Issue 3

Page 1


2 | SANTA CRUZ VIBES


RESIDENTIAL & COMMERCIAL Old-school craftsmanship, thoughtful innovation, exceptional results 9047 Soquel Dr. Aptos, CA Ca 95003 831.684.2117 | testorffconstruction.com CA LICENSE # 698917

SANTA CRUZ VIBES| 3


Location: Capitola Village, Capitola, CA Photo: Alison Gammel

4 | SANTA CRUZ VIBES


SANTA CRUZ VIBES| 5


Opening

VIBES Within the 2023 Winter edition of Santa Cruz VIBES, I hope the reader will begin to see the evolution of our vision for the magazine. Utilizing editorials, advertisements and photographs, we want each issue to reflect an interesting conversation you may have over dinner or coffee with friends and family. The goal of each issue is to stretch the boundaries of what a Santa Cruz “vibe” could be. From our epic cover photo in Big Sur to a community garden born from the ashes of the CZU fire in Ben Lomond, we find ourselves in a “yes to everything” mindset as we paint a picture of our local culture. Everything here at Vibes is also a collaboration, including this Opening Vibe. My trusted Deputy Editor, Amy Sousa, thoughtfully summarized the issue highlights this way:

In Feeding Hungry Ghosts: a History of Santa Cruz Chinatowns, Yitong Lei vividly traces the rise and disappearance of the area’s Chinatowns. Lei urges readers to recognize and safeguard these fading stories, underscoring the importance of honoring the resilience and cultural heritage of these lost communities in the city’s history. Delve into the celestial wonder of the winter solstice, a timeless event that has captivated human culture for millennia. Discover the significance, symbolism and universal resonance of an exact moment in December, embodying hope, renewal and goodwill. Do you celebrate Yule or Yuletide? Either way, it’s all good.”

“Join us on a remarkable exploration of the Homeless Garden Project as David Dennis sits down with Darrie Ganzhorn, offering a rare glimpse into the transformative journey of this organization spanning over three decades. We cover the dawn of a thrilling new chapter in women’s surfing in our feature on the rise of competitive women surfers. The Women on Waves editorial explores the strides made in equal recognition, sponsorship and the monumental shifts for women within the World Surf League. We step back in time with Santa Cruz Surf Club’s Bob “Ritt” Rittenhouse, the living embodiment of almost a century of Santa Cruz life. In an intimate conversation, Ritt paints a vivid picture of a Santa Cruz of yesteryears, offering nostal-

gia and wisdom as he reminisces about the quieter, simpler times. Uncover the paradigm shift in Santa Cruz METRO’S commitment to environmental activism. A seemingly visual piece evolves into an insightful journey, exploring the heart and dedication behind the ‘One Ride at a Time’ campaign. Frans Lanting’s wildlife-wrapped buses become a canvas for environmental advocacy and ridership promotion.

Reading her summary over a nice cup of coffee downtown, I landed on a very specific thought: “This sounds like a conversation I would be very interested in.” So, enjoy this issue, and stay warm this winter. We had a great time putting it together for you. See you in the Spring!

Brian

- In Memoriam With all our love, we dedicate this issue to

Susan Teresa Poli

Feb. 23, 1945 - Oct. 30, 2023 6 | SANTA CRUZ VIBES


John Fuchs Properties Construction & Real Estate

New Year

Same Vibe

831.688.8008 JohnFuchsProperties.com

Contractors License# 444422 DRE# 00977045

As we enter the new year, we're here to help you find your beach home, mold it into your dream, and when the time comes, sell it for top dollar. That's what we do!

Now, that's GROOVY!

SANTA CRUZ VIBES| 7


On the

C OVER

N

estled along California’s majestic West Coast, Pfeiffer Beach boasts an extraordinary sea stack, crowned with an enchanting keyhole-shaped arch. Each year, from mid-December to mid-January, this arch transforms into a celestial stage, framing the sunset in a mesmerizing display. This natural spectacle, increasingly popular among photographers and nature enthusiasts, bathes the surroundings in a golden spotlight at night, creating a magical atmosphere. Captivated by this wonder, I yearned to capture an even rarer sight: the moon setting through this arch. This pursuit presented a unique challenge, as the moon’s alignment with the arch occurs

8 | SANTA CRUZ VIBES

only a few times each month. Furthermore, the arch’s position also aligns with the Milky Way, only a handful times each year, offering a spectacular backdrop for night photography. I employed a web-based astronomical tool to pinpoint the perfect moment for this ambitious endeavor, meticulously calculating the moon’s trajectory and celestial alignments. Concurrently, I refined my night photography skills, practicing on the Milky Way in less complex settings. Driven by passion, I embarked on three long drives, each taking 2.5 hours, in pursuit of the perfect shot. My efforts culminated using a non-standard

By: Farhan Zaidi

technique: capturing a 4x5 matrix of overlapping images, meticulously shot from the top left to the bottom right. Later, in the quiet of the studio, these fragments were woven together in a post-processing step, creating a high-resolution end product. Finally, witnessing the outcome of this labor was nothing short of magical, a testament to the blend of nature’s wonders and human persistence in capturing fleeting celestial moments.

@fzaidiphotos


WINTER 2023/24

vibe

INFORMAL noun | plural noun: vibes

1. a person’s emotional state or the atmosphere of a place as communicated to and felt by others. SANTA CRUZ VIBES MAGAZINE IS: A magazine celebrating the customs, history, current events, art and people of Santa Cruz, CA. EDITOR IN CHIEF Brian Upton

CREATIVE DIRECTOR Jen Poli

AD DIRECTOR Sadie Hunt

PHOTO EDITOR Ryan “Chachi” Craig

DEPUTY EDITOR Amy Sousa

MANAGING EDITOR Neal Kearney

SALES & OPERATIONS Sadie Hunt Jen Poli

Brian Upton Natalie McEwen

PHOTOGRAPHY

EDITORIAL

Ryan “Chachi” Craig Matt Hofman Alison Gamel David “Nelly” Nelson Chad Schaefer Kara Capaldo Sara Williams David Dennis

David Dennis Laura Palmer Joshua Patstone Yitong Lei Marissa Neely Dianna Glidden Reggie Stephens

VIBE CONCIERGE

PROOFREADERS

Gina Poli

Nicole Peyton Allison Scahill

DISTRIBUTION Magazine Taxi FIND US ONLINE scvibesmagazine.com

All reasonable efforts have been made to ensure the accuracy of the information contained herein. Editorial content is intended as general information. The Editor/Publisher assumes no responsibility and makes no recommendations for claims made by advertisers and shall not be liable for any damages incurred as a result of or reliance on any information contained in this issue of Santa Cruz Vibes. Copyright 2023 Santa Cruz Vibes Magazine Inc. All rights reserved. Cover and content may not be reproduced in whole or in part without express written permission from the Editor.

For advertising inquiries, please contact: contact@scvibesmagazine.com SANTA CRUZ VIBES| 9


©2023 California Closet Company, Inc. Each California Closets® franchised location is independently owned and operated.

MAKE ROOM FOR ALL OF YOU

CA L L , V I S I T A S H OW R O O M , O R F I N D U S O N L I N E TO S C H E D U L E YO U R C O M P L I M E N TA RY D ES I G N C O N S U LTAT I O N

Carmel Los Gatos

408.392.0400

26366 Carmel Rancho Ln 349 N Santa Cruz Ave

CA L I FO R N I AC LO S E TS . C O M

10 | SANTA CRUZ VIBES

CA151_SCVibes_MakeRm_SienaPet_8.3x10.8_1023.indd 1

10/26/23 11:03 AM


WHAT’S I N S I D E

P.12

P.46

P.20

P.55

P.36

P.64

P.40

P.90

12 SANTA CRUZ SURF CLUB 20 SNOWFLAKES TO SAILS 30 WOMEN ON WAVES 34 METRO 40 FEEDING HUNGRY GHOSTS 46 THE CHACH FILES 55 REGGIE STEPHENS FOUNDATION

64 HOMELESS GARDEN PROJECT 74 WINTER SOLSTICE 84 BEELINE BLOOMS 90 BARRIOS UNIDOS 92 SLIDES 7 VIBES 99 WINGED MAJESTY 102 CONNECTED MOVIE & TV REVIEW SANTA CRUZ VIBES| 11


12 | SANTA CRUZ VIBES


Times Innocent

SANTA CRUZ SURF CLUB FOUNDING MEMBER BOB “RITT” RITTENHOUSE REFLECTS ON ALMOST A CENTURY OF SANTA CRUZ LIVIN’

By Neal Kearney Photos by Ryan “Chachi” Craig

F

or those of us fortunate enough to be Santa Cruz natives, change is a constant companion. Old homes receive makeovers, cliffs erode into the sea, roads grow more congested, and the familiar faces of longtime locals come and go. We’ve all been there, lamenting, ‘This isn’t the real Santa Cruz,’ as we look out at crowded surf lineups, or reluctantly pay $7 for an oakmilk latte. But change isn’t always a bad thing. Imagine calling this place home for almost a century. Meet Bob Rittenhouse, the sprightly 98-year-old and the last surviving founding member of the Santa Cruz Surf Club. We sat down with “Ritt” as he’s affectionately known on a warm September morning at his picturesque home overlooking Black’s Beach. Like any surfer, he can get a little grumpy about the crowds but hasn’t let it spoil his colorful character and quick wit. Here’s what he had to say about Santa Cruz in a quieter time.

SANTA CRUZ VIBES| 13


SANTA CRUZ S U R F C L U B FAMILY HISTORY SCVM: Can you tell us about your family’s history in Santa Cruz? RITT: I was born in Merced, but we moved here when I was three. Our family faced financial hardships during the Great Depression of 1929. One of my uncles urged my dad to move to Santa Cruz where he had a place for us to stay. So, with five brothers and two sisters, we all found our way here for a while. It was Emmett Rittenhouse who pulled us in. There was no money to spare, and my father did odd jobs to make ends meet. Rent was not a concern for a while.

WIPEOUT: A LOVE STORY SCVM: Let’s shift to the surfing component. Can you share your introduction to the Pacific Ocean? RITT: My first wipeout happened in front of Main Beach. There was a big stage built for summertime events, like the Miss California contest. The first time I went there, a fellow named Don Matthews asked if I wanted to go to the beach, and I eagerly agreed. I asked my mother, and she inquired if he could swim. He said yes so she said, ‘Alright, but be very careful!’ We lived on Pacheco Avenue near Morrissey Boulevard, which was the end of Santa Cruz back then. Pacheco was paved with cement while everything else was asphalt. As I ventured into the water, I panicked when I saw the big waves. I swam out to avoid being caught by the waves and managed to escape the first two. But the third one was massive, and I had to scramble. Eventually, I decided to head back to shore, but at first, I couldn’t make it. So, I made a swim for it and, of course, made it, but that memory remains etched in my mind.

CLUB RULES SCVM: What’s memorable about being a founding member of the club? RITT: The Santa Cruz Surf Club had bylaws, which are now preserved at UCSC, along with other memorabilia collected by Harry Mayo. The bylaws included a strict no-drinking, no-smoking, and no-swearing policy, and before the war, it held up. If you wanted to be a member, you couldn’t have any of those vices. However, the war changed everything. 14 | SANTA CRUZ VIBES

As young men went off to war, some never returned, and it was a challenging time to raise a family. It’s quite different from how the country has evolved.

FRIENDSHIP WITH HARRY MAYO SCVM: Can you tell us about your friendship with Harry Mayo? RITT: Harry Mayo was a senior when I was in high school. We were very close members of the Surf Club, which was more like a family. Harry would often call me, saying, ‘The surf’s up!’ Sometimes, we couldn’t find anyone else to join us, and there’d be no surfers in sight. If you look at the surf scene today, there’s hardly any breathing room.

WAR TIMES SCVM: Did you serve in the war? RITT: I did not serve in the war. Perhaps it’s because I was somewhat scared in the ocean due to my limited vision. Now I’m blind in one eye. Do you want to hear a story about where Harry worked during the war? This is turning into a

Harry Mayo interview (laughs). Well, he joined the Coast Guard, and they assigned him to the Santa Cruz Wharf. He was supposed to watch the boats as they came in and out. On his day on duty, he had to be at the wharf by sunrise when the fishing boats were active. He had to count each boat, and during the day, he had little to do, so he’d often lie on Cowell’s Beach while technically working. It was a cushy duty.

BEACH BUMS SCVM: Did the local community show respect to surfers like Harry and yourself during that time? RITT: Well, let me stop you for a moment. Even before the war, we were seen as beach rats. My dad used to tell me, “If you lie down with dogs, you’ll get up with fleas.” Right from the Bible. So, even back then, people held that belief. If you didn’t have a job or contribute to the family, you were considered a bit of a bum. Kids would find work at the boardwalk or pick up bottles on the beach, earning a nickel for each one, which was substantial money at the time.


SANTA CRUZ S U R F C L U B

COLD BUMS SCVM: Did people consider you and your fellow surfers a bit crazy for riding those waves without wetsuits? RITT: I think we considered ourselves a bit nuts (laughs). In the early days, we’d wear flannel shirts and wool to keep warm. One guy had a girlfriend who would later become his wife, and she had a car. When he came out of the water, he’d change and throw his wet wool clothes in the back of the car. His wife eventually told him to clean the car before they went on a date because it reeked of wool and saltwater.

EVERYBODY’S GONE SURFIN’ SCVM: With the 1960s, surfing entered the mainstream in the Beach Boys harmonizing and Gidget riding the silver screen. Did you notice that seismic shift? RITT: Amid this transformation, two significant factors emerged. Firstly, World

War II had come to an end, and secondly, there was a remarkable evolution in surfboard design. Take a look at those boards out there, did you? Those massive boards weighed in at a hefty 80 to 85 pounds. My very first board was crafted at Santa Cruz High School. As a surfer yourself, you know that, in those days, it took a solid 10 powerful strokes just to catch a wave and start the ride. But as I transitioned to work and surfed less, the boards underwent a remarkable transformation. They became agile, allowing surfers to pivot and maneuver with just a couple of strokes, effortlessly gliding like this (gestures with quick hand movements). Those bulky behemoths couldn’t quite pull off that kind of feat.

BONFIRES AND BEACH STORIES SCVM: One fateful day, while riding a colossal wave between the Wharf, disaster struck. My oversized board suddenly “pearled,” and the details remain hazy. It was akin to trying to grasp a bar

of soap underwater and then letting it go, and it shoots back up—imagine that! Well, that massive board, along with the volume of water it carried, nosedived and, upon reemergence from the depths, came crashing down squarely on my noggin. The next thing I remember, I was sitting on the porch (gestures towards the porch). The guys later recounted, ‘Yeah, we warned you about hitting your head on the board down there, but you insisted you were OK, so you came in.’ Truth be told, I never really regained full consciousness (laughs). SCVM: You were likely quite dazed and confused at the time, I suppose! RITT: Indeed, it felt a bit like a boxer knocked out but still trying to put up a fight. Now, back to the bonfires and other beach stories. One day, as we lounged on the beach, most of these folks (points to a black and white group photo of the club members). At the bottom left corner were Evie, my wife, and me. SANTA CRUZ VIBES| 15


Care for all that is you. Keeping yourself healthy is one of the best gifts you can give to the many lives you touch — and to yourself. At Kaiser Permanente, you’ll find caring professionals who provide high-quality healthcare for women at every stage of their lives. We provide comprehensive treatment and a broad range of programs and services for women of all ages. Learn more at kp.org

For all that is Santa Cruz County. For all that is you.

16 | SANTA CRUZ VIBES


SANTA CRUZ SURF CLUB R E T R O S P E C T I V E SCVM: Well, those are some fine-looking folks, I must say! RITT: (Nods proudly) Oh, yeah! This is in the middle of the day. On a good day, we’d come in and lie on the sand, you know, pull the warm sand close to your body to keep it nice and warm. SCVM: Sand puppies! RITT: Yeah, so we kind of huddled around, tellin’ stories. The gals are there, too, just passing time. One day, we started talking about Cowell’s Beach. “I wonder what they’re going to do with this beach?” We knew that it was (Henry) Cowell’s beach. He was the one who owned it. So, I said, ‘We gotta go buy it!’ This is when the war started, so we all said, ‘Let’s buy it!’ So, these kids, we decided to elect someone to see (Henry) Cowell. I raised my hand and said, ‘Evie and I will go up and see him.’ They didn’t even have to give me gas money because gas was only a nickel or 10 cents a gallon then (laughs). Evie and I picked a date and went up there; we didn’t even call for an appointment. It shows you how smart kids are. So, we went up and parked near his office on Market Street, and there it was, “Henry Cowell Lime and Sand.” The door was open, so we went in, up the stairs, back to the second floor—just walked straight in. We just walked around and saw a lot of empty desks set up for 50 guests, at least all in a row, but nobody was there. Suddenly, a voice said, ‘Can we help you?’ We turned around and looked towards Market Street and said, ‘Yes, we’re looking for Henry Cowell.’ The voice said, ‘That’s me, come on back.’

“MY VERY FIRST BOARD

WAS CRAFTED AT

SANTA CRUZ

HIGH SCHOOL. THOSE BOARDS WEIGHED

IN AT 80 LBS.” - RITT

RITT: So, we go back. How old would I’ve been? Let’s see, I was about 20 years old. Then he asked, how’s this family, and how’s that family? We were discussing his old friends. He was almost 100 at that time. So, there was a picture of him on the wall. I have the same one now. He would get behind the fire wagons, and they would pull. They’d have races with them, and he was the second from the last on the Santa Cruz team, so he was all proud of that. Finally, he says, ‘What can I do for you?’ So, I said, ‘Well, I’m part of the Santa Cruz Surf Club, and we hoped you would sell the beach. We’d like to buy it.’ If you took every club member and shook them like this (shakes fists) so the money would come out, I don’t think SANTA CRUZ VIBES| 17


SANTA CRUZ SURF CLUB R E T R O S P E C T I V E we’d get 10 bucks. Now, here we were, trying to buy a beach (laughs). So, he was very friendly, ‘Well,’ he said, ‘I’m sorry, but this is in a trust, and we can’t break that trust.’ So, we said, ‘Well, if you ever do, let us know!’ He said, ‘I certainly will.’ He said goodbye, turned around, and walked out. He was so lovely! Meeting older people, they’re usually grumpy, like, ‘What do you want, kid?’ But he was just very, very nice.

A LIFE WELL-LIVED In many ways, Ritt’s journey from a young beachcomber and founding member of the Santa Cruz Surf Club to the kind-hearted, storytelling sage overlooking Black’s Beach reminds us of the transformation of Henry Cowell Beach into something even more remarkable. Just as the rugged terrain of the Cowell property was refined into a cherished state park, Ritt has evolved into the epitome of a life well-lived—a testament to the enduring charm of Santa Cruz and the incredible people who have called it home.

WHAT WAS THE SANTA CRUZ SURFING CLUB? It may be hard to believe, but the town of Santa Cruz once existed without throngs of surfers packing its plentiful point breaks and well-groomed sandbars. At the turn of the 19th century, surfing first came to Santa Cruz with the serendipitous visit of three Hawaiian princes, who took to the waves breaking in front of the San Lorenzo River mouth on unwieldy, hand-shaped wooden surfboards. Although the spectacle of one of their sessions on July 20th, 1885, was memorialized in a two-page article in The Santa Cruz Surf, their curious pastime didn’t gain traction until Southern Californian surfers visited in the early ’30s to sample the surf decades later. It was then that a ragtag group of teens took notice and subsequently caught “surf fever,” borrowing the visitors’ boards while gathering as much advice as possible from their fellow Californians. Afterward, these stoked youngsters began shaping their primitive surfboards in a high school wood shop. Their boards were either solid plank or hollow paddle boards that weighed nearly 100 pounds. Talk about extreme sports! Thus, a fledgling surf community was born, culminating in the establishment of the Santa Cruz Surfing Club, led by Harry Mayo, who passed away in 2022. The Club started with a small group of young surfers from all over town, who braved the frigid waters sans wetsuits, riding the waves at Cowell’s Beach until they couldn’t bear the cold any longer. After their sessions, they huddled up to warm their icy bones with bonfires on the beach. Despite being composed of salty surf rats, the Club did their best to appear formal, electing a President, Secretary, and Treasurer, charging dues, and creating t-shirts and hoodies emblazoned with their logo. They even had their own bank account! As the Club gained popularity, they built a board storage house on the beach at Cowell’s, after which the club began to rent a repurposed hamburger stand a stone’s throw away to use as their base of operations. This was the genesis of Santa Cruz surf culture, and everyone who’s caught a wave in our treasured surf-centric city owes a debt of gratitude to these unlikely heroes.

18 | SANTA CRUZ VIBES


. . . .

SANTA CRUZ VIBES| 19


All Photos: Marissa Neely

20 | SANTA CRUZ VIBES


SnowFlakes

to Sails

FROM OCEAN TO MOUNTAINS AND BACK AGAIN By Marissa Neely

SANTA CRUZ VIBES| 21


SNOWFLAKES TO S A I L S

G

rowing up in Santa Cruz, I spent most of my life turning my back on the ocean, despite being a third-generation Santa Cruzian. While my friends were riding the waves and mastering skateboards, I was heading to the Sierra Nevada Mountains to indulge in my first love: snowboarding. I used to call myself “a snowflake in the sand” to explain my divergence. So, how did I end up living on a sailboat and embarking on a journey across the seas? Well, it’s an ironic and love-infused story. In the early months of 2010, I was fortunate enough to be taken on by Santa Cruz Snowboards as a rookie team rider, which deepened my connection to the sport. My parents were equally supportive, making numerous sacrifices to ensure I spent nearly every weekend on the slopes. Our go-to mountain, China Peak Mountain Resort, was a three-hour drive from our home in Aptos. So, we established a routine where our car was always ready to go, packed with gear, to pick up my younger brother and me from school. It was at China Peak that I discovered myself. Snowboarding became my sanctuary, my escape, and the catalyst for my decision to pursue a degree in Ski Business and Resort Management at Lake Tahoe. Yes, it’s a real degree, and my snowboard scholarship was the key to earning it. With my future academic endeavors in mind, I decided that high school was a waste of time —like any typical teenager— and positioned myself for an early graduation. During those high school years, I developed a friendship with a ski shop technician named Chris. By the age of 14, Chris and I were good friends, and our relationship eventually took a romantic turn. In the summer of 2012, he convinced me to join him as crew in the High Sierra Regatta, a renowned lake race held in his small mountain town, bringing sailors from across the states together. He assured me it would be a “fun, leisurely day” on the water. Little did I know that I’d be bombarded with unfamiliar sailing terminology, leading me to exclaim that I saw ropes, not sheets when he asked me to “pull in the mainsheet.” It was a humorous initiation into sailing, and it set the stage for us to improve our communication skills. Despite my baptism by fire into the world of sailing, I fell in love with the

22 | SANTA CRUZ VIBES

AVOCET “WE SPENT FIVE YEARS REFITTING OUR BELOVED

WHILE DAYDREAMING ABOUT THE PLACES WE

WOULD SAIL TO.”


SNOWFLAKES TO S A I L S Southern California, fell in love with her and made her ours. We officially moved aboard Avocet in 2018, just three months after the finalization of the sale. Chris and I had graduated from college, vacated our tiny apartment in North Lake Tahoe, and made a pit stop in Chris’s hometown of Shaver Lake to get married before embarking on our new life, marked by a walk through Avocet’s companionway, the sailor’s version of a threshold. It was a whirlwind with little time to process the life and people we left behind as we embraced our new floating home. We were now 500 miles away from where we had spent three years learning to live together, venturing into boat ownership and purchasing a capable bluewater cruiser in need of some tender loving care.

thrill of racing, reading wind patterns and, most importantly, the sense of community. Off the water, our sailing crew became our second family. To this day, we continue to race our little boat every summer, and our enthusiasm has inspired many of our friends to embark on their sailing adventures, an effort to keep the tradition of one-design boats alive. A few years later, when I finally entered my dream college in Tahoe, Chris and I moved in together and took our Hobie 18 out on the lake, chasing the wind whenever our schedules allowed. As graduation approached in 2018, we were at a crossroads, unsure of where we wanted to settle down. So, we chose an anchor instead.

Unexpectedly transitioning from the mountains to the open seas was smoother than we anticipated. Chris’s older brother had been living aboard his Hans Christian 33 for four years, and the idea of simple living appealed to us. It was akin to the van-life or tiny-house movement, but we had the added advantage of having a supportive family and a like-minded community. This familiarity with the lifestyle, although different from what we would ultimately discover, provided a solid foundation. As we searched for a modest liveaboard, something affordable for two 20-yearolds burdened with student debt, our plans went awry, and I’m grateful they did. After an extensive hunt, we stumbled upon a 1979 Cheoy Lee 41’ in

The initial months on Avocet were demanding. Although she was in decent shape, she had served as a liveaboard vessel for over 20 years, extensively cruised by her prior crew. As we cleaned up, moved aboard and embarked on our first projects, we uncovered remnants of the previous owner’s life, such as the habit of dropping knives on the galley floor and stowing lines away wet. The previous owner had left in a hurry, leaving behind various odds and ends, from spoiled food with a maggot infestation to personal belongings. Inside the navigation desk, alongside meticulously annotated charts, we found a folder containing photos of the previous owner and his wife sailing through Mexico, with chemo bags hanging from the bimini. We reached out to the primary seller, the previous owner’s daughter, who sadly revealed that her father had passed away shortly after we signed the papers. He had been an ardent sailor who cherished Avocet. To honor his legacy, we decided to continue sailing under her name and connect with former crew members through the power of social media and the internet. Many of them have reached out to share their stories and help us navigate our journey. We spent five years refitting our beloved Avocet while daydreaming about the places we would sail to. My daydreams did not do justice to mainland Mexico. During the refit, we balanced our boat work with our “real” work. Chris traveled to Hollywood for shoots as a cameraman, while I worked as the marina manager and launched my digital marketing SANTA CRUZ VIBES| 23


SNOWFLAKES TO S A I L S @missaneely

agency. It was there in the marina office that I first encountered the reality of being a woman in the sailing world. Despite my position, strangers frequently assumed I knew little about boats and this perception frustrated me. I confided in a coworker, who sadly confirmed that this assumption was due to my gender. This realization ignited a spark within me. I engaged in discussions about sail theory, diesel mechanics and harrowing sea tales, demonstrating to those around me I belonged in the maritime world. To solidify my place, I obtained my USCG Masters Captain’s license in 2022, acing the exams. Basking in the glory of my newfound captain title, Chris and I completed our refit and set sail for cruising in September 2022. Instead of taking the direct route to the warm waters of Mexico, we embarked on the “wrong way” journey, sailing north to San Francisco Bay. After a month of cruising the California coast, we finally began our journey south, making a stop in my hometown of Santa Cruz. I couldn’t return home without paying homage to the birthplace of Santa Cruz Skateboards, Surfboards, and Snowboards, NHS. I had the pleasure of visiting with Paul, the licensing manager for NHS and the snowboard team manager, who supported my snowboarding career from the age of 10 until I retired from competition at 21, achieving an eighthplace national ranking in collegiate snowboarding. Although I traded snow for saltwater, my love for snowboarding remained, and I was eager to introduce Chris to the man who played a pivotal role in my journey, as well as give him a tour of the NHS Fun Factory. After a few months of sailing the California coastline, we arrived in Mexico in February 2023. I can’t predict whether Avocet will ever return to the United States, but I’m grateful for the opportunity to sail to my hometown and create lasting memories in the community that supported me through every phase of my life, from snowflakes to sails. I’m proud to represent Santa Cruz in every new port we visit. 24 | SANTA CRUZ VIBES


Happy Holidays FROM BAY PLUMBING SUPPLY! 2776 Soquel Ave | 831.475.2900 | www.bayplumbingsupply.com

SANTA CRUZ VIBES| 25


Health & Beauty on theINSIDE & OUT

Anti-Aging Therapies Lifestyle Coaching Bio-Identical Hormone Replacement Testosterone Replacement Stem Cell Therapy Laser Facial Rejuvenation Botox and Fillers Potenza MicroNeedling IV Infusions and Vitamin Shots Rejuvenate Medi-Spa & Wellness Regenerative Medicine and Aesthetics

831.226.2108 1595 38TH AVE, CAPITOLA CA 95010 26 | SANTA CRUZ VIBES


COMMUNITY V I B E S

WHAT DO YOU LOOK FORWARD TO THE MOST DURING THE WINTER SOLSTICE & HOLIDAY SEASON? Question & Photos: Alison Gamel

Lisa Smiley, owner of Smiley Orca Face Paint “My husband and I both love the winter solstice! The sun gets so much closer and brighter, it makes sunsets amazing.”

Adam Arredondo, surf enthusiast “What I love and look forward to the most during this season and the solstice are the WAVES! I love checking the surf and catching the sunset, too.”

Julie Skelton, senior caregiver “What I love about this time of year and the solstice are the king tides! It’s so fun to explore all the different tide pools, and checking out all the creatures. The sunsets are amazing, too!”

Taylor Lackey, Cirque, Tumble, Cheer “I mostly enjoy the extra hour sleep that I get!!!”

Scotty Greathouse, muralist

Chris Boger, software engineer

“Getting together with family and friends for the holidays is something I look forward to during the solstice!”

“The solstice brings cooler weather. It’s not too drastic which I appreciate! Just grab a hoodie and your set.”

SANTA CRUZ VIBES| 27


FOR ALL THINGS

Santa Cruz

VIBES 28 | SANTA CRUZ VIBES


squeeze THE DAY With fresh & organic seasonal citrus at New Leaf, it’s easy to stay healthy this winter. Great for snacking, juicing, or pair with sustainable seafood for a fresh, heart healthy dish.

10% of profits go back to the community

Half Moon Bay • Downtown Santa Cruz Westside Santa Cruz • Capitola • Aptos SANTA CRUZ VIBES| 29


B R I N G I N G C OM P ET IT IVE WOMEN ’S S U R F I N G I N T O T HE LIM ELIG HT

By Neal Kearney

Photo: Gillian Stargensky 30 | SANTA CRUZ VIBES


Photo: Bryan McDonald

WOMEN ON W A V E S

W

e’ve entered the dawn of a thrilling new era in women’s surfing. Our stoked female surfers are riding the sponsorship wave like never before and finally receiving equal recognition on the big stage. With the World Surf League stepping up to match prize money and contest venues on both the Challenger Series and the elite Championship Tour, women can now earn some serious coin—and the respect they deserve.

So, when the opportunity arose two years ago to get involved in one of the first female-centric surf events—Women On Waves—in Capitola, she jumped on it. The women on waves surf competition started in 1996 to bring competitive women’s surfing into the limelight.

These changes, combined with evolving attitudes about women’s places in lineups around the world, have propelled the level of women’s surfing to new heights. Just watch five-time world champ Carissa Moore threading an overhead tube at Backdoor Pipeline or Bianca Valenti nailing an airdrop at maxed-out Mavericks. They are truly narrowing the gap.

IT’S A PLACE FOR

This is thrilling news, especially for long-time surfers like contest organizer Aylana Zanville, who had to fight toothand-nail for respect in male-dominated lineups in and around Santa Cruz during her formative years.

TOGETHER &

“I’ve been in surf contests for a long time,” says the big-wave-charging owner of the female surf brand Ola Chica surfwear. “I feel like women were always treated as second-class citizens when it came to competition. We got the worst tides and the worst time slots. They kinda squeezed us in when they could.”

EVERYONE

TO COME CELEBRATE LIFE. The event has gained popularity over the years, and this year was no exception. On Oct. 22 and 23, competitors and their support crews gathered at 2nd Jetty in the heart of Capitola Village, where the conditions were superb. With 10 divisions representing all age groups and

surfing levels, these surf-stoked women gracefully walked the nose, switched stances, and expressed themselves in front of a packed beach. The beach atmosphere was electric, with tents showcasing locally owned businesses, such as Unfurling Clothing, owned by Masters Division winner Ashley Lloyd. “The kids are stoked, and sometimes the adults are even more stoked than the kids because they’re still groms at heart,” beamed the East Side local. “I love that about contests with different age groups being an all-women’s contest, it provides more space for everyone to shine. It’s a place for everyone to come together and celebrate life.” This is precisely what Zanville had in mind when she organized the event two years ago. “This event is significant because it’s all about giving women’s surfing the spotlight for two days. We’re striving to create a female-oriented, community-building experience, and this weekend has been full of positive vibes!”

SANTA CRUZ VIBES| 31


Changing the perception of bodywork from that of a luxury to a necessity

THERAPEUTIC MASSAGE

WELLNESS MASSAGE

www.essentiabodytherapy.com @essentiabodytherapy 831.454.8312 32 | SANTA CRUZ VIBES

COUPLES MASSAGE

SPECIALTY SESSIONS

GIFT CARDS & BOUTIQUE

Historic Mid-Town location 556 Ocean View Ave Santa Cruz, CA 95062


Always the Perfect Gift. Fine Wines and Cheeses from Around the World Impress your guests or delight your loved ones with the perfect gift from our carefully curated selection of wines, cheeses, and charcuterie from around the world. Make your holiday event one to remember with our wide variety of meats, seafood, and organic produce. And don’t forget to check out our wonderful selection of gift ideas in our home, garden & gift department.

We also offer the finest Meat, Seafood, and Organic Produce for all your entertaining needs.

TWO LOCATIONS TO SERVE YOU

SANTA CRUZ

1266 Soquel Avenue • 831-423-8632

WATSONVILLE

906 E. Lake Avenue • 831-726-0240

www.staffoflifemarket.com SANTA CRUZ VIBES| 33


ONE RIDE AT

Photo: Andrew O’keefe 34 | SANTA CRUZ VIBES


A TIME

ART ON LOCAL BUSES SIGNALS A PARADIGM SHIFT IN MASS TRANSIT’S COMMITMENT TO ENVIRONMENTAL ACTIVISM By Brian Upton

A

t the outset, the article you are reading was intended to be a Santa Cruz Vibes visual “eye candy” piece revisiting the Santa Cruz Metropolitan Transit District’s ‘One Ride at a Time’ campaign. The partnership includes METRO, Santa Cruz County Regional Transportation Commission (SCCRTC), Monterey Bay National Marine Sanctuary Foundation, Bay of Life Project, and renowned photographer-writer team Frans Lanting and Chris Eckstrom. All that was needed would have been a couple of updated pull quotes from those key contributors, a quick proofread and off to the printers it would have gone. The interviews with Lanting and Michael Tree from METRO, aimed at securing those quotes, instead unveiled the tremendous passion and dedication at the heart of the campaign. This left me eager to delve deeper into the story. Earlier this year, METRO partnered with Lanting and Eckstom, who contributed Lanting’s photos as an extension of the Bay of Life Project. The project connects land and sea and people with nature to present a unified view of the Monterey Bay region. In an effort to grow ridership and protect the environment, buses wrapped in wildlife photos by Lanting and other photographers were unveiled and were met with immediate fanfare when the mobile art pieces began traversing the streets of Santa Cruz County. The intention? To showcase the environmental benefits of transit, encourage bus ridership and protect Santa Cruz County’s extraordinary natural resources. Bay of Life combines art with conservation through education and engagement for the purpose of contributing to a sustainable future for the Monterey Bay region as whole. The bus wraps are a natural extension of this mission.“Every one of these buses is a visual confirmation of this beautiful place we live in.” The first answer to the initial question clarified that Lanting did more than lend his art to the METRO. “Chris & I worked very closely with Santa Cruz METRO on the art direction, the image selection and messaging to make it a truly comprehensive campaign. Every image you see on a bus was carefully chosen to represent an aspect of the unique biodiversity of Monterey Bay,” says Lanting. SANTA CRUZ VIBES| 35


METRO V I B E S

B

orn in Rotterdam, the Netherlands, Lanting is a renowned nature photographer and environmental advocate. His striking images of the natural world have graced the pages of numerous publications, including National Geographic. Lanting’s work reflects his passion for conservation and our planet’s beauty, often inspiring others to protect it. From the savannas of Africa to the tundra of Antarctica, Lanting’s global perspective on the world’s environments seems to have resolved his love and commitment for his second home of over 40 years here in Monterey Bay. The images he lent to METRO are intended to connect the community to the fragile and diverse ecosystem surrounding us. “Every image represents a subject or a theme, serving as a direct call to action for conservation and awareness, and this message is extended through our tagline: ‘Protecting One Ride at a Time.’ For example, we have whales, redwoods, mountain lions, monarchs and so on.” Lanting, Eckstrom and their team at the Lanting Studio gave their full support to this campaign, working directly with METRO’s CEO Michael Tree to ensure the buses were more than just cool images rolling around town. “We were intentional in connecting the dots for the public, associating each bus with a specific cause and highlighting the solutions local nonprofits are providing. It is a significant campaign.” A mass transit operation would be something other than a traditional environmental conservation and activism partner. Across town, sitting in the administrative offices at METRO with CEO Michael Tree, it becomes easier to correlate how this unique partnership came to be. “I view public transit differently than most people,” says Tree, who has previously been named Transit Manager of the Year by the California Association for Coordinated Transportation and the California Transit Association. Tree has more than 27 years of experience in the public transit industry and city management and holds a master’s degree in Transportation Management from San Jose State University and a bachelor’s degree in Business Management from Brigham Young University.

36 | SANTA CRUZ VIBES

“Public transit brings a direct opportunity to protect the environment. On anybody’s scorecard, the environment is losing, so for me, this isn’t just a ‘welfare to work’ or moving students. It ends up being about moving people that understand when you move as a group the environmental impact is lessened.”

CHRIS & I WERE INTENTIONAL IN CONNECTING THE DOTS

FOR THE PUBLIC,

ASSOCIATING EACH BUS WITH A SPECIFIC CAUSE

AND HIGHLIGHTING THE SOLUTIONS LOCAL

Tree was challenged almost immediately by an ambitious directive from the board of directors: double METRO ridership initially from 3.5 million per year to 7 million. Additionally, concepts are on the table to move that number upwards of 9 million riders annually. “It takes some real out-of-the-box thinking,” says Tree, who is excited for the future. “There is a path for all of this. I am up for the challenge; we know how to get there, and the board is moving forward with a purpose. It’s exciting.” The meeting about ridership goals produced a new directive from the board that Tree feels is the most profound commitment yet to the local environment. “The board told me, ‘Don’t buy another tailpipe on these fixed route buses.” Tree realized the magnitude of the ask. “I was like, ‘dang’ that’s even more ambitious (laughs). A battery electric bus or a hydrogen bus… they are very pricey. But we took on the goal, which has become part of our commitment to protecting the environment in conjunction with ride-sharing and One Ride at a Time.”

NONPROFITS ARE quote from Steve Jobs often inspires PROVIDING. IT IS A ATree: “People don’t know what they SIGNIFICANT CAMPAIGN. - FRANS LANTING When Tree took the position with METRO almost two years ago, his first order of business was to get out in the community and talk with many local opinion leaders: politicians, chamber executives, business leaders, students, locals and more. “I wanted to know two things. What keeps you here in Santa Cruz, and what keeps you up at night?” The consistent answers from the diverse cross-section helped form the ‘One Ride at a Time’ program. “It was the Monterey Bay. They love it here because of everything that surrounds them. From diverse marine life, walks on the beach, surfing and the redwoods. I immediately realized I had landed in a community that aligns with my vision that public transit needs a drastic paradigm shift.”

want until I show it to them.” He feels people don’t completely understand how public transportation can work until you show it to them. “I told the board, let’s get the routes straight, fast, frequent and reliable. Let’s get the buses running every 15 minutes; that is the gold standard of all world-class transit systems. That is how you earn the trust of the public.” Tree also thinks the new buses will help create buy-in from locals. “Finally, let’s replace all these buses with modern, reliable, and environmentally friendly models.” The commitment is broader than buses, riders and route efficiencies. METRO recently adopted a policy incentivizing vendors for competitive bids, resulting in a financial boon for local nonprofits championing the environment. “We have a 60-million-dollar budget.” Tree details how they were able to turn those contracts into activism. “Our board of directors has asked vendors for a 5% discount on bids, which will help them score better in the proposal process to get work at METRO. In turn,


METRO V I B E S

Photo: Frans Lanting

take that 5% discount from the winning bid and give it directly to our community partners to further their work.” Like a delicate and connected ecosystem, we come full circle with this story. One of those community partner nonprofits benefiting from that 5% vendor model Tree references is the Bay of Life Fund, a foundation created by Lanting and Eckstrom, who donated their time, talents and imagery to the project. The Bay of Life Fund supports local nonprofit

I IMMEDIATELY REALIZED

I HAD LANDED IN A

COMMUNITY

THAT ALIGNS WITH MY

VISION THAT PUBLIC

TRANSIT NEEDS

A DRASTIC PARADIGM SHIFT.

- MICHAEL TREE

organizations active in conservation and education in the Monterey Bay region. “When Michael Tree came to us with this idea, we knew it needed to be done in a specific way to make a difference and elevate everyone.” Lanting reflects on how the partnership with METRO has bridged a long-term and deep commitment to environmental stewardship from the global stage to the literal streets of a beloved hometown for him and his wife. A renowned writer, editor, and videographer whose work also celebrates the wonders of the natural world while exploring the coexistence of people and wildlife, Chris Eckstrom is deeply invested in the project. “Chris and I raise our voices when we see a need to do so, but we are just two people. This eventually is in the hands of the citizens of Santa Cruz County to be motivated and support the organizations working hard every day to maintain the quality of our shared natural environment.” The One Ride at a Time campaign is far from over; more wrapped buses are coming, and METRO is looking for the community to participate. Bus riders must create an account on the online ridesharing portal administered by the Santa Cruz County Regional Transportation Commission’s (SCCRTC) GO Santa Cruz County program (scmtd.org/ gosantacruz) or through the Commute Tracker app (scmtd.org/ctsetup). Once enrolled, riders will use the portal to log their bus trips, earning 10 points for

each trip with a maximum of two rides per day that count toward point accruals. When riders reach 250 points, or 25 rides, they can use the portal to select one of the nonprofit partners to receive a $10 donation. Riders can also see the greenhouse gas emissions reductions they’ve made by riding public transit and compete against each other to see who can make the most significant impact.

FRANS LANTING & CHRIS ECKSTROM Lanting and Eckstrom are partners in life and work. They promote knowledge and understanding about the Earth through images and stories that convey a sense of wonder and concern about our living planet. Their work and alliances create leverage for conservation efforts, from local initiatives to global campaigns.

bayoflife.net METRO

Santa Cruz Metropolitan Transit District (METRO) was established in 1968. METRO’S mission is to provide environmentally sustainable transportation to Santa Cruz County.

SANTA CRUZ VIBES| 37


METRO V I B E S CLOSING VIBE METRO TO PURCHASE 57 ZERO-EMISSIONS, FUEL-CELL ELECTRIC BUSES In September, Santa Cruz Metropolitan Transit District’s (METRO) Board of Directors unanimously approved the purchase of 57 hydrogen-powered, fuel-cell electric buses (FCEBs). This procurement will be the largest acquisition of FCEBs in North American history.

Photo: Frans Lanting

Photo: Frans Lanting 38 | SANTA CRUZ VIBES

The move exemplifies METRO’s commitment to environmental stewardship, innovation and a greener future. METRO expects to start taking delivery of the 57 new FCEBs in late 2024, which includes forty-eight 40-ft. buses and nine 60-ft. articulated buses. Most of these will be deployed in the Watsonville service area, which the agency has committed to fully serving with zero-emissions vehicles from this historic purchase.

The new vehicles will replace aging compressed natural gas (CNG) and diesel buses, converting 59% of METRO’s fleet to zero-emissions. This will support the transition of 100% of METRO’s fleet to zero-emission technology years ahead of the deadline set in the state’s Innovative Clean Transit (ICT) Regulation.


SANTA CRUZ VIBES| 39


A 17-foot Chinese memorial gate was installed at the Evergreen Cemetery in 2014 to honor the early Chinese community in Santa Cruz. Located at 261 Evergreen St., the cemetery is a resting place secluded by trees.

40 | SANTA CRUZ VIBES


FEEDING HUNGRY GHOSTS 饥饿的鬼: 圣克鲁斯唐人街的故事

A HISTORY OF

SANTA CRUZ

CHINATOWNS

Written and Illustrated by Yitong Lei

SANTA CRUZ VIBES| 41


FE ED IN G H U NG R Y G H O S T S

George Ow Jr., who lived in Chinatown as a young child, has been a longtime supporter of documenting Chinatown’s history here. The quote was displayed in the ‘Guided by Ghosts’ exhibit at the Santa Cruz Museum of Art and History (MAH) from March to June 2019.

F

or every Chinatown still standing, there are dozens that have been bled dry and paved over. We move on from this history because we’ve been told it doesn’t do anyone much good to dwell on ghosts.

But the ghosts of Santa Cruz’s Chinatowns follow me wherever I go: to the mural on Locust and Pacific, to the bridge over the San Lorenzo River, all the way to the turn before the Evergreen Cemetery. Local Chinese-American elder George Ow Jr., says that “if something is not settled during a lifetime, you have hungry ghosts, like angry spirits.” Be it angry spirits or hungry ghosts, their presence begs to be acknowledged. To tell a good ghost story, some things have to be realistic enough to believe. But Santa Cruz’s Chinatown history is documented sparingly and by few — its stories are collected through oral history, faded photos, and newspaper clippings that piece together a complex puzzle. Many puzzle pieces remain lost or have been erased, by time or on purpose.

42 | SANTA CRUZ VIBES


F EED I NG HU NGRY G H O S T S

When the Chinese community was at its largest, Santa Cruz had multiple joss houses, where the community would gather for worship. The joss house pictured above was the last one remaining in Santa Cruz and was demolished in 1950.

There is little left from these Chinatowns, except for the placards, flowers, and dragons left in their wake to prove they were here, so we tell the stories of Chinatown to whoever will listen as a way to feed hungry ghosts on the block. According to Tessa Hulls’ exhibit ‘Guided by Ghosts’ at the Santa Cruz Museum of Art and History, the first Chinatown was established in 1862 on what was then called Willow Street, now known as Pacific Avenue. For about eight years, the first Chinatown sat comfortably on the block between Walnut and Lincoln. Then, rezoning laws in 1870 pushed the Chinese community to the floodplains of the San Lorenzo River. However, before local historian Sandy Lydon’s ‘Chinese Gold: the Chinese in the Monterey Bay Region’ was published, Lydon believed the so-called first Chinatown was said to be established around 1870. The book is the most detailed account of the Chinese communities in the Monterey Bay Region to date. The second Chinatown, established in 1870 right on Front Street, around where Trader Joe’s and the Galleria are today, lasted about 24 years. It was lost to fire in 1894.

These are Santa Cruz’s Chinatowns throughout history. SANTA CRUZ VIBES| 43


FE ED IN G H U NG R Y G H O S T S

Birkenseer’s Chinatown was built in 1894, after the fire decimated the first Chinatown. In December 1955, the San Lorenzo River flooded the entirety of Birkenseer’s Chinatown, marking the so-called end of Chinatown history in Santa Cruz.

After the fire, Chinatown was rebuilt in two places. One portion was built on property owned by Harriet Blackburn, and the other on the property of George Birkenseer. The Blackburn Chinatown housed the Chinese market gardens along the west side of Chestnut Street, just south of Laurel Street and right around where Depot Park is today. But the gardens and the surrounding Chinatown were wiped out by Southern Pacific Railroad when the company turned the property into a trainyard in 1905. So the people were forced to move, again. Piece by piece, they disassembled the Blackburn joss house — or traditional Chinese temple — which served as a place of worship for the Chinese community in Santa Cruz. They rebuilt it on Front Street in the Birkenseer Chinatown, once again right along the San Lorenzo River. And as the size of the river grew, Chinatown shrunk. By the end of February 1940, the high waters of the river started to reach the floorboards of the joss house. With nowhere else to go but up, the quartet of elderly Chinese men living there moved all of their belongings to the second floor. Hesitantly, they left the joss house through the

second story, onto boats and then onto firm ground. The old joss house was demolished a decade later. By the 1950s, a mix of historical factors led to population decline in Santa Cruz’s Chinatown: anti-Chinese racism and hostility drove families away from the area and into the much larger Chinatown in San Francisco, leaving Santa Cruz’s with an increasingly elderly population. So when the historic ‘Christmas flood of 1955’ decimated the entire riverbank, Chinatown could move no further. There was no vibrant and thriving community left to survive its displacement. With that, the last families in Santa Cruz’s Chinatown simply moved elsewhere, either in Santa Cruz or even further over the hill. The last standing location of Chinatown is marked by the golden dragon archway at the mouth of the Chinatown bridge. If you stand under the archway with your back towards the river, facing the San Lorenzo Park Plaza, you can almost feel their presence — the restless, angry spirits. And when you are hungry, they will eat with you too. This story was originally written for and published by City on a Hill Press, the student-run newspaper of record at UC Santa Cruz.

44 | SANTA CRUZ VIBES


SHOPPER’S CORNER LOCATED ON THE CORNER OF BRANCIFORTE & SOQUEL IN SANTA CRUZ OPEN DAILY 6AM-9PM • SHOPPERSCORNER.COM • 831-423-1398

PLACE YOUR HOLIDAY ORDERS TODAY. NO ORDER IS TOO BIG OR TOO SMALL!! SANTA CRUZ VIBES| 45


AN EXCLUSIVE GALLERY OF SANTA CRUZ VIBES PHOTO EDITOR RYAN “CHACHI” CRAIG’S FAVORITE TRAVEL PHOTOGRAPHY

46 | SANTA CRUZ VIBES


Yosemite Valley View is one of the more popular turnouts within the Valley and a gorgeous option for photographers in the evening hours. On this day, a late afternoon snowstorm finally cleared, allowing the clouds to slowly lift away, revealing El Capitan (left) and Bridalveil Falls (right). The windless evening provided a stunning mirrored reflection in the Merced River of powder-coated oak and pine trees and stunning granite cliffs.

Y ose m i t e Nat i on al Park, Cali f ornia SANTA CRUZ VIBES| 47


CHACH F I L E S YOSEMITE NATIONAL PARK, CALIFORNIA

I

never realized while growing up just how lucky I was to live within driving distance of Yosemite National Park. When I was a kid anything over 20 minutes seemed painstakingly long in the car. I’m sure my sister and I annoyed our parents with the well known kids car-ride mantra “are we there yet.” Although it wasn’t a destination our family took often, I have vivid memories of going there randomly throughout the years. One such memory was staring up at the impossibly large and sheer granite walls, rock climbers suspended half way to the top of El Capitan. Seeing faint lights bouncing about as the sun nearly disappeared, I couldn’t grasp what my parents were telling me: that the climbers would sleep suspended up on the walls overnight! Another fond memory was drinking hot chocolate at the Ahwahnee and staying warm next to the oversized and glorious fireplace. Although I’ve been traveling to Yosemite Valley occasionally for most of my life it’s only been the last five or six years that I’ve traveled to this historic and iconic national park more consistently. Yosemite Valley is awe inspiring to everyone but to photographers and adventurers it might be one of the greatest places on the entire planet. The idea that I’m standing in the same general spot as Ansel Adams did 85 years ago is remarkable and inspirational. The park is far busier today than when Ansel

48 | SANTA CRUZ VIBES

first photographed it (there are roughly 3.3 million visitors annually), but the unique features it presents remain the same. Yosemite’s status as a National Park has kept it pristine for over 130 years and millions of people have been able to enjoy her spectacular beauty. The entirety of Yosemite National Park is huge and my visits have barely scratched the surface. The valley is where I’ve spent the majority of my time exploring and photographing landscapes. For eight miles from east to west the layout of the park is so well designed that you can walk, bike or drive around the Valley Loop from one iconic landmark to the next. I’ve spent more of my recents trips to Yosemite in the winter months, ideally making the drive to the park when I see a few days of snow in the forecast. It’s hard to beat hiking around with friends or rolling solo and watching the weather change throughout the day with a camera in hand. Most trips I’ll find myself staying up late to photograph the stars then waking up early to see a fresh coat of snow blanketing the tops of the trees and the mountains. It’s always worth the drive and I encourage you to put aside at least a few days to go explore as often as you have the time, just as I do. -Chachi


CHACH F I L E S

SANTA CRUZ VIBES| 49


CHACH F I L E S

Every February, the ‘Firefalls’ phenomenon and frenzy at Horsetails Falls takes over the Valley. Bystanders and photographers wait for the sunset to light up the waterfall with saturated orange hues before it dips below the horizon. Some nights, you’re rewarded with a beautiful display of color, while other nights, the clouds block the sunlight, and the waterfall never changes color. This was the most vibrant I’ve seen the ‘Firefalls’ glow; it is my favorite vantage point to photograph the experience.

50 | SANTA CRUZ VIBES


CHACH F I L E S

SANTA CRUZ VIBES| 51


CHACH F I L E S

52 | SANTA CRUZ VIBES


CHACHI F I L E S

SANTA CRUZ VIBES| 53


Location: Empire Grade, Santa Cruz, CA Photo: Sarah Williams

54 | SANTA CRUZ VIBES


¡Sambista! GISELLA FERREIRA SHARES SAMBA’S LEGACY AND VIBRANT SOUL By Brian Upton

All Photos: Stephen Dietrich SANTA CRUZ VIBES| 55


GISELLA S A M B I S T A

A

fter a very short period with Gisella Ferreira, it becomes evident that samba is not merely a dance or a musical genre; it is the heartbeat and cultural identity of a country. With its roots deeply embedded in Afro-Brazilian heritage, samba has become a symbol of celebration, resistance, and unity. “It goes way back for me,” Ferreira credits her father and aunt for instilling the passion and fundamentals of dance in her from an early age. “Normally, in Western culture, we tend to just play with babies; it is widespread in Brazilian culture to start moving the hips of a baby and teaching them samba. My father and my aunt did that, and both were an influence on my love for dance. I just loved to dance and ended up taking up all forms of dance like ballet and hip-hop, but my way of connecting to my Brazilian culture and my roots is through samba.” The roots of samba reach back to the fusion of African rhythms brought by enslaved Africans to Brazil during the colonial period, mixed with cultural elements from Portuguese colonizers. The word “samba” itself likely originates in the Kikongo language, spoken in parts of Central Africa. It initially emerged in the marginalized communities of Rio de Janeiro, most notably “in the favelas (slums).” “The history of our culture is expressed with samba.” There is a palatable passion in Ferreira’s voice, “It traces back to the Portuguese, the colonizers, native Brazilians, Afro-Brazilians to modern day. The dance acknowledges our history: the hardships, the fight and eventually, the small-earned freedoms we have now.” These early forms of samba were indeed raw expressions of Afro-Brazilian culture, rooted in percussion and dance. During the late 19th and early 20th centuries, samba began to gain recognition and widespread acceptance in Brazilian society. The genre adapted to new instruments, incorporating European influences such as guitars and flutes. Samba schools, like Mangueira and Portela, were established in Rio de Janeiro, providing a structured platform for samba to thrive. These schools helped organize the famous Carnival parades in Rio De Janeiro, an annual celebration where samba plays a central role. Samba’s impact on Brazilian culture is immeasurable. It became a powerful 56 | SANTA CRUZ VIBES


GISELLA S A M B I S T A tool for social and political commentary. In the mid-20th century, musicians like Cartola and Chico Buarque used samba to reflect the struggles and aspirations of marginalized communities. Samba also played a pivotal role in Brazil’s fight against dictatorship, with artists like Caetano Veloso and Gilberto Gil using their music to challenge the oppressive regime. Ferreira knew of these stories and rich histories from a very early age. While at Gault Elementary, Branciforte Junior High and Santa Cruz High School, she found a way to balance this history and family traditions with modern dance. “I started the hip-hop dance teams at Branciforte, and in high school, I started incorporating some samba into my style.” Ferreira had yet to commit to the fine details of samba. “During that time, I was just having fun and did not have much technique as it relates to samba; it was just a ton of energy and what I had learned from my family.” Ferreira faced balancing her beloved cultural dance from Brazil with the regular pressure of junior high and high school.“Growing up, I felt just like every other kid. I wanted to fit in. In junior high, I was the only Brazilian kid, and in high school, I think there were two.” Ferreira paints a vivid picture of the turmoil that teenagers face, “After a while and as I gained confidence in my ability, I realized more and more there was this other part of me that I had to figure out.” Outside of school, Ferreira credits Santa Cruz with being an inspirational and accepting culture that was fundamental and supportive of her growing passion for dance. “In my opinion, Santa Cruz is the best place for a kid to grow up. There is so much accessible art and culture. People would be surprised by how strong the Brazilian arts community is here. I was lucky to have that around me.” Ferreira eventually left the cozy confines of her beloved beach town to continue her education at University of California, Los Angeles and its sprawling campus that stretches from the foothills of Santa Monica to the Los Angeles Basin. “I chose UCLA because of the dance program. They offer a World’s Art &

Culture Dance Program. It was brand new when I went and wasn’t even considered a major, which it is now.” Ferreira had taken her skills to the next level at home and was ready for more. “I knew it would give me what I needed as an artist to grow.” The program exposed Ferreira to new world dances, histories, and culture. School wasn’t the only motivation for moving to Los Angeles; her sights were set on a more significant challenge. “I wanted to dance.” Ferreira paused before continuing. “I wanted to be a great dancer, and LA seemed like the place you go to if you were serious about making dance a career.” After graduating, she discovered the path would not be handed to her. “My first job after college was at an acai shop in Santa Monica.” Ferreira found herself faced with a big decision during those long work shifts. “I finally just asked myself what I wanted to do. Was I going to work full time and just find time for dance, or should I just jump in and focus on what I love full time?” Resolved to make a move, she began teaching dance and Zumba full-time. The success and popularity of her dynamic classes eventually created some breakthrough opportunities in television, entertainment, and movies with appearances in “Breaking Through” with director John Legend, the “Shakira T-Mobile World Cup Commercial,” “Zumba® World Party Video Game,” “Chuck” and “Rio Hot Wings on American Idol.” Ferreira has also shared the stage with such artists as Jamie Foxx, will.i.am, Sheila E, Quetzal Guerrero, Victoria Justice and B.O.B. Between entertainment gigs, she tours and performs worldwide and trains extensively in many dance forms, including Capoeira, samba, and she still keeps her connection to her days at Santa Cruz High with hip-hop. She was named one of “LA’s Hottest Trainers” in 2012 and has been active in “Health Day LA” as well as “Let’s Move LA,” dedicating time to help the LA community become more active and inspired through dance. In 2014, she was the National Samba Queen at SambaAZ! SANTA CRUZ VIBES| 57


GISELLA S A M B I S T A Her success and world travels only reaffirmed another love she was deeply connected to — her hometown of Santa Cruz. “You sometimes have to leave to appreciate what you have. That’s what ended up happening.” Feeling she accomplished what she set out to do, Ferreira was ready to get back home. “I felt like I had grown as much as possible in Los Angeles. It wasn’t fulfilling anymore, and I wanted to focus on my career and prioritize my quality of life.” The glamour of the dance, from the exotic costumes to the annual Carnival of Brazil celebration, can sometimes overshadow what Ferreira feels is the essence of the dance. “The costumes are, of course, very special. Many people just see the bikini and the feathers and the passion of the dance and want to jump in immediately. I have a closet full of the costumes, and I take pride in designing them wearing them and representing my culture.” Ferreira is just as committed to instilling a more intimate lesson when she teaches her students, “Samba is also about balance. Not just the compensation of balance you need to shift your weight and stay in rhythm, I mean balance from the inside. Samba is about transferring all your energies into something very positive. Samba is an opportunity to transform your sadness and hardships into joy.” Ferreira charted a path, followed her dream and now counts as one of the few who turned a passion into a career. She also reaffirms samba is a dynamic

58 | SANTA CRUZ VIBES

and ever-evolving art form that represents the rich tapestry of Brazil’s history and culture. From its humble beginnings in the favelas of Rio de Janeiro to its role as a symbol of resistance and celebration, samba has left an indelible mark on the world. It serves as a reminder of the power of music and dance to unite people, transcending boundaries and inspiring joy in the hearts of those who experience its rhythm.

SAMBA IS ABOUT

TRANSFERRING

ALL YOUR ENERGIES INTO

SOMETHING VERY POSITIVE.

SAMBA IS AN

OPPORTUNIT Y

TO TRANSFORM YOUR SADNESS AND HARDSHIPS

INTO JOY.


Photo: iStock

GISELLA S A M B I S T A

While samba is often seen as a single dance form, Ferreira reminded us it is essential to recognize that there are five distinct styles of samba, each with unique characteristics and regional influences. Each of these samba styles offers a unique glimpse into the diverse cultural tapestry of Brazil. They showcase the nation’s rich history, blending indigenous, African, and European influences to create a vibrant and dynamic dance tradition.

1. 2. 3.

Samba no Pé: This is the most well-known style of samba and is often the one people think of when they hear the word “samba.” It’s a lively and energetic dance emphasizing quick footwork, hip movements, and a straight upper body. Samba no Pé is the centerpiece of the world-famous Rio Carnival.

Samba de Gafieira: Originating in the dance halls of Rio de Janeiro, Samba de Gafieira is a partner dance that combines elements of samba, tango, and forró. Intricate footwork, acrobatic movements and a strong connection between the dancers characterize it.

Samba Reggae: This style has its roots in Bahia and blends elements of samba with Afro-Caribbean rhythms. Samba Reggae is known for its slower tempo and infectious drum beats, making it a favorite at street festivals and parades.

4. 5.

Samba Pagode: Hailing from the city of São Paulo, Samba Pagode is a more relaxed and social style of samba. It’s often performed in a circle, with participants singing and playing musical instruments, creating an inclusive and communal atmosphere. Samba Axé: This style emerged in Bahia and is characterized by its exuberant and upbeat movements. Samba Axé is often performed in a carnival or party setting, incorporating elements of African and Caribbean dance.

Gisella Ferreira teaches classes locally at Raizes do Brasil and Pleasure Point Dance (Check out their sites for an updated schedule) She also owns a dance company, Samba Soul, that specializes in the artistry and expression of authentic Brazilian Samba Dance performance. Click the QR code for more info.

@gisellasamba SANTA CRUZ VIBES| 59


STUDENT/ATHLETE SPOTLIGHT R S F The RSF Archives, Vol. 1

A LOOK BACK AT THE 2012 CENTRAL COAST MIDDLE SCHOOL ALL STAR GAME By: Reggie Stephens

When I decided to host the first RSF Central Coast All-Star Basketball Game, I wanted to give the boys a little longer season and the platform to show their skills and sportsmanship to the community. Two locals, Ruben Ibarra and Kaijae Yee-Stephens, played hard in those games, had a great time competing with the best in the Central Coast, and were excited to be seen on the CTV Sports broadcast. Because of their work ethic and skills, we knew how successful the future would be for them both.

ing Single-A minor league baseball for the Dayton Dragons. Kaijae played basketball at SCHS, becoming the highest points scorer in Santa Cruz County, then receiving a full-ride D-1 basketball scholarship to Pepperdine University, where he graduated with a Bachelor of Science. He then continued his basketball career playing for San Bernardino, helping his team reach the D-2 Final Four last season and will earn his Master of Business Administration Cybersecurity this December.

After graduating from Mission Hill Jr. High, both Ruben and Kaijae continued their athletic success; Ruben played baseball at St. Francis, then on to San Jose State, and was then drafted by the Cincinnati Reds organization, now play-

Ruben and Kaijae are perfect role models for every student-athlete to look up to and strive to become; I am so proud of them and every student-athlete who has played in the RSF Central Coast All-Star Games.

“ “

RUBEN IBARRA

KAIJAE YEE-STEPHENS

MAN, TO BE A PART OF THE FIRST

IN THE ARENA OF SPORTS,

RSF ALL-STAR GAME

WAS AMAZING! JUST GETTING TO PLAY BALL WITH ALL

THE OTHER DUDES AROUND TOWN

AND COMING OUT WITH A WIN

WAS SO MUCH FUN. I’M LOOKING FORWARD TO SEEING

WHAT ELSE RSF WILL GIVE BACK

TO THE COMMUNITY

IN THE YEARS AHEAD. -RUBEN IBARRA

60 | SANTA CRUZ VIBES

PERSEVERANCE IS THE UNWAVERING HEARTBEAT

THAT TURNS SETBACKS

INTO COMEBACKS, TRANSFORMING THE STRUGGLE

INTO THE TRIUMPH

OF RUTHLESS DEDICATION. -KAIJAE YEE-STEPHENS


Santa Cruz

NATUROPATHIC MEDICAL CENTER

Dr. Tonya Fleck

Dr. Kaila Sellars

Dr. Wendy Green

EMPOWERING PATIENTS TO ACHIEVE HEALTH FOR OVER 19 YEARS

• Bio-Identical Hormones • Cardiovascular Health • Testosterone Replacement • Anxiety and Depression • Preventative Holistic Medicine • Functional Medicine • Nutritional IV Therapies

• Pediatrics • PRP • Sports Medicine • B12 Injections • Thyroid Disease • Adrenal Health

736 CHESTNUT ST, SANTA CRUZ • 831- 477-1377 • SCNMC.COM

Call to schedule a FREE 15 MINUTE INTRO with any of our Docs

Happy Holidays from

Super

S I L V E R

Unmatched Selections at Unbeatable Prices

Whether you prefer statment or minimalist styles, our selection caters to all tastes

Follow us :

Santa Cruz - Downtown (831)460-9696

Capitola Mall (831)477-1932

STERLING SILVER RINGS CHAINS EARRINGS BRACELETS NECKLACES PENDANTS CHARMS UNIQUE STONES CRYSTALS ARTISION AND NATIVE AMERICAN

Gifts Starting at $3 Gift exchanges made easy! Gift Receipts included Exchanges at any location Gift exchangeable until 1/5/24

@shopsupersilver Capitola Village (831)462-9696

Old Town Sacramento (916)443-2801

www.supersilver.com

GOLDEN BLISS

NOW OPEN!

Fine Jewelry

Discover the beauty of Golden Bliss, and embrace a touch of luxury and style

Now doing permanent bracelets! Follow Us:

@goldenblissgallery

www.goldenbliss.com

1315 Pacific Ave Santa Cruz, Ca. 95060 (831)515-7018

SANTA CRUZ VIBES| 61


WHERE EMERGING TALENT EVOLVES INTO SUPERSTARS Discover a dynamic venue where the journey from rising talent to superstardom unfolds in front of your eyes. This is the space where emerging artists evolve into the luminaries of tomorrow, each performance a step closer to stardom.

62 | SANTA CRUZ VIBES


Location: Capitola Village, Capitola, CA Photo: Alison Gamel SANTA CRUZ VIBES| 63


In Good

Hands

HOW AN ORGANIC FARM HAS TRANSFORMED OUR COMMUNITY By David Dennis Photos by Ryan “Chachi” Craig (unless otherwise noted)

64 | SANTA CRUZ VIBES


SANTA CRUZ VIBES| 65


HOMELESS G A R D E N P R O J E C T

I

n this exclusive interview, David Dennis sits down with Darrie Ganzhorn, the executive director of the Homeless Garden Project. This organization has been tirelessly addressing misconceptions about homelessness and providing transformative opportunities for over 30 years. Join us as we explore its history, mission and the remarkable journey of their trainees. DAVID DENNIS: Darrie, thank you for taking the time to chat with us. The Homeless Garden Project has been instrumental in helping individuals experiencing homelessness get back on their feet for more than three decades. You’ve been part of this journey almost from the beginning, serving as the executive director for the past 15 years. Drawing from your extensive experience, could you shed light on some common misconceptions people have about homelessness? DARRIE GANZHORN: Many individuals genuinely care about and want to address the issue of homelessness, but there are often misunderstandings and sweeping generalizations. I frequently encounter a tendency to perceive one person experiencing homelessness as

66 | SANTA CRUZ VIBES

a representative of the entire homeless population, often unfairly assigning blame. When I think about the people we serve, I see individuals who have faced significant challenges and have displayed remarkable humility. They are often more generous than many people I know, always willing to help their friends and peers. I witness their tremendous courage and resilience as they’ve endured substantial losses but continue to hold onto hope, striving to rebuild their lives. We hold weekly circle meetings, which bring together everyone involved in the project’s job training and transitional employment program, including staff and volunteers. In these meetings, I’ve had the privilege of hearing the wisdom shared by our trainees. Our crew members are deeply committed to their work, demonstrating dedication and pride in their tasks. Many of them have experienced neglect or trauma due to their homelessness, leading to profound emotional scars. One trainee, who had battled addiction for years, shared his journey to sobriety with me, describing how he felt “naked” without his addiction. Joining the farm community was an

opportunity for him to learn how to navigate public life and regain his sense of self. The farm provides a safe space for this vital transition, focusing on fostering a sense of acceptance and belonging. DD: Could you provide an overview of the Homeless Garden Project’s history and mission? DG: Certainly. Our mission is encapsulated in the phrase, “In the soil of our urban farm and garden, people find the tools they need to build a home in the world.” Our vision statement emphasizes our aspiration for a thriving, inclusive community, workforce, and local food system. We deeply value the potential for personal growth and renewal in all individuals, the joy derived from cultivating and sharing healthy food, and the well-being that flourishes within vibrant social and natural ecosystems. As for our history, the foundation was laid before my tenure and has been passed down through oral history. Paul Lee, a visionary and founder, initiated the project in 1990. His involvement in addressing homelessness issues began when several individuals in our coun-


HOMELESS G A R D E N P R O J E C T ty initiated a hunger strike due to the lack of shelter for people experiencing homelessness. In response, Paul and a group of friends, particularly a collection of ministers, took action. Paul, who had previously been a professor of Philosophy and Theology at UC Santa Cruz, collaborated with his friends to create the Citizens Committee for the Homeless and established the first homeless shelter in Santa Cruz County. As they spent nights at the shelter, Paul noticed the intense, raw energy that enveloped the shelter in the mornings. He likened it to the streets of New York City upon awakening. With his love for gardening and involvement in the founding of the CASFS program at UCSC, Paul envisioned the concept of a garden for those experiencing homelessness, a place offering serenity and beauty. A friend who owned an herb nursery in the San Luis Obispo area offered to provide some plants, setting the project in motion.

“AFTER HAVING

MY CHILDREN,

I FELT A DESIRE TO TRANSITION MY CAREER

TOWARD SOMETHING

THAT COULD

DRIVE SOCIAL CHANGE.” - DARRIE GANZHORN

Paul eventually secured a three-acre plot of land, mainly unused but partially designated for community gardens, across from Lighthouse Field. Lynne Cooper (formerly Basehore) reached out to Paul and requested him to plant a tree for Arbor Day, leading to her active involvement in the Homeless Garden project’s foundation. Lynne, a visionary leader, spearheaded the establishment of the framework on the site, designed programming, assembled the staff, and introduced circle meetings for participants. Her leadership was instrumental in the project’s early years, as she oversaw trainees’ work on the farm and sales at the farmers market until 1995. We’ve since continued to thrive, serving as a model for service providers, city leaders, and individuals across the country interested in replicating our efforts. We’re even featured in an exhibit at the Smithsonian National Museum of Natural History titled “Our Places: Connecting People and Nature.” DD: Is Paul still involved with the project? DG: I regret to inform you that we lost Paul last year. DD: I’m sorry to hear that. How old was he? DG: Paul was 91 at the time of his passing. SANTA CRUZ VIBES| 67


HOMELESS G A R D E N P R O J E C T DD: Did he remain in Santa Cruz, and was he actively engaged with the farm? DARRIE: Paul stayed connected to the project throughout his life. He served on our Board of Directors and continued to contribute as a visionary. He was a maverick who danced to his own tune, a characteristic shared by many visionaries. I consider the idea he had for the Homeless Garden Project to be one of the most potent concepts I’ve encountered in my life. It’s brilliant how this work generates multiple positive impacts. DD: How did you become involved with the Homeless Garden Project? DARRIE: After having my children, I felt a desire to transition my career towards something that could drive social change. I came across a book by Myles Horton titled “Unearthing Seeds of Fire,” where he stressed the importance of bringing together individuals facing common issues and empowering them to discover their own solutions. His approach was empowering, built on respecting people’s knowledge and wisdom. At the time, I had two young children, aged 4 and 7, and I first learned about the Homeless Garden Project at the Resource Center for Nonviolence. When I visited the farm, I witnessed a beautiful community working together, and I offered to create a newsletter for the Homeless Garden Project, hoping to increase awareness of the work being done there. Inspired by Myles Horton’s principles, I wanted to amplify the voices of trainees within the program. So, during a circle meeting, I requested their participation in the newsletter, expecting enthusiasm from many. However, only one person — Bill Tracey — a Vietnam War veteran, expressed interest and contributed a powerful piece titled “A Day in The Life of the Homeless Garden Project.” I also conducted interviews with other individuals to ensure their voices were heard in the newsletter, which was circulated as an insert in the Comic News, reaching 5,000 copies distributed throughout the county. It was a valuable opportunity for me to learn from trainees about their experiences, hopes and aspirations, providing them with a platform for sharing their stories, which the project had not offered at the time. Thankfully, they eventually hired me. 68 | SANTA CRUZ VIBES


HOMELESS G A R D E N P R O J E C T DD: Could you elaborate on how the program operates? How do you recruit participants, and what are the eligibility criteria for admission and continued involvement?

for extra hours. A few positions with added responsibilities receive higher pay. We also offer a modest wage increase for individuals who successfully meet their four-month milestone.

DARRIE: Our Program Manager and Training and Education Supervisor are primarily responsible for outreach efforts. They engage with various local service providers, promoting our program and its benefits. Word of mouth also plays a significant role, as enthusiastic program participants often share their positive experiences with friends and peers, leading to new recruits. At times, individuals express interest in our program but might not be immediately ready to join. In such cases, we maintain ongoing communication and support, ensuring they feel ready when the time is right. To formally become part of the program, interested individuals attend an information session, followed by an orientation. Afterward, they have the opportunity to complete a two-week trial hire. During this trial period, we emphasize the importance of punctuality and attendance. If a trial hire participant misses a day or is consistently late, they can return at a later time when they are fully committed.

DD: Could you share how many individuals have been served by the project to date?

ing in tents or cars. Could you elaborate on the requirements for participants to fulfill during their involvement?

DD: What percentage of program graduates find employment or secure housing upon completion?

DG: Currently, we do not provide housing for our trainees, though many have some form of shelter or are enrolled in residential programs. We do offer referrals and support to help individuals access shelter, but we understand that preferences vary greatly. Providing shelter to our trainees remains one of our long-term objectives, as stable housing can significantly enhance their chances of success during transitional employment.

DG: Over the past seven years, we have observed that 93% of our program graduates have found employment, and 84% have secured housing.

DD: Can you share one or two success stories from your years with the Homeless Garden Project that you’re particularly proud of?

DD: It’s remarkable that your participants commit to the program while liv-

DG: There are so many remarkable individuals I could highlight, but I’ll mention

DG: Over the years, we have impacted approximately 900 people.

Upon successful completion of the twoweek trial hire, individuals can apply for program admission, which involves submitting an application and participating in an interview. The interview process is not merely a job interview but an evaluation of their eligibility for our program. We seek individuals with a strong desire to use the program as a steppingstone to secure employment and housing. However, we also understand that some participants may face obstacles on their journey. Lastly, we place a significant emphasis on community engagement, looking for individuals who can contribute positively by displaying respect, cooperation and excellent attendance, as the sense of community is a critical factor in our participants’ success. DD: How many people does the Homeless Garden Project serve in a year? DG: We have 25 positions, including 22 regular positions that involve 20 hours of work per week, along with three positions designated for trial hires. Participants are compensated at the minimum wage rate of $15.50 for their 20-hour workweek, with additional opportunities SANTA CRUZ VIBES| 69


70 | SANTA CRUZ VIBES


HOMELESS G A R D E N P R O J E C T

Profile Photos: David Dennis

a couple of graduates from a few years ago. One now works in the produce department at New Leaf, where I often see him. Another is employed as a roaster at Cat and Cloud Coffee and resides in Boulder Creek. Additionally, there’s a graduate who has adeptly managed his stability, navigating several transitions after leaving the project. He’s relocated multiple times and held various jobs but consistently moves closer to his longterm aspirations. DD: How many employees are part of the Homeless Garden Project, and what are their roles? DG: We have a total of 18 staff members, including administrative personnel and program staff. Our program team consists of a Program Manager and a Training and Education Supervisor, and we also have a part-time licensed clinical social worker overseeing our socialwork program. On the farm, we employ a Farm Manager, a Crop Production Manager, and a Crop Production Assistant. Additionally, we have a Value-Added Enterprise Manager, a Workshop Assistant, and two retail employees. DD: What percentage of your current employees are former trainees? DG: At present, approximately 30% of our employees are former trainees, which is a testament to the effectiveness and success of our program.

DD: Could you share the annual budget of the Homeless Garden Project and its primary sources of funding? DG: Our annual budget hovers around $1.5 million. The majority of our funding, roughly 75%, comes from individual donations, while government funding typically accounts for less than 5% in a regular year. Approximately 25% of our budget is generated through our enterprises. The bulk of this revenue is derived from sales of value-added products. These enterprises are crucial sources of income, and we aim to increase their contribution as we continue to grow. DD: Can you provide more details about these enterprises? DG: We have two main enterprises: the farm enterprise and the value-added enterprise. The farm, located on the lower west side at the end of Delaware Avenue., is where we cultivate all our crops, which are utilized to provide lunches for staff, trainees, and volunteers. Through the farm enterprise, we offer Community Supported Agriculture (CSA) shares to the community. Members of our CSA program receive a box of produce and flowers every Friday, typically from midMay to mid-November. We also operate the Feed Two Birds program, which combines aspects of both enterprise and donation models. In this program, community members contribute funds

to support both our transitional employment program and provide fresh, organic produce to individuals facing food insecurity. The revenue from this program is pooled and directed towards distributing shares to our neighbors who lack access to sufficient food. Throughout the harvest season, we distributed 60 shares weekly to food-insecure individuals through 15 different nonprofit partners. DD: Tell me more about the farm on the west side. Are you purchasing that? I understand that you raised money for a larger farm in Pogonip? What happened with that? DG: So, in 1993, the city of Santa Cruz had purchased Pogonip, had put together a task force and was asking the community how they’d like to see it used. We told the city we were interested in having a farm at Pogonip. Then in 1998, after a lot of collaboration and planning, we were included in the Pogonip Master Plan. The City Council voted to include the Homeless Garden Project to have a farm in the Lower Meadow, and there were many steps between 1993 and 1998. Among other steps, we created a site plan and made an operations and management plan. And then in around 2015, with a sense of what it would cost to build a farm and support structures at Pogonip, conducted a feasibility study to see if we could raise the money to build the farm there. SANTA CRUZ VIBES| 71


HOMELESS G A R D E N P R O J E C T

When it was determined that we could, we started the campaign. We set a goal originally of $2.65 million, and then we updated it to $3.5 million. As the campaign grew, we became more clear about what was going to be happening there. We secured a 20-year lease with three five-year renewable terms. We did more site plans and got a design permit. But in 2019 we put the project on hold until soil testing could be completed to understand potential impacts of skeet shooting that went on there over 100 years ago. The contamination was above industrial and residential screening levels. And so the whole project was put on hold. As you can imagine, this was very difficult news for our organization. We can’t operate our program without land, and we know that securing a permanent site was a priority. Once we had a chance to regroup, we began to explore three potential sites: the Pogonip Lower Meadow, a site in south county that the 72 | SANTA CRUZ VIBES

County of Santa Cruz recently purchased and remaining on our current site. We’ve signed an agreement to purchase four acres of our beloved Natural Bridges Farm site. We’re thrilled by this progress, but we still have work to do because the deal isn’t final until we’ve secured entitlements. During this time, we’ve continued to operate and even grow our programs. And we’re extremely grateful that the community has continued to value and support our work. DD: Thank you for talking with me. Is there anything else you want people to know? DG: This year, our trainees are really going strong in the workshop. So, we have some beautiful dried flower wreaths and a lot to offer to the community – especially for holiday shopping. We sell online at shop.homelessgardenproject. org, and we have two brick-and-mortar stores in the county – 222 Esplanade Ave. in Capitola Village and 1338 Pacific

Ave. in Downtown Santa Cruz next to the Palomar Restaurant. Our trainees make and package all our products in a large workshop downtown using ingredients from the farm. We have beautiful handmade wreaths, bath and body products, candles, baking mixes, teas – more than 40 products that are all part of our training program. This interview underscores the organization’s sustainable social enterprise model, its historical journey and future aspirations. As a beacon of hope, the Homeless Garden Project not only transforms lives but also enriches the community through its artisanal products, emphasizing a message of resilience and empowerment. You can learn more about the program and buy CSA shares for next year to feed your friends and family and get beautiful flowers each week at homelessgardenproject.org.


2024 Season Passes Now on Sale! Visit the World’s Best Seaside Amusement park right here in your backyard! A BOARDWALK SEASON PASS PAYS FOR ITSELF IN LESS THAN 2 VISITS.

Choose your pass, choose your price! MEMBER BENEFITS

DELU XE

STA N DA RD

VA LUE

SEASON PASS

SEASON PASS

SEASON PASS

Unlimited Rides thru 12/31/24

Blackout Dates: Weekends & Holidays (including Friday, July 5th) Memorial Day weekend thru Labor Day

Bring-a-Friend-for-Free Days (select days)

Arcade Exclusives

$10 Off Ride Wristbands for friends (up to 4 friends per day)

10% Off Food & Select Retail

Unlimited Attractions thru 2024 (Laser Maze, Fright Walk, Laser Tag & Mini Golf)

All-Season MyBoardwalk Photos Digital Pass

Buy online today and save BIG! • beachboardwalk.com/sp24 SANTA CRUZ VIBES| 73


THE WINTER SOLSTICE IS AN EXACT ANNUAL MOMENT THAT CAPTIVATES HUMAN CULTURE By Amy Sousa

74 | SANTA CRUZ VIBES


Photo: Ryan “Chachi” Craig SANTA CRUZ VIBES| 75


WINTER S O L S T I C E

F

or thousands of years humans have gazed in wonder at the sun. Our fascination, reverence and celebration of its solstices are etched into ancient monuments and evident in countless archeological discoveries. As we step into December, let’s pause to ponder the winter solstice – a celestial event that holds the promise of hope, renewal and goodwill. The Winter Solstice: A Cosmic Turning Point The winter solstice, which occurs around December 21, marks a pivotal moment in the Earth’s annual journey around the sun. On this day, the Northern Hemisphere experiences the shortest period of daylight and the longest night of the year, officially heralding the arrival of winter. For astronomers and avid sky-watchers, the solstice is a key event in the calendar. However, its significance extends far beyond the realm of astronomy, reaching into the heart of human history and culture. Ancient California: The Ohlone Connection Long before the Spanish missions and modern civilization shaped the landscape of California, the Ohlone people, also known as the Costanoan, inhabited the Central Coast of the state. Their ancestral homeland spanned from the San Francisco Bay Area to the Big Sur coast. In “The Ohlone Way,” Malcolm Margolin provides a glimpse into the spiritual world of these ancient hunter-gatherers. Their connection to the sun, especially during the winter solstice, was profound. To honor the sun, they offered gifts of meals, beads, shells, and whiffs of tobacco smoke. (They perceived tobacco as a reflection of their own fondness for the plant, uniting them in a shared nature with the sun.) It’s just one example of the Ohlone’s deep reverence for the celestial events that guided their lives.

76 | SANTA CRUZ VIBES

Photo: iStock


WINTER S O L S T I C E Celebrating Yule: A Festival of Hope and Renewal In diverse cultures worldwide, the winter solstice has been a catalyst for celebration, echoing the triumph of light over darkness and the promise of renewal during the darkest days of the year. For many, the winter solstice is a time to embrace Yule, a traditional winter festival steeped in history and meaning. Yule embodies the concept of rebirth as the sun begins its gradual ascent in the sky, symbolizing hope during the winter’s darkest moments. This festival has transcended time, with its roots deep in the ancient traditions of numerous cultures. Yule often features customs like lighting candles, decorating evergreen trees, and sharing feasts, creating an atmosphere of joy and togetherness.

renewal. On the other hand, “Yuletide” is a broader term encompassing the entire holiday season, including Christmas and New Year’s. During Yuletide, the focus is on spreading merriment, goodwill, and festivity. It brings people together in a shared celebration of warmth and togetherness.

Yule vs. Yuletide: A Subtle Distinction The terms “Yule” and “Yuletide” are frequently used interchangeably, but there exists a subtle distinction between them. “Yule” refers specifically to the historical festival celebrated around the winter solstice. It harkens back to the ancient practices of the Norse and other cultures, which embraced the return of the sun’s light as a symbol of hope and

Whether you find solace in the ancient traditions of the Ohlone people, the Yule celebrations of old, or the festive spirit of Yuletide, the winter solstice invites us to connect with the world around us and recognize the enduring cycles of life. In a world often marked by change and uncertainty, the solstice remains a timeless symbol of celebrating light – and life itself.

Embracing the Solstice Spirit As we reflect on the beauty and significance of the winter solstice, it becomes evident that this celestial event transcends boundaries of time and culture. The solstice is an annual reminder that our lives, like the Earth’s journey around the sun, are cyclical. It encourages us to celebrate the triumph of light over darkness, embrace the promise of renewal, and unite in the spirit of hope and togetherness.

DURING YULETIDE,

THE FOCUS IS ON

SPREADING MERRIMENT, GOODWILL, AND FESTIVITY. IT BRINGS

PEOPLE TOGETHER IN A

SHARED CELEBRATION

OF WARMTH AND

TOGETHERNESS. SUGGESTED WINTER READING Susan Cooper, a renowned British fantasy author collaborated with American illustrator Carson Ellis to create “The Shortest Day,” a beautifully illustrated children’s book that brings Cooper’s winter solstice poem to life in a way that celebrates both Yule and Yuletide.

Photo: Matt Hofman SANTA CRUZ VIBES| 77


Location: Steamer Lane, Santa Cruz, CA Photo: Ryan “Chachi” Craig

78 | SANTA CRUZ VIBES


SANTA CRUZ VIBES| 79


New Flavors. New Flair. It’s a New Day at Solaire. Come experience the culinary reimagining of Solaire at Hotel Paradox.

7 am - 9 pm | 611 Ocean Street, Santa Cruz, CA | 831-600-4525 | hotelparadox.com

80 | SANTA CRUZ VIBES


SANTA CRUZ VIBES| 81


FAMILY FRIENDLY LARGE GROUPS

LIVE SPORTS HOLIDAY PARTIES CATERING H E AT E D P AT I O S ALOHA VIBES

WE PUT DA ‘ONO IN PONO! FOLLOW US!

THREE LOCATIONS! ORDER ONLINE 82 | SANTA CRUZ VIBES

120 UNION ST DTSC 3744 CAPITOLA RD 86 N MARKET DTSJ

W W W . P O N O H A W A I I A N . C O M


Beautifully curated selection of plants, holiday decor & ornaments, & gifts for everyone at two unique locations. Santa Cruz 420 Water Street (831)466-3444

diggardens.com

Aptos 7765 Soquel Drive (831)688-7011 SANTA CRUZ VIBES| 83


Photo: Ryan “Chachi” Craig 84 | SANTA CRUZ VIBES


beeline FROM THE ASHES OF THE CZU FIRE A COMMUNITY GARDEN WAS BORN By Laura Palmer Photos by Beeline Blooms

W

hen I’m running late for something new, it often leads to anxiety and tunnel vision, my focus fixated solely on my destination. However, my arrival at Beeline Blooms on Stephens Road in the mountains was different. Despite some detours and encountering road bikers on Alba Road, I felt a literal and figurative breath of fresh air as I stepped out of my car.

Entering the garden, the deer fencing caught my eye, subtly reminding me of our forest surroundings. Cleverly camouflaged with a mix of biennial, perennial, and annual flowers alongside a row of corn, it hinted at the existence of a real-life Secret Garden. My attention then turned to the Dahlias, still vibrant even late in the season. Rows of white, pink, orange, and red Dahlias in various shapes and sizes adorned the garden. Beeline Blooms, operated by sisters Karla DeLong and Katrina London, patiently answered my questions about Dahlias and their farm. They shared their pest control philosophy, emphasizing inviting and encouraging the ecology to maintain itself. This approach extends to the entire farm. They use only foliar sprays like kelp for plant health, and they deter pests like gophers with companion plants such as marigolds, foxgloves, delphinium, and daffodils. Beeline Blooms exclusively sells their flowers on-site, with a small section of vegetables that includes tomatoes, squash, green beans, and soon, sweet peas for spring. They don’t have a farm stand or participate in farmers’ markets. To acquire their products, you must visit in person and experience the space, a deliberate journey through mountain towns like Ben Lomond, Bonny Doon, or Boulder Creek. SANTA CRUZ VIBES| 85


BEELINE B L O O M S

In the post-pandemic world, where you can order everything from holiday gifts and handmade art to groceries, therapy, and medication online, it can be a Herculean effort to leave your house. But community isn’t found on a screen, and connection doesn’t come from the click of a mouse. It can come from the click of shears cutting through flower stems. I’m a plant enthusiast through and through, and while I usually have little to say that doesn’t relate to plants in one way or another, my visit to Beeline Blooms left me captivated by the diversity of floral forms, the companion planting to attract beneficial pollinators, and the surprising absence of overwhelming pest and disease issues in such a compact garden with minimal pest control. I love plants, and I appreciate people. Beeline Blooms uses plants to show love to people, which piqued my interest. I could go on describing the garden in detail, but if you’re curious about how it looks, smells, and feels, go and see it. You’re invited. 86 | SANTA CRUZ VIBES

Beeline Blooms began as a passion project—a way to give back to the community and heal a piece of scorched earth and wounded hearts. When Karla saw the Google Earth image of the burn scar on her property from the 2020 CZU complex fire, she decided to create something visible from space; she would make it a rainbow. Originally, this was a gift, a means to bring joy and restore the community after the fractures of 2020. After a successful first year, they raised funds for the Alba Schoolhouse and provided hundreds of bouquets to neighbors, fire survivors, and new friends who came to enjoy this little spot of joy on the side of a mountain. Beeline Blooms embarked on their second year, wondering if this project could be sustainable. My question upon hearing this was whether the project was more than just a therapy garden and flower farm.

WE’RE NOT AIMING TO BE

C O M M U N I T YSUPPORTED A G R I C U LT U R E . WE’RE BUILDING AN

AG R I C U LT U R E-

SUPPORTED C O M M U N I T Y.


BEELINE B L O O M S “People have asked if we would do CSA boxes or a similar model where you pay upfront and then receive something later. We’re flipping that model,” Karla explained while marking variety names on flagging tape to catalog each plant. “We’re not aiming to be community-supported agriculture. We’re building an agriculture-supported community.” Karla and her husband Dan share this vision of Beeline Blooms as a place where they want to be and where others want to join them. This year, they experimented with a U-pick model that brought people to the farm, allowed for flower distribution, and freed the owners from making every bouquet. It also provided a financial boost and gave them more time for their favorite aspects: volunteer days and educational opportunities. Both Karla and Katrina have other occupations, like Karla’s role as an educator at Mountain Feed and Farm Store in Ben Lomond. Karla described her role as the plant enthusiast, while Katrina, with nearly two decades of experience as a youth educator and program coordinator, manages the business side.

Together, they channel their skills and passion into driving the project forward. They organize volunteer days (currently on Wednesdays from 10 a.m. to 1 p.m.) and plan to host educational workshops, such as a series on tuber lifting and dividing, providing hands-on learning and participation. Everyone, regardless of their gardening experience, can contribute to the garden’s growth and return next summer, saying, ‘I helped build this, and look at how beautiful it is.’ Beeline Blooms isn’t just a business; it’s a labor of love, an outdoor extension of the community space they worked to rebuild. From my first visit, I wholeheartedly agree. Beeline Blooms is everything one could hope for – welcoming, inviting, and extraordinarily beautiful. As the years go by and people start moving on from the fire tragedy, the land and the community will continue to reshape itself. The physical community center may get rebuilt, but until then, and even after, let’s hope this new, beautiful heart will continue pumping rainbow joy into the homes of locals and visitors alike.

SANTA CRUZ VIBES| 87


PRIME RIB & WINE PAIRING 88 | SANTA CRUZ VIBES


SIMPLE PRIME RIB INGREDIENTS 5 pounds beef prime rib (if larger, double the spices/seasonings) 1 ½ teaspoons sea salt 2 teaspoons ground pepper 2 teaspoons fresh rosemary 1 teaspoon fresh thyme 8 cloves garlic minced 1/4 cup olive oil Horseradish, for serving (optional)

INSTRUCTIONS 1. Bring meat to room temperature: Remove prime rib from the refrigerator one hour before cooking. Season it on all sides with salt and cover it loosely with plastic wrap as it comes to room temperature. Prime rib roast will cook better and more evenly when it’s at room temperature. 2. Adjust oven racks: When you are ready to cook the prime rib, lower/adjust your oven rack so the meat will cook in the center of the oven. Preheat the oven to 500 degrees F. 3. Combine seasonings: In the meantime, mix together salt, pepper, rosemary, thyme, garlic and olive oil. 4. Prepare roast: Pat the roast with paper towels. Spoon seasoning over it, rubbing it onto all sides. Place bone-in roast with the bones down, inside a roasting cast-iron pan. Place a boneless roast on a rack inside the pan.

SHOPPERS CORNER MEAT DEPARTMENT IS ONE OF THE FEW REMAINING OLD-TIME BUTCHER SHOPS IN THE COUNTRY 5. Bake prime rib at 500 degrees for 15 minutes, then reduce the oven temperature to 325 degrees and continue baking until desired level of doneness. Use a meat thermometer to check the temperature of the meat. 6. Important: The meat will continue to cook as it rests out of the oven so remove it from the oven 5-10 degrees before it reaches your optimal temperature.) 7. Rest: Remove it from the oven and tent it with foil. Allow it to rest for 30 minutes before carving. 8. Carve prime rib roast by slicing against the grain into about ½-inch thick slices. Serve with horseradish, if desired * Rare: 120 degrees F (about 10-12 minutes/pound). Medium Rare: 130 degrees F (about 13-14 minutes/pound). Medium: 140 degrees F (about 14-15 minutes/pound). Medium Well: 150 degrees F.

BEST WINES FOR PRIME RIB If you want the perfect wine for your prime-rib dinner and you need a nudge in the right direction, the following are some wine selections you might try. Barolo is rich, full bodied, and bright with notes of rose, tar and dried herbs. It’s aged for at least two years in oak and one year in the bottle, and has a moderate alcohol content. Rioja Gran Reserva-is Spain’s Gran Reserva is a structured, tannic wine. It’s similar to cabernet with more fruit in the balance, especially dark cherry notes.

Malbec is another dark, intense, tannic varietal. It has notes of plum, garlic, and tobacco, all of which bring out the flavors in the meat. Look for Malbecs from France, Argentina, California, and Washington. Syrah-or Shiraz, as the varietal is known in Australia, is even darker and more tannic than cabernet. It’s a chewy, full-bodied wine with notes of pepper, berries, tobacco, and smoke—the perfect complement to a meaty dish like prime rib.

SANTA CRUZ VIBES| 89


BARRIOS U N I D O S

BY: JOSH PATSTONE PHOTOS: BARRIOS UNIDOS

KAPIT BISIG TOUR: STRENGTHENING LABOR SOLIDARITY

Barrios Unidos recently hosted a labor solidarity event featuring Elmer ‘Ka Bong’ Labong, chairman of Kilusang Mayo Uno (KMU). The discussion encompassed themes of international labor unity and the pressing issues in the Philippines under the presidency of Ferdinand Marcos Jr. Amidst a rising labor movement in both America and the Philippines, this event aimed to invigorate workers across various sectors — writers, graduate students, autoworkers, service industry, health and logistics workers — to leverage their collective labor as a political force. It sought to amplify the fight for livable wages in both nations while advocating for equitable labor rights and addressing systemic challenges. It is no surprise this event would take place at Barrios Unidos. Born out of the Chicano Movement and United Farm Workers struggle, Barrios Unidos looks to continue the rich history of solidarity between Chicanos and Filipinos — learning from the past and designing a future that honors and progresses the work of those before us. It is unknown to many that Filipinos were the first to start what would later be known as the historic United Farm Workers Movement. This history is often overshadowed by the work of Cesar Chavez and Dolores Huerta. Though the contributions of these iconic figures remain massive and invaluable, it is important to acknowledge the leadership of Filipino farmworkers such as Larry Itliong, whose efforts and sacrifices started the movement and helped lead it forward. Now, a new generation of labor leaders are seeking to work toward designing a world where the value produced in society is owned by those who produce it. This struggle is inextricably tied to the labor movement in America and locally in Santa Cruz. In many ways, Santa Cruz has been a trailblazer within the international labor movement. UC Santa Cruz graduate students and Santa Cruz Starbucks were among the first to strike, sparking a domino effect within the UC system and national Starbucks chapters. Filipino and Mexican farmworkers in Santa Cruz County also have a rich history of labor struggle. It is no coincidence that Santa Cruz was the first stop on this international solidarity tour. Barrios Unidos seeks to continue the longstanding solidarity between Filipinos, Chicanos and the workers of the world, which is an undeniable facet of the Chicano Movement. 90 | SANTA CRUZ VIBES

NOW, A NEW GENERATION

OF LABOR LEADERS ARE

SEEKING TO WORK

TOWARD DESIGNING A WORLD WHERE THE VALUE PRODUCED IN SOCIETY IS OWNED BY

THOSE WHO PRODUCE IT.


BARRIOS U N I D O S

COMMUNITY ENGAGEMENT AND CULTURAL CELEBRATIONS Barrios Unidos operates a food pantry at 1817 Soquel Ave., offering provisions from Costco and Trader Joe’s to community members every Friday and Saturday from 11 a.m. to 1 p.m. The pantry operates on a no-questionsasked basis, responding promptly to emergencies like the Pajaro floods, and aiding affected families with food, furniture and toiletries. Additionally, the organization extends its support to families of incarcerated youth. In tandem with their community outreach efforts, Barrios Unidos celebrated Dia De Los Muertos, preserving Mexican traditions by inviting community participation in creating altars to honor and remember loved ones. The celebration included food, beverages and an Aztec dance ceremony, inviting attendees to partake in this cherished cultural event.

Photo: iStock

AB 280: ADVOCATING AGAINST SOLITARY CONFINEMENT On Sept. 7, Barrios Unidos orchestrated and participated in a mobilization advocating for Assembly Bill 280, which adamantly opposes solitary confinement in California. The organization presented an interactive prison trailer — a replica of a Pelican Bay Solitary Housing Unit (SHU) — to underscore the dehumanizing aspects of this practice. Survivors of solitary confinement, including Barrios Unidos staff, offered poignant testimonies of their experiences, further reinforcing the resounding call to abolish this inhumane form of punishment.

SANTA CRUZ VIBES| 91


WINTER IS THE SEASON FOR SURFERS & WE LOVE IT! The waves break harder and are more consistent, the sunrises are intense and vibrant! We read buoy reports and wear multiple layers and beanies and we go check the waves multiple times a day. Winter also brings sandbars and we live for those too! Welcoming another Winter in Santa Cruz!

@nellysmagicmoments 92 | SANTA CRUZ VIBES


SANTA CRUZ VIBES| 93


1003 CEDAR ST. SANTA CRUZ, CA 95060 OPEN DAILY 3PM - 2AM

…WISHES YOU JOY, PEACE PEACE,, AND LOVE THIS HOLIDAY SEASON AND ALWAYS.

SPECIALTY COCKTAILS • RARE WHISKEYS, BOURBONS AND TEQUILAS • LARGE SELECTION OF MEZCAL • OUTDOOR SEATING DOG FRIENDLY, WOOF!

REDROOMCOCKTAILLOUNGE

A BOWL FULL OF LOVE

RAMEN KAITO AT THE CAPITOLA MALL FOOD COURT

THE ENTRANCE TO THE FOOD COURT IS ON CLAIRES ST. BETWEEN TARGET AND MACYS 94 | SANTA CRUZ VIBES

RAMENKAITO.COM (831) 464-2586


SANTA CRUZ VIBES| 95


96 | SANTA CRUZ VIBES


Location: Maverick’s, Half Moon Bay, CA. Surfer: Matt Becker Photo: Ryan “Chachi” Craig

SANTA CRUZ VIBES| 97


98 | SANTA CRUZ VIBES


Winged Majesty 2022’S RARE SIGHTING OF BALD EAGLES LEFT A LASTING MEMORY By Dianna Glidden

Photo: Chad Schaefer SANTA CRUZ VIBES| 99


BALD E A G L E

Photo: Chad Schaefer

E

very morning, in those quiet pre-dawn moments when the world is still waking, nature’s treasures come alive. The birds, along with skunks, raccoons, coyotes, owls, deer, otters, seals, sea lions, dolphins, seabirds, and even the occasional sea turtle and whales, grace the shores of Monterey Bay National Marine Sanctuary. This sanctuary, spanning a vast 6,000 square miles, is a realm of wonder and diversity akin to a natural paradise. My trusty camera slung over my shoulder, I embark on my daily quest to capture the beauty of this coastal haven. Whether they’re gliding through the air, foraging in the bushes, flitting about in the meadows or pecking at the sand, I’m always astounded by the creatures that call this sanctuary home. Established in September 1992, Monterey Bay National Marine Sanctuary is the largest marine sanctuary in the United States, stretching along 276 miles of coastline from north of San Francisco to Cambria in San Luis Obispo County. It was championed by Congressman Leon Panetta, who saw the need to protect

100 | SANTA CRUZ VIBES

Photo: Kara Capaldo

this incredible expanse. President George H. W. Bush took a critical step by using a 1953 law to prohibit oil drilling in the sanctuary. However, in 2017, a move to “re-evaluate its protected status” by the Trump administration, including the Davidson Seamount off Big Sur, stirred concerns. Thankfully, the ongoing resistance has kept the threats of oil and gas exploration at bay. I’m not the only early riser along these protected shores. As I start my day with sunrise Qigong practice and a five-mile walk, I often meet fellow nature enthusiasts taking a leisurely stroll, jogging or walking their dogs. We share a deep appreciation for this unique haven, knowing how fortunate we are to witness its wonders. There are countless stories to tell, such as the day I stumbled upon the tracks of an immense sea turtle beneath the New Brighton bluff. But today, I want to share a story that stands out among them all — the first-ever sighting of bald eagles in this bay. On May 1, 2022, at 6:07 a.m., an adult female bald eagle appeared in the frame of my Canon PowerShot SX70 HS. I later named her Henrietta, and her

juvenile companion became “Casey.” On a particular morning, I ventured into the New Brighton Campground and as I rounded a bend on the path to the beach, I gazed out across the bay. To my astonishment, I spotted Henrietta and Casey roosting together in an old, dead snag. Had I imagined it? It was an indescribable moment of surprise and delight. Birdwatching has been a lifelong passion for me, stemming from my childhood in Connecticut. My parents kept a bird feeder outside our kitchen window, and I fondly remember my dad, an artist, marveling at the beauty of a male cardinal in the snow. When I moved to the West Coast, I carried my Peterson’s Field Guide of Western Birds with me, worn and well-loved. The guide has always been my trusted companion, helping me identify and distinguish between the countless avian wonders I’ve encountered over the years. The bald eagles’ appearance in Monterey Bay was a truly extraordinary event. Witnessing two bald eagles take flight just feet away from me, their majestic wings unfurling, was a moment of pure wonder. Bald Eagles aren’t typically seen in this


BALD E A G L E region, and none of us had ever encountered them here. I managed to capture their flight, standing in awe, my camera lens zooming in to document the breathtaking spectacle. Henrietta and Casey remained a remarkable pair. However, the absence of a third eagle raised questions. Bald Eagles mate for life, and it left us pondering whether wildfires in the region had separated them. Eagles are known to soar as high as 10,000 feet, and my heart aches thinking of the devastating wildlife losses in the face of rampant wildfires, fueling the urgency of addressing global warming. The Bald Eagle, our national symbol since 1782, faced endangerment at one point but has made a remarkable recovery. Learning about these magnificent creatures revealed fascinating details — less than 40% of Bald Eagles survive their first year, yet those that do can live up to 20 years in the wild and 36 in captivity. Interestingly, the females are larger, are larger than the males, with wingspans reaching eight feet and weights of up to 14 pounds. Notably, the Guinness World Record holds a Bald Eagle nest weighing a staggering 4,400 pounds.

Photo: Dianna Glidden

I hope this tidbit of information inspires readers to delve further into the remarkable world of these eagles. I also hope the photographs shared here serve as a source of inspiration for all to appreciate the boundless beauty and wildlife Monterey Bay offers.

EAGLES SPOTTED IN WATSONVILLE In November, residents and businesses near the Watsonville Airport and Ranport Road area of Watsonville reported witnessing a pair of Bald Eagles. It is not known if it is the same pair previously seen near New Brighton in 2022. If so, we’re happy to see them spread their wings and expand their horizons!

Photo: Chad Schaefer SANTA CRUZ VIBES| 101


CONNECTED MOVIE & TV R E V I E W

By Brian Upton

IN THEATERS

Hunger Games: The Ballad of Songbirds & Snakes The latest installment of “The Hunger Games” starts with a compelling dive into the origin of the sinister world of Panem. The prequel takes place 64 years before Katniss Everdeen volunteered as a tribute in the Capitol’s Hunger Games, a battle in which young contestants fight to the death. The film presents another nuanced exploration of power and morality as viewers meet young Coriolanus Snow (Tom Blyth) decades before he becomes the evil “President Snow” who was expertly portrayed by Donald Sutherland in the franchise. “Songbirds & Snakes” unfortunately fails to maintain its predecessors’ intensity and emotional engagement. There are some highlights. PETER DINKLAGE’S portrayal of Casca Highbottom, Dean of the Academy and the unintentional creator of the Hunger Games, and Viola Davis as Dr. Volumnia Gaul stand out. I desperately wanted this movie to work, but the pacing felt

STREAM IT

One Christmas Eve a long time ago, a baby crawled into Santa’s bag of toys... Raised as an elf, Buddy (WILL FERRELL) grows into an adult three times larger than the biggest elf--and realizes that he will never truly fit in at the North Pole. Buddy goes looking for his true place in the world this holiday season--in New York City. Buddy finds his workaholic father (James Caan)--who’s on Santa’s “naughty” list and at odds with tyrannical children’s author played by PETER DINKLAGE, a new mother (Mary Steenburgen), and a 10-year-old brother who doesn’t believe in Santa Claus or elves. Now, Buddy discovers his destiny- to save Christmas for New York and the world!​

102 | SANTA CRUZ VIBES

uneven, with too many moments of tension muted by uninspired narrative arcs. Like the other Hunger Games movies, the underlying strength is in the social commentary, examining how individuals might navigate ethical dilemmas in a dystopian society. The underlying issue with “Ballad of Songbirds & Snakes” is that we know from the outset that Snow is a villain, and the absence of a clear moral compass for the main character reduces the stakes. So, what is a Hunger Games movie without stakes? It’s a 2.9 on the Vibe-O-Meter is what it is.

BINGE IT

“The Office,” a critically acclaimed mockumentary sitcom, dives into the mundane yet humorous lives of employees at the Scranton branch of Dunder Mifflin Paper Company. Set in Pennsylvania, the series follows a diverse group of office workers navigating the absurdities and complexities of corporate life. From the awkwardness of office parties to the persistent threat of downsizing, the series portrays the commonplace challenges and eccentricities of the workplace in an immensely entertaining manner. The ensemble cast, featuring Steve Carell, Rainn Wilson, John Krasinski, Jenna Fischer, and cameos by WILL FERRELL, Jack Black and Amy Adams breathe life into the characters with impeccable comedic timing and remarkable on-screen chemistry.


A SANTA CRUZ TRADITION SINCE 1967

UPCOMING EVENTS

DECEMBER 06, 2023

DECEMBER 08, 2023

DECEMBER 09, 2023

ARMOR FOR SLEEP

SCOWL

DECEMBER 14, 2023

DECEMBER 15, 2023

DECEMBER 16, 2023

SAMMY JOHNSON

LIVE AT THE RIO THEATRE

OZOMATLI

LIVING LEGENDS W/ THE GROUCH & BROTHER ALI

DECEMBER 20, 2023

DEATH ANGEL

X

DECEMBER 31, 2023

GIMME GIMME DISCO NEW YEARS EVE PARTY

JANUARY 06, 2024

Y&T

JANUARY 16, 2024

JANUARY 28, 2024

FEBRUARY 08, 2024

SLAUGHTER BEACH, DOG

THE DISCO BISCUITS

THE ELOVATERS

SANTA CRUZ VIBES| 103


NEW YEAR SPECIAL

10% OFF

WHEN YOU MENTION THIS AD

RESIDENTIAL

& COMMERCIAL

PLUMBING PLUMBINGANDFIRESPRINKLERS.COM

104 | SANTA CRUZ VIBES


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.