SGN February 27, 2015 - Section 2

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Seattle Gay News

ARTS & ENTERTAINMENT Issue 9, Volume 43, February 27, 2015

heats up

with

academy awa r d s recap

really want to thank everybody.” But, from a winner’s standpoint, it was an interesting night all around. When the rules have allowed for up to ten Best PicTHE 87TH ture nominees, for the first time in AcadACADEMY AWARDS emy history all of the film’s nominated ABC-TV for the top prize all took home at least one February 22 Oscar. Damien Chazelle’s music-driven During last Sunday’s 87th annual Acad- drama Whiplash and Wes Anderson’s colemy Awards telecast, Mexican director orfully eccentric comedy The Grand BuAlejandro González dapest Hotel received Iñárritu’s Broadway-set the most attention, the dramatic comedy Birdformer taking home three man starring Michael awards (including one for Keaton, Edward Norton, Best Supporting Actor Emma Stone, Naomi J.K. Simmons) while the Watts and Zach Galifilatter scored four in a vaanakis proved to be the riety of technical categonight’s big winner. The ries (with renowned comfilm was an obvious favorite of the Academy, Alejandro González Iñárritu and actor poser Alexandre Desplat Michael Keaton celebrate their win – taking home his first Osnominated in nine categoGetty Images car after eight nominaries and taking home Oscars in four of them for Best Picture, Best tions). Yet all five of the remaining nominees Director, Best Original Screenplay and for Emmanuel Lubezki’s memorable cinema- were also winners. As expected, Patricia tography (his second in row, winning last Arquette took home Best Supporting Actress for her 12 years showing up on the year for Gravity as well). “All the people that were behind this set of Richard Linklater’s Boyhood, while film were really heroes because the idea Graham Moore nabbed an Oscar for Best was really crazy,” said an obviously emo- Adapted Screenplay for his writing of The tional Iñárritu. “A script that started with a Imitation Game. Eddie Redmayne won middle-aged man, interior dressing room, Best Actor for his role as scientist Stephen cross-legged, floating, can go anywhere, Hawking in the biopic The Theory of Evand we are here. I don’t know how that hapsee recap page 7 pened but it happened. And, anyway, I just by Sara Michelle Fetters SGN A&E Writer

Teatro Zinzanni ramps it up with it’s new show “The Hot Spot.” – Courtesy of Teatro Zinzanni

by Eric Andrews-Katz SGN A&E Writer “THE HOT SPOT” TEATRO ZINZANNI Through June 7 Teatro Zinzanni has become one of the longest running institutions in Seattle – and for good reason. With its combination of circus, cabaret, acrobatics and dinner this theatrical event is an evening of high entertainment and breathtaking acts. Changing their show every three months, the newest

Handel’s

presentation is “The Hot Spot” and it brings the classic styles we have come to expect along with a new talent named Lady Rizo. The storyline is simplistic but it’s a vehicle to connect the immense talent on stage. The Moulin Rouge spielgeltent houses a magical well that grants wishes. The great Chef Caesar (Frank Ferrante) returns to host a ménage of people and assorted personalities. The host of the tent also is a juggler (Joel Salom), the help consists of a toe-tapping couple (the real-life couple An-

Semele:

The excitement is worth

see Teatro page 5

the current state of John Del Carlo’s voice was painful to witness after the 30 years of wonderful performances he has given Seattle and the world. What they did miss was the excellent countertenor of Randall Scotting, singing Semele’s intended groom. They also missed the spare but attractive sets by Erhard Rom, the becoming costumes by Vita Tzykun, and the lovely lighting by Robert Wierzel. Oh, and then there was the wonderful horn duet in the orchestra accompanying the soprano’s barely heard aria. There were indeed delights to be had, but they were the exceptions. (Sunday’s matinee fared better in Act One because of the much stronger voice of that cast’s Semele.) Semele, written two years after “Messiah,” is also in English, but the language by William Congreve is a Alek Shrader and Brenda Rae in Semele – Photo by Elise Bakketon little too elegant and poetic to be fully understood on first encounter as the words by Rod Parke fly by too quickly. Thus, I rather missed SGN A&E Writer that Semele is already with her beloved god, Jupiter, as she thumbs her nose at SEMELE the earthlings she is leaving behind in her SEATTLE OPERA aria “Endless pleasure, endless love.” The MCCAW HALL problematic first act hardly hinted at the deThrough March 7 lights that were to come in Acts Two and Two of my friends slept through much of Three. Almost any opera lover, if asked who Act One of Handel’s Semele at Seattle Opera Saturday night. I told them they didn’t are the five greatest singers on the stage miss much. The orchestra started out a little today, would have to include Stephanie messy in the strings; the soprano singing Blythe, perhaps even at the top of that list. Semele was positioned too far back in the see Semele page 6 set and was hardly audible in her aria; and

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Seattle March theater openings preview Some plays very, very new; some plays very, very old; and a lot in between by Miryam Gordon SGN A&E Writer March theater is bringing some plays very, very new (The Flick, New Century Theatre Company – 2014 Pulitzer Prize, and Seattle Repertory Theatre’s Lizard Boy – a world premiere musical) and some plays very, very old (Tartuffe, Seattle Shakespeare Company). And a lot in between, as usual. A 2011 play improbably comes back to life with almost the same cast and crew (Live! From the Last Year of My Life, Theatre 22). Here is the list in opening date order. ArtsWest and SiS Productions co-produce Chinglish, 3/5-3/29. This comedy by David Henry Hwang (his Yellowface was presented by ReAct in 2011), explores the challenges of doing business in a culture whose language – and ways of communicating – are worlds apart from our own. A naïve American businessman goes to China to score a lucrative contract for his family’s firm, only to encounter miscomprehensions and malapropisms galore. But business miscommunications with dignitaries are easy compared to sexual misunderstandings. www.artswest.org New Century Theatre Company opens its season at 12th Avenue Arts with The Flick by Annie Baker, 3/5-4/4. Avery,

February 27, 2015

Rose, and Sam work at a rundown movie theater that still shows films reel to reel. They discuss life and movies in a journey of self-exploration through issues of race, sexual identity, and family. www.wearenctc.org Goodnight Moon is back at Seattle Children’s Theatre, 3/5-4/19. In this intimate production, everyone will revel with Bunny in the fun of jumping cows, dancing bears and a room that springs to life. Goodnight Moon is a truly timeless theatre experience the whole family can enjoy. www.sct.org For several years now, ACT Theatre and the 5th Avenue Theatre have co-produced musicals to the delight of both sets of subscribers. Shown in the smaller theaters at ACT, the musicals are more intimate and accessible in some ways. This year, Jacques Brel is Alive and Well & Living in Paris is the musical, running from 3/75/17. Opened Off-Broadway in 1968, this revue of Brel’s songs, packed with wit, intelligence and raw human emotion, radiates stories of love and loss, hope and despair, humor and pathos. www.acttheatre.org The next Pony World play has a very long title: We Are Proud to Present a Presee THeater page 6

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