Seattle Gay News
Issue 45, Volume 47, November 8, 2019
Arts & Entertainment
Mo Rocca to appear at Town Hall on Nov. 12
Masterful Pain and Glory another triumph for Almodóvar
Mo Rocca – Photo by John Paul Filo / CBS Broadcasting, Inc.
by MK Scott SGN A&E Writer MO ROCCA WITH STEVE SCHER MOBITUARIES – GREAT LIVES WORTH RELIVING TOWN HALL November 12 @ 7:30pm
Mo Rocca has always loved obituaries. He has relished the chance to read about the remarkable lives of world leaders, captains of industry, innovators and artists. But according to Mo, not every notable life has gotten the sendoff it deserves. He sets out to right that wrong with Mobituaries, his book profiling the people who have long fasci-
Antonio Banderas in Pain and Glory – Photo courtesy of Sony Pictures Classics
by Sara Michelle Fetters SGN A&E Writer PAIN AND GLORY Now playing
see PAIN AND GLORY page 7
see MO ROCCA page 3
November theater is full of music
For over four decades Spanish director Pedro Almodóvar has pushed the cinematic envelope in a variety of unique ways. He has done so inside the confines of characterdriven stories and without the aid of techno-
Dracula cast sinks their teeth in!
Faeriestruck at Annex Theatre – Photo by Brett Love
by Miryam Gordon SGN A&E Writer Somehow, November is full of musicals! Five big musicals are opening in our area, including world premieres. Since Mrs. Doubtfire is already slated for a Broadway opening, Seattle has the opportunity to see the Broadway cast, first. We’ve had
that chance before with shows like Shrek, Young Frankenstein, Catch Me If You Can. Get your calendars ready. Faeriestruck, Annex Theatre, through 11/23 (world premiere) A fantastical show written by Kyleigh Archer about a young runaway who sells
see NOV. OPENINGS page 4
Brandon O'Neill as Count Dracula in Dracula – Photo By Chris Bennion
by Miryam Gordon SGN A&E Writer DRACULA ACT THEATRE Through November 17
It’s not often that a published play by a playwright, done in dozens of productions around the country, is rewritten by the same playwright for a major theater. But Steven Dietz did that rewrite for this new produc-
see DRACULA page 6