Seattle Gay News
ARTS & ENTERTAINMENT Issue 7, Volume 43, February 13, 2015
GRAMMYS WERE A HIT AND MISS Smith wins four awards
CBS
Sam Smith at Grammys
by Albert Rodriguez SGN A&E Writer What has become more of a compilation concert than an awards show, The 57th Grammys will go down as entertaining, but nothing
special. Of the 23 live performances, featuring an all-star lineup that kicked off with legendary metalheads AC/DC, only a handful of them were worth re-watching on YouTube. Of the awards themselves, only nine were actually pre-
sented on the 3.5-hour telecast; the remaining 74 were given out during a Premiere Ceremony that ran another 3.5 hours. If you happened to be watching “The Walking Dead” or “Better Call Saul” instead, here’s a quick take on what you missed.
Best in show: Annie Lennox and Hozier rule the night with spellbinding performance I was curious about this collaboration going into Sunday night’s telecast, joining pop icon Annie Lennox and Irish newcomer Hozier, both strong advocates for equality. Not only did it work, it proved to be unbeatable and unparalleled. Hozier opened with a captivating rendition of his Song of the Year nominee “Take Me to Church” and then handed it over to Lennox, who belted out a mesmerizing cover of “I Put A Spell on You,” appearing on her Best Traditional Pop Vocal Album nominated work Nostalgia. (She lost to Lady GaGa and Tony Bennett’s Cheek to Cheek.) It was perfection! Honorable mentions for best performance Ed Sheeran is still Grammyless, after being nominated three years in a row. But he should be very proud of his swooning collaborations with John Mayer and ELO frontman Jeff Lynne; they were both incredible. The pairing of Beck and Chris Martin was excellent, too; I thought they complimented each other wonderfully,
Cinema Squabble
by Miryam Gordon SGN A&E Writer SEATTLE WOMEN’S CHORUS “REEL WOMEN” February 5-8 This past weekend, Seattle Women’s Chorus (SWC) presented several nights of shows at the Cornish Playhouse with the theme “Reel Women.” This concert shows that the Chorus continues to grow in depth and execution. It was the best they have sounded, as their cohesion and comfort as a chorus deepens! The focus was on movies and music from movies. Some terrific song choices were made and a lot of fun clips of movies accompa-
nied many of the choral arrangements. So, “Let the River Run” by Carly Simon included footage of the movie Working Girl, which featured the song. And “I Will Always Love You” by Dolly Parton was shown along with footage of the movie The Bodyguard. A special partnership was highlighted with Reel Grrls, a nonprofit that encourages young girls to participate in moviemaking. Two shorts were included that perfectly encapsulated the subject matter and point-of-view of these young filmmakers. Some of the highest highlights included another beautiful pairing of Maureen Warren and Virginia Daugherty, singing “Dome Ep-
The Cinema Squabble podcast group
by Sara Michelle Fetters SGN A&E Writer CINEMA SQUABBLE CINEMASQUABBLE.COM
We’d been talking about it for a long time, a couple of years, even, a handful of local Seattle critics coming up with ideas and concepts for a show where we could talk about cinema in a way that felt electric, alive, informative and, most of all, fun for cinephile and random moviegoer alike. What would make things fresh? How see “REEL WOMEN” page 5 would it be original? What did we
have to say that would be any different from the glut of podcasts and YouTube videos that purported to do the exact same thing? It suddenly occurred to all of us that putting together a show: it didn’t need to be different, it didn’t need to be unique, it just needed to showcase our distinctive personalities and points of view in much the same general way our prepress and promo screening conversations did. It was that magic that needed to be captured, and all it took was Seattle radio personality Sprince Arbogast to point it out, “[You are all] so passionate
their voices couldn’t have blended together any better. Brandy Clark teamed up with Dwight Yoakam for a beautiful, stripped-down version of “Hold My Hand” from her nominated album, 12 Stories. Academy Award frontrunners John Legend and Common delivered an emotional performance of “Glory,” while AC/DC shook it all night long (well, actually ten minutes long) by doing two songs back to back, complete with Angus Young wearing his signature schoolboy outfit. And, though Madonna didn’t kick ass like Annie Lennox did, she consistently gives us interesting, eye-appealing performances and “Living for Love” was just that; it was colorful, well choreographed, and devilishly playful. Worst in show: Rihanna, Kanye West, Sir Paul McCartney debut horrible song I expected much more from this trio of superstars, one of them a global legend responsible for some of the biggest all-time hits. What they delivered was a song that sounded as if it was written on scratch paper backstage minutes see grammys page 4
about film,” she proudly stated to me during a recent conversation, “I find your squabble intriguing.” And thus was born Cinema Squabble, a Seattle-based podcast that brings together a quartet of the city’s critics for 45 minutes of banter and bickering, discussing the ins and outs of cinematic topics ranging from the obvious (i.e. that weekend’s new release or the Academy Awards) to the not nearly as well known (such as what happened at Sundance or VOD and independent releases that have flown under the proverbial radar). Produced by Arbogast, the show is moderated by longtime Q13 Fox morning television news traffic guru and former KPLU film critic Adam Gehrke. Completing the roundtable of cinematic authorities are veteran Seattle radio celebrity Brian Taibl, a.k.a. Brian the Movie Guy, and veteran Seattle Movie Examiner critic Brian Zitzelman, while yours truly, Seattle Gay News and Moviefreak.com critic Sara Michelle Fetters, completes the quartet. “The concept of doing this podcast is something we’ve all talked about doing for years but never see SQuabble page 5