Seattle Gay News
Issue 9, Volume 48, February 28, 2020
Arts & Entertainment
Three Dollar Bill Cinema Artistic dilemma – at a crossroads When no stories and needs our help have been told, who tells some?
Photo courtesy of Three Dollar Bill Cinema
An Open Letter to the Community: We are reaching out to you today to inform you of some important updates regarding Three Dollar Bill Cinema. We are asking sincerely that you read to the end, as we need your attention and support. There has been a lot of change during the last few years at TDBC: We moved
offices for budgetary reasons; we changed the festival name from SLGFF [Seattle Lesbian & Gay Film Festival] to Twist to SQFF [Seattle Queer Film Festival]; and core staff members have left to pursue other projects. Many of you are pitching in to help us re-group because you love Three
see THREE DOLLAR BILL page 6
“20/20 Vision”
CoCA’s Annual Members’ Show to present over 128 artists in their annual exhibit
Artwork: Forgotten by Marissa Sohn
From March 5 through April 25, The Center on Contemporary Art (CoCA) (114 3rd Ave S) will feature over 115 members’ artworks in “20/20 Vision” with over 125 artists part of the exhibit’s digital slideshow and represented in the annual printed catalog. CoCA has been an artistic staple in Seattle since 1981 and continues its tradition of the annual members’ show to highlight the essential role of the arts as it contributes to a global conversation
Staged reading of XY at Village Theatre’s “2019 Festival of New Musicals”
by Miryam Gordon SGN A&E Writer We’re awash, these days, in commentaries about cultural appropriation and who gets to tell stories about marginalized populations. The book American Dirt by Jeanine Cummins, sparked controversy
when it was revealed that Cummins is not of Latinx heritage, though her book “tells the story of a Mexican mother whose husband is murdered by cartels and who flees to America with her son, “says an article in Daily Beast.
see DILEMMA page 5
Charlie Parker’s Yardbird: Fabulous music, flimsy drama
Frederick Ballentine in Seattle Opera’s Charlie Parker’s Yardbird – Photo by Philip Newton
and part of a five-year strategic statement to amplify the voices of underrepresented artists and communities. “20/20 Vision” explores a wide range of creatives and celebrates artists of all ages and from a wide range of media. This annual show celebrates the true depths of creativity and is a unique opportunity for diverse members from across North America to network and exhibit their work as a community.
see COCA page 6
by Alice Bloch SGN A&E Writer SEATTLE OPERA CHARLIE PARKER’S YARDBIRD BY DANIEL SCHNYDER LIBRETTO BY BRIDGETTE A. WIMBERLY MARION OLIVER MCCAW HALL February 22 & 23 (running through March 7)
Charlie Parker’s Yardbird, by composer Daniel Schnyder and librettist Bridgette A. Wimberly, is almost certainly the first opera ever written about a jazz musician. It was commissioned by Opera Philadelphia and has traveled to eight other American opera companies since its Philadelphia premiere in 2015. That also makes it unusual, for very few new operas are ever performed after their premiere.
see YARDBIRD page 5