Seattle Gay News
ARTS & ENTERTAINMENT Issue 44, Volume 42, October 31, 2014
Michael Brunk
The Marines of Dogfight
filled with youthful bravado, seek out dates for a “dogfight.” It is a contest that rates the ugliDOGFIGHT est girl at a dance contest. It is a ARTSWEST dehumanizing contest, but it is a Through November 22 tradition passed on through generations of Marines, so the brash On the eve of their deploy- recruits accept it as their dutiful ment to Vietnam, three Marines rite of passage.
by Paul Torres SGN Contributing Writer
ian romance, The Way He Looks, is out writer/director Daniel Ribeiro’s feature length version of THE WAY HE LOOKS his excellent 2010 short Eu Não SUNDANCE CINEMAS Quero Voltar Sozinho (I Don’t November 7-13 Want to Go Back Alone). This expanded version, starring the same The sweet and sunny Brazil- cast as the short, is one of those
by Gary M. Kramer SGN A&E Writer
Peter Duchan, it is a brilliant and entertaining peek into two young and yearning souls in the shaky days of the Vietnam era. Eddie Birdlace is the alpha male in the trio of childhood friends known as “the three bees” that include Bernstein and Boland. To further sum up their
see Dogfight page 7
rare, happy cases where the feature film improves upon the short. The film, which is Brazil’s Oscar submission for Best Foreign Language Film, opens November 7 at the Sundance Cinemas in Seattle’s U-District. At Sundance Cinemas Seattle all shows are 21+. In this engaging coming-ofage story, Leo (Ghilherme Lobo) is a blind teenager whose BFF, Giovana (Tess Amorim), assists him in school and walks him home. When Gabriel (Fabio Audi) joins their class, he befriends Leo and Gi, as she’s called. When a class assignment forces Gabriel and Leo to work together, the guys quickly form an intimate bond, which causes Larry Albert as Tevye in Fiddler on the Roof Gi to become jealous. FIDDLER ON THE ROOF by Jerry Bock, lyrics by Sheldon What makes The Way He Looks SEATTLE Harnick, and book by Joseph Stein. so magical is that Ribeiro chroniMUSICAL THEATRE This classic musical about tradition cles how the two male teens fall in November 7-23 and family is filled with warmth, love. The teens never discuss their humor, and a marvelous score feaemotions, but their feelings are Seattle Musical Theatre is cel- turing favorites “If I Were a Rich all tactile. When Gabriel plants a kiss on Leo, or the two friends ebrating the 50th anniversary of Man,” “Matchmaker, Matchmakshower together during an over- one of the most beloved musicals er,” “Sunrise, Sunset,” “To Life,” in history, nine-time Tony Award see Fiddler page 5 see Ribeiro page 9 winner Fiddler on the Roof, music courtesy of Seattle Musical Theatre
Courtesy of Gary M. Kramer
The Way He Looks director Daniel Ribeiro
Dogfight is a musical based on the underappreciated 1991 Nancy Savoca (True Love) film starring the late River Phoenix and the always splendid Lili Taylor. Now, as the new musical by Benj Pasek and Justin Paul (A Christmas Story – The Musical, NBC’s “Smash”) and book by
narrow grasp of the world, they only became good friends because of how they lined up alphabetically in grade school. Kody Bringman’s portrayal of Birdlace is a masterful performance that at once must be savagely cruel and also bring some hope. Bringman balances these with charm and surefire talent. Dogfight is a curious mishmash of male posturing – as the boys sing “See us comin’ hit the dirt/ Lock your door and hide your daughter/Wouldn’t want her gettin’ hurt” in “Some Kinda Time” – and brotherly love expressed during “Come Back” with “Bees fight/Bees sting/Watch them die and you can’t do a thing.” These poignant moments reveal fragility on the tough and also handsome exterior of these soldiers. Through the quirky Rose Fenny, who is Birdlace’s date for the contest, we awaken to the heart of a plain, young woman who will not suffer the foolishness of the “dogfight.” As Rose, Devon Busswood illuminates the stage with the heartfelt “Nothing Short of Wonderful.” Busswood gives a commanding portrayal of a young