Seattle Gay News
Issue 3, Volume 48, January 17, 2020
Arts & Entertainment
Seattle Opera’s Eugene Onegin: wonderful music, flawed stage direction
Marjukka Tepponen as Tatyana and John Moore as Eugene Onegin in Seattle Opera’s Eugene Onegin – Photo by Sunni Martini
by Sharon Cumberland SGN A&E Writer SEATTLE OPERA EUGENE ONEGIN MARION OLIVER MCCAW HALL January 11 (Opening Night cast) (also 1/15, 1/19 & 1/25) (Sunday Matinee cast: 1/12) (also 1/18, 1/22 & 1/24)
Seattle Opera hasn’t presented Tchaikovsky’s Eugene Onegin (1879) since 2002, so it’s high time this wonderful work returned to McCaw Hall. It contains some of the most beautiful music Tchaikovsky ever wrote, with juicy roles for every character, including the minor roles. It’s based on Alexander Pushkin’s verse novel of the same name (1825)
see EUGENE ONEGIN page 5
The Lavender Palette: Gay Culture and the Art of Washington State ends January 26
Seattle Women’s Chorus starts the decade with Revolution 2020 !
Seattle Women’s Chorus – Photo by Conrado Tapado
SEATTLE WOMEN’S CHORUS REVOLUTION 2020 SEATTLE FIRST BAPTIST CHURCH January 31 @ 8pm February 2 @ 2pm & 8pm & FEDERAL WAY PERFORMING ARTS CENTER February 8 @ 8pm
Seattle Women’s Chorus (SWC) leaps into a new decade with Revolution 2020; four rousing concerts commemorate the 100th Anniversary of the 19th amendment and decry the continued struggle for free and fair voting rights for all people. Collectively, the featured songs illustrate historic victories, failures, and current societal ten-
see SWC page 3
Make Reparations a requirement
Reparations – Photo by Aaron Jin
by Miryam Gordon SGN A&E Writer Thomas Handforth (1897-1948), Untitled, c. 1948, watercolor, Collection of The Tacoma Public Library
In this groundbreaking exhibition, Cascadia Art Museum (190 Sunset Ave, Edmonds) is the first national museum to explore the activities of early to mid-twen-
tieth century gay and lesbian artists and the effects they had on the cultural identity of the region.
see LAVENDER page 3
REPARATIONS SOUND THEATRE COMPANY (AT LANGSTON HUGHES PERFORMING ARTS INSTITUTE) Through February 2
Trauma is not individual. Whatever an individual experiences with trauma radiates out from that individual to all the others in the circle – family, friends, all associates. Once trauma changes the individual, trauma also changes others. This is the fundamental subject that Darren Canady tries
see REPARATIONS page 6