IDEATIONINSPIRATION IMPLEMENTATION

The mass undergoes addition of anenclosingelement are the inspiration, ideation, and implementationzones

The three masses subtracted on one side to create a relationship and space betweenthem

CENTRAL PLAZA

WALLFIN.WHITECOMPROTE+CONWOODPLANKPANEL 1INCH305X10X2,5CM CONCRETEAMPHITEATERSEATINGAREA HANGINGCEILINGFIN.GREYGRC+HOLLOWSTEELPIPE CONCRETEWALLFIN.CONWOODPANELPLANK1INCH305X10X2,5CM ROOFGARDEN WALLFIN.WHITECOMPROTE REINFORCEDCONCRETECOLUMND70CM

WHITELUMUNIUMGRATINGCEILINGEX.PANELUXS200

REINFORCEDCONCRETEBEAM75X35CM

REINFORCEDCONCRETEFLOORPLATE15CMTHICKNESSFIN.BLACKANDESITESTONE FLAME20X40CM+BLACKCORALSTONE REINFORCEDCONCRETEBEAM60X30CM REINFORCEDCONCRETED100CM

WHITELUMUNIUMGRATINGCEILINGEX.OANELUXS200 CONCRETEWALLFIN.CONWOODPANELPLANK1INCH305X10X2,5CM CONCRETEAMPHITEATERSEATINGAREA

STUDENT CENTER DETAIL SECTION A-A

STUDENT CENTER DETAIL SECTION B-B

STUDENT CENTER DETAIL ELEVATION A

STUDENT CENTER DETAIL SECTION-ELEVATION B

STUDENT CENTER DETAIL SECTION-ELEVATION C

WHITELUMUNIUMGRATINGCEILINGEX.PANELUXS200

DROPCEILINGFIN.WOODMOTIFGRC

HANGINGCEILINGFIN.WOODMOTIFGRC CONCRETECHAIRFIN.WOODBOARD REINFORCEDCONCRETEFLOORPLATE15CM THICKNESSFIN.BLACKANDESITESTONEFLAME20X 40CM+BLACKCORALSTONE

REINFORCECONCRETEBEAM50X25CM HOLLOWSTEELFRAME40X40MM+WHITEGRCCEILING HANGINGCEILINGFIN.WOODMOTIFGRC REINFORCECONCRETECOLUMN50X50CM REINFORCECONCRETEBEAM40X20CM

WHITELUMUNIUMGRATINGCEILINGEX.PANELUXS200 WALLFIN.WHITECOMPROTE

WALLFIN.BROKENWHITEPAINT

HANGINGCEILINGFIN.WOODMOTIFGRC CONCRETECHAIRFIN.WOODBOARD WALLFIN.WHITECOMPROTE REINFORCEDCONCRETEFLOORPLATE15CMTHICKNESS FIN.BLACKANDESITESTONEFLAME20X40CM+BLACK CORALSTONE

PLAZA LOBBY DETAIL SECTION-ELEVATION B

PLAZA LOBBY DETAIL SECTION-ELEVATION A

PLAZA LOBBY DETAIL ISOMETRY

PLAZA LOBBY DETAIL PLAN

PLAZA LOBBY DETAIL SECTION A-A

PLAZA LOBBY DETAIL SECTION B-B

Gaung

Bandung 2021 Architecture Competition

Food Hub

R.E.Martadinata Road - Cihapit Road, Bandung City, West Java

250 m2

300 m2

3 Floors

2021

Shafia Fadila N., Salsabila Zahra

Archicad

Lumion

Photoshop

Revive the economy during Covid-19 with good facilities

Aesthetics. Comfortable.Save.Healthy

FOOD TYPE FOCUS

Focuses on snacks, drinks, and desserts because it is fast to make and consume, so there is no potential to create a crowd during covid-19 pandemic and are also efficient for drive thru facilities.

The location of the site is also close to the Cihapit Market which is famous for its traditional snacks street vendors', therefore the food hub design can play a role in tidying up the street vendors at Cihapit.

MARKET TARGET

The target market for food outlets is the the millennials generation and gen z who usually visit the area around the site for culinary tourism because this generation tend to like hang out outside and like to explore.

Whereas the target market for the urban farming product are restaurants and markets, which located arond the site.

SHAPE TRANSFORMATION

The basic form of the building consists of 2 circles to create a circular and continuous circulation

Mass undergoes addition in the form of vertical and horizontal circulation around it

The masses undergoes additions in the form of vertical urban farming and a funnel-shaped canopy to collect rainwater

The mass undergoes addition and subtraction of enclosing element and opening

SNACKS DESSERTS DRINKS

FORNT ELEVATION

SITE PLAN

1ST FLOOR PLAN

VERTICAL URBAN FARMING PLANT NETS

METAL PIPE ⌀ 25 CM

MEMBRANE

PVC COATED POLYESTER PVDF

METAL PIPE ⌀ 5 CM

METAL PIPE ⌀ 20 CM

REINFORCED CONCRETE BEAM 50 X 25 CM

20 MM ACRYLIC GLASS

BRICK WALL 10 CM

GRC WOOD MOTIF RAILING

CONCRETE SLAB 10 CM

WOOD BOARD PANEL

REINFORCED CONCRETE COLUMN 30 CM

SECTION A-A

"LESEHAN" CONCEPT DINING AREA AND DRIVE THRU AREA

AMPHITEATER AREA

BACKGROUND

Every year the population of Indonesia continues to increase. From this phenomenon, the issue of land availability is decreasing and it causing higher land prices. Indonesia also predicted to experience a demographic bonus in the near future where the population is dominated by the working age group (17-64 years), this group is now dominated by the millennial generation, who were born around 1980-1995. Based on the two phenomenon, relevant housing must be able to utilize limited land, sustainable and comfortable, also needs to be related to the millennial generation as the largest target user in the demographic bonus era.

Stack House designed based on the issues. The design aims to create effective space on limited land with a compact design. The design layout applies an open plan arrangement so that the space feels wider on a small area and can save energy use because air circulation and lighting can be evenly distributed throughout the space. The application of the open plan concept is supported by a split level between space modules to emphasize space boundaries, this is reflected in the terraced mass form. Stack House is also designed to adapt the character of the millennial generation as the target user who has 3 main personality characters, which are creative, connected, and confidence. The design of the Stack House is also influenced by the tropical climate of Indonesia by manage comfort through passive designs.

GROWTH SCENARIO

INNERWALLGRCBOARD6MM+STEELSTRUCTUREC75 GLASSBLOCKWALL HOLLOWSTEELFACADE40X40MM

PLAFONDSTRUCTUREHOLLOWSTEEL40X20MM GYPSUMPLAFOND9MM

HOLLOWSTEELCOLUMN00X100MM

ROCKFOUNDATION

LAUNDRY ROOM

CONVERTIBLE IRON TABLE

BOX HOUSE

MILLENIAL HOUSING

Project

Perumnas IDEA Competition 2021

Millenial Housing

72 m2 (6 m x 12 m)

36 m2

1 Floor + Mezanine

2021

SOFTWARE USED

Autocad

Sketchup

Archicad

Enscape

Photoshop

BACKGROUND

Every year the population of Indonesia continues to increase. From this phenomenon, the issue of land availability is decreasing and it causing higher land prices. Indonesia also predicted to experience a demographic bonus in the near future where the population is dominated by the working age group (17-64 years), this group is now dominated by the millennial generation, who were born around 1980-1995. Based on the two phenomenon, relevant housing must be able to utilize limited land, sustainable and comfortable, also needs to be related to the millennial generation as the largest target user in the demographic bonus era.

Box House aims to create an effective house and give a spacious impression on limited land with the concept of dividing space through separate masses (boxes) so that the open space between the modules mass can also becomes a part of the activity space in the house. Box House is also designed with an orientation towards the millennial generation as the largest population group in Indonesia today, the house design to be able to accommodate the millennial personality characters who are creative, connected, and confident. The design is also contextual to Indonesia's tropical climate by regulating passive comfort in the house.

FACADE

HOLLOW STEEL FRAME 40 X 40 M

ALUMINUM PANEL

Function as shading and also to provide a creative medium for residents for their identity. For example, to plant a vertical garden, hydroponic vegetation, and other creations.

WALL GRC BOARD

OUTSIDE WALL GRC BOARD 8 MM

INNER WALL GRC BOARD 6 MM

FLOOR GRC BORAD

GRC BOARD SUPERFLOOR PANEL 15MM THICKNESS

HOLLOW STEEL SUPERFLOOR FRAME 100X100X2,3MM

ROSTER WALL

The spreading mass arrangement creates a green open space in between that allows the spread of air to each mass. The entry of air into each mass is supported by a hollow wall (roster) as a ventilation.

HOLLOW STEEL COLUMN 100 X 100MM

ROOF

ROCK FOUNDATION

SPIRAL STAIRS STRUCTURE TEEL HOLLOW 40 X 40 MM

FRONT ELEVATION -A

GRCBOARD

SUPERFLOORPANEL 15MMTHICKNESS+ PARQUET SUPERFLOORFRAME GRCHOLLOWSTEEL SUPERFLOORFRAME 100X100X2,3MM

BITUMENROOF

MULTIPLEX1,2X2,4M9MMTHICKNESS

PURLINC150STEEL

TRUSSANGLESTEEL75/75

PLAFONDSTRUCTUREHOLLOWSTEEL40X20MM

GYPSUMPLAFOND9MM

OUTSIDEWALLGRCBOARD8MM INNERWALLGRCBOARD6MM+STEELSTRUCTUREC75

PLAFONDSTRUCTUREHOLLOWSTEEL40X20MM+ GYPSUMPLAFOND9MM BITUMENROOF MULTIPLEX1,2X2,4M9MMTHICKNESS

PURLINC150STEEL TRUSSANGLESTEEL75/75

ROSTERWALL ROCKFOUNDATION

INNERWALLGRCBOARD6MM+STEELSTRUCTUREC75

HOLLOWSTEELFACADE40X40MM

GRCBOARDSUPERFLOORPANEL15MMTHICKNESS

HOLLOWSTEELSUPERFLOORFRAME100X100X2,3MM

ALUMUNIUMPANELFACADE

ROSTERWALL ROCKFOUNDATION

To create a flexible space

FOLDABLE TABLE

Can be transformed to worktable

INNER COURT DINING AREA

The site is located at Fatmawati which is a street that tends to be crowded because it connects several areas, this area also has the potential to become a new Central Business District due to the rapid growth of office buildings. The development of this area is not supported by good connectivity between roads and buildings, so it is important to create a good connection to provide an easy access lue to the Fatmawati area.

Fatmawati Pedestrian Bridge - Bintao Design District SOFTWARE USED Rhinoceros

Grasshopper Sketchup

PROVIDE A RECREATION AREA FOR THE COMMUNITY

In the design, it is planned an activity area for communityrecreation that also can be a magnet for visitor by providing a view deck areaandlightattractionatnight.

EASY ACCESS

Inclusive and cyclistfriendly facilities are implemented by providing vertical access using rampsandlifts.

INTEGRATED WITH OTHER TRANSPORTATION MODES (GATEWAY)

Connection by integrating pedestrian bridge with transportation facilities on the site, which are MRT stations and busstops.

Unitethe difference

Sisingamangaraja IX of the Bataks wore

The war in Aceh, the fighters use red Prince Diponegoro used red and white

UNITY IN DIVERSITY "Bhinneka TunggalIka" SymbolofUnity inPancasila

The Red and White Flag before being hoisted in Indonesia's independence has he singing of the national anthem, Indonesia Raya. In this cade in the form of musical notes.

BANYAN

Crossing nodes integration from all of the roads become the pedestrian bridge path

The intersection between the pedestrian bridge path in the middle

The facade form follows the line of the connected musical notes in Indonesia Raya chorus.

MASS TRANSFORMATION

ZONING PLAN

CIRCULATION

VIEW DECK MASS FOR CREATION AREA

The center point of the pedestrian bridge area is undergo a mass addition for recreation and creation area

Masses and roads is connected with a circular horizontal circulation n the middle.

Pedestrian bridge undergo an addition of a view deck area that faces both sides of Fatmawati road

The pedestrian bridge undergo an addition of a vertical circulation from 4 sides of the roads in the

FACADE

Project

Typology

Location

Year

: : : :

Introduction to Interior Design - Academic Work

Salon Interior

Surya Sumantri Road Number 32, Sukagalih, Sukajadi, Bandung City, West Java

2021

BACKGROUND

Archicad

Enscape

Photoshop

The design of the salon redesign is based on the issue of interior space at Anata Salon, these issues include the absence of a brand identity in the space and the incompatibility of the character of the space with the potential market consumers around the salon; the circulation layouts that have the potential to cause cross circulation, ineffective, and difficult access; undefined layout zoning existing and space boundaries; empty spaces that are not functioned so it is not effective; the principles of sustainable interiors in terms of materials, furniture, and energy that have not been implemented; and the spatial adaptation to the pandemic issue that have not yet been implemented.

REBRANDING

RELAYOUT

The purpose of the relayout is to create efficient circulation and maximize space utilization by considering spatial, ergonomics, and zoning.

Up to Date

The value of Anata Salon being up to date is to follow trends with the latest facilities.

The circulation and layout of furniture in the salon redesign is linear, to apply one-way circulation as an adaptation to pandemic, this circulation can be added with sticker markings on the floor. This one-way circulation is prioritized in the area that has the potential to be passed by many user.

Best Price Service Excellent

The best price value of Anata Salon is to apply the best and affordable prices for all customers.

The space zoning is divided into the public zone which is in the front of the room that consists of a reception, waiting area, and shop which previously existed in the back so that the shop could be seen from the outside. Also there is semi-public zone that consists of a styling and beauty treatment area in the middle, and the private zone (relaxation and massage treatment area) in the back area so that it is more private and the circulation is limited to the user only.

The Anata Salon service excellence value is to prioritize friendliness and the best service for customer satisfaction.

Space efficiency applied by utilizing empty space of the existing salon as a shop area and a manicure treatment area.

Based on 3 values of Anata Salon

RELAYOUT

Designing a space that applying the sustainable interior principles based on the Interior GBCI rating tools and 5 Principles Sustainable Interior from Econyl brand

MATERIALRESOURCEANDCYCLE

VEGETATIONINSIDETHESPACE

Vegetationintheceiling (ReceptionistAreaandTreatment1

This vegetation is able to increase the humidity of the air in the room

DESIGNFORLONGETIVITYANDFLEXIBILITY

Using multifunctional furniture with models that suit the needs and using sustainable materials (rattan, wood, and terrazzo)

Using furniture that can be moved to create a flexiblespace

Furniture Module Rattan Material

DESIGNFORWASTEREDUCTION

To reduce waste at the salon, there is a storage area for beauty and hair product containers, it is designed to encourage the use of products with a refill system at the salon.

Hedera Helix

Aglaonema Modestum

This vegetation can:

- Clean the air

- Makes the air more humid

HYGIENE

There is a sanitary area in the front area of the building for visitor screening and washing hand.

NATURALVENTILATION

Ventilation in the room uses artificial ventilation, but if it is not needed, natural ventilation can be used with ventilation through openings supported by open planlayoutsandpermeablepartitions so that the air in the room does not carry viruses.

3.Usingmodularfurniture

2.

1.

Washing Hands area in front of the Building

MIRROR5MMTHICKNESS

GOLDSTAINLESSSTEELPIPED50CM

STEELWIREMESH+GOLDSTAINLESSSTEELSTRIP PLATE10MMX305CM+VEGETATION

CHANDELIER

GOLDSTAINLESSSTEELPIPE20X20MM,0.8MM

THICKNESS,3METERLONG

GOLDSTAINLESSSTEELSTRIPPLATE10MMX305CM

VEGETATIONINPOTS ARCHPLASTERBOARD+STEELHOLLOWFRAME

RATTANCHAIR

GOLDSTAINLESSSTEELPIPED5CM

GYPSUMWALLPANEL9MMTHICKNESS+HOLLOW STEELFRAME

HOLLOWSTEELPIPED5CM

ARCHPLASTERBOARD+STEELHOLLOWFRAME CHANDELIER

STEELWIREMESH+GOLDSTAINLESSSTEELSTRIP PLATE10MMX305CM+VEGETATION

GOLDSTAINLESSSTEELPIPED5CM

MIRROR5MMTHICKNESS

GOLDSTAINLESSSTEELPIPED5CM

GOLDSTAINLESSSTEELSTRIPPLATE10MMX305CM

GREENWALL

GOLDSTAINLESSSTEELPIPE20X20MM,0.8MM THICKNESS,3METERLONG

GYPSUMWALLPANEL9MMTHICKNESS+HOLLOW STEELFRAME

MIRROR5MMTHICKNESS RATTANCHAIR

HOLLOWSTEELPIPED5CM

RATTANCHAIR

GOLDSTAINLESSSTEELPIPED50CM STEEL WIREMESH + GOLD STAINLESS STEEL STRIP PLATE10MMX305CM+VEGETATION GOLDSTAINLESSSTEELSTRIPPLATE10MMX305CM CHANDELIER

ARCHPLASTERBOARD+STEELHOLLOWFRAME GOLDSTAINLESSSTEELPIPED5CM

VEGETATIONINPOTS

RATTANCHAIR

GYPSUMWALLPANEL9MMTHICKNESS+HOLLOW STEELFRAME

GOLDSTAINLESSSTEELPIPED5CM

STEELWIREMESH+GOLDSTAINLESSSTEELSTRIP PLATE10MMX305CM+VEGETATION

GOLDSTAINLESSSTEELPIPED5CM

ARCHPLASTERBOARD+STEELHOLLOWFRAME

STEELHOLLOWPIPED5CM

CHANDELIER RATTANCHAIR

SECTION A-A

SECTION B-B

SECTION D-D

CHANDELIER

GOLDSTAINLESSSTEELPIPE20X20MM,0.8MM THICKNESS,3METERLONG

TREATMENT 3

PEDICURE AND REFLEXY AREA ±

PLAN TREATMENT AREA B

PLASTERBOARDPLAFOND+GOLDSTAINLESSSTEEL PIPE20X20MM,0.8MMTHICKNESS,3METERLONG

PLASTERBOARD+STEELHOLLOWFRAME

GOLDSTAINLESSSTEELPIPED5CM

GOLDSTAINLESSSTEELSTRIPPLATE10MMX305CM

ISOMETRY TREATMENT AREA B

GOLDSTAINLESSSTEELPIPE20X20MM,0.8MMTHICKNESS, 3METERLONG

CHANDELIER

GOLDHOLLOWSTAINLESSSTEELPIPEPARTITION20X20MM, 0.8MMTHICKNESS,3METERLONG

VEGETATIONINPOTS

BACKTHERAPYCHAIR

PLASTERBOOARDWALLPANEL

GOLDSTAINLESSSTEELPIPED5CM

GOLDSTAINLESSSTEELPIPE20X20MM,0.8MM

THICKNESS,3METERLONG

MIRROR5MMTHICKNESS+GOLD STAINLESSSTEELFRAME

CHANGINGROOMCURTAIN+HOLLOW STEELPIPED3CM

PLASTERBOOARDWALLPANEL

GOLDSTAINLESSSTEELSTRIPPLATE10MMX305CM

SINK TERAZZOFLOORING

CHANGINGROOMCURTAIN+HOLLOWSTEELPIPED3CM

PLASTERBOOARDWALLPANEL

PLASTERBOARDPLAFOND+GOLD STAINLESSSTEELPIPE20X20MM,0.8MM

THICKNESS,3METERLONG

GOLDSTAINLESSSTEELSTRIPPLATE10MM X305CM CHANDELIER

GOLDHOLLOWSTAINLESSSTEELPIPE PARTITION20X20MM,0.8MMTHICKNESS, 3METERLONG

BACKTHERAPYCHAIR

PLASTERBOOARDWALLPANEL VEGETATIONINPOTS

PLASTERBOOARDWALLPANEL

SECTION B-B

SECTION A-A

SECTION C-C

SECTION D-D

TREATMENT 3 AREA PEDICURE AND REFLEXY

PRODUCT STORAGE AREA

TREATMENT 1 AREA STYLING

SHAMPOO AREA

RECEPTIONIST

AREA

TREATMENT 1 AREA STYLING

SHAMPOO AREA

SCAN TO SEE THE VISUALIZATION https://www.youtube.com/wa tch?v=SLvX3R9aWKc

Project

Typology

Total Area

Year

BACKGROUND

: : : :

Eleganza Design Competition

Tiles Showroom

36m2

2022

The concept of the showroom tiles designed based on the purpose of visitors and company of the showroom. The purpose of the visitors visiting the showroom are to see the various types and their implementation, while the purpose of the company/seller are to showcase an appealing products display with all of the variety that can changed periodically so that it will always up to date to the latest design. Based on these objectives, there are several concepts which are Interactive Displays, Implementation Displays, and Flexible.

See the various types of tiles and their application

Showcase variety of products that can change regularly (up to date)

Showcase products so that they can attract buyers

INTERACTIVE DISPLAY

So that visitors are interested in seeing product displays and are interested in buying

IMPLEMENTATION DISPLAY

Shows and provides an overview of the implementation of tiles

FLEXIBLE

So that the products on display can always be relevant, digital technology and flexibility (sustainable interior) are applied so that displays can easily develop

CONCEPT

FOCUS TILE PRODUCTS FOCUS TILE PRODUCTS

The tile products type used in the showroom design are Mosaic (Glass & Porcelain) and Wall Tile products with pool mosaic tiles as the main focus. Pool mosaic tiles display is supported by the use of water elements as a support for the real application of the tiles. The display are also supported by metaphor of a shape resembling water.

CONCEPT CONCEPT

INTERACTIVE

Display tiles that are movable so that it can attract visitors and also make it possible to display various type of tiles.

Slider Display

This tile display consists of several panels that can be shifted horizontally to the right and left to see various types of tiles.

Rotating Display

This display tiles are in the form of iron pipes with several small tile panels that can be rotated 360 degrees.

Digital Panel Display

This tile display is in the form of a touchscreen panel consisting of various catalogs of tiles and tile precedents that have been used. The application of this digital display is efficient and can be easily replaced and changed so that it can stays relevant/up to date to the latest tiles design.

IMPLEMENTATION DISPLAY

This display shows an example of the tiles application in real life, in the following ways:

Underwater Floor with Transparent Acrylic Panel

These display tiles are located on the floor area which is placed under water to provide an overview of the pool mosaic tiles (showroom main focus tiles) when applied in the swimming pool.

Underwater Acrylic Interactive Rotating Panel with Indoor Waterfall

This display tiles is in the form of transparent acrylic steps with water passes through at the top and a rotate tiles display at the bottom to view various types of tiles and give an overview of the tiles under water.

FLEXIBLE

The slider display, rotating display, and digital panels in this design are flexible and can be changed with new models/other tiles easily so that the tiles model on display will always be relevant. This display is also an element that does not attach directly to the wall and floor of the space so that the display can be moved easily, also it is able to create a flexible and sustainable space.

SECTION-ELEVATION A - A

SECTION-ELEVATION B - B

SECTION-ELEVATION D - D

SECTION-ELEVATION C - C

GRAPHIC DESIGNS

THESIS POSTER

SKRIPSI52

PERANATRIBUTBANGUNANSEBAGAIFAKTORPENENTUKONTEKSTUALITAS ANTARABANGUNANNON-CAGARBUDAYADENGANBANGUNANCAGARBUDAYA STUDIKASUS:KAWASANCAGARBUDAYAKORIDORJALANL.L.R.E.MARTADINATAKOTABANDUNG

LATARBELAKANG

SEJARAHKOTABANDUNG

Pada era kolonial Belanda terdapat rencana pembangunan ekspansi Bandung Utara (Uitbreidingsplan Noord Bandoeng)dengankonsep garden city yangdilatarbelakangioleh bertambahnyakebutuhanakibatmeningkatnyajumlahpenduduk.

SEJARAHKAWASAN JALANL.L.R.E.MARTADINATA

Jalan L.L.RE. Martadinata termasuk ke dalam kawasan ekspansi Bandung Utara fase EuropeescheZakenwijk”danpadaawalnyadirencanakansebagaiareahijaudenganadanya plein(lapanganhijau).Kemudianpadatahun1931,mulaididirikanbangunanhunianmewah danmenjaditempataktivitaskelompokelitEropa.Latarbelakanghistorisinimembuat koridoriniditetapkansebagaisalahsatukawasancagarbudayadiKotaBandung.

PERGESERANFUNGSIJALANL.L.R.E.MARTADINATA

Berdasarkanperaturandaerah,JalanL.L.RE.Martadinatasebagaikawasancagarbudaya perlumempertahankankarakter,baikdarisegiintensitas,tatabangunan,fasad,danlain sebagainya.Namun,seiringberjalannyawaktukoridorinimengalamiperkembanganpesat yang memicu terjadinya pergeseran fungsi kawasan menjadi didominasi oleh fungsi komersial.Pergeseranfungsimenimbulkanisukontekstualitasantaraatributbangunan non-cagar budaya yang didominasi bangunan baru dengan bangunan cagar budaya sebagaibangunanlamayangmemilikinilaihistoris.

METODEPEMBAHASAN

Terdapatisukontekstualitasatributbangunanantarabangunannon-cagarbudayaterhadap bangunancagarbudaya.

PERTANYAANPENELITIAN

Seberapabesarfaktoratributbangunandalamberperanmenentukantingkatkontekstualitasbangunan non-cagarbudayaterhadapbangunancagarbudayapadaJalanL.L.R.E.Martadinata?

TUJUANPENELITIAN

Untukmendeskripsikanfaktoryangberperanmenyebabkansuatuatributmemilikikontekstualitasyangtinggibeserta potensi ancamannya di masa depan, juga untuk mendeskripsikan faktor yang menyebabkan suatu atribut memiliki kontekstualitasyangrendahuntukkemudiandiharapkandapatmenjadimasukanbagipertumbuhandanperkembangan bangunanbarugunamempertahankannilaiKoridorJalanL.L.R.E.Martadinatasebagaikawasancagarbudaya.

DASARTEORI

KONTEKSTUAL

Brolin,C,Brent.(1980).ArchitectureinContext.NewYork:VanNosttrandReinholdCompany

UUNo.11Tahun2010tentangCagarBudaya Charter,B.,(1999).TheBurraCharter:TheAustraliaICOMOSCharterforPlacesofCulturalSignificance.

ARSITEKTURKOLONIALBELANDA

KONSERVASI Handinoto.(1996).PerkembangankotadanarsitekturkolonialBelandadiSurabaya.UniversitasKristen PETRASurabayadanPenerbitANDIYogyakarta. Handinoto.(2010).Arsitekturdankota-kotadiJawapadamasakolonial.GrahaIlmu. Dana,D.W.(1990).CiriperancangankotaBandung.GramediaPustakaUtama.

Penelitianmenggunakanmetodedeskriptifdenganpendekatankualitatif.Penerapanmetodediaplikasikandenganmenganalisisdanmengevaluasiobjekberdasarkanteoriyangdigunakandalampenelitianyangkemudiandijelaskansecaradeskriptif.Hasilpenelitiandaridatakualitatif,dengan pendekatankuantitatifkemudiandikonversikanmenjadidatanumerik.

TAHAPPENELITIAN

LANGGAM

Padatahapinidilakukanidentifikasinilaihistoris sertaatributkontekstualpadabangunancagar budayadannon-cagarbudaya.Berikut dilampirkancontohanalisisterhadap2 bangunandisegmen4:

KEPALA

KONTEKSTUALITASRENDAH Elemen Banyaknyabangunannon-cagar budayayangcenderung menggunakanatapdatar Ornamen Beragamnyajenisornamendan tidakdigunakannyaornamen padasebagaianbesar bangunannon-cagarbudaya

Berdasarkan analisis, dapat disimpulkanbahwaketigagolongan cagar budaya perlu mempertahankantampilankarakter dan muka bangunan sehingga tampakmenjadibatasanpenelitian.

KesesuaianKriteriaantara GolonganBangunanCagarBudaya

BANGUNANNON-CAGARBUDAYA

bangunannon-cagarbudayayangmemilikiciriserupa

BADAN KONTEKSTUALITASRENDAH Elemen Beragamjenisbukaanakibat ragamkebutuhanruang Ornamen Beragamnyajenisornamen dantidakdigunakannya ornamenpadasebagaian besarbangunannon-cagar budaya

SETBACK

KONTEKSTUALITASTINGGI Jaraksetbackdominanmerupakan setbackeksistingbangunancagarbudaya yangjugadigunakansebagaianbesar bangunannon-cagarbudayauntuk memenuhikebutuhanlahanparkir

MASSING

KONTEKSTUALITASTINGGI Bentukbangunandominanmengikuti bentukkavlingeksistingyangberbenuk persegiataupersegipanjang

KETINGGIAN

KONTEKSTUALITASRENDAH Beragamnyajenisatap,ketinggianfloorto floor danjumlahlantai

BENTUKDANSILUET KONTEKSTUALITAS RENDAH Beragamnyajumlahlantai danjenisatapyang memengaruhibentukatap

KESIMPULAN

FaktorPenyebabRendahnyaKontekstualitas BangunanNon-CagarBudayaterhadapBangunanCagarBudaya

Beragamnya jenis elemen dan ornamen yang digunakan pada kepala,badan,dankakibangunan.

Beragamnya jumlah lantai akibat tuntutanfungsidankebutuhanruang yangberbeda-beda.

Beragamnya material pelingkup bangunan karena banyaknya bangunan yang menggunakan materialmodern.

PERSENTASEKONTEKSTUALITASTINGGI(>50%)

Kondisieksistingbentukdanorientasi kavlingbangunanyangserupa.Atributini bukanancamankarenakondisieksisting kavling yang tidak memungkinkan adanyaperubahansecarasignifikan

ORIENTASI

KONTEKSTUALITASTINGGI Orientasibangunandominanmengikuti orientasikavlingeksistingyangtegaklurus denganjalan

PROPORSI

KONTEKSTUALITASRENDAH Beragamnyajumlahlantai,jenisdan besaranatap,sertabanyaknyabangunan non-cagarbudayamenggunakanatapdatar

KONTEKSTUALITASRENDAH Beragamnyajenisbukaanakibat ragamfungsidanperbedaan karakterbangunan

MATERIAL KONTEKSTUALITASRENDAH DINDING(SEGMEN4DAN9) Beragamnyakombinasimaterialpelingkup KUSEN(SEGMEN4) Banyakbukaanyangtidakmenggunakankusen KONTEKSTUALITASTINGGI KUSEN(SEGMEN9) Bangunancagarbudayadansebagaianbesar bangunannon-cagarbudayamenggunakankusenkayu

FaktorPenyebabKontekstualitasyangTinggi besertaPotensiAncamannyadiMasaDepan

Persamaanakanjarakdenganbangunantetangga(spacing)karena kebutuhanruangsecarahorizontal,atributinidianggaptidak berpotensimengurangikontekstualitaskawasandimasadepan karenasebagianbesarbangunancagarbudayasebagaiacuan kontekstualitasmemilikibangunantambahandisampingnya.

SKALA

KONTEKSTUALITAS RENDAH Beragamnyajumlahlantai danketinggianatapyang dipengaruhijenisatap

WARNA

KONTEKSTUALITASTINGGI DINDING Bangunancagarbudayadannon-cagarbudaya dominanberwarnaputih KONTEKSTUALITASTINGGI KUSEN Beragamnyawarnakusensertabanyaknya bangunannon-cagarbudayayangtidak memilikibukaandengankusen

Penggunaan warna putih yang mendominasi pelingkup bangunan. Atributwarnadindingselainwarnaputih dianggapdapatberpotensimengurangi kontekstualitasdimasadepan.