SGN April 4, 2014 - Section 2

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Seattle Gay News

ARTS & ENTERTAINMENT Issue 14, Volume 42, April 4, 2014

Nate Gowdy

by by Albert Albert Rodriguez Rodriguez SGN SGN A&E A&E Writer Writer LORDE LORDE WAMU WAMU THEATER THEATER MARCH 24 24 MARCH At At an an age age when when most most kids kids are are learning learning how how to to drive, drive, Lorde Lorde is is collecting collecting Grammy Grammy Awards, Awards, earnearning ing platinum platinum records records and and embarkembarking ing on on sold sold out out world world tours. tours. The The 17 17 year-old year-old artist artist shot shot to to superstarsuperstardom dom last last year year on on the the strength strength of of her her mega mega single single “Royals” “Royals” and and debut debut full-length full-length album, album, Pure Pure Heroine. Heroine. The The young young New New Zealander Zealander made made her her second second appearance appearance in in Seattle Seattle within within the the past past six six months months last last week week to to aa capacity capacity crowd crowd at at WaMu WaMu Theater. Theater. Just Just after after the the 99 p.m. p.m. hour, hour, and and without without any any lead-in lead-in video video or or big big introduction, introduction, Lorde Lorde simply simply walked walked out out to to the the stage stage in in aa simple, simple, yet yet classy, classy, black black gown gown and and opened opened the the show show with with “Glory “Glory and and Gore.” Gore.”

Her Her presence presence is is as as infectious infectious as as her her music. music. Her Her spastic spastic dance dance moves moves are are awkward awkward to to watch, watch, but but they they were were unique unique to to the the perforperformance, mance, and and her her humble humble and and low low key key personality personality combined combined with with an an edgy, edgy, do-whatever-the-fuck-Ido-whatever-the-fuck-Iwant-to want-to style style are are difficult difficult to to draw draw your your eyes eyes away away from. from. “Seattle, “Seattle, II notice notice you you have have chairs. chairs. Don’t Don’t use use them,” them,” said said Lorde Lorde early early in in the the concert. concert. EveryEveryone, one, at at least least those those on on the the floor, floor, did did exactly exactly as as instructed instructed and and stood stood the the entire entire time. time. Supported Supported only only by by aa keyboardkeyboardist-DJ ist-DJ and and an an electronic electronic drummer, drummer, plus plus the the backdrop backdrop of of aa gigantic gigantic gold gold picture picture frame frame broken broken in in three three fragments, fragments, the the singer-songwritsinger-songwriter er glided glided wonderfully wonderfully through through aa short short set set that that included included all all 10 10 tracks tracks from from her international toptopsee see Lorde Lorde page page 44 see Lorde page 4

Bobby Miller

Jason Ganwich

Victoria Contreras

Dina Martina

by Jessica Price SGN A&E Writer

on Contemporary Art in 1989. These days Dina Martina is older, V. CONTRERAS pudgier, and – would you believe THE TRIPLE DOOR it? – funnier than ever! APRIL 11 It’s been 25 years since Grady Seattle Gay News attended Victoria Contreras (or V., as West introduced the world to the opening night of Dina Mar- she’s commonly referred to) is tragic singer, horrible dancer and tina’s Greatest Videos Ever (and emerging as Seattle’s answer camel toe-plagued drag character to the most memorable alternaDina Martina at Seattle’s Center see Dina page 7 tive soul divas of recent memby Shaun Knittel SGN Associate Editor

ory: Amy Winehouse, Adele, Joss Stone. Although unlike at least one of these beloved ladies, there’s nothing tragic about V.; she’s got the strength and talent to go far. Since the success of Northwest artists Brandi Carlile, Neko Case, Macklemore and rising star Mary Lambert, there’s a watchful eye turned to Northwest talent, particularly its leading ladies. V.’s self-titled debut album will

be released this month and she’ll headline the Triple Door’s opulent mainstage April 11. No small accomplishment for a new artist, but one that speaks volumes for the preliminary buzz on her inaugural album, produced and engineered by Martin Feveyear (Brandi Carlile, Common Market, Blue Scholars) and featuring see V. Contreras page 5


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