Seattle Gay News
Issue 36, Volume 41, September 6, 2013
Todd Wawrychuk / ©A.M.P.A.S.
ARTS & ENTERTAINMENT
by Sara Michelle Fetters SGN A&E Writer One of the most acclaimed films of the year, early on things weren’t looking especially bright for writer/director Destin Cretton’s Short Term 12. The prestigious
by Southwest, the movie screened to great acclaim at a variety of festivals including SIFF, critics and audiences alike falling all over themselves to praise it. “It’s a great feeling for all of us,” says a beaming Cretton. “It’s just wonderful to go through, in some ways, this horrible
“It’s just wonderful to go through, in some ways, this ... difficult experience of making [the film] and emerge from the other side to have people really respond so positively to what it was we were trying to get on the screen.” and difficult experience of making [the film] and emerge from the other side to have people really respond so positively to what it was we were trying to get on the screen.” Immediately, he corrects himself. “Not horrible,” he says. “That’s not true. We’ve just, as a team, gone through so
by Rahul K. Gairola Special to the SGN
one of the greatest Bumbershoot festivals ever to grace the city. The roster exposed attendees to a diverse array of talent while making abundantly clear why Seattle has an international reputation for left-leaning politics and world-class musicians. For a number of reasons, this year’s festival did a particularly excellent job in paying homage to artists who call the Pacific Northwest home. Here are just a few examples of why this is so.
BUMBERSHOOT SEATTLE CENTER August 31 – September 2 Bumbershoot 2013 was tagged with the slogan “Art in the Great Northleft,” an allusion both to the Seattle region’s geography and to its reliably progressive political leanings. If highlighting local musicians while articulating political sentiments and visceral emotions was the goal of this year’s lineup, then this was The Eagles (l-r) Timothy B. Schmit, Glenn Frey, Don Henley, and Joe Walsh
by Albert Rodriguez SGN A&E Writer EAGLES KEY ARENA September 4 They’re greyer and maybe a little bigger around the waist, but musically the Eagles are sounding as great as ever. The Southern California four-piece – Don Henley, Glenn Frey, Joe Walsh, and Timothy B. Schmit – gave
a commanding performance to a sold-out audience at Key Arena that featured all of their top hits. The three-hour concert started with Henley and Frey appearing from behind a large black curtain at opposite ends of the stage, then making their way to wooden stools positioned at front and center. They dueted on “Saturday Night,” the only song ever written by all four original Eagles (Henley, Frey, Randy Meisner, and Bernie Lead-
on), which appeared on the band’s 1973 album, Desperado. Henley recalled going on tour with Linda Ronstadt in the early ’70s, just he and Frey, and it was Ronstadt who recommended they add Leadon to the lineup, who then split from the act in 1975. Leadon, however, reunited with the Eagles for some of Wednesday’s show. Schmit made his entrance see eagles page 7
Christopher Nelson
Interscope
Writer-director Destin Cretton following a special screening of Short Term 12, presented by the Academy of Motion Picture Arts and Sciences on Wednesday, August 7, 2013
Sundance Film Festival initially passed on screening the drama set inside a Los Angeles short-term foster facility for at-risk teenagers, deciding for whatever reason it wasn’t good enough for a showcase. Fast-forward to late spring/early summer, and suddenly Cretton’s film was one of the most buzzed-about and anticipated independent features set to hit theaters. After making a gigantic splash at South
see cretton page 5
see bumbershoot page 7