Seattle Gay News
ARTS & ENTERTAINMENT RuPaul, supermodel Century High Issue 03, Volume 40, January 20, 2012
of the world
a whirl of comedy, dance, and theater
by Boy Mike Special to the SGN
steph en rusk
RuPaul, “supermodel of the world,” has been in show business for two decades. He has been a recording artist, television personality, spokesperson, author, and, yes, even a movie star. His latest project, RuPaul’s Drag Race, is in its fourth season and airs every Monday night on the LOGO Network. We chatted with him recently about the show and his interests.
The cast of Century High
Century High Century Ballroom January 21, 28, and February 4 Century High, Century Ballroom’s latest cabaret, is a gas. With a storyline that weaves in and out of classic dance movies (think Grease and Dirty Dancing with an even campier twist) paired with comedy and dancing that rivals that of a full-blown off-Broadway production, Century High is the one dinner cabaret you need to see this winter.
The 2012 run isn’t the first goround for Century High. Last year, Seattle Gay News was invited to the show, and I raved about it. If you missed it in 2011, you’re in luck; the new production is even better than the original. The costumes have been tweaked, and some outrageous wigs and new dances have been added. Only the story remains the same – and that’s good! Why change it? Watching Century High again felt like cozying up to watch a favorite movie, only it’s live and commercial-free! see century page 27
Courtesy Logo
by Shaun Knittel SGN Associate Editor
Boy Mike: How is this season’s Drag Race going? RuPaul: It’s fabulous. The kids are dangerous and crunchy, and they are risk-takers and not afraid to get ugly – ugly in the sense of looks, not in personality. They’re not afraid to get nasty. Mike: How do you get your contestants? RuPaul: Well, people audition without understanding that we are looking for see rupaul page 24 RuPaul
Joan Rivers takes off the face
The 2011 Gypsy Rose Lee Awards
by Chris Azzopardi SGN Contributing Writer
Chris Azzopardi: I’m a big fan – but I’m sure every Gay man tells you that. Joan Rivers: No, no. No Gay men tell me that. Azzopardi: I don’t believe you. Rivers: Well, every now and again. Azzopardi: You know, I’m glad this isn’t a face-to-face interview because, since you’re a member of the Fashion Police, you wouldn’t approve of my outfit today. Rivers: You wouldn’t approve of what I’m wearing right now, either! I’m wearing a stolen hotel bathrobe. One of those white bathrobes that say, “Don’t take these.” Somewhere along the line I did. Azzopardi: Do you always take see rivers page 28
Joan Rivers
, Nick DeSantis, Jared Matt Wolfe, Bobbi Kotula (l to r) Carolyn Magoon, in Iron Cutain ar, and Danielle Barnum Michael Brown, John Dew
by Miryam Gordon SGN A&E Writer
courtesy q syndicate
Joan Rivers has never been one to question her actions. But today, she’s doing just that: “I’m listening to Katy Perry and I don’t know why.” Besides being a firework herself, Rivers has little in common with the ubiquitous pop tart. There’s this, though: They’ve both kissed a girl and – as the legendary queen of snark (and facial reconfigurations) admits in our recent chat – liked it. So much, in fact, that she’d be up for some more Lesbian loving. But for now Rivers is focused on promoting her wacky reality show, Joan & Melissa: Joan Knows Best?, now in its second season on WEtv. In our interview, Rivers dished on the new installment (what if her daughter Melissa were a Gay man?), how her humor’s always been “Gay,” and her face – before she redid it.
Joh n Pai
Legendary comedian on her “other” self, Gay crushes, and going Lesbian again with Babs
According to American Theater Magazine, Seattle has more theater per capita than New York City. That would translate into the idea that Seattle has more theater per capita than anywhere else in the world! Whew! What a concept. Many theater-rich communities have a number of awards
for their theater artists, including a “critics’ circle” where reviewers put their heads together and decide on nominees of the great work of that period. Seattle has never had that kind of collaborative agreement – until now. After days of deliberation (and even some argument), Seattle Theater Writers – a group of 11 see gypsy page 28