SGN December 5, 2014 - Section 2

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Seattle Gay News

ARTS & ENTERTAINMENT Issue 49, Volume 42, December 5, 2014

John Pai

by Eric Andrews-Katz SGN A&E Writer “… OUR GAY APPAREL” SEATTLE MEN’S CHORUS BENAROYA HALL Through December 22

John Pai

I admit it; I’m a Grinch. The winter holidays just don’t do it for me and always make me feel like the bastard at the seasonal family reunion. It’s the time of year that I (as do many of us) reluctantly drag our feet in getting into the holiday mood of things. But traditions are traditions, and nobody likes to monkey around with tradition. The Seattle Men’s Chorus’ holiday show has become a tradition for a good portion of Seattleites. It helps bring together a community and usually offers, at the very extreme beginning of the season, the first of the holiday cheer. It’s a choral heralding of the season about to start causing the Pacific Northwest to say: “Great. The Scene from “Our Gay Apparel...” holidays are here.”

Seattle Men’s Chorus at Benaroya Hall

by Eric Andrews-Katz SGN A&E Writer ALL THE WAY SEATTLE REPERTORY THEATRE Through January 4 Robert Schenkkan’s play All the Way is the Tony Award winning show about an intimate peek inside the beginning of the Lyndon Baines Johnson presidential administration. Taking its name from the President’s campaign slogan, “All

the way with LBJ,” the play shows the struggles of the President in an inherited office trying to deal with civil rights and the growing tensions in Vietnam. This highly acclaimed play opened at the Seattle Repertory Theatre on November 14. The play begins on November 22, 1963, hours after the assassination of President John F. Kennedy. Vice President Lyndon Baines Johnson is on Air Force One being flown to his “swearing in,” and see All the way page 7

PACIFIC NORTHWEST BALLET STOWELL AND SENDAK NUTCRACKER MCCAW HALL Nov. 28-Dec. 28 It’s that time of year again – the holly-jolly season when The Nutcracker makes its annual appearance in ballet companies everywhere. Families who don’t attend another dance performance all year get their kids dressed up in tutus and bowties to see the ballet version of E.T.A. Hoffman’s 1816 scary-tale “The Nutcracker and the Mouse King.” Performed to Tchaikovsky’s music in various choreographic versions by dance companies in all fifty states, it’s also being staged in Copenhagen, London, Melbourne, Hong Kong, Cuba, Peru, and Tokyo, according to a website that tracks the hundreds of offerings of The Nutcracker worldwide during the month of December.

see Chorus page 5

Angela Sterling

Oregon Shakespeare Festival / Jenny Graham

(l to r) Erica Sullivan, Peter Frechette, Jack Willis and Terri McMahon in All the Way

by Sharon Cumberland SGN Contributing Writer

This year’s SMC holiday show “…Our Gay Apparel” is full of the usual chorus traditions – as stated on their program cover, it’s “Seattle’s Other Holiday Tradition!” There’s the traditional Christmas carols that are tried, true and (maybe a bit) tired. There is the obligatory Chanukah song, traditional drag schtick, the harmonious Captain Smartypants, the audience sing-along, “Silent Night” in sign language, and of course the “Special Guest” star the first weekend of the concerts This time the vocal talents of Broadway belter Linda Eder lends her powerful instrument in assisting the chorus, with over 200 men standing behind her. Being a self-taught singer (with never a professional lesson), Ms. Eder’s voice has been compared to the greatest of the belters including that of Barbra Streisand. Strong, clear and with an octave range that would make you want to slap Santa, Ms. Eder’s songs can easily be heard throughout the entire Benaroya Hall auditorium. It is easy to see why she has become a star on Broadway as well as a highly successful

Andrew Bartee as the Nutcracker in PNB’s Stowell & Sendak Nutcracker

For the past thirty-one years Seattle’s Pacific Northwest Ballet has been the proud producer of one of the most distinctive versions of Tchaikovsky’s familiar musical tale of the little girl whose nutcracker soldier comes to life under the Christmas tree to battle the wicked mice and take her to a magical land of – in traditional versions – the Sugarplum Fairy and

her troupe of dancing candy canes, snowflakes, flowers, and folk dancers. In Seattle, however, the little girl, Clara, turns into a grown-up and takes a boat to a land governed by the Pasha – a big, mean guy in a gigantic turban who cracks his whip at a variety of enslaved birds, monsters and “dervishes.” see Nutcracker page 8


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