Seattle Gay News
ARTS & ENTERTAINMENT Issue 8, Volume 43, February 20, 2015
87
th annual Academy Awards
Seattle Musical Theatre’s
Sweet Charity
Predictions
taking home the BAFTA [British Academy of Film and Television Arts] and coming out on top as far the Golden Globes were concerned. Then there is Clint Eastwood’s THE 87TH American Sniper. With over $300-million ACADEMY AWARDS in ticket sales, it’s easily the box office titan ABC-TV as far as this awards season is concerned, February 22 – 4 p.m. and while Hollywood likes to talk about how money isn’t the end all-be all, that kind The 87th annual Academy Awards will of cash can lead voters to take a second be handed out this Sunday evening, and if look at the picture, and if that’s the case, the all goes as expected then director Alejanchances for it to pull an upset aren’t as exdro G. Iñárritu’s Broadway comedy-drama treme as some might think. hybrid Birdman will likely walk away with As for the remainder of the nominees, the majority of the awards. Based on recent The Grand Budapest Hotel, The Imitavictories with tion Game, The the Producers Theory of EveryGuild (PGA), the thing, Whiplash Directors Guild and Selma, it’s (DGA) and the hard to imagine Screen Actors a scenario where Guild (SAG), it’s any of them hard to imagine could sneak a scenario where their way to vicit doesn’t emerge tory. But with victorious, at the Academy’s least as far as preferential votBest Picture is ing system, anyNeil Patrick Harris hosts the oscars/i2.cdnds.net concerned, the thing, I guess, other seven nominees more or less along for is possible, and if Birdman and Boyhood the ride and little else. split votes down the middle, and any one of Or are they? There are some interest- those titles is listed third on a majority of ing and intriguing wrinkles which could ballots, then be prepared for a shock. If this throw the evening into chaos. Richard Lin- scenario were to come comes to pass, what klater’s 12-years-in-the-making Boyhood then? My money would be on quiet, lonely has won the majority of the awards up to see Predictions page 7 this point, dominating with critics groups, by Sara Michelle Fetters SGN A&E Writer
Good production with lots of heart and dancin’ sible – but also, multiple instances of having to sing and dance at the same time. In that regard, Tyrrell showed great heart and also great lungs to be able to manage a lot of imSWEET CHARITY portant lyrics while vigorously hoofing. SEATTLE MUSICAL Turpin, having started out primarily as a THEATRE dancer, is well aware of how to match choThrough March 1 reography to what a person’s ability is. Yet, he also doesn’t shy away from “real” dance The newest production at Seattle Musi- choreography and coordinated group movecal Theatre, Sweet Charity, has a lot of heart ment. The result is that the dancing shines and a lot of really nice choreography. It’s and truly supports the production from not the most polished production ever, but it’s an enjoyable way to see a musical that doesn’t get stage time very much anymore. It’s definitely a throwback to the ‘60s or in some ways even older. Charity Hope Valentine (Megan Tyrrell) is a taxi dancer – dancing for money with assorted men – at the Fandango Club. Of course, she’s really looking for love and finds it over and over again; even when the man in question is so ambiguous he actually steals from her! The book (script) is by Neil Simon, so it’s fast patter and kind of funny, and the music by Cy Coleman and lyrics by Dorothy Fields has some of the most iconic musical songs in it, including “Hey, Big Spender” and “If My Friends Could See Me Now.” Directed and choreographed by Harry Turpin, the show is far more of a dance production than you might think: not only a lot of very-well-fitting choreography – even the not-so-good dancers looked pretty good do- Megan Tyrrell as Charity – Photo by Jeff Carpenter ing Harry’s choreography, which is key to making the production look as good as posby Miryam Gordon SGN A&E Writer
see sweet page 4
Carousel is a great ride Greg Wood interview: Cinerama “Fists of Fury” Festival by Sara Michelle Fetters SGN A&E Writer “FISTS OF FURY” CINERAMA February 27-March 5
laborative team that later wrote “Raindrops on roses and whiskers on kittens” [a lyric in their song “My Favorite Things” from The Sound of Music], but the team actually cut their teeth on grittier terms in the early part of their career. Set in New England at the early part of the last century, the story revolves around a set of star-crossed lovers, Julie Jordan and Billy Bigelow. Julie is a quiet girl who catches the eye of a charming but licentious carousel barker, while taking a ride with her friend Carrie Pipperidge. Both Julie and Billy are dismissed from their jobs because of their improper behavior with one another, but neither minds because, despite the cavernous dif-
cast of carousel – photo by Mark kitaoka
by Eric Andrews-Katz SGN A&E Writer CAROUSEL THE 5TH AVENUE THEATRE Through March 1 Carousel is one of the classic Rodgers’ and Hammerstein musicals and the second show they collaborated on. The musical tells a story of love, determination, passion and redemption. Currently playing at Seattle’s 5th Avenue Theatre, this production does what The 5th Avenue Theatre does best; presents a glorious rendition of a show from the former Golden Age of Theatre. The storyline is a bit dark for the col-
Visit us online www.sgn.org
see Carousel page 4
Since reopening late last year after an extensive renovation, Seattle’s venerable and iconic Cinerama Theatre has been quietly making plans to give the venue the type of decade and genre-spanning showcase it’s long been known for ever since Paul Allen and Vulcan, Inc. took over dayto-day operations back in 1999. The fruits of that labor have finally begun to ripen, first with a Valentine’s Day triptych featuring restorations of Gone with the Wind, Guys and Dolls and Some Like It Hot, then with a week-long celebration of this year’s Academy Award nominees for Best Picture, culminating in Gay City Health Project and Three Dollar Bill Cinema’s annual Oscar party on Sunday, February 22. Next up is “Fists and Fury,” billed as the Cinerama’s, and thus Seattle’s, first-ever mixed martial arts film festival, and the lineup couldn’t be more explosive. Running February 27 thru March 5, the festival is a mixture of old school and new school, samurais, assassins and undercover op-
February 20, 2015
eratives all sharing the screen together as they attempt to kick, flip, hack, slash and punch their way to victory. Films range from new 35mm restorations of Akira Kurosawa classics Seven Samurai, Yojimbo and Rashomon, to a double-bill of Quentin see cinerama page 13
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