Seattle Gay News
Issue 41, Volume 46, October 12, 2018
Arts & Entertainment
EVERYTHING IS LOVE: Beyoncé and Jay-Z return with On the Run II
2018 TWIST: Seattle Queer Film Festival preview
An interview with The Most Dangerous Year director Vlada Knowlton
The Most Dangerous Year – Photo courtesy of Twist Film Festival
Beyoncé and Jay-Z On the Run II Tour – Photo by Kevin Mazur / Getty Images
by Jessica Price SGN A&E Writer BEYONCÉ AND JAY-Z ON THE RUN II CENTURYLINK FIELD October 4
Beyoncé and Jay-Z have ascended to new levels of stardom in recent years, individually and as two mega-talented halves of the world’s most famous creative team. The crowning achievement of their intertwined
see BEYONCÉ & JAY-Z page 3
by Sara Michelle Fetters SGN A&E Writer 2018 TWIST: SEATTLE QUEER FILM FESTIVAL October 11-21 THE MOST DANGEROUS YEAR AMC PACIFIC PLACE 11 October 18
The 23rd annual TWIST: Seattle Queer Film Festival kicked off last night with a gala screening of writer/director/star Rupert Everett’s wildly amusing, emotionally shattering examination of the last days of the great Oscar Wilde’s life. After it come 10 straight days of cinematic goodness that run the entire gamut of the LGBTQ experience. Documentaries. Features. Shorts. Dramas.
see TWIST page 6
Seattle’s Men in Dance Jane Eyre a historic heroine Festival at the forefront of to emulate innovation and re-imagination in the world of dance
“Noise at the Door (2018) excerpt” by Deborah Wolf – Photo by Jazzy Photo
by Sharon Cumberland SGN A&E Writer 2018 MEN IN DANCE FESTIVAL PROGRAM 2 BROADWAY PERFORMANCE HALL October 5-7
Once again Seattle’s biennial Men in Dance Festival brought a wonderful group of established and emerging choreographers together to create works for men only – though the works I saw in Program 2 were created by highly experienced, prize-
see MEN IN DANCE page 4
Mi Kang as Jane Eyre and Ross Destiche as Edward Rochester in Jane Eyre – Photo by Alabastro Photography
by Miryam Gordon SGN A&E Writer JANE EYRE BOOK-IT REPERTORY THEATRE Through October 14
Book-It Repertory adaptations have not often been reproduced, though many of them, in my opinion, are excellent both at representing the underlying novel and also great theater. Perhaps it’s because of the
see JANE EYRE page 5