Seattle Gay News
ARTS & ENTERTAINMENT Issue 51, Volume 42, December 19, 2014
The Weinstein Company
Benedict Cumberbatch in The Imitation Game
by Sara Michele Fetters SGN A&E Writer THE IMITATION GAME SIFF EGYPTIAN THEATRE Opening Christmas Day The Imitation Game chronicles a pivotal period in the life and times of famed mathematician and cryptanalyst Alan Turing (Benedict
Cumberbatch). During the early days of WWII, the brilliant and selfpossessed scientist goes to Bletchley Park in Buckinghamshire, England to solve the puzzle of all puzzles, eagerly getting himself on the team of analysts tasked with cracking the German’s main coding device given the nickname “Enigma.” He instantly sets himself apart from the rest of
by Albert Rodriguez SGN A&E Writer Yes, Jason Mraz had a sweet year! You’d be correct in assuming Jason Mraz had an awesome 2014. The Grammy-winning artist released his fifth studio album, Yes!, in July to positive reviews and overwhelming approval from his worldwide fan base. “Love Someone” was the leadoff single from the record, which again found Mraz collaborating beautifully with the all-female quartet Raining Jane, who also accom-
panied him on his sold out North American tour that stretched across the Pacific to Asia and Australia before finishing up in Honolulu. The “Yes! Tour” continues in 2015 with dates booked for Europe and South Africa. A firm supporter of the LGBT community and tireless advocate for nature preservation – even establishing his own foundation years ago to support numerous organizations, including the True Colors Fund – the love for Mraz goes besee MRAZ page 3
procedural that never quite goes the way you expect it to, allowing the mathematician’s choices and actions to come to life with a rigid, almost anachronistically obtuse matter-offactness that’s at times remarkable. In other words, this isn’t your typical Hollywood biopic. In lesser hands, Turing’s sexuality would be front and center; it would be all that the movie was about. It would present the horrific circumstances of his outing, subsequent incarceration and eventual suicide as the be-all and end-all to the tale. It would attempt to tell you that being homosexual and attempting to hide that from everyone was the central facet around which everything else in his life revolved. But Tyldum and Moore are far more interested in digging deeper. A human being is more than a single thing, and while parts of a person’s life do exert a heavy toll upon the rest of it, at the same time it isn’t like the majority of us can’t still pull our focus in multiple directions depending on desire or mood. If anything, the pair gloriously showcase Turing as the genius he is justifiably lauded to have been. Prickly. Self-centered. Obsessed with his own ideas. This see Imitation page 3
by Miryam Gordon SGN A&E Writer
Paul Bestock
www.mtv.com
Jason Mraz
unit by looking at the problem from angles none of the others understand, naval Commander Alastair Denniston (Charles Dance) tiring of his antics to the point he’s considering firing the man. We know the Enigma was cracked by the Bletchley Park team. We know Turing was not dismissed by Commander Dennis-
ton. We also know that his accomplishments during WWII broke unparalleled ground and as such the mathematician is widely considered the father of the modern computer. It is then equally safe to assume it will be his plan to crack the supposedly uncrackable German coding machine that will be the one the small group of scientists and codebreakers will follow. But what of the rest of his life? Why was Turing the way he was? What was he hiding? Was he hiding? And, ultimately, was a lifetime devoted to solving unsolvable puzzles so all-encompassing it kept him from putting the pieces of his own life together, which maybe would have kept him from ending things prematurely? None of what I have written is a spoiler. The movie tells you the answers to the majority of these questions right at the top, and, let’s be frank; it isn’t like Turing’s accomplishments or his tragic, borderline surreal and bizarre demise aren’t a matter of historical record. Using Andrew Hodges best-selling book Alan Turing: The Enigma as inspiration, screenwriter Graham Moore and director Morten Tyldum (Headhunters) have put together an engrossing, thought-provoking
CHRISTMASTOWN: A HOLIDAY NOIR SEATTLE PUBLIC THEATER Through December 24 Santa is missing! And Nick Holiday is the guy who has to find him. That’s the plot of the brand new Christmas play at Seattle Public Theater. Christmastown: A Holiday Noir is crafted by talented local playwright, Wayne Rawley, to be a cross between the standard noir mystery and a holiday parody. Directed by Kelly Kitchens with her tongue firmly planted in her cheek, a cast of four limber actors take on mystery, danger, and candy canes. John Ulman portrays Nick Holiday, a washed up private eye. He keeps his eyes shrouded in shadow under the brim of the obligatory detective hat, and smokes multiple candy canes as he works. He is tasked with finding out if some photos of Big Red and a woman kissing under some mistletoe are real or not. The information could change some lives! (Dun dun DUN ← ominous sound effect.)
John Ulman and Amber Wolfe in Christmastown: A Holiday Noir
Amber Wolfe plays a wealthy town socialite trying to find out if her father is really her father, and she plays several other characters. She gets to vamp and sing and change voices and wear some cool costumes by Samantha Armitage.
Rhonda J. Soikowski plays a female cabbie and twin cops (one naughty, one nice) and also gets to vamp and change voices and wear some cool costumes, a little less see ChristmasTown page 7