SGN February 12, 2010 - Section 2

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Seattle Gay News

ARTS & ENTERTAINMENT Wilco a crowd-pleaser RuPaul’s Drag Race at the Paramount Issue 07, Volume 38, February 12, 2010

Rounding the first Drag Race curve

by Albert Rodriguez SGN A&E Writer Wilco February 10 Paramount Theatre Not that Wilco was ever a bad rock group, but I remember seeing them in their college circuit days and I didn’t quite get the reason for their popularity, nor did I understand their true sound. But over the years, the Chicagobased sextet has developed into one of the leaders of the roots-

Americana scene, and is regarded by some as the best rock band around. At the Paramount Theatre on February 10, they proved their worth. The Grammy-winning outfit pulled an assortment of music from their 15-year portfolio, including early run-throughs of “A Shot in the Arm” off 1999’s Summerteeth and “Bull Black Nova” from last year’s self-titled album. Lead singer Jeff Tweedy has see Wilco page 28

It’s the second week, which means this season’s queens on Drag Race are dropping their polite demeanors and getting ruthless. Talk about a fun set of competitions! My season of queens would have loved the chance to work Hollywood Boulevard. I asked this week’s eliminated girl, Nicole Paige Brooks, what she thought of sashaying down one of L.A.’s main drags to sell cherry pie. “Luckily it was Hollywood, and not Arkansas,” Nicole told me. It turns out Nicole’s maternal instinct kicked in, because she spent time approaching families and warning them of the more outrageous girls farther down the street. That instinct is real, because Nicole has a 3-year-old son who she loves with all her life. “He doesn’t know what daddy does for work yet,” Nicole admitted. But I pointed out kids have a sense for things around them. Nicole told me her son did see her perform once, and later said he liked daddy’s feathers! One of the things I really liked about Nicole’s story on Drag Race was her connection to her Atlanta drag family, and in particular her

The Sleeping Beauty Pacific Northwest Ballet Through February 14 Broadway’s A Chorus Line has a famous song and lyric that seems to have been written to sum up Pacific Northwest Ballet’s current production of The Sleeping Beauty. “Everything Was Beautiful at the Ballet” is the song’s title and opening line, and everything was beautiful at the ballet on opening night last week. The Sleeping Beauty is an encore production for PNB. It first entered the Seattle company’s repertoire in the 2000-2001 season and has had several successful revivals in the

past decade. It uses “modern choreography” by England’s Ronald Hynd with, as is traditional with newer versions of the legendary historic Russian ballets, lengthy solo sections and excerpts from Marius Petipa, who created most of the world-famous Russian ballets. The fabled score by Tchaikovsky is beautifully played

see sleeping beauty page 32

Nicole Paige Brooks

by Eric Andrews-Katz SGN Contributing Writer License to Kiss Teatro ZinZanni Through April 25 Teatro ZinZanni has become a permanent part of Seattle’s theater community. Described as “the Moulin Rouge meeting Cirque du Soleil,” this rotating source of entertainment has provided Seattle (and San Francisco) patrons with a full night of “love, chaos and dinner.” The current production is entitled License to Kiss and plays through April 25, 2010. The story unfolds as the quest for the ultimate sweet dessert be-

see Teatro page 32

Konichiwa! Guten taG! aloha! learn your hellos.

Kevin Kent as the Queen of Hearts

Seattl e Gay N ewS trave l edit ioN Febru ary 19

Michael Doucett

Angela Sterling

Lucien Postlewaite and Kaori Nakamura in The Sleeping Beauty

see RUPAUL page 29

Teatro ZinZanni offers a daring evening of dinner and dance

Charming Sleeping Beauty “...Beautiful at the Ballet” by Milton W. Hamlin SGN A&E Writer

drag mother, Shawnna. For many girls, coming under the wing of established drag performers who have formed a family – or house – is an important step in the development of their artistry. I wanted to

Courtesy Q Syndicate

nonesuch

Wilco

by Bebe Zahara Benet SGN Contributing Writer


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